Südasien-Chronik - South Asia Chronicle 10/2020, pp. 31-58 © Südasien- Seminar der Humboldt-Universität zu Berlin ISBN: 978-3-86004-346-2 A Second Coming: The Specular and the Spectacular 50 Years On1 NUSRAT SABINA CHOWDHURY
[email protected] KEYWORDS: BIRTH, DEATH, MIMESIS, MONUMENTALITY, POLITICAL AESTHETICS, BANGLADESH 31 The clocks were ticking away, the countdown had begun. Digital clocks high and bright enough for maximum visibility hung from office buildings, schools, and shops. Dhaka was one of twelve city corporations spread over fifty districts where they had been installed since early 2020. The clocks would go on until 17 March, the birth centennial of jatir pita, "The Father of the Nation", Sheikh Mujibur Rahman. They stopped at the precise mom- ent when all values—day, hour, minute, and second—turned zero. There it was, the moment of origin; of Mujib, for sure, but also of Bangladesh. A birth foretold, as it were. Birth (and death, too, as we shall see) has been a powerful motif in politics in Bangladesh in the second decade of the twenty-first century. Chronologies collided in felicitous ways; the country geared up for unforeseen pomp and circumstance. Bangabandhu (Friend of Bengal), an epithet once popularly mandated and decades later officially dictated, was the centre of the celebrations in a polity inching towards another significant temporal marker—the fiftieth year of its independence. 2020 was (officially) Mujib Borsho, the Mujib Year; 2021 marked the historic half century of Bangladesh that still considered itself young around its bigger, older, venerable neighbours. With international guests invited, shows, concerts, FOCUS and fireworks scheduled, and Mujib’s return to the newly liberated country re-staged in real time, the anniversary was to be a no-holds-barred performance.