Marilyn Ghigliotti Sag - Aftra

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Marilyn Ghigliotti Sag - Aftra Film/TV (Partial List) Clerks Veronica/Lead Miramax/Kevin Smith Rogue Warrior: Robot Fighter Xarsis/Supporting Neil Johnson End of the Santa Fe Trail Mama Seagale/Recurring Tomas Sanchez/ Evolution War MedBot386 Neil Johnson Starship Rising Xarsis/Supporting Halcyon International Pictures/Neil Johnson Neighbors Marta/Lead Nika Braun/UCLA Thesis Lake Eerie Realtor/Supporting Gravitas Ventures/Chris Majors Thursday the 12th Morgan/Supporting Brad Leo Lyon Shooting Clerks Ali Thomlyn/Supporting Auld Reekie Media/Christopher Downie Alien Armaggeddon Macy/Supporting Halcyon International Pictures/Neil Johnson Geek USA Ronnie/Supporting Brandon Walz Dead and Gone Nurse Clark/Supporting Grindstone Ent. Group/Yossi Sasson Dig Teacher/Supporting Gena Shaw Get a Job Gina/Supporting Taurus Ent. Company/Gregg Cannizzarro New Media Disorganized Zone Lead Nandar Home Entertainment/Judy Norton Commercial Conflicts Upon Request Theater (Partial List) Sabona Hester Off-Off Broadway/Andy Oosthuizen A New York Minute Melissa Burns Actors Forum Theater/Richard Kline Crimes of the Heart Babe First Ave. Playhouse Same Time Next Year Doris Meadowlark Productions Wait Until Dark Susy Aberdeen Repertory Theater Last of the Red Hot Lovers Bobbi Michelle First Ave. Playhouse Industrial Table Talk (in spanish) Ensemble Anheiuser-Busch/Felix Alcala Training Voice Over David H. Lawrence XVIII On Camera Technique Tim Phillips Studio / Actors Certified Training Scene Study Tim Phillips / Leigh Kilton Smith / Amy Lyndon Audition Technique Tim Phillips / Amy Lyndon / Richard Kline Special Skills Fluent Conversational Spanish (Puerto Rican), New York - Brooklyn & New Jersey accent, CA & NJ Cosmetology License, Photographer (own Canon 7D & various lenses) Local Hire: New Jersey, Tampa Florida, Atlanta, Arizona, New Mexico Demo reel and additional photos available: www.marilynghigliotti.com www.imdb.me/marilynghigliotti www.youtube.com/user/ghigliotti .

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MIT's The Weather , (-' Oldest and Largest Today: Cloudy, damp, 48°F (9°C) Tonight: Cool, 43°F (6°C) Newspaper Tomorrow: Mostly cloudy, 50°F (10°C) Details, Page 2 Volume 119, Number 20 Cambridge, Massachusetts 02139 Friday, April 15, 1999 Zhu Speaks to Kresge Audience ..' On Sino-American Relationship " By Kevin R. Lang noting that the total U.S. deficit with are more than $30 billion apart. ASSOCIA TE NEWS EDITOR all nations was less than $200 bil- "I'm not trying to comment on On the final day of his six-city lion last year. While this figure may which number is the more accu- U.S. tour, Premier Zhu Rongji of the seem large, Zhu said, it amounts to rate," Zhu said. Zhu discussed a People's Republic of China dis- less than two percent of the U. S. Stanford University study which cussed trade relations and education- Gross National Product. "This is found that both nations use incon- al cooperation between the United very common in many countries," sistent methods regarding shipping States and China before a full-capac- Zhu said, speaking with simultane- and insurance on imports and ity Kresge Auditorium audience, ous English translation. "This is not exports, and that neither accounts Wednesday. such a serious problem." for value added in Hong Kong to Much of Zhu's address focused Chinese products. The actual U.S. M on Sino-American trade relations, Trade deficit values inconsistent trade deficit is most likely around notably the substantial U.S. trade Zhu also noted that U.S.
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Jay & Silent Bob Reboot
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The Films in This Cinematic Innovation, New Frontier Is Also a Venue Showcasing Section Will Shape a “Greater” Next Wave in American Cinema
T U , E C N A D N U S , T R O S E R N I A T N U O M E C N A D N U S F O Y S E T R U O C SUNDANCE INSTITUTE PRESENTS THE SUNDANCE FILM FESTIVAL ABOUT SUNDANCE INSTITUTE ABOUT SUNDANCE FILM FESTIVAL Sundance Institute is a nonprofit cultural organization Each January, the Sundance Film Festival attracts the most founded by Robert Redford to advance the work of risk-taking innovative storytellers and adventurous audiences to a 10-day storytellers worldwide. With a range of programs for artists celebration of the best independent ﬁlmmaking today. In a and audiences, the Institute provides year-round creative and small mountain town, a diverse range of ideas, stories, artists, financial support for the development and presentation of and ﬁlm lovers converge to launch the year in culture. original stories for the screen and stage. W ELCOME ST RA NGER N Sundance Institute Presents E E R G R E 2014 Sundance Film Festival EV Here is an overview of the program at this year’s Sundance Film Festival. HA LF NE LSON U .S. DRAMATIC COMPETITION D OCUMENTARY PREMIERES FROM THE COLLECTION SUNDANCE KIDS Presenting the world premieres of 16 narrative feature films, Renowned filmmakers and films about far-reaching subjects Rediscover classic works of independent cinema as the This new section of the Festival is designed for independent the Dramatic Competition offers Festivalgoers a first look at comprise this section highlighting our ongoing commitment to Sundance Film Festival presents films from the vaults of the film’s youngest fans.
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Copyright by Michael David Rennett 2017 The Dissertation Committee for Michael David Rennett certifies that this is the approved version of the following dissertation: HOW GROWN-UPS ARE BORN: THE EMERGING-ADULT GENRE AND AMERICAN FILM AND TELEVISION Committee: Thomas Schatz, Co-Supervisor Janet Staiger, Co-Supervisor Mary Celeste Kearney Mary Beltran Julia Mickenberg HOW GROWN-UPS ARE BORN: THE EMERGING-ADULT GENRE AND AMERICAN FILM AND TELEVISION by Michael David Rennett Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin August 2017 Acknowledgements The idea for my dissertation started to coalesce in 2006 and developed bit-by-bit over the last eleven years. I am truly thankful for all the personal and professional support I received throughout this time to pursue my project. First, I would like to thank the members of my dissertation committee – Janet Staiger, Tom Schatz, Mary Kearney, Mary Beltrán, and Julia Mickenberg – for their hard work and insightful feedback. Janet Staiger has been instrumental in developing this project since I arrived at the University of Texas in 2011. Like any great mentor, Janet would know when I needed to meet and talk through my idea, and would know when I needed my space to write and work through each part on my own. In our meetings, Janet would facilitate deep conversations about the core issues surrounding my project and keep me focused on the media’s representations of emerging-adults.
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Iowa State University Capstones, Theses and Graduate Theses and Dissertations Dissertations 2011 Slack Cinema: Notes on Genre and Culture Timothy J. Elliott Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/etd Part of the English Language and Literature Commons, and the Rhetoric and Composition Commons Recommended Citation Elliott, Timothy J., "Slack Cinema: Notes on Genre and Culture" (2011). Graduate Theses and Dissertations. 12165. https://lib.dr.iastate.edu/etd/12165 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. Slack cinema: Notes on genre and culture by Timothy J. Elliott A thesis submitted to the graduate faculty in partial fulfillment for the requirements of the degree of MASTERS OF ARTS Major: English Literature Program of Study Committee: Leland Poague, Major Professor Gloria Betcher Gregory D. Wilson Iowa State University Ames, Iowa Copyright © Timothy J. Elliott, 2011. All rights reserved. ii Table of Contents Preface iii Chapter I. Slacker, Slack Style, and Slack Origins 1 II. Clerks, Mallrats, and Grossberg‟s “Everyday Life” 16 III. Empire Records, Singles, Reality Bites, Knocked Up, 30 and the Parameters of the Slack Film Genre Works Cited 52 iii Preface I began this thesis due to a curiosity about Generation X brought on by my voracious appetite for record reviews. Since age sixteen or so, I would rely on the music magazines (and eventually websites) curated by members of Gen X for signals about what sorts of music I should listen to, what kinds of old albums were schlock and which would earn me a respectful nod from the record store clerk when I purchased them, and eventually what sorts of films were worthwhile.
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