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Alice Anderson Alice Anderson Est une artiste performer. Son travail génère dessins, peintures et sculptures. Les recherches de l’artiste sur le corps a ̀ travers les progrès de l’intelligence artificielle l’ont orientée vers des cultures ancestrales en Colombie et au Japon. Née en 1972, elle vit et travaille à Londres. 1998-2001 École Nationale Supérieure des Beaux-Arts de Paris 2002-2005 Goldsmiths College London EXPOSITIONS PERSONNELLES 2020 Alice Anderson : Sacred Gestures in data worlds, La Patinoire Royale – Galerie Valérie Bach, Brussels, Belgium 2019 National Center for Contemporary Arts, Moscow Lost Gestures’ Performances, Drawing Biennial 2019, Drawing Room, London Bozar, Brussels Atelier Calder, Saché National Centre for Contemporary Arts, Moscow Drawing Room, London Biennale d’Architecture, Orleans Waddington Custot, London 2018 Alice Anderson : Itinéraires d'un corps | Spiritual Machines, La Patinoire Royale – Galerie Valérie Bach, Brussels, Belgium Chart Special Project, DEN FRIE Contemporary Art Centre, Denmark Espace Vanderborgh, Brussels 2017 Alice Anderson : Between Surfaces, UNIT 9, London, UK Alice Anderson : Everything is connected, London, UK Centre Georges Pompidou, Paris 2016 Alice Anderson : post digital, Union Project, London, UK 2015 Alice Anderson : DATA, Espace Culturel Louis Vuitton, Paris, France. 2014 Alice Anderson: Memory Movement Memory Objects, Wellcome Collection, London, UK 2013 Alice Anderson, Performing Life, Villa Bernasconi Cultural Center, Lancy, Switzerland Alice Anderson’s Studio, Print Room Theatre, London, UK 15 rue Veydt - 1060 brussels – belgium – t +32 (0)2 533 03 90 contact@ prvbgallery.com – www.prvbgallery.com 2012 Alice Anderson’s Travelling Studio: Launch, Whitechapel Art Gallery, London, UK Alice Anderson: From Dance to Sculpture, Riflemaker, London, UK Alice Anderson's Timescale, Artopia, Milan, Italy 2011 Alice Anderson’s Childhood Rituals, Freud Museum, London 2008 Alice Anderson, soft sculptures, National Museum Chagall, Nice, France Alice Anderson, spectres,National Museum Pablo Picasso, Vallauris, France 2007 Anderson Journal, Espace Croisé, Roubaix, France 2005 Alice Anderson’s Journal, Jeu de Paume, Paris, France 2003 Alice Anderson: Vertical, FRAC PACA, Marseille, France EXPOSITIONS COLLECTIVES 2018 The Panopticon, A Performance Affair,Vanderborght Building, Brussels, Belgium Drawing Now, Le Carreau du Temple, Paris, France, Galerie Valérie Bach 2017 In Vivo, Centre Pompidou, Paris, FRance Summer Show, La Patinoire Royale, Brussels, Belgium International Arts Festival, Maidstone Museum, Maidstone, UK Sculptures en plein Air, Malbuissonart, Malbuisson, France Drawing Biennale, Drawing Room, London, UK Force of Nature, The Art Pavillion, London, UK Beyond, Foundation1, London, UK The House of Penelope, Artspace 46, London, UK Collectionair Special Exhibition, Art Geneve, Geneva, Switzerland 2016 Champagne Life, Saatchi Gallery, London, UK Tabous, Namur Cultural Center, Namur, Belgium Time Capsules, Glass Tank, Oxford, UK Traces, Minsheng Art Museum, Beijing, China Insouciance, public sculpture, Place Saint Germain des Prés, Paris, France Share & Wires, permanent sclpture, Eiffel Historical Building, Paris, France Summer Exhibition, Royal Academy of Arts, London, UK We work in the dark, Rye Art Festival Creative Center, Rye, UK Minseng Art Museum, Shanghai 2015 Touch, Espoo Museum of Modern Art, Finland Un regard sur la collection d’Agnès b, LAM museum, Lille, France 15 rue Veydt - 1060 brussels – belgium – t +32 (0)2 533 03 90 contact@ prvbgallery.com – www.prvbgallery.com 2014 British Contemporary Art, Rizzordi Art Foundation, St Petersburg, Russia Interchange Junctions, works artound Yinka Shonibare, Howick Place, London, UK Light Mood, Public Sculpture Parc, Leopardi Parc, Bergamo, Italy Out of Our heads, Shoreditch Town Hall, London, UK Between Reality, European House of Photography, Paris, France Forward, The Drawing Gallery, Eton College, Windsor, UK Cords, Parcours St Germain, Paris, France Cutting, Folding and Assembling, Coastal Currents Festival, Hastings, UK 2013 Personal Structures, Palazzo Bembo, 55th Venice Biennale, Venice, Italy White Light White Heat, Palazzo Franchetti, 55th Venice Biennale, Venice, Italy Boat, Malbuisson Art triennal sculpture, Malbuisson, France Le Vert, Frac Haute Normandie, Normandie, France Myths, Centre d’Art Contemporain, Cajarc, France, Art13 performances, London, UK Mad, Bad and Sad, Freud Museum, London, UK 2012 Jeux d'Artistes, musée d’Annecy, Annecy, France Tainted Love, Transition, London, UK Sublimations, Meter Room, Coventry, UK Inner spaces, Brampton Museum, Herefordshire, UK New Masters, Cultural Center, Bologna, Italy 2011 Bound, All Visual Arts, London, UK Their Wonderlands, Birmingham Art Centre, Birmingham Years after Years, CoExist Centre, Southend on Sea Tales and Contemporary Art, Cultural center of Namur, Belgium Smoke On Water, Aubin Art Space, London Elle était une fois, Maison des Arts Georges pompidou, Gourdon Human Frames, Kunsthalle Dusseldorf, Germany The Return, Museum of Modern and Contemporary Art of Algiers, Algeria Nomadic Nights, Fondation Cartier pour l’Art Contemporain, Paris Monolith, Latitude Contemporary Art, Suffolk 2010 Elles at centre Pompidou, Pompidou Centre, Paris Living in Evolution, Busan Biennale, Busan Contemporary Art Museum, Korea Wonderland, Assab One, Milan Cher Monsieur Boltanski, Fondation Agnès b, Paris Identify: Body it, Nichido Contemporary Art museum, Japan The Digital Hand, National Taiwan Museum of Fine Arts, Taipei Istanbul-Athenes-Marrakech-Palermo, Risco Contemporary Art Museum, Sicilia Concrete and Glass, Hoxton Square, London, UK From John to Sebastian, TATE MODERN, London, UK The Day, Artprojx Space, London, UK Invisible Adversaries, Northern Gallery Contemporary Art, Sunderland, UK Voo-Doo, Riflemaker, London, UK Journal, Musée des Beaux-Arts de Calais, Calais, France Mediterranean, Palazzo Rospiglosi, Rome, Italy Ce qui demeure est le futur, Musée des Beaux-Arts d’Amiens, Amiens, France 15 rue Veydt - 1060 brussels – belgium – t +32 (0)2 533 03 90 contact@ prvbgallery.com – www.prvbgallery.com The invention of a world, Institute Cultural Sao Paulo, Brazil Internationale Biennale of Marrakech, Morocco 2008 Light after Dark, T Blouin Fondation, London, UK Peur et Désir, Palais de Toky, Paris, France Hbox, Pompidou Centre, Paris, France Hbox, Tate Modern, London, UK Artprojx, Anthology Film Archive, New York, USA The Doll’s Day, Le Fresnoy, Lille, France La Main Numerique, Centre d’Art Annecy, Annecy, France La Traversée des apparences, FRAC PACA, Marseille, France The Firious Gaze, Montehermoso Kulturunea, Vitoria, Spain Mutation II, Musa Museum, Moving Stills, Vienna, Austria Riddle Me, Danielle Arnaud, London, UK Bear Space, Chromophilia, London, UK 2007 Artprojx, Hi Fi, Late at Tate Britain, London, UK Surrealistxs, Centre Pasqu Art, Vienne, Austria Dunkelheit, St Pancras Church, London, UK Tina B, Contemporary Art Festival, Prague, Czech Republic AA’Journal, Greenland St Contemporary Art Centre, Artprojx, Liverpool, UK Peyolt, Centre d’art de Genevilliers, Paris, France From a believer, Ubu Art Foundation, Barcelona, Spain Artist’s Room, Locarno Film Festiva, Switzerland 2006 KUNSTFILM BIENNALE, Cologne, Germany Rencontres internationales Film and Video, Berlin, Germany Body and Soul, FRAC PACA, Marseille, France Invisible Cities, Foctory Berlin, Berlin, France Bienvenue, FRAC ALSACE, Alsace, France Part 1, Woman of Europe Center, UK La Force de l’Art, Grand Palais, Paris, France Partenaire Particulier, Espace Paul Ricard, Paris, France 2005 Modern Time, MAN MUSEUM, Italy, 2005 Vertigo, Printemps de Spetembre, Toulouse, 2005 News Revisited, Tabacalera Art Center, Spain, 2005 New Spectrum of Art, EMAP Museum, Korea Dr Edwards’ House, Marney Art Center, Marnay, France 2004 Artfog Video, Anna Norlander Museum, Sweden 2003 Prospectif Cinema, Pompidou Center, Paris, France Jean Cocteau, sur le fil du siècle, Centre Pompidou, Paris, France Portobello Film Festival, Bowie Art, London, UK Fables d’identités, Centre National de la Photographie, Paris, France 15 rue Veydt - 1060 brussels – belgium – t +32 (0)2 533 03 90 contact@ prvbgallery.com – www.prvbgallery.com 2002 Paysages d’entre-villes, Musée Zadkine, Paris, France Traversées, Musée d’Art Moderne de la ville de Paris Paris, France COLLECTIONS PUBLIQUES Musée National d’Art Moderne, Centre Georges Pompidou, France Espoo Museum, Finland Welcome Collection, UK Fond National d’Art Contemporain, France Fond Régional d’Art Contemporain, France Centre National des Arts Plastiques, France PRIX ET RÉCOMPENSES Nominée au prix Marcel Duchamp (2020) Winner of Gilles Dusein Prize, European House of Photography (2003) 15 rue Veydt - 1060 brussels – belgium – t +32 (0)2 533 03 90 contact@ prvbgallery.com – www.prvbgallery.com .
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  • Communiqué De Presse ALICE ANDERSON
    ALICE ANDERSON ‘Itinéraires d’un corps’, 2017 Série de sculptures performatives créées dans le cadre des recherches d’Anderson sur les mouvements répétitifs et l’acte spirituel du tissage dans la Sierra Nevada en Colombie. 150 x 150 cm, fil métallique communiqué de presse ALICE ANDERSON Itinéraires d’un corps | Spiritual Machines 12.01.18 > 17.03.18 Vernissage le jeudi 11 janvier de 17h à 20h La Patinoire Royale / Galerie Valérie Bach [email protected] / Tel: +32 (0)2 533 03 90 www.lapatinoireroyale.com - www.galerievaleriebach.com Alice Anderson, sculpteur et performeur franco-britannique, vit et travaille à Londres. Née en 1972, elle a étudié au Goldsmiths College of Art à Londres et aux Beaux-Arts de Paris. Sa pratique est avant tout performative. Ses sculptures et performances ont été présentées à la Whitechapel Art Gallery en 2012, à la 55ème Biennale de Venise en 2013, à la Wellcome Collection à Londres en 2014, à l’Espace Culturel Louis Vuitton à Paris en 2015, à la Saatchi Gallery en 2016 et au Centre Pompidou en 2017. Depuis l’enfance, Alice Anderson a toujours eu une extrême sensibilité à son environne- ment, à la lumière, à certaines couleurs, aux sons, aux mouvements vibratoires et aux ondes transmises par divers matériaux. Son rapport à l’autre se fait essentiellement à tra- vers les objets. L’installation sculpturale est en totale relation visuelle, auditive, olfactive et corporelle avec les objets qui l’entourent ; ils ne sont pas seulement utiles, ils interviennent dans ses apprentissages, ils sont une repré- ‘Spiritual Machines’, 2017 Série de totems et statuettes faites de différentes machines et objets.
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  • Exhibitions Alice Anderson Hyperlinks
    exhibitions AMALIA PICA Round Table (and other forms) St. Agnes I NAVE 27.03 – 25.04.2021 alice anderson KARL HORST HÖDICKE Kleine Bilder aus Küche und Klo hyperl ink s St. Agnes I CHAPEL 18.03 – 18.04.2021 13 APRIL – 22 MAY 2021 GROUP EXHIBITION KÖNIG LONDON The Artist is Online St. Agnes I SHOWROOM 18.03 – 18.04.2021 KÖNIG GALERIE is pleased to present Hyperlinks, a solo exhibition of the work by Anglo-French artist Alice Anderson. Alice Anderson’s oeuvre hybridises the worlds of technology and ancestral cultures. Her works include sculptures, paintings and drawings generated through dance-performances, each with ritual at their essence. For this exhibition, Alice Anderson presents performative works created through repetitive gestures, some coupled with rapid breathing (the technique of hyperventilation), which gives her access to a state of modified consciousness. This pairing puts forward the body as a vehicle of humanity within the contemporary world propelling scan to download the towards a technological-wholeness; and the ancestral culture of the Kogi people from Sierra Nevada KÖNIG GALERIE app in Colombia, who exist in cosmic harmony with their environment. Kogi concepts, rituals and ecologi- and visit our online cal combats have framed Alice Anderson’s reflections upon this change in civilization. saleroom and exhibitions James Bridle, in his book “New Dark Age: Technology and the end of the future”, speaks of the changes in civilisation that have been instigated by developments in artificial intelligence. He de- scribes a world with increasing technological complexity which diminishes human comprehension, where we, in turn, become lost in an ocean of information.
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  • 2 Image Caption Title –
    Image Caption Title – Cum sociis natoque penatibus et magnis dis parturient montes, nas scetur ridiculus mus. 2 Sponsors & Colophon – First published in Great Britain in 2013 by London College of Fashion, University of the Arts London, 20 John Prince’s Street, London W1G 0BJ, United Kingdom ISBN 978-1-903455-29-6 © London College of Fashion Authors: James Putnam, Adriano Berengo, Suzanne Higgott, David Toop Design: Freytag Anderson All rights reserved. No part of this publication may be reproduced in any form or by any means without the permission of the publishers. Contents Contents – – 7 — 8 23 — 28 Foreword White Light | White Heat Professor Frances Corner OBE James Putnam Pro Vice-Chancellor Co-Curator Glasstress: University of the Arts London & White Light | White Heat Head of London College of Fashion 31 — 40 9 — 1 4 Historic Venetian Glass The Quantum Leap of Glass Suzanne Higgott Adriano Berengo Curator of Glass, Limoges Painted Director Berengo Studio Murano, Enamels and Earthenwares Venice & Co-Curator Glasstress: The Wallace Collection White Light | White Heat 43 — 174 17 — 20 Artists Is Glass Silent? David Toop 175 UAL Alumni Foreword Frances Corner OBE – – Professor Frances Corner OBE Pro Vice-Chancellor University of the Arts London & Head of London College of Fashion White Light | White Heat is a development of exquisite glass collection and the cutting edge envi- Glasstress, conceived by Adriano Berengo, President ronment of London College of Fashion where tradi- of Berengo Glass Studio and Venice Projects, in 2009. tional notions of fashion are challenged every day. This new exhibition is a dramatic expansion of the The exhibition had its opening at the magnificent original Glasstress concept to include London Palazzo Franchetti as part of the 55th Venice College of Fashion (LCF), University of the Arts Biennale with a selection of work being restaged in London and t he Wallace Collection working in col- London at the Fashion Space Gallery at LCF as well laboration with Berengo Glass Studio.
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  • ALICE ANDERSON at WELLCOME COLLECTION Memory Movement Memory Objects 22 July – 18 October
    Tim Morley 183 Euston Road, London NW1 2BE Senior Media Officer T +44 (0)20 7611 2222 T +44 (0) 207 611 8612 E [email protected] E [email protected] www.wellcomecollection.org ALICE ANDERSON AT WELLCOME COLLECTION Memory Movement Memory Objects 22 July – 18 October ‘Memory exists only when it is recalled. My performances and sculptures are Press Release strategies for remembering, creating an archive of movement and moments’ From July 2015 Wellcome Collection presents a major exhibition of works by acclaimed artist, Alice Anderson: ‘Memory Movement Memory Objects’. Anderson’s sculptures are entirely mummified in copper thread, creating glistening landscapes of beautiful, uncanny and transformed objects. Each piece is an exploration and act of memory. Both the making and display of works interrogate how we create, record, and transform the present and how we imagine the future. Over 100 works woven round with wire will be displayed and, uniquely, visitors will be invited to contribute to the creation of a new artwork during the run of the exhibition, as a car is mummified in the gallery. ‘Memory Movement Memory Objects’ will comprise five areas, the first of which, ‘the Studio’, will extend the creative process of the artist’s practice into the gallery. Visitors will be able to spend time mummifying a 1967 Ford Mustang and other smaller objects with copper wire, in a performance at once meditative and communal. The objects have significance to the artist but there is no nostalgia in their selection. The sounds of unspooling bobbins of wire and metal enclosing metal will provide a soundtrack to the space, where collaborative focus and repetitive movement elicit a reflection on consciousness and our mutable relationship to time.
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  • Alice Anderson
    Alice Anderson Born in 1972. Lives and works in London. 1998-2001 École Nationale Supérieure des Beaux-Arts de Paris 2002-2005 Goldsmiths College London SOLO EXHIBITIONS 2020 Alice Anderson : Sacred Gestures in data worlds, la Patinoire Royale – Galerie Valérie Bach, Brussels, Belgium 2019 National Center for Contemporary Arts, Moscow Lost Gestures’ Performances, Drawing Biennial 2019, Drawing Room, London Bozar, Brussels Atelier Calder, Saché National Centre for Contemporary Arts, Moscow Drawing Room, London Biennale d’Architecture, Orleans Waddington Custot, London 2018 Itinéraire d’un corps / Spirituals Machine, La Patinoire Royale – Galerie Valérie Bach Brussels, Belgique Nuhé Data , Art Brussels Solo, Brussels, Belgique Chart Special Project, DEN FRIE Contemporary Art Centre, Denmark Espace Vanderborgh, Brussels 2017 In Vivo , Centre Pompidou, Paris, France Between Surfaces , UNIT9 Contemporary Art Centre, London, UK Everything is connected , public sculpture, Howick Place, London, UK 2016 Post digital, Union Projects, London, UK Time Capsules , Glass Tank, Oxford, UK Insouciance , public sculpture, Place Saint Germain des Prés, Paris, France Share & Wires , permanent sculptures, Eiffel Historical Building, Paris, France 2015 Data Space , Espace Culturel Louis Vuitton, Paris, France Memory Movement Memory Objects , Wellcome Collection, London, UK 2014 Cutting, Folding, Assembling , Coastal Currents Festival, Hastings, UK 15 rue Veydt - 1060 brussels – belgium – t +32 (0)2 533 03 90 contact@ prvbgallery.com – www.prvbgallery.com 2013
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  • Exhibition Catalogue
    AGATA INGARDEN Sweaty Hands, 2017 Steel, enamel, copper and caramel 2900 x 500 mm and 2750 x 600 mm Agata Ingarden’s artwork stems from a fascination with the industrial materials and machinery she encountered at construction sites, a place she frequently visited with her architect father as a child in post-communist Poland. Informed by these experiences, Ingarden’s installation, sculpture and video works both investigate the space where the systems surrounding us, both social and manufactured, collide with nature, and explore the relationship between humans and their inventions. Employing organic materials as a means to challenge this complex relationship, Ingarden’s work attempts to reconcile human and non-human elements, creating coherent environments where our inventions, technology and organic processes are interdependent. As part of MATERIAL, Cob Gallery presents Sweaty Hands from Ingarden’s Heat Pipes series. Formed of two hanging living sculptures, these works combine a metal piping structure which suspends a caramel mass. Cast from industrial carton moulds used to transport goods from electronical devices to food, these caramel forms are an imagining of all mass consumption goods- welded to become a “living mass of sugar”. Responsive to the conditions in which they are situated- solidifying when cold and liquifying when warmed, as the properties of the piece’s adapt they reveal an ironic parallel to plastic. The morphed caramel adopts a living quality, taking on an anthropomorphic sensibility. Displayed in a state of constant
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  • Press-Release ALICE ANDERSON ‘Itinéraires D’Un Corps’ | Spiritual Machines 12.01.18 > 17.03.18
    ALICE ANDERSON ‘Itinéraires d’un corps’, 2017 Performative sculptures series following Anderson’s research on repetitive movement and the spiritual act of weaving in the Sierra Nevada, Colombia 150 x 150 cm, metallic thread Press-release ALICE ANDERSON ‘Itinéraires d’un corps’ | Spiritual Machines 12.01.18 > 17.03.18 Opening Thursday 11 January 5 pm - 8 pm La Patinoire Royale / Galerie Valérie Bach [email protected] / Tel: +32 (0)2 533 03 90 www.lapatinoireroyale.com - www.galerievaleriebach.com Anglo-French sculptor and performer Alice Anderson lives and works in London. Born in 1972, she studied at Goldsmiths College of Art in London and at Beaux-Arts Paris. Her practice is above all performative. Her performances and sculptures have been presented at Whitechapel Gallery in 2012, at the 55th Venice Biennial in 2013, at the Wellcome Collection in London in 2014, at Espace Culturel Louis Vuitton Paris in 2015, at the Saatchi Gallery in 2016 and Centre Pompidou in 2017. Since childhood, Alice has had an extreme sensitivity to her environment: to light, certain colours, sound, vibratory movement and waves transmitted by different materials. She relates to the other through objects and exists in total visual, auditory, olfactory and corporeal relation to objects that surround her. In her experience, objects not only have practical uses, but intervene in Anderson’s learning processes and relationship to the world. ‘Spiritual Machines’, 2017 Totems and statuettes series made out of different type of machines and objects. Wall programmer, multi USB plugs, Blackberry. 20 x 10 cm metallic thread The great questions that the digitalisation of man’s relationship with the world and parallel advances in artificial intelligence bring about, lead us to consider essential questions about our primitive interactions within the physical world.
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  • Alice Anderson
    ALICE ANDERSON Born in 1972, London, England Lives and works in London, England SOLO AND GROUP EXHIBITIONS 2017 UNIT 9, Alice Anderson : Between Surfaces, London CENTRE POMPIDOU, in vivo, Paris PATINOIRE ROYALE, Summer show, Brussels MAIDSTONE MUSEUM, International Arts Festival, Maidstone MALBUISSONART, Sculptures en plein Air, Malbuisson DRAWING ROOM, Drawing Biennial, London THE ART PAVILION, Force of Nature, London HS PROJECT, Alice Anderson : Everything Is Connected, London FOUNDATION1, Beyond, London ARTSPACE 46, The House of Penelope, London ART GENEVE, Collectionair special exhibition, Geneva 2016 SAATCHI GALLERY, Champagne Life, London NAMUR CULTURAL CENTER, Tabous, Belgium GLASS TANK, Time Capsules, Oxford MINSHENG ART MUSEUM, Traces, Beijing, China PLACE ST GERMAIN DES PRES, Insouciance, public sculptures, Paris EIFFEL HISTORICAL BUILDING, Share & Wires, permanent sculptures, Paris ROYAL ACADEMY OF ARTS, Summer exhibition, London UNION PROJECT, Alice Anderson: post digital, London RYE ART FESTIVAL CREATIVE CENTRE, We work in the dark, Rye 2015 Espace Culturel Louis Vuitton, Alice Anderson: DATA, Paris Espoo Museum of Modern Art, Touch, Finland LAM museum, Un regard sur la collection d’Agnès b, Lille 2014 British Contemporary Art, Rizzordi Art Foundation, St Petersburg Interchange Junctions, works around Yinka Shonibare, Howick Place, London Light Mood, Public Sculpture Parc, Leopardi Parc, Bergamo Out of Our heads, Shoreditch Town Hall, London Between Reality, European House of Photography, Paris Forward, The Drawing Gallery,
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  • Recording the Present / Alice Anderson
    RECORDING THE PRESENT Interview carried out by Annabelle Gugnon and Juliette de Gonet ESPACE: What exactly is your artistic agenda? And what was the idea behind the DATA space exhibition at Espace Louis Vuitton Paris? ALICE ANDERSON: The digital revolution is probably going to turn out as decisive for the mechanisms of human memory as the invention of writing was. This revolution is a fascinating process, and I keep tabs on it by recording its objects and crystallizing its phases. At a point in history when our planet is going virtual and memory is going digital, I feel a need to record space and objects in 3D. In artistic terms I'm particularly concerned with memorizing by creating a new physical relationship with things and space using copper wire. It's a paradox: the more my everyday existence fills up with digital data about the things around me, the greater my need to come to grips with their material, physical data. This kind of memorization is a necessity. It's my way of recording the present. I think we're living through a revolution whose extent we're not aware of yet. For the DATA space exhibition at Espace Louis Vuitton Paris, I wanted to record the data of the venue. I started out with the measurements of certain parts of the building. A number of wooden slats from the floor were reassembled into new geometrical figures—circles—representing the diagrams of the measurements after they had been recorded with the wire in 3D (“Floor Boards Diagrams” 2015). The skylights in the rotunda were recreated in steel then weaved with copper wire (“Skylights Data” 2015) and together they form a movement.
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  • Cure³ Exhibition Catalogue
    Contents Cubes 3 Words 9 Team 196 Thanks 197 2 Cubes 3 1. Alice Anderson 29. Nick Hornby 2. Ron Arad RA 30. Paul Huxley RA 3. Miranda Argyle 31. Alison Jackson 4. Barnaby Barford 32. Vanessa Jackson RA 5. Rana Begum 33. Tess Jaray RA 6. Tony Bevan RA 34. Ben Johnson 7. Sir Peter Blake 35. Sir Anish Kapoor RA 8. Rob and Nick Carter 36. Idris Khan 9. Daniel Chadwick 37. Phillip King PPRA 10. Jake & Dinos Chapman 38. Helen Kirwan-Taylor 11. Gordon Cheung 39. Tania Kovats 12. Mat Collishaw 40. Brigitte Kowanz 13. Adam Dant 41. Andrew Logan 14. Pablo de Laborde Lascaris 42. Susie MacMurray 15. Adeline de Monseignat 43. Elizabeth Magill 16. Bouke de Vries 44. John Maine RA 17. Edmund de Waal 45. Helen Marten 18. Diana Edmunds 46. Andrew McIntosh 19. Abigail Fallis 47. Harland Miller 20. Knopp Ferro 48. Claire Morgan 21. Laura Ford 49. Mariko Mori 22. Andy Goldsworthy 50. Annie Morris 23. Lothar Götz 51. Humphrey Ocean RA 24. Elpida Hadzi-Vasileva 52. Angela Palmer 25. Hassan Hajjaj 53. Florence Peake 26. Nigel Hall RA 54. Simon Periton 27. Alex Hartley 55. Julian Perry 28. Carmen Herrera 56. Thomas J Price 57. Stephanie Quayle 78. Alfred Munkenbeck 58. Saad Qureshi (Munkenbeck + Partners) 59. Danny Rolph 79. John Pawson 60. Andrew Sabin 80. Chris Wilkinson RA 61. Nina Saunders (Wilkinson Eyre Architects) 62. Conrad Shawcross RA 81. Chris Williamson 63. Anj Smith (Weston Williamson + Partners) 64. Dillwyn Smith 65. Amy Stephens 66. Sinta Tantra 67. Troika 68. Gavin Turk 69.
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  • 'I Don't Refuse This World, I Just Need to Explore
    Alice Anderson: ‘I don’t refuse this world, I just need to explore alternatives to live with it today’ 05/02/2016 12:30 Published 05/02/2016 Alice Anderson: ‘I don’t refuse this world, I just need to explore alternatives to live with it today’ The artist talks about her unique method of “memorising” and “recording” objects in copper wire, and explains how this helps her to slow down and maintain an intimacy with the world around her by ANNA McNAY An oversized bobbin and needle, a two-metre wide resplendent sphere radiating a warm copper glow – these stunning, alluring and yet uncanny objects are the work of Alice Anderson (b1972), a French-English artist, whose hair gleams in the same coppery tones as the wire in which these objects are wrapped. Although “wrapped”, I learn, is the wrong term to use. For Anderson, this process of entwining an object, mummifying it, securing it for posterity, is just that: an act of “memorising” and a means of understanding the world around her, keeping hold of the physicality of objects, as more and more of our life becomes subsumed by digital technology. Currently one of the 14 artists in the Saatchi Gallery’s first all-women exhibition, Champagne Life, Anderson spoke to Studio International about her obsessive practice and her inner drive. Anna McNay: When did you first begin wrapping objects? Alice Anderson: I don’t really use the term “wrapping” because my purpose is different. I “record” objects with thread. It is my own method of “memorising” objects in 3D.
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  • Alice Anderson Sacred Gestures in Data Worlds
    ALICE ANDERSON SACRED GESTURES IN DATA WORLDS 09.01.20 > 07.03.20 Exposition présentée par / Exhibition presented by La Patinoire Royale | Galerie Valérie Bach, Bruxelles SOMMAIRE 6 SACRED GESTURES IN DATA WORLDS 58 par Marie Maertens 58 8 ENGLISH VERSION 58 10 VIRTUAL PRESENCES 58 5824 FREE COMPOSITIONS 55 55 36 THE RITUAL OF THE SHAPES PERFORMANCE 58 55 44 GRAPHS 58 55 51 RÉSUMÉ 58 52 ENGLISH VERSION 58 55 LOST GESTURES, 2019 Dessins performatifs, Drawing Room London, Angleterre SACRED GESTURES IN DATA WORLDS par Marie Maertens Marie Maertens est journaliste, critique d’art et commissaire d’exposition indépendante, basée à Paris et résidant souvent à New York. Elle construit de nombreux dialogues entre les scènes américaines et françaises et s’était déjà intéressée à l’évolution des genres et du féminisme pour l’exposition Le Quatrième sexe, qui avait eu lieu à l’espace Le Coeur, à Paris, en 2017. Pour sa deuxième exposition à La Patinoire Royale, Alice Anderson propose un nouveau corpus de peintures constituées d’un mélange de cuivre (Empirical Sounds et Free Compositions), qui réinterroge le médium tout en se jouant de certaines contradictions. Le premier antagonisme étant que la peinture est un support qui tend à l’idée de la contemplation et du silence, quand pour Alice Anderson il évoque, de manière sous-jacente, le bruit, le dynamisme et les vibrations. Dans sa pratique, qui est totalement liée à la performance, l’artiste peut soit dessiner, tandis que ses danseurs se mettent en mouvement en suivant le rythme qu’elle produit, soit se laisser happer par un ensemble de sons.
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