Siena Is a Famous Medieval City, Located in the Heart of Tuscany. It Is One of the Most Popular and Visited Cities in Tuscany As

Total Page:16

File Type:pdf, Size:1020Kb

Siena Is a Famous Medieval City, Located in the Heart of Tuscany. It Is One of the Most Popular and Visited Cities in Tuscany As SIENA Siena is a famous Medieval city, located in the heart of Tuscany. It is one of the most popular and visited cities in Tuscany as it is extremely rich in history and art and with strong local traditions such as the famous Palio di Siena, the biggest annual event taking place in the city twice a year in summer. 1 FOCUS ON HISTORY The legend says that Siena was founded by Senius and Ascanius, sons of Remus, of the famous twins Romulus and Remus, who founded Rome. Statues of the wolf feeding the twins are spotted throughout Siena. In 30 A.D. the Romans established a military outpost called Siena, which developed into a busy little trading post in the following years. The Lombards arrived in the 6th century A.D. , and the Franks also governed the city. Great works were carried out, the most important was the famous Via Francigena, the road which linked Rome to France , used by pilgrims and travellers; this greatly increased Siena’s importance. The Church was actively involved in governing the city, especially between the 9th and 11th centuries, but later the Sienese people claimed their right to govern and administer the city. Siena’s economic and military power grew enormously and inevitably friction grew between Siena and Florence, as both cities tried to enlarge their territory. There were many battles between the two cities between the 13th and 15th centuries. Eventually Siena was incorporated into the Florentine territory and administration. Despite both external disputes with neighbours and internal disputes over government, in the years from 1150 to 1300, great artists were discovered and the city was adorned with beautiful monuments such as the Cathedral, “Palazzo Pubblico” and “Torre del Mangia”. From the 14th century to the 19th century Siena had rulers like Emperor Charles V and Cosimo I de’ Medici. Siena grew in economic power, with the famous bank “Monte dei Paschi di Siena” giving employment and security to the citizens throughout the ages. When Italy formed a Republic, Siena became part of the region of Tuscany and today it prospers for a combination of finance and tourism thanks to its beautiful artistic heritage. 2 Our walking tour starts with the 13th- century Cathedral of Santa Maria Assunta, which is one of the greatest cathedrals in Italy with its spectacular mixture of sculptures, paintings and Romanesque-Gothic architecture. Don’t miss its marble floor with panels by various artists representing scenes from the Old and New Testaments and the Gothic Pulpit by Arnolfo di Cambio and Nicola Pisano. Inside the cathedral the pictorial effect of the black and white marble stripes on the walls and columns is outstanding. The colours of the civic Coat of Arms of Siena are black and white. The cathedral house works of art by Donatello, Nicola Pisano, Michelangelo and Pinturicchio. Next to the Cathedral there is a column with the she-wolf breast feeding Romulus and Remus, symbol of Siena. 3 Leaving the Cathedral behind us we reach the Baptistery, which serves as its crypt. It is dedicated to St. John the Baptist and was built between 1316 and 1325 and it has a Gothic façade. Inside you can admire the Baptismal font by Jacopo della Quercia, a masterpiece of Tuscan sculpture and frescoes by Renaissance Sienese artists. During the walking tour we stop for lunch at the typical restaurant, Antica Salumeria Salvini, where you can taste typical Tuscan dishes. You can start off with an appetizer of mixed “salami” and “crostini”. Then you can taste “pici”, “ravioli” or “pappardelle alla lepre” as a first course and after that you can choose Chianina steak and “panforte” and some “ricciarelli”. 4 After lunch we continue our tour with the visit to Piazza del Campo with its marvellous Palazzo Pubblico, which is considered one of the finest examples of Gothic architecture, and the breath-taking Torre del Mangia (102 metres tall). Piazza del Campo is one of greatest Medieval squares in Europe. Palazzo Pubblico was started at the end of the 13th century and it was subsequently completed with the lovely Torre del Mangia. In the past it was the residence of the city’s “Signoria”, and Podestà, and now it is now the seat of the Town Council. The building houses the Civic Museum, rich in numerous treasures and frescoes such as“the Allegory of the Good and Bad Government” by Lorenzetti, which is the largest secular painting cycle of the Middle Ages, and a political manifesto in which the painter depicts two opposing methods of government along with their consequences. The spectacular “Sala del Mappamondo”, formerly used as the meeting room for the General Council of the Republic of Siena, is worth a visit. The room takes its name after a rotating map painted by Ambrogio Lorenzetti, which showed the lands governed by the city. It houses Maestà”, a wonderful fresco“ by Simone Martini. Piazza del Campo is still used for the famous Palio, which is one of the most popular Italian events. 5 EVENT NOT TO BE MISSED PALIO DI SIENA The “Palio” is a horse race, which takes place on 2nd July and on 16th August every year. The “Palio” celebrates the miraculous apparition of the Virgin Mary and is a historical tradition involving the famous “Contrade” (City Wards) of Siena (districts into which the city is divided). Each city ward has its own government, oratory, emblems and colours, official representatives, patron saints, a limited district and a population consisting of all those people born within the topographic limits of the districts. Originally there were about fifty-nine city wards, now there are only seventeen, ten of which participate in each race. The race involves circling Piazza del Campo. Ten horses and riders represent ten of the seventeen city wards. , which are Aquila (Eagle), Bruco (Caterpillar), Chiocciola (Snail), Civetta (Little Owl), Drago (Dragon), Giraffa (Giraffe), Istrice (Crested porcupine), Liocorno (Unicorn), Lupa (Female Wolf), Nicchio (Seashell), Oca (goose), Onda (Wave), Pantera (Black Panther), Selva (Forest), Tartaruga (Tortoise), Torre (Tower) and Valdimontone (literally, “ Valley of the Ram”). The winner is awarded a banner of painted silk, or “palio”, which is newly created by a different artist for each race.A magnificent “Corteo Storico” precedes the race, which attracts visitors and spectators from all over the world. The “Palio” is an unforgettable experience for Italian and foreign tourists. 6 FOCUS ON PANFORTE This is the favourite and most famous pastry made in Siena that has also given us cavalucci, ricciarelli and copate. Recipe:Shell the almonds and crush the bitter almonds and half the others together.Mix the rest of the sweet almonds with the pine nuts. Heat the honey in a saucepan over a very low flame until it is transparent. Remove the pan from the stove and add the rest of the ingredients, stirring gently until completely blended. Pour the mixture into a floured pie plate and bake at 160° C\320°F for 30 minutes. The panforte should be dark, firm and not more than one finger thick. Cool and dust with confectioner’s sugar before serving. RICCIARELLI Recipe: Powder the almonds with a meat hammer or a food grinder. Add most of the powdered sugar and mix well, then whip the egg white until stiff, and delicately fold it into the almond paste, one tablespoon at a time. When the paste becomes too stiff to be mixed with a spoon, work it with your hands on the kitchen pastry board dusted with a little powdered sugar. Knead until the paste is smooth, then roll out with the rolling pin to a thickness of about 1- 1.5 cm, and cut into discs the size of the confectionery wafers on an oven tray and then place an almond paste disc on each wafer. Cover with a tea-cloth and let rest for one hour in a cool place. Bake in a preheated oven at 16o° C for about 30 minutes, without letting the biscuits brown. Remove from the oven , allow to cool and serve with a sprinkling of powdered sugar after having trimmed off any excess wafer protruding from the almond discs. 7 I.T. CATTANEO SAN MINIATO (PISA) ITALY Anno Scolastico 2017-2018 . 8 .
Recommended publications
  • Febbraio Al Museo
    FEBBRAIO AL MUSEO A SIENA UN MESE DI EVENTI TRA ARTE, MUSEI E STORIA Per tutto il mese di febbraio porte aperte all’arte e alla cultura a Siena, con la nuova edizione di ‘Febbraio al Museo’. La rassegna, pensata per far scoprire la città CERCA LA PER SCOPRIRE anche nella bassa stagione, celebra l’arte in tutte le sue LE ATTIVITÀ DEDICATE AI BAMBINI, forme, attraverso un ricco calendario di eventi, visite guidate AI RAGAZZI E ALLE FAMIGLIE DI e performance musicali ospitati nei luoghi più suggestivi della città. Un’occasione unica per scoprire e riscoprire il patrimonio museale senese attraverso l’apertura gratuita, in programma ogni mercoledì di febbraio, del Museo Civico, del Santa Maria della Scala e di Palazzo Chigi Saracini. Tra le novità della nuova stagione l’anteprima assoluta dei capolavori custoditi nelle stanze segrete di Palazzo Pubblico in Piazza del Campo e la musica al Santa Maria della Scala. Un viaggio esclusivo nell’arte senese con tappe imperdibili che toccheranno il Museo Civico, il Santa Maria della Scala, i Palazzi Chigi Saracini 1 e Sansedoni passando per la Pinacoteca Nazionale, la Progetto a cura del Comune di Siena Sinagoga di Siena, la Basilica di San Clemente in Santa Assessorato Politiche per il Turismo Maria dei Servi e l’Orto Botanico. Per tutto il mese, inoltre, in collaborazione con l’Assessorato alla Cultura ogni mercoledì il Museo Civico celebra la poesia e scopre i suoi capolavori con le visite guidate gratuite. Tutti i giovedì apertura straordinaria della Sala dei Costumi del Palio e fino a domenica 8 aprile appuntamento con la grande Iniziativa realizzata con i proventi dell’imposta di soggiorno mostra di Ambrogio Lorenzetti al Santa Maria della Scala.
    [Show full text]
  • Introduction
    Cambridge University Press 978-0-521-88949-0 - The Reformation: Towards a New History Lee palmer wandel Excerpt More information Introduction IntheNameofthe Father, Son, and Holy Spirit The First Book From the Arrival of Christ, our savior and a fundament of the one true and original faith. As I have undertaken to describe the history and the working of miracles in this present time, so shall I report the same in truth, and foremost what God the Almighty has done out of abundant grace and mercy for the proclamation of his healing Gospel, against the arrogant papacy whose power is solely human, and which many in our time call the Antichrist. Johannes Kessler, Sabbata1 Thus begins one of the earliest efforts to tell the story of the Reformation. Johannes Kessler was born in 1502. The events he described occurred in his lifetime; many he witnessed himself. But he did not seek to narrate “what happened”; he did not see his task as to set some kind of pattern, some order, some meaning, to change that reached into every corner of human life in the sixteenth century. Kessler numbered among those who called themselves evangelicals: those who found in the printed and spoken text of the Bible the definitive authority for human life. For them, 1 Johannes Kesslers Sabbata, edited by Emil Egli & Rudolf Schoch [Historischen Verein des Kantons St. Gallen] (St. Gall: Fehr’sche Buchhandlung, 1902), p. 18. 1 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-88949-0 - The Reformation: Towards a New History
    [Show full text]
  • The Presentation of the Virgin in the Temple
    National Gallery of Art NATIONAL GALLERY OF ART ONLINE EDITIONS Italian Paintings of the Thirteenth and Fourteenth Centuries Paolo di Giovanni Fei Sienese, c. 1335/1345 - 1411 The Presentation of the Virgin in the Temple 1398-1399 tempera on wood transferred to hardboard painted surface: 146.1 × 140.3 cm (57 1/2 × 55 1/4 in.) overall: 147.2 × 140.3 cm (57 15/16 × 55 1/4 in.) Samuel H. Kress Collection 1961.9.4 ENTRY The legend of the childhood of Mary, mother of Jesus, had been formed at a very early date, as shown by the apocryphal Gospel of James, or Protoevangelium of James (second–third century), which for the first time recounted events in the life of Mary before the Annunciation. The iconography of the presentation of the Virgin that spread in Byzantine art was based on this source. In the West, the episodes of the birth and childhood of the Virgin were known instead through another, later apocryphal source of the eighth–ninth century, attributed to the Evangelist Matthew. [1] According to this account of her childhood, Mary, on reaching the age of three, was taken by her parents, together with offerings, to the Temple of Jerusalem, so that she could be educated there. The child ascended the flight of fifteen steps of the temple to enter the sacred building, where she would continue to live, fed by an angel, until she reached the age of fourteen. [2] The legend linked the child’s ascent to the temple and the flight of fifteen steps in front of it with the number of Gradual Psalms.
    [Show full text]
  • University of Cincinnati
    UNIVERSITY OF CINCINNATI Date:___________________ I, _________________________________________________________, hereby submit this work as part of the requirements for the degree of: in: It is entitled: This work and its defense approved by: Chair: _______________________________ _______________________________ _______________________________ _______________________________ _______________________________ Embodying Civil Society in Public Space: Re-envisioning the Public Square of Mansfield, Ohio A thesis submitted to the Division of Research and Advanced Studies of the University of Cincinnati in partial fulfillment of the requirements for the degree of MASTER OF ARCHITECTURE in the School of Architecture and Interior Design of the College of Design, Architecture, Art, and Planning 2005 by Seth Douglas Wilschutz B. S. Architecture, University of Cincinnati, 2003 Committee Chair: Gordon Simmons Abstract Public architecture that frames civic space, enlivens political debate, and embodies democratic ideals is the focus of this thesis. In the United States, civic architecture historically sought to express the purposes and ideals of the new institutions of a representative democracy. Civic architecture further shaped and bounded the civic sphere of public discourse. The decline of the public realm in the nineteenth century has, by extension, resulted in a decline of the civic realm. This thesis investigates how civic architecture can best reflect and embody, represent and nurture, a civil society appropriate to a twenty-first century representative democracy, while seeking to frame a contemporary civic realm. The analysis continues to the symbolic and spatial evocations of civil society ideals within American architecture, and an investigation into the changing concepts of civic architecture. Finally, the design project seeks to express and realize such civil society ideals through an urban design project for the public square of Mansfield, Ohio, and the design of a new county courthouse.
    [Show full text]
  • The Best of Renaissance Florence April 28 – May 6, 2019
    Alumni Travel Study From Galleries to Gardens The Best of Renaissance Florence April 28 – May 6, 2019 Featuring Study Leader Molly Bourne ’87, Professor of Art History and Coordinator of the Master’s Program in Renaissance Art at Syracuse University Florence Immerse yourself in the tranquil, elegant beauty of Italy’s grandest gardens and noble estates. Discover the beauty, drama, and creativity of the Italian Renaissance by spending a week in Florence—the “Cradle of the Renaissance”—with fellow Williams College alumni. In addition to a dazzling array of special openings, invitations into private homes, and splendid feasts of Tuscan cuisine, this tour offers the academic leadership of Molly Bourne (Williams Class of ’87), art history professor at Syracuse University Florence. From the early innovations of Giotto, Brunelleschi, and Masaccio to the grand accomplishments of Michelangelo, our itinerary will uncover the very best of Florence’s Renaissance treasury. Outside of Florence, excursions to delightful Siena and along the Piero della Francesca trail will provide perspectives on the rise of the Renaissance in Tuscany. But the program is not merely an art seminar—interactions with local food and wine experts, lunches inside beautiful private homes, meanders through stunning private gardens, and meetings with traditional artisans will complement this unforgettable journey. Study Leader MOLLY BOURNE (BA Williams ’87; PhD Harvard ’98) has taught art history at Syracuse University Florence since 1999, where she is also Coordinator of their Master’s Program in Renaissance Art History. A member of the Accademia Nazionale Virgiliana, she has also served as project researcher for the Medici Archive Project and held a fellowship at Villa I Tatti, the Harvard Center for Renaissance Studies.
    [Show full text]
  • La Voce 12 23 06 2011:La Voce 12
    LATERIZI LATERIZI ARBIA ARBIA Via Aretina, 30 Via Aretina, 30 53010 Arbia Scalo (Si) 53010 Arbia Scalo (Si) Tel. 0577 364826 Tel. 0577 364826 La Voce del Campo – Direttore Responsabile: Maria Pia Corbelli Direzione, redazione, amministrazione: Via del Giglio 4a/4b, 53100 Siena – Tel. 0577/222999 – Fax 0577/281420 – Email: [email protected] Spedizione in abbonamento postale pubblicità inferiore al 45%. Art. 2 comma 20/B Legge 662/ 96 Filiale di Siena Autorizzazione Tribunale di Siena n°429 del 13/11/1982 Stampa: Tipografia Senese snc, str. della Tressa 9, Loc. Coroncina, 53100 Siena – Abbonamento sostenitore Euro 52,00 – C/C Bancario Monte dei Paschi di Siena N. 3175/71 Quindicinale di cultura, satira e costume Giovedì 23 giugno 2011 / n. 12 / E 1,00 Editoriale La Voce del Campo Giovedì 23 giugno / Numero 12 Pagina 2 La protesta metafora di un Paese immobile L’Italia s’è desta... (dice Benigni) di Maria Pia Corbelli chio prestigioso mentre loro alla fine hanno il solo risultato di rassegne mediocri che umiliano, offendono l’intelligenza e danneggiano la cultura. Ancora altri allarmi sono stati lanciati da famosi scrittori fra i quali Claudio Magris, forse l’intellettuale più raffinato e sensibile di cui dispone oggi l’Italia, come ha detto Achille Scalabrin. “Siamo un Paese in preda all’assuefazio- ne, agli scandali, nulla più scuote o fa indignare dicono i più: riflessione che prende spunto dalle centinaia di notizie che appaiono sui giornali di lobbies di p2, p3, p4, miliardi e miliardi di euro ripartiti tra faccendieri e politici”. Il Presidente della Repubblica Giorgio Napolitano, anni 86 ha recentemente esordito affermando:” occorre reagire con forza - moralmente politicamente - all’indifferenza”.
    [Show full text]
  • Lecture 20 Italian Renaissance WC 373-383 PP 405-9: Machiavelli, Prince Chronology 1434 1440 1498 1504 1511 1512 1513 Medici
    Lecture 20 Italian Renaissance WC 373-383 PP 405-9: Machiavelli, Prince Chronology 1434 Medici Family runs Florence 1440 Lorenzo Medici debunks “Donation of Constantine” 1498 da Vinci, The Last Supper created 1504 Michelangelo completes statue of David 1511 Rafael, The School of Athens created 1512 Michelangelo completes Sistine Chapel 1513 Machiavelli writes The Prince Star Terms Geog. Terms Renaissance Republic of Florence Medici Republic of Siena florin Papal States perspective Bolonia realism Milan A. Botticelli, Birth of Venus (1486) currently in the Uffizi, Florence The Birth of Venus is probably Botticelli's most famous painting and was commissioned by the Medici family. Venus rises from the sea, looking like a classical statue and floating on a seashell. On Venus' right is Zephyrus, God of Winds, he carries with him the gentle breeze Aura and together they blow the Goddess of Love ashore. The Horae, Goddess of the Seasons, waits to receive Venus and spreads out a flower covered robe in readiness for the Love Goddess' arrival. In what is surely one of the most recognizable images in art history, this image is significant because it attests to the revival of Greco-Roman forms to European art and gives form to the idea behind the Renaissance: a rebirth by using Classical knowledge. Lecture 20 Italian Renaissance B. Florence Cathedral (the Duomo) Florence Italy (1436) The Duomo, the main church of Florence, Italy had begun in 1296 in the Gothic style to the design of Arnolfo di Cambio and completed structurally in 1436 with the dome engineered by Filippo Brunelleschi, who won the competition for its commission in 1418.
    [Show full text]
  • Lavazza Coffee Museum 8 Valeria Merlini at Work Siena Seeing Roman Art from a Dream of ® New Angle Am Forever in Search of New Perspectives on Rome and Its I Art
    INSIDE: Siena Tour Guides 4 Recipes From Siena 6 Touring An Art Restoration Lab 7 20th-Century Art in Rome 8 Lavazza Coffee Museum 8 Valeria Merlini at work Siena Seeing Roman Art From A dream of ® New Angle am forever in search of new perspectives on Rome and its I art. In a city with endless treasures and infinite guides available, it’s increasingly rare to find a tour that gives you a one-of-a-kind publication Dream Of point of view. I was lucky enough to Volume 17, Issue 8 www.dreamofitaly.com October 2018 ITA LY join a Roma Experience Tour, which gave me just that. Our Roma Experience tour guides, The INSIDER’S GUIDE to Siena Francesca and Davide, meet us in a corner of Piazza del Popolo and within f you’re traveling in the region Siena grew in importance from an minutes our small group is equipped of Tuscany, a trip to the economic, strategic, and military with headphones and a hearty dose I medieval city of Siena is a perspective until the 12th century. of intrigue. Francesca sets the scene, beautiful and quiet diversion. During the 13th and 14th whispering dramatically into her You won’t be disappointed. centuries, Siena and microphone, telling us about the Some of the most unique Florence became bitter painter, Michelangelo Merisi, famously treasures of art and history enemies, with constant known as Caravaggio. If it weren’t for await you. battles for land and power. Francesca, I would have missed the Florence eventually won masterpieces right before my eyes in Siena, originally an Etruscan over in 1555, and Siena was the Cerasi Chapel: Caravaggio’s settlement, was later incorporated as a Florentine Conversion of Saint Paul and his established as a trading post as territory.
    [Show full text]
  • The Fountains of Siena
    Guide to Siena and the Senese: www.siena-guide.com THE FOUNTAINS OF SIENA Being a city without a river, Siena has to depend on water from elsewhere. In the Middle Ages, the city arranged to bring water from the hills in underground channels (bottini) which emerge in “fountains” (fonti) all over the city, from which the citizens drew the water for their needs. The larger ones had three pools feeding into each other; the first and highest one was for drinking water; the next for watering animals and the third for laundry. Water flowing from the third pool then went on to operate mills or irrigate gardens. Many of these fountains were housed in architecturally distinguished buildings. Many fell into disrepair, but quite a few still have water coming into them and a society has been formed for their preservation and that of the bottini, called the Associazione La Diana (named after a mythical river that was supposed to have run beneath Siena). Someone with time on their hands and a taste for urban walking (they are very spread out) could do worse than go on a fountain crawl. Fonte Gaia The best known is the Fonte Gaia (or Fountain of Joy) in the Piazza del Campo. The city employed Jacopo della Quercia (c.1374-1438), Siena’s most famous sculptor, to give it a beautiful carved marble surround. Unfortunately, over the years it deteriorated and della Quercia’s work was replaced in 1858 by a replica – although without two of the original naked statues which the prudish 19th century city fathers decided were unsuitable for public view.
    [Show full text]
  • Italian Piazze: Models for Public Outdoor Space in Sustainable Communities
    Western Washington University Western CEDAR WWU Graduate School Collection WWU Graduate and Undergraduate Scholarship 2013 Italian piazze: models for public outdoor space in sustainable communities Mark K. (Mark Kevan) Pederson Western Washington University Follow this and additional works at: https://cedar.wwu.edu/wwuet Part of the Geography Commons Recommended Citation Pederson, Mark K. (Mark Kevan), "Italian piazze: models for public outdoor space in sustainable communities" (2013). WWU Graduate School Collection. 266. https://cedar.wwu.edu/wwuet/266 This Masters Thesis is brought to you for free and open access by the WWU Graduate and Undergraduate Scholarship at Western CEDAR. It has been accepted for inclusion in WWU Graduate School Collection by an authorized administrator of Western CEDAR. For more information, please contact [email protected]. ................................................................................................................................................ Italian Piazze: Models for Public Outdoor Space in Sustainable Communities By Mark K. Pederson Accepted in Partial Completion Of the Requirements for the Degree Master of Science ________________________ Kathleen L. Kitto, Dean of the Graduate School ADVISORY COMMITTEE ________________________ Chair, Dr. Nicholas C. Zaferatos ________________________ Dr. Gigi Berardi ________________________ Dr. Paul A. Stangl ..............................................................................................................................................
    [Show full text]
  • Trek Urbano-Giovani Espl-ING
    notepad useful numbers WHAT TO EAT AND DRINK TOURIST INFORMATION APT SIENA Tel. 0577.280551 Urban Trekking Panforte, Ricciarelli, local TOUR GUIDE ASSOCIATION OF THE CITY AND PROVINCE OF SIENA Tel. 0577.43273 Urban cinta pork salami, pecorino TAXI - ACTIVE 24 HOURS A DAY - Tel. 0577.49222 Trekking for cheese EMERGENCY ROOM POLICLINICO LE SCOTTE Tel. 0577.585807-0577.585809 trekking WHAT TO BUY in Siena young explorers Wooden balls and tin air check horses with the colors of the Air check is an “environmental traffic light” contradas, toy carts and bells Y Urban trekking is a sport that measures the level of air quality. ou are the star of this adventure. We shall WHAT TO SEE for all. Following an The polluting agents monitored by it are carbon dioxide, explore the secret parts of Siena and you can Accademia dei Fisiocritici, Church of San itinerary on foot through hilly city streets does not Clemente in Santa Maria dei Servi, Church of San ozone, and noise. The green light means excellent air tell your friends that you discovered a Domenico, Church of San Francesco, Church of Santa Maria quality, yellow indicates fair quality, and red indicates a fantastic city among the museums, parks, require any special training. It is a perfect way of in Provenzano, Baptistry of San Giovanni, Saint Catherine heavily polluted atmosphere. fountains, games, shows, and ghosts. Ready toning up the mind and body for everyone who is of Siena’s house and sanctuary, Cathedral, Church of forced to live in cramped spaces and feels the need Sant’Agostino, Church of Santa Lucia, Santa Maria della to start? One, two, three: GO!!! IN COOPERATION WITH Scala museum complex, Children’s Art Museum, Cathedral AUTOMOBILE CLUB D'ITALIA to liberate pent-up energies.
    [Show full text]
  • Maestà (Madonna and Child with Four Angels) C
    National Gallery of Art NATIONAL GALLERY OF ART ONLINE EDITIONS Italian Paintings of the Thirteenth and Fourteenth Centuries Master of Città di Castello Italian, active c. 1290 - 1320 Maestà (Madonna and Child with Four Angels) c. 1290 tempera on panel painted surface: 230 × 141.5 cm (90 9/16 × 55 11/16 in.) overall: 240 × 150 × 2.4 cm (94 1/2 × 59 1/16 × 15/16 in.) framed: 252.4 x 159.4 x 13.3 cm (99 3/8 x 62 3/4 x 5 1/4 in.) Samuel H. Kress Collection 1961.9.77 ENTRY This panel, of large dimensions, bears the image of the Maestà represented according to the iconographic tradition of the Hodegetria. [1] This type of Madonna and Child was very popular among lay confraternities in central Italy; perhaps it was one of them that commissioned the painting. [2] The image is distinguished among the paintings of its time by the very peculiar construction of the marble throne, which seems to be formed of a semicircular external structure into which a circular seat is inserted. Similar thrones are sometimes found in Sienese paintings between the last decades of the thirteenth and the first two of the fourteenth century. [3] Much the same dating is suggested by the delicate chrysography of the mantles of the Madonna and Child. [4] Recorded for the first time by the Soprintendenza in Siena c. 1930 as “tavola preduccesca,” [5] the work was examined by Richard Offner in 1937. In his expertise, he classified it as “school of Duccio” and compared it with some roughly contemporary panels of the same stylistic circle.
    [Show full text]