Max Fashion Handicraft Zari Art

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+91-9634071421 Max Fashion Handicraft Zari Art https://www.indiamart.com/maxfashion-handicraft/ Max Fashion Handicraft Zari Art was established in the year 2003. We are the Manufacturer, Exporter, Wholesaler & Supplier of Handwork Zardozi Art Bridal Wear, Designer Lehenga Choli, Bridal Designer Lehnga Choli, Jarkan Work Saree, Long Trail ... About Us Max Fashion Handicraft Zari Art was established in the year 2003. We are the Manufacturer, Exporter, Wholesaler & Supplier of Handwork Zardozi Art Bridal Wear, Designer Lehenga Choli, Bridal Designer Lehnga Choli, Jarkan Work Saree, Long Trail Tail Lehenga, Stylist Bridals Lehnga Cholies, Net Mehroon Bridal Lehnga, etc. These are manufactured using a high grade of textile and other accessories as raw materials sourced from our quality driven vendors for high durability. We supply these ladies apparels throughout the world at very competitive market prices. Manufactured Eco-friendly and each unit is quality checked before leaving the factory. Our aim is to supply exquisite and elegant traditional and modern clothing to customers, based on long term and mutual benefit business relationship. We are always working towards one goal of keeping our customer delighted by delivering goods of their choice and well within the stipulated time frame. For more information, please visit https://www.indiamart.com/maxfashion-handicraft/aboutus.html INDIAN BRIDALS WEAR P r o d u c t s & S e r v i c e s Handwork Zardozi Art Bridal Designer Lehenga Choli Wear Heavy Lehnga Choli Heavy Lehnga Choli LEHNGA CHOLI P r o d u c t s & S e r v i c e s Jeorjets Lehenga Choli Jarkan Work Lehenga Choli Crishtal Glass Stone Kaftan Handwork Lehnga Choli Lehenga OTHER PRODUCTS P r o d u c t s & S e r v i c e s Dress Muslim Wedding Dress Evening Dress Patch Work Bridal Wear P r o OTHER PRODUCTS: d u c t s & S e r v i c e s Wedding Party Wear Heavy Scarve Lehnga Choli Saree Jarkan Work Saree Bridal Lehenga Wear Crystal P r o OTHER PRODUCTS: d u c t s & S e r v i c e s Bridal Lehenga Cloth Face Mask handicrafts Karanchi Gown Saree F a c t s h e e t Year of Establishment : 2003 Nature of Business : Manufacturer Total Number of Employees : 26 to 50 People CONTACT US Max Fashion Handicraft Zari Art Contact Person: Sajid Ahmad House No. 131, Beroon Tola Etawah - 206001, Uttar Pradesh, India +91-9634071421 https://www.indiamart.com/maxfashion-handicraft/.

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Dress and Fabrics of the Mughals
Chapter IV Dress and Fabrics of the Mughals- The great Mughal emperor Akbar was not only a great ruler, an administrator and a lover of art and architecture but also a true admirer and entrepreneur of different patterns and designs of clothing. The changes and development brought by him from Ottoman origin to its Indian orientation based on the land‟s culture, custom and climatic conditions. This is apparent in the use of the fabric, the length of the dresses or their ornamentation. Since very little that is truly contemporary with the period of Babur and Humayun has survived in paintings, it is not easy to determine exactly what the various dresses look like other than what has been observed by the painters themselves. But we catch a glimpse of the foreign style of these dresses even in the paintings from Akbar‟s period which make references, as in illustrations of history or chronicles of the earlier times like the Babar-Namah or the Humayun-Namah.1 With the coming of Mughals in India we find the Iranian and Central Asian fashion in their dresses and a different concept in clothing.2 (Plate no. 1) Dress items of the Mughals: Akbar paid much attention to the establishment and working of the various karkhanas. Though articles were imported from Iran, Europe and Mongolia but effort were also made to produce various stuffs indigenously. Skilful master and workmen were invited and patronised to settle in this country to teach people and improve system of manufacture.2 Imperial workshops Karkhanas) were established in the towns of Lahore, Agra, Fatehpur Sikri and Ahmedabad.
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The Costumes of Royal India Exhibition Checklist The Metropolitan Museum of Art Modem India CHINA 0 50 «M 1» MO ?» 300 mm • Th« marking,V int«rru*ton«l rjounoafw* « net author«**« St«* boundanaa THZ :..«;.-?• ;PCT.:TJIN UUaZL'U Of AST. ARcmvss RKGOXO CK f Of yr-| PL'S;..'ÇAT;QKSPL'S;..'CAT;QKS £ \DAr,y>J%(e. Th ¡70. Costumes of Royal Inaia A checklist to the exhibition at The Costume Institute, December 20, 1985, through August 31, 1986 0 Ibim»m - if-» * ' ' " - *— HE MEÌnoPÒUTAN MUSFMM OF ART '• .ARCHIVES This exhibition is made possible by The Christian Humann Foundation and Ratti S.p.A. Additional support has been received from Air India and Mr. and Mrs. Vincente Minetti. Copyright® 1986 by The Metropolitan Museum of Art Published by The Metropolitan Museum of Art, New York Bradford D. Kelleher, Publisher John P. O'Neill, Editor in Chief Barbara Burn, Editor Michael Shroyer, Designer Printed and bound in the United States of America Introduction The rich costume tradition of Consideration must also India has long fascinated be given to the pragmatic visitors and scholars alike. aspects of living in the Indian How can it be that a nation climate. The geography of actively contributing to and India varies remarkably from participating in the modern the lush, green, mountainous world has retained forms of regions of Kashmir to the hot, dress as ancient as its arid lands of what is now civilization? What is it in the Rajasthan, to the tropical Indian cultural heritage that jungles of the south. supports and sustains the use Temperature and humidity of traditional clothing? In fact, shift dramatically from day to there is no segment of Indian night and from region to culture that does not reflect region.
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Summary and Conclusions Chapter - V
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