Brand Identity Guide UPDATED JULY 21, 2020 03 Mission & Values 10 Partner Lockup
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Download Fedra Sans Bold
Download fedra sans bold click here to download Download Fedra Sans Std Bold For Free, View Sample Text, Rating And More On www.doorway.ru Download Fedra Sans Bold For Free, View Sample Text, Rating And More On www.doorway.ru Download Fedra Sans Expert Bold For Free, View Sample Text, Rating And More On www.doorway.ru Download Fedra Sans SC Bold For Free, View Sample Text, Rating And More On www.doorway.ru Download fedra sans std bold font with bold style. Download free fonts for Mac, Windows and Linux. All fonts are in TrueType format. Download fedra sans std bold font for Windows, Linux and Mac free at www.doorway.ru - database of around free OpenType and TrueType. Fedra Sans Book ItalicMacromedia Fontographer 4. 1 Fedra Sans Book ItalicFedra Sans Book ItalicMacromedia Fontographer 4. 1 Fedra Sans Pro-Bold. Download OTF. Similar. Fedra Sans Pro-Bold Italic · Fedra Sans Pro Light Light · Fedra Sans Pro Normal Normal · Fedra Sans Pro-Book. Fedra Sans was originally commissioned by Paris-based Ruedi Baur Integral Design and developed as a corporate font for Bayerische Rück, a German. Fedra Sans: Fedra Sans is a contemporary sans serif, highly legible, font Fedra Sans Medium Italic px Fedra Sans Bold Italic px . Is there any reason to make new fonts when there are so many already available for downloading? Fedra Sans is a typeface designed by Peter Bil'ak, and is available for Desktop. Try, buy and download these fonts now! Bold SC Italic. Büroflächen. Bold TF. Font Fedra Sans Std Normal font download free at www.doorway.ru, the largest collection of cool fonts for Fedra Sans Std Bold Italic font. -
FONT GUIDE Workbook to Help You Find the Right One for Your Brand
FONT GUIDE Workbook to help you find the right one for your brand. www.ottocreative.com.au Choosing the right font for your brand YOUR BRAND VALUES: How different font styles can be used to make up your brand: Logo Typeface: Is usually a bit more special and packed with your brands personality. This font should be used sparingly and kept for special occasions. Headings font: Logo Font This font will reflect the same brand values as your logo font - eg in this example both fonts are feminine and elegant. Headings Unlike your logo typeface, this font should be easier to read and look good a number of different sizes and thicknesses. Body copy Body font: The main rule here is that this font MUST be easy to read, both digitally and for print. If there is already alot going on in your logo and heading font, keep this style simple. Typefaces, common associations & popular font styles San Serif: Clean, Modern, Neutral Try these: Roboto, Open Sans, Lato, Montserrat, Raleway Serif: Classic, Traditional, reliable Try these: Playfair Display, Lora, Source Serif Pro, Prata, Gentium Basic Slab Serif: Youthful, modern, approachable Try these: Roboto Slab, Merriweather, Slabo 27px, Bitter, Arvo Script: Feminine, Romantic, Elegant Try these: Dancing Script, Pacifico, Satisfy, Courgette, Great Vibes Monotype:Simple, Technical, Futuristic Try these: Source Code Pro, Nanum Gothic Coding, Fira Mono, Cutive Mono Handwritten: Authentic, casual, creative Try these: Indie Flower, Shadows into light, Amatic SC, Caveat, Kalam Display: Playful, fun, personality galore Try these: Lobster, Abril Fatface, Luckiest Guy, Bangers, Monoton NOTE: Be careful when using handwritten and display fonts, as they can be hard to read. -
Using Fonts Installed in Local Texlive - Tex - Latex Stack Exchange
27-04-2015 Using fonts installed in local texlive - TeX - LaTeX Stack Exchange sign up log in tour help TeX LaTeX Stack Exchange is a question and answer site for users of TeX, LaTeX, ConTeXt, and related Take the 2minute tour × typesetting systems. It's 100% free, no registration required. Using fonts installed in local texlive I have installed texlive at ~/texlive . I have installed collectionfontsrecommended using tlmgr . Now, ~/texlive/2014/texmfdist/fonts/ has several folders: afm , cmap , enc , ... , vf . Here is the output of tlmgr info helvetic package: helvetic category: Package shortdesc: URW "Base 35" font pack for LaTeX. longdesc: A set of fonts for use as "dropin" replacements for Adobe's basic set, comprising: Century Schoolbook (substituting for Adobe's New Century Schoolbook); Dingbats (substituting for Adobe's Zapf Dingbats); Nimbus Mono L (substituting for Abobe's Courier); Nimbus Roman No9 L (substituting for Adobe's Times); Nimbus Sans L (substituting for Adobe's Helvetica); Standard Symbols L (substituting for Adobe's Symbol); URW Bookman; URW Chancery L Medium Italic (substituting for Adobe's Zapf Chancery); URW Gothic L Book (substituting for Adobe's Avant Garde); and URW Palladio L (substituting for Adobe's Palatino). installed: Yes revision: 31835 sizes: run: 2377k relocatable: No catdate: 20120606 22:57:48 +0200 catlicense: gpl collection: collectionfontsrecommended But when I try to compile: \documentclass{article} \usepackage{helvetic} \begin{document} Hello World! \end{document} It gives an error: ! LaTeX Error: File `helvetic.sty' not found. Type X to quit or <RETURN> to proceed, or enter new name. -
Package 'Showtextdb'
Package ‘showtextdb’ June 4, 2020 Type Package Title Font Files for the 'showtext' Package Version 3.0 Date 2020-05-31 Author Yixuan Qiu and authors/contributors of the included fonts. See file AUTHORS for details. Maintainer Yixuan Qiu <[email protected]> Description Providing font files that can be used by the 'showtext' package. Imports sysfonts (>= 0.7), utils Suggests curl License Apache License (>= 2.0) Copyright see file COPYRIGHTS RoxygenNote 7.1.0 NeedsCompilation no Repository CRAN Date/Publication 2020-06-04 08:10:02 UTC R topics documented: font_install . .2 google_fonts . .3 load_showtext_fonts . .4 source_han . .4 Index 6 1 2 font_install font_install Install Fonts to the ’showtextdb’ Package Description font_install() saves the specified font to the ‘fonts’ directory of the showtextdb package, so that it can be used by the showtext package. This function requires the curl package. font_installed() lists fonts that have been installed to showtextdb. NOTE: Since the fonts are installed locally to the package directory, they will be removed every time the showtextdb package is upgraded or re-installed. Usage font_install(font_desc, quiet = FALSE, ...) font_installed() Arguments font_desc A list that provides necessary information of the font for installation. See the Details section. quiet Whether to show the progress of downloading and installation. ... Other parameters passed to curl::curl_download(). Details font_desc is a list that should contain at least the following components: showtext_name The family name of the font that will be used in showtext. font_ext Extension name of the font files, e.g., ttf for TrueType, and otf for OpenType. regular_url URL of the font file for "regular" font face. -
User Manual 19HFL5014W Contents
User Manual 19HFL5014W Contents 1 TV Tour 3 13 Help and Support 119 1.1 Professional Mode 3 13.1 Troubleshooting 119 13.2 Online Help 120 2 Setting Up 4 13.3 Support and Repair 120 2.1 Read Safety 4 2.2 TV Stand and Wall Mounting 4 14 Safety and Care 122 2.3 Tips on Placement 4 14.1 Safety 122 2.4 Power Cable 4 14.2 Screen Care 123 2.5 Antenna Cable 4 14.3 Radiation Exposure Statement 123 3 Arm mounting 6 15 Terms of Use 124 3.1 Handle 6 15.1 Terms of Use - TV 124 3.2 Arm mounting 6 16 Copyrights 125 4 Keys on TV 7 16.1 HDMI 125 16.2 Dolby Audio 125 5 Switching On and Off 8 16.3 DTS-HD (italics) 125 5.1 On or Standby 8 16.4 Wi-Fi Alliance 125 16.5 Kensington 125 6 Specifications 9 16.6 Other Trademarks 125 6.1 Environmental 9 6.2 Operating System 9 17 Disclaimer regarding services and/or software offered by third parties 126 6.3 Display Type 9 6.4 Display Input Resolution 9 Index 127 6.5 Connectivity 9 6.6 Dimensions and Weights 10 6.7 Sound 10 7 Connect Devices 11 7.1 Connect Devices 11 7.2 Receiver - Set-Top Box 12 7.3 Blu-ray Disc Player 12 7.4 Headphones 12 7.5 Game Console 13 7.6 USB Flash Drive 13 7.7 Computer 13 8 Videos, Photos and Music 15 8.1 From a USB Connection 15 8.2 Play your Videos 15 8.3 View your Photos 15 8.4 Play your Music 16 9 Games 18 9.1 Play a Game 18 10 Professional Menu App 19 10.1 About the Professional Menu App 19 10.2 Open the Professional Menu App 19 10.3 TV Channels 19 10.4 Games 19 10.5 Professional Settings 20 10.6 Google Account 20 11 Android TV Home Screen 22 11.1 About the Android TV Home Screen 22 11.2 Open the Android TV Home Screen 22 11.3 Android TV Settings 22 11.4 Connect your Android TV 25 11.5 Channels 27 11.6 Channel Installation 27 11.7 Internet 29 11.8 Software 29 12 Open Source Software 31 12.1 Open Source License 31 2 1 TV Tour 1.1 Professional Mode What you can do In Professional Mode ON, you can have access to a large number of expert settings that enable advanced control of the TV’s state or to add additional functions. -
Microsoft Core Fonts Package Post-Installation to Obtain a Proper Type Library
AP�������F��� ��� O���S�����T������� �� �� �������� ���� �� �� ��� ������ ��� ���������� �� ���� �� the development of libre ecosystems. Typography has always been a stubborn holdout in this regard, and to this day there remain few free high-quality comprehensive text typefaces. Free type is mainly concentrated in a handful of flagship “superfonts” that contain a staggering catalog of glyphs, but lack greatly in the quality of design and typographic styles and features seen in professional type. To my knowledge, there are currently just two great open source text families—Gentium, which is still incomplete, and Linux Libertine, in addition to a few corporate gifts such as Adobe Source Serif and Bitstream Charter. To help fill the gap, I present my own original type design and ask for the Wikimedia projects’ help in finishing and releasing my font to provide a quality free font choice. What is this font? ��� ���� � �� ��������� (��� ���� ��� ��� ��������� ������� 0 1 2 3 4 5 6 7 8 9 this paragraph in) is meant to be an original serif typeface that an editor might want to set a textbook in. It does not yet have an official name. Many existing open source typefaces are clones of 0 1 2 3 4 5 6 7 8 9 popular old public domain typefaces (like Asana, S���, EB Garamond, or Free Serif, which are clones of Palatino, Times, Garamond, and Times again, respectively). Others like Liberation Serif, Déjà Vu, and Droid Serif have a distinctive “computer type” style that makes them convenient for pixel display and easy to HQWinâaba construct and adapt but poor in most other regards. I tried to create something different. -
Visual Style Guidelines
VISUAL STYLE GUIDELINES AN INTRODUCTION TO USING OUR BRAND CONTENTS / INTRODUCTION The successful recognition of an The following elements have been organisation is largely down to the way addressed in this visual style guide. in which it is communicated to its audience. - About Us 3 - The Brand Components 4 A brand is recognised through a series - Using the Mountaineering of visual triggers which, over time, - Scotland Logo 5 become synonymous with a name. - Using the - Climb Scotland Logo 6 Our brand is a valuable asset that - Colour Palette 7 needs to be successfully - Use of Typography 8 communicated on many levels, from - Photography 9 design and marketing to sales and - Brand in Application 10 advertising. Ensuring that the brand is - Further Info 17 represented consistently throughout all aspects of the organisation will If you require further assistance in guarantee that Mountaineering relation to our brand, please contact Scotland and Climb Scotland are [email protected] perceived as professional and organised. These guidelines enable all employees and third parties to correctly represent the brand and to strengthen the brand’s position in the marketplace. The guidelines detail how to manage the Mountaineering Scotland and Climb Scotland identities from component make up to application. 3 ABOUT US With stunning landscapes and the most enlightened access laws in the world, Scotland is a unique and special place for mountain adventures, whether you enjoy hill walking, climbing, mountaineering, ski touring or just love the Scottish hills. Mountaineering Scotland is here to help people get the most out of their mountain adventures and move them to value Scotland’s mountains as places of beauty, escape and natural wonder. -
Chapter 3 • Text 77
CHAPTER THREE distribute TEXT or post, LEARNING OBJECTIVES After reading this chapter, you will be able to: copy, ¾ Distinguish between different categories of fonts not ¾ Identify the proper application of those differentDo categories ¾- Appreciate font “personalities” ¾ Make informed choices about type size ¾ Calculate appropriate line spacing ¾ Maximize the few bits of text in a graph Proof ¾ Know what text to remove from a graph Draft Copyright ©2018 by SAGE Publications, Inc. This work may not be reproduced or distributed in any form or by any means without express written permission of the publisher. Chapter 3 • Text 77 s I give one last look at a report for work, my usual process is probably similar to yours. I Guiding Ideas A spend an afternoon fussing with the layout and putting a polish on the report before sending Text fonts are used for narrative text it off to my boss for one last review. I did just that with a report page similar to the one shown here in Headings and callouts are emphasized Figure 3.1. Long reading is in 9- to 11-point size I am using this page as my example because it is probably where I spent the most time. It was Line spacing is 11 to 13 pointsdistribute important to me (and now I am really letting on No more than three fonts are used how far I am willing to go) that this table con- Body text has stylistic uniformity tained rows of equal height. This required some or nudging, squishing, and testing until the table Bullets are slightly less thick than text was just right. -
Sketch Block Bold Accord Heavy SF Bold Accord SF Bold Aclonica Adamsky SF AFL Font Pespaye Nonmetric Aharoni Vet Airmole Shaded
Sketch Block Bold Accord Heavy SF Bold Accord SF Bold Aclonica Adamsky SF AFL Font pespaye nonmetric Aharoni Vet Airmole Shaded Airmole Stripe Airstream Alegreya Alegreya Black Alegreya Black Italic Alegreya Bold Alegreya Bold Italic Alegreya Italic Alegreya Sans Alegreya Sans Black Alegreya Sans Black Italic Alegreya Sans Bold Alegreya Sans Bold Italic Alegreya Sans ExtraBold Alegreya Sans ExtraBold Italic Alegreya Sans Italic Alegreya Sans Light Alegreya Sans Light Italic Alegreya Sans Medium Alegreya Sans Medium Italic Alegreya Sans SC Alegreya Sans SC Black Alegreya Sans SC Black Italic Alegreya Sans SC Bold Alegreya Sans SC Bold Italic Alegreya Sans SC ExtraBold Alegreya Sans SC ExtraBold Italic Alegreya Sans SC Italic Alegreya Sans SC Light Alegreya Sans SC Light Italic Alegreya Sans SC Medium Alegreya Sans SC Medium Italic Alegreya Sans SC Thin Alegreya Sans SC Thin Italic Alegreya Sans Thin Alegreya Sans Thin Italic AltamonteNF AMC_SketchyOutlines AMC_SketchySolid Ancestory SF Andika New Basic Andika New Basic Bold Andika New Basic Bold Italic Andika New Basic Italic Angsana New Angsana New Angsana New Cursief Angsana New Vet Angsana New Vet Cursief Annie BTN Another Typewriter Aparajita Aparajita Bold Aparajita Bold Italic Aparajita Italic Appendix Normal Apple Boy BTN Arabic Typesetting Arabolical Archive Arial Arial Black Bold Arial Black Standaard Arial Cursief Arial Narrow Arial Narrow Vet Arial Unicode MS Arial Vet Arial Vet Cursief Aristocrat SF Averia-Bold Averia-BoldItalic Averia-Gruesa Averia-Italic Averia-Light Averia-LightItalic -
TTF Source Font Version Font Name Example Text Arial.Ttf Version 7.00 Arial Arial
TTF Source Font version Font Name Example text arial.ttf Version 7.00 Arial Arial - 0123456789 abcdefghijklmnopqrstuvwxyz ABCDEFGHIJKLMNOPQRSTUVWXYZ äöüÄÖÜß !"#$%&'()*+,-./:;<=?@[\]^_``{|}~ arial.ttf Version 6.98 Arial Arial - 0123456789 abcdefghijklmnopqrstuvwxyz ABCDEFGHIJKLMNOPQRSTUVWXYZ äöüÄÖÜß !"#$%&'()*+,-./:;<=?@[\]^_``{|}~ arial.ttf Version 6.89 Arial Arial - 0123456789 abcdefghijklmnopqrstuvwxyz ABCDEFGHIJKLMNOPQRSTUVWXYZ äöüÄÖÜß !"#$%&'()*+,-./:;<=?@[\]^_``{|}~ arialbd.ttf Version 7.00 Arial Bold Arial Bold - 0123456789 abcdefghijklmnopqrstuvwxyz ABCDEFGHIJKLMNOPQRSTUVWXYZ äöüÄÖÜß !"#$%&'()*+,-./:;<=?@[\]^_``{|}~ arialbd.ttf Version 6.89 Arial Bold Arial Bold - 0123456789 abcdefghijklmnopqrstuvwxyz ABCDEFGHIJKLMNOPQRSTUVWXYZ äöüÄÖÜß !"#$%&'()*+,-./:;<=?@[\]^_``{|}~ ariali.ttf Version 7.00 Arial Italic Arial Italic - 0123456789 abcdefghijklmnopqrstuvwxyz ABCDEFGHIJKLMNOPQRSTUVWXYZ äöüÄÖÜß !"#$%&'()*+,-./:;<=?@[\]^_``{|}~ ariali.ttf Version 6.89 Arial Italic Arial Italic - 0123456789 abcdefghijklmnopqrstuvwxyz ABCDEFGHIJKLMNOPQRSTUVWXYZ äöüÄÖÜß !"#$%&'()*+,-./:;<=?@[\]^_``{|}~ arialbi.ttf Version 7.00 Arial Bold Italic Arial Bold Italic - 0123456789 abcdefghijklmnopqrstuvwxyz ABCDEFGHIJKLMNOPQRSTUVWXYZ äöüÄÖÜß !"#$%&'()*+,-./:;<=?@[\]^_``{|}~ arialbi.ttf Version 6.89 Arial Bold Italic Arial Bold Italic - 0123456789 abcdefghijklmnopqrstuvwxyz ABCDEFGHIJKLMNOPQRSTUVWXYZ äöüÄÖÜß !"#$%&'()*+,-./:;<=?@[\]^_``{|}~ arial.ttf Version 5.22 Arial Arial - 0123456789 abcdefghijklmnopqrstuvwxyz ABCDEFGHIJKLMNOPQRSTUVWXYZ äöüÄÖÜß !"#$%&'()*+,-./:;<=?@[\]^_``{|}~ -
Beyond Trivial Counterfactual Generations with Diverse Valuable Explanations
Under review as a conference paper at ICLR 2021 BEYOND TRIVIAL COUNTERFACTUAL GENERATIONS WITH DIVERSE VALUABLE EXPLANATIONS Anonymous authors Paper under double-blind review ABSTRACT Explainability of machine learning models has gained considerable attention within our research community given the importance of deploying more reliable machine-learning systems. Explanability can also be helpful for model debugging. In computer vision applications, most methods explain models by displaying the regions in the input image that they focus on for their prediction, but it is dif- ficult to improve models based on these explanations since they do not indicate why the model fail. Counterfactual methods, on the other hand, indicate how to perturb the input to change the model prediction, providing details about the model’s decision-making. Unfortunately, current counterfactual methods make ambiguous interpretations as they combine multiple biases of the model and the data in a single counterfactual interpretation of the model’s decision. Moreover, these methods tend to generate trivial counterfactuals about the model’s decision, as they often suggest to exaggerate or remove the presence of the attribute be- ing classified. Trivial counterfactuals are usually not valuable, since the informa- tion they provide is often already known to the system’s designer. In this work, we propose a counterfactual method that learns a perturbation in a disentangled latent space that is constrained using a diversity-enforcing loss to uncover mul- tiple valuable explanations about the model’s prediction. Further, we introduce a mechanism to prevent the model from producing trivial explanations. Experi- ments on CelebA and Synbols demonstrate that our model improves the success rate of producing high-quality valuable explanations when compared to previous state-of-the-art methods. -
Science and Natural Language in the Eighteenth Century: Buffon and Linnaeus
Languages of Science in the Eighteenth Century Languages of Science in the Eighteenth Century Edited by Britt-Louise Gunnarsson De Gruyter Mouton An electronic version of this book is freely available, thanks to the support of libra- ries working with Knowledge Unlatched. KU is a collaborative initiative designed to make high quality books Open Access. More information about the initiative can be found at www.knowledgeunlatched.org An electronic version of this book is freely available, thanks to the support of libra- ries working with Knowledge Unlatched. KU is a collaborative initiative designed to make high quality books Open Access. More information about the initiative can be found at www.knowledgeunlatched.org ISBN 978-3-11-021808-4 e-ISBN (PDF) 978-3-11-021809-1 e-ISBN (EPUB) 978-3-11-021806-2 ISSN 0179-0986 e-ISSN 0179-3256 This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs 3.0 License, as of February 23, 2017. For details go to http://creativecommons.org/licenses/by-nc-nd/3.0/. Library of Congress Cataloging-in-Publication Data A CIP catalog record for this book has been applied for at the Library of Congress. ISBN 978-3-11-025505-8 e-ISBNBibliografische 978-3-11-025506-5 Information der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliogra- Libraryfie; detaillierte of Congress bibliografische Cataloging-in-Publication Daten sind im Internet Data über http://dnb.dnb.de abrufbar. Languages of science in the eighteenth century / edited by Britt- ©ISBN 2016Louise 978-3-11-021808-4 Walter Gunnarsson.