design +Art do Brasil

MERCREDI 13 DÉCEMBRE 2017 PIASA Contact du département Design Contact presse PIASA

Cécile Demtchenko Woringer Frédéric Chambre Tél. : +33 1 53 34 12 95 [email protected] [email protected]

Nicolas Denis [email protected] Tél. : +33 1 45 44 43 54

Martin Jalabert [email protected] Tél. : +33 1 53 34 10 06

Alix de Saint-Hilaire Tél. : +33 1 45 44 12 71 [email protected]

Pascale Humbert Tél. : +33 1 53 34 10 19 [email protected]

Estelle Laporte Tél. : +33 1 53 34 12 80 [email protected]

Clémence Paris [email protected] design Tél. : +33 1 45 44 43 53 Art + Brasil do

Notre consultant en Belgique pour le département Arts Décoratifs et Design

Thierry Belenger Tél : +32 4 75 98 40 38 [email protected]

Enchérissez en direct sur www.piasa.fr design +Art do Brasil

Vente : mercredi 13 décembre 2017 à 18h

PIASA 118 rue Faubourg Saint-Honoré 75 008 Paris

Exposition publique Consultant Samedi 9 décembre 2017 de 11 à 18 heures Sophie Su Dimanche 10 décembre 2017 de 14 à 18 heures Lundi 11 décembre 2017 de 10 à 18 heures Remerciements Mardi 12 décembre 2017 de 10 à 18 heures Mercredi 13 décembre 2017 de 10 à 12 heures

Alain Su, Thierry Delobel, Juliana Vilela, Katharina Welper, Aureia Katsuren, Jones Bergamin, Walter Rezende, Renato Rosa, Paulo Firmino,Thais Bueno Dias, Luis Claudio da Silva, Marcos Belles, Téléphone pendant l’exposition et la vente Carlos Henrique Paula , Cristina Barros, +33 1 53 34 10 10 Suelly Martinho, Max Tovar, Marie Kleinman, Leonardo Amarante, Thales Andrade, Alberto Vincente, Tiago Curioni, Danielle Rebecca Borges. Enchérissez en direct sur www.piasa.fr design+ Art do Brasil

Après une première édition en juin 2016, PIASA a le plaisir de présenter cette seconde vente Design + Art du Brésil. Dans la continuité de cette première session, événement fondateur dans le marché aux enchères du design brésilien, cette nouvelle vacation propose à la fois des pièces historiques des années 50 et des créations contemporaines. Design + Art du Brésil réunit près de 130 œuvres de Joaquim Tenreiro, Sergio Rodrigues, Scapinelli, Zanine Caldas, Oscar Niemeyer, Carlos Hauner, Martin Eisler ou encore Lina Bo Bardi qui nous font voyager à travers un pays et sa culture.

Dès les années 40 le Brésil développe sa propre production de mobilier. Peu à peu, les designers se détachent des créations européennes et inventent propagent un style nouveau correspondant à une culture ouverte sur la nature. Les années 50 à 70 constituent l'Âge d'or du design brésilien. Ses créateurs sont des pionniers du modernisme mondial et inventent, à travers leurs créations, un nouvel art de vivre. La musique, le métissage et la nature forment les principes essentiels du design brésilien. Composé comme un air léger et langoureux de Bossa Nova, le Banco Tom d'Alfio Lissi dessine les monts et merveilles cariocas. Aux origines du métissage brésilien, l'Afrique est célébrée par le fauteuil Ndbele, hommage aux sublimes ornements des femmes girafes. Le bois, utilisé tant dans la culture indigène que dans la menuiserie artisanale, prend un tour luxueux et poétique chez Paulo Alves ou chez Ricardo Graham et Marcos Amato. Enfin, à l'origine du design d'auteur, les frères Humberto et Fernando Campana créent des œuvres au plus près de l’art contemporain. Leur style se définit par l'appropriation et la décontextualisation d'objets du quotidien. Cette démarche se retrouve dans le travail de Leo Capote et de Brunno Jahara. D'autres designers proposent un regard nouveau tout en s'appuyant sur les grands noms du design et de l'architecture nationaux. C'est ainsi, qu'à travers ses créations, Caique Niemeyer rend hommage à son arrière- grand-père.

Autrefois confidentielles, les pièces de design brésilien sont aujourd'hui très recherchées des collectionneurs. Leur rareté sur le marché international ajoute au plaisir de leur découverte. PIASA est fière de soutenir cet engouement. design+ Art do Brasil

Following a first edition in June of 2016, PIASA is delighted to present the new Brazil Design Auction. This first session, groundbreaking in the Brazilian design auction market, naturally lead to a new vacation offering both historical works from the 1950s and contemporary creations. Brazil Design showcases close to 130 works by Joaquim Tenreiro, Sergio Rodrigues, Giuseppe Scapinelli, Zanine Caldas, Oscar Niemeyer, Carlos Hauner, Martin Eisler or Lina Bo Bardi, transporting us through a country and its culture.

As early as the 1940s, Brazilian designers began severing ties with European creations and invented and propagated a new trend corresponding to a culture open to nature. The 1950s to 1970s are the Golden Age of Brazilian design. Its creators are pioneers of global modernism and invent a new way of life through their works. Music, multiculturalism and nature form the essential principles of Brazilian design. Composed like a soft and languid Bossa Nova air, the Banco Tom by Alfio Lissi evokes the wondrous carioca sceneries. At the source of Brazilian cultural blending, Africa is celebrated by the Ndebele armchair, homage to the exquisite neck coil ornaments worn by the women of the Nguni people. Wood used both in indigenous culture and in artisanal carpentry, takes a luxurious and poetic aspect in the works of Paulo Alves or Ricardo Graham and Marcos Amato. Finally, the brothers Humberto and Fernando Campana create pieces at the boundaries of design and contemporary art. Their style is characterized by the appropriation and decontextualization of mundane objects. This approach can also be found in the work of Leo Capote or Brunno Jahara. Other designers offer a new point of view while relying on the names of staples of national design and architecture. Thus, Caique Niemeyer pays tribute to his great- grandfather through his creations.

Previously a little known realm of design, Brazilian creations are now widely recognized and sought after by collectors. Their rarity on the international market adds to the pleasure of their discovery. PIASA is proud to support this growing interest. DESIGN + ART DO BRASIL

01 . Sergio Rodrigues (1927-2014) Deux miroirs 01 Jacaranda et miroir Date de création : vers 1960 Ø 71 cm Ø 59 cm Mirrors by Sergio Rodrigues in jacaranda and mirror, circa 1960 2 000 / 3 000 €

02 . Sergio Rodrigues (1927-2014) Janette Paire de tables d'appoint Jacaranda Date de création : 1956 H 57 × Ø 60 cm Janette, pair of side table by Sergio Rodrigues in jacaranda, circa 1956 4 000 / 6 000 € 02 DESIGN + ART DO BRASIL : D.R. (1) : D.R. Photo

ƒ 03 . Sergio Rodrigues (1927-2014) Table et deux bancs Bois de Muiracatiara This dining table from the beginning of the Date de création : années 1960 Oca period uses an exceptional Muiracatiara H 76 × L 178 × P 90 cm (table) wood, similar to rosewood, and has a minimalist H 38 × L 180 x P 40 cm (banc) shape typical of Sergio Rodrigues' work. Table and two benches by Sergio Rodrigues in Brazilian furniture design at the intersection of Muiracatiara, circa 1960 tradition and modernity. 7 500 / 9 500 € 03 DESIGN + ART DO BRASIL

ƒ 04 . Sergio Rodrigues (1927-2014) Nina Paire de tabourets Bois d’Imbuia et de Caviuna Date de création : années 1970 H 75 × L 41 × P 40 cm Pair of Nina stool by Sergio Rodrigues in imbuia and Caviuna, circa 1970 Bibliographie : Sergio Rodrigues, Editions Icatu reproduit p. 251 04 2 500 / 3 500 €

ƒ 05 . Sergio Rodrigues (1927-2014) Tonico Paire de fauteuils Bois de Jatoba, tissu, et cuir Date de création : 1963 H 96 × L 75 × P 82 cm The Tonico armchair is a historical design by Sergio Pair of Tonico armchairs by Sergio Rodrigues in Rodrigues. Its name is an homage to Rodrigues' jatoba, fabric, and leather, 1963 brother in law, Antonio Mattos. Its creation dates Bibliographie : back to the Oca and Maia Pataca eras, companies - Sergio Rodrigues, Editions Icatu reproduit p. 269 founded respectively in the 1950s and 1960s. With - Desenho da Utopia, Brazilian Modern Furnitures, its straight lines, this armchair is inspired by the Éditions Olhares, São Paulo 2016, reproduit p. 20 famous Poltrona Mole, pursuing the same goals of - Móvel Brasileiro Moderno, Éditions Aeroplano, comfort, with the will to simplify the fabrication reproduit p. 157 process. 6 000 / 9 000 € 05 DESIGN + ART DO BRASIL

06 . Sergio Rodrigues (1927-2014) Paravent – Pièce unique Bois de Jacaranda, de taboa et paille Date de création : années 1970 H 170 × L 260 × P 5 cm Screen by Sergio Rodrigues, unique piece in jacaranda, taboa and straw, circa 1970 12 000 / 18 000 € 06 DESIGN + ART DO BRASIL

ƒ 08 . Sergio Rodrigues (1927-2014) Marisa Table Bois de Muiracatiara et verre Date de création : années 1960 H 85 (variable) × L 200 × P 100 cm Marisa, table by Sergio Rodrigues in Muiracatiara, circa 1960 Bibliographie : Sergio Rodrigues, Editons Icatu reproduit p. 261 4 000 / 6 000 €

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07 . Geraldo de Barros ( 1923-1998) Banc Jacaranda Date de création : années 1960 H 33 × L 198 × P 57 cm

Bench by Geraldo de Barros in jacaranda, circa (1) : D.R. 1960

5 000 / 7 000 € Photo DESIGN + ART DO BRASIL

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ƒ 09 . Sergio Rodrigues (1927-2014) Ripado Banc Bois de Muiracatiara Date de création : années 1960 H 40 × L 144 × P 44 cm Ripado, bench by Sergio Rodrigues in Muiracatiara, circa 1960 2 500 / 3 500 €

10 . Travail Brésilien Bibliothèque modulable Placage de Jacaranda Date de création : vers 1955 H 262 × L 110 × P 26 cm Brazilian work, bookcase in jacaranda, circa 1955 2 000 / 3 000 € 10 DESIGN + ART DO BRASIL

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ƒ 11 . Travail Brésilien Banc Bois de Jatoba et métal Date de création : 1963 H 48 × L 143 × P 47 cm Bench – Brazilian work in Jatoba and metal, circa 1963 1 500 / 2 500 €

12 . Jorge Zalszupin (né en 1922) Canapé 12 Jacaranda, métal chromé, et tissu Edition l’atelier Date de création : 1965 H 71 × L 193 × P 75 cm Sofa by Jorge Zalszupin in jacaranda, metal and fabric, edition of l’atelier, circa 1965 18 000 / 25 000 € DESIGN + ART DO BRASIL

13 13 . Carlo Hauner (1927-1997) & Martin Eisler (1913-1977) Costela Paire de fauteuils Bois de caviuna, métal et tissu Edition Forma Date de création : années 1950 H 80 × L 70 × P 70 cm Costela, pair of armchairs by Carlo Hauner and Martin Eisler in Caviuna, metal and fabric, Forma edition, circa 1950 Bibliographie : Aric Chen, Brazil Modern the rediscovery of twentieth-century brazilian furniture. The Monacelli Press, New York 2016, reproduit p. 205 8 000 / 12 000 € 14 14 . Carlo Hauner (1927-1997) & Martin Eisler (1913-1977) Costela Canapé Bois de caviuna, métal et tissu Date de création : années 1950 H 80 × L 140 × P 70 cm Costela, sofa by Carlo Hauner and Martin Eisler in caviuna, metal and fabric, circa 1950 5 000 / 7 000 € DESIGN + ART DO BRASIL

ƒ 15 . Forma (XX) Banc Bois de Caviuna, et métal Date de création : années 1960 H 72 × L 150 × P 72 cm Bench by Forma in Caviuna, circa 1960 15 6 500 / 9 500 € DESIGN + ART DO BRASIL

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16 . Carlo Hauner, attribué à Table basse Bois et métal Date de création : années 1960 H 76 × L 87 × P 89 cm Coffee table attributed to Carlo Hauner in wood and metal, circa 1960 1 500 / 2 500 €

17 . Carlo Hauner (1927-1997) & Martin Eisler (1913-1977) Paire de fauteuils Osier vernis et métal Edition Forma Date de création : année 1965 H 74 × L 60 × P 61 cm Armchairs by Carlo Hauner & Martin Eisler in wicker and metal, circa 1965 5 500 / 7 500 € 17 DESIGN + ART DO BRASIL

18 . Carlo Hauner (1927-1997) & Martin Eisler (1913-1977) Fauteuil Métal et tissu Edition Forma Date de création : années 1950 H 90 × L 68 × P 73 cm Chair by Carlo Hauner and Martin Eisler in metal and fabric, Forma edition, circa 1950 18 2 800 / 3 800 € ƒ 19 . Carlo Hauner (1927-1997) Concha Paire de fauteuils Métal et tissu Date de création : années 1950 H 76 × L 70,5 × P 72 cm The influence of European aesthetics is still Pair of armchairs by Carlos Hauner in metal and present in this creation by Carlos Hauner, despite fabric, circa 1950 his advocacy of the legitimization of a national, Bibliographie: autonomous, and Brazilian identity. We can notice - Desenho da Utopia, mobiliario moderno the role of foreigners offering a variety of points Brasileiro Editions Olhares 2016, p. 20 of view on this new identity. Hauner and Eisler's - Moveis Brasileiro moderno, Editions Aeroplano, p. 201 designs are characterized by the use of Brazilian - Aric Chen, Brazil Modern the rediscovery of woods, and thin tubular frames. Their most famous twentieth-century brazilian furniture. works are the Concha chair and the A Costella - The Monacelli Press, New York 2016, reproduit p . 217 armchair. 5 000 / 7 000 € 19 DESIGN + ART DO BRASIL

ƒ 20 . Jose Zanine Caldas (1919-2001) Linha Z Chaise longue Bois contreplaqué et cuir Date de création : années 1950 H 82 × L 110 × P 62 cm Linha Z, chaise longue by Jose Zanine Caldas in wood veneer and leather, circa 1950 Bibliographie : - Desenho da Utopia, Brazilian Modern Furnitures, Éditions Olhares, São Paulo 2016, reproduit p. 20 - Móvel Brasileiro Moderno, Éditions Aeroplano, reproduit p. 95 6 500 / 9 500 € 20 DESIGN + ART DO BRASIL

The self-taught Jose Zanine Caldas, beginning as a model maker for famous Brazilian architects, rapidly accessed the status of designer. In 1949, he banked on industrialization by creating the Moveis Artisticos Z workshop. The 'Z' pieces of furniture present a great variety, while safeguarding their identity through their easily identifiable shape and the novel use of stratified wood. The two chaise longues, whose seatings are made of rope for one and of leather for the other, are icons of 'Z' furniture and of modern Brazilian design of the 1950s. : D.R. (1) : D.R. Photo

ƒ 21 . Jose Zanine Caldas (1919-2001) Chaise longue Bois laminé, cordes et tissu Date de création : 1949 H 84 × L 140 × P 54 cm Chaise longue by Zanine Caldas in laminated wood, rope and fabric, 1949 Bibliographie : - Desenho da Utopia, Brazilian Modern Furnitures, Éditions Olhares, São Paulo 2016, reproduit p. 20 - Móvel Brasileiro Moderno, Éditions Aeroplano, reproduit p. 97 5 500 / 7 500 € 21 DESIGN + ART DO BRASIL

The SESC Pompeia is an ancient drum factory turned into a cultural center in the west area of São Paulo. It brings together theaters, exhibition rooms, sporting equipment, offices… The architectural project was developed by Lina Bo Bardi in 1977 and inaugurated in 1982. Because of its architecture and its design details, the factory became an icon of modern Brazilian architecture. Furniture designed by Lina Bo Bardi is still in use there. This pair of stools, for example, was designed specifically for the theater project. It is possible to identify elements reminiscent of the architectural structure of the building. Made of pine, these straight lines stand out even more due to the addition of a protruding detail on the back. In tribute to this incredible piece, Paulo Alves offers a modern reinvention with his Cadeira Bo (lot 102). A chair made to be iconic, but invisible. A type of wood that is common in Brazil, but rarely used for chairs. The straight lines referenced by Paulo Alves in all his Bo series show Lina's genius in the use of materials and their references. A chair for daily usage, which can also be used as a support, a side table, and even a bedside table. A light, but striking piece. : D.R. (1) : D.R. ƒ 22 . Lina Bo Bardi (1914-1992)

Paire de bancs Photo Pin Date de création : années 1970 H 66 × L 38 × P 50 cm 22 Pair of benches by Lina Bo Bardi in pine, circa 1970 Bibliographie : - Desenho da Utopia, Brazilian Modern Furnitures, Éditions Olhares, São Paulo 2016, reproduit p. 20 - Móvel Brasileiro Moderno, Éditions Aeroplano, reproduit p. 63 - Aric Chen, Brazil Modern, reproduit p. 127 - Lina Bo Bardi, Instituto Lina Bo e Pietro M. Bardi, reproduit p. 225 10 000 / 15 000 € DESIGN + ART DO BRASIL

The architect Lina Bo Bardi, who always defends a critical and conceptual position, finds an ideal breeding ground for her modernist experiences in the post war São Paulo. In 1948, she invests the Studio de Arte Palma, for a short period. Associated with Piertro Maria Bardi and Giancarlo Palanti, she is in charge of the furniture, using Brazilian materials and other elements from the local popular culture. It is at this time that she creates the beautiful Cadeira de balanço and the small stools designed for the SESC Pompeia. The Cadeira de balanço was designed especially for her library in the Morumbi neighborhood in São Paulo. This armchair had a central position in the room.

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ƒ 23 . Travail brésilien Fauteuil Pin, métal et tissu Date de création : années 1950 H 70,5 × L 64,5 × P 68 cm Brazilian work, armchair in pine wood, fabric, and metal, circa 1950 6 000 / 9 000 €

ƒ 24 . Lina Bo Bardi (1914-1992) Cadeira de Balanço Fauteuil Bois laminé et bois plaqué de Peroba do campo Date de création : années 1950 H 83 × L 65 × P 91 cm Cadeira de Balanço armchair by Lina Bo Bardi in laminated wood and Peroba do campo veneer, circa 1950 Bibliographie : Catalogue de l’exposition “Lina Bo Bardi Designer: O Mobiliário dos Tempos Pioneiros”, Casa de Vidro, São Paulo, de 18 de outubro a 06 de dezembro de 2014 : D.R. (1) : D.R. 5 000 / 7 000 € 24 Photo DESIGN + ART DO BRASIL

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25 . Arthur-Luiz Piza (1928-2017) TC 1, 2011 Céramique à décor polychrome Signée, datée, titrée et numérotée 2/8 au dos Cachet La Tuilerie de Treigny 42 × 39 cm TC1, ceramic by Arthur-Luiz Piza, signed, dated and numbered, 2011 : D.R. (1) : D.R. 3 000 / 4 000 € Photo DESIGN + ART DO BRASIL

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26 . Arthur-Luiz Piza (1928-2017) 27 . Arthur-Luiz Piza (1928-2017) TC 2, 2011 TC 3, 2011 Céramique à décor polychrome Céramique à décor polychrome Signée, titrée et numérotée 2/8 au dos Signée, datée, titrée et numérotée 2/8 au dos Cachet La Tuilerie de Treigny Cachet La Tuilerie de Treigny 42 × 31,5 cm 43 × 40 × 6 cm TC2, ceramic by Arthur-Luiz Piza, signed, dated TC3, ceramic by Arthur-Luiz Piza, signed, dated and numbered 2/8, 2011 and numbered 2/8, 2011 3 000 / 4 000 € 3 000 / 4 000 € DESIGN + ART DO BRASIL

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28 . Arthur-Luiz Piza (1928-2017) 29 . Arthur-Luiz Piza (1928-2017) TC 5, 2011 TC 6, 2011 Céramique blanche Céramique à décor rouge Signée, titrée et numérotée EA I/IV au dos Signée, titrée et numérotée EA I/IV au dos Cachet de La Tuilerie de Treigny Cachet La Tuilerie de Treigny 60 × 61 cm 47 × 55 cm TC5, ceramic by Arthur-Luiz Piza, signed, dated TC6, ceramic by Arthur-Luiz Piza, signed, dated and numbered, artist proof I/IV, 2011 and numbered, artist proof I/IV, 2011 3 000 / 4 000 € 3 000 / 4 000 € DESIGN + ART DO BRASIL

30 . Martin Eisler (1913-1977) 30 Table de salle à manger Bois de Caviuna, cannage, et verre Edition Forma Date de création : années 1950 H 77 × L 200 × P 89 cm Dining table by Martin Eisler in caviuna, cane and glass, circa 1950 24 000 / 28 000 € DESIGN + ART DO BRASIL

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31 . Joaquim Tenreiro (1906-1992) Dessin technique à l'échelle 1/1 d'une chaise longue - Pièce unique Crayon Date de création : 1963 Commande spéciale, daté H 120 × L 230 cm Drawing by Joaquim Tenreiro, pencil, unique piece, dated, 1963 5 000 / 7 000 € ƒ 32 . Joaquim Tenreiro (1906-1992) 32 Table basse Cerisier et verre Date de création : années 1950 H 33 × L 117 × P 117 cm Coffee table by Joaquim Tenreiro in cherry wood and glass, circa 1950 6 000 / 9 000 € DESIGN + ART DO BRASIL

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One of the principal representatives of modern furniture, Joaquim Tenreiro started his artistic career in his youth as a member of Nucleo Bernardelli, an important group of modernist painters. Born in a Portuguese carpenter’s family, his knowledge comes naturally from his native village. His acute artistic sensitivity and his modern vision from the art ƒ 33 . Joaquim Tenreiro (1906-1992) world will bring him to realize the finest masterpieces of Brazilian modernism. At first, Bibliothèque Joaquim Tenreiro worked in a large carpenter shop producing classic furniture. In 1942, Bois de Caviuna he has the opportunity to show his personal projects to Oscar Niemeyer, in charge of an Date de création : années 1950 important architectural project quite different from what was realized at that time. In H 80 × L 320 × P 25 cm 1943, Joaquim Tenreiro opened his first shop of personal creations. This beautiful library Bookcase by Joaquim Tenreiro in Caviuna, circa 1950 as well as his low table in cherry wood (lot 32) and his red wall sculpture (lot 34) are 10 000 / 15 000 € characteristic of his extraordinary mastery of woodworking and the graphic sensitivity that the artist integrates in his furniture. DESIGN + ART DO BRASIL : D.R. (1) : D.R. Photo

34 . Joaquim Tenreiro (1906-1992) Sculpture murale Bois peint Signée et datée 34 Date de création : 1972 H 80 × L 80 × P 13 cm Sculpture by Joaquim Tenreiro in painted wood, signed and dated, 1972 15 000 / 20 000 € DESIGN + ART DO BRASIL

ƒ 35 . Flavio de Carvalho (1899-1973) FDC1 Fauteuil Cuir et métal Date de création : année 1950 35 H 78 × L 75,5 × P 76 cm FDC1, armchair by Flavio de Carvalho in leather and metal, circa 1950 Bibliographie : - Brazilian Furniture Design, Editio, Olhares 2013 reproduit p. 28 - Desenho da Utopia, Brazilian Modern Furnitures, Éditions Olhares, São Paulo 2016, reproduit p. 20 Flavio de Caravalho is a multi talented man : plastic - Móvel Brasileiro Moderno, Éditions Aeroplano, artist, designer, and architect, he is representative reproduit p. 113 of the modern Brazilian movement. The FDC1 7 000 / 9 000 € armchair is a rare and unique piece created in order to furnish the Capuava hacienda. For Flavio 36 . Joaquim Tenreiro, attribué à de Carvalho, the interior decoration and the Paire de panneaux Jacaranda massif architecture of a building coexist on a same level Date de création : vers 1955 and are interdependent. Designed in the 1950s, H 192 × L 48 × P 5 cm 36 the FDC1 is very visual, a sculptural piece with a H 190 × L 48 × P 5 cm tribal touch. This piece is recognized today as one Pair of panels by Joaquim Tenreiro, attributed to, of the most beautiful heritages of this artist that in jacaranda circa 1955 Le Corbusier dubbed a 'romantic revolutionary'. 10 000 / 15 000 € DESIGN + ART DO BRASIL

ƒ 37 . Oscar Niemeyer (1907-2012) Chaise Rio Rocking-chair Bois contreplaqué, laqué et cannage Date de création : 1977-1978 H 90 × L 173 x P 61 cm Chaise longue by Oscar Niemeyer in wood veneer, lacquer, and caning, circa 1977-1978 Bibliographie : - Desenho da Utopia, Brazilian Modern Furnitures, Éditions Olhares, São Paulo 2016, reproduit p. 20 - Móvel Brasileiro Moderno, Éditions Aeroplano, reproduit p. 85 - Maria Cecilia Loschiavo dos Santos, Móvel moderno no Brasil. Editora Olhares, São Paulo The Rio rocking chair was created in 1978 by Oscar 2015 reproduit p. 91 Niemeyer and his daughter Anna Maria Niemeyer. - Móvel Brasileiro Moderno. Editora Aeroplano, Its sinewy shape, which evokes the basics of Rio de janeiro 2012 reproduit p. 72 Niemeyer's modern architecture, makes it an icon - Aric Chen, Brazil Modern the rediscovery of of Brazilian designer furniture. It is thanks to the twentieth-century brazilian furniture bentwood technique that Niemeyer succeeded - The Monacelli Press, New York 2016, reproduit in drawing such pronounced curves, a nod to p. 218 femininity and to the beauty of the eponymous - Pedro Ariel Santana, Design Brasil: 101 anos de city. The details of his cane work and the finely história, Editora Baril, São Paulo 2010, reproduit suspended leather headrest add to the perfection p. 63 37 of the finishing details. 15 000 / 20 000 € DESIGN + ART DO BRASIL

The 1970s can be described as the years of Brazil's "economical miracle". The development of national industries subsidized by protectionist policies could have been a source of progress for the modern design sphere. However, new consumer habits and tastes hindered that progress. Indeed, other examples of modernization impose themselves, with a preference for mass production, pre-planned furniture, and synthetic materials. Another market then emerged, with new opportunities and possibilities for recognition. It is important to stress that at this time, the fame of renowned designers from the 1960s receded. One of the rare memories we still have of classical modern furniture of that time are the works of Oscar Niemeyer and Ana Maria Niemeyer, his daughter. The "Easy Chair" armchair is in fact the first work they would design together. We once again find the coherence between furniture design and architecture. A lounge armchair uses the new production techniques for an optimal comfort and a very elegant modernist profile. : D.R. (1) : D.R. Photo

ƒ 38 . Oscar Niemeyer (1907-2012) Easy chair Chauffeuse et ottoman Bois contreplaqué et cuir Date de création : 1971 H 70 × L 112 × P 70 cm (chauffeuse) H 43 × L 70 × P 70 cm (ottoman) Armchair and hassock by Oscar Niemeyer in veneered wood and leather,1971 Bibliographie : - Modern Furniture in Brazil ,Maria Loschiavo dos Santos Edition Olhares, p. 93 - Desenho da Utopia, Brazilian Modern Furnitures, Éditions Olhares, São Paulo 2016, reproduit p. 20 - Móvel Brasileiro Moderno, Éditions Aeroplano, reproduit p. 82 10 000 / 15 000 € 38 DESIGN + ART DO BRASIL

39 ƒ 39 . Travail Brésilien Table de salle à manger Bois de Muiracatiara et verre Date de création : années 1960 H 79 × L 300 × P 120 cm Table – Brazilian work in Muiracatiara, circa 1960 15 000 / 20 000 € DESIGN + ART DO BRASIL

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ƒ 40 . Liceu de Artes e Oficios (Ecole des Arts et métiers) Paire de fauteuils Bois de Muiracatiara et tissu Date de création : années 1960 H 77 × L 79 × P 82 cm Pair of armchairs by the Liceu de Artes e Oficios in Muiracatiara and fabric, circa 1960 4 500 / 6 500 €

ƒ 41 . Liceu de Artes e Oficios (Ecole des Arts et Métiers) Paire de fauteuils 41 Bois de Caviuna et tissu Date de création : années 1960 H 79 × L 60 × P 70 cm Pair of armchairs by the Liceu de Artes e Oficios in Caviuna and fabric, circa 1960 3 500 / 4 500 € DESIGN + ART DO BRASIL

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42 . Jorge Zalszupin (né en 1922) Paire de Fauteuils Bois et velours Edition l’atelier Date de création : 1967 H 75 × L 65 × P 65 cm Pair of armchairs by Jorge Zalszupin in wood and velvet, edition of l’atelier, circa 1967 5 000 / 7 000 € 43 43 . Sergio Rodrigues (1927-2014) Lia Canapé Bois et cuir Date de création : année 1960 H 68 × L 200 × P 84 cm Lia, sofa by Sergio Rodrigues in wood and leather, circa 1960 6 000 / 9 000 € DESIGN + ART DO BRASIL

44 . Sergio Rodrigues (1927-2014) Lucio Ensemble de douze chaises Bois de Jacaranda et cannage Date de création : années 1960 H 80 × L 47 × P 49 cm Lucio, set of 12 chairs by Sergio Rodrigues in jacaranda and cane, circa 1960 20 000 / 30 000 € 44 DESIGN + ART DO BRASIL

Martin Eisler and Carlos Hauner, both European immigrants ƒ 45 . Carlo Hauner (1927-1997) to Brazil, met in 1953 in order to create furniture for Ernesto & Martin Eisler (1913-1977) pour Forma Wolf. It is with Wolf's financial support that they opened Galeria Banc Bois de Peroba et métal Artesanal, the shop for their Moveis artisanal business, which Date de création : années 1960 would then live on to become Forma. Very ambitious and open to H 78 × 315 × P 60 cm the world, they offer works that answer the expectations of the Bench by Carlo Hauner and Martin Eisler in international market. This monumental bench is characteristic Peroba and metal, circa 1960 of that time: a luxurious piece using a typically Brazilian wood, 20 000 / 30 000 € and in keeping with the aesthetic of the companies of the time. 45 DESIGN + ART DO BRASIL

ƒ 46 . Jose Zanine Caldas (1919-2001) Fauteuil Bois d’Angelim Pedra Date de création : années 1970 Zanine Caldas hired the canoe sculpting locals H 119 × L 72 × P 104 cm that had lost their jobs following the devastation Armchair by Zanine Caldas in angelim pedra, of their village. They used to make a living from circa 1970 the hand carving of giant Ipe trees in order to Provenance : turn them into boats. These masters of 'Nobre - Collection privée, Rio de Janeiro, Brésil Madeira', noble wood, became the main artisans - Collection privée, Victoria, Espírito Santo, Brésil - who built Zanine's works at the time. Zanine used acquis directement auprès de l'artiste 46 old pirogues to build some of the first of these - Atelier Zanine Caldas Nova Viçosa pieces, as this iconic chair illustrates. 25 000 / 35 000 € DESIGN + ART DO BRASIL

ƒ 47 . Jose Zanine Caldas (1919-2001) 47 Table basse Bois d’Angelim Pedra et verre Date de création : années 1970 H 43 × Ø 120 cm Coffee table by Zanine de Caldas in angelim pedra and glass , circa 1970 Provenance : - Collection privée, Rio de Janeiro, Brésil - Collection privée, Victoria, Espírito Santo, Brésil - acquise directement auprès de l'artiste - Atelier Zanine Caldas Nova Viçosa 8 000 / 12 000 €

ƒ 48 . Jose Zanine Caldas (1919-2001) Paire de tabourets Bois d’Angelim Pedra Date de création : années 1970 H 41 × L 49 × P 47 cm Pair of stools by Zanine Caldas in angelim pedra, circa 1970 Provenance : - Collection privée, Rio de Janeiro, Brésil - Collection privée, Victoria, Espírito Santo, Brésil - acquise directement auprès de l'artiste - Atelier Zanine Caldas Nova Viçosa 48 11 000 / 18 000 € DESIGN + ART DO BRASIL

ƒ 49 . Jose Zanine Caldas (1919-2001) At the end of the 1970s, Zanine Caldas moved to Table Basse Nova Viçosa, a small town on the southern coast of Bois d’Angelim Pedra Bahia, and took up again his work as designer which Date de création : années 1970 he had interrupted in the 1950s. Then emerges his H 39 × L 125 × P 95 cm Denùncia series: massive and artisanal works in Coffee table by Zanine Caldas in angelim pedra, sculpted wood, generally reclaimed from the circa 1970 destruction of the Atlantic coast forest of Brazil. Provenance : This series is radically opposed to the rationality - Collection privée, Rio de Janeiro, Brésil and industrial themes from Moveis Z. From then - Collection privée, Victoria, Espírito Santo, Brésil - on, Zanine follows the protest movements that acquise directement auprès de l'artiste will strongly influence the following generations of - Atelier Zanine Caldas Nova Viçosa designers. 12 000 / 18 000 € 49 DESIGN + ART DO BRASIL

ƒ 50 . Sergio Rodrigues (1927-2014) Banc Placage de bois de Peroba Edition Bloch Date de création : années 1970 H 44 × L 223 × P 53 cm Bench by Sergio Rodrigues in Peroba veneer, Bloch edition, circa 1970 14 000 / 18 000 € 50 DESIGN + ART DO BRASIL

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ƒ 52 . Sergio Rodrigues (1927-2014) Originally designed for a series of hotels in the Cuiaba eponymous capital of the Mato Grosso state in Brazil, Ensemble de quatre fauteuils the Cuiaba armchair, with its leather upholstery and Bois de Pau Marfim et tissu the iconic pattern of the artist on the backing traverse, Date de création : 1985 H 80 × L 54 × P 51 cm draws a negative circle inspired by airplane windows. Cuiaba, set of 4 chairs by Sergio Rodrigues in pau A simple, ingenious and fascinating armchair showcasing marfim and frabric, circa 1985 Rodrigues’ unique aesthetic. Bibliographie : Sergio Rodrigues, Editions Icatu p. 271 10 000 / 15 000 €

ƒ 53 . Sergio Rodrigues (1927-2014) Cuiaba ƒ 51 . Travail Brésilien Paire de fauteuils Table basse Bois de Pau Marfim et tissu Marqueterie de bois de Peroba et métal Date de création : 1985 Date de création : années 1950 H 75 × L 50 × P 58 cm H 38 × L 139 × P 153 cm Cuiaba, pair of chairs by Sergio rodrigues in pau Coffee table – Brazilian work in Peroba inlay and marfim and frabric, circa 1985 metal, circa 1950 Bibliographie : Sergio Rodrigues, Editions Icatu p. 271 1 500 / 2 500 € 5 000 / 7 000 € DESIGN + ART DO BRASIL

This armchair was originally created in imbuia for the great lawyer and friend of Sergio Rodrigues, Nelson Diz. Its structure in solid wood, whose seat and back are in molted and veneered Peroba de Campo wood, perfectly follows the body curves. We can see the two signature discs of the artist. A late piece that precisely shows the maturity of this revolutionary figure of the Brazilian design.

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54 . Alberto Ferreira (1932-2007) Tirage jet d'encre, 2016 “Salto Inaugural” Edition de 5 exemplaires ƒ 55 . Sergio Rodrigues (1927-2014) Date de création : 1960 Diz H 40 × L 40 cm Paire de fauteuils H 83 × L 83 cm (avec cadre) Bois de Peroba do campo Salto Inaugural, phoography by Alberto Date de création : années 2000 Ferreira, edition of 5, 1960 H 70 × L 73 × P 83 cm 55 Provenance : Galeria Lume Sao Paulo Pair of Diz armchairs by Sergio Rodrigues in Photography by Alberto Ferreira, 2016 Peroba do campo, circa 2000 1 500 / 2 500 € Bibliographie : Brazilian Furniture Design, Editions Olhares 2013 reproduit p. 90 5 500 / 7 500 € DESIGN + ART DO BRASIL

The "brasilerissimo" Sergio Rodrigues also brings a great contribution to modern Brazilian design. ƒ 56 . Sergio Rodrigues (1927-2014) His creations contrast with the productions of Parker the time, by establishing a deep link between the Table roots and the collective imaginary of Brazil. Thus, Pin et laiton surprising pieces emerge, such as the pair of Nina Date de création : 1978 stools, the Cuiaba chairs, the Tonico armchairs. H 77 × L 329 × P 125 cm 56 The Parker table is solid varnished pinewood, its Table by Sergio Rodrigues in pine wood and brass, 1978 polished brass bindings attaching the double- Bibliographie : Sergio Rodrigues, Editions Icatu, p. 261 pieced table plate. 22 000 / 28 000 € DESIGN + ART DO BRASIL

57 . Sergio Rodrigues (1927-2014) ƒ 58 . Sergio Rodrigues (1927-2014) Stella Taja Alta Canapé Ensemble de quatre tabourets Bois de rose et cuir Bois d’Imbuia Edition Oca Date de création : années 1960 Date de création : années 1960 H 90 × L 44 cm H 75 × L 170 × P 85 cm Taja Alta, set of 4 stools by Sergio Rodrigues in Stella - Sofa by Sergio Rodrigues in rosewood and imbuia, circa 1960 leather, edition Oca, circa 1960 5 000 / 7 000 € 6 000 / 9 000 €

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ƒ 59 . Travail brésilien Table basse Bois d'Imbuia, de pau marfim et de Peroba Date de création : années 1950 H 36 × L 117 × P 85 cm Brazilian work, coffee table in imbuia, Pau Marfim and Peroba, circa 1950 5 000 / 7 000 €

60 . Sergio Rodrigues (1927-2014) Lia Paire de Fauteuils Bois et tissu Date de création : années 1960 H 73 × L 73 × P 67 cm Lia, pair of armchairs by Sergio Rodrigues in wood and fabric, circa 1960 8 000 / 12 000 € 60 DESIGN + ART DO BRASIL

ƒ 61 . Sergio Rodrigues (1927-2014) Cimba Paire de chaises longues Bois de Freijó Etiquette Firjan Sesi Date de création : année 1977 H 74 × L 200 × P 70 cm Cimba, pair of chaise longues by Sergio Rodrigues in freijò, circa 1977 Bibliographie: Sergio Rodrigues, Icatu edition p. 258 10 000 / 12 000 € 61 DESIGN + ART DO BRASIL

The Kilim and Diz armchairs are considered masterpieces by the specialists of Sergio Rodrigues' work. The work is titled in honor of Vera Beatriz, the artist's wife whom he nicknamed 'esquilinha' (little squirrel). Thanks to that piece, he received a price from ƒ 62 . Sergio Rodrigues (1927-2014) Leve Kilim the Architect’s Institute of Brazil in 1975. Created in 1973, the Paire de fauteuils structure is based on the PL-104 armchair by Meia Pataca made Bois de Freijó et cuir de vache in 1963. In an audacious design with shapes and linings in well Date de création : 1973 molded noble wood, the suspended leather shapes and molds H 69 × L 72 × P 63 cm the body. Kilim is one of Rodrigues' most reedited works and is Pair of Leve Kilim armchairs by Sergio Rodrigues widely exported towards Nordic countries since the beginning in freijò and cowhide, 1973 of the 1970s. Kilim was born of Sergio Rodrigues' desire to create Bibliographie : Sergio Rodrigues, Icatu edition a simple and affordable chair that his friends could acquire. It reproduit p. 271 gains all its character through its full grain calfskin leather. 10 000 / 15 000 € 62 DESIGN + ART DO BRASIL

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ƒ 63 . Jose Zanine Caldas (1919-2001) Banc Bois de Peroba do campo Date de création : années 1950 H 88 × L 210 × P 62 cm Bench by Jose Zanine Caldas in Peroba do campo, circa 1950 Bibliographie : “Móvel Brasileiro Moderno” Org: Marcelo Vasconcellos, Maria Lúcia Braga, Rio de Janeiro, Aeroplano Ed. 2012, p. 151 5 000 / 7 000 €

ƒ 64 . Jose Zanine Caldas (1919-2001) Z Paire de fauteuils During the 14 years of Moveis Artistico Z's production, from 1949 Bois de Pau Marfim et tissu to 1963 in São Jose dos Campos, designer Zanine Caldas, who Date de création : années 1960 was also christened the master of woodworking, signed products H 70 × L 65 × P 62 cm that unite traditional Brazilian craftsmanship to the modern Pair of Model Z armchairs by Jose Zanine Caldas, movement in a unique way. This pair of model Z armchairs is in Pau Marfim and fabric, circa 1960 representative of this production. 3 500 / 4 500 € 64 DESIGN + ART DO BRASIL

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ƒ 65 . Giuseppe Scapinelli (1891-1982) Maracana Table basse Bois de Caviuna et verre Date de création : années 1950 H 33 × Ø 76 cm Maracana coffee table by Giuseppe Scapinelli, in Caviuna and glass, circa 1950 1 500 / 2 500 €

ƒ 66 . Giuseppe Scapinelli (1891-1982) Canapé Bois de Caviuna et tissu Date de création : années 1950 H 84 × L 160 × P 80 cm Sofa by Giuseppe Scapinelli in Caviuna and fabric, circa 1950 2 500 / 3 500 € 66 DESIGN + ART DO BRASIL

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ƒ 67 . Giuseppe Scapinelli (1891-1982) Table basse Bois de Caviuna et verre Date de création : années 1950 H 40 × L 108 × P 52 cm Coffee table by Giuseppe Scapinelli in Caviuna and glass, circa 1950 The Italian architect Giuseppe Scapinelli also participates in 1 800 / 2 200 € the dissemination of modern Brazilian design. Most notably, ƒ 68 . Giuseppe Scapinelli (1891-1982) he offers decoration advice published in an article of Casa Paire de fauteuils e Jardim magazine; moreover, he develops a large range Bois de Caviuna et tissu of designer furniture whose particular aesthetic blends Date de création : années 1950 modern elements and reinterpretations of classic furniture ). H 85 × L 68 × P 58 cm Furthermore, he introduces the concept of aerodynamics. From Pair of armchairs by Giuseppe Scapinelli in 68 this will emerge works possessing a strong identity and a great Caviuna and fabric, circa 1950 aesthetic force, such as the Maracana table (lot 65) and the 4 500 / 6 500 € buffet (lot 69). DESIGN + ART DO BRASIL

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ƒ 69 . Giuseppe Scapinelli (1891-1982) Buffet Bois de Caviuna Date de création : années 1950 H 83 × L 200 × P 48 cm Sideboard by Giuseppe Scapinelli in Caviuna, circa 1950 2 500 / 3 500 €

ƒ 70 . Travail Brésilien Canapé et deux fauteuils Bois de Peroba do campo et tissu Edition Celia Date de création : années 1950 H 82 × L 115 × P 78 cm (canapé) H 83 × L 61 × P 75 cm (fauteuil) Sofa and two armchairs, Brazilian work in Peroba 70 do campo and fabric, circa 1950 Bibliographie : Revista Casa e Jardim 1950 6 500 / 9 500 € DESIGN + ART DO BRASIL

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ƒ 71 . Rino Levi (1901-1965) Canapé Branco e Preto was founded in São Paulo by a group of Bois d’Imbuia, tissu et métal Mackenzie University alumni, amongst whom were Carlos Millan Date de création : années 1960 (1927-1964), Chen Hwa (1928-), Jacob M. Ruchti, Miguel Forte H 77 × L 175 × P 76 cm (1915-), Plínio Croce (1921-1985) and Roberto Aflalo (1926- Sofa by Rino Levi in imbuia, fabric and metal, circa 1960 1992). These architects found there was a lack of elegant and 5 000 / 7 000 € contemporary furniture design they could use in their own projects. This need prompted the creation of Branco e Preto, 72 . Branco & Preto (XX) which produced furniture, luminaries, ceramics, works of art, Mesa Duas Cores 72 unique fabrics… Branco e Preto left a mark in paulista design Table basse Bois de Cabreuva et verre through its modern lines and novel use of materials: laminated Fragment d’étiquette wood, welded iron, and plastic. Despite the many industrial Date de création : 1952 opportunities of the time, these young architects stayed away H 30 × L 150 × P 75 cm from the mechanization process of furniture making, which led Mesa Duas Cores coffee table by Branco & Preto in to a very small production and rarity on the market: each piece cabreuva and glass, 1952 was created within a one-off architectural project. Collectively, Bibliographie : Modern Furniture in Brazil, Maria they produced some of the most significant works of Brazilian Loschiavo dos Santos, Edition Olhares, 2015, design, such as this Mesa Duas Cores table, with its exceptional reproduit pages 156 et 157 and typically Brazilian cabreuva wood finish. 7 500 / 9 500 € DESIGN + ART DO BRASIL

ƒ 73 . Carlo Hauner (1927-1997) & Martin Eisler (1913-1977) Costela Paire de fauteuils Bois de Caviuna laqué noir, métal et tissu Date de création : années 1950 H 78 × L 72 × P 73 cm Pair of Costela armchairs by Carlo Hauner and Martin Eisler in Caviuna, metal and fabric, circa 1950 Bibliographie : Aric Chen, Brazil Modern the rediscovery of twentieth-century brazilian furniture. The Monacelli Press, New York 2016, reproduite p. 205 4 000 / 6 000 € 73 DESIGN + ART DO BRASIL

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ƒ 74 . Giuseppe Scapinelli (1891-1982) Table de salle à manger Bois de Caviúna Date de création : années 1950 H 78 × Ø 110 cm Dining table by Giuseppe Scapinelli in Caviuna, circa 1950 2 500 / 3 500 €

ƒ 75 . Giuseppe Scapinelli (1891-1982) Ensemble de six chaises Bois de Caviúna et tissu Date de création : années 1950-1960 H 92 × L 49 × P 49 cm Set of 6 chairs by Giuseppe Scapinelli in Caviuna and fabric, circa 1950-1960 Bibliographie : Sergio Campos, Giuseppe Scapinelli 1950 : O Designer da Emoção, Arte Mobilia Galeria Publicações, 2015, reproduit p. 18, 55 4 500 / 6 500 € 75 DESIGN + ART DO BRASIL

ƒ 76 . Giuseppe Scapinelli (1891-1982) Table basse ƒ 77 . Giuseppe Scapinelli (1891-1982) Bois de Caviuna et verre Paire de fauteuils Date de création : années 1960 Bois de Peroba et tissu H 46 × L 97 x P 97 cm Date de création : années 1950 H 76 × L70 × P 69 cm Coffee table by Giuseppe Scapinelli in Caviuna and glass, circa 1960 Pair of armchairs by Giuseppe Scapinelli in Peroba and fabric, circa 1950 2 500 / 3 500 € 7 500 / 9 500 €

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ƒ 78 . Giuseppe Scapinelli (1891-1982) 78 Fauteuil Bois de Caviuna et tissu Date de création : années 1950 H 77 × L 69 × P 63 cm Armchair by Giuseppe Scapinelli in Caviuna and fabric, circa 1950 3 500 / 4 500 €

ƒ 79 . Liceu de Artes e Oficios (Ecole des Arts et Métiers) The Liceu de Artes e Ofìcios played a primordial role for the Sofa technical teaching of applied arts in Brazil during the first half Bois de Caviuna et tissu of the 20th century. At that time, the still emerging industrial Date de création : années 1950 production is based on the know-how of craftsmen. Assimilating H 70 × L 250 × P 65 cm the style of the 1950s and 1960s, the highly qualified design Sofa by the Liceu de Artes e Oficios in Caviuna and 79 offices contribute to the development of modern furniture in fabric, circa 1950 Brazil, with quality creations such as this sofa. 5 500 / 7 500 € DESIGN + ART DO BRASIL

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ƒ 80 . Travail brésilien Canapé et deux fauteuils Bois de Peroba do campo et tissu Date de création : années 1950 H 78 × L 107,5 × P 72 cm (canapé) H 76,5 × L 67 × P 72 cm (fauteuil) Brazilian work, sofa and two armchairs in Peroba do campo and fabric, circa 1950 6 000 / 9 000 €

ƒ 81 . Giuseppe Scapinelli (1891-1982) 81 Ensemble de six chaises Bois de Pau marfim et tissu Date de création : années 1950 H 93 × L 44 × P 41 cm Set of 6 chairs by Giuseppe Scapinelli in pau marfim and fabric, circa 1950 4 500 / 6 500 € DESIGN + ART DO BRASIL

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ƒ 82 . Giuseppe Scapinelli (1891-1982) Table basse Bois de Caviuna et verre Date de création : années 1950 H 36 × Ø 66 cm Coffee table by Giuseppe Scapinelli in Caviuna and glass, circa 1950 2 500 / 3 500 € 83 ƒ 83 . Giuseppe Scapinelli (1891-1982) Paire de fauteuils Bois de Caviuna et tissu Date de création : années 1950 H 80 × L 64 × P 72 cm Pair of armchairs by Giuseppe Scapinelli in Caviuna and fabric, circa 1950 6 000 / 9 000 € DESIGN + ART DO BRASIL

84 ƒ 84 . Jose Zanine Caldas (1919-2001) Rocking chair Bois de Pau marfim et tissu Date de création : années 1950 H 67 × L 89 × P 100 cm Rocking chair by Jose Zanine Caldas in Pau Marfim and fabric, circa 1950 800 / 1 200 €

ƒ 85 . Moveis Z (XX) Paire de fauteuils Bois de Peroba do campo et tissu Date de création : années 1960 85 H 100 × L 71 × P 70 cm Pair of armchairs by Moveis Z in Peroba do campo and fabric, 1960 6 500 / 9 500 € DESIGN + ART DO BRASIL : D.R. (1) : D.R. Photo

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Three dimensional works, curved woods drawing positive and ƒ 86 . Manfredo de Souzanetto negative spaces explore the secrets of space transformation. Sans titre, 2015 Their color is that of the soil Manfredo de Souzanetto finds Pigments naturels de terre et résine acrylique sur toile et bois on the side of roads or in canyons, landscapes he explores. Signée au dos Like open air painters, he brings back with him a piece of H 126 × L 190 cm the landscape. For him, this experience happens through the Manfredo de Souzanetto, pigment and acrylic resin material rather than through the image. These works clash with on canvas and wood, signed, 2015 what is done in Brazil, an art saturated with signs, a sort of Exposition : Paisagem ainda que, Paço Imperial - forced joy. Manfredo de Souzanetto's painting is strong and Rio de Janeiro – mars à mai 2016 calm, linked to something outside time. The attractiveness of Bibliographie : Paisagem ainda que - autor: Júlio these works is the mix of tradition and invention they carry. They Castañon Guimarães - Reptil Editora - Rio de have the capacity to make the improbable conceivable, being Janeiro, 2016 – reproduit p. 226 both simple and complex, self evident and enigmatic. 8 000 / 12 000 € DESIGN + ART DO BRASIL

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ƒ 87 . Manfredo de Souzanetto ƒ 88 . Manfredo de Souzanetto Sans titre, 2016 Sans titre, 2016 Pigments naturels de terre et résine acrylique Pigments naturels de terre et résine acrylique sur toile sur toile Signée et datée Signée H 90 × L 75 cm H 70 × L 90 cm Manfredo de Souzanetto, pigment and acrylic resin Manfredo de Souzanetto, pigment and acrylic resin on canvas, signed and dated, 2016 on canvas, signed, 2016 4 000 / 6 000 € 4 000 / 6 000 € DESIGN + ART DO BRASIL : D.R. (1) : D.R. Photo

ƒ 89 . Carlos Motta (né en 1952) Não me toque Table Bois de Sucupira, Caviúna, Muiracatiara, Pau Marfim et verre Edition limitée de 5 exemplaires Date de création : 1999 H 72,5 × Ø 100 cm Não me toque table by Carlos Motta, in sucupira, Caviuna, Muiracatiara, pau marfim and glass, edition of 5, 1999 Exposition : - Brasil faz Design, Galeria Società Humanitária, Milan, Italie, 2000 - Mostra Coletiva de Design Certificado – Feira Brasil Certificado, Centro de Convenções São Luis, São Paulo, Brasil, du 15/04/2004 au 17/04/2004 - Carlos Motta+ lançamento do 1o livro, Museu da Casa Brasileira, São Paulo, Brasil, 27/04/2004 - Carlos Motta – Marceneiro, Designer, Arquiteto, Musee Oscar Niemeyer, Curitiba, Bresil, du 27/05/2011 au 28/08/2011 Bibliographie: - Carlos Motta, DBA, São Paulo, 2004, reproduit p. 98, 100, 101. "Não me Toque" (touch me not) was chosen because it is - Catalogue d’exposition “Carlos Motta – made of woods from Amazonia that should not be used unless Marceneiro, Designer, Arquiteto, Consuelo certified. Each piece of wood was shaped and in a sharp point, Cornelsen, Museu Oscar Niemeyer, Curitiba, 2011, resulting in an aggressive piece. The glass top is dangerously reproduit en couverture, et p. 12 loose, just resting on its own weight. Its title, Touch me not, Un certificat d’authenticité sera remis à l’acquéreur remembers that this is a conceptual piece, not utilitarian one. 25 000 / 35 000 € 89 DESIGN + ART DO BRASIL : D.R. (1) : D.R. Photo

The Koguma lamp is made of a large turned wood dome from ƒ 90 . Carlos Motta (né en 1952) Koguma an old mango tree, uprooted by the wind, from Itu in Brazil. The Lampadaire natural apertures of the dome, characteristic of such an ancient Bois de Peroba rosa, métal et bronze tree, are ornamented by a bronze string screen, allowing for Edition limitée : prototype +2EA subdued lighting. What could be seen as faults or irregularities Date de création : 2015 constitutes the assets of the piece, giving it character and H 195 × Ø 95 cm subtlety. Those scars, traces of passing time, are precious details Koguma, floor lamp by Carlos Motta, in Peroba that are to be praised, in keeping with precepts of Kintsugi art. rosa, metal and bronze, limited edition, 2015 The Peroba Rosa foot echoes the warmth of the copper colored Exposition : Atelier Carlos Motta: 40 anos, Galeria light from the dome, while the solid steel foot, laser cut, evokes Espasso Inc, NY, EUA, 15 septembre 2015 an iconic motif by Carlos Motta and gives the work a touch of Un certificat d’authenticité sera remis à l’acquéreur balance. The tripod-shaped base is turned solid steel, laser cut, 18 000 / 25 000 € showing a beautiful fit and a great handcrafted skill. 90 DESIGN + ART DO BRASIL : D.R. (1) : D.R. Photo

91 . Claudia Moreira Salles Concreto Banc Catuaba et béton Edition de 10 exemplaires The Concreto bench evokes the Bahaus experiences and the Date de création 2014 Brazilian concretist movement. These flat wood shapes contrast H 56 × L 220 × P 46 cm with the rounded elements of concrete, balancing weight and Bench concreto by Claudio Moreira Salles in weightlessness. The materials reinforce the contrast of textures catuaba and concrete, edition of 10, 2014 and colors, accentuating the interplay of shapes. 18 000 / 25 000 € 91 DESIGN + ART DO BRASIL

92 . Gisela Simas - Original Practical Design Until now, all the pieces created in our London studio use “G” as G lounge chair Fauteuil et ottoman a REFERENCE. The ‘G’ signifies the way we think of our products Bois, cuir, éléments électroniques, métal et - products with a multi functional nature that act as a bridge plexiglass for better moments, where people can get away from their busy Date de création : 2006 days and enjoy the simple and unique moments in life. H 79 × L 85 × P 85 cm (fauteuil) The G LOUNGE brief was simple; there was a need for a piece H 39 × L 85 × P 61 cm (ottoman) that would facilitate reading. Innovative curves and the sharp G lounge chair, armchair and hassock in wood, leather, lighting where indispensable. We thought about form, utility electronic elements, metal and plexiglass, 2006 and beauty. The aim of this product was for users to experience Un certificat d’authenticité sera remis à l’acquéreur reading in the best possible way. 9 000 / 15 000 € 92 DESIGN + ART DO BRASIL

ƒ 94 . Thais Malaguez & Luia Mantelli (XX-XXI) The concept here was to create a compact bar, perfect for an Drinkeria - Pièce unique apartment, an office, or a more confined environment. The Bar et desserte designers Thais Malaguezet and Luia Mantelli blended their Bois d’Imbuia designs by giving special attention to the practical aspect of Date de création : 2017 H 190 × L 40 × P 24 cm (bar) the work, to the materials and finishes. A throwback to the H 60 × L 50 × P 34 cm (desserte) 1970s, to disco cocktails, all reinterpreted with a contemporary Drinkeria, bar and sideboard by Thais Malaguez vision. In the drinkeria, the designers used brass and shiny, and Luia Mantelli, in imbuia, unique piece, 2017 noble imbuia wood, rare on the market, explains Luia. "In this Un certificat d’authenticité sera remis à l’acquéreur work, functionality is prominent: the works can be set on the 2 000 / 3 000 € floor or attached to the wall. There is space for six bottles, compartments for measuring cups, coasters , three trays for serving and one for preparing the drink", adds Thais.

93 : D.R. (1) : D.R. Photo ƒ 93 . Estudio Rika Rock Buffet The idea to emulate the polyhedral shapes found in nature, more Bois laminé, placage en bois de Timborana, acier specifically in rocks and stones, emerged in 2016. Thus came the et peinture concept of a piece of furniture carved and faceted like a gem. Edition de 10 exemplaires +2EA Numéroté 2/10 et signé sur l'etiquette de The body of the work is suspended on a metallic structure that l'éditeur follows the same lines of facets and triangulations. The work is Date de création : 2016 handcrafted by the Rika Studio, who masters all the phases of H 85 × L 175 × P 47 cm production and is well known on the market for this specificity Rock, buffet by Estudio Rika, in laminated wood and technical mastery. The two designers of Studio Rika, and Timborana veneer, steel and paint, edition of Richard Nascimento and Kati Takahashi once participated to 10, numbered 2/10, 2016 the studio of the Campana brothers. Today, autonomous, they Exposition : MADE, Pavilhão da Bienal - take pleasure in creating their own pieces while outsourcing Ibirapuera, São Paulo, Brésil, du 8 au 14 août 2016 certain phases of furniture production both to the Campanas Un certificat d’authenticité sera remis à l’acquéreur 94 and other renowned Brazilian designers. 3 000 / 4 000 € DESIGN + ART DO BRASIL

ƒ 96 . Tiago Curioni Savana Fauteuil Fibre d'osier et tissu Signé et numéroté 1/5 Date de création : 2016 H 265 × Ø 80 cm Savana, armchair by Tiago Curioni, in wicker fiber and fabric – signed and numbered 1/5, 2016 Un certificat d’authenticité sera remis à l’acquéreur 5 500 / 7 500 €

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Quantum physics teaches that nothing is matter. We live in a universe where all is vibration, as energy in movement. A sound, a thought, an emotion are all vibration, waves, frequency that influence our lives in a visible or invisible manner. When projected, these vibrations take the shape of resonances. Amorphous, adaptable, playful, interactive, the VIBRA table is based on the concept of shape shifting. VIBRA's innovation is its capacity to transform into different frequencies, favoring creative interaction and adjusting itself according to ƒ 95 . Erigo Gondim the user's taste. Originally rectangular, VIBRA is composed of one Vibra - Epreuve d'artiste hundred fixed slats that can be modulated. It is environmentally Table Bois de Maçaranduba responsible, made from reclaimed maçaranduba wood that is Signée used in civil construction in Brazil for its resistance to weathering. Edition de 15 exemplaires Date de création : 2017 H 40 × L 103 × P 68 (max) cm Running in nature, sitting in wild grasses and feeling the wind Vibra, table by Erico Gondim, in maçaranduba, running through them; finding oneself completely enveloped, signed artist proof, edition of 15, 2017 plunged into an introspective universe; finding shelter from the Exposition : MADE- Mercado de Arte e Design” sun like the savannah animals; those are the sensations Tiago Bienal de São Paulo, São Paulo, Bresil, du 9 au 13 Curioni manages to evoke in his Savana armchair. A sense of Août 2017 playfulness that awakens the senses and questions our instincts. Un certificat d’authenticité sera remis à l’acquéreur 2 500 / 3 500 € 96 DESIGN + ART DO BRASIL

ƒ 97 . Caroline Ficker The ION series is inspired by the concept of modular furniture, ION Root where one module is a product in itself, but can 'attract' other Installation Lumineuse modules, creating unusual shapes. The triangular configuration Onyx of the modules allows for infinite connections, creating genuine Plaque de l'artiste Date de création : 2016 light sculptures. With varying heights, ION Root evokes the shape Dimensions (variables) : of tree roots. The aim is to go beyond the shape and function of H 46 × L 46 × P 38 cm the lighting piece in order to perceive the environment that is H 41 × L 62 × P 37 cm transformed thanks to the effect of the bathing light. H 36 × L 56 × P 44 cm H 31 × L 56 × P 44 cm Ion Root, installation by Caroline Ficker in onyx, artist's plaque, 2016 Un certificat d'authenticité sera remis à l'acquéreur 7 000 / 9 000 €

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ƒ 98 . Caio Superchi (né en 1989) Viga Lampe de table Métal , plaqué or et bois de récupération de Peroba do campo Signé et numéroté 1/10 Date de création : 2014 H 28 × L 15 × P 7 cm Viga, lamp by Caio Superchi in metal, gold plated and reclaimed Peroba do campo wood, signed and dated 1/10, 2014 Expositions : 98 - Semana Design / Rio de Janeiro, Brasil - IED Instituto Europeu de Design - 2016 - Semana Design / Milão, Itália - Exposição BRAZIL S/A na Università degli Studi di Milano - 2017 - Exposição Novos Talentos - Casa Shopping / Rio de Janeiro, Brasil - 2017 Un certificat d'authenticité sera remis à l'acquéreur Made from Peroba de Campo beams from a modern 20th century 300 / 400 € house, the Viga luminaire emphasizes the beauty hidden behind the patina of time. Its golden metal dome can adjust the power ƒ 99 . Chico Fortunato (né en 1958) and direction of light. To commemorate the success of that XX Table de salle à manger work, Caio Superchi created a luxury limited edition of the Viga Bois de Sucupira et verre luminary by combining two ancestral techniques: the japanese Edition limitée de 4 exemplaires Shou Sugi Ban in the wood finish, coupled with 18 karat gold Date de création : 2016 bath for the dome. A refined object, infused with history while H 75 × Ø 140 cm remaining wholly contemporary. XX, table by Chico Fortunato in sucupira and glass, edition of 4, 2016 Exposition : Artist since the late 1970s, Chico Fortunato’s paintings dialog with - Design contemporâneo Rio + França, Novos the Concretism and Neoconcretism Brazilian Art movements. Talentos, Centro Cultural dos Correios. Rio de His furniture design work, begun approximately 10 years ago, Janeiro, Brésil du 8 octobre au 1er novembre 2009 99 references this same tradition. Chico creates astonishing visual - Brasil Design Week, Mam-RJ, Rio de Janeiro, RJ, and artistic games. In this minimalist table, he questions the Brésil, du 9 au 14 septembre 2008. notion of space with two inverted parallel crosses linked by an Un certificat d'authenticité sera remis à l'acquéreur impeccable and fine carpentry work. 5 000 / 7 000 € DESIGN + ART DO BRASIL : D.R. (1) : D.R. Photo

ƒ 100 . Paulo Alves (né en 1965) Sereia Chaise longue Pin et cuir Signée Date de création : 2005 The simplicity and aloofness of the single straight lines is H 75 × L 177 × P 54 cm essential, but only through the curve do we glimpse the Sereia, chair longue by Paulo Alves, in pine wood singularity of the beauty of this work, inspired by the figure and leather, signed, 2005 100 of Brazilian women evoked by the zig zag shape of the chaise Exposition : SP-Arte, Pavilhão da Bienale, longue: beautiful to the eye, and ideal for comfort. Its parica São Paulo, Brésil, du 6 au 9 avril 2017 veneer, from reforestation wood, transforms the rigid block into Bibliographie : Paulo Alves, Editora Olhares, São a supple and soft structure, topped by a thin leather headrest. Paulo, 2015, p. 76-77 The Seria chair aims to represent the sensuality of a woman in Un certificat d'authenticité sera remis à l’acquéreur the silence of its design. 8 000 / 12 000 € DESIGN + ART DO BRASIL

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ƒ 101 . Paulo Alves (né en 1965) "I think therefore I am" - René Descartes Descartes - Pièce unique The idea is born out of this thought: when the designer Tabouret succeeds in seeing beyond matter, looking at the piece Pin of furniture like the sculptor sees his masterpiece through Signé the solid stone. As an inspiration source, the designer Date de création : 2015 visualizes his own stone, almost solid inside a reconstituted H 62 × Ø 30 cm industrialized wood block. A vision of things in permanent Descartes, stool by Paulo Alves, in pine wood, transformation, like a shape kneaded to remodel it. signed, 2015 Destroying in order to rebuild a shape we believe in. The Bibliographie : material does not change. Transformation is still there. - Brazilian Furniture Design, Edition Olhares The role of design: to create something new out of what - Marcelo Vasconcellos et Zanini de Zanine p. 126 already exists. Un certificat d'authenticité sera remis à l’acquéreur 1 000 / 2 000 €

ƒ 102 . Paulo Alves (né en 1965) In tribute to the Banco from SESC Pompeia by Lina Bo Bo Bardi (Lot 22), Paulo Alves offers a modern reinvention Paire de chaises with his Cadeira .A chair made to be iconic, but invisible. Pin 102 A type of wood that is common in Brazil, but rarely used Signées for chairs. The straight lines referenced by Paulo Alves in all Date de création : 2012 his Bo series show Lina's genius in the use of materials and H 65 × L 39,5 × P 47 cm their references. A chair for daily usage, which can also be Bo chairs by Paulo Alves, in pine wood, signed, 2012 used as a support, a side table, and even a bedside table. Un certificat d'authenticité sera remis à l’acquéreur A light, but striking piece. 2 000 / 3 000 € DESIGN + ART DO BRASIL

ƒ 103 . Fernando (né en 1961) & Humberto (né en 1953) Campana Paravent Métal et baguettes en osier Signé Date de création : 1994 H 204 × L 90 × P 38 cm Screen by Fernando and Humberto Campana in metal and wicker, signed, 1994 Bibliographie : - Catalogue de l'exposition Antibodies. The Works of Fernando & Humberto Campana 1989 - 2009, Vitra Design Museum, reproduit pages 9 et 115. - Campanas, Bookmark, São Paulo, 2014 reproduit. Expositions : - Antibodies. The Works of Fernando & Humberto Campana 1989 - 2009, Vitra Design Museum, Weil am Rhein (traveling exhition). 09.05.2015 - 17.05.2015, Sogo Kobe, Kobe, Japan - 14.04.2015 - 26.04.2015, Seibu Shibuya, Tokyo, Japan - 19.03.2014 - 10.08.2014, Trapholt Museum of Modern Art, Kolding, Denmark - 20.10.2013 - 13.01.2014, Centro de Diseño, Oaxaca, Mexico - 04.07.2013 - 29.09.2013, Museo Franz Mayer, Mexico D.F., Mexiko - 22.03.2013 - 16.06.2013, MARCO, Monterrey, Mexico - 10.11.2012 - 24.02.2013, Palm Springs Art Museum, Palm Springs, USA - 15.07.2012 - 07.10.2012, Philbrook Museum of Art, Tulsa, USA - 28.02.2012 - 06.05.2012, CCBB Rio de Janeiro, Brazil - 06.11.2011 - 15.01.2012, CCBB Sao Paulo, Brazil - 26.07.2011 - 25.09.2011, CCBB Brasilia, Brazil - 16.04.2011 - 03.07.2011, Museu Vale, Vila Velha, Brazil - 14.10.2010 - 16.01.2011, Triennale Design Museum, Milan, Italy - 01.07.2010 - 26.09.2010, Fundación Pedro Barrié Due to the fact that much of their creative work results from de la Maza, La Coruña and Vigo, Spain limited series or one-off pieces that often are produced as - 14.03.2010 - 06.06.2010, NAiM/Bureau Europa, private commissions, little is known of the true variety and Maastricht, Netherlands scope of their oeuvre. From the early days up to the present, - 16.05.2009 - 28.02.2010, Vitra Design Museum, their work has navigated a narrow path between design and Weil am Rhein, Germany pure art and spawned the most astonishing collages of objects Provenance : Collection privée Rio de Janeiro - and materials: "It's a kind of flirt with the material which asks: Acquis directement auprés de l'artiste en 1994, what can we be transformed into? The material dictates the commande spéciale privée form and the function in our work." 15 000 / 20 000 € 103 DESIGN + ART DO BRASIL

ƒ 105 . Ricardo Graham Ferreira (né en 1974) Traditional carpentry has a wide range of joints O Ebanista and fitting techniques, some dating back several Primeira hundreds of years. Traditional dovetail joints, Fauteuil repeated throughout the structure, come together Bois de Freijó et sucupira Numéroté 1/20 to produce an original and powerful seat that, as if Edition de 20 exemplaires defying gravity, seems perfectly suspended. Date de création : 2015 H 84 × L 76 × P 59 cm Primeira, armchair by Ricardo Graham in freijó and sucupira, edition of 20, 2015 Un certificat d'authenticité sera remis à l’acquéreur 2 500 / 3 500 €

104 ƒ 104 . Ricardo Graham Ferreira (né en 1974) O Ebanista Trovador Banc Bois de Tamarin et d’amarante Edition de 10 exemplaires Date de création : 2008 H 45 × L 78 × P 25 cm Trovador, bench by Ricardo Graham in Tamarino and Amaranth, edition of 10, 2009 Prix : - Selecionado para o prêmio IF awards 2012 na Alemanha - Menção Honrosa no Prêmio Senai "Design da Terra" 2010 - Menção honrosa no Iº Prêmio EcoLeo/Fsc de Design 2009 Exposition : The Trovador bench is a series limited to 10 specimens, in certified - Bienal Brasileira de Design, Curitiba 2010 wood. It is an elegant piece with beautiful proportions, perched - Exposição Rio+Design Salone del Mobile, Milan, on fine legs. The smooth curve of the seating is emphasized Italie, 2010 by the straight lines of the structure made of visible fittings, - MARP, Ribeirão Preto 2010 reinforced by wooden dowels. The sequoia wood (roxinho), used - Banquinhos Brasileiros", Rio de Janeiro, 2009 for the seating, is very resistant. It is often used for the framework - Exposition Rio-França, Rio de Janeiro 2009 of northern Brazilian houses and was used for naval carpentry - Design & Natureza, São Paulo 2009 during colonial times. It owes its repute to its shimmering colors, Un certificat d'authenticité sera remis à l’acquéreur 105 often used as veneer for luxurious details in Europe. 2 500 / 3 500 € DESIGN + ART DO BRASIL : D.R. (1) : D.R. Photo 106

ƒ 107 . Rahyja Afrange (XX-XXI) 107 SE7e Paire de chaises Bois laminé et cuir Date de création : 2013 H 72 × L 64 × P 64 cm Pair of SE7E chairs by Rahyja Afrange in laminated wood and leather, 2013 Exposition : - ICFF Studio Award 2013 Internacional Furniture Fair, Nova York, EUA, du 18 au 21 mai 2013 ƒ 106 . Rahyja Afrange (XX-XXI) - MADE Mercado Arte e Design, São Paulo, Brasil, Mar - Pièce unique du 14 au 18 aout 2013 Fauteuil et Ottoman Bois de Cumaru et cannage - New Talents, DMY Festival, Berlin, Alemanha, Signé du 28 mai au 1 juin 2014 Date de création : 2015 Bibliographie : H 76 × L 80 × P 82 cm (fauteuil) - Revista CASA VOGUE, Editora Expediente, São H 30 × L 55 × P 39.5 cm (ottoman) Paulo, Edition 33, Mai 2013, reproduit p. 38 Armchair and ottoman by Rahyja Afrange in - Revista CASA VOGUE, Editora Expediente, São cumaru and caning, signed, unique piece, 2015 Paulo, Edition 338, Octobre 2013, reproduit p. 80 The MAR ensemble formally evokes traditional weaving looms. Exposition : - Revista Kaza, Ação Edition, São Paulo, Edition, This furniture was designed following extensive The straw that lines the seating is a raw material produced - MADE a Milano, Mercado Arte e Design, São 127, Decembre 2013, reproduit p. 27 research, experimentation and the study of from Buriti leaves, one of the largest palm trees of the Brazilian Paulo, Brasil, du14 au19 avril 2015 - Revista CASA, O Estado de São Paulo, São Paulo, ergonomics. The structure contrasts with the fine cerrado. Particularly soft, light and strong, these young leaves - São Paulo DW, Casa Góia, du 12 au 16 Aout 2015 1 au 7 juin 2014, reproduit p. 10 lattice of the back rest and the seating. Full and are used to make a form of “silk". Rahyja Afrange therefore Bibliographie : Revista CASA CLAUDIA, Editora - Revista BAMBOO, Edition, Turqueza, São Paulo, empty, light and dark, lines and curbs illustrate the created an original version of the MAR armchair in braided Abril, São Paulo, Edição 337, Maio 2015, reproduit p. 32 Edition, 38, Aout 2014, reproduit p. 46 interconnection between elements. The lattices, Buriti. The choice of a local material puts forward Brazilian Un certificat d'authenticité sera remis à l'acquéreur Un certificat d'authenticité sera remis à l'acquéreur subtly twisted, link the front to the back, enhanced indigenous art. 1 800 / 2 200 € 2 800 / 3 200 € by a discreet detail of interlaced leather straps. DESIGN + ART DO BRASIL

110 . Ricardo Graham / O Ebenista The Três Pés chair is a decorative piece, handcrafted, that carries Três Pés the genes of woodworking. The Ramie fiber rope that draws Chaise the back of the chair is affixed under the seat and stretched by Bois de Freijó et corde tension. The tripod shape allows the piece to stay stable on any Date de création : 2016 Porte une estampille surface. H 77 × L 45 × P 33 cm Três Pés, chair by Ricardo Graham & O Ebenista in wood and cane, stamped, 2016 Exposition : - 2016, "O Design e a Madeira", Museum of Modern Art of Rio de Janeiro/Brazil - 2015, "Now Le Off", Paris/France - 2015, "MADE", São Paulo/Brazil - 2015, "Rio+Design", Milan/Italy - 2015, "Made a Milano", Milan/Italy Bibliographie : - 2017, Casa Vogue Magazine, Cover, June, Brazil - 2016, Wallpaper* Magazine, Cover, April, England - 2015, AU House & Garden, page 48, July, Sidney/ Australia - 2015, Interni Kingsize, page 46, April, Milan/Italy - 2014, Mobel Verkaufen, page 11, Germany - 2014, Casa Vogue Brasil, page 74, Brazil 2 000 / 3 000 €

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108 . Brunno Jahara (né en 1979) Ensemble de six objets de table Collection Conterraneos Terre cuite Serie limitée Date de création : 2016 Etiquette de l’artiste H 16 × Ø 36 cm H 13 × Ø 34 cm H 23 × Ø 31 cm H 21 × Ø 33 cm Set of 6 pieces by Brunno Jahara in terracotta, limited edition, 2016 1 000 / 2 000 €

109 . Brunno Jahara (né en 1979) & Ana Voss Paleae Brasilis Lampe de table Paille et laiton Serie limitée Date de création : 2017 H 46 × L 18 × P 18 cm Paleae Brasilis, lamp by Brunno Jahara & Ana Voss in straw and brass, limited edition, 2017 110 109 400 / 600 € DESIGN + ART DO BRASIL

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ƒ 112 . Erwan Le Bourdonnec Avel Sonn N°5, 2005 Acrylique et huile sur toile Signée, datée et intitulée au dos The Avel Sonn series (2005) is the origin of Erwan Le H 160 × L 160 cm Bourdonnec's work, centered on the sky - territory 111 . ƒ Malu Saddi Malu Saddi develops installation projects and Avel sonn, n°5 by Erwan Lebourdonec in acrylic of the shapeless by excellence. He questions the Por baixo do pigmento marrom and oil on canvas, signed, 2005 os olhos castanhos são azuis, 2016 works from a visual repertoire inspired by nature, perception we have of it: cultural and socially Exposition : Crayon sur papier anatomy books and biology, amongst others, by built, sensible and intuitive. Through various media Signé reconfiguring them through multi colored and - L' Aiguillage Galerie, Paris, 2005 and installations, he observes, catalogs, draws, H 143 × L 120 cm superimposed lines, videos and sound works. She - L'air de rien, La Tannerie, Bégard, 2014 reports, paints and builds the shapes of the sky. Por baixo do pigmento os olhos castanhos sao azuis focuses on images created by the subconscious, - Atlas das formas do Céu, Mundo Novo 1843, Rio SInce 2016, living in Rio de Janeiro, he undertakes by Malu Saadi in pencil on paper, signed, 2016 that coexist with organic and geometric shapes in de Janeiro, 2017 the impossible project of creating an Atlas of the 2 500 / 3 500 € monumental drawings. 4 000 / 6 000 € shapes of the sky. DESIGN + ART DO BRASIL

ƒ 114 . Caique Niemeyer Caique Niemeyer worked alongside his great grandfather, Oscar Elo Niemeyer, for the past decades. He taught him the value of Banc curves, the gracefulness of lines, and that of life. His work is Bois d’Imbuia the result of a fascinating learning experience with one of the Signé Date de création : 2017 greatest names of world architecture, coupled with a young H 42 × L 216 × P 49 cm and contemporary vision, capable of perceiving alternative Elo bench by Caique Niemeyer in imbuia, signed, 2017 constructions and of proposing new solutions of architecture Un certificat d’authenticité sera remis à l’acquéreur and design. The young Niemeyer channeled a minimalist and 2 500 / 3 500 € balanced design for this piece. The root of the bench relies on classical aesthetics, while the contemporary coffee table gently floats above the ground.

The Ghost Collection is a contemporary rereading of flowerpots. 113 Through the deconstruction of form, the interior gains space and transcends originality. Floating between being a work of art or a functional object, the "demi vase" contradicts the expected and surprises.

ƒ 113 . Estudio Iludi Ghost Ensemble de trois vases 114 Resine, ciment, et métal Pièces signées et numérotées 1/2 Date de création : 2017 H 34,5 × L 12 × P 6,5 cm H 24,5 × L 20 × P 10 cm H 20 × L 19,5 × P 10 cm Ghost, set of 3 vases by Estudio Iludi in resin, concrete and metal, signed and numbered ½, 2017 : D.R. (1) : D.R. Un certificat d'authenticité sera remis à l'acquéreur

1 000 / 2 000 € Photo DESIGN + ART DO BRASIL

ƒ 116 . Marcos Amato (XX-XXI) Marcos Amato has a peculiar relationship to the Barba Negra marine universe. The style of his works is inspired Ensemble de deux tabourets by naval design and evokes speed and fluidity. Bois d’Imbuia et Zebrawood Its ergonomic shape, hand sculpted, follows Signés, datés et numérotés 3 et 4 Date de création : 2017 the curves of the body, creating unprecedented H 68 × L 46 × P 48 cm comfort. The designer creates aerial movement, Barba Negra pair of stools by Marcos Amato – one revealing the beauty of each type of wood. in imbuia and one in zebrawood, signed, dated and numbered 3 and 4 Exposition : MADE, Pavilhão da Bienal - Ibirapuera, São Paulo, Bresil, du 09/08 au 13/08/2017. Bibliographie : - Revista GIZ, São Paulo, 2016, p. 348/349 - Interni Magazine, Milano, 2017, p. 68 - Casa Estadão, São Paulo, 2017, p.10 Un certificat d'authenticité sera remis à l’acquéreur 3 200 / 3 800 €

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ƒ 115 . Marcos Amato (XX-XXI) Kou Table basse Bois d’Imbuia Signée et numérotée 2 Date de création : 2016 H 38 × L 141 × P 56 cm Kou coffee table by Marcos Amato in imbuia, signed and numbered, 2016 Exposition : MADE, Pavilhão da Bienal - Ibirapuera, São Paulo, Bresil, du 09/08 au 13/08/2017 Un certificat d'authenticité sera remis à l’acquéreur : D.R. (1) : D.R. 3 000 / 4 000 € 116 Photo DESIGN + ART DO BRASIL

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ƒ 117 . Eduardo Eleuterio Tesouro Brasileiro, série Caixa Segredo - Pièce unique Eduardo Eleuterio is a consummate artist, but there is no Boite doubt these secret boxes constitute the most original branch Bois d'Imbuia of his work. The secret boxes are sculptures that take on varied Signée et numérotée shapes. Spheres, cylinders, towers, and cubes are examples Date de création : 2016 of the geometric adaptation of art. They all have in common H 12 × L 29 × P 28 cm a mystery that is revealed only once they are manipulated, Tesouro Brasileiro box by Eduardo Eleuterio in in a sensorial experience. Their subtleties dissimulate niches, Imbuia, unique piece, signed and dated, 2016 drawers, and spans to put away jewelry and other precious Un certificat d'authenticité sera remis à l'acquéreur objects. The playful aspect of the object is allied to its rigorous 200 / 300 € artistic aesthetic. The result is a beautiful and functional object, a nod to Brazil and its sometimes still hidden treasures. ƒ 118 . Felipe Protti - Prototyp & chão de fabrica Boomerang Paire de fauteuils Acier et cuir The Boomerang armchair is the signature of the Prototyp & Date de création : 2008 Chão de Fabrica studio. Indeed, Felipe Protti designed this chair H 78 × L 60 × P 80 cm 118 in 2008, but it is only in 2012, during the inauguration of his Pair of Boomerang armchairs in steel and leather, 2008 gallery and independent design studio, that he finally managed Un certificat d'authenticité sera remis à l’acquéreur to build it. His intention was to reach minimal intervention in 4 000 / 6 000 € order to maintain the purity of the material. This piece is a hallmark of success, the mascot of the studio. DESIGN + ART DO BRASIL

ƒ 119 . Maneco Quindere Piaçava Table Bois de Freijó et luminaire Numérotée 3/25 Date de création : 2014 H 45 × Ø 50 cm Piaçava table, Freijó wood and lighting, numbered 3/25, 2014 Exposition : Ida, Arte Rio, Rio de Janeiro, Brésil, 2015 Un certificat d'authenticité sera remis à l'acquéreur 6 000 / 9 000 €

119 DESIGN + ART DO BRASIL : D.R. (1) : D.R. Photo

This is not a sofa, but an armchair designed for two. It creates ƒ 120 . Julia Krantz (née en 1967) & Fernando Mendes intimacy, as an echo to its creation by a duo of designers. Grude Starting with a polystyrene base, the two designers each Fauteuil sculpted in total symbiosis, as if the armchair guided them. The Pin stratifié title, "Grude", meaning 'pasted', synthesizes the concept of the Signé et numéroté 4/10 work, that of two people sat together, of two designers working Date de création : 2014 together, and of several wood layers welded together. H 100 × L 105,5 × P 83 cm Grude armchair by Julia Krantz and Fernando Mendes in stratified pine, signed and numbered 4/10, 2014 Un certificat d'authenticité sera remis à l'acquéreur 120 6 000 / 9 000 € DESIGN + ART DO BRASIL : D.R. (1) : D.R. Photo

ƒ 121 . Julia Krantz (né en 1967) Lua - Pièce unique Fauteuil This Lua armchair is a truly sculptural work, born of extensive Bois de Jatoba research on the material possibilities of wood and of a Signée conscious connection with the environment and durable Date de création : 2010 conception. The armchair is built around the idea of a cocoon. H 105 × L 99 × P 90 cm Moreover, the intricate laminated woodwork questions Lua armchair by Julia Krantz in jatoba, 121 the limits between perception and reality, technique and unique piece, signed, 2010 nature. The superposed layers vein the wood realistically, Un certificat d'authenticité sera remis à l'acquéreur emphasizing the soft and beckoning round seating. 6 000 / 9 000 € DESIGN + ART DO BRASIL : D.R. (1) : D.R. Photo

ƒ 122 . O Designer Artesao (XX-XXI) Arvore Porte-manteau Bois d'Ipê Edition de 10 exemplaires Date de création : 2017 H 169 × L 43 × P 44 cm 122 Tree coat hanger by O Designer Artesão in Ipé, edition of 10, 2017 Un certificat d'authenticité sera remis à l’acquéreur 1 200 / 1 500 €

The Arvore coat rack is inspired by the shape of a tree and its ƒ 123 . Alfio Lisi(né en 1967) branches, and is made of Ipê wood, reproducing the organic Tom - Pièce unique shape of the material it is made from. This double reference Banc to the raw material brings about a thought on the process of Bois de Jequitiba rosa transformation, and illustrates the magic of the designer’s work Cachet de l’artiste in giving new life to what should have faded. Date de création : 2017 H 40 × L 247 × P 55 cm Tom bench by Alfio Lissi in jequitiba rosa, unique The Tom bench created in 2009 is an homage to Rio de piece, stamped, 2017 Janeiro and Tom Jobim. A massive block of sculpted Jequitibá Exposition : Casa Brasil, 2009, Bento Gonçalves, Brésil. Rosa, full of bossa... A piece of pavement of Copacabana, Un certificat d'authenticité sera remis à l'acquéreur a horizon line, a happy blend of sea and mountain. 5 000 / 7 000 € 123 DESIGN + ART DO BRASIL

In the field of music, variations refer to either the form by which the repetition of a melody is enriched or by changes to this melody in which one or more of its constituting elements – rhythm, tone, and mode,among others – cease to be the same every time the same melody is repeated. In these two instances, there remains the condition that the listener recognizes, with greater or lesser intensity, the original theme, that is, that he knows this comprises something which alters itself without a change to its essence. Furthermore, throughout history, the ƒ 124 . Adriano de Aquino purpose of varying has consolidated itself not only as an Sans titre, 2014 independent work, but also as the spiritual core of wider-ranging Polyurethane sur aluminium works. This painting by Adriano de Aquino may be understood as Signé, situé et daté au dos variations on the same pictorial problem his work has reached H 200 × L 100 cm in the recent years: the persistence of color as an enigma. This Adriano de Aquino, polyurethane on aluminium, appreciation, however, would correspond to the transposition of signed and dated, 2014 a musical concept to the field of painting. 25 000 / 35 000 € 124 DESIGN + ART DO BRASIL

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ƒ 125 . Andre Ferri (né en 1990) Costureira Suspension Bois de Freijó, aluminium, et laiton Date de création : 2017 L 85 cm Costureira, suspension by Andre Ferri in freijó, aluminium and brass, 2017 Un certificat d'authenticité sera remis à l'acquéreur 500 / 700 €

ƒ 126 . Andre Ferri (né en 1990) Equilibrista Paire de suspensions Bois de Freijó et laiton Date de création : 2017 L 87 cm Equilibrista, pair of suspensions by Andre Ferri in freijó and brass, 2017 : D.R. (1) : D.R. Un certificat d'authenticité sera remis à l'acquéreur

700 / 900 € Photo 126 DESIGN + ART DO BRASIL

ƒ 128 . Rodrigo Calixto Did you know that the name "Brazil" comes from a tree ? Tordesilhas The Pau Brasil bore this particular name because of its glowing Table basse red color that evoked embers. So precious was it then that it Bois d’Ipê, de Peroba do campo et verre gave its name to the land it heeded from, Brazil. But few people Signée et datée : Safra 1866 Date de création : 2017 have had the chance to see that tree up close or to use a piece H 30 × L 132 × P 71 cm of furniture made of it. This consciousness of the rarity and Tordesilhas coffee table by Rodrigo Calixto in ipê, historic importance of these materials is shared by Brazilian Peroba do campo, and glass, signed and dated designers working with wood such as Rodrigo Calixto. Designers Safra 1866, 2017 sometimes manage to find pieces of rare wood and have the Un certificat d'authenticité sera remis à l’acquéreur exceptional opportunity to reuse these 'precious materials' to 6 500 / 9 500 € create unique furniture. In 2013, the floors and roof structures of the Casa Daros of Rio de Janeiro, made of Pau Brasil, brauna, Peroba de Campo, Sicupira, were dismantled during works and sold, for the greatest pleasure of designers and woodworkers. Carbon-14 dating showed that the wood dated back 532 to 683 years, i.e. before the discovery of america in 1492. Thus came the idea to create an exhibition, "Safra 1866", uniting all the pieces made from those antique precious woods. The Tordesilhas table was made from the indigenous Brazilian woods. A unique piece made from rare and storied wood. : D.R. (1) : D.R. Photo

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"Two artists, two materials, and one object. ƒ 127 . Rodrigo Calixto (né en 1979) The wood and ropes evoke an affectionate memory. & Guilherme Sass (né en 1989) Inside a box, a subtle throwback to our younger selves. Bilanx The will to play, to discover, and to 'fly'. Amusement, affection, Balançoire and art made of wood and ropes. Série Oro Bilanx was born from the meeting of four dextrous hands. Bois d’imbúia et corde Signée et numérotée A toy that isn't limited to a shape or an object. Edition limitée à 10 exemplaires Is it a proposal, a concept, or maybe a wish? L 55 × P 27 cm To the childhood memory, this swing brings the subtlety Bilanx swing, Oro series, in imbuia, rope and of contemporary aesthetics. metal, signed and numbered, edition of 10 Tempus Fugit is the hidden inscription in the object and its Prix : Finaliste Médaille de l'Objeto Brasileiro, 2014 concept. Salão Design Casa Brasil, 2013, gagnant du prix It is a reflexion on the implacability of time. meilleur mobilier d’exterieur And on the choice to slow down and enjoy. Finaliste Médaille de l' IDEA Brasil 2013 With small things, like the world revolving and breeze on your Bibliographie : Casa Vogue, Gente no Design, 128 face. Sometimes, like a simple back and forth rocking. Madeirando, Septembre 2015, reproduit p. 78 Tempo fugit, time flies and alerts us to the importance of Un certificat d'authenticité sera remis à l'acquéreur enjoying the present. " 900 / 1 000 € DESIGN + ART DO BRASIL

Perspective is used to create an optical illusion to imitate a sense of depth. The Horizonte bench was designed from this concept, the difference of width at each end creating a vanishing point. The feet, whose diameter is proportional to the size of the seating, follow the same optical objective. These modifications create a visual distortion of the object which seems to be put in perspective: the horizon imposes itself to the piece. The massive Freijo pine wood bench immerses itself in its environment elegantly. Its powerful color is uncommonly patinaed, and finely enhances the history of the wood.

129 The "Elos" bench is made of a colored mesh of plastic chains realized using industrial production and craftmanship. The chains are disassembled by hand. The pieces are then brought back together to shape a flexible network attached to the steel structure, suggesting the drapery of a colored fabric.

ƒ 129 . Estudio Rain Elos Banc Plastique et acier carbone Plaque de l'éditeur Edition de 5 exemplaires Date de création : 2015 H 51 × L 125 × P 44 cm 130 Elos bench by Estudio Rain, in plastic and carbon steel – edition of 5, signed, 2015 1 000 / 2 000 €

ƒ 130 . Estudio Rain Horizonte Banc Bois de Freijó et bois laminé Numéroté 1/15 Plaque de l’éditeur Date de création : 2017 H 43 × L 210 × P 50 cm

Horizonte bench by Estudio Rain, in freijó and (1) : D.R. laminated wood, numbered 1/15, 2017

2 800 / 3 200 € Photo DESIGN + ART DO BRASIL

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ƒ 131 . Geraldo Marcolini ƒ 132 . Geraldo Marcolini Interior Magenta, 2015 Azulejos, 2016 Huile sur toile The painting belongs to a series that addresses the Huile sur toile Signée, datée et titrée au dos modern context in Brazilian Art and Architecture Signée, datée et titrée au dos H 90 × L 150 cm and its historical connections to the political H 190 × L 140 cm Interior Magenta, oil on canvas by Geraldo development of the country. Architecture as Azulejos, oil on canvas by Geraldo Marcolini, Marcolini, signed and dated, 2015 a means of conveying the ideals of modernity signed and dated, 2016 Un certificat d'authenticité sera remis à l'acquéreur and avant-garde culture which were brutally Un certificat d'authenticité sera remis à l'acquéreur 5 000 / 7 000 € interrupted by the military coup in 1964. 6 500 / 7 500 € DESIGN + ART DO BRASIL : D.R. (1) : D.R. Photo

ƒ 133 . Andre Poli (XX-XXI) Equilibrium Banc Bois de Louro et cuir Edition limitée de 10 exemplaires 133 Date de création : 2017 The creation of the Equilibrium bench stemmed H 44 × L 137 × P 40 cm from the search for an object at the crossroads Equilibrium bench by Andre Poli in louro and of art and functionality in design. The object and leather, edition of 10, 2017 its user find themselves in perfect equilibrium, Un certificat d'authenticité sera remis à l'acquéreur in space, and between these inseparable notions. 4 000 / 6 000 € DESIGN + ART DO BRASIL : D.R. (1) : D.R. Photo

ƒ 134 . Rodrigo Simao (XXI) Sol Fauteuil Pin de riga vernis Monogrammé et numéroté 10/80 Date de création : 2015 134 H 72 × L 89 × P 80 cm Armchair by Rodrigo Simao in varnished pine of riga, stamped and numbered 10/80, 2015 The Sol armchair includes elements of traditional furniture Prix : Médaille de Bronze au concours Objeto through its execution and through the quality of the materials Brésil 2016 used, combined with contemporary values of environmental Exposition : Prêmio Objeto Brasil 2016, Institut protection, ergonomics, and gentleness to the touch and to the européen du Design, São Paulo. eye. The fabrication process highlights the handicraft, aiming Bibliographie : Revista Arquitetura e Construção, to produce an interaction with traditional woodwork, and also Mai 2016, reproduit p. 55 emphasizing the humanization of the works. Rodrigo Simão, by Catálogo Prêmio Objeto Brasil 2016 using various reclaimed noble woods, advocates the responsible Un certificat d'authenticité sera remis à l’acquéreur use of raw material. No nail, screw, bolt or other material than 2 500 / 3 500 € wood, glue, sealant and carnauba wax is used. ƒ 135 . Rodrigo Simao (XXI) Concha - Prototype Chaise Bois laminé et contreplaqué de Freijó Rodrigo Simão’s first works were born of a reflection Signée on the waste caused by architectural projects. The Concha chair Date de création : 2017 falls within the same line of engaged and social design. The H 186 × P 55 × L 103 cm superposition of wood layers confers it extreme resistance. For Concha chair by Rodrigo Simao in laminated wood Rodrigo Simão, design should interact with society at all phases and veneered freijò, signed prototype, 2017 of its production: from the choice of materials to its local and Exposition : Finaliste du concours Salão Design responsible execution, up to its social use. This dynamic and 2017, dans la catégorie espace social entertaining work belongs in an interactive space in order to Un certificat d'authenticité sera remis à l'acquéreur 135 show its many merits. 3 000 / 5 000 € DESIGN + ART DO BRASIL

Samuel Lamas designs his furniture within an architectonic and geometric reasoning. The aim is to create a simple chair, with pure geometric shapes. Its square crossbars in solid iron create a perfect meeting point for the offset profiles that sketch the space aerially. Its volumetric rationality is balanced by the natural woven fabric that covers it like a traditional weaving. This Helena model is an original creation, entirely handcrafted specifically for this Design + Art do Brasil auction.

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ƒ 136 . Samuel Lamas (XX-XXI) Frame Table basse Métal et verre Date de création : 2015 Edition limitée à 100 exemplaires H 25 × L 100 × P 100 cm Frame, coffee table by Samuel Lamas in metal and glass, signed, edition of 100, 2015 Bibliographie : Revista Casa Vogue Brasil online, coluna design do bom por Winnie Bastian, septembre 2015 Un certificat d'authenticité sera remis à l'acquéreur 1 500 / 2 500 €

ƒ 137 . Samuel Lamas (XX-XXI) Helena Paire de fauteuils

Métal et cuir (1) : D.R. Signés et numérotés 7 & 8

Plaque de l’artiste Photo Date de création : 2017 H 75 × L 55 × P 65 cm This creation is the fruit of an exercise in geometric Pair of Helena armchairs in iron and leather - minimalism. Its interdependent elements are signed and numbered 7 & 8, 2017 indispensable to the stability of the work, the Bibliographie : Revista Casa Vogue Brasil, Edição overlapping glass planes establish a subtle Junho de 2017, p. 81 chromatic variation, and its minimalist lines infuse Un certificat d'authenticité sera remis à l'acquéreur it with power and elegance. 2 000 / 3 000 € 137 DESIGN + ART DO BRASIL

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138 . Gustavo Martini 138 Fractious Mirror Miroir Aluminium brossé et poli Signé et numéroté 2/3 Date de création : 2017 H 167 × L 54 × P 16 cm After years devoted to installations, Suzana Fractious mirror by Gustavo Martini in Queiroga decided to "confront herself once again aluminium, signed and dated 2/3, 2017 to the traditional rectangle". The question of color Exposition : is central in her work. Always vibrant, in relation - London design festival, Mint Gallery, London, to the concepts of the ethereal and of the infinite, UK, 17 - 30 September 2016 typical themes explored by the author. Since ƒ 139 . Suzana Queiroga - Collezione Familiare, 5 vie, Milan, Italy, April Sans titre, 2015 2012, she plunged herself into an intense work of 2016 Peinture acrylique sur toile immersion in paint and color, more specifically The concept explores the mutation capability of the - Autumn, Casa Canvas, Carate Brianza, Italy, Signée et datée au dos through the palette of blue, blue-green, and gray. material. The mirror was made out of metal whose October 2016 H 40 × L 60 cm Her colors are linked to a certain number of poetic finishing doesn’t respect the object boundaries, - Salone satellite, Rho, Italy, April 2016 Oil on canvas by Suzana Queiroga, signed and problematics, and to her relationship with time. creating a contrast between the orthogonality of Un certificat d’authenticité sera remis à l’acquéreur dated, 2015 The stripes in different shades are each unique the volume and the texture. 2 000 / 3 000 € 3 000 / 4 000 € while belonging to a whole. DESIGN + ART DO BRASIL

"The mother noticed that the boy liked the void more than ƒ 140 . Estudio Ludi (XX-XXI) the full. He claimed that voids are larger and sometimes even Void infinite." (Manoel de Barros) Fauteuil Acier The Void Armchair is formed by folded metal plates that create Signé et numéroté : 5/100 a form of chiaroscuro. Hot cutouts on a cold surface. Comfort Date de création : 2017 where solitude would be expected. An inhabitable sculpture. H 99 × L 70 × P 108 cm Contrast generates the void. Exactly through existence, Void armchair by Estudio Ludi in steel, signed and nothingness arises, imposing, as a frame for the brutalist, numbered 5/100, 2017 simple and pure form. An ode to absence, this invisible element Exposition : Cadeiras Contam Histórias, Museu de that corrodes the gaze. Artes e Ofícios, Belo Horizonte, Brasil, du 1 Juin au Due to these characteristics, the Void Armchair is never a 31 Juillet 2017 hidden subject. As an armchair or as a work of art, it instigates Un certificat d'authenticité sera remis à l’acquéreur observation, invites touch and surprises skeptics. 2 800 / 3 200 € 140 DESIGN + ART DO BRASIL

141 ƒ 141 . Brunno Jahara (né en 1979) Julia - Pièce unique Chaise Longue Métal, papier maché et laine Date de création : 2013 H 83 × L 140 × P 60 cm Julia chaise longue by Brunno Jahara in metal and wool, 2013 Exposition: - HANDMADE, L'Ecclettico, Milan, Italie 2013 - Hiperbólico, Musee National Historique, Rio de Janeiro, 2014 - Modernos, Contemporâneos, Bolsa de Arte, São Paulo, Brazil, 2014 Bibliographie : Wallpaper, August 2013, n.173, p. 165, 172, 19 Un certificat d'authenticité sera remis à l’acquéreur 600 / 900 €

ƒ 142 . Brunno Jahara (né en 1979) Neorustica - Pièce unique Cabinet Specially crafted out of Norwegian wool, the chair Bois de récupération de Peroba rosa was made for the annual Wallpaper Handmade Etiquette de l’artiste exhibition in Milan, during the Salone del Mobile Date de création : 2012 2015. H 150 × L 60 × P 40 cm Jahara brought a cosy, wintery material to a Black cabinet, Linha Neorustica model by Brunno classic piece of summer furniture. This foldable Jahara in reclaimed Peroba rosa wood, stamped, chair, upholstered in hand stitched blue and 2012 greyish wool, will warm you up like an afternoon Un certificat d'authenticité sera remis à l'acquéreur on a Brazilian beach. 2 500 / 3 500 € 142 DESIGN + ART DO BRASIL

ƒ 143 . Luciana Duque (XX-XXI) - Estudio Obj Copacabana - Pièce unique 143 Cabinet Acier, cuir, verre et miroir Date de création : 2016 H 125 × L 100 × P 40 cm Copacabana, cabinet by Luciana Duque in steel, The Copacabana bar is inspired by the famous mirrors, glass and leather, 2016 Portuguese stone patterns by Roberto Burle Marx Exposition : IDA, Arte Rio, Rio de Janeiro, Bresil, along the Copacabana beach. Here, filled and du 6 au 9 septembre 2016 empty spaces recreate the pattern, discreetly Un certificat d'authenticité sera remis à l’acquéreur showing the marvels beneath the stones… 3 500 / 4 500 € DESIGN + ART DO BRASIL

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ƒ 144 . Luciana Duque (XX-XXI) - Estudio Obj Carioca Paire de fauteuils Acier et cuir Edition de 4 exemplaires Date de création : 2016 H 70 × L 85 × P 87 cm Pair of Carioca armchairs by Luciana Duque in steel and leather – limited edition of 4, 2016 Un certificat d'authenticité sera remis à l’acquéreur 4 000 / 6 000 €

ƒ 145 . Luciana Duque (XX-XXI) - Estudio Obj Bandeira Paravent Bois de Peroba et acier Edition de 3 exemplaires Date de création : 2017 H 180 × L 240 × P 2 cm With its cubic shape, the Carioca armchair fits in Bandeira, screen by Luciana Duque in Peroba and space like a minimalist sculpture. It creates hot steel, edition of 3, 2017 and cold, full and empty spaces, while aiming for Un certificat d'authenticité sera remis à l’acquéreur maximum comfort. 1 800 / 2 200 € 145 DESIGN + ART DO BRASIL

ƒ 146 . Leo Capote (né en 1981) - Estudio Leo Capote Colher Armoire Acier et inox Edition de 5 exemplaires The concept comes from an object used from one's Date de création : 2016 infancy, the spoon, in order to make this mundane H 170 × L 80 × P 40 cm object into an unusual work. The cabinet is a Colher, cabinet by Leo Capote in stainless steel, derivative of the first work created, a spoon chair. edition of 5, 2016 The designer slots the spoons within each other Exposition : SP Arte, São Paulo, Bresil, 2015 and through this weaving appears the texture of Un certificat d'authenticité sera remis à l’acquéreur 146 the work, and the work itself. 7 500 / 9 500 € DESIGN + ART DO BRASIL

ƒ 147 . Leo Capote & Marcelo Stefanovicz Outra Oficina Tesoura Miroir Verre et acier Edition de 20 exemplaires Date de création : 2016 H 80 × L 60 cm Mirror by Leo Capote et Marcelo Stefanovicz in glass and steel, edition of 20, 2016 Exposition : MADE, Jockey Clube de São Paul, Brésil 2016 Un certificat d'authenticité sera remis à l'acquéreur 1 000 / 1 500 €

ƒ 148 . Leo Capote (né en 1981) - Estudio Leo Capote Panton - Porcas Chaise Acier inoxydable et plastique Signée et numérotée PA/3 147 Edition de 3 exemplaires Date de création : 2013 H 85 × L 48 × 58 cm Panton-Porcas chair by Leo Capote in stainless Once more, the use of mundane objects serves as steel and plastic, signed and numbered, edition of a base for creation. Reflecting on the functionality 3, 2013 of cissors, the mirror sudddenly blends into a sheet Exposition : of paper, in a way that questions appearances, - New Territories : Laboratories for Design, Craft functionality, and the conventional use of daily and Art In Latin America, Amparo Museum, objects. Puebla, Mexico, 2016 - MADE, Jockey Clube de São Paul, Brésil 2016 et 2015 - New Territories : Laboratories for Design, Craft Amidst the multitude of tools in his workshop, the and Art In Latin America, Museum of Arts and designer explores a new dimension on the uses of Design (MAD NY), New York,États-Unis, 2015. a simple bolt. By randomly welding bolts together - New Territories : Laboratories for Design, Craft was born the idea of aiming for a functional use of and Art In Latin America, Alburquerque Museum the final object. The Panton Porcas chair therefore of Arts, New Mexico, États-Unis, 2014 emerges from the reinterpretation of design - Leo Capote, Firma Casa, São Paulo, Brésil, 2013 pieces, like it will be for the Egg chair, Sarineen. Un certificat d'authenticité sera remis à l’acquéreur 4 000 / 6 000 € 148 DESIGN + ART DO BRASIL

It was common in Brazil, around the end of the XIXth ƒ 149 . Daniel Lanes century, to stage photos where local populations Indias posando, 2015 would pose for future documentation. Indians, Acrylique et huile sur toile slaves and ordinary people would pose being Signée et datée au dos "themselves” for the curiosity of the rich people H 200 × L 150 cm who would collect pictures for anthropological Indias posando by Daniel Lanes in acrylic and oil reasons. Indias Posando captures that moment on canvas, signed and dated, 2015 when two young indians are staring at the camera, Exposition : “Colônia”, Baró Galeria, Sao Paulo, posing with their native costumes on a stage that Brésil, de mai à Juillet 2015. mimics their original habitat. 10 000 / 15 000 € 149 DESIGN + ART DO BRASIL

Descanso alludes to the archetype of Manet's Olympia. The white mistress helped by her black maid. The situation presented in Descanso is about ƒ 150 . Daniel Lanes the Polish women that moved from Europe to Brazil O Descanso, 2015 th in the end of the XIX century. Initially, they were Acrylique et huile sur toile promised to get married and move to the tropics Signée et datée au dos following the dream of a better life. However, as H 170 × L 130 cm soon as they would arrive in Rio de Janeiro they d O Descanso by Daniel Lanes in acrylic and oil on forced to work in brothels. Since Brazil was still in canvas, signed and dated, 2015 a slavery system, they had their own entourage of Exposition : “Colônia”, Baró Galeria, Sao Paulo, helpers. In this case, the mistress is depicted in her Brésil, de mai à Juillet 2015 resting moment accompanied by her personal maid. 8 000 / 12 000 € 150 DESIGN + ART DO BRASIL

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ƒ 152 . Yan Katu Design Mémorias - Pièce unique Banc Bois de Freijó et tissu Signé Cachet de l’artiste Date de création : 2015 H 45 × L 134,5 × P 41,5 cm Memorias, bench by Yan Katu design, in freijó and fabric, signed and stamped, unique piece, 2015 "To remain" is the concept behind the Memorias collection, Exposition : sculpted in solid Freijò and inspired by the manual weaving loom - 100% Brazil - Brazil S.A - Università Degli Studi and the sewing and embroidery techniques realized by Mayumi di Milano - Milan/Italie - du 3 au 9 avril 2017 Ito in Muzambinho in Minas Gerais. The continuous piece of fabric ƒ 151 . Yan Katu Design Mémorias – Pièce unique - Prêmio Objeto Brasileiro - A CASA museu that crosses the wood and creates movement represents the Etagère do objeto brasileiro - São Paulo/Bresil - du 15 ups and downs Mayumi faces in her life. The sculpted drawing is Bois de Freijó et tissu décembre 2016 au 31 janvier 2017 an homage to her mother, who taught her in her childhood the Signée et datée - Fio da Meada - A CASA museu do objeto "cathedral window" sowing technique. "Memories of the soul" is Date de création : 2015 brasileiro - São Paulo/Bresil - du 11 novembre 2015 a small booklet that accompanies the work. It tells its story, of H 56 × L 171,5 × P 32,5 cm au 5 février 2016 its inspirations, and keeps going with pages that are yet to be Un certificat d'authenticité sera remis à l'acquéreur Un certificat d'authenticité sera remis à l’acquéreur written, letting tradition and contemporaneity interact. 1 800 / 2 200 € 3 000 / 4 000 € DESIGN + ART DO BRASIL

Architect and furniture designer, Mari Dabbur turns her perceptions from her research about artisans, artists and traditions into reality by transforming them into pieces of furniture, objects and installations rich in aesthetic beauty and symbols. With a trajectory linked to manual activity, she has gives great importance to traditions and aims to propose a new way to look at knowledge that resists the passing of time. Immersed in research about Brazilian artisanal textile in the city of Muzambinho in Mina Gerais,, Mari Dabbur discovered Maria Santa and her natural dyeing job. “The beauty of the hanging fabrics exposed to the sun in her house and her strength to go on working on what I discovered to be a passion touched me deeply, brought me a connection with the weaving tradition of my own family. A past that I did not have the opportunity to live, but to which the pure and simple yarn sent me back to. The feeling of returning to my origins inspired me to work on the origins the fabric: a set of yarns without weaving, just fixed with a careful crochet stitch, make up the Meada Armchair. The Meada Armchair is a unique piece and was developed for the “Fio da Meada” exhibition held in 2015 at the “A CASA do objeto brasileiro” Museum in the city of São Paulo, Brazil.

153 ƒ 153 . Mari Dabbur Renda - Pièce unique Table d’appoint Fer, cuivre et coton Date de création : 2015 H47 × L 37 × P 37 cm Renda, table by Mari Dabbur in iron, copper and cotton, unique piece, 2015 Exposition : "Fio da Meada”, Museu A CASA do objeto brasileiro,São Paulo, Bresil, 2015 Immersed in the same research on Brazilian artisanal textile, Un certificat d'authenticité sera remis à l’acquéreur Dabbur met Mrs Durvalina and Cláudia. “There we had three 1 500 / 2 500 € generations together with one thing in common: the respect and the ability to transform the yarn using manual techniques ƒ 154 . Mari Dabbur Meada - Pièce unique such as “dentelle” and the “crochet.” The importance of this Fauteuil meeting inspired Mari to create the “Renda” Series, composed Acier cuivré et coton of a side table and a suspended lamp. Both were developed Date de création : 2015 with the aim of giving shape to the desire to preserve and H 72 × L 76 × P 60 cm perpetuaate a very fragile knowledge. Meada, armchair by Mari Dabbur in copper plated The crochet mandala which composes the board of the Renda steel and cotton, unique piece, 2015 Table, made by Cláudia, was hardened with a copper bath Exposition : "Fio da Meada”, Museu A CASA do finishing. Produced in a limited series of 20 pieces, it was developed objeto brasileiro,São Paulo, Brasil, 2015 for the “Fio da Meada” Exhibition held in 2015 at the “A CASA do Un certificat d'authenticité sera remis à l’acquéreur objeto brasileiro” Museum in the city of São Paulo, Brazil. 2 500 / 3 500 € 154 DESIGN + ART DO BRASIL : D.R. (1) : D.R. Photo

The diversity of Brazilian forests (the Amazon, the Atlantic, the Cerrado…) and of wood species is well known, but the country also benefits from another hidden wealth: stones. Amongst hundreds of stone types, Brazil has deposits of pure quartz, quartzite, granite and sandstone. Leo DiCaprio chose to use six types of quartzite for the Pablina collection, as well as pure quartz. Due to their rarity and difficulty to extract, these ƒ 155 . Leo Dicaprio quartzites are all considered semi-precious stones. Ensemble de deux tables d’appoint - Pièce unique Quartz bleu de Macaubas et métal Amongst them, the Blue Macaubas used for these two tables Signées is considered the rarest in the world. It can only be found in a Date de création : 2017 small village south of Bahia in Brazil. Its rarity, color and density H 46 × L 51 × 32,5 cm make it virtually inaccessible. The instersatcion of oval shapes, H 56,5 × L 71 × P 42,5 cm vertically and horizontally illustrate the richness of the forest, Two tables by Leo Dicaprio in blue quartz of full of shadows, mixed colors and shapes, evoked by the pastel Macaubas and metal- signed, 2017 - Unique piece blue veins of the semi-precious Azul Macaubas. The beauty of Exposition : “A Matter of Perception: Linking Minds”, the stone and the primitive shapes give these tables a new and Palazzo Litta, Milan, Italie, du 4 au 9 avril 2017 sophisticated elegance, a ‘link’ between the vegetal and the Un certificat d'authenticité sera remis à l’acheteur mineral, both precious and mystical. 3 500 / 4 500 € 155 DESIGN + ART DO BRASIL : D.R. (1) et (2) : D.R. Photo

ƒ 156 . Atelier Aveus Modèle A, Non Objective Table basse The non-objective table is inspired by suprematist Bois laqué inox, marbre, béton et verre Date de création : 2017 paintings from the beginning of the 20th century. Plaque de l’atelier et numérotée 2/2 The table becomes an abstract piece, composed Edition limitée à 2 exemplaires of elements of different shapes and materials, H 35 × L 169 × P 130 cm floating within the frame of the glass table plate. Non Objective Table, model A, by Atelier Aveus, The moving abstract shapes, habitually flattened in the “non-objective” series, in lacquered wood, in suprematist paintings, suddenly become alive stainless steel, marble, concrete and glass – signed within three dimensions. The work can therefore and numbered 2/2, edition of 2, 2017 be interpreted under an infinity of angles inviting Un certificat d'authenticité sera remis à l'acquéreur the public into the experience. 8 000 / 12 000 € 156 DESIGN + ART DO BRASIL

ƒ 157 . Katharina Welper (né en 1978) The Puddle table defies the properties of its Table basse - Pièce unique materials through its shape and subtle execution. Mosaique et bois laminé Its intricate mosaic table plate, the artist's Date de création : 2016 specialty, echoes the inlay of gems in palatial H 39 × L 164 × P 67 cm furniture. Table by Katharina Welper in mosaic and laminated wood - unique piece, 2016 Exposition : Isto é uma mesa, Museu Histórico Nacional, Rio de Janeiro 2014 Un certificat d'authenticité sera remis à l'acquéreur 5 000 / 7 000 €

157 DESIGN + ART DO BRASIL : D.R. (1) : D.R. Photo

Mulherbiosfera is the first circular canvas of a series of works in progress. This work is the result of a mix between organic and synthetic materials, 158 assembled to create the biosphere. It is by painting with his children and observing the way they used ƒ 158 . Livia Moura paint and pigments that Livia Moura's creative Mulherbiosfera, 2017 instincts sprang forth. It is from this "brute Technique mixte sur toile experience", as she puts it, that she began her Signée et datée au dos "interventions" by producing a dialogue between Ø 160 cm the natural flow of paint and the artistic intention. Mulherbiosfera by Livia Moura, mixed technique The result is powerful canvases, opening doors to on canvas, signed and dated, 2017 other universes. 6 000 / 9 000 € DESIGN + ART DO BRASIL : D.R. (1) : D.R. Photo

ƒ 159 . Brunno Jahara (né en 1979) Neorustica - Pièce unique Ensemble composé de trois tables Bois de récupération de Peroba Rosa Etiquette de l’artiste Date de création : 2012 H 45 × L 40 × P 40 cm H 65 × L 50 × P 50 cm H 73 × L 40 × P 40 cm Specially crafted out of rough wood, the slates are carefully Neorustica, three tables by Brunno Jahara in painted in bright colors making every piece unique and full reclaimed Peroba rosa wood, stamped, unique of character due to the natural texture of aged wood. The piece, 2012 Neorustica series is a tribute to the country’s rural background Exposition : and has the strong colors of Brazilian culture. - Hiperbólico,Musée National Historique, Rio de The wealthy Brazilian upper class holds the economic and Janeiro, Brésil 2014 political powers, whilst most of the population lives in poverty. - Black River Fever, NewYork Design Week, USA, 2012 The pieces of this set are built the same way with a crafted rich Bibliographie : upper piece and a humble and simple base. - Carlos Ferreirinha, Um novo olhar sobre o Design Using these conceptual elements to develop the pieces, with Brasileiro, Senai SP, São Paulo, 2012, p. 72 regard to the materials used, Brunno Jahara teamed up with a - Elle Deco LAB, Recup Brazil, n.02, printemps eté furniture factory which specializes in working with wood that is 2013, p. 173 left over from construction sites or demolition. - Ideat, Neo-tropicaliste, n. 91, mars 2012, p. 108, 123 The result is bridging the distance between object and user, by Un certificat d'authenticité sera remis à l’acquéreur 159 inviting one to touch and feel the texture of the pieces. 1 800 / 2 500 € DESIGN + ART DO BRASIL : D.R. (1) : D.R. Photo

ƒ 160 . Brunno Jahara (né en 1979) Serviteur Muet - Pièce unique Plastique recyclé Collection "Multiplastica domestica" 160 Signé et daté Date de création : 2012 H 65 × Ø 24 cm Serviteur Muet by Brunno Jahara in recycled plastic, signed and dated, unique piece, 2012 Exposition : Cooper Hewitt Design Museum in The objects are made to speak about the importance of New York, the Museu Histórico Nacional in Rio color, sustainability and raising awareness towards the huge de Janeiro amount of plastic debris that ends in the oceans every day, Un certificat d'authenticité sera remis à l'acquéreur contaminating and endangering the wildlife animals that eat 300 / 500 € them by accident and die from it. Pieces are assembled in Brazil, the plastic caps are collected by the National Recycling ƒ 161 . Brunno Jahara (né en 1979) Association, in São Paulo, where a cooperative of people selects Biotipos chairs - Pièces uniques Paire de chaises the garbage for recycling. Plastique recyclé Edition de 2 exemplaires H 93 × L 40 × P 47 cm These unique chairs are made out of 1000 plastic bags each, to Date de création : 2013 bring consciousness about consumer society and plastic waste. Pair of Biotipos, chairs by Brunno Jahara in It is estimated that each person in the developed world uses recycled plastic, edition of 2, unique pieces, 2013 approximately 1000 plastics bags every year. Bags are tied by Exposition : Hiperbólico, Musée National hand creating an animal like chair shape in shades of white d’Histoire, Rio de Janeiro, 2014 or black and white, creatures to be used and displayed as a Un certificat d'authenticité sera remis à l’acquéreur conversation piece. 800 / 1 200 € 161 DESIGN + ART DO BRASIL

ƒ 162 . Bianca Barbato Cata Vento Lampe de table Metal cuivré Signée sur la plaque 162 Date de création : 2016 H 55 × L 42 × P 15 cm Bianca Barbatto is a specialist when it comes to Cata Vento, lamp by Bianca Barbato in metal, blending a playful universe and design. "I build signed, 2016 toys for grown ups", she jokes. It is clear that these Bibliographie : Casa Claudia, Avril 2017, reproduit p. 48 works, at the crossroads between art and design, 800 / 1 200 € have a capacity to awaken emotion and create an effect of surprise. Playing with baroque elements ƒ 163 . Sergio Fahrer and childhood themes, Bianca Barbatto creates Paso Doble Chaise longue pieces full of poetry with a romantic flavor. Chêne et tissu Plaque de l’artiste, numéroté 1/10 Edition de 10 exemplaires The Paso Doble chair was designed in the San Telmo Date de création : 2006 district of Buenos Aires in Argentina, inspired by H 82 × L 180 × P 60 cm the curves of the guitar and those of the dancers. Chair by Sergio Fahrer in oak and fabric, edition Sergio Fahrer was enthralled by the lines created of 10, 2006 by the paso doble during a tango show, along with Un certificat d'authenticité sera remis à l’acquéreur 163 the music of Astor Piazzola. 5 000 / 7 000 € DESIGN + ART DO BRASIL

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The Ndebele armchair was inspired by the ornaments worn by the "Giraffe" women of the ƒ 164 . Bibelo + Design Ndebele tribe, in Lesedi, Africa. Its gyrating Ndebele structure in corded rings is reminiscent of the neck Fauteuil coils worn by these women, which can reach up to Aluminum, corde et tissu 30 centimeters in height. The Ndebele tribe also Date de création : 2017 has the custom of covering its houses with colorful H 92 × L 109 × P 85 cm patterns in vibrant shapes. Only women practice Ndebele, armchair by Bibelo + Design in craftsmanship and graphism; they are responsible aluminum, rope, and fabric, 2017 for maintaining the culture and tradition of the Un certificat d'authenticité sera remis à l’acquéreur people and transmit it to future generations. The 2 000 / 3 000 € result is a tribal armchair whose feminine lines ƒ 165 . Andrea Macruz (XX-XXI) create a disconcerting light and shadow effect. Va.z Paravent Pin Parana The screen evokes fluidity and movement. The Plaque de l’artiste triangular openings are inspired by the leaf veining Date de création : 2016 of oxalis or calathea-louisae, and discreetly reveal H 250 × L 175 cm the details of the background. Its malleable Va.z pine screen by Andrea Macruz, stamped, 2016 shape and subtle patterns make it a poetic and Un certificat d'authenticité sera remis à l'acquéreur 165 interactive work. 3 000 / 4 000 € DESIGN + ART DO BRASIL : D.R. (1) et (2) : D.R. Photo

The "Rede" hammock is possibly one of the most authentic furniture pieces of the Brazilian ƒ 166 . Lattoog (Léonardo Lattavo, né en 1970) culture. Used at first by the South American native Regg Paire de fauteuils populations, it is made of vines and fibers. It was Fibre de verre , tissu et métal then transformed by the Portugese colonists' wives Plaque de l'artiste who used cotton nets decorated with fringes. Date de création : 2016 Many years later, Latoog explores the concept of H 190 × L 80 × P 87 cm cultural blending and syncretism in creating the Regg, pair of chairs by Lattog in fiberglass, fabric Regg, amazing encounter between a hammock and metal, 2016 and the Egg chair by Arne Jacobsen (1958). It is Bibliographie : Brazilian Furniture Design, the birth of an iconographic piece which explores Editions Olhares reproduit p. 167 the relations between the hammock and the Un certificat d'authencité sera remis à l'acquéreur architectural space. A small suspended paradise... 10 000 / 15 000 € 166 DESIGN + ART DO BRASIL

ƒ 167 . Pedro Braga (XX-XXI) Espelho ABC - Pièce unique Miroir Teck, bronze et miroir Signé au dos Date de création : 2017 H 92 × L 57 × P 13 cm Espelho ABC, mirror by Pedro Braga in teck, bronze and metal, unique piece, 2017 Exposition : - Oitis 55 - Um retrato do Design Carioca, Museu de Arte Moderna do Rio de Janeiro / MAM-RJ, Rio de Janeiro, Brasil, du 10 décembre au 14 mai 2017 - Inner + New Creators | Co-Criações", Verve Galeria, São Paulo, Brasil, du 12 dau 16 août 2015 - Now! Le Off", Cité de la Mode et du Design, Paris, França, du 9 au 13 septembre 2015 Bibliographie : - SUZETE ACHÉ, mercado de luxo, O Globo, Rio de Janeiro, 2017, reproite Cad. Ela p. 8. - MÔNICA REOLOM, uma casa de respeito, Azul Magazine, São Paulo, 2016, reproduite p. 96 Un certificat d'authenticité sera remis à l'acquéreur 600 / 800 €

ƒ 168 . Brunno Jahara (né en 1979) Silver Drops 167 Deux appliques Métal et argent Date de création : 2011 H 54 × L 50 × P 3 cm H 36 × L 30 × P 3 cm Silver Drops, pair of wall light by Brunno Jahara in The ABC mirror line has a minimalist design, with an metal and silver, 2011 elegant simplicity. It offers various uses that enrich its Exposition : link with the user. It possesses a shelf for small objects, a - Salon Casa Brasil, Bento Gonçalves, Rio grande decorative test tube used as a vase, a hanger on its side. do Sul, Brasil, 2015 This unique piece is an exclusive creation for the Design + - IDA, Arte Rio, Rio de Janeiro, Brasil, 2015 Art do Brasil auction, with noble materials such as teak and a - Hiperbólico”, Museu Histórico Nacional, Rio de bronze mirror. Janeiro, 2014 - Casa Brasil”, Bento Gonçalves, Rio Grande do Brunno Jahara mixes an artisanal knowledge with materials Sul, Brazil, 2011 from the industrial era, ennobling them in precious metals. Bibliographie : These well crafted pieces are made by hand. The marks of - Marcelo Vasconcelos et Zanini de Zanine, extensive hammering are shown on the surface of each Brazilian Furniture, chairs, armchairs, benches, wallpiece, adding a natural effect of liquid metal drops. The stools, Éditions Olhares, São Paulo, 2013, reproduit p. 187 inspiration was to make a new type of wall decoration, adopting - INTERNI, N.12 décembre 2011, p. 32 ancient techniques of silversmithing, which creates a long - IDEAT, N. 91, mars 2012, p. 123 lasting product that will age gracefully. Un certificat d'authenticité sera remis à l'acquéreur 3 000 / 4 000 € 168 DESIGN + ART DO BRASIL

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ƒ 169 . Bianca Barbato Ensemble de trois sculptures Métal patiné Signés Date de création : 2017 H 12 × L 25 × P 12 cm (chacun) Set of 3 sculptures by Baianca Barbato in metal, signed, 2017 Un certificat d'authenticité sera remis à l'acquéreur 500 / 700 €

This decorative piece uses three different ancient ƒ 170 . Bianca Barbato mirror types, giving it a vintage aspect. The designer Triptique enjoys experimenting with ancient materials in Miroir order to give them new life, while reminding us of Bois laminé, laiton et miroir Date de création : 2017 their historical character. Fascinated by modernist H 100 × L 80 × P 3 cm geometry, she creates minute pieces, full of details Mirror by Baianca Barbato in laminated wood, and refinement. Here, the shimmering outside brass and mirror, 2017 veneer echoes the pink details of the inside, the Bibliographie : Casa Vogue, mai 2017 whole articulated by a thin hair pin attaching piece. Un certificat d'authenticité sera remis à l'acquéreur 3 000 / 4 000 € 170 CONDITIONS GÉNÉRALES DE VENTE CONDITIONS OF SALE

AVIS IMPORTANT AUX ACHETEURS. ESTIMATIONS PAIEMENT IMPORTANT NOTICE TO BUYERS ON ESTIMATES PAYMENT STOCKAGE ET ENLÈVEMENT DES ACHATS. Dans le catalogue, le prix de vente estimé figure à 1. La vente sera conduite en Euros. STORAGE & COLLECTION OF PURCHASES An estimate in euros of the likely sale price is 1. The sale shall be conducted in euros. Les acquéreurs sont invités à examiner la suite de chaque lot. Il ne s’agit que d’une Le règlement des objets, ainsi que celui des taxes Potential purchasers are invited to published after each lot. This is provided for All payments must be effected in the same les biens pouvant les intéresser et à indication, le prix d’adjudication pouvant varier. s’y appliquant, sera effectué dans la même examine and assess the condition of indication only. The hammer price may of course currency. constater leur état avant la vente aux monnaie. items they may wish to buy before the be above or below this estimate. 2. Payment is due immediately after the sale. enchères, notamment pendant les CONDITIONS DE VENTE 2. Le paiement doit être effectué immédiatement auction, notably during the pre-sale 3. Property may be paid for in the following expositions. PIASA se tient à leur L’adjudicataire sera le plus offrant et dernier après la vente. viewing. PIASA is happy to provide CONDITIONS OF SALE ways : disposition pour leur fournir des rapports enchérisseur, et aura pour obligation de remettre 3. L’adjudicataire pourra s’acquitter condition reports for individual lots The highest and final bidder is deemed to be the – by credit card in the saleroom sur l’état des lots. En conséquence, ses nom et adresse. Aucun lot ne sera remis aux par les moyens suivants : upon request. No claims will therefore purchaser, and must provide his / her name and (VISA or MASTERCARD) aucune réclamation ne sera recevable acquéreurs avant acquittement de l’intégralité des – Par carte bancaire en salle : be entertained after the fall of the address. No lot will be transferred to the purchaser – by crossed cheque in euros, dès l’adjudication prononcée. sommes dues. VISA et MASTERCARD. hammer. before it has been paid for in full. upon presentation of valid En cas de paiement par chèque ou – Par chèque bancaire certifié en euros avec In the event of payment by cheque or bank proof of identity Aucun retrait ne sera accepté au 118 rue du par virement, la délivrance des objets, pourra être présentation obligatoire d’une pièce d’identité en No collection will be allowed at Piasa, 118 rue transfer, property may be withheld until payment – by bank transfer in euros : Faubourg Saint Honoré, 75008 Paris. différée jusqu’à l’encaissement. cours de validité. du Faubourg Saint Honoré, 75008 Paris. has been cleared. Any storage costs that may result Tous les achats pourront être enlevés 24h Les frais de dépôt sont, en ce cas, à la charge de – Par virement bancaire en euros : All purchases can be collected 24 hours are to be paid by the purchaser. In addition to the 4. Wherever payment is made by cheque from a après la vente dans notre stockage, l’adjudicataire. Il devra acquitter, en sus du RÉFÉRENCES BANCAIRES after the sale in the storage, only if the amount of the winning bid, the following premium foreign bank account, the purchase will not be à condition d’avoir été réglés préa- montant de l’enchère, par lot, les frais et taxes HSBC, CENTRE D'AFFAIRES OPÉRA payment has been made. per lot is also due : BANK REFERENCES lablement. Aucun paiement ne sera suivants : 3 RUE DES MATHURINS 75009 PARIS No payment will be allowed at the HSBC, CENTRE D'AFFAIRES OPÉRA accepté directement au garde meuble. Numéro de compte international (IBAN) storage. BUYER’S PREMIUM 3 RUE DES MATHURINS 75009 PARIS FRAIS DE VENTE FR76 3005 6009 1709 1700 3866 868 In addition to the lot’s hammer price, the buyer IBAN BIC (Bank Identification Code) PIASA En sus du prix de l’adjudication, l’adjudicataire PIASA must pay the following costs and fees / taxes per FR76 3005 6009 1709 1700 3866 868 CCFRFRPP 5, boulevard Ney 75018 Paris devra acquitter par lot et par tranche dégressive 5, boulevard Ney 75018 Paris lot and on a sliding scale : 30 % inc. tax, BIC (Bank Identification Code) CCFRFRPP les commissions et taxes suivantes : 4. Les chèques tirés sur une banque étrangère ne up to €150,000 (25 % + VAT 20 %) 24 % inc. Entrée véhicules par 215 rue d’Aubervilliers 30% TTC sur les premiers 150 000€ (25 % Ht seront autorisés qu’après l’accord préalable de Entrance by : 215 rue d’Aubervilliers 75018 Paris tax, from €150,001 to €1,000,000 (20 % + delivered until Piasa receives the bank agreement. 75018 Paris Niveau -1, zone C-15 + TVA 20%) puis 24 % TTC de 150 001€ à 1 PIASA, pour cela, il est conseillé aux acheteurs Niveau -1, zone C-15 VAT 20 %) 14.40 % inc. tax, 5. In cash : Hauteur maximum du camion : 3,90 m 000 000€ (20% HT + TVA 20 %) et 14,4% d’obtenir, avant la vente, une lettre accréditrive de Maximal height for the truck : 3,90 m above €1,000,000 (12 % + VAT 20 %) – up to €1,000 (inc. premium) for French citizens Entrée piétons 5 Bd. Ney 75018 Paris TTC au-delà de 1 000 001€ (12% HT + TVA 20%) leur banque pour une valeur avoisinant leur Pedestrian entrance by: 5 Bd. 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Thereafter the purchaser will be 21.60 % inc. tax (18 % + VAT 20 %) Tel. : +33 1 53 34 10 17 dépôt et d'assurance seront supportés 21,60 % TTC (18 % HT + TVA 20 %) activité professionnelle, sur présentation d’un charged storage and inssuranse costs at par les acquéreurs au tarif de 30 euros passeport et justificatif de domicile. the rate of €30 + tax, and €3 + tax, per Lots preceded by the symbol ƒ are subject to an ABSENTEE BIDS HT forfaitaire et 3 euros HT par jour Les lots dont le n° est précédé par le symbole ƒ day and per lot. additional premium of 5.5 % + VAT (6.60 % inc. Bidders unable to attend the sale must complete calendaire et par lot. sont soumis à des frais additionnels de 5,5 % HT, PIASA-Comptabilité Acheteurs VAT) on the hammer price. Lots preceded by the the absentee bid form in this catalogue. PIASA soit 6,60 % TTC du prix de l’adjudication. 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Should two written bids vos nom, adresse et numéro de téléphone Les lots précédés d’un * appartiennent à un des intérêts de ce dernier. www.piasa.fr In the event of a dispute at the fall of the hammer, be identical, the first one shall take precedence. en mentionnant les spécialités qui actionnaire, un collaborateur ou un expert de la Les ordres d’achat écrits ou les enchères par i.e. if two or more bidders simultaneously make Telephone bids are not accepted for retiennent particulièrement votre société PIASA. téléphone sont une facilité pour les clients. INFORMATION the same bid, either vocally or by sign, and claim lots estimated less than €300. attention. Vous pouvez aussi imprimer Ni PIASA, ni ses employés ne pourront être tenus As an operator of voluntary auction sales, title to the lot after the word adjugé has been vos ordres d’achat, consulter nos En cas de contestation au moment des pour responsables en cas d’erreurs éventuelles ou PIASA is a member of the Central pronounced, the said lot shall be immediately ITEMS FALLING WITHIN THE SCOPE catalogues ainsi que les résultats adjudications, c’est-à- dire s’il est établi que deux omissions dans leur exécution comme en cas de non registration preventing non-payment and reoffered for sale, at the price of the final bid, and OF SPECIFIC RULES complets de nos ventes sur notre site : ou plusieurs enchérisseurs ont simultanément exécution de ceux-ci. Lorsque deux ordres d’achat any incident in lots payments liable to be all those present may take part in the bidding. The international regulation dated March 3rd www.piasa.fr porté une enchère équivalente, soit à haute voix, sont identiques, la priorité revient au premier ordre registered. Any changes to the conditions of sale or to the 1973, protects endangered species and specimen. soit par signe, et réclament en même temps cet reçu. Any claim from a debt contractor or/and descriptions in the catalogue shall be announced Each country has its own lawmaking about it. INFORMATION objet après le prononcé du mot « adjugé », le dit Il ne sera accepté aucune enchère téléphonique a person registered, relating to access verbally during the sale, and appended to the Any potential buyer must check before bidding, if L'opérateur de vente volontaire est objet sera immédiatement remis en adjudication pour les lots dont l’estimation est inférieure à right, modification and counteraction official sale record (procès-verbal). he is entitled to import this lot within his country adhérent au Registre central de au prix proposé par les enchérisseurs et tout le 300 €. should be addressed to Symev 15 rue of residence. Any lot which includes one element prévention des impayés des public présent sera admis à enchérir à nouveau. Freycinet 75016 Paris. in ivory, rosewood… cannot be imported in the Commissaires priseurs auprès duquel Les éventuelles modifications aux conditions de BIENS SOUMIS À UNE LÉGISLATION United States as its legislation bans its trade les incidents de paiement sont vente ou aux descriptions du catalogue seront PARTICULIÈRE whatever its dating may be. susceptibles d'inscription. annoncées verbalement pendant la vente et notées La réglementation internationale du 3 mars 1973, Les droits d'accès, de rectification et sur le procès-verbal. dite Convention de Washington a pour effet la d'opposition pour motif légitime sont à protection de specimens et d’espèces dits menacés exercer par le débiteur concerné auprès d’extinction. du Symev 15 rue Freycinet 75016 Paris. Les termes de son application diffèrent d’un pays à l’autre. Il appartient à tout acheteur de vérifier, avant d’enchérir, la législation appliquée dans son pays à ce sujet. Tout lot contenant un élément en ivoire, en palissandre… quelle que soit la date d’execution ou son certificat d’origine, ne pourra être importé aux Etats-Unis, au regard de la législation qui est appliquée. design + Art do Brazil

Mercredi 13 décembre 2017 | Wednesday 13th December 2017 PIASA 118 rue du Faubourg Saint-Honoré 75008 Paris Fax :+ 33 1 53 34 10 11 SCANDINAVIAN DESIGN ORDRE D’ACHAT | ABSENTEE BID FÉVRIER 2018 ENCHÈRES PAR TÉLÉPHONE | BIDDING BY TELEPHONE

Nom et prénom | Name & First Name: Adresse | Address: Téléphone | Telephone: Portable | Cellphone: Téléphone pendant la vente | Telephone during the sale: E-mail/ Fax | E-mail/ Fax: Banque | Bank: Personne à contacter | Person to contact: Adresse | Address: Téléphone | Telephone: Numéro du compte | Account number: Code banque | Bank code: Code guichet | Branch code:

Joindre obligatoirement un RIB ainsi qu’une copie d’une pièce d’identité (passeport ou carte nationale d’identité). Please enclose your bank details and a copy of your identity card or your passport.

Les ordres d’achat écrits ou les enchères par téléphone sont une facilité pour les clients. Ni PIASA, ni ses employés ne pourront être tenus responsables en cas d’erreurs éventuelles ou omission dans leur exécution comme en cas de non exécution de ceux-ci. Absentee and telephone bidding are services offered to clients. Neither PIASA nor its staff can accept liability for any errors or omissions that may occur in carrying out these services.

LOT N° DESCRIPTION DU LOT | LOT DESCRIPTION LIMITE EN € | LIMIT IN €

J’ai pris connaissance des conditions générales, informations et avis imprimés dans le catalogue et accepte d’être lié(e) par leur contenu ainsi que par toute modication pouvant leur être apportée, soit par avis affiché dans la salle de vente, soit par annonce faite avant ou pendant la vente. Je vous prie d’acquérir pour mon compte personnel, aux limites en euros, les lots que j’ai désignés ci-contre (les limites ne comprenant pas les frais à la charge de l’acheteur). I have read the terms and conditions of sale as printed in the catalogue and agree to be bound by their contents as well as by any modifications that may be made to them, indicated either by notice in the saleroom or as announced before or during the sale. Please bid on my behalf up to the limit stipulated in euros, for the lot(s) designated opposite (exclusive of buyer’s premium). CONTACT NICOLAS DENIS TÉL. : +33 1 45 44 43 54 [email protected] WWW.PIASA.FR Date: Signature obligatoire | Signature obligatory: COMPTABILITÉ DÉPARTEMENTS SCULPTURE PIASA S.A. Maylis Gazave ACHETEURS ART MODERNE ET Tél. : +33 1 53 34 10 10 PRÉSIDENT Gaëlle Le Dréau CONTEMPORAIN [email protected] DIRECTEUR GÉNÉRAL Tél. : +33 1 53 34 10 17 Alain Cadiou [email protected] Florence Latieule MOBILIER OBJETS D’ART Tél. : +33 1 53 34 10 03 ART ISLAMIQUE VICE-PRÉSIDENTE VENDEURS [email protected] ARCHÉOLOGIE DIRECTRICE GÉNÉRALE Odile de Coudenhove TIMBRES Marie Filippi Tél. : +33 1 53 34 12 85 Christophe Person VENTES GÉNÉRALISTES [email protected] Tél. : +33 1 53 34 10 18 INVENTAIRES VICE-PRÉSIDENT ASSOCIÉ [email protected] Carole Siméons DIRECTEUR GÉNÉRAL Laura Wilmotte- Tél. : +33 1 53 34 12 39 Frédéric Chambre Koufopandelis [email protected] Tél. : +33 1 53 34 13 27 DIRECTEUR DE LA STRATÉGIE [email protected] BIJOUX ET ARGENTERIE ET DU DÉVELOPPEMENT Maylis Gazave BANDES DESSINÉES Christophe Person Tél. : +33 1 53 34 10 10 LETTRES ET MANUSCRITS Tél. : +33 1 53 34 10 18 [email protected] AUTOGRAPHES [email protected] DÉPÔT ET STOCKAGE Domitille d’Orgeval LIVRES ANCIENS ET MODERNES Tél. : +33 1 53 34 13 26 Dora Blary SECRETARIAT Du lundi au vendredi [email protected] Tél. : +33 1 53 34 13 30 Laurence Dussart de 9 à 12h et de 14 à 17h [email protected] Tél. : +33 1 53 34 12 87 ARTS DÉCORATIFS DU XXe SIÈCLE [email protected] 5 boulevard Ney 75 018 Paris ET DESIGN ART D’ASIE CÉRAMIQUE ANCIENNE Entrée par : Frédéric Chambre Marie-Amélie de Préville 215 rue d’Aubervilliers [email protected] Tél. : +33 1 53 34 10 12 75 018 Paris [email protected] Tél. : +33 1 40 34 88 81 Nicolas Denis [email protected] HAUTE-ÉPOQUE PIASA Olivier Pasquier Tél. : +33 1 45 44 43 54 TABLEAUX ET DESSINS ANCIENS [email protected] Martin Jalabert Giulia Ponti PIASA Eric Bonapera [email protected] Tél. : +33 1 53 34 12 38 118 rue du Faubourg Saint-Honoré [email protected] Tél. : +33 1 53 34 10 06 [email protected] 75 008 Paris Sylvain Clerc Alix de Saint-Hilaire ESTAMPES MODERNES [email protected] Tél. : +33 1 45 44 12 71 Tél. : +33 1 53 34 10 10 ET CONTEMPORAINES Marion Pelletier [email protected] Fax : +33 1 53 34 10 11 [email protected] LIMITED EDITION Pascale Humbert [email protected] Christian Toutee Tél. : +33 1 53 34 10 19 Isabelle Milsztein PARIS MIAMI www.piasa.fr [email protected] [email protected] Tél. : +33 1 53 34 12 89

Estelle Laporte [email protected] Tél. : +33 1 53 34 12 80 Goulven Le Morvan Piasa SA Ventes volontaires aux [email protected] Tél. : +33 1 53 34 10 15 enchères publiques Clémence Paris [email protected] agrément n° 2001-020 [email protected] Tél. : +33 1 45 44 43 53 INVENTAIRES Frédéric Chambre est à votre disposition pour estimer vos œuvres ou collections en vue de vente, partage, dation ou assurance.

NOS CORRESPONDANTS

NANTES & ANGERS Georges Gautier 15, rue du Général de Sonis 44 000 Nantes Tél. : +33 2 28 09 09 19 27 rue des Arènes 49 000 Angers Tél. : +33 2 41 42 04 04 Port. : +33 6 08 69 81 07 GENÈVE LONDRES [email protected]

EN BELGIQUE Michel Wittamer +33 (0)1 85 34 70 70︱[email protected] 379 avenue Louise Boîte 6 1050 Bruxelles Tél. : +32 474 010 010 [email protected]

CRÉATION ORIGINALE Mathieu Mermillon

RÉALISATION GRAPHIQUE Marie Eyries www.barnes-international.com Charly Basilic PHOTOGRAPHIES Xavier Defaix

PIASA 118 rue du Faubourg Saint-Honoré 75 008 Paris

Tél. : +33 1 53 34 10 10 Fax : +33 1 53 34 10 11 [email protected] www.piasa.fr

PIASA SA — Ventes volontaires aux enchères publiques agrément n° 2001-020