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DOM Magazine No
2020 DOM magazine 04 December The Art of Books and Buildings The Cities of Tomorrow Streets were suddenly empty, and people began to flee to the countryside. The corona virus pandemic has forced us to re- think urban design, which is at the heart of this issue. From the hotly debated subject of density to London’s innovative social housing through to Berlin’s creative spaces: what will the cities of the future look like? See pages 14 to 27 PORTRAIT The setting was as elegant as one would expect from a dig- Jean-Philippe Hugron, nified French institution. In late September, the Académie Architecture Critic d’Architecture – founded in 1841, though its roots go back to pre- revolutionary France – presented its awards for this year. The Frenchman has loved buildings since The ceremony took place in the institution’s rooms next to the childhood – the taller, the better. Which Place des Vosges, the oldest of the five ‘royal squares’ of Paris, is why he lives in Paris’s skyscraper dis- situated in the heart of the French capital. The award winners trict and is intrigued by Monaco. Now he included DOM publishers-author Jean-Philippe Hugron, who has received an award from the Académie was honoured for his publications. The 38-year-old critic writes d’Architecture for his writing. for prestigious French magazines such as Architecture d’au jourd’hui and Exé as well as the German Baumeister. Text: Björn Rosen Hugron lives ten kilometres west of the Place des Vosges – and architecturally in a completely different world. -
View. Theories and Practices Ofvisual Culture
9 View. Theories and Practices of Visual Culture. title: tMitolen:umentality ephemerated author: aNuintahoSro(s:na source: Vsoieuwrc. eT:heories and Practices ofVisual Culture 9 (2015) URL: hURttLp: ://pismowidok.org/index.php/one/article/view/275/533/ publisher: Ipnusbtiltiushteero:f Literary Research of the Polish Academy of Sciences Institute of Polish Culture, University of Warsaw View. Foundation for Visual Culture Nina Sosna Monumentality ephemerated Monuments, which are generally considered visual, become the object of visual research much less frequently than any other art form. However, closer investigation shows that monuments are an interesting model or even frame of analysis. They are quite peculiar, and paradoxical objects, as they controversially combine many different kinds of things: the immaterial traits of collective imaginaries and the heavy materiality of stone or bronze, fluctuations of memory and the conservation of ideology, object and remnant, arrested past and an attempt to change the future. 1. Russia is currently going through a period of instability that is caused, not only by today's situation of an almost uncontrolled globalized world economy, but also by the transitional form of (post)socialism. There is a temporal factor that affects the very structure of the status quo. What is undergoing a noticeable change are not only the From: Yevgeniya Gershkovich, Yevgeny external conditions of existence, but also the sense of Korneev, eds., Stalin’s Imperial Style time. The “dashing 1990s” were a time to move forward - (Moscow: Trefoil Press, 2006), photo: at least, such was the general feeling. In the 2000s there Krzysztof Pijarski was a kind of break; for some, it was a moment of “looking around” and even backwards. -
REFERENCE PROJECTS Radisson Royal Hotel – Moscow
REFERENCE PROJECTS Radisson Royal Hotel – Moscow HOTEL & GASTRONOMY The brilliance of yesterday reinterpreted Bautafel Situated on a bend in the Moscow River, the magnifi cent Ukraine Hotel was built under the supervision of Stalin in the Project name: Radisson Royal Hotel 1950s and has dominated its surroundings as a neoclassical Location: Russia, Moscow construction. The second-tallest building of the legendary “ seven sisters” has enjoyed a renewed brilliance in recent Completion: 2010 years and is the new pearl of the luxury chain Radisson SAS. As required by name and tradition, 2,000 architects and Client: The Rezidor Hotel Group interior designers turned the already spectacular architecture www.rezidor.com into a 5-star hotel, and thanks to its luxurious accoutrements, Architects: 1953 – 1957: Arkadi Mordvinov it is now experiencing a new boost in prestige. and Wjatscheslav Oltarschewski 2007 – 2010: Various architects and interior designers Products: AMADEA EVANA Wash Basin HOMMAGE Bidet PAVIA Bathtub Image material: Villeroy & Boch Villeroy & Boch, Bathroom and Wellness Division, PROJECTS [email protected] www.pro.villeroy-boch.com PRO.VILLEROY-BOCH.COM/PROJECTS REFERENCE PROJECTS Radisson Royal Hotel – Moscow The skyscrapers commissioned by Josef Stalin, the famous “seven sisters”, include the foreign ministry and the campus of Moscow State University. For several decades, the Hotel Ukraine was one of the tallest hotels in Europe. It currently has 505 rooms, 38 apartments, fi ve restaurants, a conference centre, a wellness areas, yachts, and an impressive art collection. In the course of the latest renovation over a period of three years, encompassing everything from the facade to the interior details, a comprehensive update was provided. -
Comparing Capitals
owen hatherley COMPARING CAPITALS he main theoretical frame for analysing cities over the last two decades has been the notion of the ‘Global City’—an urban studies paradigm which runs in tandem with official, pseudo-scientific rankings of where is the most Global (is Tyours an Alpha or Beta Global City?). These cities, which usually grew out of imperial entrepôts—London, New York, Shanghai, Barcelona, Mumbai, Rio de Janeiro, Sydney, Lagos—are the spokes of global net- works of media, tourism, ‘creativity’, property development and, most importantly, finance capital. Of that list, only one—London—is the capi- tal city of a nation-state, although Rio is an ex-capital and Barcelona a devolved one. Göran Therborn’s Cities of Power, although it doesn’t let itself get bogged down in the issue, is explicitly a riposte to the idea of the Global City, and the peculiar Monocle-magazine vision of trans-national, interconnected, intangible (yet always apparently locally specific) capital- ism that it serves to alternately describe and vindicate. The ‘economism’ of Global City studies, he argues in his introduction, ‘leaves out the power manifestations of the urban built environment itself. Even the most capitalist city imaginable is not only business offices and their connections to business offices elsewhere.’1 Cities of Power is instead an analysis solely of capital cities, as built and inhabited ‘forms of state formation and their consequences’. In an unusual move for a sociolo- gist, Therborn pursues this study for the most part not through local economies or societies, but through the architectural and monumental practices of representation and expression of power. -
Moscow Gabriele Basilico, 2008
Moscow Gabriele Basilico, 2008 moscow vertigo Davide Deriu Reader, Faculty of Architecture and the Built Environment, University of Westminster, London, United Kingdom, [email protected] The paper explores the relationship between photography and architecture as a mutually constitutive one. Besides standing as subjects for the camera, buildings can also extend the photographer’s capability to depict the surrounding landscape. In the interwar period, this interplay was exploited by avant-garde photographers associated with the “New Vision” who used architecture as a viewing platform. Among them was Aleksander Rodchenko, whose experiments with high-angle shots were part of the wider project to construct a revolutionary visual language for Soviet art. Moscow was the theatre of this visual revolution. Eight decades later, Italian photographer Gabriele Basilico visited the Russian capital and produced a photo-book, Mosca Verticale, that references Rodchenko’s work in more than one way. Atypically, Basilico elevated the vue en plongée to his main framing device as he set out to depict the sprawling city from the Seven Sisters –the monumental high-rise towers built under Stalin between the late 1940s and the mid 1950s. Through considering Basilico’s words as well as his pictures, the essay unpacks the multiple layers that constitute Mosca Verticale. It draws connections not only with the work of Rodchenko but also with that of Russian “rooftoppers” who, in recent years, have raised the vertiginous representation of the city to new heights. As a cluster of “supertall” buildings redesigns its skyline, Moscow is once again the European epicentre of a particular type of interaction between photography and architecture, whereby the latter serves as a platform to visualise the dizzying spaces of the metropolis. -
1982 Moscow Independent Peace Group
Digital Archive digitalarchive.wilsoncenter.org International History Declassified 1982 Moscow Independent Peace Group Citation: “Moscow Independent Peace Group,” 1982, History and Public Policy Program Digital Archive, Jean Stead and Danielle Grunberg, END Special Report, European Nuclear Disarmament and the Merlin Press, 1982. Contributed to NPIHP by Matthew Evangelista. Reproduced with the permission of the Merlin Press, www.merlinpress.co.uk http://digitalarchive.wilsoncenter.org/document/113734 Summary: Pamphlet from European Nuclear Disarmament with two first-hand accounts of a Scandinavian women’s peace march through Moscow that visited with an independent Soviet peace group. Includes details on the process and END’s internal debate on how to interact with the emerging movement, along with publications of the peace group itself, Western journalistic sources, official documents, and photographs. Original Language: English Contents: Scan of Original Document ©Jean Stead, Gabrielle Grunberg, 1982 The excerpts from New York Times, The New Yorker and The Guardian reproduced by kind permission. Distributed by The Merlin Press, 3 Manchester Road , London E 14 and END, 227 Seven Sisters Road, London N4. Joint Merlin/END publication. First published November 1982 Printed by Black Rose and set by H. Hems MoicOw's Police ArTeSt FoWlder ofPeace Group ! MOSCOW, I -The arrested a founderAug. (AP) of theUnion's Soviet PQltce cmJy puup today and putindependent him in a peace his wW. fellowpsychiatric l"OUI> mm11enlapital acainst �Mid � �,W- old artistSerae1 who spent timeIn a Batomn, ric 5e'YeD yearspsychiat ago, wula.ken from.baspltaJ the apanment of YuriMedved bv, a fellow group member, after DOOl1 . COUeagues said theshortly police •ccmed bilD of 8el'Y• . -
Travel Guide
TRAVEL GUIDE Traces of the COLD WAR PERIOD The Countries around THE BALTIC SEA Johannes Bach Rasmussen 1 Traces of the Cold War Period: Military Installations and Towns, Prisons, Partisan Bunkers Travel Guide. Traces of the Cold War Period The Countries around the Baltic Sea TemaNord 2010:574 © Nordic Council of Ministers, Copenhagen 2010 ISBN 978-92-893-2121-1 Print: Arco Grafisk A/S, Skive Layout: Eva Ahnoff, Morten Kjærgaard Maps and drawings: Arne Erik Larsen Copies: 1500 Printed on environmentally friendly paper. This publication can be ordered on www.norden.org/order. Other Nordic publications are available at www.norden.org/ publications Printed in Denmark T R 8 Y 1 K 6 S 1- AG NR. 54 The book is produced in cooperation between Øhavsmuseet and The Baltic Initiative and Network. Øhavsmuseet (The Archipelago Museum) Department Langelands Museum Jens Winthers Vej 12, 5900 Rudkøbing, Denmark. Phone: +45 63 51 63 00 E-mail: [email protected] The Baltic Initiative and Network Att. Johannes Bach Rasmussen Møllegade 20, 2200 Copenhagen N, Denmark. Phone: +45 35 36 05 59. Mobile: +45 30 25 05 59 E-mail: [email protected] Top: The Museum of the Barricades of 1991, Riga, Latvia. From the Days of the Barricades in 1991 when people in the newly independent country tried to defend key institutions from attack from Soviet military and security forces. Middle: The Anna Akhmatova Museum, St. Petersburg, Russia. Handwritten bark book with Akhmatova’s lyrics. Made by a GULAG prisoner, wife of an executed “enemy of the people”. Bottom: The Museum of Genocide Victims, Vilnius, Lithuania. -
TWO REGIMES, TWO UNIVERSITY CITIES Architectonic Language and Ideology in Lithuania and Portugal: 1930-1975
TWO REGIMES, TWO UNIVERSITY CITIES Architectonic language and ideology in Lithuania and Portugal: 1930-1975 Neringa Sobeščukaitė Dissertation of the Integrated Master’s Degree in Architecture supervised by Professor Nuno Alberto Leite Rodrigues Grande Department of Architecture, FCTUC, July 2013 TWO REGIMES, TWO UNIVERSITY CITIES Architectonic language and ideology in Lithuania and Portugal: 1930-1975 The author would like to thank numerous persons for their varied help, advice and encouragement, without whom research on this subject would have been impossible, if not at least much less comfortable or entertain- ing. These persons include but are not limited by colleagues from Kaunas Art Faculty of the Vilnius Academy of Fine Arts and Department of Architecture of the University of Coimbra. In particular, the author would like to thank: Miguel Godinho, Pedro Silva, João Briosa, Theresa Büscher, Monika Intaitė, Joana Orêncio, Lara Maminka Borges, Vânia Simões, Nuno Nina Martins, Magdalena Mozūraitytė, Jautra Bernotaitė, and Andrius Ropolas, for their support, and helpful hints along the way. The specificity of this work would not have been possible without the personal experience and academic for- mation in two institutions: Kaunas Art Faculty of the Vilnius Academy of Fine Arts, the university where the author finished its Bachelor degree, and Department of Architecture of the University of Coimbra, the current place of studies of the author. In this contex, the author would like to express the deepest gratitude to all pro- fessors and colleagues, for their help and support, for their brief discussions to deep, sometimes all night long conversations, that helped to feel at home, even when being half-way across the world. -
Soviet Architecture in Central Asia, 1920S-1930S
“Soviet Architecture and its National Faces ”: Soviet Architecture in Central Asia, 1920s-1930s By Anna Pronina Submitted to Central European University Department of History In partial fulfillment of the requirements for the degree of Master of Arts in Comparative History Supervisor: Professor Charles Shaw Second Reader: Professor Marsha Siefert CEU eTD Collection Budapest, Hungary 2020 Copyright Notice Copyright in the text of this thesis rests with the Author. Copies by any process, either in full or part, may be made only in accordance with the instructions given by the Author and lodged in the Central European Library. Details may be obtained from the librarian. This page must form a part of any such copies made. Further copies made in accordance with such instructions may not be made without the written permission of the Author. CEU eTD Collection ii Abstract The thesis “Soviet Architecture and its National Faces”: Soviet Architecture in Central Asia, 1920s-1930s is devoted to the various ways Soviet Central Asian architecture was imagined during the 1920s and the 1930s. Focusing on the discourses produced by different actors: architects, Soviet officials, and restorers, it examines their perception of Central Asia and the goals of Soviet architecture in the region. By taking into account the interdependence of national and architectural history, it shows a shift in perception from the united cultural region to a set of national republics with their own histories and traditions. The thesis proves that national architecture of the Soviet Union, and in Central Asia in particular, was a visible issue in public architectural discussions. Therefore, architecture played a significant role in forging national cultures in Soviet Central Asia. -
Building the Revolution. Soviet Art and Architecture, 1915
Press Dossier ”la Caixa” Social Outreach Programmes discovers at CaixaForum Madrid the art and architecture from the 1920s and 30s Building the Revolution. Soviet Art and Architecture 1915-1935 The Soviet State that emerged from the 1917 Russian Revolution fostered a new visual language aimed at building a new society based on the socialist ideal. The decade and a half that followed the Revolution was a period of intense activity and innovation in the field of the arts, particularly amongst architects, marked by the use of pure geometric forms. The new State required new types of building, from commune houses, clubs and sports facilities for the victorious proletariat, factories and power stations in order to bring ambitious plans for industrialisation to fruition, and operations centres from which to implement State policy and to broadcast propaganda, as well as such outstanding monuments as Lenin’s Mausoleum. Building the Revolution. Soviet Art and Architecture 1915-1935 illustrates one of the most exceptional periods in the history of architecture and the visual arts, one that is reflected in the engagement of such constructivist artists as Lyubov Popova and Alexander Rodchenko and and Russian architects like Konstantin Melnikov, Moisei Ginzburg and Alexander Vesnin, as well as the European architects Le Corbusier and Mendelsohn. The exhibition features some 230 works, including models, artworks (paintings and drawings) and photographs, featuring both vintage prints from the 1920s and 30s and contemporary images by the British photographer Richard Pare. Building the Revolution. Soviet Art and Architecture 1915-1935 , is organised by the Royal Academy of Arts of London in cooperation with ”la Caixa” Social Outreach Programmes and the SMCA-Costakis Collection of Thessaloniki. -
Kyiv, Ukraine: the City of Domes and Demons from the Collapse Of
Roman Adrian Roman Cybriwsky Kyiv, Ukraine is a pioneering case study of urban change from socialism to the hard edge of a market economy after the Soviet collapse. It looks in detail at the changing social geography of the city, and on critical problems such as corruption, social inequality, sex tourism, and destruction of historical ambience by greedy developers. The book is based on fieldwork and an insider’s knowledge of the city, and is engagingly written. Roman Adrian Cybriwsky is Professor of Geography and Urban Studies at Temple University in Philadelphia, USA, and former Ukraine Kyiv, Fulbright Scholar at the National University of Kyiv Mohyla Academy. He divides his time between Philadelphia, Kyiv, and Tokyo, about which he has also written books. “Roman Cybriwsky knows this city and its people, speaks their language, feels their frustrations with its opportunist and corrupt post-Soviet public figures Roman Adrian Cybriwsky who have bankrupted this land morally and economically. He has produced a rich urban ethnography stoked by embers of authorial rage.” — John Charles Western, Professor of Geography, Syracuse University, USA “Kyiv, Ukraine is an interdisciplinary tour de force: a scholarly book that is Kyiv, Ukraine also an anthropological and sociological study of Kyivites, a guide to Kyiv and its society, politics, and culture, and a journalistic investigation of the city’s darkest secrets. At this time of crisis in Ukraine, the book is indispensable.” — Alexander Motyl, Professor of Political Science, Rutgers University, USA The City of Domes and Demons “Filled with personal observations by a highly trained and intelligent urbanist, Kyiv, Ukraine is a beautiful and powerful work that reveals from the Collapse of Socialism profound truths about a city we all need to know better.” — Blair A. -
Russian Architecture
МИНИСТЕРСТВО ОБРАЗОВАНИЯ И НАУКИ РОССИЙСКОЙ ФЕДЕРАЦИИ КАЗАНСКИЙ ГОСУДАРСТВЕННЫЙ АРХИТЕКТУРНО-СТРОИТЕЛЬНЫЙ УНИВЕРСИТЕТ Кафедра иностранных языков RUSSIAN ARCHITECTURE Методические указания для студентов направлений подготовки 270100.62 «Архитектура», 270200.62 «Реставрация и реконструкция архитектурного наследия», 270300.62 «Дизайн архитектурной среды» Казань 2015 УДК 72.04:802 ББК 81.2 Англ. К64 К64 Russian architecture=Русская архитектура: Методические указания дляРусская архитектура:Методическиеуказаниядля студентов направлений подготовки 270100.62, 270200.62, 270300.62 («Архитектура», «Реставрация и реконструкция архитектурного наследия», «Дизайн архитектурной среды») / Сост. Е.Н.Коновалова- Казань:Изд-во Казанск. гос. архитект.-строит. ун-та, 2015.-22 с. Печатается по решению Редакционно-издательского совета Казанского государственного архитектурно-строительного университета Методические указания предназначены для студентов дневного отделения Института архитектуры и дизайна. Основная цель методических указаний - развить навыки самостоятельной работы над текстом по специальности. Рецензент кандидат архитектуры, доцент кафедры Проектирования зданий КГАСУ Ф.Д. Мубаракшина УДК 72.04:802 ББК 81.2 Англ. © Казанский государственный архитектурно-строительный университет © Коновалова Е.Н., 2015 2 Read the text and make the headline to each paragraph: KIEVAN’ RUS (988–1230) The medieval state of Kievan Rus'was the predecessor of Russia, Belarus and Ukraine and their respective cultures (including architecture). The great churches of Kievan Rus', built after the adoption of christianity in 988, were the first examples of monumental architecture in the East Slavic region. The architectural style of the Kievan state, which quickly established itself, was strongly influenced by Byzantine architecture. Early Eastern Orthodox churches were mainly built from wood, with their simplest form known as a cell church. Major cathedrals often featured many small domes, which has led some art historians to infer how the pagan Slavic temples may have appeared.