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Alice Anderson ALICE ANDERSON Born in 1972, London, England Lives and works in London, England SOLO AND GROUP EXHIBITIONS 2017 UNIT 9, Alice Anderson : Between Surfaces, London CENTRE POMPIDOU, in vivo, Paris PATINOIRE ROYALE, Summer show, Brussels MAIDSTONE MUSEUM, International Arts Festival, Maidstone MALBUISSONART, Sculptures en plein Air, Malbuisson DRAWING ROOM, Drawing Biennial, London THE ART PAVILION, Force of Nature, London HS PROJECT, Alice Anderson : Everything Is Connected, London FOUNDATION1, Beyond, London ARTSPACE 46, The House of Penelope, London ART GENEVE, Collectionair special exhibition, Geneva 2016 SAATCHI GALLERY, Champagne Life, London NAMUR CULTURAL CENTER, Tabous, Belgium GLASS TANK, Time Capsules, Oxford MINSHENG ART MUSEUM, Traces, Beijing, China PLACE ST GERMAIN DES PRES, Insouciance, public sculptures, Paris EIFFEL HISTORICAL BUILDING, Share & Wires, permanent sculptures, Paris ROYAL ACADEMY OF ARTS, Summer exhibition, London UNION PROJECT, Alice Anderson: post digital, London RYE ART FESTIVAL CREATIVE CENTRE, We work in the dark, Rye 2015 Espace Culturel Louis Vuitton, Alice Anderson: DATA, Paris Espoo Museum of Modern Art, Touch, Finland LAM museum, Un regard sur la collection d’Agnès b, Lille 2014 British Contemporary Art, Rizzordi Art Foundation, St Petersburg Interchange Junctions, works around Yinka Shonibare, Howick Place, London Light Mood, Public Sculpture Parc, Leopardi Parc, Bergamo Out of Our heads, Shoreditch Town Hall, London Between Reality, European House of Photography, Paris Forward, The Drawing Gallery, Eton College, Windsor Cords, Parcours St Germain, Paris Cutting, Folding and Assembling, Coastal Currents Festival, Hastings Wellcome Collection, Alice Anderson: Memory Movement Memory Objects, London WWW.SAATCHIGALLERY.COM ALICE ANDERSON 2013 Personal Structures, Palazzo Bembo, 55th Venice Biennale, Venice White Light White Heat, Palazzo Franchetti, 55th Venice Biennale, Venice Alice Anderson, Performing Life,Villa Bernasconi Cultural Center, Lancy Boat, MalbuissonArt triennal sculpture, Malbuisson Alice Anderson’s Studio, Print Room Theatre, London Le Vert, Frac Haute Normandie, Normandie Myths, Centre d’Art Contemporain, Cajarc Art13 performances, London Mad, Bad and Sad, Freud Museum, London 2012 Alice Anderson’s Travelling Studio: Launch, Whitechapel Art Gallery, London Alice Anderson: From Dance to Sculpture, Riflemaker, London Alice Anderson's Timescale, Artopia, Milan Jeux d'Artistes, musée d’Annecy, Annecy Tainted Love, Transition, London Sublimations, Meter Room, Coventry Inner spaces, Brampton Museum, Herefordshire New Masters, Cultural Center, Bologna 2011 All Visual Arts, Bound, London Freud Museum, Alice Anderson’s Childhood Rituals, London Birmingham Art Centre, Their Wonderlands, Birmingham CoExist Centre, Years after Years, Southend on Sea Cultural center of Namur, Tales and Contemporary Art, Belgium Aubin Art Space, Smoke On Water, London Maison des Arts Georges pompidou, Elle etait une fois, Gourdon Kunsthalle Dusseldorf, Human Frames, Germany Museum of Modern and Contemporary Art of Algiers, The Return, Algeria Fondation Cartier pour l’Art Contemporain, Nomadic Nights, Paris Latitude Contemporary Art, Monolith, Suffolk 2010 Elles at centre Pompidou, Pompidou Centre, Paris Living in Evolution, Busan Biennale, Busan Contemporary Art Museum, Korea Wonderland, Assab One, Milan Cher Monsieur Boltanski, Fondation Agnès b, Paris Identify: Body it, Nichido Contemporary Art museum, Japan The Digital Hand, National Taiwan Museum of Fine Arts, Taipei WWW.SAATCHIGALLERY.COM ALICE ANDERSON Istanbul-Athenes-Marrakech-Palermo, Risco Contemporary Art Museum, Sicilia WWW.SAATCHIGALLERY.COM Powered by TCPDF (www.tcpdf.org).
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  • Student Handout Presenter: Dr Clare Taylor
    Open Arts Objects http://www.openartsarchive.org/open-arts-objects Student handout Presenter: Dr Clare Taylor Yinka Shonibare, Nelson’s Ship in a Bottle, 2010, National Maritime Museum, London http://www.openartsarchive.org/resource/open-arts-object-yinka-shonibare-nelson%E2%80%99s-ship- bottle-2010 In this film Dr Clare Taylor looks at a work made by a living artist who works in London, Yinka Shonibare. The subject, materials, and sites she talks about all encourage students to think of their own individual, national and global identity in new ways. The work also turns on its head traditional ideas of a sculpture on a plinth, which often commemorate a person well known in their own time, and reverses ideas about what such a work should be made out of, using a range of materials rather than stone or metal. Before watching the film 1. What do the words ‘Nelson’, ‘message in a bottle’ and ‘Trafalgar Square’ mean to you? 2. What do you think this work represents? 3. What is it made out of? And how is it put together? Are the materials obvious at first glance? 1 4. What function do you think this work serves? After watching the film 1. What effects (aesthetic, social, political etc) do you think the artist was trying to achieve in this work? 2. Has the film helped you define some of the formal elements of the work? Consider scale, subject matter, medium, and other formal elements 3. Does it have a recognisable purpose or function? Does this relate to the time period in which it was made? 4.
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  • Yinka Shonibare MBE: FABRIC-ATION
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  • Artist Yinka Shonibare Makes a Move to the Barnes Foundation,” the Wall Street Journal, January 23, 2014
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  • UC Riverside Electronic Theses and Dissertations
    UC Riverside UC Riverside Electronic Theses and Dissertations Title Staging Display in the Sculptural Work of Yinka Shonibare MBE Permalink https://escholarship.org/uc/item/1nh5w2rt Author Wilder, Courtney Tanner Publication Date 2011 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE Staging Display in the Sculptural Work of Yinka Shonibare MBE A Thesis submitted in partial satisfaction of the requirements for the degree of Master of Arts in Art History by Courtney Tanner Wilder June 2011 Thesis Committee: Dr. Malcolm Baker, Chairperson Dr. Elizabeth Kotz Dr. Jeanette Kohl Copyright by Courtney Tanner Wilder 2011 The Thesis of Courtney Tanner Wilder is approved: _______________________________________________________ _______________________________________________________ _______________________________________________________ Committee Chairperson University of California, Riverside Acknowledgments My first acknowledgment must be to Dr. Leonard Folgarait, without whose encouragement and assistance I would not have begun this adventure back into the world of academics, and whose example has provided constant inspiration throughout the subsequent journey. Also, I thank Mark Scala for allowing me to tag along at the Frist Center for the Arts, and for mentioning an artist named Yinka Shonibare who I might look into. Completing my degree wouldn't have been possible without the academic support of Dr. Malcolm Baker, Dr. Françoise Forster-Hahn, Dr. Jeanette Kohl, Dr. Liz Kotz, Dr. Susan Laxton, Dr. Patricia Morton, Dr. Kristofer Neville, and the rest of the Department of the History of Art at UC Riverside. Moral support, encouragement and inspiration from my peers and friends proved equally important, and for that I thank especially Melinda Brocka, Cameron Crone, Rebecca Johnson, Elizabeth Osenbaugh, Caroline Owen, Tuija Parikka, Masha Rotfeld, Clint Tatum, Melissa Warak, and Austin Wilkinson.
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  • Communiqué De Presse ALICE ANDERSON
    ALICE ANDERSON ‘Itinéraires d’un corps’, 2017 Série de sculptures performatives créées dans le cadre des recherches d’Anderson sur les mouvements répétitifs et l’acte spirituel du tissage dans la Sierra Nevada en Colombie. 150 x 150 cm, fil métallique communiqué de presse ALICE ANDERSON Itinéraires d’un corps | Spiritual Machines 12.01.18 > 17.03.18 Vernissage le jeudi 11 janvier de 17h à 20h La Patinoire Royale / Galerie Valérie Bach [email protected] / Tel: +32 (0)2 533 03 90 www.lapatinoireroyale.com - www.galerievaleriebach.com Alice Anderson, sculpteur et performeur franco-britannique, vit et travaille à Londres. Née en 1972, elle a étudié au Goldsmiths College of Art à Londres et aux Beaux-Arts de Paris. Sa pratique est avant tout performative. Ses sculptures et performances ont été présentées à la Whitechapel Art Gallery en 2012, à la 55ème Biennale de Venise en 2013, à la Wellcome Collection à Londres en 2014, à l’Espace Culturel Louis Vuitton à Paris en 2015, à la Saatchi Gallery en 2016 et au Centre Pompidou en 2017. Depuis l’enfance, Alice Anderson a toujours eu une extrême sensibilité à son environne- ment, à la lumière, à certaines couleurs, aux sons, aux mouvements vibratoires et aux ondes transmises par divers matériaux. Son rapport à l’autre se fait essentiellement à tra- vers les objets. L’installation sculpturale est en totale relation visuelle, auditive, olfactive et corporelle avec les objets qui l’entourent ; ils ne sont pas seulement utiles, ils interviennent dans ses apprentissages, ils sont une repré- ‘Spiritual Machines’, 2017 Série de totems et statuettes faites de différentes machines et objets.
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  • Yinka Shonibare MBE, RA Party Boy, 2014
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  • Exhibitions Alice Anderson Hyperlinks
    exhibitions AMALIA PICA Round Table (and other forms) St. Agnes I NAVE 27.03 – 25.04.2021 alice anderson KARL HORST HÖDICKE Kleine Bilder aus Küche und Klo hyperl ink s St. Agnes I CHAPEL 18.03 – 18.04.2021 13 APRIL – 22 MAY 2021 GROUP EXHIBITION KÖNIG LONDON The Artist is Online St. Agnes I SHOWROOM 18.03 – 18.04.2021 KÖNIG GALERIE is pleased to present Hyperlinks, a solo exhibition of the work by Anglo-French artist Alice Anderson. Alice Anderson’s oeuvre hybridises the worlds of technology and ancestral cultures. Her works include sculptures, paintings and drawings generated through dance-performances, each with ritual at their essence. For this exhibition, Alice Anderson presents performative works created through repetitive gestures, some coupled with rapid breathing (the technique of hyperventilation), which gives her access to a state of modified consciousness. This pairing puts forward the body as a vehicle of humanity within the contemporary world propelling scan to download the towards a technological-wholeness; and the ancestral culture of the Kogi people from Sierra Nevada KÖNIG GALERIE app in Colombia, who exist in cosmic harmony with their environment. Kogi concepts, rituals and ecologi- and visit our online cal combats have framed Alice Anderson’s reflections upon this change in civilization. saleroom and exhibitions James Bridle, in his book “New Dark Age: Technology and the end of the future”, speaks of the changes in civilisation that have been instigated by developments in artificial intelligence. He de- scribes a world with increasing technological complexity which diminishes human comprehension, where we, in turn, become lost in an ocean of information.
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  • 2 Image Caption Title –
    Image Caption Title – Cum sociis natoque penatibus et magnis dis parturient montes, nas scetur ridiculus mus. 2 Sponsors & Colophon – First published in Great Britain in 2013 by London College of Fashion, University of the Arts London, 20 John Prince’s Street, London W1G 0BJ, United Kingdom ISBN 978-1-903455-29-6 © London College of Fashion Authors: James Putnam, Adriano Berengo, Suzanne Higgott, David Toop Design: Freytag Anderson All rights reserved. No part of this publication may be reproduced in any form or by any means without the permission of the publishers. Contents Contents – – 7 — 8 23 — 28 Foreword White Light | White Heat Professor Frances Corner OBE James Putnam Pro Vice-Chancellor Co-Curator Glasstress: University of the Arts London & White Light | White Heat Head of London College of Fashion 31 — 40 9 — 1 4 Historic Venetian Glass The Quantum Leap of Glass Suzanne Higgott Adriano Berengo Curator of Glass, Limoges Painted Director Berengo Studio Murano, Enamels and Earthenwares Venice & Co-Curator Glasstress: The Wallace Collection White Light | White Heat 43 — 174 17 — 20 Artists Is Glass Silent? David Toop 175 UAL Alumni Foreword Frances Corner OBE – – Professor Frances Corner OBE Pro Vice-Chancellor University of the Arts London & Head of London College of Fashion White Light | White Heat is a development of exquisite glass collection and the cutting edge envi- Glasstress, conceived by Adriano Berengo, President ronment of London College of Fashion where tradi- of Berengo Glass Studio and Venice Projects, in 2009. tional notions of fashion are challenged every day. This new exhibition is a dramatic expansion of the The exhibition had its opening at the magnificent original Glasstress concept to include London Palazzo Franchetti as part of the 55th Venice College of Fashion (LCF), University of the Arts Biennale with a selection of work being restaged in London and t he Wallace Collection working in col- London at the Fashion Space Gallery at LCF as well laboration with Berengo Glass Studio.
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  • ALICE ANDERSON at WELLCOME COLLECTION Memory Movement Memory Objects 22 July – 18 October
    Tim Morley 183 Euston Road, London NW1 2BE Senior Media Officer T +44 (0)20 7611 2222 T +44 (0) 207 611 8612 E [email protected] E [email protected] www.wellcomecollection.org ALICE ANDERSON AT WELLCOME COLLECTION Memory Movement Memory Objects 22 July – 18 October ‘Memory exists only when it is recalled. My performances and sculptures are Press Release strategies for remembering, creating an archive of movement and moments’ From July 2015 Wellcome Collection presents a major exhibition of works by acclaimed artist, Alice Anderson: ‘Memory Movement Memory Objects’. Anderson’s sculptures are entirely mummified in copper thread, creating glistening landscapes of beautiful, uncanny and transformed objects. Each piece is an exploration and act of memory. Both the making and display of works interrogate how we create, record, and transform the present and how we imagine the future. Over 100 works woven round with wire will be displayed and, uniquely, visitors will be invited to contribute to the creation of a new artwork during the run of the exhibition, as a car is mummified in the gallery. ‘Memory Movement Memory Objects’ will comprise five areas, the first of which, ‘the Studio’, will extend the creative process of the artist’s practice into the gallery. Visitors will be able to spend time mummifying a 1967 Ford Mustang and other smaller objects with copper wire, in a performance at once meditative and communal. The objects have significance to the artist but there is no nostalgia in their selection. The sounds of unspooling bobbins of wire and metal enclosing metal will provide a soundtrack to the space, where collaborative focus and repetitive movement elicit a reflection on consciousness and our mutable relationship to time.
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  • Fourth Plinth Schools Awards Teachers Resource
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  • Alice Anderson
    Alice Anderson Born in 1972. Lives and works in London. 1998-2001 École Nationale Supérieure des Beaux-Arts de Paris 2002-2005 Goldsmiths College London SOLO EXHIBITIONS 2020 Alice Anderson : Sacred Gestures in data worlds, la Patinoire Royale – Galerie Valérie Bach, Brussels, Belgium 2019 National Center for Contemporary Arts, Moscow Lost Gestures’ Performances, Drawing Biennial 2019, Drawing Room, London Bozar, Brussels Atelier Calder, Saché National Centre for Contemporary Arts, Moscow Drawing Room, London Biennale d’Architecture, Orleans Waddington Custot, London 2018 Itinéraire d’un corps / Spirituals Machine, La Patinoire Royale – Galerie Valérie Bach Brussels, Belgique Nuhé Data , Art Brussels Solo, Brussels, Belgique Chart Special Project, DEN FRIE Contemporary Art Centre, Denmark Espace Vanderborgh, Brussels 2017 In Vivo , Centre Pompidou, Paris, France Between Surfaces , UNIT9 Contemporary Art Centre, London, UK Everything is connected , public sculpture, Howick Place, London, UK 2016 Post digital, Union Projects, London, UK Time Capsules , Glass Tank, Oxford, UK Insouciance , public sculpture, Place Saint Germain des Prés, Paris, France Share & Wires , permanent sculptures, Eiffel Historical Building, Paris, France 2015 Data Space , Espace Culturel Louis Vuitton, Paris, France Memory Movement Memory Objects , Wellcome Collection, London, UK 2014 Cutting, Folding, Assembling , Coastal Currents Festival, Hastings, UK 15 rue Veydt - 1060 brussels – belgium – t +32 (0)2 533 03 90 contact@ prvbgallery.com – www.prvbgallery.com 2013
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  • Fourth Plinth: Contemporary Monument Contemporary 5 Dec 2012— 20 Jan 2013 Fourth Plinth: Contemporary Monument Contemporary
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