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March 29Th Calendar
Monterey Bay Black Folks Event Calendar Mon Mar 29 to Sun Apr 4 2021 Edition March is ... About the Monterey Bay Black Folks Event Calendar The purpose of the Monterey Bay Black Folks Event Calendar is to connect the Black Community of CSU Monterey Bay with the local Black Communities of the Greater Monterey Bay Area. The idea for the calendar came out of the community forums organized as part of CSUMB's annual Super Saturday Black student recruitment events. The Calendar is edited by Steven Goings with new editions being released every Monday. 1) To submit an event to the BFC for possible publication, click on this link: BFC Event Submission Form 2) To submit a "My Take" article, send a word document (NOT pdf!) along with your name and email address to [email protected] 3) To submit a "In the Spotlight" biography and picture of a community leader, send to a word document and digital picture to [email protected] Editor's Note: Throughout this newsletter, Blue Underlined copy (including above!) indicates a searchable link. Steven's Take on: The Importance of Black Intersectionality As some readers will know, I have been active over the years with the Monterey County Branch NAACP, the local LGBTQ+ Community, Communities of Faith and the National Coalition Building Institute (NCBI). NCBI's motto (borrowed from the 3 Musketeers!) is All for One and One for All. Of our many NCBI principles, my favorite is Principle One: Everyone, Every Group, and Every Issue Counts. NCBI starts from the premise that every group and every one of our identities matters. -
Download Transcript
This transcript was exported on Mar 15, 2021 - view latest version here. Laura Cox Kaplan: Ready to add a big dose of positivity and empowered perspective to your day? You've come to the right place. Welcome to She Said/She Said Podcast. I'm Laura Cox Kaplan. Here, we tackle everything from imposter syndrome and confidence building to the best advice on how to lead yourself through life pivots, including the ones that knock you flat. For the past three years, I've talked to hundreds of experts about their stories. Here, you'll find their actionable advice and lessons, as well as my own tools that you can put to use in your own life. Stick around. I think you'll find this investment in you well worth it. Hi friend. Welcome to She Said/She Said. Today, we're going to be talking about one of the greatest American success stories. It's the success story of Madam C. J. Walker. Now, she was the first Black woman millionaire in America, a washer woman who literally rose to become an international entrepreneur. She also happened to be the first in her family to have been born free after Emancipation Proclamation. It is an incredible, incredible story. Madam Walker made her fortune by creating a product that she and others needed, but the product actually became the conduit for something that was much more significant and transformational for many women of her generation and that particularly applies to women of color. There are so many things to love about this story. -
Written Evidence Submitted by Netflix
Written evidence submitted by Netflix Submission to Digital, Culture, Media and Sport Committee inquiry The future of Public Service Broadcasting June 2020 Netflix in the UK 1. Netflix is a streaming subscription video on demand (SVoD) service that allows customers to watch a wide variety of TV shows, films, documentaries, and more over the internet and ad-free on any one of thousands of internet-connected devices at a time and place of their choice. We are a global service, offered in 190 countries with close to 180 million subscribers, of whom over 12 million are in the UK. 2. The UK is one of Netflix’s top three locations for production globally, along with the U.S. and Canada. In 2019 we invested over £400m1 here in local content, with over 50 different shows in production including co-productions with the public service broadcasters and in total over £500m in UK production - a third of all our production in Europe. We expect our investment here to continue growing; our long-term commitment to the UK creative community and our intention to increase our investment in production is also reflected in our announcement last year that we are creating a dedicated production hub in the UK, based at Shepperton Studios.2 3. Localised content is increasingly a priority for our business, both in the UK and around the world. Since 2019 we have appointed several UK-based commissioners overseeing scripted and unscripted content, including drama, comedy, factual, and kids and family - all of whom built their careers in the UK film and TV industry, including with the PSBs. -
"Gone with the Wind", "Roots", and Consumer History
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 1993 Remembering to Forget: "Gone with the Wind", "Roots", and Consumer History Annjeanette C. Rose College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the American Literature Commons Recommended Citation Rose, Annjeanette C., "Remembering to Forget: "Gone with the Wind", "Roots", and Consumer History" (1993). Dissertations, Theses, and Masters Projects. Paper 1539625795. https://dx.doi.org/doi:10.21220/s2-g6vx-t170 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. REMEMBERING TO FORGET: GONE WITH THE WIND. ROOTS. AND CONSUMER HISTORY A Thesis Presented to The Faculty of the American Studies Program The College of William and Mary in Virginia In Partial Fulfillment Of the Requirements for the Degree of Master of Arts by Anjeanette C. Rose 1993 for C. 111 APPROVAL SHEET This thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts CJ&52L- Author Approved, April 1993 L _ / v V T < Kirk Savage Ri^ert Susan Donaldson TABLE OF CONTENTS Page ACKNOWLEDGEMENTS................................................................................. v ABSTRACT.........................................................................................................................vi -
Television Academy Awards
2019 Primetime Emmy® Awards Ballot Outstanding Comedy Series A.P. Bio Abby's After Life American Housewife American Vandal Arrested Development Atypical Ballers Barry Better Things The Big Bang Theory The Bisexual Black Monday black-ish Bless This Mess Boomerang Broad City Brockmire Brooklyn Nine-Nine Camping Casual Catastrophe Champaign ILL Cobra Kai The Conners The Cool Kids Corporate Crashing Crazy Ex-Girlfriend Dead To Me Detroiters Easy Fam Fleabag Forever Fresh Off The Boat Friends From College Future Man Get Shorty GLOW The Goldbergs The Good Place Grace And Frankie grown-ish The Guest Book Happy! High Maintenance Huge In France I’m Sorry Insatiable Insecure It's Always Sunny in Philadelphia Jane The Virgin Kidding The Kids Are Alright The Kominsky Method Last Man Standing The Last O.G. Life In Pieces Loudermilk Lunatics Man With A Plan The Marvelous Mrs. Maisel Modern Family Mom Mr Inbetween Murphy Brown The Neighborhood No Activity Now Apocalypse On My Block One Day At A Time The Other Two PEN15 Queen America Ramy The Ranch Rel Russian Doll Sally4Ever Santa Clarita Diet Schitt's Creek Schooled Shameless She's Gotta Have It Shrill Sideswiped Single Parents SMILF Speechless Splitting Up Together Stan Against Evil Superstore Tacoma FD The Tick Trial & Error Turn Up Charlie Unbreakable Kimmy Schmidt Veep Vida Wayne Weird City What We Do in the Shadows Will & Grace You Me Her You're the Worst Young Sheldon Younger End of Category Outstanding Drama Series The Affair All American American Gods American Horror Story: Apocalypse American Soul Arrow Berlin Station Better Call Saul Billions Black Lightning Black Summer The Blacklist Blindspot Blue Bloods Bodyguard The Bold Type Bosch Bull Chambers Charmed The Chi Chicago Fire Chicago Med Chicago P.D. -
Televisionization: Enactments of TV Experiences in Novels from 1970 to 2010 Claudia Weber
Claudia Weber Claudia Televisionization Enactments of TV Experiences in Novels from 1970 to 2010 Claudia Weber Televisionization Claudia Weber pursued her doctoral studies both at Stock- holm University, Sweden and Justus-Liebig-Universität Giessen, Germany. She is now employed at Technische Universität Darmstadt, Germany where she works in higher education didactics. ISBN 978-91-7447-979-9 Department of English Doctoral Thesis in English at Stockholm University, Sweden 2014 Televisionization: Enactments of TV Experiences in Novels from 1970 to 2010 Claudia Weber Televisionization Enactments of TV Experiences in Novels from 1970 to 2010 Claudia Weber © Claudia Weber, Stockholm University 2014 ISBN 978-91-7447-979-9 Printed in Sweden by Stockholm University Press, Stockholm 2014 Distributor: Department of English Abstract TV’s conquest of the American household in the period from the 1940s to the 1960s went hand in hand with critical discussions that revolved around the disastrous impact of television consumption on the viewer. To this day, watching television is connected with anxieties about the trivialization and banalization of society. At the same time, however, people appreciate it both as a source of information and entertainment. Television is therefore ‘both…and:’ entertainment and anxiety; distraction and allurement; compan- ionship and intrusion. When the role and position of television in culture is ambiguous, personal relations with, attitudes towards, and experiences of television are equally ambivalent, sometimes even contradictory, but the public and academic discourses on television tend to be partial. They focus on the negative impact of television consumption on the viewer, thereby neglecting whatever positive experiences one might associate with it. -
The One Who Knocks: the Hero As Villain in Contemporary Televised Narra�Ves
The One Who Knocks: The Hero as Villain in Contemporary Televised Narra�ves Maria João Brasão Marques The One Who Knocks: The Hero as Villain in Contemporary Televised Narratives Maria João Brasão Marques 3 Editora online em acesso aberto ESTC edições, criada em dezembro de 2016, é a editora académica da Escola Superior de Teatro e Cinema, destinada a publicar, a convite, textos e outros trabalhos produzidos, em primeiro lugar, pelos seus professores, investigadores e alunos, mas também por autores próximos da Escola. A editora promove a edição online de ensaio e ficção. Editor responsável: João Maria Mendes Conselho Editorial: Álvaro Correia, David Antunes, Eugénia Vasques, José Bogalheiro, Luca Aprea, Manuela Viegas, Marta Mendes e Vítor Gonçalves Articulação com as edições da Biblioteca da ESTC: Luísa Marques, bibliotecária. Editor executivo: Roger Madureira, Gabinete de Comunicação e Imagem da ESTC. Secretariado executivo: Rute Fialho. Avenida Marquês de Pombal, 22-B 2700-571 Amadora PORTUGAL Tel.: (+351) 214 989 400 Telm.: (+351) 965 912 370 · (+351) 910 510 304 Fax: (+351) 214 989 401 Endereço eletrónico: [email protected] Título: The One Who Knocks: The Hero as Villain in Contemporary Televised Narratives Autor: Maria João Brasão Marques Série: Ensaio ISBN: 978-972-9370-27-4 Citações do texto: MARQUES, Maria João Brasão (2016), The one who knocks: the hero as villain in contemporary televised narratives, Amadora, ESTC Edições, disponível em <www.estc.ipl.pt>. This work is licensed under a Creative Commons Attribution-NonCommercial-No Derivatives 4.0 International License. https://wiki.creativecommons.org/wiki/CC_Affiliate_Network O conteúdo desta obra está protegido por Lei. -
The Hero As Villain in Contemporary Televised Narratives
THE ONE WHO KNOCKS: THE HERO AS VILLAIN IN CONTEMPORARY TELEVISED NARRATIVES Maria João Brasão Marques Dissertação de Mestrado em Línguas, Literaturas e Culturas Estudos Ingleses e Norte-Americanos Março de 2016 Dissertação apresentada para cumprimento dos requisitos necessários à obtenção do grau de Mestre em Línguas, Literaturas e Culturas – Estudos Ingleses e Norte-Americanos realizada sob a orientação científica da Professora Doutora Isabel Oliveira Martins. Show me a hero and I will write you a tragedy. F. Scott Fitzgerald AGRADECIMENTOS À minha orientadora, a Professora Doutora Isabel Oliveira Martins, pela confiança e pelo carinho nesta jornada e fora dela, por me fazer amar e odiar os Estados Unidos da América em igual medida (promessa feita no primeiro ano da faculdade), por me ensinar a ser cúmplice de Twain, Fitzgerald, Melville, McCarthy, Whitman, Carver, tantos outros. Agradeço principalmente a sua generosidade maior e uma paixão que contagia. Às Professoras Iolanda Ramos e Teresa Botelho, por encorajarem o meu investimento académico e por me facultarem materiais indispensáveis nesta dissertação, ao mesmo tempo que contribuíram para o meu gosto pela cultura inglesa e norte-americana. À professora Júlia Cardoso, por acreditar nesta demanda comigo e me fazer persistir até chegar a bom porto. Ao Professor João Maria Mendes, para sempre responsável pela minha paixão pelas narrativas, pelos heróis, pelo prazer de contar histórias que se mostram, pelo gosto de construir personagens que falham constantemente e que constantemente se reerguem. Aos meus pais, por me deixarem continuar a estudar. THE ONE WHO KNOCKS: THE HERO AS VILLAIN IN CONTEMPORARY TELEVISED NARRATIVES MARIA JOÃO BRASÃO MARQUES RESUMO PALAVRAS-CHAVE: herói, anti-herói, protagonista, storytelling televisivo, revolução criativa, paradigma do herói, vilão. -
British TV Streaming Guide
NETFLIX Website: http://netflix.com Description: One of the biggest and oldest streaming services, Netflix offers a wide variety of content from all over the world - along with quite a bit of their own original content. Available On: Roku, Fire TV, Apple TV, Apple iPhone & iPad, Chromecast, Fire tablets, select Smart TVs, Android phones and tablets, and computer (via web browser). Cost: $8.99/month (1 screen), $12.99 HD (2 screens same time), $15.99 UHD (4 screens same time) Now Streaming Mysteries & Crime Dramas The A List - 2018 - This series blends The Five – 2016 - Years after a young boy romance, drama, suspense, and mystery disappears, his DNA turns up at a crime when a group of young women go to a scene. Based on the novel by Harlen remote camp with a supernatural Coben. presence. The Frankenstein Chronicles – 2015 to Broadchurch – 2013 to 2017 - When an 11- 2017 - In 1827 London, a detective hunts a year-old boy is murdered in a quiet coastal killer with an appetite for dismemberment. community, town secrets are exposed. Giri/Haji - 2019 - Japanese detective Kenzo David Tennant (Deadwater Fell) and Olivia Mori travels to London to figure out Colman (Rev) star. whether his brother Yuto, presumed dead, Collateral – 2018 - When a pizza delivery is actually dead. Yuto is believed to have man is gunned down in London, DI Kip killed the nephew of a Yakuza member, Glaspie refuses to accept that it's just a and the search draws Kenzo into the dark random act of violence. Her investigation and dangerous criminal underworld of drags her into a dark underworld she never London. -
Military Wives
MILITARY WIVES PRODUCTION NOTES INTRODUCTION The inspirational story of friendship, love, and support on the home front. A group of women come together as their partners serve in Afghanistan. Together they form the very first military wives choir, helping each other through some of life’s most difficult moments and also becoming a media sensation and global movement in the process. Peter Cattaneo (The Full Monty) directs Oscar® Nominee and BAFTA® Winner Kristin Scott Thomas (Darkest Hour) and BAFTA® Nominee Sharon Horgan (Catastrophe) in this feel good crowd-pleaser. MILITARY WIVES stars Kristin Scott Thomas, Sharon Horgan, Greg Wise (A Private War) and Jason Flemyng (Lock, Stock and Two Smoking Barrels). Rounding out the cast and playing the military wives are Emma Lowndes (Downton Abbey), Gaby French (Victoria), Lara Rossi (Robin Hood), Amy James-Kelly (Safe) and India Ria Amarteifio (Line of Duty). Co-written by BIFA award-winner Rachel Tunnard (Adult Life Skills) and award-winning writer Rosanne Flynn (Crossbones, Meconium) MILITARY WIVES is produced by Rory Aitken and Ben Pugh of 42 and Piers Tempest for Tempo Productions. Josh Varney is the executive producer for 42 and Emma Willis and Hana Carter for Twenty Twenty TV. Also, executive producing are Rene Besson, Orlando Wood, Jo Bamford, Josh Horsfield, Emma Berkofsky, Stephen Spence, Liz Gallacher, Hugo Grumbar, Tim Haslam, Peter Touche and Zygi Kamasa. MILITARY WIVES was shot on location for six weeks around London and Yorkshire at the end of 2018 and will be distributed by Lionsgate in the UK. Embankment Films arranged the financing and is handling International sales, co-representing the USA with CAA. -
Index to Volume 29 January to December 2019 Compiled by Patricia Coward
THE INTERNATIONAL FILM MAGAZINE Index to Volume 29 January to December 2019 Compiled by Patricia Coward How to use this Index The first number after a title refers to the issue month, and the second and subsequent numbers are the page references. Eg: 8:9, 32 (August, page 9 and page 32). THIS IS A SUPPLEMENT TO SIGHT & SOUND SUBJECT INDEX Film review titles are also Akbari, Mania 6:18 Anchors Away 12:44, 46 Korean Film Archive, Seoul 3:8 archives of television material Spielberg’s campaign for four- included and are indicated by Akerman, Chantal 11:47, 92(b) Ancient Law, The 1/2:44, 45; 6:32 Stanley Kubrick 12:32 collected by 11:19 week theatrical release 5:5 (r) after the reference; Akhavan, Desiree 3:95; 6:15 Andersen, Thom 4:81 Library and Archives Richard Billingham 4:44 BAFTA 4:11, to Sue (b) after reference indicates Akin, Fatih 4:19 Anderson, Gillian 12:17 Canada, Ottawa 4:80 Jef Cornelis’s Bruce-Smith 3:5 a book review; Akin, Levan 7:29 Anderson, Laurie 4:13 Library of Congress, Washington documentaries 8:12-3 Awful Truth, The (1937) 9:42, 46 Akingbade, Ayo 8:31 Anderson, Lindsay 9:6 1/2:14; 4:80; 6:81 Josephine Deckers’s Madeline’s Axiom 7:11 A Akinnuoye-Agbaje, Adewale 8:42 Anderson, Paul Thomas Museum of Modern Art (MoMA), Madeline 6:8-9, 66(r) Ayeh, Jaygann 8:22 Abbas, Hiam 1/2:47; 12:35 Akinola, Segun 10:44 1/2:24, 38; 4:25; 11:31, 34 New York 1/2:45; 6:81 Flaherty Seminar 2019, Ayer, David 10:31 Abbasi, Ali Akrami, Jamsheed 11:83 Anderson, Wes 1/2:24, 36; 5:7; 11:6 National Library of Scotland Hamilton 10:14-5 Ayoade, Richard -
Martin Phipps
MARTIN PHIPPS COMPOSER Coming from a musical background (he is Benjamin Britten’s godson), Martin read drama at Manchester University and fortunately for the acting profession, he decided to concentrate his energies on writing music. Since scoring his first TV drama, Eureka Street in 2002, he has won 2 BAFTAs, 5 Ivor Novello Awards and received multiple Emmy nominations for writing music to many of the most interesting series of recent years. These include the BBC’s War and PeaCe, Hugo Blick’s The Honourable Woman, Peaky Blinders, Black Mirror and season 3 & 4 of the Leftbank Pictures/Netflix series The Crown. Martin’s film credits include Woman In Gold (scored with Hans Zimmer), starring Ryan Reynolds and Helen Mirren, Fox Searchlight’s The Aftermath, starring Keira Knightley and Alexander Skarsgård, Harry Brown and Brighton Rock. Martin set up Mearl, a project to facilitate collaborations with other artists and composers, as well as a platform for developing his own material. Peaky Blinders was the first soundtrack written under this name, scored with a band of musicians from Radiohead’s new Laundry Studios in London Fields. FEATURE FILM THE AFTERMATH Fox Searchlight Pictures Director: James Kent Producers: Ridley Scott, Jack Arbuthnott, Malte Grunert Starring: Keira Knightley, Alexander Skarsgård WOMAN IN GOLD Origin Pictures / Weinstein Company Director: Simon Curtis Producer: Harvey Weinstein, Kris Thykier, David M Thompson, Christine Langan, Ed Rubin Starring: Helen Mirren, Ryan Reynolds, Jonathan Pryce, Katie Holmes, Charles Dance,