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Asfacts July13.Pub
ASFACTS 2013 JULY “H EAT WAVE & H UMIDITY ” I SSUE NEBULA WINNERS ANNOUNCED The 2012 Nebula Awards were presented May 18, 2013, in a ceremony at SFWA’s 48th Annual Nebula Awards Weekend in San Jose, CA. Gene Wolfe was hon- ored with the 2012 Damon Knight Grand Master Award for his lifetime contributions and achievements in the field. A list of winners follows: First Novel: Throne of the Crescent Moon by Saladin Novel: 2312 by Kim Stanley Robinson, Novella: Ahmed, Young Adult Book: Railsea by China Miéville, After the Fall, Before the Fall, During the Fall by Nancy Novella: After the Fall, Before the Fall, During the Fall Kress, Novelette: “Close Encounters” by Andy Duncan, by Nancy Kress, Novelette: “The Girl-Thing Who Went Short Story: “Immersion” by Aliette de Bodard, Ray Out for Sushi” by Pat Cadigan, Short Story: “Immersion” Bradbury Award for Outstanding Dramatic Presentation: by Aliette de Bodard, Anthology: Edge of Infinity edited Beasts of the Southern Wild , and Andre Norton Award by Jonathan Strahan, and Collection: Shoggoths in Bloom for Young Adult Science Fiction and Fantasy Book: Fair by Elizabeth Bear. Coin by E.C. Myers. Non-Fiction: Distrust That Particular Flavor by Carl Sagan and Ginjer Buchanan received Solstice William Gibson, Art Book: Spectrum 19: The Best in Awards, and Michael H. Payne was given the Kevin Contemporary Fantastic Art edited by Cathy Fenner & O’Donnell Jr. Service to SFWA Award. Arnie Fenner, Artist: Michael Whelan, Editor: Ellen Dat- low, Magazine: Asimov’s , and Publisher: Tor. ROGERS & D ENNING HOSTING PRE -CON PARTY RICHARD MATHESON DEAD Patricia Rogers and Scott Denning will uphold a local fannish tradition when they host the Bubonicon 45 LOS ANGELES (Associated Press) -- Richard Pre-Con Party 7:30-10:30 pm Thursday, August 22, at Matheson, the prolific sci-fi and fantasy writer whose I their home in Bernalillo – located at 909 Highway 313. -
Diplomarbeit / Diploma Thesis
DIPLOMARBEIT / DIPLOMA THESIS Titel der Diplomarbeit / Title of the Diploma Thesis „A Game of Genders: The construction and performativity of femininity in the complex television series Game of Thrones” verfasst von / submitted by Anja Ingrid Buttenhauser angestrebter akademischer Grad / in partial fulfilment of the requirements for the degree of Magistra der Philosophie (Mag. phil.) Wien, 2018 / Vienna, 2018 Studienkennzahl lt. Studienblatt / A 190 344 313 degree programme code as it appears on the student record sheet: Studienrichtung lt. Studienblatt / Lehramtsstudium UF Englisch/ degree programme as it appears on UF Geschichte, Sozialkunde und Politische Bildung the student record sheet: Betreut von / Supervisor: Univ. -Prof. Dr. Sylvia Mieszkowski Declaration of Authenticity I hereby declare that that I have conceived and written this diploma thesis all by myself and in my own words. Any quotations and ideas borrowed from other authors, as well as passages paraphrased from the work of other scholars are clearly indicated as such and acknowledged in the bibliographical references. I am conscious that the incorporation of any material without acknowledgment constitutes plagiarism. Vienna, September 2018 __________________________________ Acknowledgments First of all, I want to express my sincere gratitude to Univ.-Prof. Dr. Sylvia Mieszkowski for being the best supervisor I could have possibly wished for. Not only am I deeply grateful for your academic advice, constructive feedback to my work and all the time you dedicated to the supervision of my diploma thesis, but even more so for continuously pushing me to do my academic best. Moreover, I want to thank my family for their unconditional love. My parents, Hannelore and Robert, for their unwavering faith in me, as well as for continuously supporting me, even when my endeavours led me to the other end of the world. -
"Enough About Whores": Sexual Characterization in a Song of Ice and Fire
Volume 35 Number 2 Article 4 4-15-2017 "Enough about Whores": Sexual Characterization in A Song of Ice and Fire Joseph Young Eberhard Karls University of Tubingen Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Young, Joseph (2017) ""Enough about Whores": Sexual Characterization in A Song of Ice and Fire," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 35 : No. 2 , Article 4. Available at: https://dc.swosu.edu/mythlore/vol35/iss2/4 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract George R.R. Martin’s A Song of Ice and Fire series is replete with characters who engage in sexual misconduct and violence. Yet there are subtleties in the intents and effects of their conduct that grant us, as readers, more than mere titillation: increased insight into his characters and themes. -
Reading Group Collection
Reading Group Collection Author Title No of Copies Aboulela, Leila Lyrics alley 12 Abrams, Rebecca Touching distance 12 Aciman, Andre Call me by your name 10 Adichie, Chimamanda Half of a yellow sun 7 Adichie, Chimamanda Purple hibiscus 10 Adiga, Aravind Between the assassinations 10 Albom, Mitch The five people you meet in heaven 7 Albom, Mitch For one more day 12 Albom, Mitch The time keeper 10 Albom. Mitch Tuesdays with Morrie Biography 10 Alexander, Keir The ruby slippers 8 Ali, Monica Brick Lane 10 Ambler, Eric Cause for alarm 5 Anderson, Lin Follow the dead 8 Angelou, Maya I know why the caged bird sings Biography 10 Ansay, Manette Blue water 10 Appelfeld, Aharon Blooms of darkness 8 Ashdown, Isabel Flight boxset 10 Ashton, David Shadow of the serpent 10 Atkinson, Kate Behind the scenes at the museum 10 Atkinson, Kate Case histories 8 Atwood, Margaret The handmaid’s tale 8 Atwood, Margaret Oryx and Crake 12 Austen, Jane Lady Susan 6 Austen, Jane Sense and sensibility 10 Ayres, Pam The necessary aptitude biography 8 Bailey, Catherine Black Diamond 6 Baker, Jo Longbourn 8 Baker, Jo The telling 12 Banks, Ian The crow road 10 Banks, Ian Stonemouth 8 Banks, Iain The wasp factory 13 Banks, Lynne Reid The l-shaped room 4 Barbery, Muriel The elegance of the hedgehog 7 Barnett, Laura The versions of us 8 Barry, Sebastian The secret scripture 8 Bauer, Belinda Rubbernecker 10 Bauer, Josef As far as my feet will carry me 10 Beckwith, Lillian The Hills is Lonely 10 Benaddi, Janette Four mums in a boat 10 Page 1 of 11 Reading Group Collection -
Gender, Game of Thrones, and Multiple Media Engagements Schubart, Rikke; Gjelsvik, Anne
University of Southern Denmark Women of Ice and Fire Gender, Game of Thrones, and Multiple Media Engagements Schubart, Rikke; Gjelsvik, Anne Publication date: 2016 Document version: Final published version Document license: Unspecified Citation for pulished version (APA): Schubart, R., & Gjelsvik, A. (Eds.) (2016). Women of Ice and Fire: Gender, Game of Thrones, and Multiple Media Engagements. Bloomsbury Academic. Go to publication entry in University of Southern Denmark's Research Portal Terms of use This work is brought to you by the University of Southern Denmark. Unless otherwise specified it has been shared according to the terms for self-archiving. If no other license is stated, these terms apply: • You may download this work for personal use only. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying this open access version If you believe that this document breaches copyright please contact us providing details and we will investigate your claim. Please direct all enquiries to [email protected] Download date: 24. Sep. 2021 WOMEN OF ICE AND FIRE WOMEN OF ICE AND FIRE Gender, Game of Thrones, and Multiple Media Engagements Edited by Anne Gjelsvik and Rikke Schubart Bloomsbury Academic An imprint of Bloomsbury Publishing Inc Bloomsbury Academic An imprint of Bloomsbury Publishing Inc 1385 Broadway 50 Bedford Square New York London NY 10018 WC1B 3DP USA UK www.bloomsbury.com BLOOMSBURY and the Diana logo are trademarks of Bloomsbury Publishing Plc First published 2016 © Anne Gjelsvik, Rikke Schubart and Contributors, 2016 All rights reserved. -
A Game of Thrones Pdf, Epub, Ebook
A GAME OF THRONES PDF, EPUB, EBOOK George R. R. Martin | 864 pages | 01 Dec 1997 | Bantam Doubleday Dell Publishing Group Inc | 9780553573404 | English | New York, United States A Game of Thrones PDF Book The fact that Dany being raped is never treated as what it is, and that the relationship between her and Drogo is portrayed as love. So immediately [killing view spoiler [Robb hide spoiler ] ] became the next thing I had to do. Retrieved December 31, Dewey Decimal. Eddison Tollett 34 episodes, When they arrive in the Dothraki city, Viserys makes such an ass of himself that Drogo kills him by pouring molten gold over his head in the middle of a feasting hall. Also sidenote- the audiobook is great. But I do count myself as one of his many inheritors in this game you can inherit without requiring the other person to stop writing! The real world is full of unbelievable events, coincidences, and odd characters. The two heroes of the short story are the exiled 'Prince R'hllor of Raugg' and his boisterous, swaggering companion 'Argilac the Arrogant'. Edit Did You Know? Archived from the original on May 9, Shepherd, Jack October 23, Retrieved May 28, In that case, look for shorters works as this is biiig. I can be bought and sold in marriage by my own--Oh, hey! Euron then stands and asks Jon if they can swim, and when Jon replies with a "No", Euron announces that he is taking the Iron Fleet back to the Iron Islands, saying that while he has traveled the world and has seen things that Cersei cannot imagine, the sight of the wight is the only thing that terrifies him. -
Politics, Culture and Society
Open Research Online The Open University’s repository of research publications and other research outputs The Depiction of Slavery in Ancient World Television Drama: Politics, Culture and Society. Thesis How to cite: Greenhalgh, Claire Elizabeth (2020). The Depiction of Slavery in Ancient World Television Drama: Politics, Culture and Society. PhD thesis The Open University. For guidance on citations see FAQs. c 2019 The Author https://creativecommons.org/licenses/by-nc-nd/4.0/ Version: [not recorded] Link(s) to article on publisher’s website: http://dx.doi.org/doi:10.21954/ou.ro.000111e7 Copyright and Moral Rights for the articles on this site are retained by the individual authors and/or other copyright owners. For more information on Open Research Online’s data policy on reuse of materials please consult the policies page. oro.open.ac.uk Open Research Online The Open University’s repository of research publications and other research outputs The Depiction of Slavery in Ancient World Television Drama: Politics, Culture and Society. Thesis How to cite: Greenhalgh, Claire Elizabeth (2020). The Depiction of Slavery in Ancient World Television Drama: Politics, Culture and Society. PhD thesis The Open University. For guidance on citations see FAQs. c 2019 The Author https://creativecommons.org/licenses/by-nc-nd/4.0/ Version: Redacted Version of Record Link(s) to article on publisher’s website: http://dx.doi.org/doi:10.21954/ou.ro.000111e7 Copyright and Moral Rights for the articles on this site are retained by the individual authors and/or other copyright owners. For more information on Open Research Online’s data policy on reuse of materials please consult the policies page. -
Syddansk Universitet Women of Ice and Fire Gender, Game of Thrones
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Southern Denmark Research Output Syddansk Universitet Women of Ice and Fire Gender, Game of Thrones, and Multiple Media Engagements Schubart, Rikke; Gjelsvik, Anne Publication date: 2016 Document version Publisher's PDF, also known as Version of record Document license Unspecified Citation for pulished version (APA): Schubart, R., & Gjelsvik, A. (Eds.) (2016). Women of Ice and Fire: Gender, Game of Thrones, and Multiple Media Engagements. New York: Bloomsbury Academic. General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal ? Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 18. Mar. 2018 WOMEN OF ICE AND FIRE WOMEN OF ICE AND FIRE Gender, Game of Thrones, and Multiple Media Engagements Edited by Anne Gjelsvik and Rikke Schubart Bloomsbury Academic An imprint of Bloomsbury Publishing Inc Bloomsbury Academic An imprint of Bloomsbury Publishing Inc 1385 Broadway 50 Bedford Square New York London NY 10018 WC1B 3DP USA UK www.bloomsbury.com BLOOMSBURY and the Diana logo are trademarks of Bloomsbury Publishing Plc First published 2016 © Anne Gjelsvik, Rikke Schubart and Contributors, 2016 All rights reserved. -
The Drink Tank 351
The Drink Tank 351 Raising a glass to Iain M. Banks Editorial - Christopher J Garcia I was on the staff of the newsletter at the forth simple concepts, like patterns and games, and 2010 Eastercon and I was the undesignated purveyor taking them far down a path I never saw coming. He of the comedy. I like trying to write comedy, but all was the master of the deep dive science fiction novel. too often I blow it. The Guests of Honour included Mr. There was a future-future feel to all of them. Each came Iain M. Banks. There was a whiskey tasting scheduled, across as more important than just the novel itself. It led by Mr. Banks, and it had filled up the moment they was telling us what was coming. opened sign-ups. It was a good thing, and we had to add And somehow, he was also a part of the something about it to the newsletter. I then took it on mainstream. myself to make a gag. The Wasp Factory, a novel I picked up on a whim “The Management is saddened to inform you not long after I read about Banks’ inoperable brain that the Iain M. Banks Whiskey tasting was filled in less tumor, is as dark a novel as you’ll ever find. It wasn’t a than 30 seconds! Mr. Banks sends his person regrets horror novel, or maybe it was, but it wasn’t treated as that he could not share the event with a greater a horror novel. I got lucky, found it in an English edition number of the attendees. -
Misogyny, Rape Culture, and the Reinforcement of Gender Roles in HBO’S Game of Thrones
University of Mary Washington Eagle Scholar Student Research Submissions Spring 5-3-2019 Misogyny, Rape Culture, and the Reinforcement of Gender Roles in HBO’s Game of Thrones Emma Baumgardner University of Mary Washington Follow this and additional works at: https://scholar.umw.edu/student_research Part of the English Language and Literature Commons Recommended Citation Baumgardner, Emma, "Misogyny, Rape Culture, and the Reinforcement of Gender Roles in HBO’s Game of Thrones" (2019). Student Research Submissions. 278. https://scholar.umw.edu/student_research/278 This Honors Project is brought to you for free and open access by Eagle Scholar. It has been accepted for inclusion in Student Research Submissions by an authorized administrator of Eagle Scholar. For more information, please contact [email protected]. RAPE CULTURE, MISOGYNY AND REINFORCEMENT OF Baumgardner 1 GENDER ROLES IN HBO’s GAME OF THRONES Misogyny, Rape Culture, and the Reinforcement of Gender Roles in HBO’s Game of Thrones Emma Baumgardner University of Mary Washington RAPE CULTURE, MISOGYNY AND REINFORCEMENT OF Baumgardner 2 GENDER ROLES IN HBO’s GAME OF THRONES Abstract In 2011, HBO’s hit series Game of Thrones premiered for the first time, and fans have followed ever since. While the television series is based on author George R.R. Martin’s book series, A Song of Ice and Fire, there are many artistic decisions that have been made while filming the show, many of which have been critiqued as misogynistic, perpetuating rape culture or reinforcing of stereotypical gender roles. This paper aims to bring light to these claims through the usage of the cultivation theory as well as drawing on information gathered from a survey that was distributed online which included viewers of the show 18 years of age and up. -
The Quarry As Sculpture: the Place of Making
The quarry as sculpture: the place of making Submitted by David Anthony Paton to the University of Exeter as a thesis for the degree of Doctor of Philosophy in Geography In June 12th 2015 This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. Signature: ………………………………………………………….. DAVID A. PATON The quarry as sculpture: the place of making ABSTRACT Practices of sculpture and geography have collaborated ever since Stone Age humans hoisted up rocks to point them into the air. The ephemerality of life was rendered in a circle of forms and mass that celebrated the union of sky, earth and dwelling. Through the manipulation of stone, the land became a place, it became a home, it became situated and navigable. As millennia unfolded, the land was written with the story of itself. The creativity woven into the story of place is an evolution of material collaborations. In recent decades, academic geographers have explored the realms of creativity in their work, and sculptors have critically engaged with the nature of place. I have united these disciplines in the exploration of a truth of materials. The aim of the research was to investigate the relationship between making and place. The structure of my PhD focussed on the development of a transdisciplinary research environment that could host a range of creative practices around stone-working. -
Mastering the Game of Thrones This Page Intentionally Left Blank Mastering the Game of Thrones Essays on George R.R
Mastering the Game of Thrones This page intentionally left blank Mastering the Game of Thrones Essays on George R.R. Martin’s A Song of Ice and Fire Edited by Jes Battis and Susan Johnston McFarland & Company, Inc., Publishers Jefferson, North Carolina Also of Interest Blood Relations: Chosen Families in Buffy the Vampire Slayer and Angel, by Jes Battis (McFarland, 2005) Library of Congress Cataloguing-in-Publication Data Mastering the Game of thrones : essays on George R.R. Martin’s A song of ice and fire / edited by Jes Battis and Susan Johnston . p. cm. Includes bibliographical references and index. ISBN 978-0-7864-9631-0 (softcover : acid free paper) ISBN 978-1-4766-1962-0 (ebook) ♾ 1. Martin, George R. R. Song of ice and f ire. I. Battis, Jes, 1979– editor. II. Johnston, Susan, 1964– editor. III. Game of thrones (Television program) PS3563.A7239S5935 2015 813'.54—dc23 2014044427 British Library cataloguing data are available © 2015 Jes Battis and Susan Johnston. All rights reserved No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying or recording, or by any information storage and retrieval system, without permission in writing from the publisher. Cover images © 2015 iStock/Thinkstock Printed in the United States of America McFarland & Company, Inc., Publishers Box 611, Jefferson, North Carolina 28640 www.mcfarlandpub.com For my mother, who watches from beneath her wolf blanket.—Jes For Marcel, shekh ma shieraki anni.—Susan Acknowledgments As the first of its kind, this volume was a challenging if rewarding endeavor.