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Alice Anderson Alice Anderson Born in 1972. Lives and works in London. 1998-2001 École Nationale Supérieure des Beaux-Arts de Paris 2002-2005 Goldsmiths College London SOLO EXHIBITIONS 2020 Alice Anderson : Sacred Gestures in data worlds, la Patinoire Royale – Galerie Valérie Bach, Brussels, Belgium 2019 National Center for Contemporary Arts, Moscow Lost Gestures’ Performances, Drawing Biennial 2019, Drawing Room, London Bozar, Brussels Atelier Calder, Saché National Centre for Contemporary Arts, Moscow Drawing Room, London Biennale d’Architecture, Orleans Waddington Custot, London 2018 Itinéraire d’un corps / Spirituals Machine, La Patinoire Royale – Galerie Valérie Bach Brussels, Belgique Nuhé Data , Art Brussels Solo, Brussels, Belgique Chart Special Project, DEN FRIE Contemporary Art Centre, Denmark Espace Vanderborgh, Brussels 2017 In Vivo , Centre Pompidou, Paris, France Between Surfaces , UNIT9 Contemporary Art Centre, London, UK Everything is connected , public sculpture, Howick Place, London, UK 2016 Post digital, Union Projects, London, UK Time Capsules , Glass Tank, Oxford, UK Insouciance , public sculpture, Place Saint Germain des Prés, Paris, France Share & Wires , permanent sculptures, Eiffel Historical Building, Paris, France 2015 Data Space , Espace Culturel Louis Vuitton, Paris, France Memory Movement Memory Objects , Wellcome Collection, London, UK 2014 Cutting, Folding, Assembling , Coastal Currents Festival, Hastings, UK 15 rue Veydt - 1060 brussels – belgium – t +32 (0)2 533 03 90 contact@ prvbgallery.com – www.prvbgallery.com 2013 Performing Life , Villa Bernasconi Cultural Center, Lancy, Switzerland In Movement, Print Room , London, UK 2012 Travelling Studio , Whitechapel Art Gallery, London, UK From Dance to Sculpture , Riflaker, London, UK Timescale , Artopia, Milan, Italy 2011 Childhood Rituals , Freud Museum, London Years after Years , CoExist Centre, Southend on Sea, UK 2008 Soft Sculptures, National Museum, Nice, France Spectres , National Museum Pablo Picasso, Vallauris, France La Traversée des apparences, Frac Paca, Marseille, France 2007 D.Day , Espace Croisé, Roubaix, France 2005 Anderson’s Journal, Jeu de Paume, Paris, France Dr Edwards’ House , Marnay Art Center, France 2003 Vertical, Frac Paca, Marseille, France GROUP EXHIBITIONS 2018 Material , COB Gallery London, UK Tissage , Fondation Villa Datris, L’Isle-sur la-Sorgue Dividing Rules , Paper Gallery, Manchester 2017 Summer Show , La Patinoire Royale, Brussels, Belgium Drawing Biennale, Drawing Room, London, UK Sculptures en plein Air , Triennale, Malbuisson, France Force of Nature, The Art Pavillion, London, UK Beyond, Foundation One, London, UK The House of Penelope , Artspace 46, London, UK International Arts Festival , Maidstone Museum, Maidstone, UK 2016 Champagne Life , Saatchi Gallery, London, UK Traces , Minsheng Art Museum, Beijing, China Tabous , Namur Cultural Center, Namur, Belgium Summer Exhibition, Royal Academy of Arts, London, UK 15 rue Veydt - 1060 brussels – belgium – t +32 (0)2 533 03 90 contact@ prvbgallery.com – www.prvbgallery.com 2015 Touch, Espoo Museum of Modern Art, Finland Un regard sur la collection d’Agnès b , LAM museum, Lille, France 2014 British Contemporary Art , Rizzordi Art Foundation, St Petersburg, Russia Interchange Junctions- around Yinka Shonibare , Howick Place, London, UK Out of Our heads , Shoreditch Town Hall, London, UK Between Reality , European House of Photography, Paris, France Forward, The Drawing Gallery , Eton College, Windsor, UK Cords, Parcours St Germain, Paris, France Light Mood , Public Sculpture Parc, Leopardi Parc, Bergamo, Italy 2013 Personal Structures , Palazzo Bembo, 55th Venice Biennale, Venice, Italy White Light White Heat , Palazzo Franchetti, 55th Venice Biennale, Venice, Italy Art13 performances , London, UK Boat, Malbuisson Art triennal sculpture, Malbuisson, France Le Vert , Frac Haute Normandie, Normandie, France Myths , Centre d’Art Contemporain, Cajarc, France Mad, Bad and Sad, Freud Museum, London, UK 2012 Jeux d'Artistes , musée d’Annecy, Annecy, France Tainted Love, Transition, London, UK Sublimations, Meter Room, Coventry, UK Inner spaces , Brampton Museum, Herefordshire, UK New Masters , Cultural Center, Bologna, Italy 2011 The Return, Museum of Modern and Contemporary Art of Algiers, Algeria Bound, All Visual Arts, London, UK Smoke On Water , Aubin Art Space, London Human Frames , Kunsthalle Dusseldorf, Germany Nomadic Nights , Fondation Cartier pour l’Art Contemporain, Paris Monolith , Latitude Contemporary Art, Suffolk, UK Uncanny , Birmingham Art Centre, Birmingham 2010 Elles at centre Pompidou , Pompidou Centre, Paris Living in Evolution, Busan Biennale, Busan Contemporary Art Museum, Korea Wonderland , Assab One, Milan, Italy Cher Monsieur Boltanski, Fondation Agnès b, Paris The Digital Hand, National Taiwan Museum of Fine Arts, Taiwan Athenes - Marrakech - Palermo , Riso Contemporary Art Museum, Sicily Concrete and Glass, Hoxton Square, London, UK Identify : Body it, Nichido Contemporary Art museum, Japan 2009 From John to Sebastian , Tate Modern, London, UK Invisible Adversaries , Northern Gallery Contemporary Art, Sunderland, UK Anderson’s Journal , Musée des Beaux-Arts de Calais, Calais, France Mediterranean, Palazzo Rospiglosi, Rome, Italy 15 rue Veydt - 1060 brussels – belgium – t +32 (0)2 533 03 90 contact@ prvbgallery.com – www.prvbgallery.com Internationale Biennale of Marrakech , Morocco Ce qui demeure est le futur , Musée des Beaux-Arts d’Amiens, France The invention of a world , Institute Cultural Sao Paulo, Brazil 2008 Light after Dark, T Blouin Fondation, London, UK Hbox, Pompidou Centre, Paris, France Hbox, Tate Modern, London, UK Day, Le Fresnoy, Lille, France La Main Numerique , Centre d’Art Annecy, Annecy, France The Firious Gaze , Montehermoso Kulturunea, Vitoria, Spain Moving Stills , Musa Museum, Vienna, Austria Riddle Me , Danielle Arnaud, London, UK Chromophilia, Bear Space, London, UK Peur et Désir, Palais de Tokyo, Paris, France 2007 Hi Fi, Artprojx , Tate Britain, London, UK Surrealistxs , Centre Pasqu Art, Vienne, Austria From a believer, Ubu Art Foundation, Barcelona, Spain Dunkelheit, St Pancras Church, London, UK Contemporary Art Festival, Prague, Czech Republic AA’Journal, Greenland St Contemporary Art Centre, Artprojx, Liverpool, UK Artist’s Room, Locarno Film Festiva, Switzerland Peyolt, Centre d’art de Genevilliers , Paris, France 2006 La Force de l’Art , Grand Palais, Paris, France Kunstfilm Biennale , Cologne, Germany Body and Soul, FRAC PACA, Marseille, France Invisible Cities, Factory Berlin, Berlin, France Bienvenue , FRAC ALSACE, Alsace, France Partenaire Particulier , Espace Paul Ricard, Paris, France 2005 Modern Time , Man Museum, Italy Vertigo , Printemps de Septembre, Toulouse News Revisited , Tabacalera Art Center, Spain New Spectrum of Art , EMAP Museum, Korea 2004 Artfog, Anna Norlander Museum, Sweden 2003 Prospectif Cinema , Pompidou Center, Paris, France Jean Cocteau, sur le fil du siècle , Centre Pompidou, Paris, France David Bowie Art , Portobello Film Festival, London, UK Fables d’identités , Centre National de la Photographie, Paris, France 2002 Paysages d’entre-villes , Musée Zadkine, Paris, France Traversées , Musée d’Art Moderne de la ville de Paris Paris, France 15 rue Veydt - 1060 brussels – belgium – t +32 (0)2 533 03 90 contact@ prvbgallery.com – www.prvbgallery.com PUBLIC COLLECTION Musée National d’Art Moderne, Centre Georges Pompidou, France Espoo Museum, Finland Wellcome Collection, UK Fond National d’Art Contemporain, France Fond Régional d’Art Contemporain, France Centre National des Arts Plastiques, France AWARDS Nominated for Marcel Duchamp prize (2020) Winner of Gilles Dusein Prize, European House of Photography (2003) 15 rue Veydt - 1060 brussels – belgium – t +32 (0)2 533 03 90 contact@ prvbgallery.com – www.prvbgallery.com .
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  • Communiqué De Presse ALICE ANDERSON
    ALICE ANDERSON ‘Itinéraires d’un corps’, 2017 Série de sculptures performatives créées dans le cadre des recherches d’Anderson sur les mouvements répétitifs et l’acte spirituel du tissage dans la Sierra Nevada en Colombie. 150 x 150 cm, fil métallique communiqué de presse ALICE ANDERSON Itinéraires d’un corps | Spiritual Machines 12.01.18 > 17.03.18 Vernissage le jeudi 11 janvier de 17h à 20h La Patinoire Royale / Galerie Valérie Bach [email protected] / Tel: +32 (0)2 533 03 90 www.lapatinoireroyale.com - www.galerievaleriebach.com Alice Anderson, sculpteur et performeur franco-britannique, vit et travaille à Londres. Née en 1972, elle a étudié au Goldsmiths College of Art à Londres et aux Beaux-Arts de Paris. Sa pratique est avant tout performative. Ses sculptures et performances ont été présentées à la Whitechapel Art Gallery en 2012, à la 55ème Biennale de Venise en 2013, à la Wellcome Collection à Londres en 2014, à l’Espace Culturel Louis Vuitton à Paris en 2015, à la Saatchi Gallery en 2016 et au Centre Pompidou en 2017. Depuis l’enfance, Alice Anderson a toujours eu une extrême sensibilité à son environne- ment, à la lumière, à certaines couleurs, aux sons, aux mouvements vibratoires et aux ondes transmises par divers matériaux. Son rapport à l’autre se fait essentiellement à tra- vers les objets. L’installation sculpturale est en totale relation visuelle, auditive, olfactive et corporelle avec les objets qui l’entourent ; ils ne sont pas seulement utiles, ils interviennent dans ses apprentissages, ils sont une repré- ‘Spiritual Machines’, 2017 Série de totems et statuettes faites de différentes machines et objets.
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  • Exhibitions Alice Anderson Hyperlinks
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  • ALICE ANDERSON at WELLCOME COLLECTION Memory Movement Memory Objects 22 July – 18 October
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  • Exhibition Catalogue
    AGATA INGARDEN Sweaty Hands, 2017 Steel, enamel, copper and caramel 2900 x 500 mm and 2750 x 600 mm Agata Ingarden’s artwork stems from a fascination with the industrial materials and machinery she encountered at construction sites, a place she frequently visited with her architect father as a child in post-communist Poland. Informed by these experiences, Ingarden’s installation, sculpture and video works both investigate the space where the systems surrounding us, both social and manufactured, collide with nature, and explore the relationship between humans and their inventions. Employing organic materials as a means to challenge this complex relationship, Ingarden’s work attempts to reconcile human and non-human elements, creating coherent environments where our inventions, technology and organic processes are interdependent. As part of MATERIAL, Cob Gallery presents Sweaty Hands from Ingarden’s Heat Pipes series. Formed of two hanging living sculptures, these works combine a metal piping structure which suspends a caramel mass. Cast from industrial carton moulds used to transport goods from electronical devices to food, these caramel forms are an imagining of all mass consumption goods- welded to become a “living mass of sugar”. Responsive to the conditions in which they are situated- solidifying when cold and liquifying when warmed, as the properties of the piece’s adapt they reveal an ironic parallel to plastic. The morphed caramel adopts a living quality, taking on an anthropomorphic sensibility. Displayed in a state of constant
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  • Press-Release ALICE ANDERSON ‘Itinéraires D’Un Corps’ | Spiritual Machines 12.01.18 > 17.03.18
    ALICE ANDERSON ‘Itinéraires d’un corps’, 2017 Performative sculptures series following Anderson’s research on repetitive movement and the spiritual act of weaving in the Sierra Nevada, Colombia 150 x 150 cm, metallic thread Press-release ALICE ANDERSON ‘Itinéraires d’un corps’ | Spiritual Machines 12.01.18 > 17.03.18 Opening Thursday 11 January 5 pm - 8 pm La Patinoire Royale / Galerie Valérie Bach [email protected] / Tel: +32 (0)2 533 03 90 www.lapatinoireroyale.com - www.galerievaleriebach.com Anglo-French sculptor and performer Alice Anderson lives and works in London. Born in 1972, she studied at Goldsmiths College of Art in London and at Beaux-Arts Paris. Her practice is above all performative. Her performances and sculptures have been presented at Whitechapel Gallery in 2012, at the 55th Venice Biennial in 2013, at the Wellcome Collection in London in 2014, at Espace Culturel Louis Vuitton Paris in 2015, at the Saatchi Gallery in 2016 and Centre Pompidou in 2017. Since childhood, Alice has had an extreme sensitivity to her environment: to light, certain colours, sound, vibratory movement and waves transmitted by different materials. She relates to the other through objects and exists in total visual, auditory, olfactory and corporeal relation to objects that surround her. In her experience, objects not only have practical uses, but intervene in Anderson’s learning processes and relationship to the world. ‘Spiritual Machines’, 2017 Totems and statuettes series made out of different type of machines and objects. Wall programmer, multi USB plugs, Blackberry. 20 x 10 cm metallic thread The great questions that the digitalisation of man’s relationship with the world and parallel advances in artificial intelligence bring about, lead us to consider essential questions about our primitive interactions within the physical world.
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  • Alice Anderson
    ALICE ANDERSON Born in 1972, London, England Lives and works in London, England SOLO AND GROUP EXHIBITIONS 2017 UNIT 9, Alice Anderson : Between Surfaces, London CENTRE POMPIDOU, in vivo, Paris PATINOIRE ROYALE, Summer show, Brussels MAIDSTONE MUSEUM, International Arts Festival, Maidstone MALBUISSONART, Sculptures en plein Air, Malbuisson DRAWING ROOM, Drawing Biennial, London THE ART PAVILION, Force of Nature, London HS PROJECT, Alice Anderson : Everything Is Connected, London FOUNDATION1, Beyond, London ARTSPACE 46, The House of Penelope, London ART GENEVE, Collectionair special exhibition, Geneva 2016 SAATCHI GALLERY, Champagne Life, London NAMUR CULTURAL CENTER, Tabous, Belgium GLASS TANK, Time Capsules, Oxford MINSHENG ART MUSEUM, Traces, Beijing, China PLACE ST GERMAIN DES PRES, Insouciance, public sculptures, Paris EIFFEL HISTORICAL BUILDING, Share & Wires, permanent sculptures, Paris ROYAL ACADEMY OF ARTS, Summer exhibition, London UNION PROJECT, Alice Anderson: post digital, London RYE ART FESTIVAL CREATIVE CENTRE, We work in the dark, Rye 2015 Espace Culturel Louis Vuitton, Alice Anderson: DATA, Paris Espoo Museum of Modern Art, Touch, Finland LAM museum, Un regard sur la collection d’Agnès b, Lille 2014 British Contemporary Art, Rizzordi Art Foundation, St Petersburg Interchange Junctions, works around Yinka Shonibare, Howick Place, London Light Mood, Public Sculpture Parc, Leopardi Parc, Bergamo Out of Our heads, Shoreditch Town Hall, London Between Reality, European House of Photography, Paris Forward, The Drawing Gallery,
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  • Recording the Present / Alice Anderson
    RECORDING THE PRESENT Interview carried out by Annabelle Gugnon and Juliette de Gonet ESPACE: What exactly is your artistic agenda? And what was the idea behind the DATA space exhibition at Espace Louis Vuitton Paris? ALICE ANDERSON: The digital revolution is probably going to turn out as decisive for the mechanisms of human memory as the invention of writing was. This revolution is a fascinating process, and I keep tabs on it by recording its objects and crystallizing its phases. At a point in history when our planet is going virtual and memory is going digital, I feel a need to record space and objects in 3D. In artistic terms I'm particularly concerned with memorizing by creating a new physical relationship with things and space using copper wire. It's a paradox: the more my everyday existence fills up with digital data about the things around me, the greater my need to come to grips with their material, physical data. This kind of memorization is a necessity. It's my way of recording the present. I think we're living through a revolution whose extent we're not aware of yet. For the DATA space exhibition at Espace Louis Vuitton Paris, I wanted to record the data of the venue. I started out with the measurements of certain parts of the building. A number of wooden slats from the floor were reassembled into new geometrical figures—circles—representing the diagrams of the measurements after they had been recorded with the wire in 3D (“Floor Boards Diagrams” 2015). The skylights in the rotunda were recreated in steel then weaved with copper wire (“Skylights Data” 2015) and together they form a movement.
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  • Cure³ Exhibition Catalogue
    Contents Cubes 3 Words 9 Team 196 Thanks 197 2 Cubes 3 1. Alice Anderson 29. Nick Hornby 2. Ron Arad RA 30. Paul Huxley RA 3. Miranda Argyle 31. Alison Jackson 4. Barnaby Barford 32. Vanessa Jackson RA 5. Rana Begum 33. Tess Jaray RA 6. Tony Bevan RA 34. Ben Johnson 7. Sir Peter Blake 35. Sir Anish Kapoor RA 8. Rob and Nick Carter 36. Idris Khan 9. Daniel Chadwick 37. Phillip King PPRA 10. Jake & Dinos Chapman 38. Helen Kirwan-Taylor 11. Gordon Cheung 39. Tania Kovats 12. Mat Collishaw 40. Brigitte Kowanz 13. Adam Dant 41. Andrew Logan 14. Pablo de Laborde Lascaris 42. Susie MacMurray 15. Adeline de Monseignat 43. Elizabeth Magill 16. Bouke de Vries 44. John Maine RA 17. Edmund de Waal 45. Helen Marten 18. Diana Edmunds 46. Andrew McIntosh 19. Abigail Fallis 47. Harland Miller 20. Knopp Ferro 48. Claire Morgan 21. Laura Ford 49. Mariko Mori 22. Andy Goldsworthy 50. Annie Morris 23. Lothar Götz 51. Humphrey Ocean RA 24. Elpida Hadzi-Vasileva 52. Angela Palmer 25. Hassan Hajjaj 53. Florence Peake 26. Nigel Hall RA 54. Simon Periton 27. Alex Hartley 55. Julian Perry 28. Carmen Herrera 56. Thomas J Price 57. Stephanie Quayle 78. Alfred Munkenbeck 58. Saad Qureshi (Munkenbeck + Partners) 59. Danny Rolph 79. John Pawson 60. Andrew Sabin 80. Chris Wilkinson RA 61. Nina Saunders (Wilkinson Eyre Architects) 62. Conrad Shawcross RA 81. Chris Williamson 63. Anj Smith (Weston Williamson + Partners) 64. Dillwyn Smith 65. Amy Stephens 66. Sinta Tantra 67. Troika 68. Gavin Turk 69.
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  • 'I Don't Refuse This World, I Just Need to Explore
    Alice Anderson: ‘I don’t refuse this world, I just need to explore alternatives to live with it today’ 05/02/2016 12:30 Published 05/02/2016 Alice Anderson: ‘I don’t refuse this world, I just need to explore alternatives to live with it today’ The artist talks about her unique method of “memorising” and “recording” objects in copper wire, and explains how this helps her to slow down and maintain an intimacy with the world around her by ANNA McNAY An oversized bobbin and needle, a two-metre wide resplendent sphere radiating a warm copper glow – these stunning, alluring and yet uncanny objects are the work of Alice Anderson (b1972), a French-English artist, whose hair gleams in the same coppery tones as the wire in which these objects are wrapped. Although “wrapped”, I learn, is the wrong term to use. For Anderson, this process of entwining an object, mummifying it, securing it for posterity, is just that: an act of “memorising” and a means of understanding the world around her, keeping hold of the physicality of objects, as more and more of our life becomes subsumed by digital technology. Currently one of the 14 artists in the Saatchi Gallery’s first all-women exhibition, Champagne Life, Anderson spoke to Studio International about her obsessive practice and her inner drive. Anna McNay: When did you first begin wrapping objects? Alice Anderson: I don’t really use the term “wrapping” because my purpose is different. I “record” objects with thread. It is my own method of “memorising” objects in 3D.
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  • Alice Anderson Sacred Gestures in Data Worlds
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