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Boston Symphony Orchestra Concert Programs, Season 87, 1967

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Boston Symphony Orchestra Concert Programs, Season 87, 1967 BOSTON SYMPHONY ORCHESTRA FOUNDED IN 1881 BY HENRY LEE HIGGINSON //Z£ Up t CAMBRIDGE SERIES EIGHTY-SEVENTH SEASON 1967-1968 EI' Exquisite B' Sound From the palaces of ancient Egypt to the concert halls of our modern cities, the wondrous music of the harp has compelled attention from all peoples and all countries. Through this passage of time many changes have been made in the original design. The early instruments shown in drawings on the tomb of Rameses II (1292-1225 B.C.) were richly decorated but lacked the fore-pillar. Later the "Kinner" developed by the Hebrews took the form as we know it today. The pedal harp was invented about 1720 by a Bavarian named Hochbrucker and through this ingenious device it be- came possible to play in eight major and five minor scales complete. Today the harp is an important and familiar instrument providing the "Exquisite Sound" and special effects so important to modern orchestration and arrange- ment. The certainty of change makes necessary a continuous review of your insurance protection. We welcome the opportunity of providing this service for your business or personal needs. We respectfully invite your inquiry CHARLES H. WATKINS & CO. Richard P. Nyquist — Charles G. Carleton 147 Milk Street Boston, Massachusetts Telephone 542-1250 OBRION, RUSSELL & CO. Insurance of Every Description EIGHTY-SEVENTH SEASON 1967-1968 BOSTON SYMPHONY ORCHESTRA ERICH LEINSDORF Music Director CHARLES WILSON Assistant Conductor THE TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA INC. HENRY B. CABOT President TALCOTT M. BANKS Vice-President JOHN L. THORNDIKE Treasurer PHILIP K. ALLEN E. MORTON JENNINGS JR ABRAM BERKOWITZ EDWARD M. KENNEDY THEODORE P. FERRIS HENRY A. LAUGHLIN ROBERT H. GARDINER EDWARD G. MURRAY FRANCIS W. HATCH JOHN T. NOONAN ANDREW HEISKELL MRS JAMES H. PERKINS HAROLD D. HODGKINSON SIDNEY R. RABB RAYMOND S. WILKINS TRUSTEES EMERITUS PALFREY PERKINS LEWIS PERRY EDWARD A. TAFT THOMAS D. PERRY JR Manager S. NORMAN SHIRK JAMES J. BROSNAHAN Assistant Manager Business Administrator R. SANFORD SISTARE HARRY J. KRAUT Press and Publicity Assistant to the Manager ANDREW RAEBURN MARY H. SMITH Program Editor Executive Assistant Copyright 1968 by Boston Symphony Orchestra Inc. SYMPHONY HALL BOSTON MASSACHUSETTS "A 'greatest 'symphony orchestra does now exi: and it is headquartered in Boston, Massachusetti High Fidelil Red Seal recordings ELLIOTT CARTER: PIANO CONCERTO Jacob Lateiner, pi»nut World Premlire Recorded Live at Symphony Hill, Boston MICHAEL C0L6RASS: AS QUIET AS BOSTON SYMPHONY ERICH LEINSDORF taVioot JOSTON SYMPHONY ORCHESTRA RICH LEINSDORF Music Director HARLES WILSON Assistant Conductor [RST VIOLINS CELLOS BASSOONS jseph Silverstein Jules Eskin Sherman Walt Concertmaster Martin Hoherman Ernst Panenka lfred Krips Mischa Nieland Matthew Ruggiero eorge Zazofsky Karl Zeise olland Tapley Robert Ripley CONTRA BASSOON John Sant Ambrogio oger Shermont Richard Plaster fax Winder Luis Leguia Stephen Geber iarry Dickson HORNS ottfried Wilfinger Carol Procter Stagliano redy Ostrovsky Jerome Patterson James Charles Yancich eo Panasevich Ronald Feldman oah Bielski Harry Shapiro [erman Silberman BASSES Thomas Newell :anley Benson Paul Keaney Henry Portnoi leldon Rotenberg Ralph Pottle William Rhein lfred Schneider Joseph Hearne ilius Schulman TRUMPETS Bela Wurtzler erald Gelbloom Armando Ghitalla Leslie Martin aymond Sird Roger Voisin John Salkowski John Barwicki Andre Come iCOND VIOLINS Buell Neidlinger Gerard Goguen larence Knudson Robert Olson William Marshall TROMBONES [ichel Sasson William Gibson tmuel FLUTES Diamond Josef Orosz Doriot Anthony Dwyer mnard Moss Kauko Kahila /illiam Waterhouse James Pappoutsakis jyrton Pinto Phillip Kaplan TUBA jmnon Levy Chester Schmitz llaszlo Nagy PICCOLO ; ichael Vitale TIMPANI jictor Manusevitch Lois Schaefer loshiyuki Kikkawa* Everett Firth I ax Hobart OBOES »hn Korman PERCUSSION Ralph pristopher Kimber Gomberg Charles Smith | !>encer Larrison John Holmes Arthur Press Hugh Matheny Assistant Timpanist Thomas jlOLAS Gauger ENGLISH HORN larton Fine Laurence ieuben Green Thorstenberg HARPS Ugen Lehner Bernard Zighera i j:rome Lipson CLARINETS Olivia Luetcke jobert Karol Gino Cioffi jkio Akaboshi* Pasquale Cardillo j^rnard Kadinoff LIBRARIANS Peter Hadcock lincent Mauricci Victor Alpert E\) Clarinet ijirl Hedberg William Shisler »seph Pietropaolo j bbert Barnes BASS CLARINET STAGE MANAGER Ijzhak Schotten Felix Viscuglia Alfred Robison ILLIAM MOYER Personnel Manager pembers of the Japan Philharmonic Symphony Orchestra participating in one season exchange with Messrs George Humphrey and Ronald Knudsen \\ §)X(a(ianna^.nc, At the / Boston Symphony Concerts / i this year, ii these Pianists . JOHN BROWNING RITA B0UB0ULIDI MALCOLM FRAGER <. GARY GRAFFMAN GRANT JOHANNESEN LILIAN KALLIR )\ play only lal At Home or Away . the STMWAY Swirls of pastels on a carefree IN MASSACHUSETTS AND NEW HAMPSHI polyester robe! Backzippered. NEW STEINWAYS AVAILABLE ONLY FRO Petite, Small, Medium. $55.00 | 416 BOYLSTON STREET 54 CENTRAL STREET M. STEINERT & SON BOSTON 02116 WELLESLEY 162 BOYLSTON STREET • BOSTO KEnmore 6-6238 CEdar 5-3430 ALSO WORCESTER and SPRINGFIELD HE FUND FOR THE BOSTON SYMPHONY SYMPHONY of giving he Fund for The Boston Symphony takes pleasure 1 providing you with MOVEMENTS in ift opportunities. he ALLEGRO of a commemorative seat of your hoice in Symphony Hall. he ANDANTE of a bequest. he SCHERZO of pledges — extended to your onvenience — within a three-year period. he RONDO of designating a chair, concert or room s a Memorial Gift. LL KEYED to the needs of the Orchestra, its staff, s repertoire. lake it YOUR Symphony by participating in the ill ORCHESTRATION of our $5.5 million goal. fter the concert -— or any day — visit The Fund )ffice, second floor. SJO MM Salute to Spring Wool gabardine coat a la military — over coordinated sleeveless dress, belted high, buckled smartly, $125 From our costume collection . The Longwood Shop BOSTON: At the start of The Freedom Trail, 140 Tremont Street, 482-0260. CHESTNUT HILL: 232-8100. SOUTH SHORE: 848-0300. NORTHSHORE: 532-1660 8 Contents Program for March 19 1968 11 Future program 61 Program notes Mozart - Symphony no. 38 12 by Peter Branscombe Prokofiev - Symphony no. 2 20 by James Lyons Mendelssohn — Capriccio brillante 34 by John N. Burk Lees - Piano concerto no. 2 3& by Andrew Raeburn and the composer 30,000 hours of music 44 by Andrew Raeburn The soloist 54 She comes to New York from Produced by the Vincent Italy, opens a small restau- Club for the benefit of the rant, and makes a go of it for Vincent Memorial Hospital. 50 years. At New England Life Hall. The story travels through 8:30 curtain on April 2, 3, the speak-easy gaity of the 4, 5, and 6. 2:30 matinee on '20's, the gangsterism of the Saturday, April 6. Depression, and the togeth- For tickets call 267-8092. erness of World War II. Or drop by New England 50 years of songs and Life Hall. The First and Old dances. And then Gabriella Colony hope you won't miss runs into trouble. Gabriella. THE FIRST & OLD COLONY The First National Bank of Boston and Old Colony Trust Company 10 HGHTY-SEVENTH SEASON 1967-1968 rifth Program Tuesday evening March 19 at 8.30 :RICH LEINSDORF conductor MOZART Symphony no. 38 in D major K. 504 'The Prague* Adagio — allegro Andante Finale: presto ROKOFIEV Symphony no. 2 op. 40 (1924) Allegro ben articolato Theme and variations Theme: andante Variations: listesso tempo - allegro non troppo - allegro - larghetto - allegro con brio - allegro moderato Theme: andante molto NTERMISSION vlENDELSSOHN Capriccio brillante for piano and orchestra op. 22 GARY GRAFFMAN ,EES Piano concerto no. 2 Allegro enfatico Adagio, vago Allegro tempestoso GARY GRAFFMAN ary Graffman plays the Steinway piano IALDWIN PIANO ICA VICTOR RECORDS 11 Program Notes j WOLFGANG AMADEUS MOZART Symphony no. 38 in D major K. 504 The Prague* Program note by Peter Branscombe Mozart was born in Salzburg on January 27 1756, and died in Vienna on Deceir ber 5 1791. He finished the Prague Symphony in 1786, and it was first performe at Prague on January 19 1787. The Boston Symphony Orchestra, conducted b George Henschel, first performed the Symphony on January 27 1882. 'The 6th [December 1786] A symphony. — 2 violini, 2 viole, 2 flauti 2 oboe, 2 corni, 2 fagotti, 2 clarini, timpany e Basso.' In this way followed by the opening bars of its slow introduction in short score Mozart entered in his autograph List of all my works the symphom which has since become known as the 'Prague'. In Germany it i often referred to as the 'Symphony without minuet' — appropriate!' enough, but this title could equally well be applied to the 'Paris' am to many of Mozart's earlier symphonies which are more obvious! Italian overtures in their fast-slow-fast pattern of three movement? It is true that the 'Prague' is the only one of the six symphonies Mozart's Vienna years to lack a minuet, but considerations of tim are certainly not responsible for the three-movement form, and it i indeed highly questionable whether one is right to talk of a 'lack' a* all in so carefully : integrated and superb a work. The summer and autumn of 1786 was not a particularly settled o happy period for Mozart, yet between June and the end of the year h produced such masterpieces (this list is not complete) as the E fla piano quartet, the fourth horn concerto, the G major trio K. 496, th F major sonata for piano duet, the clarinet trio, the D major strim quartet K. 499, the B flat trio, the wonderful but often underestimate< C major piano concerto
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