Durham E-Theses
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Ted Hughes, Nature and Culture
Ted Hughes, Nature and Culture Neil Roberts · Mark Wormald Terry Gifford Editors Ted Hughes, Nature and Culture Editors Neil Roberts Mark Wormald School of English Literature, Pembroke College Language and Linguistics University of Cambridge University of Sheffeld Cambridge, UK Sheffeld, UK Terry Gifford Bath Spa University Bath, UK ISBN 978-3-319-97573-3 ISBN 978-3-319-97574-0 (eBook) https://doi.org/10.1007/978-3-319-97574-0 Library of Congress Control Number: 2018950414 © The Editor(s) (if applicable) and The Author(s) 2018 This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifcally the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microflms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specifc statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. -
In Performance
IN PERFORMANCE AUTUMN-WINTER 2019 IN PERFORMANCE EVENTS AUTUMN-WINTER 2019 CONTENTS page WELCOME 3 INTRODUCING THE MARTIN HARRIS CENTRE 4 FOOD AND DRINK 5 LITERATURE 6 MUSIC 14 MANCHESTER UNIVERSITY MUSIC SOCIETY (MUMS) 16 WALTER CARROLL LUNCHTIME CONCERT SERIES 22 QUATUOR DANEL 26 ELECTROACOUSTIC MUSIC 30 DRAMA 31 WE WELCOME 32 BOX OFFICE INFORMATION 34 ACCESS 34 HOW TO FIND US 37 For events listings in full please refer to the handy pull out guide on page 36 Café Arts, based within the foyer of the Martin Harris Centre serves coffee, teas, cold drinks and light refreshments. You can order your interval drinks at Café Arts before the performance starts and they will be ready and waiting for you at the interval. Join our mailing list by emailing [email protected] @MHCentre MHCentre To keep up to date with the latest news and special offers at the Martin Harris Centre visit: www.manchester.ac.uk/mhc WELCOME Welcome to our autumn 2019 season at the Martin Harris Centre. Mark Woolstencroft The new season brings an exciting and diverse programme for you with a wide range of events from drama, literature, music and more. We welcome back familiar friends and University alumni and we are thrilled to welcome some new and emerging talent. This season we are delighted to feature the music of John Casken – one of the UK’s most renowned living composers – in celebration of his 70th Birthday. We are excited to be hosting a full programme of Literature Live events in partnership with Manchester Literature Festival, Centre for New Writing and Creative Manchester. -
The Poetry of Thom Gunn
The Poetry of Thom Gunn This pdf file is intended for review purposes only. ALSO BY STEFANIA MICHELUCCI AND FROM MCFARLAND Space and Place in the Works of D.H. Lawrence (2002) This pdf file is intended for review purposes only. The Poetry of Thom Gunn A Critical Study STEFANIA MICHELUCCI Translated by Jill Franks Foreword by Clive Wilmer McFarland & Company, Inc., Publishers Jefferson, North Carolina, and London This pdf file is intended for review purposes only. The book was originally published as La maschera, il corpo e l’an- ima: Saggio sulla poesia di Tho m Gunn by Edizioni Unicopli, Milano, 2006. It is here translated from the Italian by Jill Franks. LIBRARY OF CONGRESS CATALOGUING-IN-PUBLICATION DATA Michelucci, Stefania. [Maschera, il corpo e l'anima. English] The poetry of Thom Gunn : a critical study / Stefania Michelucci ; translated by Jill Franks ; foreword by Clive Wilmer. p. cm. Includes bibliographical references and index. ISBN 978-0-7864-3687-3 softcover : 50# alkaline paper 1. Gunn, Thom —Criticism and interpretation. I. Title. PR6013.U65Z7513 2009 821'.914—dc22 2008028812 British Library cataloguing data are available ©2009 Stefania Michelucci. All rights reserved No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying or recording, or by any information storage and retrieval system, without permission in writing from the publisher. Cover photograph ©2008 Shutterstock Manufactured in the United States of America McFarland & Company, Inc., Publishers Box 6¡¡, Je›erson, North Carolina 28640 www.mcfarlandpub.com This pdf file is intended for review purposes only. -
Seamus Heaney Exhibit Is Tribute to Friend of Emory Emory Photo Video
Welcome to spring semester SPECIAL ISSUE Online all the time at news.emory.edu JANUARY 21, 2014 ATHLETICS BEARDEN EXHIBIT Oxford’s organic farm 2 Eagle teams ‘Black Odyssey’ return strong draws scholars, Spring break alternatives 5 for 2014. faculty and local Calendar highlights 6-7 Page 3 celebrities. Page 12 Founders Week 11 University Course expands 11 Seamus Heaney exhibit is tribute to friend of Emory Emory Photo Video Nobel Prize-winning poet Seamus Heaney had a long relationship with Emory, having presented the inaugural Richard Ellmann Lectures. By MAUREEN MCGAVIN beginning at 6 p.m. with W. Ronald Schuchard, Emory profes- were part of an old bench from Carysfort College in Dublin, sor emeritus of English, as toastmaster. where Heaney taught in the 1970s. “Seamus Heaney: The Music of What Happens,” opening Geraldine Higgins, director of Emory’s Irish studies pro- There will also be a custom-built media space where people Saturday, Feb. 22, will be Emory’s first major exhibition cel- gram, curated the exhibition, choosing the title from a line can listen to recordings of Heaney and other distinguished writ- ebrating the life of the late Irish poet and Nobel Prize winner. in the Heaney poem “Song:” “The finest music of all is the ers, artists and well-known figures, including Irish actor Liam Heaney had a special connection to Emory beginning music of what happens.” Neeson and novelist Sir Salman Rushdie, reading his poems. with his first reading in March 1981. He delivered the inau- The exhibition will showcase Heaney’s poems and drafts A large kite will be at the center of the exhibition, suspended gural Richard Ellmann Lectures in Modern Literature in showing his handwritten revisions, rare publications, and over the spiral staircase in the gallery that descends to the lower 1988, donated his lecture notes to Emory’s Manuscript, artists’ books containing his poetry. -
Literary Contexts
Cambridge University Press 978-1-108-42555-1 — Ted Hughes in Context Edited by Terry Gifford Excerpt More Information part i Literary Contexts © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-108-42555-1 — Ted Hughes in Context Edited by Terry Gifford Excerpt More Information © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-108-42555-1 — Ted Hughes in Context Edited by Terry Gifford Excerpt More Information chapter 1 Hughes and His Contemporaries Jonathan Locke Hart The complexity of Hughes’s early poetic contexts has been occluded by a somewhat polarised critical sense of the 1950s in which the work of the Movement poets, frequently represented by Philip Larkin, is seen to have been challenged by the poets of Al Alvarez’s anthology, The New Poetry (1962). Alvarez’s introductory essay, subtitled, ‘Beyond the Gentility Principle’, appeared to offer Hughes’s poetry as an antidote to Larkin’s work, which he nevertheless also included in The New Poetry. John Goodby argues that actually Hughes ‘did not so much “revolt against” the Movement so much as precede it, and continue regardless of it in extending English poetry’s radical-dissident strain’.1 Goodby’s case is based upon the early influences upon Hughes’s poetry of D. H. Lawrence,2 Robert Graves3 and Dylan Thomas. In the latter case, for example, Goodby argues that ‘Hughes’s quarrying of Thomas went beyond verbal resemblances to shared intellectual co-ordinates that include the work of Schopenhauer and the Whitehead-influenced “process poetic” forged by Thomas in 1933–34’.4 Ted Hughes’s supervisor at Cambridge, Doris Wheatley, ‘confessed that she had learned more from him about Dylan Thomas than he had learned from her about John Donne’.5 In a literal sense, the contemporaries of Ted Hughes are those who lived at the same time as Hughes – that is, from 1930 to 1998. -
Rare Books CATALOG 200: NEW ARRIVALS 2 • New Arrivals
BETWEEN THE COVERS RAre booKS CATALOG 200: NEW ARRIVALS 2 • new ArrivAls The Dedication Copy 1 Sinclair LEWIS Dodsworth New York: Harcourt, Brace and Company 1929 First edition. Quite rubbed else a sound very good copy in very good (almost certainly supplied) first issue dustwrapper with a few small chips and a little fading at the spine. In a custom cloth chemise and quarter morocco slipcase. The Dedication Copy Inscribed by Lewis to his wife, the author and journalist Dorothy Thompson, utilizing most of the front fly: “To Dorothy, in memory of Handelstrasse, Moscow, Kitzbuhl, London, Naples, Cornwell, Shropshire, Kent, Sussex, Vermont, New York, Homosassa, & all the other places in which I wrote this book ( - & this is the first copy of it I’ve seen) or in which she rewrote me. Hal. Homosassa, Fla. March 2, 1929.” The printed dedication reads, simply: “To Dorothy.” Lewis and Thompson had married in May of 1928, their marriage had run its course by 1938, although they didn’t divorce until 1942. This is Lewis’s classic novel of a staid, retired car manufacturer who takes a trip to Europe with his wife and there learns more about her and their relationship than he did in the previous 20 years of marriage. The inscription seems to indicate the peripatetic nature of their relationship during the writing of the book which seems to mirror the activities of the protagonists. Basis first for a stage hit, and then for the excellent 1936 William Wyler film featuring Walter Huston, Ruth Chatterton, Paul Lukas, Mary Astor, David Niven, and Maria Ouspanskaya. -
Nomad Thought in Peter Reading's Perduta Gente
NOMAD THOUGHT IN PETER READING’S PERDUTA GENTE AND EVAGATORY AND MAGGIE O’SULLIVAN’S IN THE HOUSE OF THE SHAMAN AND PALACE OF REPTILES A THESIS SUBMITTED TO THE GRADUATE SCHOOL OF SOCIAL SCIENCES OF MIDDLE EAST TECHNICAL UNIVERSITY BY ÖZLEM TÜRE ABACI IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN THE DEPARTMENT OF ENGLISH LITERATURE DECEMBER 2015 Approval of the Graduate School of Social Sciences ________________________ Prof. Dr. Meliha ALTUNIŞIK Director I certify that this thesis satisfies all the requirements as a thesis for the degree of Doctor of Philosophy. ________________________ Assoc. Prof. Dr. Nurten BİRLİK Head of Department This is to certify that we have read this thesis and that in our opinion it is fully adequate, in scope and quality, as a thesis for the degree of Doctor of Philosophy. ________________________ Assoc. Prof. Dr. Nurten BİRLİK Supervisor Examining Committee Members Prof. Dr. Nursel İÇÖZ (METU, FLE) ________________________ Assoc. Prof. Dr. Nurten BİRLİK (METU, FLE) ________________________ Prof. Dr. Huriye REİS (H.U., IED) ________________________ Assoc. Prof. Dr. Özlem UZUNDEMİR (Ç.U., ELL) ________________________ Asst. Prof. Dr. Elif ÖZTABAK‐AVCI (METU, FLE) ________________________ PLAGIARISM I hereby declare that all information in this document has been obtained and presented in accordance with academic rules and ethical conduct. I also declare that, as required by these rules and conduct, I have fully cited and referenced all material and results that are not original to this work. Name, Last name : Özlem TÜRE ABACI Signature : iii ABSTRACT NOMAD THOUGHT IN PETER READING’S PERDUTA GENTE AND EVAGATORY AND MAGGIE O’SULLIVAN’S IN THE HOUSE OF THE SHAMAN AND PALACE OF REPTILES Türe Abacı, Özlem Ph.D., Department of English Literature Supervisor: Assoc. -
Spring 2005 (Pdf)
. Cynthia L. Haven “No Giants”: An Interview with om Gunn HOM GUNN was cheery and slightly round-shouldered as he padded T downstairs to fetch me in his upper Haight district apartment. On this particular late-summer aernoon, 21 August 2003, a week before his seventy- fourth birthday, the poet with the salt-and-pepper crew cut was wearing an old green-and-black tartan annel shirt and faded jeans. He was much more relaxed, open, and friendly than the slightly grim-faced portraits by Map- plethorpe and Gunn’s brother, Anders Gunn, would suggest—and also as one might fear from his reputation for not suffering fools gladly. Haight-Ashbury, where Gunn lived, was the center of the sixties. Today, however, hippies have given way to high-end vintage-clothing shops, upscale boutiques, trendy restaurants, wine bars, and Internet cafés in the heart of the city, a few blocks from Golden Gate Park. om Gunn lived here for half a century, until his unexpected death on April . His second-oor at was startlingly outré, and very San Francisco. e walls were covered with a large neon sign, apparently scavenged from a defunct bar or café, and eye-grabbing metal advertising from earlier decades of the last century. “It’s endless,” he had warned climbing the stairs, where rows of larger-than-life bottles laddered up like a halted assembly line—Pepsi, Nesbitts, Hires, -Up, and Coca-Cola. Congratulations on receiving the David Cohen Award—,—earlier this year. [ ] . It was divided between me and Beryl Bainbridge. I was very pleased to get it. -
The Poetry of Thom Gunn
THE POETRY OF THOM GUNN, B.J.C. HINTON, M.A. THESIS FOR FACULTY OF ARTS BIRMINGHAM UNIVERSITY. Department of English 1974 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. SYNOPSIS This thesis is concerned with investigating the poetry of Thorn Gunn in greater detail than has been done before, and with relating it to its full literary and historical context. In doing this, the thesis refers to many uncollected poems and reviews by ,Gunn that are here listed and discussed for the first time, as are many critical reviews of Gunn's work. The Introduction attempts to put Gunn's poetry in perspective, section one consisting of a short biography, while the second and third sections analyse, in turn, the major philosophical and literary influences on his work. Section four contains a brief account of the most important critical views on Gunn's work. The rest of the thesis consists of six chapters that examine Gunn's work in detail, discussing every poem he has so far published, and tracing the development his work has shown. -
WESTERN UNIVERSITY DEPARTMENT of ENGLISH Phd QUALIFYING EXAMINATION READING LIST English 9915 (SF)/ 9935 (PF) TWENTIETH CENTURY
Revised Spring 2013 WESTERN UNIVERSITY DEPARTMENT OF ENGLISH PhD QUALIFYING EXAMINATION READING LIST English 9915 (SF)/ 9935 (PF) TWENTIETH CENTURY BRITISH AND IRISH LITERATURE In order to develop a wide-ranging competency to teach and research in the field of Twentieth Century British and Irish Literature, candidates will prepare a reading list according to the instructions and requirements below. 1. Instructions i. Secondary Field Exam: Students are responsible for all the titles listed under CORE TEXTS. Students are strongly advised to become conversant with historical, literary critical and theoretical writings in the field. ii. Primary Students must be conversant with historical, literary critical and theoretical writings in the field. Students are expected to expand upon the CORE reading list by adding 30-40 items. In consultation with the committee, students may make substitutions to the list. 2. Exam Structure 1. The examination is divided into TWO sections. Select THREE passages from Part A. Choose TWO questions from Part B. Each question carries equal value. 2. You must give attention to all three genres—poetry, fiction, drama—in the examination paper as a whole. You are not, however, required to deal with all three genres in answering any single question, not are you required to give attention to all three genres equally. 3. Do not repeat discussion in detail of authors or works in your answers. 4. Reference should be made to works from early, middle, and late in the century, spanning a broad range of trends and movements. Revised Spring 2013 CORE TEXTS Poetry: Collected poetry of all the following poets, plus important essays, letters and manifestoes. -
WH Auden. Selected Poetry TS Eliot. “The Hollow Men,”
20TH-/21ST-CENTURY BRITISH LITERATURE COMPREHENSIVE EXAMINATION READING LIST SELECTED BY THE GRADUATE FACULTY THE CANDIDATE IS RESPONSIBLE FOR ALL WRITERS AND WORKS FROM LIST A, AT LEAST THREE WRITERS FROM LIST B, AND AT LEAST THREE WRITERS FROM LIST C. LIST A POETRY: W.H. Auden. Selected Poetry T.S. Eliot. “The Hollow Men,” “The Love Song of J. Alfred Prufrock,” The Waste Land Thomas Hardy, Selected Poetry from Satires of Circumstances Seamus Heaney. Selected Poetry Ted Hughes. Selected Poetry Philip Larkin. Selected Poetry Dylan Thomas. Selected Poetry William Butler Yeats. Selected Poems, including “The Second Coming”; “Leda and the Swan”; “Easter, 1916”; “When You Are Old”; “The Wild Swans at Coole,” “The Lake Isle of Innisfree,” “The Circus Animals’ Desertion,” “Sailing to Byzantium,” and “Crazy Jane Talks with the Bishop” Representative World War I Poets. Suggested: Wilfred Owen, Rupert Brooke, Siegfried Sassoon, Robert Graves PROSE: Kingsley Amis. Lucky Jim Joseph Conrad. Any One of the Following: Heart of Darkness, Nostromo, The Secret Agent, Under Western Eyes T.S. Eliot. “Tradition and the Individual Talent” E.M. Forster. Howards End or A Passage to India 20th-/21st-Century British Literature 1 Rev. 1 August 2014 James Joyce. Dubliners and One of the Following: Portrait of the Artist as a Young Man or Ulysses D.H. Lawrence. Selected Short Fiction and Any One of the Following: Sons and Lovers, The Rainbow, or Women in Love Doris Lessing. The Golden Notebook or Any Other Novel Katherine Mansfield, “At the Bay,” “Prelude,” “Je ne Parle pas Francais,” “The Daughters of the Late Colonel” Iris Murdoch. -
Plants in Contemporary Poetry: Ecocriticism and the Botanical
Plants in Contemporary Poetry Examining how poets engage with and mediate botanical life, Plants in Contemporary Poetry affords a glimpse into the ontologies, epis- temologies, and semiospheres of flora and, by extension, the natural world. Highlighting the botanical obsessions of seminal poets writing in English today, the book calls attention to the role of language in de- constructing the cultural codes that limit an understanding of plants as intelligent beings. Ryan argues that, as poetic thought harmonizes with vegetality, writers gain direct knowledge of, and profound inspiration from, the botanical world. Plants in Contemporary Poetry provides a timely intervention in the prevailing tendency of ecocritical scholarship to date to examine animal, rather than plant, subjectivities and life- worlds. A sensuous return to vegetal being is actualized in this study through a focus on the contemporary poetries of Australia, England, and the United States. The lively disquisition traverses a cross section of contemporary poetic genres from confessionalism and experimentalism to radical pastoralism and ecopoetry. Through readings of eight poets, including Louise Glück, Les Murray, Mary Oliver, and Alice Oswald, Plants in Contemporary Poetry centers on the idea of the botanical imagination and proposes a unique conceptual model the author calls vegetal dialectics. Drawing from developments in neuro-botany and contributing to the area of critical plant studies, the book also develops phytocriticism as a method for responding to the lack of attention to plants in ecocriticism, ecopoetics, and the environmental humanities. This ground-breaking study reminds readers that poetic imagination is as important as scientific rationality to appreciating the mysteries of plants on an increasingly imperiled planet.