Clients List May 2019

Total Page:16

File Type:pdf, Size:1020Kb

Clients List May 2019 Clients List May 2019 Directors Ross Boyask “VENGEANCE”, “WARRIORESS”, “SALVATION”, “THE MAGNIFICENT ELEVEN”, “TEN DEAD Nationality: British MEN”, “LEFT FOR DEAD”, “PURE VENGEANCE”. Countries worked in: UK Dan Clifton "PATIENT 39", "THE CALCULUS OF LOVE", "PARANORMAL WITNESS", "MANKIND: THE Nationality: British STORY OF ALL OF US", "STEVEN HAWKING'S UNIVERSE: THE KEY TO THE COSMOS", Languages: French “PARADISE LOST”, “DAYS THAT SHOOK THE WORLD”. In Development: “JOB OF A LIFETIME” (Vortex Pictures) Countries worked in: Canada, China, Europe, Morocco, South Africa, Thailand, UK, US.. Davie Fairbanks "THE WEEKEND", “LEGACY”, “THE KNOT”, “STORAGE 24”, “ABDUCTED” Nationality: British Countries worked in: Germany, Poland, UK, USA. Bryan Larkin “THE VIRTUAL NETWORK”, “PARKARMA”, “SCENE”, “MIRACLE IN SILENCE”. Nationality: British Countries worked in: Bulgaria, Canada, China, Hong Kong, Sweden, Serbia, USA Jonathan Newman "THE ADVENTURER: THE CURSE OF THE MIDAS BOX", "FOSTER", "SWINGING WITH THE Nationality: British / US Green Card FINKELS", "BEING CONSIDERED". Countries worked in: UK, US. Writers Dan Clifton "PATIENT 39", "THE CALCULUS OF LOVE", "PARANORMAL WITNESS", "STEVEN Nationality: British HAWKING'S GRAND DESIGN: KEY TO THE COSMOS". Languages: French In Development: “JOB OF A LIFETIME” (Vortex Pictures) Countries worked in: Canada, China, Europe, Morocco, South Africa, Thailand, UK, US.. Katya Jezzard "THE CHASE", "SKINS", "MISS PLACE'S AFFECTIONS", "SUGARCANE", "PARK LIFE". Nationality: British Countries worked in: UK. Bryan Larkin “DEAD END”, “THE VIRTUAL NETWORK”, “DEAD DROP”, “PARKARMA”, “DEAD RINGER”, Nationality: British RUNNING IN TRAFFIC”, “SCENE”, “MIRACLE IN SILENCE”. In Development: “DIE TRYING” (Millennium Films), “GWEILO” Countries worked in: Bulgaria, Canada, China, Hong Kong, Sweden, Serbia, USA Creative Media Clients May 2019 2 Producers / Co-Producers / Line Producers Jet Christiaanse “LA HOLANDESA”, “ALLEEN OP DE WERELD”, “LAYLA M.”, “BLOED, ZWEET EN TRANEN”, Nationality: Dutch "BOY 7", “THE ASSETS”, “82 DAYS IN APRIL”, “40 DAYS OF SILENCE”, “THE AVIATRIX OF Languages: Dutch, English, French, KAZBEK”, “TRANSSIBERIAN”, “CRUSADE IN JEANS”, “TEMPESTA”, “THE TULSE LUPER German, Spanish SUITCASES”, “REFLECTIONS”, “NUIT NOIR”, “SAUVAGE INNOCENCE”, “BABS”. Countries worked in: Belgium, China, Croatia, Germany, Hungary, Italy, Lithuania, Luxembourg, Netherlands, Russia, Spain, UK Sarah Dibsdall “INDUSTRY”, “BAPTISTE”, “STAN LEE’S LUCKY MAN”, “AGATHA RAISIN”, “THE CASUAL Nationality: British VACANCY”, “THE LOST HONOUR”, “WHITECHAPEL”, “THE CAFÉ”, “THE ROYLE FAMILY”. Countries worked in: Belgium, Czech Republic, Germany, India, Ireland, Netherlands, Russia, Taiwan, UK. Laura Julian “HOW I GOT THERE!”, "UNLOCKED" (UK), “DESERT DANCER”, “NUTCRACKER: THE Nationality: British UNTOLD STORY”, “ARN”, “THE TRIAL OF TONY BLAIR”, “THE TEN COMMANDMENTS”, “WISDOM OF CROCODILES”, “JACK AND THE BEANSTALK: THE REAL STORY”. Countries worked in: Brazil, Colombia, France, Hungary, Italy, Kuwait, Morocco, Spain, UK. Greg McManus “STRIKE BACK”, “SUMMERLAND”, “NATIVITY ROCKS!”, “CLOSE”, “RAY AND LIZ”, “PIN Nationality: British CUSHION”, “BEAST”, “THE LEVELLING”, “MY BEST FRIEND’S WEDDING” (UK), “THE CARER”, “BOOM BUST BOOM”, “THE LETTERS” (UK), “THE KNOT”, “WILD BILL”. Countries worked in: Eire, Morocco, Netherlands, Spain, UK, USA. Roopesh Parekh Producer: “HIS DARK MATERIALS”, “THE LONG SONG”, “ORDEAL BY INNOCENCE”, Nationality: British “POLDARK”, “MAD HOT BIRMINGHAM”, “HOT HOUSE”, “HOLLOW”. Languages: Gujurati Co-Producer/Line Producer/UPM: "POLDARK", “AND THEN THERE WERE NONE”, "THE HOLLOW CROWN: HENRY VI (Pt's I, II), RICHARD III", “BILLIONAIRE RANSOM”, “PLAYHOUSE PRESENTS: THE DOG THROWER”, “DA VINCI’S DEMONS’. Writer: “CHICKEN TIKKA MASALA". Countries worked in: Dominican Republic, France, Germany, India, Netherlands, Spain, UK, US. Tina Pawlik “TOP BOY”, “BODYGUARD”, “FEARLESS”, “DOCTOR THORNE, “MY MAD FAT DIARY”, Nationality: British “DETECTORISTS", "THE QUIET ONES", "TWENTY8K", "BEST LAID PLANS", "JUNKHEARTS", Languages: Polish "FLUTTER", "THE HOLDING", "MONTY PYTHON: Almost the Truth", "MUM & DAD", "CHEMICAL WEDDING". Countries worked in: France, Iceland, Italy, Poland, UAE, UK, US. Paul Sarony “INVERSION”, “JULIET, NAKED”, “SHOW DOGS”, “VAMPIRE ACADEMY”, “FLEMING”, Nationality: British “MARIAH MUNDI AND THE MIDAS BOX”, “HYSTERIA”, “BABYLON AD” (PM), “A DEAL IS A Languages: French DEAL”, “THE WALKER”, “BROKEN THREAD”, “THE CRIMINAL”, “MILK”, “HIDEOUS KINKY”, “DAD SAVAGE”, “HER MAJESTY, MRS BROWN”. Countries worked in: Australia, Bosnia, Canada, Croatia, Cyprus, Czech Republic, France, Germany, Greece, Hawaii, Hong Kong, Hungary, Ireland, Isle of Man, Israel, Italy, Japan, Korea, Latvia, Lithuania, Luxembourg, Macedonia, Morocco, Netherlands, Norway, Poland, Portugal, Serbia, Singapore, South Africa, Spain, Switzerland, Tunisia, Turkey, UK, US. Julia Valentine “THE LONG SONG”, “PHILIP K. DICK’S ELECTRIC DREAMS”, "JAMESTOWN", “PATIENT Nationality: British ZERO”, “SILENT STORM”, “SHETLAND”, “HONOUR”, “ASHES”, “PERFECT SENSE”, “WILD TARGET”, MOON” BAFTA Nomination for Outstanding British Film, “THE COTTAGE”, “SPARKLE”, “THIS IS ENGLAND” BAFTA Award for Best British Film. Countries worked in: France, Hungary, Isle of Man, Scotland, Namibia, UK Kevan Van Thompson “JOJO RABBIT”, “PAPILLON”, “THE ZOOKEEPERS WIFE”, "UNLOCKED", “FALLEN”, Nationality: British “NOVEMBER MAN”, “THE LAST KNIGHTS’, “THE INVISIBLE WOMAN”, “CORIOLANUS”, Based in Prague “SOLOMON KANE”, “BABYLON A.D.”, “BATHORY”. Countries worked in: Austria, Czech Republic, Germany, Hungary, Japan, Lebanon, Macedonia, Montenegro, Romania, Russia, Serbia, Slovakia, Spain, Sweden, Thailand, UK, US. Creative Media Clients May 2019 3 Andrew Wood “FORTITUDE”, “WILL”, "THE HONOURABLE WOMAN" Emmy Nomination for Nationality: British Outstanding Limited Series, "BURTON AND TAYLOR" RTS Nomination for Best Single Drama, "CRIMINAL JUSTICE" BAFTA Award for Best Drama Serial, "LITTLE DORRIT" EMMY Nomination for Outstanding Miniseries, "HOUSE OF SADDAM" BAFTA Nomination for Best Drama Serial, "THE LAST KING OF SCOTLAND" BIFA Nomination for Best British Independent Film. Countries worked in: Austria, Belgium, Corsica, Croatia, France, Ghana, Greece, India, Israel, Italy, Kenya, Malta, Pakistan, Portugal, Romania, Russia, Rwanda, Senegal, Sierra Leone, South Africa, Spain, Sudan, Tunisia, Turkey, Uganda, Ukraine, UK, Zimbabwe. Stunt Co-Ordinator / Horse Master Steve Dent “CURSED”, “BEN HUR”, “SNOW WHITE AND THE HUNTSMAN”, “STARDUST”, “COLD Nationality: British MOUNTAIN” Stunt Co-Ordinator only: “THE KING”, “PETERLOO”, “MAMA MIA! HERE WE GO AGAIN“, FREE REIN”, “FINDING YOUR FEET”, “EAT LOCALS”, “BILLIONAIRE RANSOM”, “GUARDIANS OF THE GALAXY”, “”THOR: THE DARK WORLD”, “CAPTAIN AMERICA: THE FIRST AVENGER” Horse Master only: “ANNA KARENINA”, “AS YOU LIKE IT”, “KINGDOM OF HEAVEN”. Countries worked in: Czech Republic, Egypt, Hungary, Italy, Morocco, Romania, Spain, UK, United Arab Emirates Historical & Protocol Advisors Alastair Bruce OBE “BELGRAVIA”, “THE ENGLISH GAME”, “VICTORIA”, “VICEROY HOUSE”, “DOWNTON Nationality: British ABBEY” BAFTA TV Nomination for Best Drama Series, Golden Globe Award for Best Mini-Series or a Motion Picture made for Television, “INDIAN SUMMERS”, “THE KING’S SPEECH” Academy and BAFTA Awards for Best Motion Picture, “THE YOUNG VICTORIA”. Theatre: “CROWN MATRIMONIAL” Countries worked in: UK, US. David Rankin-Hunt “THE CROWN” Series I, II, III Golden Globe Award for Best Television Series - Drama Nationality: British Countries worked in: UK 1st Assistant Directors Sarah Davies “LITTLE BIRDS”, “BEECHAM HOUSE”, “THE ABC MURDERS”, “DOCTOR WHO”, “OUR Nationality: British (Welsh) GIRL”, “ORDINARY LIES”, “BRIEF ENCOUNTERS”, “HAPPY VALLEY”, “VERA”, “SHERLOCK”, Based in Cardiff “LADY CHATTERLEY’S LOVER”, “THE VILLAGE”, “STARLINGS”, “BEING HUMAN”. Countries worked in: France, India, Italy, Nepal, South Africa, Spain, UK Jude Campbell “THE CORRUPTED”, “BORN A KING”, “THE WIFE”, “MONSTERS: DARK CONTINENT”, Nationality: British “GONE TOO FAR”, “PUSHER”, “CLEAN SKIN”, “THE VETERAN”, “THE SPANISH PRINCESS”, “GAP YEAR”, “THE MARRIAGE OF REASON & SQUALOR”, “UTOPIA”, “ATLANTIS”. Countries worked in: Finland, France, India, Jamaica, Jordan, Malaysia, Morocco, South Africa, Spain, UK, USA, Vietnam Graham Drover “GUILT”, “ROSE”, “DARK MON£Y”, “CLIQUE 2”, “CORDELIA”, “FUNNY COW”, “MOON Nationality: British DOGS”, “IONA”, “HANKZIPZER’S CHRISTMAS CATASTROPHE”, “CLEAN BREAK”, “PLEBS” “LOVE, LIES AND RECORDS”, “DCI BANKS’, “TROLLIED”. Countries worked in: Croatia, Spain, UK Creative Media Clients May 2019 4 Gerry Gavigan “ANGEL HAS FALLEN” (Action Unit), "A STREET CAT NAMED BOB", “THE AVENGERS: AGE Nationality: British OF ULTRON” (Additional Photography), “FALLEN”, “MALEFICENT” (Additional Photography), “MIDNIGHT SUN”, “THE LAST KNIGHTS’, “GAME OF THRONES”, “THE RAVEN”, “BANG BANG CLUB”, “VALKYRIE”, “THE CHILDREN OF HUANG SHI”, “LAST LEGION”, “TROY”, “DIE ANOTHER DAY”. “LARA CROFT: TOMB RAIDER”. Countries worked in: Australia, Austria, Azerbaijan, Bahamas, Cambodia, Canada, China, Finland, France, Germany, Iceland, Ireland, Italy, Malta, Mexico, Morocco, Netherlands, Puerto Rico, Russia, Rwanda, Slovakia, South Africa, Spain, Switzerland, Thailand, Tunisia, Turkey, UK, US Marcia Gay "BLADE RUNNER 2049" (VFX L/A PM), “THE HIPPOPATAMUS”, “LONDON TOWN”, Nationality: British “PUDSEY: THE MOVIE”, “X-MEN: FIRST CLASS” (VFX L/A PM), “SPEED RACER” (VFX L/A Languages: French, Hebrew PM), “THE ONLY BOY
Recommended publications
  • Wordback to CONTENTS P AGE 1 WHA T IS the WORD P an P AN
    WHAT IS THE WORD WHAT PAN PAN PAN BACK TO CONTENTS PAGE 1 WHaT WOrD IS THE WHAT IS THE WORD WHAT PAN PAN PAN BACK TO CONTENTS PAGE 2 COnTEnTS WHAT IS THE WORD WHAT CONTENTS Contents Essay 4 Poems 8 Creatives 13 Creative Biographies 15 Speaker Biographies 20 CONTENTS BACK TO Pan Pan 32 PAGE 3 PAGE WHAT IS THE WORD WHAT Once more, with colour by Nicholas Johnson Speaking from experience, not everyone is overjoyed by an invitation to a poetry performance. It is not a clearly defined event with formal conditions: it could lead to a wide range of possible outcomes and feelings in the listener. The bardic tradition that sweeps across human cultures and histories — from the Homeric ESSAY epics to the Sufis, from the biwa hoshi of Japan to the filí of Ireland — shows both the depth and breadth of the human impulse to hear verse aloud. But in our cosmopolitan present, poetry being “voiced” could run the gamut from adolescent (painful sincerity at an open mic) to adult (earnest readings at university book launches) to transhuman (Black Thought’s ten-minute freestyle). Though poetry always transports us somewhere, the destination could be anywhere in Dante’s universe: infernal, purgatorial, or paradisiacal. This particular poetry performance is, perhaps fittingly for the year 2020, set in that everyday limbo that is the cinema. It is consciously conceived for the large-scale screen — a crucial gesture, when so much life is being lived on small screens — and as a physical, collective experience, with an audience in plush CONTENTS BACK TO seats, bathed in light, feeling the powerful surround-sound system within their bodies.
    [Show full text]
  • Full House Tv Show Episodes Free Online
    Full house tv show episodes free online Full House This is a story about a sports broadcaster later turned morning talk show host Danny Tanner and his three little Episode 1: Our Very First Show.​Watch Full House Season 1 · ​Season 7 · ​Season 1 · ​Season 2. Full House - Season 1 The series chronicles a widowed father's struggles of raising Episode Pilot Episode 1 - Pilot - Our Very First Show Episode 2 - Our. Full House - Season 1 The series chronicles a widowed father's struggles of raising his three young daughters with the help of his brother-in-law and his. Watch Full House Online: Watch full length episodes, video clips, highlights and more. FILTER BY SEASON. All (); Season 8 (24); Season 7 (24); Season. Full House - Season 8 The final season starts with Comet, the dog, running away. The Rippers no longer want Jesse in their band. D.J. ends a relationship with. EPISODES. Full House. S1 | E1 Our Very First Show. S1 | E1 Full House. Full House. S1 | E2 Our Very First Night. S1 | E2 Full House. Full House. S1 | E3 The. Watch Series Full House Online. This is a story about a sports Latest Episode: Season 8 Episode 24 Michelle Rides Again (2) (). Season 8. Watch full episodes of Full House and get the latest breaking news, exclusive videos and pictures, episode recaps and much more at. Full House - Season 5 Season 5 opens with Jesse and Becky learning that Becky is carrying twins; Michelle and Teddy scheming to couple Danny with their. Full House (). 8 Seasons available with subscription.
    [Show full text]
  • October 2012 Highlights Documentaries
    OCTOBER 2012 HIGHLIGHTS ** Denotes programs with artwork available on Investigation Discovery’s Press Website All Times ET // All airdates are subject to change INVESTIGATION DISCOVERY PRESS CONTACTS: Jordyn Linsk Charlotte Bigford Publicist Publicist 240-662-2421, [email protected] 240-662-3125, [email protected] DOCUMENTARIES ID FILMS: TELLING AMY’S STORY ** TV-PG (V) One-Hour Documentary Premieres Monday, October 8 at 7 PM ET By laying bare one woman's story and the many opportunities to alter its outcome, this October, Investigation Discovery commemorates Domestic Violence Awareness Month in the hope of educating, empowering, and even saving lives. On November 8, 2001, Amy Homan McGee was killed by her abusive husband of four years while her children waited outside in the car. Hosted by actress and advocate Mariska Hargitay, and told by Detective Deirdri Fishel, TELLING AMY’S STORY follows the timeline of the tragic domestic violence homicide that occurred in central Pennsylvania. The victim’s parents and co-workers, law enforcement officers, and court personnel share their perspectives on what happened to Amy in the weeks, months, and years leading up to her death. ID FILMS: WERNER HERZOG'S INTO THE ABYSS: A TALE OF LIFE, A TALE OF DEATH ** TV-14 Feature-Length Documentary Makes Its World TV Premiere on Tuesday, October 23 at 8 PM ET Werner Herzog’s INTO THE ABYSS debuted in September 2011 to rave reviews and festival buzz from Telluride to Toronto. Exploring the intricate details and emotional aftermath of a triple homicide in Conroe, Texas, Herzog sought to better understand the impact of life in prison and the shattering effects of the death penalty.
    [Show full text]
  • Anti-Black Racism and the Foreign Black Other: Constructing Blackness and the Sporting Migrant
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Illinois Digital Environment for Access to Learning and Scholarship Repository ANTI-BLACK RACISM AND THE FOREIGN BLACK OTHER: CONSTRUCTING BLACKNESS AND THE SPORTING MIGRANT BY MUNENE FRANJO MWANIKI DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Sociology in the Graduate College of the University of Illinois at Urbana-Champaign, 2014 Urbana, Illinois Doctoral Committee: Associate Professor Margaret Kelley, Chair Professor Tim Liao Associate Professor Moon-Kie Jung Associate Professor Monica McDermott ABSTRACT The popularity and globalization of sport has led to an ever-increasing black athletic labor migration from the global South to, primarily, the U.S. and Western European countries. While the hegemonic ideology surrounding sport is that it brings different people together and ameliorates social boundaries, sociologists of sport have shown this to be a gross simplification. Instead, sport is often seen to reinforce and recreate social stereotypes and boundaries, especially as it regards race and the black athlete in body and culture. At best we can think of sport as a contested terrain for both maintaining and challenging racial norms and boundaries. The mediated black athlete has thus always, for better or worse, impacted popular white perceptions of blackness broadly and globally. While much work has been done to expose the workings of race and racism in sport, studies have tended to homogenize black populations and have not taken into account the varying histories and complexities of, specifically, black African migrant athletes.
    [Show full text]
  • Houlton Times, November 7, 1923
    < § > “ If you will consider the men in this town who are well off you will find most of them made their money here’ HHHHIHIHIHIIIHItHIIIHHHIIIIIIIItlMIIIMIIIIIIHIIIIMMIllllllHIIII* AROOSTOOK ■ TIMES 1 SHIRE TOWN OF | { April 13, 1860 to I AROOSTOOK COUNTY j | December 27, 1916 f .......................................................... if| HOULTON TIMES 11 it 11 ■ t ii ii 111111111 ii 111 h 11111111 m 11 m i u 1111 < 11 h i n i < 11 ii m i it m im i M illin g HOULTON, MAINE, M’EDNES DAY, NOV EM HER 7, 1923 NUMBER FORTY-FIVE VOLUME LXIII MRS. F. A. NEVERS JOLLY JESTER ENTER­ CO-OP RETURNS Benefit to Both Sides ENTERTAINS TAINS CHILDREN Sells Clothing on Streets COUNTY OFFICER There have been many enjoyable Houlton children of the grad*' A recent article in the TIMES A representative of a down state intimated that there might be a events during the past few months in schools were' given a rare treat Tues­ concern wots in Houlton Friday and CAPTURES THIEF ON MARKETING new road built from the Boundary the social circle of Houlton, but it is day morning when the Jolly Jester Saturday selling clothing etc. from Line to Woodstock on the Houlton very doubtful it a more delightful entertained them at the Temple a truck in Union Square. road. occasion has boon held than the party Theatre' under the auspices of tin? In communication with Mr. B, M. The law when complied with per­ Stole Auto in Bangor—Fired First Aroostook Tuberculosis Association. Distribution on Second Hill, Privincial Engineer of the given by Mrs.
    [Show full text]
  • SHAMELESS Sunday I SHOWTIME PLAN  QUESTIONS with YOUR +DAISY TM WEEK! HAGGARD
    SEASONPREMIERE November 10th – 16th, 2019 SHAMELESS sunday I SHOWTIME PLAN QUESTIONS WITH YOUR +DAISY TM WEEK! HAGGARD DOLLY PARTON CARRIE UNDERWOOD REBA MCENTIRE BEST BETS NEWSERIES DUBLIN MURDERS Sunday ISTARZ E! PEOPLE’S CHOICE AWARDS SUNDAY IE! THE 53RD NEWSERIES KINGS OF PAIN ANNUAL TUESDAY IHISTORY NEWMINISERIES THE PREPPY MURDER: CMA DEATH IN CENTRAL PARK WEDNESDAY IAMC SEASONPREMIERE THE MAN IN THE HIGH CASTLE AWALIVE! R WEDNESDAY D S IABC FRIDAY IAMAZONPRIMEVIDEO $3.99 ORIGINALFILM CHRISTMAS UNDER THE STARS SATURDAY HALLMARKCHANNEL New rate plans, now with more minutes! Easier is better with the Jitterbug. The Jitterbug® Flip, from the creators of the original easy-to-use cell phone, has big buttons and an exclusive 5Star® Urgent Response button on the keypad. EASY TO USE Today, cell phones are hard to hear, Plansdifficult as low to dialas Plans as low as and overloaded with features you may never use. That’s not the case with the Jitterbug Flip. A large screen and big buttons$ make99 it $ 99 $ easy to call family and friends. The powerful speaker ensures every month2 conversation will be loud and clear. Plus, straightforward14 YES and NO 14 1 buttons make navigating the menu simple. 2 EASY TO ENJOY Wherever you go, a built-in cameraPlans makes as low it easyas* andPlans fun as forlow you as to capture and share your favorite memories. And a built-in reading magnifier with LED flashlight helps you see in dimly lit areas. With all the $features you99 need,$ the Jitterbug99 $ 2 2 Flip also comes with a long-lasting battery, so you won’t have14 to worrymonth about14 runningmonth out 1 of power.
    [Show full text]
  • Written Evidence Submitted by Netflix
    Written evidence submitted by Netflix Submission to Digital, Culture, Media and Sport Committee inquiry The future of Public Service Broadcasting June 2020 Netflix in the UK 1. Netflix is a streaming subscription video on demand (SVoD) service that allows customers to watch a wide variety of TV shows, films, documentaries, and more over the internet and ad-free on any one of thousands of internet-connected devices at a time and place of their choice. We are a global service, offered in 190 countries with close to 180 million subscribers, of whom over 12 million are in the UK. 2. The UK is one of Netflix’s top three locations for production globally, along with the U.S. and Canada. In 2019 we invested over £400m1 here in local content, with over 50 different shows in production including co-productions with the public service broadcasters and in total over £500m in UK production - a third of all our production in Europe. We expect our investment here to continue growing; our long-term commitment to the UK creative community and our intention to increase our investment in production is also reflected in our announcement last year that we are creating a dedicated production hub in the UK, based at Shepperton Studios.2 3. Localised content is increasingly a priority for our business, both in the UK and around the world. Since 2019 we have appointed several UK-based commissioners overseeing scripted and unscripted content, including drama, comedy, factual, and kids and family - all of whom built their careers in the UK film and TV industry, including with the PSBs.
    [Show full text]
  • Television Academy Awards
    2019 Primetime Emmy® Awards Ballot Outstanding Comedy Series A.P. Bio Abby's After Life American Housewife American Vandal Arrested Development Atypical Ballers Barry Better Things The Big Bang Theory The Bisexual Black Monday black-ish Bless This Mess Boomerang Broad City Brockmire Brooklyn Nine-Nine Camping Casual Catastrophe Champaign ILL Cobra Kai The Conners The Cool Kids Corporate Crashing Crazy Ex-Girlfriend Dead To Me Detroiters Easy Fam Fleabag Forever Fresh Off The Boat Friends From College Future Man Get Shorty GLOW The Goldbergs The Good Place Grace And Frankie grown-ish The Guest Book Happy! High Maintenance Huge In France I’m Sorry Insatiable Insecure It's Always Sunny in Philadelphia Jane The Virgin Kidding The Kids Are Alright The Kominsky Method Last Man Standing The Last O.G. Life In Pieces Loudermilk Lunatics Man With A Plan The Marvelous Mrs. Maisel Modern Family Mom Mr Inbetween Murphy Brown The Neighborhood No Activity Now Apocalypse On My Block One Day At A Time The Other Two PEN15 Queen America Ramy The Ranch Rel Russian Doll Sally4Ever Santa Clarita Diet Schitt's Creek Schooled Shameless She's Gotta Have It Shrill Sideswiped Single Parents SMILF Speechless Splitting Up Together Stan Against Evil Superstore Tacoma FD The Tick Trial & Error Turn Up Charlie Unbreakable Kimmy Schmidt Veep Vida Wayne Weird City What We Do in the Shadows Will & Grace You Me Her You're the Worst Young Sheldon Younger End of Category Outstanding Drama Series The Affair All American American Gods American Horror Story: Apocalypse American Soul Arrow Berlin Station Better Call Saul Billions Black Lightning Black Summer The Blacklist Blindspot Blue Bloods Bodyguard The Bold Type Bosch Bull Chambers Charmed The Chi Chicago Fire Chicago Med Chicago P.D.
    [Show full text]
  • Copyright Statement This Copy of the Thesis Has Been Supplied On
    University of Plymouth PEARL https://pearl.plymouth.ac.uk 04 University of Plymouth Research Theses 01 Research Theses Main Collection 2014 Perceiving voids: Memory And Sight Afflictions In Contemporary Cinema Marineo, Francesco http://hdl.handle.net/10026.1/3224 Plymouth University All content in PEARL is protected by copyright law. Author manuscripts are made available in accordance with publisher policies. Please cite only the published version using the details provided on the item record or document. In the absence of an open licence (e.g. Creative Commons), permissions for further reuse of content should be sought from the publisher or author. Copyright Statement This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with its author and that no quotation from the thesis and no information derived from it may be published without the author’s prior consent. ABSTRACT My thesis focuses on the perceptive afflictions caused by alteration of the normal biological functioning of sight and memory. These afflictions are related to the redefinition and disgregation of the classical and postclassical cinematographic characters, and affect cinematographic language, establishing a dialectical relation with the filmic image that contaminates our spectatorial perception. In the first chapter I propose a different reading of a few moments in film history, turning points in which a modification of the ordinary sensorial patterns has been introduced. From the German Expressionism to the late authorial experiments of the 60s, there is a sort of hidden history of film that passes through the continuous redefinition of the audience sensory activity.
    [Show full text]
  • As Writers of Film and Television and Members of the Writers Guild Of
    July 20, 2021 As writers of film and television and members of the Writers Guild of America, East and Writers Guild of America West, we understand the critical importance of a union contract. We are proud to stand in support of the editorial staff at MSNBC who have chosen to organize with the Writers Guild of America, East. We welcome you to the Guild and the labor movement. We encourage everyone to vote YES in the upcoming election so you can get to the bargaining table to have a say in your future. We work in scripted television and film, including many projects produced by NBC Universal. Through our union membership we have been able to negotiate fair compensation, excellent benefits, and basic fairness at work—all of which are enshrined in our union contract. We are ready to support you in your effort to do the same. We’re all in this together. Vote Union YES! In solidarity and support, Megan Abbott (THE DEUCE) John Aboud (HOME ECONOMICS) Daniel Abraham (THE EXPANSE) David Abramowitz (CAGNEY AND LACEY; HIGHLANDER; DAUGHTER OF THE STREETS) Jay Abramowitz (FULL HOUSE; MR. BELVEDERE; THE PARKERS) Gayle Abrams (FASIER; GILMORE GIRLS; 8 SIMPLE RULES) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEEPER) Peter Ackerman (THINGS YOU SHOULDN'T SAY PAST MIDNIGHT; ICE AGE; THE AMERICANS) Joan Ackermann (ARLISS) 1 Ilunga Adell (SANFORD & SON; WATCH YOUR MOUTH; MY BROTHER & ME) Dayo Adesokan (SUPERSTORE; YOUNG & HUNGRY; DOWNWARD DOG) Jonathan Adler (THE TONIGHT SHOW STARRING JIMMY FALLON) Erik Agard (THE CHASE) Zaike Airey (SWEET TOOTH) Rory Albanese (THE DAILY SHOW WITH JON STEWART; THE NIGHTLY SHOW WITH LARRY WILMORE) Chris Albers (LATE NIGHT WITH CONAN O'BRIEN; BORGIA) Lisa Albert (MAD MEN; HALT AND CATCH FIRE; UNREAL) Jerome Albrecht (THE LOVE BOAT) Georgianna Aldaco (MIRACLE WORKERS) Robert Alden (STREETWALKIN') Richard Alfieri (SIX DANCE LESSONS IN SIX WEEKS) Stephanie Allain (DEAR WHITE PEOPLE) A.C.
    [Show full text]
  • NEEDLESS DEATHS in the GULF WAR Civilian Casualties During The
    NEEDLESS DEATHS IN THE GULF WAR Civilian Casualties During the Air Campaign and Violations of the Laws of War A Middle East Watch Report Human Rights Watch New York $$$ Washington $$$ Los Angeles $$$ London Copyright 8 November 1991 by Human Rights Watch. All rights reserved. Printed in the United States of America. Cover design by Patti Lacobee Watch Committee Middle East Watch was established in 1989 to establish and promote observance of internationally recognized human rights in the Middle East. The chair of Middle East Watch is Gary Sick and the vice chairs are Lisa Anderson and Bruce Rabb. Andrew Whitley is the executive director; Eric Goldstein is the research director; Virginia N. Sherry is the associate director; Aziz Abu Hamad is the senior researcher; John V. White is an Orville Schell Fellow; and Christina Derry is the associate. Needless deaths in the Gulf War: civilian casualties during the air campaign and violations of the laws of war. p. cm -- (A Middle East Watch report) Includes bibliographical references. ISBN 1-56432-029-4 1. Persian Gulf War, 1991--United States. 2. Persian Gulf War, 1991-- Atrocities. 3. War victims--Iraq. 4. War--Protection of civilians. I. Human Rights Watch (Organization) II. Series. DS79.72.N44 1991 956.704'3--dc20 91-37902 CIP Human Rights Watch Human Rights Watch is composed of Africa Watch, Americas Watch, Asia Watch, Helsinki Watch, Middle East Watch and the Fund for Free Expression. The executive committee comprises Robert L. Bernstein, chair; Adrian DeWind, vice chair; Roland Algrant, Lisa Anderson, Peter Bell, Alice Brown, William Carmichael, Dorothy Cullman, Irene Diamond, Jonathan Fanton, Jack Greenberg, Alice H.
    [Show full text]
  • Edit Winter 2013/14
    WINTER 2013|14 THE ALUMNI MAGAZINE + BILLET & GENERAL COUNCIL PAPERS LAUGHING MATTERS SKY HEAD OF COMEDY LUCY LUMSDEN ON THE FUNNY BUSINESS ROAD TO REFERENDUM HOW OUR EXPERTS ARE SHAPING THE DEBATE ALSO INSIDE AWARD-WINNING FILM'S STUNNING STORY | MEADOWS MEMORIES | ALUMNI WEEKEND PHOTOGRAPHS WINTER 2013|14 CONTENTS FOREWORD CONTENTS elcome to the Winter issue of Edit. The turn 12 26 W of 2014 heralds an exciting year for our staff, students and alumni, and indeed for Scotland. Our experts are part of history as they inform the debate on SAVE THE DATE the referendum (p10), while in a very different arena the 19 - 21 June 2014 University will play a major role in the Commonwealth Toronto, Canada Games in Glasgow (p5). In a nationwide public engagement project our researchers are exploring the 30 10 impact on Scotland of the First World War throughout the four years of its centenary (p17), and on p16 we look back at the heroism of an Edinburgh alumna during the conflict. If you are seeking light relief, you may have to thank Lucy Lumsden. She has commissioned some of 18 Britain's most successful television comedies of recent years, and in our interview (p8) she talks about the importance of making people laugh. We report on an exceptional string of successes, from Professor Peter Higgs's Nobel Prize (p5), to BAFTAs, including one for a documentary whose story is told by a remarkable 04 Update 18 What You Did Next Edinburgh graduate on pages 12-15. Find your friends in photos of our alumni weekend (p22) and, if you couldn't 08 The Interview 20 Edinburgh Experience Lucy Lumsden, make it, we hope to see you at the next one in 2015.
    [Show full text]