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Unobtainium-Vol-1.Pdf
Unobtainium [noun] - that which cannot be obtained through the usual channels of commerce Boo-Hooray is proud to present Unobtainium, Vol. 1. For over a decade, we have been committed to the organization, stabilization, and preservation of cultural narratives through archival placement. Today, we continue and expand our mission through the sale of individual items and smaller collections. We invite you to our space in Manhattan’s Chinatown, where we encourage visitors to browse our extensive inventory of rare books, ephemera, archives and collections by appointment or chance. Please direct all inquiries to Daylon ([email protected]). Terms: Usual. Not onerous. All items subject to prior sale. Payment may be made via check, credit card, wire transfer or PayPal. Institutions may be billed accordingly. Shipping is additional and will be billed at cost. Returns will be accepted for any reason within a week of receipt. Please provide advance notice of the return. Please contact us for complete inventories for any and all collections. The Flash, 5 Issues Charles Gatewood, ed. New York and Woodstock: The Flash, 1976-1979. Sizes vary slightly, all at or under 11 ¼ x 16 in. folio. Unpaginated. Each issue in very good condition, minor edgewear. Issues include Vol. 1 no. 1 [not numbered], Vol. 1 no. 4 [not numbered], Vol. 1 Issue 5, Vol. 2 no. 1. and Vol. 2 no. 2. Five issues of underground photographer and artist Charles Gatewood’s irregularly published photography paper. Issues feature work by the Lower East Side counterculture crowd Gatewood associated with, including George W. Gardner, Elaine Mayes, Ramon Muxter, Marcia Resnick, Toby Old, tattooist Spider Webb, author Marco Vassi, and more. -
Annual Report 2018/2019
Annual Report 2018/2019 Section name 1 Section name 2 Section name 1 Annual Report 2018/2019 Royal Academy of Arts Burlington House, Piccadilly, London, W1J 0BD Telephone 020 7300 8000 royalacademy.org.uk The Royal Academy of Arts is a registered charity under Registered Charity Number 1125383 Registered as a company limited by a guarantee in England and Wales under Company Number 6298947 Registered Office: Burlington House, Piccadilly, London, W1J 0BD © Royal Academy of Arts, 2020 Covering the period Coordinated by Olivia Harrison Designed by Constanza Gaggero 1 September 2018 – Printed by Geoff Neal Group 31 August 2019 Contents 6 President’s Foreword 8 Secretary and Chief Executive’s Introduction 10 The year in figures 12 Public 28 Academic 42 Spaces 48 People 56 Finance and sustainability 66 Appendices 4 Section name President’s On 10 December 2019 I will step down as President of the Foreword Royal Academy after eight years. By the time you read this foreword there will be a new President elected by secret ballot in the General Assembly room of Burlington House. So, it seems appropriate now to reflect more widely beyond the normal hori- zon of the Annual Report. Our founders in 1768 comprised some of the greatest figures of the British Enlightenment, King George III, Reynolds, West and Chambers, supported and advised by a wider circle of thinkers and intellectuals such as Edmund Burke and Samuel Johnson. It is no exaggeration to suggest that their original inten- tions for what the Academy should be are closer to realisation than ever before. They proposed a school, an exhibition and a membership. -
Annual Report 1 August 2011 – 31 July 2012
Annual Report 1 August 2011 – 31 July 2012 Department of Politics and International Relations University of Oxford, Manor Road, Oxford OX1 3UQ United Kingdom Tel: +44 1865 278700 Fax: +44 1865 278725 Email: [email protected] www.politics.ox.ac.uk www.politics.ox.ac.uk annual_report_cover_2012.indd All Pages 18/10/2012 09:28 Annual Report 1 August 2011 – 31 July 2012 Annual_Report_12th_2012_12KCeditsv3.indd 1 18/10/2012 09:27 Table of Contents Introduction …………………………………………………………………………… 3 Teaching ……………………………………………………………………………… 4 Graduate Studentships and Bursaries ……………………………………………………… 7 Appointments, Prizes and Awards ………………………………………………………… 8 Research ……………………………………………………………………………… 9 Sta …………………………………………………………………………………… 23 Academic Visitors ……………………………………………………………………… 25 Finance ………………………………………………………………………………… 27 Oce Holders ………………………………………………………………………… 28 Acknowledgments ……………………………………………………………………… 28 Cover images courtesy of Susan Taylor: [email protected] 2 Department of Politics and International Relations Annual Report Annual_Report_12th_2012_12KCeditsv3.indd 2 18/10/2012 09:27 Introduction Professor Stephen Whiteeld, Head of Department HE ACADEMIC YEAR just passed has been busy, against sti challenges from competitor departments Tchallenging and broadly successful. in the USA and in the UK/Europe. In part to that end, we Our academic standing remains outstanding in global have begun implementing the ‘size and shape’ review of terms. Politics and International Relations retained its the Department, which indicated that there was some position as World Number 2 in the annual QS World scope for a reduction in the total academic sta, through Rankings of universities and academic programmes. careful recruitment planning, without compromising With that, however, we are not complacent and have the excellent quality of our current academic provision. reviewed our activities internally and through the Savings are to be used where nancially possible to 5-year Divisional Review with an aim to ensure that our support graduate studentships. -
Geplante Veranstaltungen Ausstellungskalender
Varia scher Renaissance. (Salzburg Studien. Forschungen zu Wassily Kandinsky, Gabriele Miinter. Kiinstler des Geschichte, Kunst und Kultur, Band 5). Salzburg, Ver- »Blauen Reiter« in Murnau. Beitr. Brigitte Salmen. ein »Freunde der Salzburger Geschichte« 2003. 301 S., Murnau, Schlo&nuseum 2003. 116 S., z8 s/w. Abb., 14 Farbtaf., 80 s/w Abb. ISBN 3-9500712-8-8. 70 Farbabb. ISBN 3-932276-13-2. Wassily Kandinsky. Uber das Geistige in der Kunst ins- Horst Keining. »Mariakirchen«. Ausst.-Kat. Flott- besondere in der Malerei. Vorwort und Kommentar zur mann-Hallen Herne 2004. Beitr. Stephan Berg. Sieg revidierten Neuauflage. Jelena Hahn-Fontaine. Einf. burg, Rheinlandia Verlag 2004. 87 S., zahlr. Farbabb. Max Bill. Bern, Benteli Verlag 2004. 176 S., 8 s/w Taf. ISBN 3-935005-74-1. 10 Originalholzschnitte. € 15,-. ISBN 3-7165-1326-1. Geplante Veranstaltungen Observing Nature - Representing Expe Abstracts unter http://www.mpiwg-berlin. rience. Practices and Concepts 1800- mpg.de/VISION/ws_observing_nature/ws_ob 1850 serving_nature.html. Wegen des beschrankten Platzes werden auswartige Gaste um eine Workshop von TP Az »Protomodernes kurze Anmeldung gebeten. Sehen« des SFB 626 »Asthetische Erfahrung« Kontakt: Dr. Dr. Erna Fiorentini, Max- der FU Berlin am Max-Planck-Institut fur Planck-Institut fiir Wissenschaftsgeschichte, Wissenschaftsgeschichte - MPIWG Berlin, 28.- [email protected] 29.1.2005. Informationen und Programm mit Ausstellungskalender Der Ausstellungskalender erfafit die Ausstellungen Amstelveen (NL). Cobra Museum. -9.1.05: Lucebert. wahrend ihrer gesamten Laufzeit. Wenn der Veranstal- Work on paper.; Juul Kraijer. Winnaar de Kunstprijs ter das Erscheinen eines Ausstellungskatalogs mitteilt, 2004. 15.1.-6.3.: Rachid Ben AU. ist dem Titel das Zeichen (K) beigegeben. -
This Book Is a Compendium of New Wave Posters. It Is Organized Around the Designers (At Last!)
“This book is a compendium of new wave posters. It is organized around the designers (at last!). It emphasizes the key contribution of Eastern Europe as well as Western Europe, and beyond. And it is a very timely volume, assembled with R|A|P’s usual flair, style and understanding.” –CHRISTOPHER FRAYLING, FROM THE INTRODUCTION 2 artbook.com French New Wave A Revolution in Design Edited by Tony Nourmand. Introduction by Christopher Frayling. The French New Wave of the 1950s and 1960s is one of the most important movements in the history of film. Its fresh energy and vision changed the cinematic landscape, and its style has had a seminal impact on pop culture. The poster artists tasked with selling these Nouvelle Vague films to the masses—in France and internationally—helped to create this style, and in so doing found themselves at the forefront of a revolution in art, graphic design and photography. French New Wave: A Revolution in Design celebrates explosive and groundbreaking poster art that accompanied French New Wave films like The 400 Blows (1959), Jules and Jim (1962) and The Umbrellas of Cherbourg (1964). Featuring posters from over 20 countries, the imagery is accompanied by biographies on more than 100 artists, photographers and designers involved—the first time many of those responsible for promoting and portraying this movement have been properly recognized. This publication spotlights the poster designers who worked alongside directors, cinematographers and actors to define the look of the French New Wave. Artists presented in this volume include Jean-Michel Folon, Boris Grinsson, Waldemar Świerzy, Christian Broutin, Tomasz Rumiński, Hans Hillman, Georges Allard, René Ferracci, Bruno Rehak, Zdeněk Ziegler, Miroslav Vystrcil, Peter Strausfeld, Maciej Hibner, Andrzej Krajewski, Maciej Zbikowski, Josef Vylet’al, Sandro Simeoni, Averardo Ciriello, Marcello Colizzi and many more. -
Collection Development Policy 2012-17
COLLECTION DEVELOPMENT POLICY 2012-17 CONTENTS Definition of terms used in the policy 3 Introduction 5 An historical introduction to the collections 8 The Collections Archaeology 11 Applied and Decorative Arts 13 Ceramics 13 Glass 14 Objets d‘Art 14 Jewellery 15 Furniture 16 Plate 16 Uniforms, Clothing and Textiles 17 Flags 18 Coins, Medals and Heraldry 20 Coins and Medals 20 Ship Badges, Heraldry and Seal Casts 21 Ethnography, Relics and Antiquities 23 Polar Equipment 23 Relics and Antiquities 23 Ethnographic Objects 24 Tools and Ship Equipment 26 Tools and Equipment 26 Figureheads and Ship Carvings 27 Cartography 30 Atlases, Charts, Maps and Plans 30 Globes and Globe Gores 31 Fine Arts 33 Oil Paintings 33 Prints and Drawings 34 Portrait Miniatures 35 Sculpture 36 Science and Technology 40 Astronomical Instruments 40 Navigational Instruments and Oceanography 42 Horology 43 Weapons and Ordnance 46 Edged Weapons 46 Firearms 47 Ordnance 49 Photographs and Film 52 Historic Photographs 52 Film Archive 54 Ship Plans and Technical Records 57 1 Boats and Ship Models 60 Boats 60 Models 60 Ethnographic Models 61 Caird Library and Archive 63 Archive Collections 63 Printed Ephemera 65 Rare Books 66 Legal, ethical and institutional contexts to acquisition and disposal 69 1.1 Legal and Ethical Framework 69 1.2 Principles of Collecting 69 1.3 Criteria for Collecting 70 1.4 Acquisition Policy 70 1.5 Acquisitions not covered by the policy 73 1.6 Acquisition documentation 73 1.7 Acquisition decision-making process 73 1.8 Disposal Policy 75 1.9 Methods of disposal 77 1.10 Disposal documentation 79 1.11 Disposal decision-making process 79 1.12 Collections Development Committee 79 1.13 Reporting Structure 80 1.14 References 81 Appendix 1. -
2 – College Affairs the College Year
ST ANTONY’S COLLEGE RECORD 2009–2010 Designed and produced in the Development Office at St Antony’s College © The Warden and Fellows of St Antony’s College, 2010 Contact information: St Antony’s College, Oxford, OX2 6JF Tel – 01865 284 700 www.sant.ox.ac.uk CONTENTS 1 – Overview of the College The College.................................................................................................... ........... 1 The Fellowship.......................................................................................................... 3 The Staff.................................................................................................................... 8 2 – College Affairs The College Year....................................................................................................... 10 From the Bursar......................................................................................................... 11 The Graduate Common Room................................................................................... 13 The Library................................................................................................................ 20 The St Antony’s–Palgrave Series.............................................................................. 21 3 – Teaching and Research African Studies.......................................................................................................... 22 Asian Studies............................................................................................................ -
Cloud Service Custom Ized D Olutions App Tio Co-Development HP For
Cineca HPC Report the Italian c utting-e dge H public and i PC p PC for ndustri lat H al re form sear support and consul ch nical tancy ech t s co-development tion ica pl tions p ta solu a da ed iz m s o ce t vi s er u s c d u o l c ISBN 978-88-86037-31-0 Cineca HPC Report website: www.hpc.cineca.it mail: [email protected] Contents are © CINECA 2013 and are released under the Attribution-NonCommercial-NoDerivs (CC BY-NC-ND) Creative Commons license, version 3.0. Editorial Office Cineca Consorzio Interuniversitario Via Magnanelli 6/3 40033 - Casalecchio di Reno (BO) - Italy Editorial Board Francesca Delli Ponti Francesca Garofalo Silvia Monfardini Claudia Truini Design and Layout project Francesca Delli Ponti Print Monograf s.r.l. Via Collamarini 5 40138 – Bologna - Italy Thanks to: Julie Baron, Piero Basini, Sanzio Bassini, Giovanni Bussi, Francesco Califano, Carmelita Carbone, Tiziana Castrignanò, Peter Danecek, Marco De Vivo, Andrew Emerson, Giovanni Erbacci, Stefano Fabris, Francesco Falciano, Giuseppe Fiameni, Daniela Galetti, Francesca Garofalo, Alfonso Guatieri, Mikko Karttunen, Carmelo La Rosa, Paride Legovini, Andrea Macchi, Marco Masia, Danilo Milardi, Irene Molinari, Andrea Morelli, Andrea Negri, Massimo Olivucci, Salvatore Orlando, Martina Pannuzzo, Denise Perrone, Adriana Pietropaolo, Federico Piscaglia, Giulio Rastelli, Antonio Raudino, Fabio Reale, Gianmaria Sannino, Paolo Schito, Alfredo Soldati, Alessandro Stroppa, Daniela Tordella, Federico Totti, Piero Ugliengo, Francesco Valentini, Pierluigi Veltri, Cinzia Zannoni. CinecaaaHP HPCHPHPCRC ReportRep Dear Colleague, Welcome to the Cineca HPC Report, a source of information that I hope will become a regular appointment between Cineca and all its stakeholders, to make you more and more involved in our vision, in our perspective of development and in our activity at large. -
KASTERN KUNSTAUKTIONEN Baringstraße 8 · 30159 Hannover KUNSTAUKTION T
174. KUNSTAUKTION astern astern KASTERN KUNSTAUKTIONEN Baringstraße 8 · 30159 Hannover KUNSTAUKTION T. +49 (0)511.851085 · F. +49 (0)511.851066 HANNOVER info @ kastern.de · www.kastern.de 16. März 2019 astern Kunst und Antiquitäten 16. März 2019 11 Uhr Auktion no 174 astern Vorbesichtigung Freitag, den 08. März bis Freitag, den 15. März täglich von 10 bis 18 Uhr auch Samstag, den 09. März von 10 bis 17 Uhr und Sonntag, den 10. März von 11 bis 17 Uhr Impressum Titel: Los 0089 Das Kunst- und Auktionshaus Karl Schmidt-Rottluff Kastern GmbH & Co. KG 1884 Rottluff/Chemnitz - 1976 Berlin - »Am Backofen«, 1922 - Baringstraße 8 © VG bild-Kunst, Bonn 2019 30159 Hannover T. +49 (0)511.851085 F. +49 (0)511.851066 [email protected] www.kastern.de www. kastern.com Margitta Kastern Christina Kastern-Benatzky M.A. Geschäftsführerin astern Inhaltsverzeichnis Sammlung Delta / Bahlsen (0001 - 0137) 10 Ehemals Sammlung Herlintz AG (0138 - 0216) 44 Teilsammlung Schenning (0217 - 0290) 68 Art Brut (0291 - 0296) 85 Gemälde | Aquarelle | Zeichnungen | (0297 - 0490) 90 Moderne Grafik (0491 - 0564) 171 Alte Grafik (0565 - 0568) 193 Ikonen (0569 - 0592) 195 Skulpturen | Objekte (0593 - 0615) 201 Möbel | Lampen | Spiegel (0616 - 0648) 211 Teppiche (0649) 225 Uhren (0650 - 0651) 226 Armbanduhren | Taschenuhren (0652 - 0669) 227 Schmuck (0670 - 0854) 236 Pause 15:30 bis 16:00 Silber (0855 - 1012) 279 Porzellan (1013 - 1261) 311 Fayence | Keramik (1262 - 1282) 361 Glas (1283 - 1325) 369 Asiatika (1326 - 1377) 381 Ethnologie (1378) 394 Varia (1379 - 1396) 395 Militaria (1397 - 1400) 399 Bücher (1401) 400 Allgemeine Geschäftsbedingungen 402 Ablauf der Auktion 406 Glossar 409 Künstlerverzeichnis 410 Abkürzungsverzeichnis 412 Einlieferung von Objekten 413 Formular: Telefonisches Mitbieten zur Auktion 414 Formular: Gebote zur Auktion 415 Termine Kunstauktionen 2019 416 Frühjahrsauktion Liebe Freunde, sehr geehrte Kunden, voller Vorfreude blicken wir auf unsere diesjährige Aus dem Bereich der Gemälde des 19. -
Projektraum Mehrwert Kunst Künstler Gehen In
PROJEKTRAUM KÜNSTLER MEHRWERT GEHEN IN KUNST UNTERNEHMEN 01.07.18 bis 31.05.21 www.kunst-und-wirtschaft.berlin PROJEKTRAUM KÜNSTLER MEHRWERT GEHEN IN KUNST UNTERNEHMEN UNSER ANGEBOT FÜR IHR UNTERNEHMEN VIDEO FILM IDEE, STORYBOARD, SCRIPT, SCHAUSPIEL REGIE PRODUKTION, POSTPRODUKTION KREATIVES DENKEN, PROBLEMLÖSUNGEN, KONZEPT KOMMUNIKAION WORKSHOPS, TEAMBUILDUNG, GESELLSCHAFTSARBEIT KONFLIKTLÖSUNGEN, TEAMFESTIGUNG MUSIK DJ, GESANG, KONZERT, STRESSABBAU SOUNDDESIGN PHOTO EDITING PORTRAIT, SPORT, KINDER, PRODUKT, FOTOGRAFIE REPORTAGE, LIFE, AKT, NATUR PROJEKTENTWICKLUNG, WAND- UND RAUMGESTAL- PUBLIC ART TUNG, REALISIERUNG, PLASTISCHE GESTALTUNG, OBJEKTGESTALTUNG, AUSSTELLUNGEN ILLUSTRATION LAYOUT, BUCH- UND PLAKATGESTALTUNG, GRAFIKDESIGN DRUCKPRODUKTE, ZEICHNEN, COMICS, KINDERBUCH KONZEPTKUNST INSTALLATIONEN, FREIE MALEREI, ZEICHNEN Die Schule für Bildende Kunst und Gestaltung in Berlin, Prenzlauer Berg, führt das Projekt „Projektraum. Mehrwert. Kunst. Künstler gehen in Unternehmen“ durch, um die Bildung von neuen, innovativen und interdisziplinären lokalen Netzwerken voranzutreiben. Die aktive Phase des Projektes hat am 1. September 2018 an- gefangen. In dem auf mehrere Jahre Laufzeit ausgelegten Projekt werden Berliner Künstler für Kooperationsprojekte mit Wirtschaftsunternehmen qualifiziert und diese lang- fristig realisiert. Gleichzeitig wird ein Netzwerk-Pool von interessierten Berliner Unternehmen aufgebaut. Das Projekt wird gefördert aus Mitteln des Europäischen Sozialfonds und der Senatsverwaltung für Integration, Arbeit und Soziales -
College Affairs Warden’S Report
ST ANTONY’S COLLEGE RECORD 2010–2011 Designed and produced in the Development Office at St Antony’s College © The Warden and Fellows of St Antony’s College, 2011 Contact information: St Antony’s College, Oxford, OX2 6JF Tel – 01865 284 700 www.sant.ox.ac.uk CONTENTS 1 – Overview of the College The College................................................................................................................ 1 The Fellowship.......................................................................................................... 3 The Staff.................................................................................................................... 8 2 – College Affairs Warden’s Report....................................................................................................... 11 From the Bursar......................................................................................................... 12 The Graduate Common Room.................................................................................. 14 The Library............................................................................................................... 20 The St Antony’s/Palgrave Series.............................................................................. 21 3 – Teaching and Research..................................................................................... 22 African Studies.......................................................................................................... 24 Asian Studies............................................................................................................ -
Maxim Kantor Est Né À Moscou Le 22 Décembre 1957. Artiste, Écrivain
Maxim Kantor est né à Moscou le 22 décembre 1957. Artiste, écrivain, dramaturge, essayiste et historien de l’art, il se considère lui-même comme un élève de son père, le philosophe Karl Kantor. Kantor a vécu à Moscou et dans plusieurs pays d’Europe. Il habite désormais sur l’Ile de Ré, à Berlin et Oxford. En 1977, il fonde à Moscou le mouvement d’underground Red House qui organise plusieurs expositions d’un jour, la plus fameuse étant celle de 1982 à l’Institut de Philosophie de Moscou. En 1987, Henri et Eske Nannen visitent l’atelier de Kantor à Moscou et lui achètent six peintures pour leur musée à Emden. En 1988, Kantor est invité par Hans-Dietrich Genscher à travailler trois mois en Allemagne. Il a dès lors plusieurs expositions personnelles de par le monde. En 1997, Maxim Kantor représente la Fédération Russe à la 47e Biennale de Venise. Il est membre honoraire de l’Académie russe des Arts. En 2012, il est chargé de peindre une représentation de Saint Dominique pour le couvent dominicain de Bruxelles. En 2014, il est chargé de peindre Saint Thomas d’Aquin pour l’Académie Pontificale Saint-Thomas d’Aquin au Vatican. En 2014-2015, il est chargé de peindre une galerie de portraits de philosophes du monde entier pour les Hesburgh Libraries de l’University of Notre Dame (Indiana, États-Unis). En 2015, il est chargé de peindre Merry Cathedral pour l’église Saint-Merry à Paris. Kantor est Honorary Fellow au Pembroke College d’Oxford, Visiting Fellow au St Antony’s College d’Oxford et membre du Common Room au Wolfson College d’Oxford.