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JMAD Media Ownership Report
JMAD New Zealand Media Ownership Report 2014 Published: 2014 December 5 Author: Merja Myllylahti This New Zealand Ownership Report 2014 is the fourth published by AUT’s Centre for Journalism, Media and Democracy (JMAD). The report finds that the New Zealand media market has failed to produce new, innovative media outlets, and that all the efforts to establish non-profit outlets have proved unsustainable. The report confirms the general findings of previous reports that New Zealand media space has remained highly commercial. It also confirms the financialisation of media ownership in the form of banks and fund managers. The report also observes that in 2014 convergence between New Zealand mass media and the communications sector generally was in full swing. Companies, such as Spark (former Telecom NZ), started to compete head-to-head with the traditional broadcasters on the online on-demand video and television markets. The American online video subscription service Netflix is entering the NZ market in March 2015. Additionally, the report notes evidence of uncomfortable alliances between citizen media, politicians, PR companies and legacy media. As Nicky Hager’s Dirty Politics book revealed, the National Party and PR practitioners used the Whale Oil blog to drive their own agendas. Also, events related to Maori TV, TVNZ and Scoop raise questions about political interference in media affairs. It is now evident that the boundaries between mainstream media, bloggers, public relations practitioners and politicians are blurring. Key events and trends concerning New Zealand media Financialisation of mass media ownership confirmed Substantial changes in Fairfax, APN and MediaWorks ownership Competition heats up in online television and video markets Turbulence at Maori TV Blurred lines among politicians, bloggers, journalists and PR practitioners The JMAD New Zealand media ownership reports are available here: http://www.aut.ac.nz/study- at-aut/study-areas/communications/media-networks/journalism,-media-and-democracy-research- centre/journalists-and-projects 1 1. -
Journey to Ihipa Press
JOURNEY TO IHIPA Hope lasts a lifetime PRESS KIT A film by Nancy Brunning INTERNATIONAL SALES Juliette Veber - NZ Film - PO Box 11 546 - Wellington - New Zealand Tel +64 4 382 7686 - Fax +64 4 384 9719 - [email protected] Key Credits Writer Vicki-Anne Heikell Director Nancy Brunning Producer Makerita Urale Production Company Journey to Ihipa Ltd Executive Producer Catherine Fitzgerald Director of Photography Davorin Fahn Technical Information Format: 35mm Film Ratio: 1:1.85 Sound: Dolby Digital 5.1 Running Time 15mins Country of Production New Zealand Language English/Māori with English subtitles Date of Completion July 2008 Sales Juliette Veber, New Zealand Film Commission Email: [email protected] Te: +64 4 382 7686 Tag Line Hope lasts a lifetime One Liner A woman spends her whole adult life hoping her son, who was taken by Maori relatives, will return to her - but when he finally does, the reconciliation is not what she had imagined. Brief Synopsis When a young soldier dies during WWII, extended Maori family protect the bloodline by taking his baby son from his European mother. His mother spends her whole adult life hoping her son will return to his Maori home, but when he finally does, the reconciliation is not what she had imagined. Festival Screenings 2008 New Zealand International Film Festivals, New Zealand 2009 Magma Short Film Festival, New Zealand 2009 Dreamspeakers Film Festival, Canada 2009 Wairoa Maori Film Festival, New Zealand 2009 Vladivostok International Film Festival, Russia 2009 imagineNATIVE Film & Media Arts Festival, Canada 2010 Sukagawa International Short Film Festival, Japan Director’s Notes - Nancy Brunning In 2004 I read an early draft of Journey to Ihipa. -
ELIGIBILITY REQUIREMENTS and RELEASES Eyeworks New
ELIGIBILITY REQUIREMENTS AND RELEASES Eyeworks New Zealand Limited (“Eyeworks”) described here as the “Producers”, are holding auditions to select participants for a television programme entitled “The Block NZ – Series 6” (the “Programme”). We are applying to audition for selection as a participant team in the Programme. We have read and we understand fully the contents of this application and we agree to all the terms and conditions set out below. WE DECLARE We are all 18 years of age or older. We are all either New Zealand citizens or have been permanent residents in New Zealand for at least two years. We are applying in our personal and private capacity and we represent and warrant that none of us are an employee of, or in any way associated with, any news or media outlet, including any web based media outlet, either in New Zealand or elsewhere. Now and during the past two years, none of us have been an employee, officer, director or agent of Mediaworks or their associates or affiliates and neither is any member of our immediate families or anyone living at our residential address. THE AUDITION Our application does not constitute entry into a relationship or association of any kind with the Producers and we agree that we will receive no payment for our possible participation in the Audition. During the Audition: a) We will comply with all requests and directions given by the Producers and we will fully co-operate with the Producers; b) We will not interfere with or damage the set or any equipment used for the Audition; c) We will not interfere with, impede or abuse any other person at the Audition; d) We will leave the Audition immediately if asked to leave by the Producers; e) We will participate in the Audition voluntarily and at our own risk; and f) We agree that the Producers will not be liable to us for any loss or damage or injury to us or to our property or to our reputations caused or suffered in connection with our attendance at the Audition or our travel to and from the Audition. -
Stuart Richardson Post Producer / Field Director / Writer +64 27 395 0952 | [email protected]
Stuart Richardson Post Producer / Field Director / Writer +64 27 395 0952 | [email protected] Australian Ninja Warrior, Series 5, Channel 9 Post Producer March 2021 - Current Endemol Shine Australia, Sydney, Australia (Remote contract from Tauranga NZ) Ref: Dave Forrester, Post EP, Endemol Shine Australia [email protected] Ultimate Tag, Series 1, Channel 7 Post Producer November 2020 - Current Endemol Shine Australia, Sydney, Australia (Remote contract from Tauranga NZ) Ref: Dave Forrester, Post EP, Endemol Shine Australia [email protected] Title TBC! – A Netflix Original Documentary Series Post Producer March – October 2020 IFA Media, Singapore (Remote contract from Tauranga NZ) Ref: Joe Evans, Series Producer, IFA Media Singapore [email protected] Outback Truckers, Series 7 & 8, Discovery Channel Post Producer Prospero Productions, Fremantle, Australia (Remote contract from Tauranga NZ) January - June 2019, December 2019 – March 2020 Ref: Alan Hall, Series Producer, Prospero, Fremantle, WA [email protected] Outback Opal Hunters, Series 3, Discovery Channel Post Producer September - December 2019 Prospero Productions, Fremantle, Australia (Remote contract from Tauranga NZ) Ref: David Holroyd, Series Producer, Prospero, Fremantle, WA [email protected] The Making of Crossroads Maldives, History Channel Post Producer June 2019 - September 2019 IFA Media, Singapore (Remote contract from Dunedin, NZ) Ref: Joe Evans, Executive Producer, IFA Media [email protected] My Lottery Dream -
High School National Championship Tournament Packet 31
2019 High School National Championship Tournament Packet 31 Questions All questions © 2020 by National Academic Quiz Tournaments, LLC. This document is released as a sample of NAQT’s product and may be distributed in any way, but may not be sold or changed in any way, and the content may not be used in any other form. These questions may not be used for any competition involving multiple schools. If you have any questions, please contact NAQT: [email protected] 11521 W 69th Street www.naqt.com Shawnee, KS 66203 888-411-6278 (“NAQT”) 1. This number times i is the denominator of the Cauchy [koh-shee] integral formula. This is the smallest positive x for which e to the i x equals 1. 1 over the square root of this number is used to standardize the standard (*) normal distribution. The ”tau [rhymes with “how”] manifesto” supports using this number, rather than half of it, in teaching math. For 10 points—what number is the period of the sine [“sign”] and cosine [“co-sign”] functions? answer: 2 pi (or 2 times pi or pi times 2; accept tau before “tau”) <489406> 1. For 10 points each—answer the following about milk in British literature: A. Alex and his droogs frequent the Korova [koh-ROH-vah] Milk Bar in this author's novel A Clockwork Orange. answer: Anthony Burgess [BUR-jess] (or John (Anthony) Burgess Wilson) B. Mr. Ramsay finds an earwig in a glass of milk in this novel, which takes place in the Hebrides [HEB-rih-deez]. answer: To the Lighthouse [To the Lighthouse was written by Virginia Woolf.] C. -
Living Large
HOMES HOMES Living large This giant warehouse reveals itself as a series of beautifully decorated spaces, each with its own distinct narrative. WORDS Holly Jean Brooker PHOTOGRAPHY Duncan Innes 78 homestyle homestyle 79 HOMES HOMES EXTERIOR Along with the foliage of some already- established plants, palms in pots from Artedomus and chairs from ECC frame the home’s front door. Inside, the concrete flooring is softened with rugs Sam sourced on a trip to Morocco. 80 homestyle homestyle 81 HOMES HOMES THE CLASSIC WEATHERBOARD HOME is a Kiwi favourite, one that Auckland’s Jenny and Sam Porter have enjoyed in various forms over the years. But during their recent search THE PROJECT for a new place to live, they decided to go for something outside the box. Jenny Porter, HR advisor/owner of boutique kids’ party “We weren’t exactly sure what we wanted, hire company My Little Party, and her travel specialist but we knew what we didn’t want: another husband Sam redecorated this four-bedroom warehouse in Auckland’s Grey Lynn for themselves and their villa,” says Jen. “When our agent contacted children Darcy (12) and Amelia (10). us to give us the heads-up that this home was going to be listed that week, we visited it immediately and bought it that night.” The 200m2 Grey Lynn dwelling was less of a house and more of a warehouse. Previously a mechanics’ workshop, it had been converted into a large, open-plan central living and dining space with internal glass doors leading to an office, another living space, a kitchen and a formal dining room. -
Majestic Marlborough Sounds Home in Magical Setting P3 AU-7353953AA 2 August 7, 2016 Sunday Star★Times Property
Sunday Star★Times Property August 7, 2016 1 August 7th, 2016 www.sstproperty.co.nz Residential / Country / Coastal / Lifestyle / Business For Sale Majestic Marlborough Sounds home in magical setting P3 AU-7353953AA 2 August 7, 2016 Sunday Star★Times Property Christchurch Nelson Juliette Lee Jenny Dickie 03 358 2972 021 342 227 0272 600 287 You can be here, contact your 03 548 7705 [email protected] local Fairfax Media consultant. [email protected] Agent Profile Juliette Lee Marlborough Queenstown Grenadier Real Estate Michael Ryan Vanessa Sharp Ltd MREINZ 03 577 7553 Sales Associate 0272 600 287 M 021 325 477 YYouou can be here, contact your 03 442 0121 [email protected] local Fairfax Media consultant. 021 213 2526 03 358 2972 [email protected] [email protected] Juliette embraces new real estate industry legislation and in her ideals she embodies the new generation of agents. Having both spent her professional years in a career where people’ goals and relationships with clients were key, she prides herself on Waitaki Region her ability to listen & prepare, her honesty and integrity, and her commitment to hard Sue Morton work. Juliette has an inherent & acquired ability to read people, which she draws upon You can be here, contact your 027 600 5777 You can be here, contact your local Fairfax Media consultant. local Fairfax Media consultant. to gain the best out of negotiations. She [email protected] strongly believes ethics, professionalism & communication should underpin every relationship and undertaking in the process of buying and selling property. -
DEMO CLEARANCE! ONLY at GLUYAS NISSAN News
Thursday, Aug 29, 2019 Since Sept 27, 1879 Retail $2 Home delivered from $1.25 THE INDEPENDENT VOICE OF MID CANTERBURY Harold’s helping hand P4 Tinwald resident Huntley Gray is worried that it is only a matter of time until a serious accident occurs on his door- step. PHOTO JAIME PITT-MACKAY 260819-JPM-0003 Milestone reached MAJOR CRASH P2 ‘It’s only a matter of time’ BY JAIME PITT-MACKAY Road, and holds genuine fears that one through, while traffic travelling along [email protected] day that serious crash will occur outside Tarbottons Road are controlled by give For Tinwald resident Huntley Gray it is his doorstep, or that a car will crash into way signs. not the question of if there will be a ma- the house itself. jor accident on his doorstep, but when. The intersection sits in a 70km/h zone Gray lives at the intersection of Nixon between Nixon Street and Hollands CONTINUED P2 Street, Tarbottons Road and Hollands Road which cars can travel straight Gluyas Motor Group Ph 03 307 7900 79 Kermode Street | (03) 307 5800 to subscribe! Kendall Sandrey Sales Consultant Mob 027 486 0016 Scott Donaldson Sales Manager NISSAN Mob 027 225 5530 DEMO CLEARANCE! ONLY AT GLUYAS NISSAN www.gluyasmotorgroup.co.nz News 2 Ashburton Guardian Thursday, August 29, 2019 www.guardianonline.co.nz Skatepark closer to reality Major crash: BY HEATHER MACKENZIE [email protected] It may have taken 12 years and some ‘It’s only a ups and downs along the way, but the Kidzmethven skatepark site is now of- ficially active. -
Media Release 21 September 2016 BSA Finds Tiler Featured on The
Media Release 21 September 2016 BSA finds tiler featured on The Block NZ: Villa Wars treated unfairly The Broadcasting Standards Authority has upheld a fairness complaint from a tiler featured in an episode of The Block NZ: Villa Wars and found that his conduct was misrepresented. The BSA has ordered broadcaster MediaWorks TV to pay costs to the Crown of $1,500. Ljubisa ‘Bob’ Djurdjevic was described as a ‘temperamental European tiler’ who allegedly wanted to be paid in advance and went ‘AWOL’ when he was not paid. He complained that he was treated unfairly and that the show misrepresented his work ethic. He also complained that he had made it clear he did not want to be shown on the programme. The Authority found that the programme created an unfairly negative impression of Mr Djurdjevic. It was alleged that he did not ‘show up’ at the site and was late. The programme created a strong impression that he wanted to be paid upfront before completing his work. The Authority found that these claims were inaccurate and misleading. It was further found that Mr Djurdjevic was not adequately informed of the nature of his participation in the programme or that he would be portrayed as ‘temperamental’ or that the theme would be ‘tradie troubles’. The Authority said “Mr Djurdjevic was not given a reasonable opportunity to comment on how he was portrayed in the broadcast because he did not know he was going to feature in the broadcast or the angle that would be taken.” In its decision, the Authority emphasised the importance of ensuring that all participants in reality television are treated fairly. -
Sacred Heart College Sports Awards Dinner
SACRED HEART COLLEGE SPORTS AWARDS DINNER 14 October 2016 Ellerslie Events Centre with special guest Mark Richardson PROGRAMME Welcome by Principal, Jim Dale Acknowledgement of Sports Captains 2016 by Mr Jim Dale with citations by Mr Kelsen Butler Presentation of Sacred Heart College Medallions by Mr Jim Dale with citations by Mr Kelsen Butler Grace led by Head Prefect, George Witana Self-service buffet Presentation of Sport Awards by Mark Richardson with citations by Mr Kelsen Butler Dessert and coffee Guest Speaker Mr Mark Richardson Presentations to Major Award winners by Mark Richardson with citations by Mr Kelsen Butler Special Presentations Closing address by Director of Sport, Mr Nick Guise Major Sponsors Guest Speaker Mark Richardson Mark Richardson is a former New Zealand cricketer. He was a left-handed opening batsman. He represented New Zealand in 38 Tests from 2000 to 2004. During his cricketing career he played for Auckland, Buckinghamshire and Otago. Richardson began his career as a left-arm spinner, batting at number 10. As his bowling ability declined, he worked on developing his batting, to the point where he was selected as an opening batsman for New Zealand, at age 29. Richardson scored 2776 Test runs at an average of 44.77, including four centuries and 19 fifties. His sole Test wicket came in a match against Pakistan in 2001, dismissing Mohammad Yousuf, then known as Yousuf Youhana, caught and bowled for 203. Richardson was the fieldsman who caught Australian leg-spinner Shane Warne on 99, the closest the Australian came to a century in test cricket. -
New Baleno Is an Exceptional Drive – Everyday
SPRING 2019 New Baleno is an exceptional drive – everyday ALSO INSIDE: Understanding Jimny conquers Right behind the Suzuki roadside Serving new car safety the world Silver Ferns assistance Canterbury Safe in the knowledge NEW JIMNY s part of its ‘Safer Journeys’ in New Zealand new vehicles are assessed New Zealand drivers and pedestrians. strategy, the Government has using ANCAP (Australian New Car Assessment Suzuki is 100% behind steps to make our been assessing used cars Programme) whereas used vehicles are roads and vehicles safer. We believe a big CONQUERS with a view to banning the rated using a completely different system. part of this is educating the public to know Afuture import of used vehicles that don't One of the most important things you need what safety features they should be looking THE WORLD meet certain safety standards. We're fully to know about ANCAP safety ratings, is that for in a vehicle so they can make the right supportive of raising the safety standards of test standards are constantly improving. As choices. We suggest a minimum of Electronic The World Car Awards is the big one. Every one-and-only compact, the aging New Zealand fleet. However, the new active and passive safety systems are Stability Control and side and curtain airbags. year manufacturers from all over the planet authentic off-roader, and assessment system has caused confusion developed they're added to the requirements Luckily, there's a way to be confident your go head to head in pursuit of the coveted we have kept true to this and many popular brands, including Suzuki, a vehicle needs to have in order to achieve car is safe. -
New Zealand Tv Viewing – the Facts
FAST FACTS NZ What you need to know about TV Viewing Published March 2020 ThinkTV’s latest Fast Facts provides all the details about TV viewership in New Zealand, including how many and who’s watching, how long they’re watching for and where. Plus the latest data on number of screens and BVOD (Broadcaster Video On Demand) Published March 2020 – all data based on January – December 2019 NEW ZEALAND TV VIEWING – THE FACTS • Every week TV reaches 3.2 million (73% of New Zealanders 5+) • Every day TV reaches 2.4 million (55% of New Zealanders 5+) • 95% of New Zealand homes (1,755,000) have a television • New Zealanders spend 2 hours 16 minutes per day watching TV • 89% of TV is watched Live • 1.3 million New Zealanders access BVOD in a typical week Sources: Nielsen Television Audience Measurement 2019, Nielsen Consumer and Media Insights 2019 NEW ZEALAND TV VIEWING – KEY YEAR ON YEAR TRENDS • Linear TV reaches more Household Shopper with Kids on a typical day (Average daily reach 58.9% versus 57.4%) • Household Shoppers with Kids are spending more time watching Linear TV (2 hours 25 minutes versus 2 hours 19 minutes per day) • 14% more NZ homes have Connected TV’s and there is an increase in the number of screens (see Slide 16) • The percentage of Linear TV watched Live - 89% - has not changed • The number of New Zealanders watching Linear TV per day remains at 2.4 million, while daily viewing of people aged 25-54 remains at over 1 million Sources: Nielsen Television Audience Measurement 2019 versus 2018, Nielsen Consumer and Media Insights