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Friday Hindu Story
Lord Brahma Brahma is the creator of the universe and all knowledge. He is the first god in the Hindu Trimurti (three gods who are responsible for the creation, preservation and destruction of the world). Brahma grew inside a lotus from the navel of a sleeping Vishnu. He has 4 heads and has the goddess Saraswati as a companion. Brahma is sometimes depicted with a beard. Lord Vishnu Vishnu is the Hindu god who preserves the universe and people. He is the second god in the Hindu Trimurti. Hindus believe that he has saved his followers by appearing to them in other forms. Vishnu has four arms to represent the four corners of the world. Lord Shiva Shiva is the destroyer of the universe so that new life can come again. He restores the balance between good and evil. He is the third god in the Hindu Trimurti. Ganesh Ganesh is the elephant-headed god and the Lord of all living things. He is the god who helps people overcome their problems by granting them wisdom and strength. It is said that the god Shiva cut off his original head and restored him to life by giving him the head of an elephant. Lakshmi Lakshmi is the wife of Vishnu and travels on a lotus flower. She is the goddess of wealth and success. Sita Sita is actually an incarnation of the goddess Lakshmi. She is a beautiful, loyal wife and a role model for Hindu women. Rama Rama is the ‘perfect’ avatar of Vishnu. He is a symbol of chivalry and virtue. -
SACRED SPACES and OBJECTS: the VISUAL, MATERIAL, and TANGIBLE George Pati
SACRED SPACES AND OBJECTS: THE VISUAL, MATERIAL, AND TANGIBLE George Pati BRAUER MUSEUM OF ART | APRIL 13 — MAY 8, 2016 WE AT THE BRAUER MUSEUM are grateful for the opportunity to present this exhibition curated by George Pati, Ph.D., Surjit S. Patheja Chair in World Religions and Ethics and Valparaiso University associate professor of theology and international studies. Through this exhibition, Professor Pati shares the fruits of his research conducted during his recent sabbatical and in addition provides valuable insights into sacred objects, sites, and practices in India. Professor Pati’s photographs document specific places but also reflect a creative eye at work; as an artist, his documents are also celebrations of the particular spaces that inspire him and capture his imagination. Accompanying the images in the exhibition are beautiful textiles and objects of metalware that transform the gallery into its own sacred space, with respectful and reverent viewing becoming its own ritual that could lead to a fuller understanding of the concepts Pati brings to our attention. Professor Pati and the Brauer staff wish to thank the Surjit S. Patheja Chair in World Religions and Ethics and the Partners for the Brauer Museum of Art for support of this exhibition. In addition, we wish to thank Gretchen Buggeln and David Morgan for the insights and perspectives they provide in their responses to Pati's essay and photographs. Gregg Hertzlieb, Director/Curator Brauer Museum of Art 2 | BRAUER MUSEUM OF ART SACRED SPACES AND OBJECTS: THE VISUAL, MATERIAL, AND TANGIBLE George Pati George Pati, Ph.D., Valparaiso University Śvetāśvatara Upaniṣad 6:23 Only in a man who has utmost devotion for God, and who shows the same devotion for teacher as for God, These teachings by the noble one will be illuminating. -
DHYANA VAHINI Stream of Meditation
DHYANA VAHINI Stream of Meditation SATHYA SAI BABA Contents Dhyana Vahini 5 Publisher’s Note 6 PREFACE 7 Chapter I. The Power of Meditation 10 Binding actions and liberating actions 10 Taming the mind and the intelligence 11 One-pointedness and concentration 11 The value of chanting the divine name and meditation 12 The method of meditation 12 Chapter II. Chanting God’s Name and Meditation 14 Gauge meditation by its inner impact 14 The three paths of meditation 15 The need for bodily and mental training 15 Everyone has the right to spiritual success 16 Chapter III. The Goal of Meditation 18 Control the temper of the mind 18 Concentration and one-pointedness are the keys 18 Yearn for the right thing! 18 Reaching the goal through meditation 19 Gain inward vision 20 Chapter IV. Promote the Welfare of All Beings 21 Eschew the tenfold “sins” 21 Be unaffected by illusion 21 First, good qualities; later, the absence of qualities 21 The placid, calm, unruffled character wins out 22 Meditation is the basis of spiritual experience 23 Chapter V. Cultivate the Blissful Atmic Experience 24 The primary qualifications 24 Lead a dharmic life 24 The eight gates 25 Wish versus will 25 Take it step by step 25 No past or future 26 Clean and feed the mind 26 Chapter VI. Meditation Reveals the Eternal and the Non-Eternal 27 The Lord’s grace is needed to cross the sea 27 Why worry over short-lived attachments? 27 We are actors in the Lord’s play 29 Chapter VII. -
Metal Craft Heritage of Cauvery and Riverine Regions
Sharada Srinivasan METAL CRAFT HERITAGE OF CAUVERY AND RIVERINE REGIONS NATIONAL INSTITUTE OF ADVANCED STUDIES Bengaluru, India Research Report NIAS/HUM/HSS/U/RR/02/2020 Metal Craft Heritage of Cauvery and Riverine Regions Principal Investigator: Prof Sharada Srinivasan Heritage, Science and Society Programme, NIAS Supported by Tata Consultancy Services HERITAGE, SCIENCE AND SOCIETY PROGRAMMES NATIONAL INSTITUTE OF ADVANCED STUDIES Bengaluru, India 2020 © National Institute of Advanced Studies, 2020 Published by National Institute of Advanced Studies Indian Institute of Science Campus Bengaluru - 560 012 Tel: 2218 5000, Fax: 2218 5028 E-mail: [email protected] NIAS Report: NIAS/HUM/HSS/U/RR/02/2020 ISBN: 978-93-83566-37-2 Typeset & Printed by Aditi Enterprises [email protected] Table of Contents 1. Metal Crafts of the Cauvery region and beyond ..............................................1 2. Chola legacy of icon making of Swamimalai ....................................................4 3. Bell and lamp making in Thanjavur district ....................................................16 4. Swami work: The Art of Thanjavur Plate ........................................................25 5. Copper alloy working centres in Karnataka ....................................................33 6. Iron and Steel Traditions of Telangana Kammari ..........................................37 7. Traditional Blacksmithy of Tamil Nadu and Karnataka ...............................46 8. High-tin bronze metal craft from Aranmula, Kerala .....................................59 -
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fnO;kaxtu ia's ku uohu Lohd`fr xzkeh.k {ksrz foRrh; o"kZ 2019&20 S.No. Block Panchayat Village Register No. Name as Per Digitally Bank Account Deatil Name As Per PFMS Father/Husband Signed by District Name Officer STATE BANK OF INDIA /BRAHMANPUR BARKHANDI 1 BADLA PUR Baluwa Balua 315810354213 MANOJ KUMAR BIND Mr. MANOJ KUMAR BIND JAYNATH BIND /31233412443 /SBIN0012500 UNION BANK OF INDIA /PURANI BAZAR (BADLAPUR) RADHANA DEVI WO 2 BADLA PUR Baluwa Himmatpur 315810355523 SHAILENDRA SATISH CHANDRA /475602010260215 /UBIN0547565 SHAILENDRA KUMAR UNION BANK OF INDIA /SINGRAMAU ANIL KUMAR SO 3 BADLA PUR Bhula Bhula 315810000000 ANIL KUMAR HARISHCHAND /363602011015413 /UBIN0536369 HARISHCHAND KASHI GOMTI SAMYUT GRAMIN BANK /SHAHPUR GANGADEEN SO JAGGU JAGGURAM 4 BADLA PUR Birbhanpur Mureedpur 315810235013 GANGADEEN PRAJAPATI /414522080004142 /UBIN0RRBKGS PRAJAPATI PRAJAPATI UNION BANK OF INDIA /GHANSHYAMPUR 5 BADLA PUR Budenepur Budhanepur 315810346493 PRATIMA PRATIMA MOHAN PRAJAPATI /399902120002354 /UBIN0539996 KASHI GOMTI SAMYUT GRAMIN BANK /SHAHPUR 6 BADLA PUR Chandapur Chandapur 315810351693 KAVITA KAVITA NARENDRA KUMAR /414332080006408 /UBIN0RRBKGS UNION BANK OF INDIA /GHANSHYAMPUR 7 BADLA PUR Dadawa Dadawa 315810355023 ROSHANI ROSHANI KHARBHAN /399902120008516 /UBIN0539996 KASHI GOMTI SAMYUT GRAMIN BANK /BAHERIPUR RAJESH KUMAR SINGH SO 8 BADLA PUR Jamaupatti Jamaupatti 315810350563 RAJESH SINGH YADUVEER SINGH /414242010056909 /UBIN0RRBKGS YADUVEER SINGH KASHI GOMTI SAMYUT GRAMIN BANK /BAHERIPUR VANSRAJ SO RAM KISHOR 9 BADLA PUR Jamaupatti Jamaupatti 315810347993 VANSHARAJ RAM KISHOR /414242010056666 /UBIN0RRBKGS MAURYA KASHI GOMTI SAMYUT GRAMIN BANK /BAHERIPUR 10 BADLA PUR Kachhaura Kachhaura 315810345893 RAM GIRI RAM GIRI SO RAMNAYAN RAJ NAYAN /414242010008485 /UBIN0RRBKGS KASHI GOMTI SAMYUT GRAMIN BANK /BAHERIPUR HASHILA PRASADGUPTA 11 BADLA PUR Kachhaura Kanakpur 315810347923 HAUSHILAA PRASAD GUPTA RAMPHER GUPTA /414242010004943 /UBIN0RRBKGS SORAMPHERGUPTA STATE BANK OF INDIA /BADLAPUR /34538825281 12 BADLA PUR Kaveli Pahitiyapur 315810361343 ARCHNA Mrs. -
Redalyc.Visiting a Hindu Temple: a Description of a Subjective
Ciencia Ergo Sum ISSN: 1405-0269 [email protected] Universidad Autónoma del Estado de México México Gil-García, J. Ramón; Vasavada, Triparna S. Visiting a Hindu Temple: A Description of a Subjective Experience and Some Preliminary Interpretations Ciencia Ergo Sum, vol. 13, núm. 1, marzo-junio, 2006, pp. 81-89 Universidad Autónoma del Estado de México Toluca, México Disponible en: http://www.redalyc.org/articulo.oa?id=10413110 Cómo citar el artículo Número completo Sistema de Información Científica Más información del artículo Red de Revistas Científicas de América Latina, el Caribe, España y Portugal Página de la revista en redalyc.org Proyecto académico sin fines de lucro, desarrollado bajo la iniciativa de acceso abierto Visiting a Hindu Temple: A Description of a Subjective Experience and Some Preliminary Interpretations J. Ramón Gil-García* y Triparna S. Vasavada** Recepción: 14 de julio de 2005 Aceptación: 8 de septiembre de 2005 * Rockefeller College of Public Affairs and Policy, Visitando un Templo Hindú: una descripción de la experiencia subjetiva y algunas University at Albany, Universidad Estatal de interpretaciones preliminares Nueva York. Resumen. Académicos de diferentes disciplinas coinciden en que la cultura es un fenómeno Correo electrónico: [email protected] ** Estudiante del Doctorado en Administración complejo y su comprensión requiere de un análisis detallado. La complejidad inherente al y Políticas Públicas en el Rockefeller College of estudio de patrones culturales y otras estructuras sociales no se deriva de su rareza en la Public Affairs and Policy, University at Albany, sociedad. De hecho, están contenidas y representadas en eventos y artefactos de la vida cotidiana. -
India and Beyond Peacock Mask Based on an Make a Simple Peacock Craft
NORTH HOFFMAN BRANCH To sign up call 847-934-0220 or visit www.palatinelibrary.org/SouthAsia Yoga Storytime Adults – Painted Mandala Stones Friday, May 5 Tuesday, May 23, 7:00 – 8:00 p.m. 2:00 – 2:30 p.m. Ages 3-5 Celebrate South Asian heritage with the 2:30 – 3:00 p.m. Ages 6-8 ancient art of the mandala. Make Discover yoga through story, song, and simple dots to create beautiful poses that engage the imagination and mandala designs. All supplies senses. Presented by Karen Fotopoulous, provided. Valid District certified yoga instructor from Discover cardholders only. Ages 16 Yoga with Karen. Limit 10. Sign up. and up. Limit 15. RAND BRANCH Sri Lankan Peacock Storytime Animal Mask Craft and Craft Exploring South Asia: Saturday, April 8 Friday, May 5 10:00 a.m. – Noon 11:30 a.m. – Noon Create your own paper Enjoy stories about India’s national bird and India and Beyond peacock mask based on an make a simple peacock craft. ancient Sri Lanka tradition. Drop in. Preschool-Grade 2. Drop in. Punjabi Folk Dance Friday, April 14 1:00 – 1:45 p.m. Members of the Punjabi Cultural Society We are excited to host a variety of programs and events that focus on and of Palatine perform the colorful and celebrate the diverse cultures of India and South Asian countries including: energetic folk dance Giddah and then teach you the dance moves! All ages. Pakistan, Bangladesh, Sri Lanka, Nepal, and Bhutan. We hope to highlight some of the beauty and traditions that have enriched our country and reflect our local community. -
Catholic Shrines in Chennai, India: the Politics of Renewal and Apostolic Legacy
CATHOLIC SHRINES IN CHENNAI, INDIA: THE POLITICS OF RENEWAL AND APOSTOLIC LEGACY BY THOMAS CHARLES NAGY A thesis submitted to the Victoria University of Wellington in fulfilment of the requirements for the degree of Doctor of Philosophy in Religious Studies Victoria University of Wellington (2014) Abstract This thesis investigates the phenomenon of Catholic renewal in India by focussing on various Roman Catholic churches and shrines located in Chennai, a large city in South India where activities concerning saintal revival and shrinal development have taken place in the recent past. The thesis tracks the changing local significance of St. Thomas the Apostle, who according to local legend, was martyred and buried in Chennai. In particular, it details the efforts of the Church hierarchy in Chennai to bring about a revival of devotion to St. Thomas. In doing this, it covers a wide range of issues pertinent to the study of contemporary Indian Christianity, such as Indian Catholic identity, Indian Christian indigeneity and Hindu nationalism, as well as the marketing of St. Thomas and Catholicism within South India. The thesis argues that the Roman Catholic renewal and ―revival‖ of St. Thomas in Chennai is largely a Church-driven hierarchal movement that was specifically initiated for the purpose of Catholic evangelization and missionization in India. Furthermore, it is clear that the local Church‘s strategy of shrinal development and marketing encompasses Catholic parishes and shrines throughout Chennai‘s metropolitan area, and thus, is not just limited to those sites associated with St. Thomas‘s Apostolic legacy. i Acknowledgements This thesis is dedicated to the memory of my father Richard M. -
1835 , 05/02/2018 Class 35 1864568 18/09/2009 Trading As
Trade Marks Journal No: 1835 , 05/02/2018 Class 35 1864568 18/09/2009 WARSZAWSKIE ZAKLADY ZIELARSKIE HERBAPOL trading as ;WARSZAWSKIE ZAKLADY ZIELARSKIE HERBAPOL ul olowkowa 54,05-800 pruskow poland . Address for service in India/Agents address: DUBEY & PARTNERS. 310, NEW DELHI HOUSE, 27, BARAKHAMBA ROAD, NEW DELHI-110 001. Proposed to be Used DELHI IMPORT-EXPORT AGENCIES ENGAGED IN TRADE AND SALES, IN ADDITION RETAIL AND SALES PROMOTION OF THE FOLLOWING PRODUCTS: ANTISEPTICS, BIOLOGICALS PREPARATIONS FOR MEDICAL PURPOSES, PREPARATIONS OF TRACE ELEMENTS FOR HUMAN CONSUMPTION, DIETETIC SUBSTANCES ADAPTED FOR MEDICAL USE, FOOD SUPPLEMENTS FOR MEDICAL USE, DIETETIC FOOD FOR MEDICAL USE, PHARMACEUTICAL MEDICINES FOR HUMANS, TONICS (MEDICINES), BALMS FOR MEDICAL PURPOSES, OILS FOR MEDICAL USE ANALGESICS, PHARMACEUTICAL PREPARATIONS FOR SKIN CARE, DECOCTIONS FOR PHARMACEUTICAL PURPOSES, GERMICIDES, ANTIPARASTIC PREPARATIONS, TRANQUILIZERS, MEDICINAL HERBS. 5627 Trade Marks Journal No: 1835 , 05/02/2018 Class 35 1977249 09/06/2010 VIKAS GABA trading as ;TEAMMANAGE CONSULTING 210/16 MAIN ROAD FIELD GANJ OPP OBC BANK LUDHIANA SERVICES Address for service in India/Agents address: RAHUL RAJPUT. B-336, BHAI RANDHIR SINGH NAGAR, LUDHIANA - 141 004 PUNJAB. Used Since :01/01/2010 DELHI PROVISION OF SERVICES OF HR CONSULTANCY & OUTSOURCING INCLUDING PAYROLL SERVICES. 5628 Trade Marks Journal No: 1835 , 05/02/2018 Class 35 2055496 18/11/2010 HEALTHYWAYS PHARMACEUTICALS PRIVATE LIMITED X-94, PARTAP STREET, GANDHI NAGAR, DELHI-110031 service provider Address for service in India/Attorney address: SMART BRAIN 88, GROUND FLOOR, DEFENCE ENCLAVE, OPP. CORPORATION BANK, VIKAS MARG, DELHI-92 Used Since :28/10/2010 DELHI Import & Export, Wholesale, Retail & Online trading in Medicinal & Pharmaceutical. -
Single Footed Deities: Glimpses from Art and Literature
Single Footed Deities: Glimpses from Art and Literature Prachi Virag Sontakke1 1. Arya Mahila P.G. College, Varanasi, Uttar Pradesh, India (Email: prachi.kushwaha @gmail.com) Received: 28 June 2015; Accepted: 03 August 2015; Revised: 10 September 2015 Heritage: Journal of Multidisciplinary Studies in Archaeology 3 (2015): 608‐617 Abstract: Deities of religious pantheon are divine and hence they are attributed divine forms. The divinity of Gods is further glorified by conceiving their appearance as super natural. That is why we find Gods and Goddesses with multiple arms, heads and even limbs. These traits assert the power, superiority and divinity of deities before man. It is therefore very interesting to note that there is one such deity who is defined in literature and sculptural examples as having a single foot. Current paper is an attempt to understand the concept of emergence and development of this very single footed deity in India. In course of aforesaid trail, issues relating to antiquity of such a tradition, nomenclature of such deity, its identification with different Gods, respective iconography are also dealt with. Keywords: Ekpada, Antiquity, Art, Literature, Identification, Iconography, Chronology Introduction Iconography, though meant for art, is actually a science. Every aspect an icon is not only well defined but also well justified according to the iconographic principles laid down in the texts. When it came to sculpture making, artist’s freedom of portrayal and experimentation was rather limited. But this did not account for the lack of creativity and imagination in ancient Indian art. We have many examples where unrealistic depictions/forms were included in an icon to highlight the divine, supreme and all powerful aspect of deity and to make it different from ordinary humans. -
Summer 1 - What Do You Need to Know About Hinduism? Printing
Enlarge to A3 when Summer 1 - What do you need to know about Hinduism? printing Some important Hindu beliefs about God Some important facts about Hindu worship. Hindus believe there is one God, whom they call Brahman. They like to think Hindus worship at home (puja) and in the mandir (temple). But Hindus believe that everything they about him in different ways to help them understand him. Each way they think do is an act of worship. about Brahman takes the form of a deity and reminds them of something in particularThese aboutthree what deities God is like. are known as the Worship at home (puja) In a Hindu home there will be a shrine for their favourite deities and they will worship every day. Hindus will make sure they wash before they start their worship. The shrine will contain a picture or statue of the deities and will be decorated nicely. A bell is rung before they start to worship, so that the deity will notice that they are there; be woken up. Brahma – the creator Hindus like to use all 5 of their senses when they worship. Vishnu – the preserver of life Hindus will light candles and burn incense when they worship. They will bring an offering such as food or flowers. Shiva – the destroyer of ignorance and evil. They will touch the picture or statue with special coloured powder and with ghee, which is melted butter. These three deities are known as the Trimurti Hindus believe that God has visited the world many times in the form of different deities (gods) to help us to know how to be good and to resist evil. -
Laxmi Puja Pushpanjali
Laxmi Puja Dhyana (ध्यान) Puja should begin with the meditation of Bhagawati Lakshmi. Dhyan should be done in front of already installed Shri Lakshmi statue in front of you. Following Mantra should be chanted while meditating on Bhagawati Shri Lakshmi. Shri Lakshmi Puja during Diwali Aavahan (आवाहन) After Dhyan of Shri Bhagwati Lakshmi, you should chant following Mantra in front of the Murti, by showing Aavahan Mudra (Aavahan Mudra is formed by joining both palms and folding both thumbs inwards). Pushpanjali (पुष्पाञ्जली) After Shri Lakshmi has been invoked, take five flowers in Anjali (by joining palm of both hands) and leave them in front of the Murti to offer seat to Shri Lakshmi while chanting following Mantra. Swagat (स्वागत) After offering flowers-made seat to Shri Bhagawati Lakshmi, chant following Mantra with folded hands to welcome Shri Lakshmi. Padya (पाद्य) After welcoming Shri Lakshmi offer Her water to wash the feet while chanting following Mantra. Arghya (अर्घ्य) After Padya offering, offer water to Shri Lakshmi for head Abhishekam while chanting following Mantra. Gandha-Samarpan/Chandan-Samarpan (गन्ध-समर्पण/चन्दन-समर्पण) Offer Chandan to Shri Lakshmi while chanting following Mantra. Pushpa-Samarpan (पुष्प-समर्पण) Offer flowers to Shri Lakshmi while chanting following Mantra. Anga-Pujan (अङ्ग-पूजन) Now worship those Gods who are body parts of Shri Bhagawati Lakshmi itself. For that take Gandha, Akshata and Pushpa in left hand and leave them near to Shri Lakshmi Murti with right hand while chanting following Mantra(s). Ashta-Siddhi Puja (अष्ट-सिद्धि पूजा) Now worship Ashta-Siddhi near to Shri Lakshmi.