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ODYSSEY LP's- Price (Expires 8/31,76) S1 99 Pe Calif
These same qualities pervade the score mitted performance by Elmer Bernstein LIVE OPERA TAPES. TREMENDOUS SELECTION for Vincent Minnelli's The Bad and the SATISFACTION GUARANTEED. FREE CATALOGUE. C and orchestral forces that sounda great HANDELMAN, 34-10 75th ST., JACKSON HTS. N.Y.C. Beautiful (1952). The "Acting Lesson" se- deal larger than those heard on previous 11372. quence (cut from the film), for instance, has Film Music Collection recordings. Now if "SOUNDTRACKS, SHOW, NOSTALGIA & JAZZ- a transparent poignancy similar to that in they can just learn to spell Rozsa'sname FREE Catalog & Auction List-A-1 Record Finders, P.O. many parts of Forever Amber. In this score correctly on the album cover.... R.S.B. Box 75071-H, L.A. CAL. 90075." Raksin shows himself to have the same CLASSICS FOR CONNOISSEURS: WE OFFER AN AR- deep roots in Americana that can be found, RAY OF CLASSICAL IMPORTS FROM ALL OVER THE in different veins, in composers such as WORLD. WE HAVE CONTACTS WHICH GIVE US AN EX- Gershwin and Copland. This is made evi- HENRY MANCINI: A Concert of Film Music. CLUSIVE TO BRING TO OUR CUSTOMERS RARE AND dent immediately in the bluesy quality of London Symphony Orchestra, Henry Man- HARD -TO -FIND CLASSICAL RECORDINGS-OUR SPE- cini, CIALTY. WE GUARANTEE THE BEST SERVICE POS- the main theme; but it also appears in a less cond. [Joe Reisman, prod.] RCA ARL SIBLE ON ALL ORDERS. COPIES OF THREE BULLE- tangible, more "classically" oriented fash- 1-1379, $6.98. Tape:WV ARK 1-1379,$7.95; TINS-S1. -
Royal Coach Tours Offers
Royal Coach Tours & Cruises Phone 386-788-0208 Marcya Wantuch – President & Accredited Cruise Counsellor 1648 Taylor Rd. # 505, Port Orange, FL 32128 NEW EMAIL: [email protected] NEW WEB SITE: royalcoachtours.com Winner of News Journals Stars of the South - 2005, 2006, 2007, 2008, 2009, 2010 - Best Bus Trips, Tours & Cruises Winner of News Journals Daytona’s Readers Choice Award - 2014 - Best Motorcoach Tours Hometown News Winner Readers Choice Awards 2012, 2013, 2014, 2015, 2016, 2017 Bus Tours & Travel Agency Celebrating 26 YEARS in Business in Volusia County/ 39 Years Group Travel Experience Accredited Cruise Counsellor - Cruise Lines Int’l. Assoc. Florida Licensed Travel Insurance Agent / Florida Seller of Travel Lic. #24522 JAN. 23, 2018 aA RESERVATIONS REQUIRED ON ALL TOURS & CRUISES: PLEASE CALL OUR OFFICE FIRST to inquiry about availability and we will block your seat. Many of our tours sell out quickly! We must receive your check within 10 days of reserving your seat. A Paid Tour Confirmation will be emailed to you the same day we receive your check, containing all tour information and bus departure time. If you do not have a computer, a confirmation will be mailed to you. Bus Departures & pickup directions vary. Always New Smyrna, Port Orange, & Ormond Beach. Also, we may stop in Palm Coast or Orange City depending on direction of bus route. Cancellations: Depend on the tour, please inquire upon booking or check the tour on our web site. IMPORTANT: PERFUME & COLOGNE NOT ALLOWED - You will not be able to board bus or get a refund! SENIOR TOUR PACE RATINGS: ★ = Very Easy Pace, Hardly Any Walking ★★ = Relaxed Pace, A Little Walking ★★★ = Moderate Pace, Walking to Sightsee– Or – 3 or more times on/off the bus daily EMAIL LIST: To receive our Free Monthly Tour List by Email, please give us your email address, and you will receive tour information, once a month. -
The Phantom of the Opera Music: Andrew Lloyd Webber Lyrics
The Phantom of the Opera Music: Andrew Lloyd Webber Lyrics: Charles Hart + Richard Stilgoe Book: Andrew Lloyd Webber + Richard Stilgoe Premiere: Thursday, October 9, 1986 THE STAGE OF THE PARIS OPERA, 1905 (The contents of the opera house is being auctioned off. An AUCTIONEER, PORTERS, BIDDERS, and RAOUL, seventy now, but still bright of eye. The action commences with a blow from the AUCTlONEER's gavel) AUCTIONEER Sold. Your number, sir? Thank you. Lot 663, then, ladies and gentlemen: a poster for this house's production of "Hannibal" by Chalumeau. PORTER Showing here. AUCTIONEER Do I have ten francs? Five then. Five I am bid. Six, seven. Against you, sir, seven. Eight. Eight once. Selling twice. Sold, to Raoul, Vicomte de Chagny. Lot 664: a wooden pistol and three human skulls from the 1831 production of "Robert le Diable" by Meyerbeer. Ten francs for this. Ten, thank you. Ten francs still. Fifteen, thank you, sir Fifteen I am bid. Going at fifteen. Your number, sir? 665, ladies and gentlemen: a papier-mache musical box, in the shape of a barrel-organ. Attached, the figure of a monkey in Persian robes playing the cymbals. This item, discovered in the vaults of the theatre, still in working order. PORTER (holding it up) Showing here. (He sets it in motion) AUCTIONEER My I start at twenty francs? Fifteen, then? Fifteen I am bid. (the bidding continues. RAOUL. eventually buys the box for thirty francs) Sold, for thirty francs to the Vicomte de Chagny. Thank you, sir. (The box is handed across to RAOUL. -
Poetry Approaches
Poetry Approaches “Music of the Night” By Jillian Valk October 28, 2008 Phantom of the Opera Written by Andrew Lloyd Webber eeeeeeeeeeeeeeeeeeeee The Novelistic Approach Christine is over come with fright and shock and consequently faints. The Phantom dances with Christine and shows her a wax The phantom catches figure of herself in a bridal gown. Christine as she falls. The Phantom tries to persuade Christine to join The Phantom carries the dark side, by showing Christine to the bed to her beautiful images. She rest, and sings one last tries to resist due to her line to her. love for another. The Phantom finally arrives at his lair with the kidnapped Christine. Protagonist: The Phantom of the Opera Goal: The Phantom of the Opera wants Antagonist: Christine Daae Christine to join the dark side, so he can have her. Setting: In the Phantom’s underground lair Obstacle: Christine resists because she loves Speaker: Phantom of the Opera another. The Thematic Approach Theme- Don’t give in to Quotes • “Since the Moment I first what others want. Stay heard you sing I have needed in control of yourself. you with me” The Phantom admits his Only do what you obsession and motive for his want. seducing behavior. • “Close your eyes and Explanation- In the poem the author surrender” is making the Phantom beg for He is demanding Christine to Christine by flattery, bribery, stop trying and let him be in and song. Slowly she is drawn control of her. into him, but then she realizes • Purge your thoughts of the life she is terrified of him and doesn’t you knew before” want to be with him. -
Butlletí De Novetats Discogràfiques Gener - Març 2007
BUTLLETÍ DE NOVETATS DISCOGRÀFIQUES GENER - MARÇ 2007 Butlletí de novetats discogràfiques biblioteca Gener-Juny 2009 pública alicante ÍNDICE ÍNDICE DE AUTORES, TÍTULOS Y MATERIAS Índice 1 Música de tradiciones nacionales. Cantautores 2 Jazz 3 Rock, pop, música ligera 4 Música clásica 5 Música New Age 6 Música funcional. Bandas sonoras varias Índice de autores, títulos y materias PORTADA Música de tradiciones nacionales. Cantautores Música de tradiciones nacionales Cantautores ÍNDICE ÍNDICE DE AUTORES, TÍTULOS Y MATERIAS 1 Música de tradiciones nacionales. Cantautores 1 ÁLVAREZ, Javier Guerrero Álvarez [Grabación sonora] / Javier Álvarez, Pablo Guerrero. -- [S.l.] : Rosevil, 2009. -- 1 disco compacto (ca. 39 min.) : digital ; 12 cm + 1 folleto Letra de las canciones en el folleto Contiene: 1. Mesa de trabajo ; 2. Noche ; 3. Pero siempre te amo ; 4. Querido periodico ; 5. Pido las nubes que alientan mis poemas ; 6. Generoso sillon ; 7. Arde la tarde ; 8. Azar ; 9. El hombre que oculta su pasado ; 10. Mano ; 11. Botas de andar 1. Cantautores I. Título II. Guerrero, Pablo 064.7 ALV 1097022 ALI R.C.D. 6107 16 € Javier va a su ritmo y todo lo que implique presión no le interesa. Hace cuatro años de ‘Plan be’, que era un álbum doble, y ahora reaparece con un disco medio electrónico, medio rock, en el cual los textos, según dicen, son de Pablo Guerrero, que también recita en un par de ocasiones. No es un experimento: es comunión plena entre uno y otro. Javier se ha preocupado de interiorizar las letras y las ha dado un barniz personal hasta el extremo. Tanto, que no se reconoce a Pablo, lo que pretende ser un halago. -
A Long Walk Home: the Role of Class and the Military in the Springsteen Catalogue Michael S
A Long Walk Home: The Role of Class and the Military in the Springsteen Catalogue Michael S. Neiberg United States Army War College and Robert M. Citino National World War II Museum1 Abstract This article analyzes the themes of class and military service in the Springsteen canon. As a member of the baby boom generation who narrowly missed service in Vietnam, Springsteen’s reflection on these heretofore unappreciated themes should not be surprising. Springsteen’s emergence as a musician and American icon coincide with the end of conscription and the introduction of the All-Volunteer Force in 1973. He became an international superstar as Americans were debating the meaning of the post-Vietnam era and the patriotic resurgence of the Reagan era. Because of this context, Springsteen himself became involved in veterans issues and was a voice of protest against the 2003 Iraq War. In a well-known monologue from his Live 1975-85 box set (1986), Bruce Springsteen recalls arguing with his father Douglas about the younger Springsteen’s plans for his future. Whenever Bruce provided inadequate explanations for his life goals, Douglas responded that he could not wait for the Army to “make a man” out of his long-haired, seemingly aimless son. Springsteen 1 Copyright © Michael S. Neiberg and Robert M. Citino, 2016. Michael Neiberg would like to thank Derek Varble, with whom he saw Springsteen in concert in Denver in 2005, for his helpful comments on a draft of this article. Address correspondence to [email protected] or [email protected]. BOSS: The Biannual Online-Journal of Springsteen Studies 2.1 (2016) http://boss.mcgill.ca/ 42 NEIBERG AND CITINO describes his fear as he departed for an Army induction physical in 1968, at the height of domestic discord over the Vietnam War. -
Catalogue of Photographs of Performers at the Embassy Theatre
Catalogue of Photographs of Performers and Shows in the Archives of the Embassy Theatre Foundation The archives of the Embassy Theatre Foundation hold more than 3000 artifacts, including more than 600 photographs of vaudevillians inscribed to Bud Berger (long-time stage man- ager at the Embassy Theatre, known as the Emboyd until 1952); more than 300 posters, playbills, programs, stools, and even guitars signed by the stars and casts of shows that have played at the Embassy Theatre over the past forty years, rang- ing from classic and current Broadway shows to acrobatic groups, choral ensembles, dance shows, ballet, stand-up comedians, rock bands, country singers, travel films, silent films, theatre organists, and so on; and hundreds of publicity photographs of performers, shows, and events at the theatre, primarily from the period following the establishment of the Embassy Theatre Foundation and its rescue of the theatre from the wrecking ball in 1975; and a nearly complete run of the journal of the American Theatre Organ Society. The archive is now almost fully catalogued and preserved in archival housing. Earlier excerpts from the catalogue (available on the Archives page of the Embassy Theatre’s web site) cover the photographs inscribed to Bud Berger and the posters, playbills, programs, stools, and so on from later shows at the Embassy. This is the third excerpt, covering the public- ity photographs of the last forty-five years and a few photographs of earlier events, Bud Berger, and other members of the stage crew. The publicity photographs are primarily of individ- ual performers, but a few shows are presented as well, including Ain’t Misbehavin’, Annie, Barnum, Bubbling Brown Sugar, Cabaret, California Suite, Cats, A Christ- mas Carol, Dancin’, Evita, Gypsy, I'm Getting My Act Together And Taking It On The Road, Joseph and the Amazing Technicolor Dreamcoat, Peter Pan, Same Time Next Year, Side by Side by Sondheim, and Ziegfeld: A Night at the Follies. -
Summer 07 Bill Forum
autumn & winter 2019 Box office: 01642 552663 www.forumtheatrebillingham.co.uk WEDNESDAY 4TH & THURSDAY 5TH SEPTEMBER Join Igglepiggle, Upsy Daisy, Makka Pakka and friends are In the Night Garden Live for a brand new show on their first ever UK theatre tour in 2019! You’ll see all your favourite characters beautifully brought to life with full-size costumes, magical puppets, and enchanting music. The show lasts just under an hour and it’s a completely new production for the very first In the Night Garden Live UK theatre tour. Now in its 10th year, In the Night Garden Live is one of the UK’s favourite family events. Over 1-million people have seen it so far and it gets 4.8 out of 5 stars based on 12,844 parents’ reviews. There are other shows for young children, but as The Independent wrote,“there’s nothing quite like In the Night Garden Live.” Pip-pip, onk-onk! Don’t miss it, book now before it’s too late! WED 1.00PM & 4.00PM, THUR 10.AM & 1.00PM. ALL SEATS £17.00 UNDER-16 £15 FRIDAY 6TH SEPTEMBER BACK BY HUGE POPULAR DEMAND! Some Guys Have All The Luck is a fantastic theatrical production celebrating the career of one of rocks greatest icons, Rod Stewart – from street busker through to international superstar! Paul Metcalfe delivers an authentic and charismatic performance assuming the persona of this legendary singer-songwriter and performer right down to the last detail – from the distinctive vocals to the swaggering showmanship and sheer fun that have made Rod Stewart one of the most loved performers of all time. -
Cinema Italiano Brochure
SOPRANO Diana DiMarzio “Diana DiMarzio ha una voce melodiosa” Oggi/Broadway & Dintorni by Mario Fratti Cinema Italiano salutes the many contributions Italian film composers have made to the film industry. This vocal concert treats music lovers to an evening of nostalgia, fun and romance as they listen to some of the screen sagas’ best remembered songs from composers such as Nino Rota, Ennio Morricone, Henry Mancini and more. These composers drew upon Italian musical traditions to add a sense of familial and cultural depth to these great Italian films. They tugged at our heartstrings and celebrated Italy’s unique sounds and spirit. This celebratory concert provides listeners, regardless of their background, with a deeper appreciation for the positive significant contributions made by Italians to our civilization, especially in the arts. Cinema Italiano / Program ACT I Cinema Italiano Maury Yeston, Nine Be Italian Maury Yeston, Nine Life is Beautiful/Buon Giorno Principessa Nicola Piovani, Life is Beautiful You’re Still You Ennio Morricone, Malena Don’t Take Your Love from Me Henry Nemo, (heard in) Big Night La Strada Nino Rota, La Strada Godfather Waltz/Parla Piu Piano Nino Rota, Godfather I Love Said Goodbye Nino Rota, Godfather II Donde Lieta (from La Boheme) Puccini, (heard in) Moonstruck Mambo Italiano/ Tic Ti, Tic Ta (heard in) Big Night ACT II Cinema Paradiso (Piano/instrumental solo) Ennio Morricone, Cinema Paradiso Spaghetti Western Medley Ennio Morricone, Good, Bad, and the Ugly/Fistful of Dynamite/Once Upon a Time in the West More Riz Ortolani, Le Mondo Cane Nella Fantasia Ennio Morricone, The Mission Cinema Paradiso Ennio Morricone, Cinema Paradiso It Had Better Be Tonight/Pink Panther Henry Mancini, Pink Panther (Dubbed in Italian) Mai Nino Oliviero, La Donna Nel Mondo Il Postino Luis Bacalov, Il Postino Con Te Partiro (Not yet heard in a movie) Diana DiMarzio dianadimarzio.com. -
Title Composer Lyricist Arranger Cover Artist Publisher Date Notes Wabash Blues Fred Meinken Dave Ringle Leo Feist Inc
Title Composer Lyricist Arranger Cover artist Publisher Date Notes Wabash Blues Fred Meinken Dave Ringle Leo Feist Inc. 1921 Wabash Cannon Ball Wm Kindt Wm Kindt NPS Calumet Music Co. 1939 High Bass arranged by Bill Burns Wabash Moon Dave Dreyer Dave Dreyer Irving Berlin Inc. 1931 Wagon Wheels Peter DeRose Billy Hill Shapiro, Bernstein & Co. 1934 Wagon Wheels Peter DeRose Billy Hill Geoffrey O'Hara Shapiro, Bernstein & Co., Inc. 1942 Arranged for male voices (T.T.B.B.) Wah-Hoo! Cliff Friend Cliff Friend hbk Crawford Music Corp. 1936 Wait for Me Mary Charlie Tobias Charlie Tobias Harris Remick Music Corp. 1942 Wait Till the Cows Come Home Ivan Caryll Anne Caldwell Chappell & Company Ltd 1917 Wait Till You Get Them Up In The Air, Boys Albert Von Tilzer Lew Brown EEW Broadway Music Corp. 1919 Waitin' for My Dearie Frederick Loewe Alan Jay Lerner Sam Fox Pub. Co. 1947 Waitin' for the Train to Come In Sunny Skylar Sunny Skylar Martin Block Music 1945 Waiting Harold Orlob Harry L. Cort Shapiro, Bernstein & Co. 1918 Waiting at the Church; or, My Wife Won't Let Me Henry E. Pether Fred W. Leigh Starmer Francis, Day & Hunter 1906 Waiting at the End of the Road Irving Berlin Irving Berlin Irving Berlin Inc. 1929 "Waiting for the Robert E. Lee" Lewis F. Muir L. Wolfe Gilbert F.A. Mills 1912 Waiting for the Robert E. Lee Lewis F. Muir L. Wolfe Gilbert Sigmund Spaeth Alfred Music Company 1939 Waiting in the Lobby of Your Heart Hank Thompson Hank Thompson Brenner Music Inc 1952 Wake The Town and Tell The People Jerry Livingston Sammy Gallop Joy Music Inc 1955 Wake Up, America! Jack Glogau George Graff Jr. -
Quentin Tarantino Retro
ISSUE 59 AFI SILVER THEATRE AND CULTURAL CENTER FEBRUARY 1– APRIL 18, 2013 ISSUE 60 Reel Estate: The American Home on Film Loretta Young Centennial Environmental Film Festival in the Nation's Capital New African Films Festival Korean Film Festival DC Mr. & Mrs. Hitchcock Screen Valentines: Great Movie Romances Howard Hawks, Part 1 QUENTIN TARANTINO RETRO The Roots of Django AFI.com/Silver Contents Howard Hawks, Part 1 Howard Hawks, Part 1 ..............................2 February 1—April 18 Screen Valentines: Great Movie Romances ...5 Howard Hawks was one of Hollywood’s most consistently entertaining directors, and one of Quentin Tarantino Retro .............................6 the most versatile, directing exemplary comedies, melodramas, war pictures, gangster films, The Roots of Django ...................................7 films noir, Westerns, sci-fi thrillers and musicals, with several being landmark films in their genre. Reel Estate: The American Home on Film .....8 Korean Film Festival DC ............................9 Hawks never won an Oscar—in fact, he was nominated only once, as Best Director for 1941’s SERGEANT YORK (both he and Orson Welles lost to John Ford that year)—but his Mr. and Mrs. Hitchcock ..........................10 critical stature grew over the 1960s and '70s, even as his career was winding down, and in 1975 the Academy awarded him an honorary Oscar, declaring Hawks “a giant of the Environmental Film Festival ....................11 American cinema whose pictures, taken as a whole, represent one of the most consistent, Loretta Young Centennial .......................12 vivid and varied bodies of work in world cinema.” Howard Hawks, Part 2 continues in April. Special Engagements ....................13, 14 Courtesy of Everett Collection Calendar ...............................................15 “I consider Howard Hawks to be the greatest American director. -
A Man and a Woman
A Man and a Woman s there a person anywhere in a very influential film, and there the world who was around in the were many imitators who followed A Man and a Woman was only I1960s and 1970s who could not suit, none achieving anywhere Lai’s third film score, but it put him instantly recognize the theme from near the success of what they on the map and he has not A Man and a Woman? Doubtful, were imitating. It wasn’t only other stopped working since, and that in - unless you were living under a rock movies it inspired – it was com - cludes scoring close to thirty films in a cave in Siberia, and even then mercials, other film scores, print for director Lelouch. Just a few you’d probably have heard it. In ads, etc. short years later, in 1970, Lai fact, it became one of the most would win the Oscar for Best Score beloved movie themes ever written The movie is simple and direct, for Love Story . His music for A almost instantly. It was the right stylish (in both black-and-white Man and a Woman speaks for it - theme from the right film at the and color), haunting, beautiful, ro - self – the melodies are stunningly right time. Upon its release in mantic, touching, and it’s almost beautiful. Part and parcel of the 1966, A Man and a Woman be - impossible not to be caught up in score are the wonderful vocals of came a sensation everywhere it its spell. It’s basically the story of Pierre Barouh and Nicole Croisille, played.