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Asfacts July13.Pub
ASFACTS 2013 JULY “H EAT WAVE & H UMIDITY ” I SSUE NEBULA WINNERS ANNOUNCED The 2012 Nebula Awards were presented May 18, 2013, in a ceremony at SFWA’s 48th Annual Nebula Awards Weekend in San Jose, CA. Gene Wolfe was hon- ored with the 2012 Damon Knight Grand Master Award for his lifetime contributions and achievements in the field. A list of winners follows: First Novel: Throne of the Crescent Moon by Saladin Novel: 2312 by Kim Stanley Robinson, Novella: Ahmed, Young Adult Book: Railsea by China Miéville, After the Fall, Before the Fall, During the Fall by Nancy Novella: After the Fall, Before the Fall, During the Fall Kress, Novelette: “Close Encounters” by Andy Duncan, by Nancy Kress, Novelette: “The Girl-Thing Who Went Short Story: “Immersion” by Aliette de Bodard, Ray Out for Sushi” by Pat Cadigan, Short Story: “Immersion” Bradbury Award for Outstanding Dramatic Presentation: by Aliette de Bodard, Anthology: Edge of Infinity edited Beasts of the Southern Wild , and Andre Norton Award by Jonathan Strahan, and Collection: Shoggoths in Bloom for Young Adult Science Fiction and Fantasy Book: Fair by Elizabeth Bear. Coin by E.C. Myers. Non-Fiction: Distrust That Particular Flavor by Carl Sagan and Ginjer Buchanan received Solstice William Gibson, Art Book: Spectrum 19: The Best in Awards, and Michael H. Payne was given the Kevin Contemporary Fantastic Art edited by Cathy Fenner & O’Donnell Jr. Service to SFWA Award. Arnie Fenner, Artist: Michael Whelan, Editor: Ellen Dat- low, Magazine: Asimov’s , and Publisher: Tor. ROGERS & D ENNING HOSTING PRE -CON PARTY RICHARD MATHESON DEAD Patricia Rogers and Scott Denning will uphold a local fannish tradition when they host the Bubonicon 45 LOS ANGELES (Associated Press) -- Richard Pre-Con Party 7:30-10:30 pm Thursday, August 22, at Matheson, the prolific sci-fi and fantasy writer whose I their home in Bernalillo – located at 909 Highway 313. -
Scratch Pad 20
Scratch Pad 20 Based on the non-Mailing Comments section of The Great Cosmic Donut of Life No. 9, a magazine written and published by Bruce Gillespie, 59 Keele Street, Victoria 3066, Australia (phone (03) 9419-4797; email: [email protected]) for the December 1996 mailing of Acnestis. Contents 1 A TASTE FOR MAYHEM: PRELIMINARY NOTES 3 BOOKS READ SINCE AUGUST 1996 by Bruce ON iAIN BANKS’S NON-SF NOVELS by Bruce Gillespie Gillespie A TASTE FOR MAYHEM: Preliminary notes on IAIN BANKS’S NON-SF NOVELS Presented as a talk to the Nova Mob, Melbourne’s SF discussion group, 6 November 1996. At the same meeting, Race Mathews gave a talk about Iain Bank’s SF novels, which I’ll reprint as soon as possible. The legend sitting room was only about six or seven feet away so I Banks, Iain with or without a middle ‘M.’, is the stuff of handed my drink to one of the people (I think they were legend. from Andromeda Bookshop in Birmingham) cause I’d The legend runs that he had published three novels spotted a loophole, you see, because I wasn’t actually before someone told him he was an SF writer and climbing. This was about the third or fourth storey, and dragged him along to a convention. The legend adds it was actually a traverse; I wasn’t actually gaining any that he decided to join the SF community and write real height. So I did this, but unfortunately at the same time SF books when he discovered the capacity of the British as this there was a burglar taking things next door and fan for putting away booze at conventions. -
Reading Group Collection
Reading Group Collection Author Title No of Copies Aboulela, Leila Lyrics alley 12 Abrams, Rebecca Touching distance 12 Aciman, Andre Call me by your name 10 Adichie, Chimamanda Half of a yellow sun 7 Adichie, Chimamanda Purple hibiscus 10 Adiga, Aravind Between the assassinations 10 Albom, Mitch The five people you meet in heaven 7 Albom, Mitch For one more day 12 Albom, Mitch The time keeper 10 Albom. Mitch Tuesdays with Morrie Biography 10 Alexander, Keir The ruby slippers 8 Ali, Monica Brick Lane 10 Ambler, Eric Cause for alarm 5 Anderson, Lin Follow the dead 8 Angelou, Maya I know why the caged bird sings Biography 10 Ansay, Manette Blue water 10 Appelfeld, Aharon Blooms of darkness 8 Ashdown, Isabel Flight boxset 10 Ashton, David Shadow of the serpent 10 Atkinson, Kate Behind the scenes at the museum 10 Atkinson, Kate Case histories 8 Atwood, Margaret The handmaid’s tale 8 Atwood, Margaret Oryx and Crake 12 Austen, Jane Lady Susan 6 Austen, Jane Sense and sensibility 10 Ayres, Pam The necessary aptitude biography 8 Bailey, Catherine Black Diamond 6 Baker, Jo Longbourn 8 Baker, Jo The telling 12 Banks, Ian The crow road 10 Banks, Ian Stonemouth 8 Banks, Iain The wasp factory 13 Banks, Lynne Reid The l-shaped room 4 Barbery, Muriel The elegance of the hedgehog 7 Barnett, Laura The versions of us 8 Barry, Sebastian The secret scripture 8 Bauer, Belinda Rubbernecker 10 Bauer, Josef As far as my feet will carry me 10 Beckwith, Lillian The Hills is Lonely 10 Benaddi, Janette Four mums in a boat 10 Page 1 of 11 Reading Group Collection -
The Banksoniain #11 an Iain (M.) Banks Fanzine February 2007
The Banksoniain #11 An Iain (M.) Banks Fanzine February 2007 Editorial Banks’s Next Book This issue focuses on the new Banks‟s novel, If we take The Steep Approach to Garbadale The Steep Approach to Garbadale, as well as as his current book, the next one is an „M‟ and looking back at Against A Dark Background, definitely a Culture book which he is writing there is a whole slew of media appearances to at the moment and plans to have the first draft report on in the Media Scanner columns, and finished by the end of April, publicity for forthcoming personal appearances to list, so a Garbadale permitting. nice short editorial this issue. Titles under consideration for the next book Thanks for this issue go to Peter Kenny for include; The Integrity of Objects, The the interview, the gang at the Iain Banks Expeditionary, or even Matter (just to confuse Forum for their encouragement, and, as everyone as that was a possible title for always, Iain Banks himself. Garbadale). Those second of those titles would seem to indicate that we are out on the Look out for Banksoniain #12 in August, fringes of the Culture again where the hopefully it will be out in time for Mecon 10. interesting things happen. The book, whatever it ends up being called, is tentatively Broadcast Banks listed for publication by Orbit in February The Culture Show: Peter Capaldi 2008. By then, of course, we should have a (interviewed in the last Banksoniain) will be new Prime Minister at Westminster and so the interviewing Iain for a segment of programme next publicity tour will probably include the first overseas trips for a while. -
Shailaja.Pdf
The Criterion www.the-criterion.com An International Journal in English ISSN 0976-8165 Dweller Diaspora in Iain M. Banks’ The Algebraist Shailaja A. Changundi (Associate Professor) UGC Teacher Fellow, Department of English, Shivaji University, Kolhapur. The twentieth century science fiction was enriched, made magnificent and took the interest of the readers to the epoch with the rise of the most imaginative, belligerent and brilliant Scottish writer Iain M. Banks who took the science fiction to a great height and created tremendous curiosity among the readers about his writing. Iain Banks’s novels cover almost all parts of human life and world. Though he shows the darker side of the future world, he is hopeful about the positive fine future world. The film-makers and broadcasters also have focused their attention on his novels. The Algebraist, a science fiction novel by Scottish writer Iain M. Banks, first appeared in print in 2004. The novel takes place in 4034 A.D. With the assistance of other species, humans have spread across the galaxy, which is largely ruled by the Mercatoria, a complex feudal hierarchy, with a religious zeal to rid the galaxy of artificial intelligences, which were blamed for a previous war. In center-stage Iain Banks portrays the human Fassin Taak, a Slow Seer at the Court of the Nasqueron Dwellers. Taak's hunt for the Transform takes him on a dizzying journey, partly through the Dweller wormhole network itself. Banks lays out and layers his presentation of a civilized universe with consummate skill. One of the true pleasures of reading space opera is the reader's slowly unfolding understanding of the universe created by the author. -
Foundation the International Review of Science Fiction 116 Foundation the International Review of Science Fiction
Foundation The International Review of Science Fiction 116 Foundation The International Review of Science Fiction In this issue: Robert Duggan, Paul Kincaid, Joe Norman and Andrew J. Wilson No:116 Winter 2012/2013 Foundation Vol:42 on Iain Banks Emily Alder on Eduardo Paolozzi and Maia Clery on David Bowie Jim Clarke, Leimar Garcia-Siino, Tony Keen and C.L. Wilson on conferences at Brunel University and the University of Liverpool In addition, there are reviews by: Grace Halden, Mark Hall, Dan Hartland, Paul Kincaid, Anna McFarlane, Chris Pak, Andy Sawyer, Maureen Speller and Tom Sykes Of books by: Algis Budrys, Luke Cuddy, Enrique Gaspar, Peter Higgins, Robert E. Howard, Edward M. Lerner, Bradford Lyau, Adam Roberts and Gary K. Wolfe Cover: Iain Banks Credit: The Getty Foundation Iain Banks 1954 - 2013 Foundation is published three times a year by the Science Fiction Foundation (Registered Charity no. 1041052). It is typeset and printed by The Lavenham Press Ltd., 47 Water Street, Lavenham, Suffolk, CO10 9RD. Foundation is a peer-reviewed journal. Subscription rates for 2014 Individuals (three numbers) United Kingdom £20.00 Europe (inc. Eire) £22.00 Rest of the world £25.00 / $42.00 (U.S.A.) Student discount £14.00 / $23.00 (U.S.A.) Institutions (three numbers) Anywhere £42.00 / $75.00 (U.S.A.) Airmail surcharge £7.00 / $12.00 (U.S.A.) Single issues of Foundation can also be bought for £7.00 / $15.00 (U.S.A.). All cheques should be made payable to The Science Fiction Foundation. All subscriptions are for one calendar year; please specify year of commencement. -
A Critical Study of the Novels of Iain Banks Being a Thesis Submitted In
THE UNIVERSITY OF HULL Bridging Fantasies: A Critical Study of the Novels of Iain Banks being a Thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy in the University of Hull by Martyn James Colebrook, BA, MA (February 2012) 2 Introduction Fear and Loathing in Midlothian 6 Chapter 1 “These Things of Darkness I Acknowledge Mine”: The Wasp Factory, Gender Performance and The Gothic 29 1.1 Gothic and Mental Disorder. 48 Chapter 2 The Player of Games? 66 2.1 Games and Fictionality. 67 2.2 The Player of Games and The Magus: A Comparative Study 81 2.3 Playing Games with Identity? 85 Chapter 3 Journeys into the Silent Land: The Bridge and Lanark: A Life in Four Books. 98 3.1 The Bridge and Lanark: Narrating Scotland as a Post-industrial Space. 102 3.2 The Bridge and the Contemporary Gothic. 123 Chapter 4 Moving out of the comfort ‘Zone’: Canal Dreams. 132 4.1 Not Playing by the Rules of the games: Canal Dreams and Genre. 136 4.2 “Maestro Please”: Memory and Performance. 146 4.3 Troubles with Banks: A political writer or a writer of political fiction? 158 Chapter 5 The Questions of Scotland: The Crow Road. 168 5.1 Landscape and Fiction. 170 5.2 The Crow Road and the Postmodern Gothic. 183 Chapter 6 ‘Mad Lad Lit’: Iain Banks’ Complicity. 192 6.1 Three Writers Who Go Down into the Darkness: The Games of Contemporary Scottish Crime Fiction. 195 3 6.2 Complicity and Terror. 222 6.3 Complicity, Sheepshagger and Violence. -
The Quarry As Sculpture: the Place of Making
The quarry as sculpture: the place of making Submitted by David Anthony Paton to the University of Exeter as a thesis for the degree of Doctor of Philosophy in Geography In June 12th 2015 This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. Signature: ………………………………………………………….. DAVID A. PATON The quarry as sculpture: the place of making ABSTRACT Practices of sculpture and geography have collaborated ever since Stone Age humans hoisted up rocks to point them into the air. The ephemerality of life was rendered in a circle of forms and mass that celebrated the union of sky, earth and dwelling. Through the manipulation of stone, the land became a place, it became a home, it became situated and navigable. As millennia unfolded, the land was written with the story of itself. The creativity woven into the story of place is an evolution of material collaborations. In recent decades, academic geographers have explored the realms of creativity in their work, and sculptors have critically engaged with the nature of place. I have united these disciplines in the exploration of a truth of materials. The aim of the research was to investigate the relationship between making and place. The structure of my PhD focussed on the development of a transdisciplinary research environment that could host a range of creative practices around stone-working. -
The Banksoniain #21 an Iain (M.) Banks Fanzine February 2015
The Banksoniain #21 An Iain (M.) Banks Fanzine February 2015 Editorial Poems There is still much to report on in the worlds The announcement that fifty of Iain’s poems of Iain (M.) Banks. Even before his illness would be published came in a press release and death 2014 was shaping up to be an from his publishers on what would have been important Banksian year with his Guest of his sixtieth birthday, 16th February 2014. Iain Honour status at that year’s Worldcon, had mentioned his desire to have his poetry Loncon 3. That, of course, still went ahead published in interviews that he gave after his and Iain was honoured in memoriam, see diagnosis was made public. Stuart Kelly in pages #6 & #7, for reports on the activities the Guardian (15th June 2013) quoted Iain there. “I've got about 50 I'm proud of. I've been trying to convince Ken MacLeod that he 2014 would also have most likely seen the should come in with me on this as I've always publication of an M book. Indeed early in loved Ken's poetry.” He also described it as 2013 Hachette (which owns both Iain’s “a bit of a vanity project” and said “I'll self- publishers Little, Brown and Orbit) were publish if I have to”. Publication was initially listing a book called Untitled New Iain M. set for 5th February 2015, but was moved Banks 2, for publication in hardback back to what would have been Iain’s 61st November 2014 and paperback July 2015 birthday. -
Discussion About Iain M. Banks
Science Fiction Book Club Interview with Paul Kincaid February 2019 Paul Kincaid wrote an award winning study of Iain M. Bank's work. His writing has appeared in a wide range of publications including New Scientist, Times Literary Supplement, Literary Review, New York Review of Science Fiction, Foundation, Science Fiction Studies, Interzone and Strange Horizons. He is a former editor of Vector, the critical journal of the British Science Fiction Association. Lucius Sorrentino: It might be interesting to learn something about how he came to his socio-political beliefs and how that found its way into his writing. I think Banks was inherently left wing. Scotland has always been more left of centre than the rest of the UK, largely because Scotland, quite rightly, feels it has been second-best in the opinion of the British government. This was particularly the case in the 1970s and during the Thatcher years. In the late-70s there was an independence referendum for Scotland that came up with a pretty clear majority in favour of independence, only for the UK government to retrospectively change the rules. They said it wasn’t a majority of everyone in Scotland, only of those who voted, and therefore independence didn’t happen. That is something that comes up in The Bridge, and it is pretty clearly a defining moment in Banks’s political awakening. Then, under Thatcher, Scotland was always used to try out unpopular ideas, like the poll tax. There was a satirical programme on British television at the time in which Scotland was referred to as “the test bed”. -
Mind, Brain, and Literature: the Fiction of Iain (M.) Banks
University of Warsaw Faculty of Modern Languages Institute of English Studies Katarzyna Fetlińska Mind, Brain, and Literature: The Fiction of Iain (M.) Banks PhD dissertation written under the supervision of prof. dr hab. Dominika Oramus Warsaw, 2019 2 TABLE OF CONTENTS INTRODUCTION: FRAMEWORK 1 LIFE SCIENCES, COGNITIVE SCIENCES AND NEUROSCIENCES 1 IAIN (M.) BANKS 7 MY APPROACH 17 CHAPTER ONE: MEMORY 29 1.1 INTRODUCTION 29 1.2 FRAMEWORK: MEMORY AND IMAGINATION 33 1.3 IAIN (M.) BANKS: MEMORY 38 1.4 IAIN (M.) BANKS: IMAGINATION 48 1.5 CONCLUSIONS 53 CHAPTER TWO: RELIGION 55 2.1 INTRODUCTION 55 2.2 FRAMEWORK: RELIGION 59 2.3 IAIN (M.) BANKS: RELIGIOUSNESS 64 2.4 IAIN (M.) BANKS: GODS IN THE CULTURE 72 2.5 IAIN (M.) BANKS: FEAR OF DEATH. IMMORTALITY 77 2.6 CONCLUSIONS 85 CHAPTER THREE: CONSCIOUSNESS AND THE SELF 87 3.1 INTRODUCTION 87 3.2 FRAMEWORK: CONSCIOUSNESS AND THE SELF 89 3.3 FRAMEWORK: EMOTIONS 93 3.4 IAIN (M.) BANKS: EMOTIONS 99 3.5 FRAMEWORK: ACTIVITY AND PERCEPTION 106 3.6 IAIN (M.) BANKS: ACTIVITY AND PERCEPTION 107 3.7 IAIN (M.) BANKS: THE BODY 110 4 3.8 IAIN (M.) BANKS: DREAMS 116 3.9 CONCLUSIONS 122 CHAPTER FOUR: MACHINE MINDS 123 4.1 INTRODUCTION 123 4.2 BIOLOGICAL AND TECHNOLOGICAL MINDS: DIFFERENCES 125 4.3 BIOLOGICAL AND TECHNOLOGICAL MINDS: SIMILARITIES 131 4.4 CONCLUSIONS 139 CHAPTER FIVE: STORYTELLING 141 5.1 INTRODUCTION 141 5.2 FRAMEWORK: NARRATIVE AND THE SELF 144 5.3 IAIN (M.) BANKS: NARRATIVE AND THE SELF 146 5.4 FRAMEWORK: STORIES AND CULTURE 151 5.5 IAIN (M.) BANKS: STORIES AND CULTURE 153 5.6 CONCLUSIONS 156 CONCLUSION 157 WORKS CITED 161 1 INTRODUCTION: FRAMEWORK LIFE SCIENCES, COGNITIVE SCIENCES AND NEUROSCIENCES The ideas concerning the indispensability of collaboration between scientists and humanists are not new: in 1959, Charles Percy Snow, a British scientist and novelist, published his famous lecture entitled The Two Cultures, in which he postulates that the 20th century is permeated by a deepening mutual incomprehension between scholars representing sciences and humanities. -
AUTHENTICITY and the CRITIQUE of the TOURISM INDUSTRY in POSTWAR AUSTRIAN LITERATURE DISSERTATION Presented in Partial Fulfillme
AUTHENTICITY AND THE CRITIQUE OF THE TOURISM INDUSTRY IN POSTWAR AUSTRIAN LITERATURE DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Nikhil A. Sathe, M.A. * * * * * The Ohio State University 2003 Dissertation Committee: Approved by Professor John Davidson Professor Nina Berman _________________________________ Adviser Professor Linda Rugg Germanic Languages and Literatures Copyright by Nikhil Anand Sathe 2003 ABSTRACT Since 1945 the tourism industry has wielded an undeniable influence on Austrian society in social, cultural, political, and especially economic terms. This pervasive presence is evident in postwar literature as well, where numerous authors, especially since the 1970s, have addressed tourism and its myriad consequences for Austrian society. This dissertation examines three postwar Austrian texts that reflect on the impacts of the tourism industry and its imbrication in issues of national identity. This project argues that the concept of authenticity is a unifying element to these works and that it allows the artists to censure the industry and its diverse impacts, to address questions of national identity, and to pursue individual aesthetic or thematic concerns. Functioning as an index of tourism’s negative effects, the concept of authenticity enables the authors to portray the industry as transforming people and place into someone or something other than what they once were. While theorists of tourism have recognized shortcomings of this concept, such as viewing tourism as the sole catalyst of change or assuming a culture’s previous stability and wholeness, this project contends that authenticity, which must be understood as a construction serving rhetorical or ideological aims, remains integral for an understanding of the literary portrayal of tourism.