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Ezra Pound His Metric and Poetry Books by Ezra Pound
EZRA POUND HIS METRIC AND POETRY BOOKS BY EZRA POUND PROVENÇA, being poems selected from Personae, Exultations, and Canzoniere. (Small, Maynard, Boston, 1910) THE SPIRIT OF ROMANCE: An attempt to define somewhat the charm of the pre-renaissance literature of Latin-Europe. (Dent, London, 1910; and Dutton, New York) THE SONNETS AND BALLATE OF GUIDO CAVALCANTI. (Small, Maynard, Boston, 1912) RIPOSTES. (Swift, London, 1912; and Mathews, London, 1913) DES IMAGISTES: An anthology of the Imagists, Ezra Pound, Aldington, Amy Lowell, Ford Maddox Hueffer, and others GAUDIER-BRZESKA: A memoir. (John Lane, London and New York, 1916) NOH: A study of the Classical Stage of Japan with Ernest Fenollosa. (Alfred A. Knopf, New York, 1917; and Macmillan, London, 1917) LUSTRA with Earlier Poems. (Alfred A. Knopf, New York, 1917) PAVANNES AHD DIVISIONS. (Prose. In preparation: Alfred A. Knopf, New York) EZRA POUND HIS METRIC AND POETRY I "All talk on modern poetry, by people who know," wrote Mr. Carl Sandburg in _Poetry_, "ends with dragging in Ezra Pound somewhere. He may be named only to be cursed as wanton and mocker, poseur, trifler and vagrant. Or he may be classed as filling a niche today like that of Keats in a preceding epoch. The point is, he will be mentioned." This is a simple statement of fact. But though Mr. Pound is well known, even having been the victim of interviews for Sunday papers, it does not follow that his work is thoroughly known. There are twenty people who have their opinion of him for every one who has read his writings with any care. -
News, Notes, & Correspondence
News, Notes, & Correspondence The Theatre of E. E. Cummings Published In the News, Notes & Correspondence section of Spring 18, we re- ported that a new edition of The Theatre of E. E. Cummings was in the works, and—behold!—the book appeared on schedule at the beginning of 2013. This book, which contains the plays Him, Anthropos, and Santa Claus, along with the ballet Tom, provides readers with a handy edition of Cummings’ theatre works. The book also has an afterword by Norman Friedman, “E. E. Cummings and the Theatre,” which we printed in Spring 18 (94-108). The Thickness of the Coin In February, 2012 we received a card from Zelda and Norman Fried- man. They wrote: We are okay and want to tell you that the older we get the more skillful and wise E. E. Cummings becomes. Zelda has been trying to locate the line “love makes the little thickness of the coin” and came upon it accidentally in “hate blows a bubble of despair into” across the page in Complete Poems from “love is more thicker than forget”—the poem where she thought it might be. The Cummings-Clarke Papers at the Massachusetts Historical Society *In October 2012, Peter Steinberg of the Massachusetts Historical Society wrote to inform us that some of the Cummings-Clarke family papers con- taining “some materials by E. E. Cummings” had “recently been processed and made available for research.” Peter sent us the following “link to the finding aid / collection guide in hopes that you or your society members might be interested in learning about [the papers and] visiting the MHS”: http://www.masshist.org/findingaids/doc.cfm?fa=fa0367. -
E. E. Cummings
Center for the Book at the New Hampshire State Library BIBLIOGRAPHY January 2007 e. e. cummings Poetry 1 x 1. Holt, 1944; reprinted edited, afterword, by George James Firmage. Liveright, 2002. 1/20. Roger Roughton, 1936. 100 Selected Poems. Grove, 1958. 22 and 50 Poems. Edited by George James Firmage. Liveright, 2001. 50 Poems. Duell, Sloan & Pearce, 1940. 73 Poems. Harcourt, 1963. 95 Poems. Harcourt, 1958, reprinted edited by George James Firmage. Liveright, 2002. &. privately printed, 1925. (Contributor) Peter Neagoe, editor, Americans Abroad: An Anthology. Servire, 1932. Another E. E. Cummings. selected, introduced by Richard Kostelanetz, Liveright, 1998. (Chaire). Liveright, 1979. (Contributor) Nancy Cummings De Forzet. Charon's Daughter: A Passion of Identity. Liveright, 1977. Christmas Tree. American Book Bindery, 1928. Collected Poems. Harcourt, 1938. Complete Poems, 19101962. Granada, 1982. Complete Poems, 19231962. two volumes, MacGibbon & Kee, 1968; revised edition published in one volume as Complete Poems, 19131962. Harcourt, 1972. (Contributor) Eight Harvard Poets. L. J. Gomme, 1917. Etcetera: The Unpublished Poems of E. E. Cummings. Edited by Firmage and Richard S. Kennedy, Liveright, 1984. Hist Whist and Other Poems for Children. Edited by Firmage, Liveright, 1983. NH Center for the Book BIBLIOGRAPHY p. 2 of 4 e.e. cummings (January. 2007) In JustSpring. Little, Brown, 1988. is 5. Boni & Liveright, 1926; reprinted, Liveright, 1985. Love Is Most Mad and Moonly. AddisonWesley, 1978. May I Feel Said He: Poem. Paintings by Marc Chagall, Welcome Enterprises, 1995. No Thanks. Golden Eagle Press, 1935; reprinted, Liveright, 1978. Poems, 19051962. edited by Firmage, Marchim Press, 1973. Poems, 19231954. -
Orpheu Et Al. Modernism, Women, and the War
Orpheu et al. Modernism, Women, and the War M. Irene Ramalho-Santos* Keywords Little magazines, Poetry, Modernism, The Great War, Society, Sexual mores. Abstract The article takes off from Orpheu, the little magazine at the origin of Portuguese modernism, to reflect, from a comparative perspective, on the development of modernist poetry in the context of the Great War and the social changes evolving during the first decades of the twentieth century on both sides of the Atlantic. Palavras-chave “Little magazines,” Poesia, Modernismo, A Grande Guerra, Sociedade, Costumes sexuais. Resumo O artigo parte de Orpheu, a revista que dá origem ao modernismo português, para reflectir, numa perspectiva comparada, soBre o desenvolvimento da poesia modernista no contexto da Grande Guerra e das mudanças sociais emergentes nas primeiras décadas do século XX dos dois lados do Atlântico. * Universidade de CoimBra; University of Wisconsin-Madison. Ramalho Santos Orpheu et al. It is frequently repeated in the relevant scholarship that Western literary and artistic modernism started in little magazines.1 The useful online Modernist Journals Project (Brown University / Tulsa University), dealing so far only with American and British magazines, uses as its epigraph the much quoted phrase: “modernism began in the magazines”, see SCHOLES and WULFMAN (2010) and BROOKER and THACKER (2009-2013). With two issues published in 1915 and a third one stopped that same year in the galley proofs for lack of funding, the Portuguese little magazine Orpheu inaugurated modernism in Portugal pretty much at the same time as all the other major little magazines in Europe and the United States. This is interesting, given the proverbial belatedness of Portuguese accomplishments, and no less interesting the fact that, like everywhere else, Orpheu was followed, in Portugal as well, By a number of other little magazines. -
Opac) Displays
GUIDELINES FOR ONLINE PUBLIC ACCESS CATALOGUE (OPAC) DISPLAYS IFLA Task Force on Guidelines for OPAC Displays [Draft] SEPTEMBER 30, 2003 DRAFT FOR WORLDWIDE REVIEW Guidelines for OPAC Displays – September 30, 2003 Draft for Worldwide Review Page 1 of 41 TASK FORCE ON GUIDELINES FOR OPAC DISPLAYS Members Françoise Bourdon Bibliothèque nationale de France Paris, France Kerstin Dahl Lund University Library Lund, Sweden Zlata Dimec National and University Library Ljubljana, Slovenia Assumpció Estivill Facultat de Biblioteconomia I Documentació Universitat de Barcelona Barcelona, Spain Friedrich Geisselmann Universitätsbibliothek Regensburg Regensburg, Germany Lynne C. Howarth (Chair 2001- ) Faculty of Information Studies University of Toronto Toronto, Canada Maria Inês Lopes Fundação Calouste Gulbenkian Biblioteca Geral de Arte Lisbon, Portugal Mona Madsen The Royal School of Library and Information Science Copenhagen, Denmark Dorothy McGarry (Chair 1997-2001) University of California, Los Angeles Los Angeles, USA Eeva Murtomaa Helsinki University Library/National Bibliography Helsinki, Finland Guidelines for OPAC Displays – September 30, 2003 Draft for Worldwide Review Page 2 of 41 Charlotte Pedersen (2000-) Danish National Library Authority Copenhagen, Denmark Gerhard Riesthuis (1999-2000) University of Amsterdam Amsterdam, Netherlands Maria Witt Mediathèque de la Cité des Sciences Paris, France Maja Žumer National and University Library Ljubljana, Slovenia Commentators: Round Table on User Education Martin Kesselman Rutgers University Library Media Services Piscataway, USA Section on Document Delivery and Interlending and Discussion Group on Reference Work Annsofie Oscarsson Umea University Library Umea, Sweden Section of Libraries for Children and Young Adults Rita Schmitt Deutsches Bibliothekinstitut Berlin, Germany Section of Libraries for the Blind (2000- ) Paivi Voutilainen Finnish Library for the Visually Impaired Helsinki, Finland Section for Libraries Serving Disadvantaged Persons Nancy Mary Panella Bolling Memorial Medical Library St. -
Modernism from Right to Left: Wallace Stevens, the Thirties, and Radicalism
Syracuse University SURFACE The Courier Libraries Spring 1992 Modernism from Right to Left: Wallace Stevens, the Thirties, and Radicalism Alan Filres University of Pennsylvania Follow this and additional works at: https://surface.syr.edu/libassoc Part of the Arts and Humanities Commons Recommended Citation Filres, Alan, "Modernism from Right to Left: Wallace Stevens, the Thirties, and Radicalism" (1992). The Courier. 293. https://surface.syr.edu/libassoc/293 This Article is brought to you for free and open access by the Libraries at SURFACE. It has been accepted for inclusion in The Courier by an authorized administrator of SURFACE. For more information, please contact [email protected]. SYRACUSE UNIVERSITY LIBRARY AS SOC lATE S COURIER VOLUME XXVII, NUMBER 1, SPRING 1992 SYRACUSE UNIVERSITY LIBRARY ASSOCIATES COURIER VOLUME XXVII NUMBER ONE SPRING 1992 Modernism from Right to Left: Wallace Stevens, the Thirties, and Radicalism By Alan Filreis, Associate Professor ofEnglish, 3 University ofPennsylvania Adam Badeau's "The Story ofthe Merrimac and the Monitor" By Robert]. Schneller,Jr., Historian, 25 Naval Historical Center A Marcel Breuer House Project of1938-1939 By Isabelle Hyman, Professor ofFine Arts, 55 New York University Traveler to Arcadia: Margaret Bourke-White in Italy, 1943-1944 By Randall I. Bond, Art Librarian, 85 Syracuse University Library The Punctator's World: A Discursion (Part Seven) By Gwen G. Robinson, Editor, Syracuse University 111 Library Associates Courier News ofthe Syracuse University Library and the Library Associates 159 Modernism from Right to Left: Wallace Stevens, the Thirties, and Radicalism BY ALAN FILREIS Author's note: In writing the bookfrom which thefollowing essay is ab stracted, I need have gone no further than the George Arents Research Li brary. -
Three Memorials Michael Webster
Three Memorials Michael Webster George James Firmage In the thirteenth issue of Spring we mark the passing of three dedicated Cummings scholars, George James Firmage, Philip Gerber, and John R. (Jack) Gill. Firmage, a literary agent who lived in London, dedicated much of his life to produc- ing readable and accurate editions of Cummings’ works. To Firmage we owe the collection of Cummings’ ephemeral pieces called A Miscellany Revised, and it was Firmage who guided Cummings’ posthumous books, 73 Poems (1963) and Fairy Tales (1965) into print. With Richard S. Kennedy, Firmage produced the invaluable Liveright typescript editions of The Enormous Room (1978) and many of Cummings’ single books of poems. Most notable perhaps among these editions was the first, Tulips & Chimneys (1976), in which Firmage, through painstaking research, re-estab- lished the original 1922 text of 152 poems. For the first time, the general reader could read and view the poems in the arrangement and order Cummings had intended. Firmage was extraordinarily attentive to Cummings’ exacting strictures on punc- tuation, spacing, and placement on the page. For example, Firmage did not fail (as I have) to place a space before the apostrophe in the first line of “Buffalo Bill ’s” (CP 90); nor did he fail (as Kennedy did in the Selected Poems) to allow each poem to occupy its own single paper space. The rationale behind the typescript editions was to present Cummings’ lines as he intended them to be spaced: according to the mono-width spacing of each letter of the typewriter. This sort of unitary spacing had seldom been used in book production, but some visual poems like “r-p-o-p-h-e-s-s-a-g-r” (CP 396) were carefully “drawn” or spaced on the typewriter and thus are very difficult to set correctly in the variable width fonts of commercial printing. -
To Download the PDF File
the SEVENTH Library the SEVENTH Library from E. E Cummings to architectural, deviations Adrienne HossfeÍd Thesis submitted to Azrieli School of Architecture and Urbanism Carleton University, Ottawa, Ontario, Canada 2010 In partial fulfillment of the requirements for the degree of M. ARCH Professional in Masters of Architecture ©2010 Adrienne Hossfeld Library and Archives Bibliothèque et ?F? Canada Archives Canada Published Heritage Direction du Branch Patrimoine de l'édition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre référence ISBN: 978-0-494-71534-5 Our file Notre référence ISBN: 978-0-494-71534-5 NOTICE: AVIS: The author has granted a non- L'auteur a accordé une licence non exclusive exclusive license allowing Library and permettant à la Bibliothèque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par télécommunication ou par l'Internet, prêter, telecommunication or on the Internet, distribuer et vendre des thèses partout dans le loan, distribute and sell theses monde, à des fins commerciales ou autres, sur worldwide, for commercial or non- support microforme, papier, électronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriété du droit d'auteur ownership and moral rights in this et des droits moraux qui protège cette thèse. Ni thesis. Neither the thesis nor la thèse ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent être imprimés ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
A CATHOLIC CRITICISM of E. E. CUMMINGS a Study of Form
UNIVERSITY D-OTTAWA ~ ECOLE DES GRADUES A CATHOLIC CRITICISM OF E. E. CUMMINGS c ', i- •J. f » ifX. • A Study of Form, Technique and Content in one of the Controversial Poets of Our Time from the Traditional Christian Viewpoint* By Stephen Breen Thesis presented to the Faculty of Arts of the University of Ottawa through the Department of English as partial fulfill ment of the requirements for the degree of Doctor of Philosophy. 6. fWf Ottawa, Canada, 1958 AjU*A^&->w( \J \ 5 «• Q~\^- UNIVERSITY OF OTTAWA - SCHOOL OF GRADUATE STUDIES UMI Number: DC53307 INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. UMI® UMI Microform DC53307 Copyright 2011 by ProQuest LLC All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 UNIVERSITE D-OTTAWA ~ ECOLE DES GRADUES ACKNOWLEDGEMENTS This thesis topic was selected under the guidance of the Chairman of the English Department, Professor Emmett 0'Grady, and executed under the guidance of Dr. Paul Marcotte in its initial stages, with Dr. Brian Robinson directing its organization and conclusion. -
Marvelous Whirlings E.E. Cummings Eimi, Louis Aragon
MARVELOUS WHIRLINGS E.E. CUMMINGS EIMI, LOUIS ARAGON, EZRA POUND, & KRAZY KAT _______________________________________ A Thesis presented to the Faculty of the Graduate School at the University of Missouri-Columbia _______________________________________________________ In Partial Fulfillment of the Requirements for the Degree Master of Arts _____________________________________________________ by JOSHUA D. HUBER Dr. Frances Dickey, Thesis Supervisor MAY 2015 The undersigned, appointed by the dean of the Graduate School, have examined the thesis entitled MARVELOUS WHIRLINGS E.E. CUMMINGS EIMI, LOUIS ARAGON, EZRA POUND, & KRAZY KAT presented by Joshua D. Huber, a candidate for the degree of master of English, and hereby certify that, in their opinion, it is worthy of acceptance. Associate Professor Frances Dickey Professor Scott Cairns Professor Russ Zguta ii ACKNOWLEDGEMENTS Grateful thanks to all those who aided me in the completion of this document, especially: my advisor, Dr. Frances Dickey (whose feedback, critiques, and suggestions were invaluable), committee members, Dr. Scott Cairns and Dr. Russell Zguta; my colleagues, both fellow graduate students and professors, at the University of Missouri; the staff of the University of Missouri for helping with the vast tides of paperwork this process requires; and, finally, my wife and family for encouragement and putting up with my sometimes anti-social and frequently bookish ways during this process. iii TABLE OF CONTENTS Acknowledgements ………………………………………………………….. ii Chapter 1: Introduction ….…………………………………………………….. 1 Chapter 2: Dadaist Differentiation …………………………………………….. 9 2.1: Telemachus ...…………………………………………………….. 9 2.2: “The Red Front” ………………………………………………….. 15 Chapter 3: Pound and Cummings ……………………………………………... 26 3.1: The Cantos ………………………………………………………... 26 3.2: The Politics of Pound and Cummings ……………………………. 41 Chapter 4: Krazy Kat ………………………………………………………... 48 4.1: Krazy and Cummings’ Foreword …………………………………. -
The “Objectivists”: a Website Dedicated to the “Objectivist” Poets by Steel Wagstaff a Dissertation Submitted in Partial
The “Objectivists”: A Website Dedicated to the “Objectivist” Poets By Steel Wagstaff A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (English) at the UNIVERSITY OF WISCONSIN‐MADISON 2018 Date of final oral examination: 5/4/2018 The dissertation is approved by the following members of the Final Oral Committee: Lynn Keller, Professor, English Tim Yu, Associate Professor, English Mark Vareschi, Assistant Professor, English David Pavelich, Director of Special Collections, UW-Madison Libraries © Copyright by Steel Wagstaff 2018 Original portions of this project licensed under a CC BY-SA 4.0 license. All Louis Zukofsky materials copyright © Musical Observations, Inc. Used by permission. i TABLE OF CONTENTS Acknowledgements ..................................................................................... vi Abstract ................................................................................................... vii Introduction ............................................................................................... 1 The Lives ................................................................................................ 31 Who were the “Objectivists”? .............................................................................................................................. 31 Core “Objectivists” .............................................................................................................................................. 31 The Formation of the “Objectivist” -
Of the Vis Ion of E
THE GROWTH OF THE VIS ION OF E. E. CUMMINGS : AN ANALYSIS OF SPECIFIC THEK~S IN THE LOVE POETRY by Betty Mar Allen Little Thesis submitted to the Graduate Faculty of the Virginia Polytechnic Institute in partial fulfillment for the degree of :MASTER OF ARTS in ENGLISH APPROVED': Edward L. Tucker -.r..... ~..,~---,---·v-Ji'.-.---.,.- .. Wilson C. Snipes August 1968 Blacksburg, Virginia TABLE OF CONTENTS Acknowledgments •• . iii I. Introduction . 1 II. The Celebration of a Specific Lover or Love Experience 8 III. The Unachievable and Temporal Nature of Love . 23 IV. The Affirmation that Love Is Possible and Enduring . 42 v. The Celebration of Love as a Force within Itself . 57 yr. Conclusion •• 72 Bibliography 74 Vita • • • • 76 -ii- ACKNOWLEDGMENTS I am grateful to Professor J. Preston Newman, the chairman of my thesis committee, for his helpful suggestions and criticism. I also wish to thank P.rofessors Stanley Harrison and Edward L. Tucker for reading my thesis and making corrections and for carefully preparing the final copy. -iii- CH.A.PTER I INTRO DUCT ION Since 1926, three years after Eo E. Cummings (1894~1962) published his first volume of poetry, critics have decried a lack of growth, or a failing of maturity, in the technique and vision of the poet. In that year :Mark Van Doren, reviewing is .2_, proclaimed the freedom of the poet and urged, him to "consider his ·1 pace." A survey of the reviews of Cummings' poetic volumes reveals that such opinions persisted throughout each decade of his career. Horace Gregory observed in 1938 that "Mr.