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95.3 Fm 95.3 Fm
October/NovemberMarch/April 2013 2017 VolumeVolume 41, 46, No. No. 3 1 !"#$%&'95.3 FM Brahms: String Sextet No. 2 in G, Op. 36; Marlboro Ensemble Saeverud: Symphony No. 9, Op. 45; Dreier, Royal Philharmonic WHRB Orchestra (Norwegian Composers) Mozart: Clarinet Quintet in A, K. 581; Klöcker, Leopold Quartet 95.3 FM Gombert: Missa Tempore paschali; Brown, Henry’s Eight Nielsen: Serenata in vano for Clarinet,Bassoon,Horn, Cello, and October-November, 2017 Double Bass; Brynildsen, Hannevold, Olsen, Guenther, Eide Pokorny: Concerto for Two Horns, Strings, and Two Flutes in F; Baumann, Kohler, Schröder, Concerto Amsterdam (Acanta) Barrios-Mangoré: Cueca, Aire de Zamba, Aconquija, Maxixa, Sunday, October 1 for Guitar; Williams (Columbia LP) 7:00 am BLUES HANGOVER Liszt: Grande Fantaisie symphonique on Themes from 11:00 am MEMORIAL CHURCH SERVICE Berlioz’s Lélio, for Piano and Orchestra, S. 120; Howard, Preacher: Professor Jonathan L. Walton, Plummer Professor Rickenbacher, Budapest Symphony Orchestra (Hyperion) of Christian Morals and Pusey Minister in The Memorial 6:00 pm MUSIC OF THE SOVIET UNION Church,. Music includes Kodály’s Missa brevis and Mozart’s The Eve of the Revolution. Ave verum corpus, K. 618. Scriabin: Sonata No. 7, Op. 64, “White Mass” and Sonata No. 9, 12:30 pm AS WE KNOW IT Op. 68, “Black Mass”; Hamelin (Hyperion) 1:00 pm CRIMSON SPORTSTALK Glazounov: Piano Concerto No. 2 in B, Op. 100; Ponti, Landau, 2:00 pm SUNDAY SERENADE Westphalian Orchestra of Recklinghausen (Turnabout LP) 6:00 pm HISTORIC PERFORMANCES Rachmaninoff: Vespers, Op. 37; Roudenko, Russian Chamber Prokofiev: Violin Concerto No. 2 in g, Op. -
Sonata for Flute and Piano in D Major, Op. 94 by Sergey Prokofiev
SONATA FOR FLUTE AND PIANO IN D MAJOR, OP. 94 BY SERGEY PROKOFIEV: A PERFORMANCE GUIDE HONORS THESIS Presented to the Honors Committee of Texas State University-San Marcos in Partial Fulfillment of the Requirements for Graduation in the Honors ColLege by Danielle Emily Stevens San Marcos, Texas May 2014 1 SONATA FOR FLUTE AND PIANO IN D MAJOR, OP. 94 BY SERGEY PROKOFIEV: A PERFORMANCE GUIDE Thesis Supervisor: ________________________________ Kay Lipton, Ph.D. School of Music Second Reader: __________________________________ Adah Toland Jones, D. A. School of Music Second Reader: __________________________________ Cynthia GonzaLes, Ph.D. School of Music Approved: ____________________________________ Heather C. GaLLoway, Ph.D. Dean, Honors ColLege 2 Abstract This thesis contains a performance guide for Sergey Prokofiev’s Sonata for Flute and Piano in D Major, Op. 94 (1943). Prokofiev is among the most important Russian composers of the twentieth century. Recognized as a leading Neoclassicist, his bold innovations in harmony and his new palette of tone colors enliven the classical structures he embraced. This is especially evident in this flute sonata, which provides a microcosm of Prokofiev’s compositional style and highlights the beauty and virtuosic breadth of the flute in new ways. In Part 1 I have constructed an historical context for the sonata, with biographical information about Prokofiev, which includes anecdotes about his personality and behavior, and a discussion of the sonata’s commission and subsequent premiere. In Part 2 I offer an anaLysis of the piece with generaL performance suggestions and specific performance practice options for flutists that will assist them as they work toward an effective performance, one that is based on both the historically informed performance context, as well as remarks that focus on particular techniques, challenges and possible performance solutions. -
30N2 Programs
Sonata for Tuba and Piano Verne Reynolds FACULTY/PROFESSIONAL PERFORMANCES The Morning Song Roger Kellaway Edward R. Bahr, euphonium Salve Venere, Salve Marte John Stevens Concerto No. 1 for Hom, Op. 11 Richard Strauss Delta Sate University, Cleveland, MS 10/03/02 Csdrdds Vittorio Monti / arr. Ronald Davis Suite No. IV for Violoncello S. 1010 J.S. Bach Vocalises Giovanni Marco Bordogni Michael Fischer, tuba "Andante maestosoAndante mosso" Boise State University, Boise, ID WllljOl "Allegro" Central Missouri State University, Warrensburg, MO 11/1/02 (Johannes Rochut: Melodius Etudes No. 79, 24) Pittsburg State University, Pittsburg, KS 11/4/02 Concertino No. I in Bflat, op. 7 .Julius Klengel/an:. Leonard Falcone Romance Op. 36 Camille SaintSaens/arr. Michael Fischer GranA Concerto Friedebald Grafe Beelzebub Andrea V. Catozzi/arr. Julius S. Seredy Reverie et Balade Rene Mignion Three Romantic Pieces arr. Michael Fischer Danza Espagnola David Uber Du Ring an meinem Finger, Robert Schumann, Op. 42, No. 4 Velvet Brown, tuba Felteinsamkeit, Johannes Brahms Standchen, Franz Schubert *Bowling Green State University, Bowling Green, OH 10/23/02 **Ohio State University, Columbus, OH 10/24/02 Gypsy Songs .Johannes Brahms/arr. by Michael Fischer Sonata Bruce Broughton The Liberation of Sisyphus John Stevens Chant du Menestrel, op. 71 Alexander Glazunov/arr. V. Brown Adam Frey, euphonium Lieder eines fahrenden Gesellen Gustav Mahler/arr. D. Perantoni Mercer University, Macon, GAl0/01/02 *Te Dago Mi for tuba, euphonium and piano (U.S. premiere) Velvet Brown with Benjamin Pierce, euphonium Sormta in F Major.. Benedetto Marcello Blue Lake for Solo Euphonium **Mus!c for Two Big Instruments Alex Shapiro Fantasies David Gillingham Sonata for tuba and piano Juraj Filas Peace John Golland Rumanian Dance No. -
Teacher Notes on Russian Music and Composers Prokofiev Gave up His Popularity and Wrote Music to Please Stalin. He Wrote Music
Teacher Notes on Russian Music and Composers x Prokofiev gave up his popularity and wrote music to please Stalin. He wrote music to please the government. x Stravinsky is known as the great inventor of Russian music. x The 19th century was a time of great musical achievement in Russia. This was the time period in which “The Five” became known. They were: Rimsky-Korsakov (most influential, 1844-1908) Borodin Mussorgsky Cui Balakirev x Tchaikovsky (1840-’93) was not know as one of “The Five”. x Near the end of the Stalinist Period Prokofiev and Shostakovich produced music so peasants could listen to it as they worked. x During the 17th century, Russian music consisted of sacred vocal music or folk type songs. x Peter the Great liked military music (such as the drums). He liked trumpet music, church bells and simple Polish music. He did not like French or Italian music. Nor did Peter the Great like opera. Notes Compiled by Carol Mohrlock 90 Igor Fyodorovich Stravinsky (1882-1971) I gor Stravinsky was born on June 17, 1882, in Oranienbaum, near St. Petersburg, Russia, he died on April 6, 1971, in New York City H e was Russian-born composer particularly renowned for such ballet scores as The Firebird (performed 1910), Petrushka (1911), The Rite of Spring (1913), and Orpheus (1947). The Russian period S travinsky's father, Fyodor Ignatyevich Stravinsky, was a bass singer of great distinction, who had made a successful operatic career for himself, first at Kiev and later in St. Petersburg. Igor was the third of a family of four boys. -
Sergei Prokofiev
Sergei Prokofiev Sergei Sergeyevich Prokofiev (/prɵˈkɒfiɛv/; Russian: Сергей Сергеевич Прокофьев, tr. Sergej Sergeevič Prokof'ev; April 27, 1891 [O.S. 15 April];– March 5, 1953) was a Russian composer, pianist and conductor. As the creator of acknowledged masterpieces across numerous musical genres, he is regarded as one of the major composers of the 20th century. His works include such widely heard works as the March from The Love for Three Oranges, the suite Lieutenant Kijé, the ballet Romeo and Juliet – from which "Dance of the Knights" is taken – and Peter and the Wolf. Of the established forms and genres in which he worked, he created – excluding juvenilia – seven completed operas, seven symphonies, eight ballets, five piano concertos, two violin concertos, a cello concerto, and nine completed piano sonatas. A graduate of the St Petersburg Conservatory, Prokofiev initially made his name as an iconoclastic composer-pianist, achieving notoriety with a series of ferociously dissonant and virtuosic works for his instrument, including his first two piano concertos. In 1915 Prokofiev made a decisive break from the standard composer-pianist category with his orchestral Scythian Suite, compiled from music originally composed for a ballet commissioned by Sergei Diaghilev of the Ballets Russes. Diaghilev commissioned three further ballets from Prokofiev – Chout, Le pas d'acier and The Prodigal Son – which at the time of their original production all caused a sensation among both critics and colleagues. Prokofiev's greatest interest, however, was opera, and he composed several works in that genre, including The Gambler and The Fiery Angel. Prokofiev's one operatic success during his lifetime was The Love for Three Oranges, composed for the Chicago Opera and subsequently performed over the following decade in Europe and Russia. -
The Flute Works of Erwin Schulhoff
University of Northern Colorado Scholarship & Creative Works @ Digital UNC Dissertations Student Research 8-2019 The Flute Works of Erwin Schulhoff Sara Marie Schuhardt Follow this and additional works at: https://digscholarship.unco.edu/dissertations Recommended Citation Schuhardt, Sara Marie, "The Flute Works of Erwin Schulhoff" (2019). Dissertations. 590. https://digscholarship.unco.edu/dissertations/590 This Text is brought to you for free and open access by the Student Research at Scholarship & Creative Works @ Digital UNC. It has been accepted for inclusion in Dissertations by an authorized administrator of Scholarship & Creative Works @ Digital UNC. For more information, please contact [email protected]. © 2019 SARA MARIE SCHUHARDT ALL RIGHTS RESERVED UNIVERSITY OF NORTHERN COLORADO Greeley, Colorado The Graduate School THE FLUTE WORKS OF ERWIN SCHULHOFF A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Arts Sara Marie Schuhardt College of Performing and Visual Arts School of Music August 2019 This Dissertation by: Sara Marie Schuhardt Entitled: The Flute Works of Erwin Schulhoff has been approved as meeting the requirement for the Degree of Doctor of Arts in College of Performing and Visual Arts in School of Music Accepted by the Doctoral Committee ______________________________________________________ Carissa Reddick, Ph.D., Research Advisor ______________________________________________________ James Hall, D.M.A., Committee Member _______________________________________________________ -
Monday, July 1, 2013 8:00 Pm Bohuslav Martinů Sergei Prokofiev
MONDAY, JULY 1, 2013 8:00 PM PROGRAM BOHUSLAV MARtinů La Revue de cuisine Prologue (Allegretto) Introduction (Tempo di marcia) Danse du moulinet autour du chaudron (Poco meno) Danse du chaudron et du couvercle (Allegro) Tango (Danse d’amour. Lento) Duel (Poco a poco allegro. Tempo di Charleston) Entr’acte (Lamentation du chaudron. Allegro moderato) Marche funèbre (Adagio) Danse radieuse (Tempo di marcia) Fin du drame (Allegretto) Sean Osborn clarinet / Seth Krimsky bassoon / Jens Lindemann trumpet / James Ehnes violin / David Requiro cello / Inon Barnatan piano SERGEI PROKOFIEV Sonata for Violin and Piano in D Major, Op. 94bis Moderato Scherzo: Presto Andante Allegro con brio Jesse Mills violin / Andrew Armstrong piano INTERMISSION PIOTR TCHAIKOVSKY String Quartet No. 3 in E-flat minor, Op. 30 Andante sostenuto—Allegro moderato Allegretto vivo e scherzando Andante funebre e doloroso, ma con moto Finale: Allegro non troppo e risoluto Ida Levin violin / Stephen Rose violin / Rebecca Albers viola / Brinton Smith cello SEASON SPONSORSHIP PROVIDED BY TOBY saks AND DR. MARTIN GREENE BOHUSLAV MARtinů throughout the scintillating score, especially noticeable (1890–1959) in frequent use of muted trumpet and pizzicato cello La Revue de cuisine (1927) lines that assume a jazz ensemble’s deployment of a double bass. Largely self-taught in composition, Bohuslav Martinů drew inspiration and influence from a number of 20th- A bright trumpet fanfare launches the animated century stylistic languages, including Bohemian and Prologue, soon yielding to a stomping piano solo that Moravian folk music, Stravinskian neo-Classicism, the itself launches the Introduction proper, a contrapuntal music of Albert Roussel and Debussy, as well as early dance engaging the remaining instruments. -
Prokofiev, Sergey (Sergeyevich)
Prokofiev, Sergey (Sergeyevich) (b Sontsovka, Bakhmutsk region, Yekaterinoslav district, Ukraine, 11/23 April 1891; d Moscow, 5 March 1953). Russian composer and pianist. He began his career as a composer while still a student, and so had a deep investment in Russian Romantic traditions – even if he was pushing those traditions to a point of exacerbation and caricature – before he began to encounter, and contribute to, various kinds of modernism in the second decade of the new century. Like many artists, he left his country directly after the October Revolution; he was the only composer to return, nearly 20 years later. His inner traditionalism, coupled with the neo-classicism he had helped invent, now made it possible for him to play a leading role in Soviet culture, to whose demands for political engagement, utility and simplicity he responded with prodigious creative energy. In his last years, however, official encouragement turned into persecution, and his musical voice understandably faltered. 1. Russia, 1891–1918. 2. USA, 1918–22. 3. Europe, 1922–36. 4. The USSR, 1936–53. WORKS BIBLIOGRAPHY DOROTHEA REDEPENNING © Oxford University Press 2005 How to cite Grove Music Online 1. Russia, 1891–1918. (i) Childhood and early works. (ii) Conservatory studies and first public appearances. (iii) The path to emigration. © Oxford University Press 2005 How to cite Grove Music Online Prokofiev, Sergey, §1: Russia: 1891–1918 (i) Childhood and early works. Prokofiev grew up in comfortable circumstances. His father Sergey Alekseyevich Prokofiev was an agronomist and managed the estate of Sontsovka, where he had gone to live in 1878 with his wife Mariya Zitkova, a well-educated woman with a feeling for the arts. -
Jillian Degroot, Flute Junior Recital Beilin Han, Piano PROGRAM Johann Sebastian Bach (1685-1750) Sonata in G Minor, BWV 1020 Allegro Adagio Allegro
Friday, April 21, 2017 • 7:00 p.m Jillian DeGroot Junior Recital DePaul Recital Hall 804 West Belden Avenue • Chicago Friday, April 21, 2017 • 7:00 p.m. DePaul Recital Hall Jillian DeGroot, flute Junior Recital Beilin Han, piano PROGRAM Johann Sebastian Bach (1685-1750) Sonata in G Minor, BWV 1020 Allegro Adagio Allegro Beilin Han, piano Georges Hüe (1858-1948) Fantasie (1913) Beilin Han, piano Intermission Michael Colquhoun (1953-2016) Charanga (1993) Sergei Prokofiev (1685-1750) Flute Sonata No. 2 in D Major, Op. 94 (1943) Allegro Scherzo Andante Allegro con brio Beilin Han, piano Jillian DeGroot is from the studio of Alyce Johnson. This recital is presented in partial fulfillment of the degree Bachelor of Music. As a courtesy to those around you, please silence all cell phones and other electronic devices. Flash photography is not permitted. Thank you. Jillian DeGroot • April 21, 2017 PROGRAM NOTES Johann Sebastian. Bach (1685-1750) Sonata in G Minor, BWV 1020 Duration: 10 minutes Though the Sonata in G minor is traditionally considered an “authentic sonata” by J.S. Bach, it is actually possible that the is falsely attributed to Bach, like the Flute Sonatas in E-flat major, BWV 1031, and C major, BWV 1033. Some musicologists believe that this sonata is really more in the style of C.P.E. Bach, the fifth child of J.S. Bach. The G minor Sonata opens with a lyrical Allegro, almost reminiscent of some of the Quantz flute sonatas. This Allegro is followed by a gentle Adagio, which features a sweet and tender flute melody. -
2017 Season 10:00 AM, Wheeler Opera House, $40.00 Edward Berkeley Director, Aspen Opera Center Artist- June 29 –August 20, 2017 Faculty
SATURDAY, JULY 1, 2017 Aspen Music Festival and School Opera Scenes Master Class 2017 Season 10:00 AM, Wheeler Opera House, $40.00 Edward Berkeley director, Aspen Opera Center artist- June 29 –August 20, 2017 faculty THURSDAY, JUNE 29, 2017 Chamber Music Violin Studio Class 4:30 PM, Harris Concert Hall, $45.00 1:00 PM, Edlis Neeson Hall, Free Donald Crockett conductor, Sarah Vautour soprano, Paul Kantor Elizabeth Buccheri piano, James Dunham viola, Anton Nel piano, Robert Chen violin, Cornelia Heard violin, Jonathan Chapel Chamber Music Haas percussion, Michael Mermagen cello, Bruce Bransby 4:15 PM, Aspen Chapel, Free bass, Aralee Dorough flute, Alison Fierst flute, Felipe Jimenez-Murillo clarinet, JJ Koh clarinet, Samuel Williams A Recital by Arnaud Sussmann violin David Finckel cello saxophone, Per Hannevold bassoon, Brian Mangrum horn, and Wu Han piano Joe Blumberg trumpet, Kevin Cobb trumpet, Michael 7:00 PM, Harris Concert Hall, $60.00 Powell trombone, Ingmar Beck conductor, Aspen BRAHMS: Cello Sonata No. 1 in E minor, op. 38 Contemporary Ensemble DVOŘÁK: Sonatina in G major, B. 183, op. 100 HYLA: Polish Folk Songs — WEILL: Berlin im Licht MENDELSSOHN: Piano Trio No. 2 in C minor, op. 66 Je ne t’aime pas WEILL/BERIO: Surabaya Johnny from Happy End FRIDAY, JUNE 30, 2017 WEILL: Youkali from Marie Galante Aspen Chamber Symphony Dress Rehearsal I’m a Stranger Here Myself from One Touch of 9:30 AM, Benedict Music Tent, $20.00 Venus Ludovic Morlot conductor, Simone Porter violin HINDEMITH: Viola Sonata, op. 11, no. 4 R. STRAUSS: from Tanzsuite nach Klavierstücken von MILHAUD: La création du monde, op. -
Aspen Music Festival and School Chrono Events 2013
Aspen Music Festival and Sunday, June 30 School Chrono Events 2013 9:30 AM Aspen Festival Orchestra Dress Rehearsal ($18) Benedict Music Tent 3:00 Prelude: Preconcert Talk (free) Harris Concert Hall Thursday, June 27 4:15 Chapel Chamber Music (free) 4:00 Aspen Festival Orchestra ($78) Aspen Chapel Benedict Music Tent Dedicated to the memory of Gordon Hardy 7:30 Aspen Philharmonic Orchestra ($65, $35) With special thanks to Mary E. and Erik Giese Benedict Music Tent Leila Josefowicz violin With special thanks to Stefan Edlis and Gael Neeson Robert Spano conductor Mei-Ann Chen conductor BRITTEN: Four Sea Interludes from Peter Grimes, op. 33a Conrad Tao piano ESA-PEKKA SALONEN: Violin Concerto LeVar Burton narrator -----INTERMISSION----- RACHMANINOFF: Piano Concerto No. 3 in D minor, op. 30 TCHAIKOVSKY: Symphony No. 6 in B minor, op. 74, -----INTERMISSION----- "Pathétique" PHILIP GLASS: Icarus at the Edge of Time Monday, July 1 Friday, June 28 6:00 Chamber Music ($46) 9:30 AM Aspen Chamber Symphony Dress Rehearsal Harris Concert Hall ($18) With special thanks to Margaret and Jerrold Eberhardt Benedict Music Tent Renata Arado violin Herbert Greenberg violin 4:45 Overtures: Preconcert Chamber Music Espen Lilleslåtten viola Harris Concert Hall Mark Sparks flute Anton Nel piano Elizabeth Buccheri piano Karolina Syrovatkova piano Anton Nel piano MOZART: Piano Sonata in C major, K. 309 (K. 284b) MARTINŮ: Flute Sonata, H. 306 MOZART: Piano Sonata in D major, K. 311 (K. 284c) WEILL: Four Walt Whitman Songs BRITTEN/DARYL RUNSWICK: Britten's Blues YSAŸE: Trio de concert, op. 19 6:00 Aspen Chamber Symphony ($74) Benedict Music Tent With special thanks to Soledad and Robert Hurst Tuesday, July 2 Nicholas McGegan conductor 1:00 Harris Concert Hall Master Class ($25) Soyoung Park soprano Harris Concert Hall Zach Borichevsky tenor BEETHOVEN: Overture to Fidelio, op. -
Compact Discs / DVD-Blu-Ray Recent Releases - Spring 2017
Compact Discs / DVD-Blu-ray Recent Releases - Spring 2017 Compact Discs 2L Records Under The Wing of The Rock. 4 sound discs $24.98 2L Records ©2016 2L 119 SACD 7041888520924 Music by Sally Beamish, Benjamin Britten, Henning Kraggerud, Arne Nordheim, and Olav Anton Thommessen. With Soon-Mi Chung, Henning Kraggerud, and Oslo Camerata. Hybrid SACD. http://www.tfront.com/p-399168-under-the-wing-of-the-rock.aspx 4tay Records Hoover, Katherine, Requiem For The Innocent. 1 sound disc $17.98 4tay Records ©2016 4TAY 4048 681585404829 Katherine Hoover: The Last Invocation -- Echo -- Prayer In Time of War -- Peace Is The Way -- Paul Davies: Ave Maria -- David Lipten: A Widow’s Song -- How To -- Katherine Hoover: Requiem For The Innocent. Performed by the New York Virtuoso Singers. http://www.tfront.com/p-415481-requiem-for-the-innocent.aspx Rozow, Shie, Musical Fantasy. 1 sound disc $17.98 4tay Records ©2016 4TAY 4047 2 681585404720 Contents: Fantasia Appassionata -- Expedition -- Fantasy in Flight -- Destination Unknown -- Journey -- Uncharted Territory -- Esme’s Moon -- Old Friends -- Ananke. With Robert Thies, piano; The Lyris Quartet; Luke Maurer, viola; Brian O’Connor, French horn. http://www.tfront.com/p-410070-musical-fantasy.aspx Zaimont, Judith Lang, Pure, Cool (Water) : Symphony No. 4; Piano Trio No. 1 (Russian Summer). 1 sound disc $17.98 4tay Records ©2016 4TAY 4003 2 888295336697 With the Janacek Philharmonic Orchestra; Peter Winograd, violin; Peter Wyrick, cello; Joanne Polk, piano. http://www.tfront.com/p-398594-pure-cool-water-symphony-no-4-piano-trio-no-1-russian-summer.aspx Aca Records Trios For Viola d'Amore and Flute.