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Asfacts July13.Pub
ASFACTS 2013 JULY “H EAT WAVE & H UMIDITY ” I SSUE NEBULA WINNERS ANNOUNCED The 2012 Nebula Awards were presented May 18, 2013, in a ceremony at SFWA’s 48th Annual Nebula Awards Weekend in San Jose, CA. Gene Wolfe was hon- ored with the 2012 Damon Knight Grand Master Award for his lifetime contributions and achievements in the field. A list of winners follows: First Novel: Throne of the Crescent Moon by Saladin Novel: 2312 by Kim Stanley Robinson, Novella: Ahmed, Young Adult Book: Railsea by China Miéville, After the Fall, Before the Fall, During the Fall by Nancy Novella: After the Fall, Before the Fall, During the Fall Kress, Novelette: “Close Encounters” by Andy Duncan, by Nancy Kress, Novelette: “The Girl-Thing Who Went Short Story: “Immersion” by Aliette de Bodard, Ray Out for Sushi” by Pat Cadigan, Short Story: “Immersion” Bradbury Award for Outstanding Dramatic Presentation: by Aliette de Bodard, Anthology: Edge of Infinity edited Beasts of the Southern Wild , and Andre Norton Award by Jonathan Strahan, and Collection: Shoggoths in Bloom for Young Adult Science Fiction and Fantasy Book: Fair by Elizabeth Bear. Coin by E.C. Myers. Non-Fiction: Distrust That Particular Flavor by Carl Sagan and Ginjer Buchanan received Solstice William Gibson, Art Book: Spectrum 19: The Best in Awards, and Michael H. Payne was given the Kevin Contemporary Fantastic Art edited by Cathy Fenner & O’Donnell Jr. Service to SFWA Award. Arnie Fenner, Artist: Michael Whelan, Editor: Ellen Dat- low, Magazine: Asimov’s , and Publisher: Tor. ROGERS & D ENNING HOSTING PRE -CON PARTY RICHARD MATHESON DEAD Patricia Rogers and Scott Denning will uphold a local fannish tradition when they host the Bubonicon 45 LOS ANGELES (Associated Press) -- Richard Pre-Con Party 7:30-10:30 pm Thursday, August 22, at Matheson, the prolific sci-fi and fantasy writer whose I their home in Bernalillo – located at 909 Highway 313. -
The Drink Tank 351
The Drink Tank 351 Raising a glass to Iain M. Banks Editorial - Christopher J Garcia I was on the staff of the newsletter at the forth simple concepts, like patterns and games, and 2010 Eastercon and I was the undesignated purveyor taking them far down a path I never saw coming. He of the comedy. I like trying to write comedy, but all was the master of the deep dive science fiction novel. too often I blow it. The Guests of Honour included Mr. There was a future-future feel to all of them. Each came Iain M. Banks. There was a whiskey tasting scheduled, across as more important than just the novel itself. It led by Mr. Banks, and it had filled up the moment they was telling us what was coming. opened sign-ups. It was a good thing, and we had to add And somehow, he was also a part of the something about it to the newsletter. I then took it on mainstream. myself to make a gag. The Wasp Factory, a novel I picked up on a whim “The Management is saddened to inform you not long after I read about Banks’ inoperable brain that the Iain M. Banks Whiskey tasting was filled in less tumor, is as dark a novel as you’ll ever find. It wasn’t a than 30 seconds! Mr. Banks sends his person regrets horror novel, or maybe it was, but it wasn’t treated as that he could not share the event with a greater a horror novel. I got lucky, found it in an English edition number of the attendees. -
The Quarry As Sculpture: the Place of Making
The quarry as sculpture: the place of making Submitted by David Anthony Paton to the University of Exeter as a thesis for the degree of Doctor of Philosophy in Geography In June 12th 2015 This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. Signature: ………………………………………………………….. DAVID A. PATON The quarry as sculpture: the place of making ABSTRACT Practices of sculpture and geography have collaborated ever since Stone Age humans hoisted up rocks to point them into the air. The ephemerality of life was rendered in a circle of forms and mass that celebrated the union of sky, earth and dwelling. Through the manipulation of stone, the land became a place, it became a home, it became situated and navigable. As millennia unfolded, the land was written with the story of itself. The creativity woven into the story of place is an evolution of material collaborations. In recent decades, academic geographers have explored the realms of creativity in their work, and sculptors have critically engaged with the nature of place. I have united these disciplines in the exploration of a truth of materials. The aim of the research was to investigate the relationship between making and place. The structure of my PhD focussed on the development of a transdisciplinary research environment that could host a range of creative practices around stone-working. -
AUTHENTICITY and the CRITIQUE of the TOURISM INDUSTRY in POSTWAR AUSTRIAN LITERATURE DISSERTATION Presented in Partial Fulfillme
AUTHENTICITY AND THE CRITIQUE OF THE TOURISM INDUSTRY IN POSTWAR AUSTRIAN LITERATURE DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Nikhil A. Sathe, M.A. * * * * * The Ohio State University 2003 Dissertation Committee: Approved by Professor John Davidson Professor Nina Berman _________________________________ Adviser Professor Linda Rugg Germanic Languages and Literatures Copyright by Nikhil Anand Sathe 2003 ABSTRACT Since 1945 the tourism industry has wielded an undeniable influence on Austrian society in social, cultural, political, and especially economic terms. This pervasive presence is evident in postwar literature as well, where numerous authors, especially since the 1970s, have addressed tourism and its myriad consequences for Austrian society. This dissertation examines three postwar Austrian texts that reflect on the impacts of the tourism industry and its imbrication in issues of national identity. This project argues that the concept of authenticity is a unifying element to these works and that it allows the artists to censure the industry and its diverse impacts, to address questions of national identity, and to pursue individual aesthetic or thematic concerns. Functioning as an index of tourism’s negative effects, the concept of authenticity enables the authors to portray the industry as transforming people and place into someone or something other than what they once were. While theorists of tourism have recognized shortcomings of this concept, such as viewing tourism as the sole catalyst of change or assuming a culture’s previous stability and wholeness, this project contends that authenticity, which must be understood as a construction serving rhetorical or ideological aims, remains integral for an understanding of the literary portrayal of tourism. -
The Banksoniain #19 an Iain (M.) Banks Fanzine February 2013
The Banksoniain #19 An Iain (M.) Banks Fanzine February 2013 Editorial Banks’s Next Book(s) This edition looks back at 2012 but also Iain should have begun writing The Quarry at forward into 2013 and beyond. Last year was the start of the year. In December he said that a busy one for Banks as two novels were January 7th was his planned start date, and the published, and so there was more than the book would be set in Northumbria, so perhaps usual publicity activity. after finishing the Fife Coastal Path he is walking further afield now. The title, ISBN 2013 should see a new Iain Banks work and a release date have been confirmed on published, and there is also a cover makeover book selling websites. To be published by for the all the UK non M paperbacks. A quirk Little, Brown on 3 October, 2013, the of the publishing industry sees two UK hardback ISBN is: 978-1-4087-0394-6. editions of The Wasp Factory being issued and there is a musical theatre version of the In the meantime we can expect a piece of book being premièred at the Bregenzer non-fiction writing explain why he supports Festspiele in Austria. the cultural boycott of Israel in a chapter of the book Generation Palestine called Our 2014 will be an Iain M. Banks year with the People. The book’s editor is Rich Wiles, and author being one of the guests of honour at it is published by Pluto Press on 20 March Loncon 3, that year’s World Science Fiction 2013. -
Life and Literary Work of Iain Banks with Emphasis on the Novel the Wasp Factory (Bachelor‘S Thesis)
Palacký University in Olomouc Philosophical Faculty Department of English and American Studies Life and Literary Work of Iain Banks with Emphasis on the Novel The Wasp Factory (Bachelor‘s thesis) Barbora Košňarová English Philology - Journalism Supervisor: Mgr. Ema Jelínková, Ph.D. Olomouc 2016 Univerzita Palackého v Olomouci Filozofická fakulta Katedra anglistiky a amerikanistiky Život a literární dílo Iaina Bankse s důrazem na román Vosí továrna (Bakalářská práce) Barbora Košňarová Anglická filologie - Žurnalistika Vedoucí práce: Mgr. Ema Jelínková, Ph.D. Olomouc 2016 I confirm that I wrote this thesis myself and integrated corrections and suggestions of improvement of my supervisor. I also confirm that the thesis includes complete list of sources and literature cited. In Olomouc .................................. I would like to thank to my supervisor Mgr. Ema Jelínková, Ph.D. for her support, assistance and advice. Table of Contents 1 Introduction .................................................................................................... 8 2 Iain Banks ..................................................................................................... 10 3 The Literary Work ....................................................................................... 13 3.1 Fiction ..................................................................................................... 14 3.2 Science Fiction ....................................................................................... 17 3.3 Short Stories .......................................................................................... -
The Banksoniain # 20 an Iain (M.) Banks Fanzine
The Banksoniain #20 An Iain (M.) Banks Fanzine February 2014 Editorial A Personal Note This edition unfortunately mainly looks back Issue #1 of The Banksoniain was posted on to the illness and death of Iain Banks. This the twentieth anniversary of the publication of has meant that there has a great deal of media The Wasp Factory, which was Iain’s fiftieth coverage to dissect in the Media Scanner birthday as well. article. The story of Iain’s final book is There had been a previous Banks fanzine, somewhat entwined with his death especially The Culture, run by a couple of guys from given the nature of his illness and the subject Manchester, and for which your editor had matter of the book. The article on The Quarry contributed a couple of articles. After that on page #2 will attempt to document the came to an end I eventually started this as I timeline of the book and Iain’s health. missed the regularly reading about Iain and The opera/music theatre version of The Wasp his books. Writing my own fanzine gave me Factory had its premiere in Austria before the opportunity to be nosy about something I performances in Berlin and London in 2013 enjoyed and wanted to know more about. I and coming in 2014, Cork and Amsterdam. sent a copy of the first issue to Iain via his This issue reports on the production and its agent and got a letter in reply beginning a reception. correspondence of nearly ten years that generally consisted of me asking questions to Banks in Translation looks at some recent clarify things for articles I was writing, and he Chinese publications with some great SF patiently responding but usually very quickly, covers, and we have an interview with Mark and often taking the trouble to check his Ecob who has been creating a set of UK diaries when I wanted to check dates. -
Accepted for the Science Fiction of Iain M. Banks Nick Hubble, Ether
'Inside the Whale and Outside Context Problems' Robert Duggan University of Central Lancashire accepted for The Science Fiction ofIain M. Banks Nick Hubble, Ether MacCallum-Stewart and Joe Norman (eds.) Gylphi (forthcoming 2017) Iain M. Bank.s' s Culture series has achieved immense popularity with readers around the world and in the eyes of many science fiction critics was part of a broader renewal of the possibilities of space opera, an often disregarded and devalued area of contemporary literature and perhaps even of scholarship on sf. Along the way this collection of works has raised both fascinating political questions and the standard of what readers might expect of the genre, combining as it does imaginative energy, linguistic exuberance and a good deal of humour along with the galaxy-spanning adventures. The non-linear series was also notable for its capacity to generate compelling new stories while simultaneously deepening its engagement with the complexities of the Culture as a civilisation. The contention of this article is that Bank.s's 1996 novel Excession marks a key stage in the literary development of the Culture as a fictional social formation, one that demonstrates the newly-expanded possibilities of space opera to explore and extend fundamental aspects of sf. This entails a re-examination of the novel's complex handling of spatiality and inside/outside and political dimensions of Bank.s' s writing. There are a number of reasons why Excession might merit particular attention in scholarly approaches to Bank.s' s sf: the novel was something of a return to the Culture after sf novels Against a Dark Background (published in 1993, although reworked from a version written in the 1970s) and Feersum Enjinn (1994) the winner of the British Science Fiction Association Award. -
Cognitive Rhetoric, Literary Genre, and Menippean Satire
In compliance with the Canadian Privacy Legislation some supporting forms may have been removed from this dissertation. While these forms may be included in the document page count, their removal does not represent any loss of content from the dissertation. THE MIND'S KINDS: COGNITIVE RHETORIC, LITERARY GENRE, AND MENIPPEAN SATIRE By MICHAEL SINDING, B. A., M. A. A Thesis Submitted to the School of Graduate Studies in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy McMaster University © Copyright by Michael Sinding, June 2003 DOCTOR OF PHILOSOPHY (2003) McMaster University (English) Hamilton, Ontario TITLE: The Mind's Kinds: Cognitive Rhetoric, Literary Genre, and Menippean Satire AUTHOR: Michael Sinding, B. A. (McGill University), M. A. (McMaster University) SUPERVISOR: Professor Joseph Adamson NUMBER OF PAGES: v, 258 11 ABSTRACT This thesis develops a cognitive approach to the venerable topic of literary genre. In particular, it uses and explores "cognitive rhetoric", Mark Turner's theoretical framework for literary inquiry; and it studies in depth the literary genre named "Menippean satire". The first chapter motivates a cognitive approach to literary inquiry while surveying the theory and criticism of satire and Menippean satire. The second chapter works out more fully and systematically than other studies the implications of a cognitive perspective on problems in the theory ofliterary genre. It argues that genres can be described as having a "prototype structure", rather than a traditional category structure, where categories are defined by necessary and sufficient conditions and arranged in general-to-specific hierarchies. It applies George Lakoff's explanation for prototype structures in categorization--his theory that thought is structured by "Idealized Cognitive Models"--to issues in genre theory and criticism. -
The Culture of 'The Culture': Utopian Processes in Iain M
1 THE CULTURE OF ‘THE CULTURE’: UTOPIAN PROCESSES IN IAIN M. BANKS’S SPACE OPERA SERIES A thesis submitted for the degree of Doctor of Philosophy By Joseph S. Norman Department of Arts and Humanities, Brunel University London 2 Abstract This thesis provides a comprehensive critical analysis of Iain M. Banks’s Culture series, ten science fiction (SF) texts concerned with the Culture, Banks’s vision of his “personal utopia”: Consider Phlebas (1987), The Player of Games (1988), Use of Weapons (1990), The State of the Art (1991), Excession (1996), Inversions (1998), Look to Windward (2000), Matter (2008), Surface Detail (2010), and The Hydrogen Sonata (2012). I place this series within the context of the space opera sub-genre, and – drawing upon a critical toolkit developed by Istvan Csicsery-Ronay Jr. in The Seven Beauties of Science Fiction (2008) – I explore the extent to which Banks achieved his goal of reshaping the sub-genre for the political Left. Due to the complexity and ambiguity of Banks’s creation, this research addresses the central question: what is the Culture? I argue that the Culture constitutes a utopian variation of Csicsery- Ronay’s technologiade, challenging the notion that Banks’s creation represents an empire or imperialist project. I consider the Culture as a culture: peoples linked by a shared value system and way of life; a method of development and nurturing; a system of utopian processes. Drawing on Archaeologies of the Future (2005), I argue that the Culture series demonstrates Frederic Jameson’s notion of ‘thinking the break’, with Banks’s writing constantly affirming the possibility and desirability of radical sociopolitical change. -
REFRACTION #1 Contents
Nov 2013 1 REFRACTION #1 Contents Cover Orbital Over The Forth Bridge – Iain Banks 1954 - 2013 3 Away The Crow Road – Iain Banks RIP, plus Walking Walking on Glass and The Quarry 6 Boobs and Boiled Leather – Game of Thrones 10 United State of Horror – American Mary and A Field in England 15 Is this Nottingham? – Novacon 42 Rear Doctor Who? Celebrating 50 years. Every time I go to a con or similar event I too general for what I wanted. Although always come back fired up with plenty of I’ve used it before as a business name I enthusiasm. They will be a list of books, again eventually settled on ‘Refraction’ comics, films and musical performers to mainly due to the fact that I live not a check out that I will have gathered from million miles away from where Isaac panels and drunken conversations with Newton was born. I’d already dismissed a friends. Plus, usually whilst leafing through lot of apple, gravity or mathematical the zines I’ve picked up on the train home, related titles as too obvious and went for there will be the idea to write a zine of my something related to his optical own. Books and comics get discoveries. Plus this also read, films gets watched hints at one of the things I and music gets listened to want to do with this zine – but I’ve never actually got look at slightly odd and around to creating my own crooked things in a slightly zine, no matter how many odd and crooked way.