Superb Recordings by the This Deluxe 7- Record Set Counts As Only 4 Selections World's Most Distinguished Artists

Total Page:16

File Type:pdf, Size:1020Kb

Superb Recordings by the This Deluxe 7- Record Set Counts As Only 4 Selections World's Most Distinguished Artists COLUMBIA RECORD CLUB now offers you a truly wonderful opportunity to acquire at once a large selection of SPECIAL OFFER superb recordings by the This Deluxe 7- record set Counts as only 4 selections world's most distinguished artists Rimsky- Korsakov EUGENE ORMANDY BRUCKNER DVORAK BERNSTEIN CONDUCTS THE VIOLIN CONCERTO SCNEHERAZADE a THE AGE PHILADELPHIA ORCHESTRA Symphony ISAAC STERN Philadelphia OF ANXIETY No 3 is,eieem, h. ar I Orch. GEORGE SZELL - Eugene AL ÿiß PHILIPPE ENTREMONT ®\ Cleveland Ormandy PIANO Orchestra EUGENE ORMANDY LEONARD BERNSTEIN THE VALMYRIES 1111 RIDE 01 Philadelphia Orchestra WO HORA PHILHARMONIC BEETHOVEN'S SABRE DANCE 6 more *POW 9 SYMPHONIES 1477 1661 3455 1089 2877 2880 George Szell and the God Bless TCHAIKOVSKY: PHILIPPE Cleveland Orchestra Pathetique Symphony .ENTREMONT 2203-2204-2205-2206. Seven America PIANO Record Set (Counts as Four Se- Mormon Fantasy lections). All nine Beethoven Tabernacle Impromptu Symphonies in a monumental re- Choir cording! Includes informative Ormandy CLAIR DE LUNE ()gsN` LEONARD MERKSTEIN brochure El1EJVE Phda Own LIEBESTRAUM IMt AgT (ñ N.Y. PHILHARMONIC qIILN11 LPNN ()ATIESTR's 2180 2212 1928 3525 PROKOFIEV DVORAK: Bach BEETHOVEN `Eroica" Symphony 100.31 Violin Concertos Not I& 2 SPECTACULARS! DEBUSSY: La Mer Tcharhovsky. 1 New World Organ by I Afternoon of a Faun Symphony Isaac Stern OHanbach, others Favorites RAVEL: NERNSTEIN Ormandy Daphnis and Chloe New York E. Power s. The MMw No. Phdharmonit Philadelphia Suite 2 Biggs BERNSTEIN it ii it Orch. EUGENE ORMANDY BERNSTEIN ART OF MEW YORK PHILHARMONIC THE N l PHIIAOELPoIA ORCHESTRA PHILHARMONIC L 1695 2244 EUGENE ORMANDY 2647 2131 1097 2470 2953-2954. Two -Record Set GEORGE SZELL STRAVINSKY ESPANA Russian Sailors Dance (Counts As Two Selections). Com- CLEVELAND ORCH. CONDUCTS memorates Ormandy's 30th An- BERNSTEIN LEONARD BERNSTEIN STRAVINSKY with Philadelphia Samuel Barber niversary the H SPANISH PIANO CONCERTO New York Dumbanon Oahs Orchestra. Five works including FAVORITES John Browning. Pianist Philharmonic Cono Cocos Polka Beethoven's Symphony. Eighth by FALLA William Schuman: Greeting Also includes absorbing 12 -page RAVEL SONG OF ORPHEUS Prelude booklet. CHABRIER Leonard Rose, Cellist ifiM Olt In Olt ?ARIA Ic1i'a NHIAI CR Acn Columba Sym. 2875 1686 2214 1776 PHILIPPE ENTREMONT OFFENBACH: SERKIN BEETHOVEN SING UNTO GOD Gene Parisienne Saint - An Historic Return MORMON BIZET: Saëns TABERNACLE L'ArlesHnne Piano HOROWITZ CHOIR Sudes Concertos AT CARNEGIE HALL 1.111AI OR MANDY Nos. 2114 VERDI'S Philadelphia Three Favorite Sonatas IL ritcHmAl Orchestra EUGENE ORMANDY MOONLIGHT PATHETIOUE PHILADELPHIA FALSTAFF AP PASSIONATA ORCHI. Bernstein. 2657 1263 2217 1977-1978 Set Counts As 2 Selections 3515 Fischer -Dieskau Two FAVORITE HAYDN: A FESTIVAL OF MARCHES MUSIC OF JUBILEE 3595- 3596-3597. Three- Record SPECIAL OFFER e. the GUITAR CONCERTOS Symptom e2' Bear" Bach Set (Counts As Three -Selections). Syopheny Na O 'Tie Hei' CASTELNUOVOTEDESCO March of the Toreadors This Deluxe 3- record set `. 41 Fayorltes With Dietrich Fischer -Dieskau as RODRIGO American Salute . IV for Organ Falstaff. and Leonard Bernstein counts as only 2 selections JOHN Stars and Stripes Forever Is an conducting the Vienna Philhar- Meadowlands * WILLIAMS Orchedstra monic Orchestra. Includes illus- Guitar wmA 9 more EBGW trated booklet with full Italian - ORMANDY E1ECMrn^ ri ,PHILADELPHIA ORCH English libretto. Philadelphia Orchestra ORMANDY 11!.7., 1687 2471 1083 1605 BERNSTEIN VIENNA CHOIR BOYS WILLIAM STRAUSS WALTZES MOZART: Condo.'. AND POLKAS TELL Richard Strauss Symphony No 30 her PRAGUE I Salomes Dance Symphony No. 40 Don Juan Favorite BRUNO WALTER 'ins nrrial Overtures Till Vienna Blood Columbia Mirxuiou. Mandarin Sude Eulenspiesel Symphony Ort h Too Pu.lra,s Deus Images Artist's Life IPHILISI LEONARD BERNSTEIN more MEW YORK PHILHARMONIC PHILADELPHIA ORCHESTRA SERKIN - 4 GREAT 2245 1109 2267 2658 2297 2649 ROMANTIC PIANO BEETHOVEN: BERNSTEIN. BEETHOVEN TCHAIKOVSKY CHICHESTER PSALMS CONCERTOS Piano Concertos Nos. 2 a 3 hurtet Na. IS M A Maw BERLIOZ Piano FACSIMILE 2373-2374. Three-Record Set Concerto Et Symphonie Leonard Bernstein (Counts as Two Selections). Ru- No. A - N.Y. Philharmonic FINLANDIA Fantastique Camerata Singers Milt ADEL PRIA ORCHESTRA dolf Serkin plays the Piano RUDOLF e CHOIR '/ MORMON TABERNACLE Concertos of Brahms. (Nos. 1 SERKIN ORMANDY EUGENE ORMANDY plu. -VAIS. IosN and 2), Mendelssohn, Schumann. GARY GRAFFMAN Philadelphia Orch. EUGENE ORMANDY EUGENE ORMANDY S.ednr Rhapsody With Eugene Ormandy and the Philadelphia Orch. PHILADELPHIA ORCH. BUDAPEST STRING GUAR T Poo/ Gynl Sun. Mo I Philadelphia Orchestra. 2651 2218 1689 1405 2372 1096 gt I0G7 Columbia Record Club 323 /867 CIRCLE 17 ON READER -SERVICE CARD 12 HIGH FIDELITY MAGAZINE www.americanradiohistory.com.
Recommended publications
  • Boston Symphony Orchestra Concert Programs, Season
    // BOSTON T /?, SYMPHONY ORCHESTRA THURSDAY B SERIES EIGHTY-SEVENTH SEASON 1967-1968 wgm _«9M wsBt Exquisite Sound From the palace of ancient Egyp to the concert hal of our moder cities, the wondroi music of the harp hi compelled attentio from all peoples and a countries. Through th passage of time man changes have been mac in the original design. Tl early instruments shown i drawings on the tomb < Rameses II (1292-1225 B.C were richly decorated bv lacked the fore-pillar. Lato the "Kinner" developed by tl Hebrews took the form as m know it today. The pedal hai was invented about 1720 by Bavarian named Hochbrucker an through this ingenious device it b came possible to play in eight maj< and five minor scales complete. Tods the harp is an important and familij instrument providing the "Exquisi* Sound" and special effects so importai to modern orchestration and arrang ment. The certainty of change mak< necessary a continuous review of yoi insurance protection. We welcome tl opportunity of providing this service f< your business or personal needs. We respectfully invite your inquiry CHARLES H. WATKINS & CO. Richard P. Nyquist — Charles G. Carleton 147 Milk Street Boston, Massachusetts Telephone 542-1250 OBRION, RUSSELL & CO. Insurance of Every Description EIGHTY-SEVENTH SEASON 1967-1968 BOSTON SYMPHONY ORCHESTRA ERICH LEINSDORF Music Director CHARLES WILSON Assistant Conductor THE TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA INC. HENRY B. CABOT President TALCOTT M. BANKS Vice-President JOHN L. THORNDIKE Treasurer PHILIP K. ALLEN E. MORTON JENNINGS JR ABRAM BERKOWITZ EDWARD M. KENNEDY THEODORE P.
    [Show full text]
  • Season 20 Season 2011-2012
    Season 2020111111----2020202011112222 The Philadelphia Orchestra Thursday, March 888,8, at 8:00 Friday, March 999,9, at 222:002:00:00:00 Saturday, March 101010,10 , at 8:00 James Gaffigan Conductor Stewart Goodyear Piano Bernstein Symphonic Suite from On the Waterfront Gershwin/orch. Grofé Rhapsody in Blue Intermission Tchaikovsky Excerpts from Swan Lake, Op. 20 I. Scene II. Waltz III. Dance of the Swans IV. Scene V. Hungarian Dance, Czardas VI. Spanish Dance VII. Neapolitan Dance VIII. Mazurka IX. Scene X. Dance of the Little Swans XI. Scene XII. Final Scene This program runs approximately 1 hour, 50 minutes. American conductor James Gaffigan, who is making his Philadelphia Orchestra debut with these performances, was recently appointed chief conductor of the Lucerne Symphony and principal guest conductor of the Netherlands Radio Philharmonic; he assumed both posts in the summer of 2011. This season he debuts with the Atlanta Symphony and the Los Angeles Philharmonic and makes return visits to the Minnesota Orchestra and the Baltimore, Dallas, Milwaukee, National, and Toronto symphonies. Recent and upcoming festival appearances include the Aspen, Blossom, Grant Park, and Grand Teton music festivals, and the Spoleto Festival USA. In Europe he makes debuts with the Czech, Dresden, and London philharmonics. In 2009 Mr. Gaffigan completed his three-year tenure as associate conductor with the San Francisco Symphony. Prior to that appointment he was assistant conductor of the Cleveland Orchestra. He has appeared with such North American orchestras as the Saint Paul Chamber Orchestra and the Chicago, Detroit, Houston, New World, Seattle, and Saint Louis symphonies.
    [Show full text]
  • The AMICA News Bulletin of the Automatic Musical Instrument Collectors' Association
    The AMICA News Bulletin of the Automatic Musical Instrument Collectors' Association . " . _: .. ' .;".: August/September 1983 Volume 20 Number 7 AMICA International Continuing Members: $20 Annual Dues AUTOMATIC MUSICAL INSTRUMENT COLLECTORS' ASSOCIATION Overseas Members: $26 Dues New Members, add $5 processing fee NEWS BULLETIN (Write to Membership Secretary, PUBLISHER see address below) Dorothy Bromage Single back issues of the News Bulletin are P.O. Box 387 available from the Publisher for $2.00 each. La Habra, CA 90633-0387 Change of Address: If you move, send the USA new address and phone number to the Membership Secretary, Will Wild and Published by the Automatic Musical Instrument Collectors' Valerie Anderson Association, a non-profit club devoted to the restoration, distribution and enjoyment of musical instruments using INTERNATIONAL OfFICERS perforated paper music rolls. AMICA was founded in San Francisco in 1963. PRESIDENT Terry Smythe (204) 452-2180 Contributions: All subjects of interest to readers of the 547 Waterloo St., Winnipeg, Manitoba Bulletin are encouraged and invited by the publisher. All Canada R3N on articles must be received by the 10th of the preceding PAST PRESIDENT Robert M. Taylor month. Every attempt will be made to publish all articles of (215) 735-2662 general interest to AMICA members at the earliest possible 1326 Spruce St. #3004, Phildelphia, PA 19107 time and at the discretion of the publisher. VICE PRESIDENT Molly Yeckley (419) 684-5742 Original Bulletin articles, or material for reprint that is of 612 Main St., Castalia, OH 44824 significant historical quality and interest, are encouraged and will be rewarded in the form of AMICA membership SECRETARY Richard Reutlinger (415) 346-8669 dues discounts.
    [Show full text]
  • Ambassador Auditorium Collection ARS.0043
    http://oac.cdlib.org/findaid/ark:/13030/kt3q2nf194 No online items Guide to the Ambassador Auditorium Collection ARS.0043 Finding aid prepared by Frank Ferko and Anna Hunt Graves This collection has been processed under the auspices of the Council on Library and Information Resources with generous financial support from the Andrew W. Mellon Foundation. Archive of Recorded Sound Braun Music Center 541 Lasuen Mall Stanford University Stanford, California, 94305-3076 650-723-9312 [email protected] 2011 Guide to the Ambassador Auditorium ARS.0043 1 Collection ARS.0043 Title: Ambassador Auditorium Collection Identifier/Call Number: ARS.0043 Repository: Archive of Recorded Sound, Stanford University Libraries Stanford, California 94305-3076 Physical Description: 636containers of various sizes with multiple types of print materials, photographic materials, audio and video materials, realia, posters and original art work (682.05 linear feet). Date (inclusive): 1974-1995 Abstract: The Ambassador Auditorium Collection contains the files of the various organizational departments of the Ambassador Auditorium as well as audio and video recordings. The materials cover the entire time period of April 1974 through May 1995 when the Ambassador Auditorium was fully operational as an internationally recognized concert venue. The materials in this collection cover all aspects of concert production and presentation, including documentation of the concert artists and repertoire as well as many business documents, advertising, promotion and marketing files, correspondence, inter-office memos and negotiations with booking agents. The materials are widely varied and include concert program booklets, audio and video recordings, concert season planning materials, artist publicity materials, individual event files, posters, photographs, scrapbooks and original artwork used for publicity.
    [Show full text]
  • Eugene Ormandy Commercial Sound Recordings Ms
    Eugene Ormandy commercial sound recordings Ms. Coll. 410 Last updated on October 31, 2018. University of Pennsylvania, Kislak Center for Special Collections, Rare Books and Manuscripts 2018 October 31 Eugene Ormandy commercial sound recordings Table of Contents Summary Information....................................................................................................................................3 Biography/History..........................................................................................................................................4 Scope and Contents....................................................................................................................................... 4 Administrative Information........................................................................................................................... 5 Related Materials........................................................................................................................................... 5 Controlled Access Headings..........................................................................................................................6 Collection Inventory...................................................................................................................................... 7 - Page 2 - Eugene Ormandy commercial sound recordings Summary Information Repository University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts Creator Ormandy, Eugene, 1899-1985
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 81, 1961
    MFr^h JllHTil rl /*-"*& i Mi 11 i*z53sL ^BOSTON 1 /fe SYMPHONY 1 ORCHESTRA FOUNDED IN 1881 BY M HHENRY LEE HIGGINSON VETERANS MEMORIAL '-. ; ( V: % . .''P / Y AUDITORIUM '1 EIGHTY-FIRST SEASON 1961-1962 ; 2 uving sif«fo EBEEEBEaiS w THE CONDUCTOR: MUNCH THE ORCHESTRA: BOSTON ... and their artistry is im- mortally inscribed in "these four treasured albums' to own and to enjoy always.* In Living Stereo and Mon- aural Hi-Fi. @ rca\1ctor@ The most trusted name in sound EIGHTY-FIRST SEASON, 1961-1962 Boston Symphony Orchestra CHARLES MUNCH, Music Director Richard Burgin, Associate Conductor CONCERT BULLETIN with historical and descriptive notes by John N. Burk The TRUSTEES of the BOSTON SYMPHONY ORCHESTRA, Inc. Henry B. Cabot President Talcott M. Banks Vice-President Richard C. Paine Treasurer Theodore P. Ferris John T. Noonan Francis W. Hatch Palfrey Perkins Harold D. Hodgkinson Sidney R. Rabb C. D. Jackson Charles H. Stockton E. Morton Jennings, Jr. John L. Thorndike Henry A. Laughlin Raymond S. Wilkins Oliver Wolcott TRUSTEES EMERITUS Philip R. Allen Lewis Perry Edward A. Taft Thomas D. Perry, Jr., Manager Norman S. Shirk James J. Brosnahan Assistant Manager Business Administrator Leonard Burkat Rosario Mazzeo Music Administrator Personnel Manager SYMP HO NY HALL BOSTON 15 [3] *Pie4&tt& s4vetufSTEINWAY'PtottcUty The standard piano of the world The choice of discriminat- ing musicians all over the world. We invite you to select your piano as the art- ists do, from our large se- lection of beautiful Stein- way Consoles and Grands. HAMMOND ORGAN There is a Hammond Or- gan for every use whether it be for the home, the Church or the professional.
    [Show full text]
  • FOR IMMEDIATE RELEASE December 5, 2019 LUNAR NEW
    Lunar New Year / 1 FOR IMMEDIATE RELEASE December 5, 2019 LUNAR NEW YEAR CONCERT AND GALA Conducted by LONG YU US PREMIERE of ZHOU Tian’s Gift NEW YORK PREMIERE of Texu KIM’s Spin-Flip CHEN Gang and HE Zhanhao’s The Butterfly Lovers, Violin Concerto, with GIL SHAHAM GERSHWIN’s Rhapsody in Blue with HAOCHEN ZHANG January 28, 2020 The New York Philharmonic will celebrate the Lunar New Year, welcoming the Year of the Rat with a Concert and Gala on Tuesday, January 28, 2020, at 7:30 p.m. Long Yu will return to conduct the US Premiere of Zhou Tian’s Gift; the New York Premiere of Texu Kim’s Spin-Flip; Chen Gang and He Zhanhao’s The Butterfly Lovers, Violin Concerto, with Gil Shaham as soloist; and Gershwin’s Rhapsody in Blue, with pianist Haochen Zhang in his Philharmonic debut. The New York Philharmonic has welcomed the Lunar New Year with an annual celebration since 2012. Chinese American composer Zhou Tian’s Gift, written for Long Yu and the Shanghai Symphony Orchestra, reflects “my own musical identity after 18 years of living abroad.” Korean composer Texu Kim shares his name with a famous Korean table tennis player; Spin-Flip — the title of which alludes to both astrophysical phenomena and table tennis techniques — “conveys the driving energy of a (good) Ping-Pong match … its alternating harmonic pattern and somewhat random form reflect the alternation of service and unpredictable result, respectively.” American violinist Gil Shaham recorded The Butterfly Lovers, which reflects both Chinese and Western traditions and was banned during the Cultural Revolution, with the Singapore Symphony Orchestra in 2007.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 87, 1967
    BOSTON SYMPHONY ORCHESTRA FOUNDED IN 1881 BY HENRY LEE HIGGINSON //Z£ Up t CAMBRIDGE SERIES EIGHTY-SEVENTH SEASON 1967-1968 EI' Exquisite B' Sound From the palaces of ancient Egypt to the concert halls of our modern cities, the wondrous music of the harp has compelled attention from all peoples and all countries. Through this passage of time many changes have been made in the original design. The early instruments shown in drawings on the tomb of Rameses II (1292-1225 B.C.) were richly decorated but lacked the fore-pillar. Later the "Kinner" developed by the Hebrews took the form as we know it today. The pedal harp was invented about 1720 by a Bavarian named Hochbrucker and through this ingenious device it be- came possible to play in eight major and five minor scales complete. Today the harp is an important and familiar instrument providing the "Exquisite Sound" and special effects so important to modern orchestration and arrange- ment. The certainty of change makes necessary a continuous review of your insurance protection. We welcome the opportunity of providing this service for your business or personal needs. We respectfully invite your inquiry CHARLES H. WATKINS & CO. Richard P. Nyquist — Charles G. Carleton 147 Milk Street Boston, Massachusetts Telephone 542-1250 OBRION, RUSSELL & CO. Insurance of Every Description EIGHTY-SEVENTH SEASON 1967-1968 BOSTON SYMPHONY ORCHESTRA ERICH LEINSDORF Music Director CHARLES WILSON Assistant Conductor THE TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA INC. HENRY B. CABOT President TALCOTT M. BANKS Vice-President JOHN L. THORNDIKE Treasurer PHILIP K. ALLEN E. MORTON JENNINGS JR ABRAM BERKOWITZ EDWARD M.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 79, 1959-1960
    S E V E N T Y - N I N T H SEASON, 1959-196 o Boston Symphony Orchestra CHARLES MUNCH, Music Director Richard Burgin, Associate Conductor CONCERT BULLETIN with historical and descriptive notes by John N. Burk Copyright, 1960, by Boston Symphony Orchestra, Inc. The TRUSTEES of the BOSTON SYMPHONY ORCHESTRA, Inc. Henry B. Cabot President Jacob J. Kaplan Vice-President Richard C. Paine Treasurer Talcott M. Banks Henry A. Laughlin Theodore P. Ferris John T. Noonan Francis W. Hatch Palfrey Perkins Harold D. Hodgkinson Charles H. Stockton C. D. Jackson Raymond S. Wilkins E. Morton Jennings, Jr. Oliver Wolcott TRUSTEES EMERITUS Philip R. Allen M. A. DeWolfe Howe N. Penrose Hallowell Lewis Perry Edward A. Taft Thomas D. Perry, Jr., Manager S. Shirk Norman James J. Brosnahan Assistant Manager Business Administrator Leonard Burkat Rosario Mazzeo Music Administrator Personnel Manager SYMPHONY HALL BOSTON 15 1*473] CAN YOU DESCRIBE A LIFE INSURANCE TRUST? ® If you are unaware of the many advantages of a Life Insurance Trust, it may be that a talk with a Shawmut Trust Officer would show you precisely how this type of protection would best suit your insurance needs. For example, your life insurance can very easily be arranged to provide life-long support for your widow plus a substantial inheritance for your children. In Shawmut's Personal Trust Department we would be glad to discuss your complete insurance program . with you, your life insurance counsellor and your attorney, or simply write for a copy of our brochure "A Modern Life Insurance Program." Naturally, there would be no obligation.
    [Show full text]
  • Dempsey, E., & Comeau, G. (2017). How Professional Pianists
    Piano Pedagogy Forum Volume 18, No. 1 April 2017 Table of Contents How Professional Pianists Experience Music Performance Anxiety, by Erin Dempsey and Gilles Comeau, University of Ottawa – Page 2 A Review of Studies on Piano Performers and Pedagogues, by Lynn Worcester, University of Northern Iowa – Page 20 Editorial Board Scott Price, creator and editor-in-chief, University of South Carolina Steven Brundage, University of South Carolina Scott Donald, University of Texas at San Antonio Sara Ernst, University of South Carolina Joanne Kampiziones-Ying, Broward College Mark Laughlin, Georgia Southwestern State University Jane Magrath, University of Oklahoma Seungji Ryu, Hansei University, Korea Jason Tye, Universitii Sains, Malaysia Michelle Wachter, Northern Arizona University For submission guidelines and information on submitting an article for consideration, please visit Piano Pedagogy Forum at http://www.keyboardpedagogy.org/pianopedagogyforum. Copyright 2017 Frances Clark Center for Keyboard Pedagogy, all rights reserved. How Professional Pianists Experience Music Performance Anxiety by Erin Dempsey and Gilles Comeau, University of Ottawa One of the most important aspects of a professional career in music is public performance. Feelings of nervousness commonly accompany the musician before, during, or even after a performance. For some individuals, this becomes an “exaggerated, often incapacitating fear of public performance” (Wilson & Roland, 2002, p. 47), which is classified as music performance anxiety (MPA). A comprehensive definition from Kenny (2011) states that music performance anxiety is “an experience of persistent anxious apprehension related to musical performance and is manifested through a combination of psychological, physiological, cognitive, and behavioral symptoms. It often occurs in situations involving an evaluative threat (audience)” (p.
    [Show full text]
  • 2364Th Concert
    (1872-1936), an American composer and teacher. Gershwin’s real music Concerts in December 2000 and January 2001 The Fifty-ninth Season of education came from music halls and jazz palaces in which he played the Under the Direction of George Manos piano. He collaborated with many lyricists, but the teamwork with his THE WILLIAM NELSON CROMWELL and brother, Ira (1896-1983), was uniquely symbiotic. Except for Swanee Sundays at 7:00 p.m. in the West Building, West Garden Court F. LAMMOT BELIN CONCERTS (written by Irving Caesar when George Gershwin was twenty years old), each song on tonight’s program has a text by Ira Gershwin. Ironically, PERFORMERS PROGRAMS Swanee was the song that launched George Gershwin’s fame. It National Gallery of Art capitalized on the public taste for ragtime and quoted Stephen Foster’s December 2000 universally known melody, Way down upon the Swanee River. 10 Shauna Rolston, cellist Debussy: Sonata for Cello and Program notes by Ruthanne Schempf Bemadene Blaha, pianist Piano edited and adapted by Elmer Booze Messaien: Louange a I’eternite de Jesus Barber: Sonata in C Minor Richard Strauss: Sonata in F Major The use of cameras or recording equipment during David Popper: Hungarian 1 the performance is not allowed. Rhapsody 17 Columbia Collegiate Chorale Christmas Concert For the convenience of concertgoers James Bingham, conductor the Garden Cafe remains open until 6:30 p.m. 2364th Concert 24 No concert Selections from concerts at the Gallery 31 No concert can be heard on the second Sunday of each month MELANIE SONNENBERG, mezzo soprano at 9:00p.m.
    [Show full text]
  • New York Philharmonic 2009–2010 Season
    “I was very lucky growing up in New York to be surrounded by Introduction great music from the beginning. Every child deserves a rich experience in the arts, and the Philharmonic is here to provide that with the great music composed for orchestra.” Alan Gilbert, Music Director “With this engaging music Pathways to the Orchestra is a music curriculum developed by New York Philharmonic Teaching Artists and their partner teachers curriculum for schools, we in New York City public schools. The lessons in this book form the continue our long-standing backbone of a student’s three years in the School Partnership Program (SPP), in grades three to five. Classroom-tested over a tradition of sharing the joy of number of years, Pathways lessons constitute a three-year curriculum music with young people. As based on United States, New York State, and New York City standards they discover the world of the in music. Like New York City’s Blueprint for Teaching and Learning in Music, which the Philharmonic played a lead role in developing, orchestra, we share in their Pathways is a repertory-based approach to music, developing students excitement, and it energizes as listeners, performers, and composers around an encounter with major works of musical art. Important additional components of the SPP our world as well as theirs.” include In-School Concerts of the Teaching Artists Ensemble, and the Zarin Mehta, President and annual School Day Concert by the full New York Philharmonic at Avery Executive Director Fisher Hall, with its own repertory and curriculum. Pathways lessons are designed so that classroom teachers with limited musical background can carry them out and discover rich possibilities for integration into other areas of the curriculum — while Teaching Artists and music specialists can use them as springboards for creative musical extensions.
    [Show full text]