Il Giornale Dell'arte
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Novembro 2019 - Terça-Feira Às 21H
Leilão de Arte 26 de Novembro 2019 - Terça-feira às 21h Local do Leilão Rua Groenlândia, 1897 - São Paulo - SP Local da Exposição Rua Groenlândia, 1897 - São Paulo - SP 21 e 22 - Quinta e Sexta-feira 10h -19h 23 - Sábado 11h - 18h 25 e 26 - Segunda e Terça-feira 10h – 18h No domingo, dia 24, não haverá exposição. Lances Prévios e durante o pregão (11) 3088-7142 (11) 3064-8833 (11) 97680-9690 Lances online podem ser dados através da plataforma iArremate. www.iarremate.com/aloisiocravo Cadastre-se pelo menos 24 horas antes do leilão. Você pode acompanhar o leilão ao vivo e dar lances como se estivesse na sala de leilão. No pregão, as obras serão apresentadas por meio de projeção. 1 - Anna Maria Maiolino (1942) Sem título gravura 25/40 70 x 100 cm assinada canto inferior esquerdo 1995 Estimativa: R$ 8.000 – 10.000 2 - Anna Maria Maiolino (1942) 3 - Anna Maria Maiolino (1942) Sem título Sem título gravura 27/40 gravura 30/40 100 x 70 cm 100 x 70 cm assinada canto inferior esquerdo assinada canto inferior esquerdo 1995 1995 Estimativa: Estimativa: R$ 8.000 – 10.000 R$ 8.000 – 10.000 4 - Arthur Luiz Piza (1928 - 2017) Sem título gravura E/A 63 x 91 cm assinada canto inferior direito Estimativa: R$ 10.000 – 15.000 5 - Amilcar de Castro (1920 - 2002) 6 - Amilcar de Castro (1920 - 2002) Sem título Sem título gravura 36/45 gravura 5/55 60 x 100 cm 70 x 95 cm assinada canto inferior direito assinada canto inferior direito Estimativa: Estimativa: R$ 4.000 – 8.000 R$ 4.000 – 8.000 8 - Roberto Burle Marx (1909 - 1994) 7 - Roberto Burle Marx (1909 - -
Leilão De Arte 23 De Outubro 2017 - Segunda Feira Às 21H
Leilão de Arte 23 de outubro 2017 - Segunda feira às 21h Local do leilão Hotel Unique - Lobby - Sala Mezanino Av. Brig. Luís Antônio, 4700 - São Paulo - SP Local da Exposição Rua Groenlândia, 1897 - São Paulo - SP 19 - 22 de Outubro das 12h -20h 23 de Outubro 10h - 18h Lances Prévios (11) 3088-7142 (11) 97680-9690 Cravo Online www.iarremate.com/aloisio-cravo Lances online podem ser dados através da plataforma iArremate. Cadastre-se pelo menos 24 horas antes do leilão. Você pode acompanhar o leilão ao vivo e dar lances como se estivesse na sala de leilão. Os lotes de números 92 a 100, terão sua arrecadação revertida para a Childhood Brasil. No pregão, as obras serão apresentadas por meio de projeção. 1 - Claudio Tozzi -1944 O rosto serigrafa 27/50 40 x 50 cm assinada canto inferior direito 1971 Estimativa R$ 2.000 - 3.000 2 - José Damasceno -1968 Psicoplasma - Harlem NY fotografa, edição 30/100 22 x 27 cm 2002 Acompanha certifcado Galeria Luisa Strina. Estimativa R$ 4.000 - 8.000 3 - José Damasceno -1968 Psicoplasma - Harlem NY fotografa, edição 3/100 22 x 27 cm 2002 Acompanha certifcado Galeria Luisa Strina. Estimativa R$ 4.000 - 8.000 4 - José Damasceno -1968 Psicoplasma - Harlem NY fotografa, edição 15/100 22 x 27 cm 2002 Acompanha certifcado Galeria Luisa Strina. Estimativa R$ 4.000 - 8.000 5 - Keila Alaver -1970 Váva e Manu serigrafa sobre papel 55 x 37,5 cm assinada no verso 2003 Acompanha certifcado Galeria Luisa Strina. Estimativa R$ 3.000 - 6.000 6 - Marcelo Moscheta -1976 Da Série Carbon Heritage 12.074 monotipia com papel carbono sobre impressão em papel fotográfco 52 x 50 cm 2012 Estimativa R$ 8.000 - 12.000 7 - Regina Silveira -1939 Botão - Da Série Armarinhos litografa e serigrafa, edição 52/75 56 x 76 cm assinada canto inferior direito 2002 Acompanha certifcado Galeria Luisa Strina. -
Press Release
18 Woodstock Street London W1C 2AL +44 (0)20 7495 1969 [email protected] Press Release At a time when the notion of belief is particularly fraught, Secular Icons in an Age of Moral Uncertainty examines contemporary takes on some — of the objects we turn to for meaning or solace. Pictures, screens, movies, Secular Icons in an and commodities are filtered here through formally abstract conceptual Age of Moral Uncertainty propositions, linked by a sense of indeterminacy. Taking its title from Nathan Coley’s eponymous grids of fairground lights, the exhibition Nathan Coley brings together forms of image-making which – while redolent of an Mimosa Echard art history spanning from Byzantine icon painting to 20th-century Simon Fujiwara avant-gardes – decidedly engage with the now. Which ‘now’ they specifically address, though, remains open to interpretation: is it the Sara Naim lure of gore, of entertainment, of luxury? The grisly spectacle of terrorism Indrė Šerpytytė or the untapped riches of technological obsolescence? More than the Curated by Coline Milliard objects themselves, what’s under scrutiny in Secular Icons is the act of looking, the dynamics driving our gaze, and the multitude of projections — a collection of pieces so radically distinct encourages. 1 December 2017 – 3 February 2018 Nathan Coley is perhaps best known for his large-scale illuminated text pieces, such as There Will Be No Miracles Here (2006), which often — challenge the human compulsion to belief. Coley’s series Secular Icon(s) Private view: In An Age of Moral Uncertainty (2007-8) reduces the text pieces’ Thursday 30 November, 6–8pm formal language to its bare-bone sculptural elements: metal structure and fairground lights. -
Simon Fujiwara
Simon Fujiwara Born 1982 in London, lives in Berlin Education 2006-2008 Fine Art Studies at Städelschule, Staatliche Hochschule für Bildende Künste with Prof. Simon Starling, Frankfurt am Main 2002-2005 Architecture BA, 1st Class Degree Hons with Distinction, Cambridge University with Distinction, Cambridge University Solo Exhibitions and Performances (selection) 2018 • Revolution, Lafayette Anticipations – Galeries Lafayette Corporate Foundation, Paris • Empathy I, Esther Schipper, Berlin • Soul of the Soulless, Condo Shanghai, Edouard Malingue Gallery, Shanghai • Joanne, Galerie Wedding, Berlin • Hope House, Kunsthaus Bregenz, Bregenz 2017 • Hope House, Dvir Gallery, Tel Aviv • Heaven, Gio Marconi, Milan 2016 • Figures in a Landscape, Kunsthalle Düsseldorf, Dusseldorf • Joanne, The Photographers’ Gallery, London • The Humanizer, Irish Museum of Modern Art, Dublin • Nouvelles, Dvir Gallery, Brussels • Pearl Diving, TARO NASU, Tokyo • White Day, Tokyo Opera City Art Gallery, Tokyo • The Way, Yu-un, Obayashi Collection, Tokyo 2015 • Modern Marriage, Public art sculpture (permanent) adjacent to the new American Embassy, London • A Spire, Public art sculpture (permanent) for the University of Leeds Laidlaw Library, Leeds • Lactose Intolerance, Dvir Gallery, Tel Aviv • Peoples of the Evening Land, Proyectos Monclova, Mexico City 2014 • Three Easy Pieces, Carpenter Center for the Visual Arts, Harvard University, Cambridge • Rebekkah, Contemporary Art Society, London 2013 • Grand Tour, Kunstverein Braunschweig, Braunschweig • Studio Pietà (King Kong Komplex), Andrea Rosen Gallery, New York • Aphrodisiac Foundations (Imperial Hotel 1968, King Kong Komplex), TARO NASU, Tokyo • The Problem of the Rock, Dazaifu Tenmangu Shrine, Fukuoka • Simon Fujiwara, Art Sonje Center, Seoul 2012 • Rehearsal for a Reunion (with the Father of Pottery), Dvir Gallery, Tel Aviv • The Museum of Incest, Crawford Art Gallery, Cork • Simon Fujiwara: Since 1982, Tate St. -
Future Generation Art Prize | Page 2
FutureFuture GenerationGeneration ArtArt Prize Prize 2121 ShortlistedShortlisted ArtistsArtists 30.10.2010–9.1.2011 | www.pinchukartcentre.org PinchukArtCentre Future Generation Art Prize www.pinchukartcentre.org | page 2 Ziad Antar Foreword Fikret Atay Cao Fei The world is changing more rapidly than ever before. A new global order poses unheard-of challenges to man- kind. We can succeed only if we think different, in a new Keren Cytter way, beyond the usual. A great intellectual revolution is sweeping the globe. If it Nathalie Djurberg fails, mankind has little to hope for. However, we have some task forces that think and act different, in a new way, beyond the usual. They are pushing us forward. Simon Fujiwara Alongside physicists, biologists, medical scientists and nanotechnologists, and often even ahead of them, con- Nicholas Hlobo temporary artists are in the forefront. Today, I believe one can see the most interesting and promising platoon of the artistic task force. They are the Clemens Hollerer youngest among the best. Or the best among the young- est. They accept no limits set by “not allowed” or “im- Runo Lagomarsino possible.” This is the principle of our prize: no limits but age. Freedom. Equality. Creative support from the most re- Cinthia Marcelle nowned contemporary artists who are the patrons of the Prize. Nicolae Mircea This Prize is for those who do not separate art from their life. For those able and willing to create. With or without an art degree, recognized in academic circles or not, but Gareth Moore with talent and ambition. Willing to dedicate their lives to art. -
Performa Announces Pioneering Partnership with Lafayette Anticipation, Fondation Galeries Lafayette, Paris for Performa 15
For Immediate Release September 3, 2015 PERFORMA ANNOUNCES PIONEERING PARTNERSHIP WITH LAFAYETTE ANTICIPATION, FONDATION GALERIES LAFAYETTE, PARIS FOR PERFORMA 15 PRESENTING WORKS BY ULLA VON BRANDENBURG, VOLMIR CORDEIRO, PAULINE CURNIER JARDIN, SIMON FUJIWARA, CHRISTODOULOS PANAYIOTOU, AND ERIKA VOGT New York—Performa, the internationally acclaimed organization dedicated to live performance across disciplines, announces a pioneering partnership with Lafayette Anticipation, Fondation Galeries Lafayette in Paris to launch during Performa’s 2015 biennial. Since its inception in 2004, Performa has been a leader in commissioning live performances by artists working in the field of visual arts. Likewise Lafayette Anticipation has established itself as a major player in producing ambitious new works by contemporary artists and designers since its creation in 2013. Both organizations strive to deepen this shared commitment and actively collaborate in mentoring and supporting artists to conceive, create, develop, and deliver stunning new works that will shape the visual art landscape of the twenty-first century. In anticipation of its 2017 Grand Opening in a building rehabilitated by internationally renowned architect Rem Koolhaas in the heart of Paris, Lafayette Anticipation organizes temporary peripatetic sessions. Part- workshops, part-showcases, these gatherings unfold as intense research programs that explore the various missions of the upcoming operational foundation, from its relationship to design and fashion to its creative online presence or the role of an artists’ library within the building. Since the beginning, performance has held a special place in the program, including projects such as the nighttime poetic street procession conceived by British artist Simon Fujiwara and the commission of a short film by French experimental ballet dancer Benjamin Millepied captured in the building’s construction site. -
3 Visões E Movimentos De Um Menino Do Cerrado 3.1
122 3 VISÕES E MOVIMENTOS DE UM MENINO DO CERRADO Eu preparo uma canção que faça acordar os homens e adormecer as crianças Carlos Drummond de Andrade 3.1 Crescer numa cidade cenário – Brasília José Roger é filho caçula, nasceu em 1965, foi criado em Brasília. Seus pais, no início da década de 1960 moravam no Rio de Janeiro. Com a mudança da capital do Rio de Janeiro para o planalto central, eles, como tantos outros brasileiros e funcionários públicos, optaram por se transferir para a recém-inaugurada capital federal com a perspectiva de tentar novas ocupações de trabalho, bem como obter ascensão profissional e social. Em homenagem ao médico que conseguiu realizar o parto difícil do menino, a mãe pagou sua promessa ao incorporar José a seu nome de batismo. Roger tem um casal de irmãos, e apenas a irmã mais velha é carioca. Seu pai e sua mãe, naturais de Minas Gerais e Sergipe, respectivamente, já trabalhavam na cidade do Rio de Janeiro quando resolveram tentar a sorte em Brasília. O pai era comerciário, trabalhava na Casa Arthur, e só depois da transferência para a nova capital tornou-se funcionário dos Correios. Sua mãe, apesar de formada em matemática, trabalhava como revisora na Câmara dos Deputados, no Senado Federal e depois no Ministério da Justiça. Nas lembranças do menino Roger está, por exemplo, a vida cotidiana numa cidade planejada - monumento das ideias modernistas -, como também as viagens feitas nas férias escolares, quando sua família se deslocava de carro de Brasília para outros estados do país. As férias destinavam-se a rever os parentes que moravam em Minas Gerais, Rio de Janeiro e Sergipe. -
A INFLUÊNCIA DA CULTURA, DA ARTE E DO ARTESANATO BRASILEIROS NO DESIGN NACIONAL CONTEMPORÂNEO: Belo Horizonte 2011
A INFLUÊNCIA DA CULTURA, DA ARTE E DO ARTESANATO BRASILEIROS NO DESIGN NACIONAL CONTEMPORÂNEO: UM ESTUDO DA OBRA DOS IRMÃOS CAMPANA ADRIANA NELY DORNAS MOURA Belo Horizonte 2011 ADRIANA NELY DORNAS MOURA A INFLUÊNCIA DA CULTURA, DA ARTE E DO ARTESANATO BRASILEIROS NO DESIGN NACIONAL CONTEMPORÂNEO: UM ESTUDO DA OBRA DOS IRMÃOS CAMPANA Dissertação apresentada ao Programa de Pós Graduação em Design da Universidade do Estado de Minas Gerais – UEMG como requisito parcial para obtenção do título de mestre em Design. Linha de pesquisa: Design, Cultura e Sociedade Orientador(a): Professora Dra. Marcelina das Graças de Almeida (Universidade do Estado de Minas Gerais – UEMG). Coorientador(a): Professora Dra. Maria Regina Álvares Correia Dias (Universidade do Estado de Minas Gerais – UEMG). Belo Horizonte 2011 M939i Moura, Adriana Nely Dornas A influência da cultura, da arte e do artesanato brasileiros no design contemporâneo : um estudo da obra dos Irmãos Campana / Adriana Nely Dornas Moura. - - Belo Horizonte, 2011. xiv, 116 f. (enc.) : il. color. fots. ; 31 cm. Orientadora: Marcelina das Graças de Almeida Coorientadora: Maria Regina Álvares Correia Dias Dissertação ( Mestrado) – Universidade do Estado de Minas Gerais / Escola de Design / Mestrado em Design. 1. Designers – Brasil – Teses. 2- Artesanato – Brasil. 3. Mobiliário – Brasil – Séc. XX – Séc. XXI. 4. Campana, Fernando – Crítica e Interpretação. 5. Campana, Humberto – Crítica e interpretação. I. Almeida, Marcelina das Graças. II. Dias, Maria Regina Alvares Correia. III. Universidade do Estado de Minas Gerais. IV. Título. CDU: 7.05-051 Dedico este trabalho às minhas meninas: vovó Luiza (in Memorian), mamãe Nely, Tia Olivia, Andréa, Lara, Yasmin, e a amiga Eliana, que me trouxe de volta a Belo Horizonte. -
University of Southampton Research Repository Eprints Soton
University of Southampton Research Repository ePrints Soton Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", University of Southampton, name of the University School or Department, PhD Thesis, pagination http://eprints.soton.ac.uk UNIVERSITY OF SOUTHAMPTON FACULTY OF BUSINESS AND LAW Winchester School of Art Brazil and the New Luxury An analysis of the consumption and creation of luxury apparel and accessories in Brazil by Antony Galsworthy BA Thesis for the degree of Master of Philosophy March 2014 UNIVERSITY OF SOUTHAMPTON ABSTRACT FACULTY OF BUSINESS AND LAW Winchester School of Art Thesis for the degree of Master of Philosophy BRAZIL AND THE NEW LUXURY An analysis of the consumption and creation of luxury apparel and accessories in Brazil Antony Galsworthy This research investigates how a rising nation’s consumers and producers are defining their relationship with luxury apparel and accessories. In the context of these products it seeks to identify the core attributes required to merit the luxury soubriquet, in order to arrive at a contemporary definition that also encompasses the impact of branding both of product and place of origin. -
Simon Fujiwara Geb
Simon Fujiwara geb. 1982 in London, lebt in Berlin Ausbildung 2006-2008 Fine Art Studies at Städelschule, Staatliche Hochschule für Bildende Künste with Prof. Simon Starling, Frankfurt am Main 2002-2005 Architecture BA, 1st Class Degree Hons with Distinction, Cambridge University with Distinction, Cambridge University Einzelausstellungen und -performances (Auswahl) 2018 • Revolution, Lafayette Anticipations – Galeries Lafayette Corporate Foundation, Paris • Empathy I, Esther Schipper, Berlin • Soul of the Soulless, Condo Shanghai, Edouard Malingue Gallery, Shanghai • Joanne, Galerie Wedding, Berlin • Hope House, Kunsthaus Bregenz, Bregenz 2017 • Hope House, Dvir Gallery, Tel Aviv • Heaven, Gio Marconi, Milan 2016 • Figures in a Landscape, Kunsthalle Düsseldorf, Dusseldorf • Joanne, The Photographers’ Gallery, London • The Humanizer, Irish Museum of Modern Art, Dublin • Nouvelles, Dvir Gallery, Brussels • Pearl Diving, TARO NASU, Tokyo • White Day, Tokyo Opera City Art Gallery, Tokyo • The Way, Yu-un, Obayashi Collection, Tokyo 2015 • Modern Marriage, Public art sculpture (permanent) adjacent to the new American Embassy, London • A Spire, Public art sculpture (permanent) for the University of Leeds Laidlaw Library, Leeds • Lactose Intolerance, Dvir Gallery, Tel Aviv • Peoples of the Evening Land, Proyectos Monclova, Mexico City 2014 • Three Easy Pieces, Carpenter Center for the Visual Arts, Harvard University, Cambridge • Rebekkah, Contemporary Art Society, London 2013 • Grand Tour, Kunstverein Braunschweig, Braunschweig • Studio Pietà (King Kong Komplex), Andrea Rosen Gallery, New York • Aphrodisiac Foundations (Imperial Hotel 1968, King Kong Komplex), TARO NASU, Tokyo • The Problem of the Rock, Dazaifu Tenmangu Shrine, Fukuoka • Simon Fujiwara, Art Sonje Center, Seoul 2012 • Rehearsal for a Reunion (with the Father of Pottery), Dvir Gallery, Tel Aviv • The Museum of Incest, Crawford Art Gallery, Cork Seite 1 von 4 • Simon Fujiwara: Since 1982, Tate St. -
Simon Fujiwara
Simon Fujiwara 1982 Born in London, UK Lives and works in Berlin, Germany Education 2006-08 Fine Art, Städelschule, Staatliche Hochschule für Bildende Künste, (Prof. Simon Starling) Frankfurt am Main 2002-05 Architecture BA, 1st Class Degree Hons with Distinction, Cambridge University Residencies/Scholarsips/Awards 2011 South Bank Arts Awards (nominated emerging visual artist) 2010 Iaspis Residency, Gothenburg, Sweden The Baloise Art Prize, Art Basel 41, Switzerland The Cartier Award, Frieze Art Fair, UK 2009 Arts Foundation Fellowship Award, National Prize, UK 2008 Schindler Residency, MAK Center for Contemporary Art, Los Angeles 2005 Rome Scholarship, British Academy, Rome Recent Solo Exhibitions & Performances 2018 ‘Untitled’ Kunsthaus Bregenz, Bregenz (forthcoming) 2017 ‘Hope House’ Dvir Gallery, Tel Aviv ‘Heaven’, Gio Marconi Gallery, Milan 2016 ‘Figures in a landscape’, Kunsthalle Düsseldorf, Düsseldorf ‘Joanne’, The Photographer’s Gallery, London ‘The Humanizer’, Irish Museum of Modern Art, Dublin. ‘Nouvelles’, Dvir Gallery, Brussels ‘Merida Paintings’, Jose Garcia, mx, Merida ‘White Day’, Tokyo Opera City Gallery, Tokyo ‘Pearl Diving’, TARO NASU, Tokyo ‘The Way’ yu-un, Tokyo 2015 ‘Modern Marriage’ Public Art sculpture for the site of the new American Embassy, London. ‘A Spire’ Public Art Sculpture for the University of Leeds Laidlaw Library, Leeds. ‘Peoples of the Evening Land’, Proyectos Monclova, Mexico City ‘Lactose Intolerance’, Dvir Gallery, Tel Aviv 2014 ‘Simon Fujiwara: Three Easy Pieces’, The Carpenter Center, Harvard University 2013 ‘Grand Tour’, Kunstverein Braunschweig, Braunschweig ‘Studio Pieta (King Kong Komplex)’, Andrea Rosen, New York ‘Aphrodisiac Foundations (Imperial Hotel 1968, King Kong Komplex)’, TARO NASU, Tokyo ‘The Problem of the Rock’, Daizaifu Tenmangu Shrine,Fukuoka, Japan ‘Simon Fujiwara’, ArtSonje Center, Seoul 2012 ‘Rehearsal for a Reunion (with the Father of Pottery)’, Dvir Gallery, Tel Aviv ‘The Museum of Incest’, Crawford Art Gallery, Cork ‘Simon Fujiwara: Since 1982’ Tate St. -
Design +Art Do Brasil
design +Art do Brasil MERCREDI 13 DÉCEMBRE 2017 PIASA Contact du département Design Contact presse PIASA Cécile Demtchenko Woringer Frédéric Chambre Tél. : +33 1 53 34 12 95 [email protected] [email protected] Nicolas Denis [email protected] Tél. : +33 1 45 44 43 54 Martin Jalabert [email protected] Tél. : +33 1 53 34 10 06 Alix de Saint-Hilaire Tél. : +33 1 45 44 12 71 [email protected] Pascale Humbert Tél. : +33 1 53 34 10 19 [email protected] Estelle Laporte Tél. : +33 1 53 34 12 80 [email protected] Clémence Paris [email protected] design Tél. : +33 1 45 44 43 53 Art + Brasil do Notre consultant en Belgique pour le département Arts Décoratifs et Design Thierry Belenger Tél : +32 4 75 98 40 38 [email protected] Enchérissez en direct sur www.piasa.fr design +Art do Brasil Vente : mercredi 13 décembre 2017 à 18h PIASA 118 rue Faubourg Saint-Honoré 75 008 Paris Exposition publique Consultant Samedi 9 décembre 2017 de 11 à 18 heures Sophie Su Dimanche 10 décembre 2017 de 14 à 18 heures Lundi 11 décembre 2017 de 10 à 18 heures Remerciements Mardi 12 décembre 2017 de 10 à 18 heures Mercredi 13 décembre 2017 de 10 à 12 heures Alain Su, Thierry Delobel, Juliana Vilela, Katharina Welper, Aureia Katsuren, Jones Bergamin, Walter Rezende, Renato Rosa, Paulo Firmino,Thais Bueno Dias, Luis Claudio da Silva, Marcos Belles, Téléphone pendant l’exposition et la vente Carlos Henrique Paula , Cristina Barros, +33 1 53 34 10 10 Suelly Martinho, Max Tovar, Marie Kleinman, Leonardo Amarante, Thales Andrade, Alberto Vincente, Tiago Curioni, Danielle Rebecca Borges.