The Improvisatrice; and Other Poems 2.Ed
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Las Adaptaciones De Obras Del Teatro Español En El Cine Y El Influjo De Éste En Los Dramaturgos - Juan De Mata Moncho Aguirre Indice
Las adaptaciones de obras del teatro español en el cine y el influjo de éste en los dramaturgos - Juan de Mata Moncho Aguirre Indice Síntesis ....................................................................................................... i Abstract .....................................................................................................iv I. Prólogo ................................................................................................... 1 II. Épocas literarias ................................................................................. 14 1. Época Renacentista ......................................................................14 2. Teatro del siglo de oro ................................................................... 24 3. Teatro del siglo XVIII...................................................................... 52 4. Teatro del siglo XIX........................................................................ 58 5. Teatro del siglo XX....................................................................... 123 III. Conclusiones .................................................................................. 618 IV. Bibliografía....................................................................................... 633 V. Archivos documentales................................................................... 694 Las adaptaciones de obras del teatro español en el cine y el influjo de éste en los dramaturgos - Juan de Mata Moncho Aguirre Síntesis Al afrontar las vinculaciones de los dramaturgos -
Night-Of-Love.Pdf
Have you ever thought that on one night you could save a thousand souls? This book dares you to try! Have you ever felt really present at Calvary, united to Mary, as you assisted at Mass? This book will surely take you there! Have you ever understood the Message of Fatima from personal experience, from personal repa ration? This book will give you that experience! “No Rosary we ever said in our lives was as meaningful as that led by John Haffert at an all night vigil,” said Dorothy Murarescu, leader of the all night vigil movement in Philadelphia. As a result, he was called to help at all night vigils all over the East...and finally responded by writing this book. Oyïflht Of J2oue % by John M. Haffert This is a book about night vigils begun by Our Lord (see page 23), to help turn back the tide of evil. They are nights of conversion and grace. (Original printing, 1966, with Imprimatur of Bishop George W. Ahr, S.T.D., Bishop of Trenton) Revised Edition Printed In the United States In 1997 by: The 101 Foundation, Inc. P.O. Box 151 Asbury, New Jersey 08802 Phone: 908-689 8792 Fax: 908-689 1957 © Mr. John M. Haffert, 1966 & 1997 ISBN # 1-890137-02-2 This Night of Love is dedicated to the Sacred Heart of Jesus and the Sorrowful and Immaculate Heart of Mary in reparation for my sins and the sins of the world. Ofifht O f JZoeve Table of Contents Page Part 1. Chapter: 1) A TJiousand Souls 1- 2) What Is The Greatest Benefit? 10. -
March 2019 – Vol. 7, Issue 3
3375 Church Lane Duluth, GA 30096 Rev. Ronald L. Bowens Pastor MARCH 2019 Vol. 7, Issue 3 FRIENDSHIP’S VOICE Peace can be considered freedom from disturbance, tranquility, calmness, restfulness, lawfulness or order. When we accept Christ as our Lord and INSIDE THIS ISSUE Savior, we can have this “Peace” even when the storms are raging around us because we can lean on God and rest upon his Word; in the Peace .......................................................... Cover midst of the storm, we can have contentment and calmness. Hymn of the Month ............................................ 2 Inspirations from the Psalms .............................. 3 Believers should be civil, forgiving and loving towards each other for Signs of the Season ............................................. 7 peace to reign among God’s people—then we will see fertility in the Health Ministry ................................................... 8 church for the blessings produced by the Word of God. Outreach Ministry............................................... 9 Marriage Class Valentine Event ........................ 10 Men’s Ministry .................................................. 14 Colossians 3:15: “And let the peace of God rule in your hearts, to the Women’s Ministry ............................................ 16 which also ye are called in one body; and be ye thankful.” Senior’s Ministry ............................................... 19 Black History ..................................................... 21 True Peace comes when we exercise the -
Parables of Love: Reading the Romances of Chrétien De Troyes Through Bernard of Clairvaux
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 5-2016 Parables of Love: Reading the Romances of Chrétien de Troyes through Bernard of Clairvaux Carrie D. Pagels University of Tennessee - Knoxville, [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Part of the Christianity Commons, French and Francophone Literature Commons, and the Medieval Studies Commons Recommended Citation Pagels, Carrie D., "Parables of Love: Reading the Romances of Chrétien de Troyes through Bernard of Clairvaux. " PhD diss., University of Tennessee, 2016. https://trace.tennessee.edu/utk_graddiss/3732 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by Carrie D. Pagels entitled "Parables of Love: Reading the Romances of Chrétien de Troyes through Bernard of Clairvaux." I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Doctor of Philosophy, with a major in French. Mary McAlpin, Major Professor We have read this dissertation and recommend its acceptance: John Romeiser, Anne-Helene Miller, Mary Dzon Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) Parables of Love: Reading the Romances of Chrétien de Troyes through Bernard of Clairvaux A Dissertation Presented for the Doctor of Philosophy Degree The University of Tennessee, Knoxville Carrie D. -
Complete Issue
International Journal editorial board of Euro-Mediterranean Studies Nabil Mahmoud Alawi, An-Najah University, Palestine issn 1855-3362 Nadia Al-Bagdadi, Central European The aim of the International Journal of University, Hungary Euro-Mediterranean Studies is to promote Ahmad M. Atawneh, Hebron University, intercultural dialogue and exchanges Palestine between societies, develop human Pamela Ballinger, Bowdoin College, usa resources, and to assure greater Klemen Bergant, University of Nova Gorica, mutual understanding in the Euro- Slovenia Mediterranean region. Roberto Biloslavo, University of Primorska, L’objectif de la revue internationale d’etudes Slovenia Euro-Méditerranéennes est de promouvoir Rémi Brague, Panthéon-Sorbonne University, le dialogue interculturel et les échanges France entre les sociétés, développer les Holger Briel, University of Nicosia, Cyprus ressources humaines et assurer une Donna Buchanan, University of Illinois usa compréhension mutuelle de qualité au at Urbana-Champaign, sein de la région euro-méditerranéenne. Costas M. Constantinou, University of Nicosia, Cyprus Namen Mednarodne revije za evro-mediteranske Claudio Cressati, University of Udine, študije je spodbujanje medkulturnega Italy dialoga in izmenjav, razvoj cloveškihˇ Yamina El Kirat El Allame, University virov in zagotavljanje boljšega Mohammed V,Morocco medsebojnega razumevanja v Julia Elyachar Mastnak, Scientific Research evro-mediteranski regiji. Centre of the Slovenian Academy of Sciences ijems is indexed in ibss and Arts and doaj. Said Ennahid, -
The Muse of Bossa Nova"
Aug-Sep. 2018 - Edition#12 Interviews 10 MOST INFLUENTIAL ANA FLAVIA ZUIM From Church to Broadway PORTINHO PAULO BRAGA ROGER DAVIDSON 1 WWW.BOSSAMAGAZINE.COM|BMF |ASUOS PRODUCTIONS|BRAZILIAN ART AND MUSIC|NEW YORK – AUG-SEP 2018 |EDITION # 12 table of Online Magazine CONTENTS News | Events | Performances | Culture | Education SPECIAL EDITION — BOSSA NOVA 60 YEARS—AUG/SEPT 2018 3 EDITOR’S NOTE 4 EDITORIAL TEAM 10 ANA FLAVIA ZUIM - FROM CHURCH TO BROADWAY 13 DAN COSTA—CD RELEASE 14 PORTINHO—DRUMMER 16 ROGER DAVIDSON— CITIZEN OF BRAZILIAN MUSIC 18 PAULO BRAGA—DRUMMER 20 TATI VITSIC—GRAPHIC DESIGNER 22 BOSSA NOVA - 60 YEARS ANA FLAVIA ZUIM 25 AVANT-GARDE POPULAR MUSIC 10 26-27 RADIO ERA/GOLDEN YEARS 28 ORFEU DA CONCEIÇÃO/BLACK ORPHEUS—THE PLAY 30 BRASÍLIA AND BOSSA NOVA 32 THE BOSSA GROUP—THE BEGINNING 34 THE MEETINGS AT NARA LEAO’ APT. 36 FIRST RECORDING OF “CHEGA DE SAUDADE” 37-39 JOÃO GILBERTO FIRST RECORDINGS 40 THE SAMBA SESSION 41 THE BOTTLES BAR 42 AN ENCOUNTER—THE HISTORY MADE SHOW 44 TOM/VINICIUS AND THE GIRL FROM IPANEMA 46 RONALDO BOSCOLI– 1ST BOSSA NOVA PRODUCER IN BR. PORTINHO 47 FELIX GRANT-THE BOSSA NOVA PROJECT DC. 14 49 STAN GETZ/CHARLIE BIRDY -THE BOSSA CRAZE IN DC. 50 CREED TAYLOR– 1ST BOSSA NOVA PRODUCER IN THE US. 52 BOSSA NOVA GOES INTERNATIONALLY—CARNEGIE HALL 54 THE SUDDEN HALT OF BOSSA NOVA IN BRAZIL 56 THE SONG AGAINST REPRESSION - BEGINNING OF MPB 58 BOSSA CRAZY IN US & IN THE WORLD 60 FRANK SINATRA AND TOM JOBIM 61 THE CONTINUATION OF THE BOSSA NOVA JOURNEY 62 – 85 10 MOST INFLUENTIAL BOSSANOVISTS 86 - 87 BOSSA -
The Program GRIEG Møte (1895) STRAUSS Seitdem Dein Aug’ in Meines Schaute (1855–87)
Tuesday, February 4, 2020 at 7:30 pm Art of the Song Susan Graham, Mezzo-Soprano Malcolm Martineau, Piano Frauenliebe und -leben: Variations I. SCHUMANN Seit ich ihn gesehen, from Frauenliebe und -leben, Op. 42, No. 1 (1840) The Program GRIEG Møte (1895) STRAUSS Seitdem dein Aug’ in meines schaute (1855–87) II. SCHUMANN Er, der Herrlichste von allen, from Frauenliebe und -leben, Op. 42, No. 2 DANKWORTH Shall I compare thee to a summer’s day? (1964) FAURÉ Chanson d’amour (1882) RANGSTRÖM Melodi NED ROREM O you whom I often and silently come (1957) III. SCHUMANN Ich kann’s nicht fassen, nicht glauben, from Frauenliebe und -leben, Op. 42, No. 3 GRIEG Jeg elsker dig (1864) FAURÉ Au bord de l’eau (1875) Please make certain all your electronic devices are switched off. This performance is made possible in part by the Josie Robertson Fund for Lincoln Center. Steinway Piano Alice Tully Hall, Starr Theater Adrienne Arsht Stage Great Performers Lead Support for Great Performers provided by PGIM, the global investment management business of Prudential Financial, Inc. Additional Support for Great Performers is provided by Rita E. and Gustave M. Hauser, The Shubert Foundation, The Katzenberger Foundation, Inc., Audrey Love Charitable Foundation, Great Performers Circle, Lincoln Center Patrons and Lincoln Center Members Endowment support for Symphonic Masters is provided by the Leon Levy Fund Endowment support is also provided by UBS Public support is made possible by the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature NewYork-Presbyterian is the Official Hospital of Lincoln Center UPCOMING GREAT PERFORMERS EVENTS: Sunday, February 23 at 3:00 pm in David Geffen Hall Budapest Festival Orchestra Iván Fischer, conductor Renaud Capuçon, violin An all-Dvo˘rák program, including his Violin Concerto and Symphony No. -
The Carnival Fairy Die Faschingsfee (1917)
EMMERICH KÁLMÁN The Carnival Fairy Die Faschingsfee (1917) Presented at the 2012 Ohio Light Opera as “Miss Springtime” THE OHIO LIGHT OPERA Steven Byess conductor Steven Daigle artistic director The Carnival Fairy Music................................Emmerich Kálmán PROGRAM NOTES ...............................Michael D. Miller English Translation...................Steven Daigle Original German Libretto: In 1908, word reached the A. M. Willner, Rudolf Österreicher Vienna operetta community of a Additional research...............Meredith Achey 25-year-old Hungarian composer— Imre Kálmán—and the success that OHIO LIGHT OPERA he was achieving in Budapest with Artistic Director........................Steven Daigle his military operetta Tatárjárás Conductor.................................Steven Byess (Tatar Invasion). Managers of the Stage Director..........................Steven Daigle prestigious Theater an der Wien Production Stage Manager...Katie Humphrey brought to Vienna both the Sound Design.............................Brian Rudell show—translated into German as CAST: Ein Herbstmanöver (presented and Countess Alexandra.....................Tara Sperry recorded for Albany by Ohio Light Viktor Ronai................................Grant Knox Opera as Autumn Maneuvers in Emmerich Kálmán (1882-1953) Hubert.........................................Jacob Allen 2002)—and the composer, renamed Emmerich. Lori.....................................Natalie Ballenger Never had a Budapest show become a big success in Vienna, Count Mereditt.......................Stephen -
I Made You to Find Me
I Made You to Find Me I MADE YOU TO FIND ME The Coming of Age of the Woman Poet and the Politics of Poetic Address Jane Hedley T H E O H IO S T A T E U N I VER SITY P R E SS | C O L UM B US Copyright © 2009 by The Ohio State University. All rights reserved. Library of Congress Cataloging-in-Publication Data Hedley, Jane. I made you to find me : the coming of age of the woman poet and the politics of poetic address / Jane Hedley. p. cm. Includes bibliographical references and index. ISBN 978-0-8142-1101-4 (cloth : alk. paper) 1. Women poets, American—20th century. 2. American poetry—Women authors— History and criticism. 3. American poetry—20th century—History and criticism. 4. American literature—Women authors—History and criticism. 5. Women and literature—United States—History—20th century. I. Title. PS151.I25 2009 811.'54099287—dc22 2009002739 The author has received permission to quote from the following sources: The Un- abridged Journals of Sylvia Plath, 1950–1962, edited by Karen V. Kukil (New York: Random House, 2000); Carol Muske, Women and Poetry: Truth, Autobiography, and the Shape of the Self (Ann Arbor: University of Michigan Press, 1997), courtesy of the University of Michigan Press; Gwendolyn Brooks, Report from Part One (Detroit: Broadside Press, 1972), reprinted by consent of Brooks Permissions; “The Double Image,” from To Bedlam and Part Way Back by Anne Sexton, copyright © 1960 by Anne Sexton, renewed 1988 by Linda G. Sexton, reprinted by permission of Houghton Mifflin Harcourt Publishing Company, all rights reserved; and Gwendolyn Brooks (© 1949), Poem XI from Annie Allen, “The Womanhood” (New York: Harper Peren- nial, 1999). -
15000 Blaze Onjak St. Gives Cheneys the Credit
'!< r?<’ • • . '^' .►iJ. vv. U.*.»*-*-.' . ; r5T»;,i V ;.u ;. NE)T PRESS-fltJNi: WEATBtfiR Feneaiat fer U« 8. WMitkier - Brnresiit':' A\^BAC|E D A IIif CXROOIiMXOK New Hevcn OP TRB EVBNIKO HEBRAl®’' • (or the month’V ot • Fehrannrt•. » . \i1927.; ' ‘ . Bain , tonij^t and Tnefkiay; 4 ,1 warmer tbnii^t. VOL. XLI. NO. 183. .Olaseified Advertising on Page O MANGHES1!ER; CONN., MpOTAY, I ^ C H 7,1927; PRICE THREE CENTS •TT* <s>- s ta te - FOPR DIE .IN CHAIR 1 S^palla’s'Husky Goe^ to College FOR SLAYING GOP GIVES CHENEYS State Prison, .Rockview, Pa., March 7.— Paying th© penalty for the slaying of Patrolman $15,000 BLAZE Harry M. Cooper, of Philadel THE CREDIT FOR phia, the four Olney bank ban dits went to their death in the electric chair here shortly after O N J A K ST. seven o’clock this morning.''. Joseph ■ Curry, leader of the gang,: Harry Bentley, William ■<$> Juiiano and Frank Doris were Gasoline Explosion In Yul- electrocuted in the order named. Snpt Verpianck Passes Hon General Moncado Says He camang Plant Starts ors On— $5,0jM) Fund On- STORM’ S DEATHTOIL Win Agree to Stop Cirn Flames That Imperil Own derwritten-rHouse Heads War But Not Y M Diaz Is er, Got Building. DROPS DOWN TO 30 Association Alumni. Oxford, Ehglandr March 7.— Th'e^uates engage in one sport or an- President Amerlcan mania for starring c o l- {other., , lege athletes Is partially responsi' “ What the American colleges Fire, starting from an explosion, Honored by nearly two hundred ■' should do to stop the epld^lc of ble for the wave of student suicides Washington, March 7.—-The First Reports Said 500 Kill alumni of the South Manchester suicides is to force, directly or In early today gutted the old two- in tbe United: States, according to directly, all their students to take prospects for peace in the Nicara High school as the man who gave story (tame Gorman bloclj adjoin the views of Dr. -
Museu Del Cinema - C/ Sèquia, 1 - 17001 Girona - Tel: 972 412 777 - Fax: 972 413 047 - E-Mail: Museu [email protected]
Museu del Cinema - c/ Sèquia, 1 - 17001 Girona - Tel: 972 412 777 - Fax: 972 413 047 - E-mail: [email protected] 2 Estrelles del silenci L'star system en el cinema mut de Hollywood L’exposició “Estrelles del silenci. L’star system en el cinema mut de Hollywood” es proposa fer conèixer els rostres més importants dels inicis de la fàbrica de somnis, resseguir la popularitat dels actors i les actrius segons la manera com se’n va fer publicitat o segons el gènere de pel·lícules que van protagonitzar. Al públic li agradava retrobar-se amb una gestualitat familiar quan entrava a la sala de cinema; i les estrelles van saber parlar amb un llenguatge emotiu, anant del plor a la rialla, recorrent els sentiments més purs perquè els espectadors de tot el món els reconeguessin com a propis. Encara que el sonor va iniciar-se l’any 1927, alguns creadors van seguir explorant els recursos del silenci, però en un parell d’anys gairebé totes les pel·lícules van deixar de ser mudes. De 1910 a 1929, en l’anomenada era del progrés a l’Amèrica del Nord, les ficcions de Hollywood van poder reflectir a la pantalla els canvis morals, socials i econòmics del nou segle sense pronunciar una paraula. Amb una creativitat desbordant, les stars, convertides en déus de la pantalla, van construir un univers d’extraordinària potència -i poesia- visual. L’exposició vol descobrir als espectadors del segle XXI la modernitat de les pel·lícules silents, convidar-los a meravellar-se davant unes imatges que bateguen i, per això, encara ressonen en els espectacles actuals de la nostra cultura audiovisual. -
Songs of Kabir
^^ u^m^ University of California • Berkeley Gift of EYVIND FAYE '^^.c^, /yyc 5(i SONGS OF KA.BIR THE MACMILLAN COMPANY NEW YORK • BOSTON • CHICAGO • DALLAS ATLANTA SAN FRANCISCO MACMILLAN & CO., Limited LONDON • BOMBAY • CALCUTTA MELBOURNE THE MACMILLAN CO. OF CANADA, Ltd. TORONTO SONGS OF KABIR TRANSLATED BY RABINDRANATH TAGORE AUTHOR OF "GITANJAM," ETC. WITH THE ASSISTANCE OF EVELYN UNDERBILL Netn g0rft THE MACMILLAN COMPANY 1915 AU rights reserved COPTEIGHT, 1916, bt the maomillan company. Set up and electrotyped. Published January, 1915. J, 8. Gushing Co. — Berwick & Smith Co. Norwood, Mass., U.S.A. INTRODUCTION poet Kabir, a selection from THEwhose songs is here for the first time offered to EngUsh readers, is one of the most interesting personahties in the history of Indian mysticism. Born in or near Benares, of Mohamme- dan parents, and probably about the year 1440, he became in early life a disciple of the celebrated Hindu as- cetic Ramananda. Ramananda had brought to Northern India the reli- gious revival which Ramanuja, the great twelfth-century reformer of Brah- manism, had initiated in the South. This revival was in part a reaction against the increasing formalism of the orthodox cult, in part an assertion of the demands of the heart as against 5 6 SONGS OF KABIR the intense intellectualism of the Ve- danta philosophy, the exaggerated monism which that philosophy pro- claimed. It took in Ramanuja's preaching the form of an ardent per- sonal devotion to the God Vishnu, as representing the personal aspect of the Divine Nature: that mystical "reli- gion of love" which everywhere makes its appearance at a certain level of spiritual culture, and which creeds and philosophies are powerless to kill.