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A Long Walk Home: the Role of Class and the Military in the Springsteen Catalogue Michael S
A Long Walk Home: The Role of Class and the Military in the Springsteen Catalogue Michael S. Neiberg United States Army War College and Robert M. Citino National World War II Museum1 Abstract This article analyzes the themes of class and military service in the Springsteen canon. As a member of the baby boom generation who narrowly missed service in Vietnam, Springsteen’s reflection on these heretofore unappreciated themes should not be surprising. Springsteen’s emergence as a musician and American icon coincide with the end of conscription and the introduction of the All-Volunteer Force in 1973. He became an international superstar as Americans were debating the meaning of the post-Vietnam era and the patriotic resurgence of the Reagan era. Because of this context, Springsteen himself became involved in veterans issues and was a voice of protest against the 2003 Iraq War. In a well-known monologue from his Live 1975-85 box set (1986), Bruce Springsteen recalls arguing with his father Douglas about the younger Springsteen’s plans for his future. Whenever Bruce provided inadequate explanations for his life goals, Douglas responded that he could not wait for the Army to “make a man” out of his long-haired, seemingly aimless son. Springsteen 1 Copyright © Michael S. Neiberg and Robert M. Citino, 2016. Michael Neiberg would like to thank Derek Varble, with whom he saw Springsteen in concert in Denver in 2005, for his helpful comments on a draft of this article. Address correspondence to [email protected] or [email protected]. BOSS: The Biannual Online-Journal of Springsteen Studies 2.1 (2016) http://boss.mcgill.ca/ 42 NEIBERG AND CITINO describes his fear as he departed for an Army induction physical in 1968, at the height of domestic discord over the Vietnam War. -
Catalogue of Photographs of Performers at the Embassy Theatre
Catalogue of Photographs of Performers and Shows in the Archives of the Embassy Theatre Foundation The archives of the Embassy Theatre Foundation hold more than 3000 artifacts, including more than 600 photographs of vaudevillians inscribed to Bud Berger (long-time stage man- ager at the Embassy Theatre, known as the Emboyd until 1952); more than 300 posters, playbills, programs, stools, and even guitars signed by the stars and casts of shows that have played at the Embassy Theatre over the past forty years, rang- ing from classic and current Broadway shows to acrobatic groups, choral ensembles, dance shows, ballet, stand-up comedians, rock bands, country singers, travel films, silent films, theatre organists, and so on; and hundreds of publicity photographs of performers, shows, and events at the theatre, primarily from the period following the establishment of the Embassy Theatre Foundation and its rescue of the theatre from the wrecking ball in 1975; and a nearly complete run of the journal of the American Theatre Organ Society. The archive is now almost fully catalogued and preserved in archival housing. Earlier excerpts from the catalogue (available on the Archives page of the Embassy Theatre’s web site) cover the photographs inscribed to Bud Berger and the posters, playbills, programs, stools, and so on from later shows at the Embassy. This is the third excerpt, covering the public- ity photographs of the last forty-five years and a few photographs of earlier events, Bud Berger, and other members of the stage crew. The publicity photographs are primarily of individ- ual performers, but a few shows are presented as well, including Ain’t Misbehavin’, Annie, Barnum, Bubbling Brown Sugar, Cabaret, California Suite, Cats, A Christ- mas Carol, Dancin’, Evita, Gypsy, I'm Getting My Act Together And Taking It On The Road, Joseph and the Amazing Technicolor Dreamcoat, Peter Pan, Same Time Next Year, Side by Side by Sondheim, and Ziegfeld: A Night at the Follies. -
Summer 07 Bill Forum
autumn & winter 2019 Box office: 01642 552663 www.forumtheatrebillingham.co.uk WEDNESDAY 4TH & THURSDAY 5TH SEPTEMBER Join Igglepiggle, Upsy Daisy, Makka Pakka and friends are In the Night Garden Live for a brand new show on their first ever UK theatre tour in 2019! You’ll see all your favourite characters beautifully brought to life with full-size costumes, magical puppets, and enchanting music. The show lasts just under an hour and it’s a completely new production for the very first In the Night Garden Live UK theatre tour. Now in its 10th year, In the Night Garden Live is one of the UK’s favourite family events. Over 1-million people have seen it so far and it gets 4.8 out of 5 stars based on 12,844 parents’ reviews. There are other shows for young children, but as The Independent wrote,“there’s nothing quite like In the Night Garden Live.” Pip-pip, onk-onk! Don’t miss it, book now before it’s too late! WED 1.00PM & 4.00PM, THUR 10.AM & 1.00PM. ALL SEATS £17.00 UNDER-16 £15 FRIDAY 6TH SEPTEMBER BACK BY HUGE POPULAR DEMAND! Some Guys Have All The Luck is a fantastic theatrical production celebrating the career of one of rocks greatest icons, Rod Stewart – from street busker through to international superstar! Paul Metcalfe delivers an authentic and charismatic performance assuming the persona of this legendary singer-songwriter and performer right down to the last detail – from the distinctive vocals to the swaggering showmanship and sheer fun that have made Rod Stewart one of the most loved performers of all time. -
Recorded Jazz in the 20Th Century
Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana -
Джоð½ð¸ Кðµñˆ Ðлбуð¼ ÑпиÑ
Джони Кеш ÐÐ »Ð±ÑƒÐ¼ ÑÐ ¿Ð¸ÑÑ ŠÐº (Ð ´Ð¸ÑÐ ºÐ¾Ð³Ñ€Ð°Ñ„иÑÑ ‚а & график) Class of '55 https://bg.listvote.com/lists/music/albums/class-of-%2755-1095998/songs American Recordings https://bg.listvote.com/lists/music/albums/american-recordings-466622/songs https://bg.listvote.com/lists/music/albums/american-iii%3A-solitary-man- American III: Solitary Man 465057/songs https://bg.listvote.com/lists/music/albums/american-v%3A-a-hundred-highways- American V: A Hundred Highways 467195/songs Unchained https://bg.listvote.com/lists/music/albums/unchained-975864/songs I Walk the Line https://bg.listvote.com/lists/music/albums/i-walk-the-line-1655296/songs https://bg.listvote.com/lists/music/albums/american-vi%3A-ain%27t-no-grave- American VI: Ain't No Grave 467211/songs Bitter Tears: Ballads of the American https://bg.listvote.com/lists/music/albums/bitter-tears%3A-ballads-of-the-american- Indian indian-518249/songs Heroes https://bg.listvote.com/lists/music/albums/heroes-3509760/songs https://bg.listvote.com/lists/music/albums/ring-of-fire%3A-the-best-of-johnny-cash- Ring of Fire: The Best of Johnny Cash 2153577/songs The Christmas Spirit https://bg.listvote.com/lists/music/albums/the-christmas-spirit-1747957/songs Blood, Sweat and Tears https://bg.listvote.com/lists/music/albums/blood%2C-sweat-and-tears-885050/songs America: A 200-Year Salute in Story and https://bg.listvote.com/lists/music/albums/america%3A-a-200-year-salute-in-story- Song and-song-3512131/songs Sings Hank Williams https://bg.listvote.com/lists/music/albums/sings-hank-williams-2289358/songs Out Among the Stars https://bg.listvote.com/lists/music/albums/out-among-the-stars-15630590/songs Orange Blossom Special https://bg.listvote.com/lists/music/albums/orange-blossom-special-1819819/songs From Sea to Shining Sea https://bg.listvote.com/lists/music/albums/from-sea-to-shining-sea-3053452/songs John R. -
Teacher's Guide Country Music Hall of Fame® And
TEACHER’S GUIDE 1 TO THE 2 COUNTRY MUSIC HALL OF FAME® AND MUSEUM Teacher’s Guide to the Country Music Hall of Fame® and Museum 1 This teacher’s guide includes classroom lessons and can be used as interdisciplinary teaching designed to assist teachers in preparing their tools. All Language Arts standards apply to students for a visit to the Country Music Hall of grades K-12, though word choice may vary Fame and Museum. A poster, glossary, worksheets, slightly. Teacher Tips, included in most of the lyric sheets, and a CD are included and accompany lessons, provide more detailed instructions or specific lessons in this guide. The lessons engage suggestions for ways teachers can adapt lessons students and teachers in listening, observing, to the particular needs and interests of their writing, and discussing the characteristics of students. Because museums are special places museums, the history of country music, country containing valuable and delicate objects, a songs, and the people who have contributed to discussion about appropriate museum behavior the country music story. These lessons are prior to your visit may be helpful. complemented by a tour of the museum’s exhibits. The museum provides workshops for teachers They address specific curriculum objectives in several times a year. For workshop dates and language arts, music, social studies, and visual times and to learn more about our programs art for grades K-12. All curricular connections for teachers and students, please visit our Web site: are based on Tennessee State Curriculum -
Music: Its Language, History and Culture
MUSIC: ITS LANGUAGE, HISTORY, AND CULTURE A Reader for Music 1300 RAY ALLEN DOUGLAS COHEN NANCY HAGER JEFFREY TAYLOR Copyright © 2006, 2007, 2008, 2014 by the Conservatory of Music at Brooklyn College of the City University of New York. Original text by Ray Allen, Douglas Cohen, Nancy Hager, and Jeffrey Taylor with contributions by Marc Thorman. ISBN: 978-0-9913887-0-7 Music: Its Language, History and Culture by the Conservatory of Music at Brooklyn College of the City University of New York is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/4.0/deed.en_US. Based on a work at http://www.music1300.info/reader. Permissions beyond the scope of this license may be available at http://www.music1300.info/reader. Cover art and design by Lisa Panazzolo Photos by John Ricasoli CONTENTS Introduction 1 Chapter 1: Elements of Sound and Music 3 Elements of Sound: Frequency, Amplitude, Wave Form, Duration 3 Elements of Music: Rhythm, Meter, Pitch, Melody, Texture, Tone Color, Form 5 Chapter 2: Musical Instruments and Ensembles 9 Instruments: A World View 9 Human Voice as Instrument 11 Western Categories of Instruments 11 Ensembles 13 Chapter 3: Composer, Performer, Audience 15 Chapter 4: European Art Music: Middle Ages through Romantic 17 Middle Ages 17 Renaissance 20 Baroque 23 Classical 26 Romantic 29 Chapter 5: European and American Art Music since 1900 33 Chapter 6: American Vernacular Music 39 Introduction 39 American Folk Music 39 -
"Ersatz As the Day Is Long": Japanese Popular
“ERSATZ AS THE DAY IS LONG”: JAPANESE POPULAR MUSIC, THE STRUGGLE FOR AUTHNETICITY, AND COLD WAR ORIENTALISM Robyn P. Perry A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2021 Committee: Walter Grunden, Advisor Jeremy Wallach © 2021 Robyn P. Perry All Rights Reserve iii ABSTRACT Walter Grunden, Advisor During the Allied Occupation of Japan, Supreme Commander for the Allied Powers (SCAP) Douglas MacArthur set forth on a mission to Americanize Japan. One way SCAP decided this could be done was by utilizing forms of media that were already popular in Japan, particularly the radio. The Far East Network (FEN), a network of American military radio and television stations in Japan, Okinawa, Guam, and the Philippines, began to broadcast American country & western music. By the early 1950s, Japanese country & western ensembles would begin to form, which initiated the evolution toward modern J-pop. During the first two decades of the Cold War, performers of various postwar subgenres of early Japanese rock (or J-rock), including country & western, rockabilly, kayōkyoku, eleki, and Group Sounds, would attempt to break into markets in the West. While some of these performers floundered, others were able to walk side-by-side with several Western greats or even become stars in their own right, such as when Kyu Sakamoto produced a number one hit in the United States with his “Sukiyaki” in 1963. The way that these Japanese popular music performers were perceived in the West, primarily in the United States, was rooted in centuries of Orientalist preconceptions about Japanese people, Japanese culture, and Japan that had recently been recalibrated to reflect the ethos of the Cold War. -
Popular Music Genres: the Past 70 Years to Now
California State University, Monterey Bay Digital Commons @ CSUMB Capstone Projects and Master's Theses Capstone Projects and Master's Theses 12-2020 Popular Music Genres: The Past 70 Years to Now Natasha Lugo California State University, Monterey Bay Follow this and additional works at: https://digitalcommons.csumb.edu/caps_thes_all Recommended Citation Lugo, Natasha, "Popular Music Genres: The Past 70 Years to Now" (2020). Capstone Projects and Master's Theses. 967. https://digitalcommons.csumb.edu/caps_thes_all/967 This Capstone Project (Open Access) is brought to you for free and open access by the Capstone Projects and Master's Theses at Digital Commons @ CSUMB. It has been accepted for inclusion in Capstone Projects and Master's Theses by an authorized administrator of Digital Commons @ CSUMB. For more information, please contact [email protected]. Lugo 1 Natasha Lugo MPA 475 Capstone Lanier Sammons 18 December, 2020 Popular Music Genres: The Past 70 Years to Now Each decade is connected to specific music genres that are remembered years later. Artists who imprint in listeners’ minds, album collections or playlists stand out within certain decades from when they were the most successful. Awards, charts, album sales and performances are some of the accomplishments that help the growth of their careers through the public. With pop and rap being the favored genres, proven in the charts from the last twenty years, what is today’s music genre? Using a few artists as reference along with collecting data, starting from the 1950s and ending with the 2010s, this paper will show the core of what was the most desired genre. -
Great Performances Music of the Americas Jazz and Beyond Creative American Music
2OI2 OCTOBER 2 – NOVEMBER 4 GREAT PERFORMANCES MUSIC OF THE AMERICAS JAZZ AND BEYOND CREATIVE AMERICAN MUSIC 305.284.4940 festivalmiami.com FESTIVAL MIAMI 2012 | 1 2OI2 FLORIDA’S PREMIER LIVE MUSIC FESTIVAL The World’s Largest Underwear Store WELCOME TO THE 29TH ANNUAL Shelton G. Berg FESTIVAL MIAMI! The Frost School of Music uplifts our community each year with the presentation ‘AH-A’ For The Music of Festival Miami—Florida’s Premier Live Music Festival. Each year we surpass Proud Sponsor of Festival Miami ourselves with the variety of brilliant artists and composers who grace our stages. Now in its 29th season, Festival Miami presents highly creative programming that brings thousands of new music lovers to our beautiful concert halls and continues to delight our long-time supporters. We offer diverse styles and genres of music and feature the extraordinary student musicians and faculty artists of the Frost School. The result is an exciting festival that remains unparalleled by any other music school in the country. Festival Miami delivers a full month of concerts programmed under four distinct themes—Great Performances, Creative American Music, Jazz and Beyond, and Music of the Americas. I encourage you to sample music from all four categories! Festival Miami also provides an opportunity for friends and families to bond by Atlantic Hosiery & Apparel Expires: 05/04/2013 sharing the universal human emotions that music can evoke. Whether you are a seasoned concertgoer or this is your first musical concert, Festival Miami has something wonderful for you to experience. FREE Festival Miami truly has it all! We welcome you to a great musical adventure. -
AUDIO + VIDEO 9/13/11 Audio & Video Releases *Click on the Artist Names to Be Taken Directly to the Sell Sheet
NEW RELEASES WEA.COM ISSUE 19 SEPTEMBER 13 + SEPTEMBER 20, 2011 LABELS / PARTNERS Atlantic Records Asylum Bad Boy Records Bigger Picture Curb Records Elektra Fueled By Ramen Nonesuch Rhino Records Roadrunner Records Time Life Top Sail Warner Bros. Records Warner Music Latina Word AUDIO + VIDEO 9/13/11 Audio & Video Releases *Click on the Artist Names to be taken directly to the Sell Sheet. Click on the Artist Name in the Order Due Date Sell Sheet to be taken back to the Recap Page Street Date CD- BARENAKED Hits From Yesterday And RRW 528614 LADIES Today $11.98 9/13/11 8/24/11 CLAPTON, ERIC & Wynton Marsalis And Eric CD- MARSALIS, Clapton Play The Blues Live WNR 528530 WYNTON From Jazz At Lincoln Center $18.98 9/13/11 8/24/11 Wynton Marsalis And Eric CLAPTON, ERIC & Clapton Play The Blues Live CX- MARSALIS, From Jazz At Lincoln Center WNR 528531 WYNTON (CD/DVD) $24.98 9/13/11 8/17/11 Pull Up Some Dust and Sit NON A-527407 COODER, RY Down (2LP w/Bonus CD) $28.98 9/13/11 8/24/11 CD- DIRT DRIFTERS, WRN 455612 THE This Is My Blood $13.99 9/13/11 8/24/11 CD- RRR 177652 DREAM THEATER A Dramatic Turn Of Events $18.98 9/13/11 8/24/11 A Dramatic Turn Of Events RRR A-177651 DREAM THEATER (2LP 180 Gram Vinyl) $29.98 9/13/11 8/24/11 CX- A Dramatic Turn Of Events RRR 177655 DREAM THEATER (Special Edition) (CD/DVD) $21.98 9/13/11 8/17/11 CD- ATL 527696 GROUPLOVE Never Trust A Happy Song $13.99 9/13/11 8/24/11 Never Trust A Happy Song ATL A-527696 GROUPLOVE (Vinyl w/Download) $20.98 9/13/11 8/24/11 CD- CUR 79254 HOLY, STEVE Love Don't Run $18.98 9/13/11 -
Music: Its Language, History, and Culture
City University of New York (CUNY) CUNY Academic Works Open Educational Resources Brooklyn College 2015 Music: Its Language, History, and Culture Douglas Cohen CUNY Brooklyn College Brooklyn College Library and Academic IT How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/bc_oers/4 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] MUSIC: ITS LANGUAGE, HISTORY, AND CULTURE A Reader for Music 1300 RAY ALLEN DOUGLAS COHEN NANCY HAGER JEFFREY TAYLOR Copyright © 2006, 2007, 2008, 2014 by the Conservatory of Music at Brooklyn College of the City University of New York. Original text by Ray Allen, Douglas Cohen, Nancy Hager, and Jeffrey Taylor with contributions by Marc Thorman. ISBN: 978-0-9913887-0-7 Music: Its Language, History and Culture by the Conservatory of Music at Brooklyn College of the City University of New York is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/4.0/deed.en_US. Based on a work at http://www.music1300.info/reader. Permissions beyond the scope of this license may be available at http://www.music1300.info/reader. Cover art and design by Lisa Panazzolo Photos by John Ricasoli CONTENTS Introduction 1 Chapter 1: Elements of Sound and Music 3 Elements of Sound: Frequency, Amplitude, Wave Form, Duration 3 Elements