Jehovah Unmasked!
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Archons (Commanders) [NOTICE: They Are NOT Anlien Parasites], and Then, in a Mirror Image of the Great Emanations of the Pleroma, Hundreds of Lesser Angels
A R C H O N S HIDDEN RULERS THROUGH THE AGES A R C H O N S HIDDEN RULERS THROUGH THE AGES WATCH THIS IMPORTANT VIDEO UFOs, Aliens, and the Question of Contact MUST-SEE THE OCCULT REASON FOR PSYCHOPATHY Organic Portals: Aliens and Psychopaths KNOWLEDGE THROUGH GNOSIS Boris Mouravieff - GNOSIS IN THE BEGINNING ...1 The Gnostic core belief was a strong dualism: that the world of matter was deadening and inferior to a remote nonphysical home, to which an interior divine spark in most humans aspired to return after death. This led them to an absorption with the Jewish creation myths in Genesis, which they obsessively reinterpreted to formulate allegorical explanations of how humans ended up trapped in the world of matter. The basic Gnostic story, which varied in details from teacher to teacher, was this: In the beginning there was an unknowable, immaterial, and invisible God, sometimes called the Father of All and sometimes by other names. “He” was neither male nor female, and was composed of an implicitly finite amount of a living nonphysical substance. Surrounding this God was a great empty region called the Pleroma (the fullness). Beyond the Pleroma lay empty space. The God acted to fill the Pleroma through a series of emanations, a squeezing off of small portions of his/its nonphysical energetic divine material. In most accounts there are thirty emanations in fifteen complementary pairs, each getting slightly less of the divine material and therefore being slightly weaker. The emanations are called Aeons (eternities) and are mostly named personifications in Greek of abstract ideas. -
The Greatest Mirror: Heavenly Counterparts in the Jewish Pseudepigrapha
The Greatest Mirror Heavenly Counterparts in the Jewish Pseudepigrapha Andrei A. Orlov On the cover: The Baleful Head, by Edward Burne-Jones. Oil on canvas, dated 1886– 1887. Courtesy of Art Resource. Published by State University of New York Press, Albany © 2017 State University of New York All rights reserved Printed in the United States of America No part of this book may be used or reproduced in any manner whatsoever without written permission. No part of this book may be stored in a retrieval system or transmitted in any form or by any means including electronic, electrostatic, magnetic tape, mechanical, photocopying, recording, or otherwise without the prior permission in writing of the publisher. For information, contact State University of New York Press, Albany, NY www.sunypress.edu Production, Dana Foote Marketing, Fran Keneston Library of Congress Cataloging-in-Publication Data Names: Orlov, Andrei A., 1960– author. Title: The greatest mirror : heavenly counterparts in the Jewish Pseudepigrapha / Andrei A. Orlov. Description: Albany, New York : State University of New York Press, [2017] | Includes bibliographical references and index. Identifiers: LCCN 2016052228 (print) | LCCN 2016053193 (ebook) | ISBN 9781438466910 (hardcover : alk. paper) | ISBN 9781438466927 (ebook) Subjects: LCSH: Apocryphal books (Old Testament)—Criticism, interpretation, etc. Classification: LCC BS1700 .O775 2017 (print) | LCC BS1700 (ebook) | DDC 229/.9106—dc23 LC record available at https://lccn.loc.gov/2016052228 10 9 8 7 6 5 4 3 2 1 For April DeConick . in the season when my body was completed in its maturity, there imme- diately flew down and appeared before me that most beautiful and greatest mirror-image of myself. -
Original Title Page from the 1611 King James Bible, by Corneilus Boel. the King James Bible in America Pilgrim, Prophet, President, Preacher
Original title page from the 1611 King James Bible, by Corneilus Boel. The King James Bible in America Pilgrim, Prophet, President, Preacher John S. Tanner This paper was given on May 14, 2011, at Harris Manchester College at Oxford University as part of “The King James Bible Symposium: The People, the Lan- guage, the Effect,” cosponsored by Harris Manchester College and The Church of Jesus Christ of Latter-day Saints, in celebration of the 400th anniversary of the publication of the King James Bible in 1611. am honored to be invited to speak to you today about that book of books, I the King James Bible, in connection with the quatercentenary of its pub- lication. It is fitting to address this topic here in Oxford, a place that hosted a third of the translators. I have been asked to speak to the influence of the KJB on America, which forms a huge part of the story, for the KJB may have had an even greater impact across the Atlantic than it has had here on this “sceptred isle.”1 Ironically, although we declared our independence politi- cally from a king of England, for hundreds of years we remained deeply dependent on a Bible bearing the name of an English king. The magisterial KJB long reigned as the unrivaled monarch among Bible translations in America. In some respects, it does so still. Introduction: Like the Air Americans Breathe The great Harvard historian of American Puritanism, Perry Miller, once remarked that “the Old Testament is truly so omnipresent in the American culture of 1800 or 1820 that historians have as much difficulty taking cogni- zance of it as of the air people breathed.”2 This is precisely the problem posed BYU Studies 50, no. -
Children of Eden Notes for DIRECTORS
Children of Eden Notes for DIRECTORS The following questions and answers are from the archive of the StephenSchwartz.com Forum. Copyright by Stephen Schwartz 2010 all rights reserved. No part of this content may be reproduced without prior written consent, including copying material for other websites. Feel free to link to this archive. Send questions to [email protected] This PDF includes SECTION 1 – General SECTION 2 – Casting SECTION 3 – Sets, Props, Staging ADDITIONAL RESOURCES SECTION 1 – GENERAL Is Children of Eden ADVISABLE for High Schools? Question: Do you advise High Schools to do this show? My high school has an excellent music department but it's stage direction and choreography leaves much to be desired. We did Bye Bye Birdie this past year and with a lack of direction, the only thing that held up the show was the music. So, with those points, and also with High School students trying to "find themselves" so to speak, let me know what you think yea or nay and if you have suggestions for a production in the high school environment, that would be very appreciated. Answer from Stephen Schwartz: CHILDREN OF EDEN is very often presented by high schools, and indeed, I have seen an excellent high school production (at a high school in Las Vegas). So the question is: is it advisable for YOUR high school? You can answer that far better than I. The most difficult thing about the show is the music requirements, and it sounds from your description as if that is your school's strong point. -
The Epistle to the Ephesians
a Grace Notes Bible Study The Epistle to the Ephesians study compiled by Warren Doud Grace Notes 1705 Aggie Lane, Austin, Texas 78757 Email: [email protected] Epistle to the Ephesians Table of Contents Preview to the Study of Ephesians .................................................................................................. 4 Ephesus ........................................................................................................................................... 6 Ephesians, Chapter 1 .................................................................................................................... 10 Ephesians, Chapter 2 .................................................................................................................... 26 Ephesians, Chapter 3 .................................................................................................................... 39 Ephesians, Chapter 4 .................................................................................................................... 55 Ephesians, Chapter 5 .................................................................................................................... 85 Ephesians, Chapter 6 .................................................................................................................. 102 Categorical Studies (Word Studies and Doctrinal Topics)........................................................... 117 Adoption ...................................................................................................................................... -
Volume 33, Issue 3
July 2013—Page 4 NON-PROFIT ORG. U. S. POSTAGE PAID Music Theatre of PERMIT NO. 412 Wenatchee, Inc. WENATCHEE, WA 98807 Script Notes Volume 33 Issue 3 Music Theatre of Wenatchee July 2013 Page 1 233B N Wenatchee Ave P. O. Box 3042 Inside this issue: Wenatchee WA 98807-3042 Short Shakespeareans Present: Phone: (509) 662-7814 A Midsummer Night’s E-mail: [email protected] A Midsummer Night’s Dream 1 OR CURRENT RESIDENT Dream Inside this issue: Abney; Abby Carl- MTW News 1 A Midsummer Night’s Dream son; Ella Playhouse News And Then There Were Bradshaw; 2 And Then There Were None None The Quiltmaker’s Gift Carly Ostrem; 35 years of Short Shakes The Quiltmaker’s Gift 2 Annual BBQ Lauren 2014 Apple Blossom Musical Bixby; and 35 Years of Short Children of Eden William Tif- 3 Shakes fany. V ISIT O UR W EB S ITE ! J OIN OUR A Midsum- Annual BBQ 3 W WW.MTOW . ORG F ACEBOOK PAGE ! mer Night’s Dream por- trays the Children of Eden 3 The Short Shakespeare- will be directed for the MTW Board: Music Theatre of Wenatchee needs your membership to con- events surrounding the ans present A Midsum- first time by Kelly At- marriage of the Duke of tinue producing quality plays and musicals. Becoming a mem- Membership 4 President: Sheryl Sutherland mer Night’s Dream wood. This year’s cast Athens, with the adven- President-Elect: Jeff Heminger ber of MTW is a great way to show your support. August 7 – 10. features an ensemble of tures of four young Athe- Secretary: Sue Lawson Short Shakes will be 29 children, ages 2-16. -
61610249.Pdf
Requested Request ID Requester Name Organization Request Description Date 08-00033-FIFO Cohan, William - Westar Energy Inc 8/18/2008 10-00001-CONG McHenry, Patrick House of Representatives FOIA Log For 2009 and Explanation of Data 3/25/2010 10-00002-CONG Austria, Steve Congress of the United States Parsons Securities Inc aka Columbus Equities 7/19/2010 International Inc 10-00003-GOVT Reed, Ellen Cotton & Company Defense Contract Audit Agency Agreement 2/26/2010 10-00004-GOVT Thomas, Kenneth - Correspondence between Chairman Bernanke 8/4/2009 and Chairman of SEC from January 1 2009 to July 31 2009 10-00005-GOVT Galeassi, Christina US Department of Labor Deway and Boyle Capital Management X-17A- 3/22/2010 5's Annual Audit Repots 10-00006-GOVT Davies, Christopher The Financial Services Authority Calamos Advisors LLC 4/6/2010 10-00007-FIFO Christensen, Eric Snohomish PUD Morgan Stanley & CO Inc and Morgan Stanley 2/19/2010 Subsidiaries 10-00007-GOVT Learoyd, Jenna Moore & Van Allen PLLC Just For Feet Inc referral from FBI 3/13/2008 10-00008-GOVT Froot, Steven Boies, Schiller & Flexner LLP American International Group (AIG) 9/24/2009 Independent Consultant Reports Referred by DOJ 10-00009-FIFO Dukes # 37823037, - Financial Warfare Club Inc and Marcus Dubois 5/14/2010 Marcus Dukes 10-00009-GOVT Osaki, Larry Federal Correctional Institute JT Wallenbrock and Associates Citadel Capital 7/26/2010 Management Group and Larry T Osaki 10-00010-FIFO Willingham, Brain Diligentia Yolanda Holtzee Communicaitons with the SEC 7/20/2010 10-00010-GOVT Barry, -
Mani's Book of Mysteries: Prolegomena to a New Look
ARAM, 22 (2010) 321-334. doi: 10.2143/ARAM.22.0.2131043 MANI’S BOOK OF MYSTERIES: PROLEGOMENA TO A NEW LOOK AT MANI, THE ‘BAPTISTS’ AND THE MANDAEANS Prof. IAIN GARDNER (University of Sydney) Abstract Before the reading of the Cologne Mani Codex (from 1969 on) scholars such as E.S. Drower commonly assumed that Mani was brought up in a Mandaean community. However, the CMC appeared to identify the ‘baptists’ of Mani’s youth as Elchasaites, and the trajectory of research changed leaving the question of Mani’s relationship with the Mandaeans in limbo. This paper does not attempt to solve this problem, but recent reports of an otherwise unknown Mandaean scroll known as the Diwan d-Razia suggest a new avenue of approach: To study Mani’s own lost Book of Mysteries as a site for debate between the apostle and other religious communities of the time. A close analy- sis of all available evidence is made, including a tentative reconstruction of the lost work in outline, based on the chapter headings preserved by al-Nadim in his Fihrist. Whilst various important points of contact with Mandaean teachings are noted, the overall conclusion is that Mani’s Book of Mysteries would have focussed firstly on testimonies about Jesus, and thereafter on a telling of the crucial moments in cosmic and redemptive history. The work evidences dialogue with Bardaisan and his followers, and may well have accessed Sethian traditions. The problematic question of Mani’s relation to nascent Mandaeism is highlighted, but it is shown that this work is unlikely to have had much in common with a priestly scroll such as we imagine the Diwan d-Razia to be, despite any superficially similar esoteric purpose. -
1 Children of Eden – General Information and History, Themes and Meaning
Children of Eden – General Information and History, Themes and Meaning Children of Eden is an original musical conceived by Charles Lisanby, with music and lyrics by Stephen Schwartz, and book by John Caird. It has not played on Broadway, but in 1998, RCA recorded the score from the final version of the show, performed by the cast of a Paper Mill Playhouse production. There is no DVD of the show. A schedule of local productions for North America can be found in the Children of Eden section of the licensing agency’s site: www.mtishows.com The following questions and answers are from the archive of the StephenSchwartz.com Forum. Copyright by Stephen Schwartz 2010 all rights reserved. No part of this content may be reproduced without prior written consent, including copying material for other websites. Feel free to link to this archive. Send questions to [email protected] This PDF includes SECTION 1 – Program Note and General introduction SECTION 2 – Show history SECTION 3 – Various Questions SECTION 4 – Themes and meaning SECTION 5 – Praise for Children of Eden ADDITIONAL RESOURCES SECTION 1 – Program Note and General introduction Children of Eden program note Stephen Schwartz wrote the following commentary as a general introduction to the show: The book of Genesis has fascinated and inspired dramatists for centuries, from the medieval mystery plays to such modern American theatre writers as Arthur Miller and Richard Rodgers. Still, when John Caird and I began work on Children of Eden, it was with a certain amount of trepidation. After all, this was the Bible we were dealing with. -
2013 the Theatre in the Park Season Opens June 7; Family Musical “Children of Eden” Takes the Stage
FOR IMMEDIATE RELEASE Please contact: Ruth Baum Bigus Publicist, Theatre in the Park (913) 707-7746 [email protected] 2013 The Theatre in the Park Season opens June 7; Family musical “Children of Eden” takes the stage It’s summer and what could be more fun than enjoying live theater and movies in a park under the star- lit sky? On June 7, the Theatre in the Park will open its 44th summer season with the family-friendly and colorful production of “Children of Eden,” with music by Stephen Schwartz (“Wicked,” “Godspell”). “Children of Eden” is freely based on the story of Genesis featuring the stories of Adam and Eve in the Garden of Eden and Noah and the Flood. It is a frank, heartfelt and often humorous examination of the age-old conflict between parents and children. “Children of Eden,” directed by Kevin Bogan and choreography by Tiffany Powell, includes 61 adults, 12 children and a community choir of 90 voices—all are volunteers! The cast includes several from area schools as well as performers from all over the Greater Kansas City Metro area. A 44-piece orchestra under the direction of Kevin Hershberger performs the beautiful symphonic score. “Children of Eden” runs June 7-9 and June 13-15 at the Theatre in the Park. Curtain time for the production is 8:30 p.m. with gates opening at the Park theatre at 6:30 p.m. In addition to “Children of Eden,” Theatre in the Park offers four additional musicals including our first co-production. “Hairspray” will be staged in partnership with the Jewish Community Center of Greater Kansas City with performances both on the Theatre in the Park stage and in the JCC’s White Theatre. -
SINGER's MUSICAL THEATRE ANTHOLOGY Master Index, All Volumes
THE SINGER’S MUSICAL THEATRE ANTHOLOGY SERIES GUIDE AND INDEXES FOR ALL VOLUMES • Alphabetical Song Index • Alphabetical Show Index Updated September 2016 Key Accompaniment Book Only CDs Book/Audio S1 = Soprano, Volume 1 00361071 00740227 00000483 S2 = Soprano, Volume 2 00747066 00740228 00000488 S3 = Soprano, Volume 3 00740122 00740229 00000493 S4 = Soprano, Volume 4 00000393 00000397 00000497 S5 = Soprano, Volume 5 00001151 00001157 00001162 S6 = Soprano, Volume 6 00145258 00151246 00145264 ST = Soprano, Teen's Edition 00230043 00230051 00230047 S16 = Soprano, 16-Bar Audition 00230039 NA NA M1 = Mezzo-Soprano/Belter, Volume 1 00361072 00740230 00000484 M2 = Mezzo-Soprano/Belter, Volume 2 00747031 00740231 00000489 M3 = Mezzo-Soprano/Belter, Volume 3 00740123 00740232 00000494 M4 = Mezzo-Soprano/Belter, Volume 4 00000394 00000398 00000498 M5 = Mezzo-Soprano/Belter, Volume 5 00001152 00001158 00001163 M6 = Mezzo-Soprano/Belter, Volume 6 00145259 00151247 00145265 MT = Mezzo-Soprano/Belter, Teen's Edition 00230044 00230052 00230048 M16 = Mezzo-Soprano/Belter, 16-Bar Audition 00230040 NA NA T1 = Tenor, Volume 1 00361073 00740236 00000485 T2 = Tenor, Volume 2 00747032 00740237 00000490 T3 = Tenor, Volume 3 00740124 00740238 00000495 T4 = Tenor, Volume 4 00000395 00000401 00000499 T5 = Tenor, Volume 5 00001153 00001160 00001164 T6 = Tenor, Volume 6 00145260 00151248 00145266 TT = Tenor, Teen's Edition 00230045 00230053 00230049 T16 = Tenor, 16-Bar Audition 00230041 NA NA B1 = Baritone/Bass, Volume 1 00361074 00740236 00000486 B2 = Baritone/Bass, -
Archon - Wikipedia, the Free Encyclopedia
Archon - Wikipedia, the free encyclopedia http://en.wikipedia.org/wiki/Archon#Gnostic_archons Archon From Wikipedia, the free encyclopedia Archon (Gr. ἄρχων, pl. ἄρχοντες) is a Greek word that means "ruler" or "lord", frequently used as the title of a specific public office. It is the masculine present participle of the verb stem ἀρχ-, meaning "to rule", derived from the same root as monarch, hierarchy and anarchy. Contents 1 Ancient Greece 2 Byzantine Empire 3 Archons of the Ecumenical Patriarchate of Constantinople 4 Gnostic Archons 4.1 The Hebdomad 4.2 Mandaean Archons 4.3 Manichaean Archons 4.4 Origins 4.4.1 As planets 4.4.2 In Zoroastrianism 4.5 Usage 4.5.1 In Judaism and Christianity 4.5.2 In Greek theology 5 Other uses 5.1 Real life 5.2 Books 5.3 Movies and television 5.4 Role-playing games 5.5 Video games 5.6 Music 5.7 Others 6 References 6.1 Bibliography Ancient Greece In the early literary period of ancient Greece the chief magistrate in various Greek city states was called Archon.[1] The term was also used throughout Greek history in a more general sense, ranging from "club leader" to "master of the tables" at syssitia to "Roman governor". 1 of 14 03/12/2010 07:27 PM Archon - Wikipedia, the free encyclopedia http://en.wikipedia.org/wiki/Archon#Gnostic_archons [citation needed] In Roman terms, the board of archontes ruled by potestas, whereas the Basileus ("King") had auctoritas. In Athens a system of nine concurrent Archons evolved, led by three respective remits over the civic, military, and religious affairs of the state: the three office holders being known as the Eponymous archon (Ἐπώνυμος ἄρχων; the "name" ruler, who gave his name to the year in which he held office), the Polemarch ("war ruler"), and the Archon Basileus ("king ruler").[2] Originally these offices were filled from the aristocracy by elections every ten years.