2019 Sponsorship Program a Week of Film and Series Premieres in Hollywood
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LE MONDE/PAGES<UNE>
www.lemonde.fr 58 ANNÉE – Nº 17915 – 1,20 ¤ – FRANCE MÉTROPOLITAINE --- SAMEDI 31 AOÛT 2002 FONDATEUR : HUBERT BEUVE-MÉRY – DIRECTEUR : JEAN-MARIE COLOMBANI SÉRIES Le président Irak : Chirac ne veut pas de France ’ Télécom sous d’une guerre préventive la pression du DANS un discours prononcé à gouvernement Paris, jeudi 29 août, devant la . OBJETS CULTES conférence annuelle des ambassa- deurs, Jacques Chirac a pris ses dis- FAIT rarissime pour une entre- tances avec la position américaine prise de cette taille, France Télé- La tong sur l’Irak, Washington étant déter- com a annoncé, jeudi 29 août, sa miné à engager une action militaire décision de repousser au 12 septem- De l’Egypte ancienne pour renverser Saddam Hussein. bre la présentation de ses comptes aux créateurs p. 18 « On voit poindre la tentation de légiti- semestriels, initialement prévue mer l’usage unilatéral et préventif de le 4. Ce délai devrait permettre au la force, a déclaré le président de la groupe de définir sa stratégie face à VIEUX MÉTIERS République. Cette évolution est inquié- sa filiale allemande MobilCom, en tante. Elle est contraire à la vision de grande difficulté. Il peut soit acqué- Les couteliers la sécurité collective de la France, une rir la totalité du capital (contre vision qui repose sur la coopération 28,5 % actuellement), soit se retirer, Une profession en des Etats, le respect du droit et l’auto- ce qui reviendrait à provoquer la rité du Conseil de sécurité. » « Nous faillite de cette entreprise. Mais le perte d’emplois p. 11 rappellerons ces règles chaque fois que sort de la filiale allemande n’est pas nécessaire, et notamment à propos de le seul souci du président de France l’Irak, a poursuivi le chef de l’Etat. -
Cedric Jimenez
THE STRONGHOLD Directed by Cédric Jimenez INTERNATIONAL MARKETING INTERNATIONAL PUBLICITY Alba OHRESSER Margaux AUDOUIN [email protected] [email protected] 1 SYNOPSIS Marseille’s north suburbs hold the record of France’s highest crime rate. Greg, Yass and Antoine’s police brigade faces strong pressure from their bosses to improve their arrest and drug seizure stats. In this high-risk environment, where the law of the jungle reigns, it can often be hard to say who’s the hunter and who’s the prey. When assigned a high-profile operation, the team engages in a mission where moral and professional boundaries are pushed to their breaking point. 2 INTERVIEW WITH CEDRIC JIMENEZ What inspired you to make this film? In 2012, the scandal of the BAC [Anti-Crime Brigade] Nord affair broke out all over the press. It was difficult to escape it, especially for me being from Marseille. I Quickly became interested in it, especially since I know the northern neighbourhoods well having grown up there. There was such a media show that I felt the need to know what had happened. How far had these cops taken the law into their own hands? But for that, it was necessary to have access to the police and to the files. That was obviously impossible. When we decided to work together, me and Hugo [Sélignac], my producer, I always had this affair in mind. It was then that he said to me, “Wait, I know someone in Marseille who could introduce us to the real cops involved.” And that’s what happened. -
Mongrel Media
Mongrel Media Presents I’VE LOVED YOU SO LONG (Il y a longtemps que je t’aime) A Film By Philippe Claudel Starring Kristin Scott Thomas Elsa Zylberstein Official Selection: 2008 Berlin Film Festival Official Selection: 2008 Telluride Film Festival Official Selection: 2008 Toronto International Film Festival (117 mins, France/Germany, 2008) Distribution Publicity Bonne Smith 1028 Queen Street West Star PR Toronto, Ontario, Canada, M6J 1H6 Tel: 416-488-4436 Tel: 416-516-9775 Fax: 416-516-0651 Fax: 416-488-8438 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com High res stills may be downloaded from http://www.mongrelmedia.com/press.html "I'VE LOVED YOU SO LONG" is a film about the strength of women, their capacity to shine forth, reconstruct themselves and be reborn. A story about our secrets, about confinement, about the isolation we all share…." - Philippe Claudel SYNOPSIS Léa (Elsa Zylberstein) and Juliette (Kristin Scott Thomas) are sisters. The film begins with Léa, the younger sister by fifteen years, picking Juliette up at the airport. We soon realize that the two sisters are almost complete strangers to each other. Juliette has just been released from prison after serving a long sentence. Léa was still a teenager when Juliette, a doctor, was convicted of the murder of her six-year-old son. Léa contacted Juliette when she was released and suggested that Juliette come to live with her. Juliette had no particular desire to see her sister again. Luc (Serge Hazanavicius), Léa’s husband, is quite reserved, almost hostile, about Juliette’s presence under their roof. -
Westminsterresearch the Artist Biopic
WestminsterResearch http://www.westminster.ac.uk/westminsterresearch The artist biopic: a historical analysis of narrative cinema, 1934- 2010 Bovey, D. This is an electronic version of a PhD thesis awarded by the University of Westminster. © Mr David Bovey, 2015. The WestminsterResearch online digital archive at the University of Westminster aims to make the research output of the University available to a wider audience. Copyright and Moral Rights remain with the authors and/or copyright owners. Whilst further distribution of specific materials from within this archive is forbidden, you may freely distribute the URL of WestminsterResearch: ((http://westminsterresearch.wmin.ac.uk/). In case of abuse or copyright appearing without permission e-mail [email protected] 1 THE ARTIST BIOPIC: A HISTORICAL ANALYSIS OF NARRATIVE CINEMA, 1934-2010 DAVID ALLAN BOVEY A thesis submitted in partial fulfilment of the requirements of the University of Westminster for the degree of Master of Philosophy December 2015 2 ABSTRACT The thesis provides an historical overview of the artist biopic that has emerged as a distinct sub-genre of the biopic as a whole, totalling some ninety films from Europe and America alone since the first talking artist biopic in 1934. Their making usually reflects a determination on the part of the director or star to see the artist as an alter-ego. Many of them were adaptations of successful literary works, which tempted financial backers by having a ready-made audience based on a pre-established reputation. The sub-genre’s development is explored via the grouping of films with associated themes and the use of case studies. -
Catalogue-2018 Web W Covers.Pdf
A LOOK TO THE FUTURE 22 years in Hollywood… The COLCOA French Film this year. The French NeWave 2.0 lineup on Saturday is Festival has become a reference for many and a composed of first films written and directed by women. landmark with a non-stop growing popularity year after The Focus on a Filmmaker day will be offered to writer, year. This longevity has several reasons: the continued director, actor Mélanie Laurent and one of our panels will support of its creator, the Franco-American Cultural address the role of women in the French film industry. Fund (a unique partnership between DGA, MPA, SACEM and WGA West); the faithfulness of our audience and The future is also about new talent highlighted at sponsors; the interest of professionals (American and the festival. A large number of filmmakers invited to French filmmakers, distributors, producers, agents, COLCOA this year are newcomers. The popular compe- journalists); our unique location – the Directors Guild of tition dedicated to short films is back with a record 23 America in Hollywood – and, of course, the involvement films selected, and first films represent a significant part of a dedicated team. of the cinema selection. As in 2017, you will also be able to discover the work of new talent through our Television, Now, because of the continuing digital (r)evolution in Digital Series and Virtual Reality selections. the film and television series industry, the life of a film or series depends on people who spread the word and The future is, ultimately, about a new generation of foreign create a buzz. -
Sagawkit Acceptancespeechtran
Screen Actors Guild Awards Acceptance Speech Transcripts TABLE OF CONTENTS INAUGURAL SCREEN ACTORS GUILD AWARDS ...........................................................................................2 2ND ANNUAL SCREEN ACTORS GUILD AWARDS .........................................................................................6 3RD ANNUAL SCREEN ACTORS GUILD AWARDS ...................................................................................... 11 4TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 15 5TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 20 6TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 24 7TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 28 8TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 32 9TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 36 10TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 42 11TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 48 12TH ANNUAL SCREEN ACTORS GUILD AWARDS .................................................................................... -
3. Groundhog Day (1993) 4. Airplane! (1980) 5. Tootsie
1. ANNIE HALL (1977) 11. THIS IS SPINAL Tap (1984) Written by Woody Allen and Marshall Brickman Written by Christopher Guest & Michael McKean & Rob Reiner & Harry Shearer 2. SOME LIKE IT HOT (1959) Screenplay by Billy Wilder & I.A.L. Diamond, Based on the 12. THE PRODUCERS (1967) German film Fanfare of Love by Robert Thoeren and M. Logan Written by Mel Brooks 3. GROUNDHOG DaY (1993) 13. THE BIG LEBOWSKI (1998) Screenplay by Danny Rubin and Harold Ramis, Written by Ethan Coen & Joel Coen Story by Danny Rubin 14. GHOSTBUSTERS (1984) 4. AIRplaNE! (1980) Written by Dan Aykroyd and Harold Ramis Written by James Abrahams & David Zucker & Jerry Zucker 15. WHEN HARRY MET SALLY... (1989) 5. TOOTSIE (1982) Written by Nora Ephron Screenplay by Larry Gelbart and Murray Schisgal, Story by Don McGuire and Larry Gelbart 16. BRIDESMAIDS (2011) Written by Annie Mumolo & Kristen Wiig 6. YOUNG FRANKENSTEIN (1974) Screenplay by Gene Wilder and Mel Brooks, Screen Story by 17. DUCK SOUP (1933) Gene Wilder and Mel Brooks, Based on Characters in the Novel Story by Bert Kalmar and Harry Ruby, Additional Dialogue by Frankenstein by Mary Wollstonecraft Shelley Arthur Sheekman and Nat Perrin 7. DR. STRANGELOVE OR: HOW I LEARNED TO STOP 18. There’s SOMETHING ABOUT MARY (1998) WORRYING AND LOVE THE BOMB (1964) Screenplay by John J. Strauss & Ed Decter and Peter Farrelly & Screenplay by Stanley Kubrick and Peter George and Bobby Farrelly, Story by Ed Decter & John J. Strauss Terry Southern 19. THE JERK (1979) 8. BlaZING SADDLES (1974) Screenplay by Steve Martin, Carl Gottlieb, Michael Elias, Screenplay by Mel Brooks, Norman Steinberg Story by Steve Martin & Carl Gottlieb Andrew Bergman, Richard Pryor, Alan Uger, Story by Andrew Bergman 20. -
Cv Marie Rolindes
Marie Rolindes French/Spanish (bilingual), English (fluent) 27, rue de Clignancourt 75018 Paris Mob : +33 6 69 08 54 64 eMail: [email protected] Accomodations in Spain Assistant Director MOVIES 2017/18 : « ANNA » directed LUC BESSON – KEY 2ND AD 1ST AD : Mathias Honoré Casting : Sasha Luss – Helen Mirren – Luke Evans – Cillian Murphy – Lera Abova – Sasha Petrov – Nikita Pavlenko Line Prod : Bruno Vatin – Europa Corp - 2016 : « MISSION PAYS BASQUE » directed by LUDOVIC BERNARD – KEY 2ND AD & 2ND 2ND AD 1ST AD : Mathieu Thouvenot Casting : Elodie Fontan – Florent Peyre – Nicolas Bridet – Daniel Prévost – Arièle Semenoff – Barbara Cabrita Line Prod : Jean-Marie Laurens – Paradis Films 2015 : « THE ODYSSEE » directed by JERÔME SALLE – KEY 2ND AD (Prep & Prep/Shooting Croacia) 1ST AD : Brieuc Vanderswalm Casting : Lambert Wilson - Audrey Tautou - Pierre Niney – Michael Bundred – Chloe Hirschman Line Prod : Olivier Hélie - PanEuropéenne & Fidélité « NINE LIVES » directed BARRY SONNENFELD – KEY 2ND AD (Prep) 1ST AD : Ludovic Bernard Casting : Kevin Spacey – Jennifer Garner – Robbie Amell – Mark Consuelos - Christopher Walken Line Prod : Thierry Guilmard – Europa Corp « PATTAYA » directed by FRANCK GASTAMBIDE – KEY 2ND AD & 2ND AD 2ND (Prep & France Prep/Shooting) 1ST AD : Ali Cherkaoui Casting : Franck Gastambide – Malik Bentalha – Anouar Toubali – Ramzy Bedia – Gad Elmaleh – Sabrina Ouazani Line Prod : Pascal Bonnet – Mandarin Films 2013/14 : « TAKEN 3 » directed by OLIVIER MEGATON – KEY 2ND AD 1ST AD : Ludovic Bernard Casting : Liam -
Un Film De Marion Vernoux Nicolas Duvauchelle Ana
FRANÇOIS KRAUS ET DENIS PINEAU-VALENCIENNE PRÉSENTENT NICOLAS ANA DUVAUCHELLE GIRARDOT UN FILM DE MARION VERNOUX AVEC LA PARTICIPATION DE BÉATRICE DALLE FRANÇOIS ROLLIN VANESSA GUIDE JISCA KALVANDA SÉBASTIEN HOUBANI LES FILMS DU KIOSQUE PRÉSENTENT NICOLAS ANA DUVAUCHELLE GIRARDOT UN FILM DE MARION VERNOUX AVEC LA PARTICIPATION DE BÉATRICE DALLE FRANÇOIS ROLLIN VANESSA GUIDE JISCA KALVANDA SÉBASTIEN HOUBANI Durée : 1h43 SORTIE LE 29 AOÛT 2018 UGC DISTRIBUTION PRESSE POUR ORANGE STUDIO DOMINIQUE SEGALL COMMUNICATION DISTRIBUTION DOMINIQUE SEGALL ET LOANN GREULICH 8, RUE DE MARIGNAN-75008 PARIS 24, AVENUE CHARLES-DE-GAULLE TÉL. : 01 45 63 73 04 92200 NEULLY-SUR-SEINE [email protected] TÉL. : 01 46 40 46 89 [email protected] © 2018 - LES FILMS DU KIOSQUE-FRANCE 3 CINÉMA- ORANGE STUDIO-CHAOCORP PRODUCTIONS-PICTANOVO-UMEDIA SYNOPSIS La vie de Piotr et Marilyn, jeune couple de la banlieue lilloise, va être bouleversée suite à un accident de voiture. Traumatisé crânien, Piotr, s’il garde son physique avantageux, n’a plus toute sa tête : tantôt matou apathique, tantôt fauve en rut à l’hypersexualité débridée. Pour Marilyn, convaincue que son amour pour lui peut le sauver, c’est le début d’une épopée menée vaille que vaille et cul par-dessus tête. LISTE ARTISTIQUE PIOTR WITKIEWICZ NICOLAS DUVAUCHELLE MARILYN MOREAU ANA GIRARDOT AVEC LA PARTICIPATION DE JO BÉATRICE DALLE DOCTEUR BENSOUSSAN FRANÇOIS ROLLIN MÉLISSA VANESSA GUIDE CARO JISCA KALVANDA KÉVIN SÉBASTIEN HOUBANI THOMAS DJANIS BOUZYANI IRINA MARGUERITE VIRGILI VIRGILE JULIEN HONORÉ -
El Cine De Jim Abrahams Y De Los Hermanos Zucker En Las Comedias De Ben Stiller
Heredero del ZAZ: cineSCRUPULOS Volumen 7 el cine de Jim Abrahams y Número 2 Julio a diciembre de los hermanos Zucker en 2019 las comedias de Ben Stiller Heir of ZAZ: Jim Abrahams and 91 Zucker brothers’s cinema in Ben Stiller’s comedies Sebastián Chávez1, Sebastián Gómez2, Daniel Montoya3, Ana Paula Sánchez4, Claudia Torres5 Resumen Dos tipos de comedias nos ofrecen, por un lado, el trío integrado por Jim Abrahams, Je- rry Zucker y David Zucker y, por el otro, las películas dirigidas por Ben Stiller. Sus traba- jos han visto la luz con 20 años de diferencia y se conciben bajo perspectivas del mun- do completamente distintas. En ambos casos se parodian situaciones identificables en la realidad pero cada uno lo hace usando el humor dentro de su propio lenguaje y estilo. Los primeros han establecido un culto gracias a una comedia ligada con lo absurdo, pero Ben Stiller usa la sátira para construir el mundo en el que sus historias cobran vida. Abstract Two types of comedy movies offers, on one hand, Jim Abrahams, Jerry Zucker and David Zucker and, on the other, Ben Stiller’s films. His works are 20 years apart and conceived under completely different perspectives of the world. In both cases they Citar como: parody identifiable situations in reality but each one does so using humor within their Chávez, S., Gómez, S., own language and style. The former have established a cult because comedy is linked Montoya, D., Sánchez, to absurd, but Ben Stiller uses satire to build the world in which his stories come alive. -
Gilles Lellouche INTERNATIONAL PRODUCTION NOTES
A FILM BY Gilles Lellouche INTERNATIONAL PRODUCTION NOTES CONTACTS INTERNATIONAL MARKETING INTERNATIONAL PUBLICITY Lucie MICHAUT Alexandre BOURG [email protected] [email protected] SYNOPSIS A group of 40-something guys, all on the verge of a mid-life crisis, decide to form their local pool’s first ever synchronized swimming team – for men. Braving the skepticism and ridicule of those around them and trained by a fallen champion trying to pull herself together, the group set out on an unlikely adventure, and on the way will rediscover a little self-esteem and a lot about themselves and each other. After Narco and The Players, Sink or Swim is the first film you’ve made as a solo director. Did you have difficulty launching a solo project, or was it just a question of timing? A little of both! Most of all, I needed to find a subject that really spoke to me and would enable me to make a film even more personal than Narco. As for The Players, that was a group project. I really enjoyed making both of those films, but neither was intimately linked to who I am. All of this took some time because after Narco, my “actors’ films” were the center of attention. How long has it taken to bring Sink or Swim to life? Five years. In fact, it was eight years ago that I began writing a script that already contained a few of the ideas in Sink or Swim. I wanted to examine the weariness – or perhaps the somewhat latent depression – that I sensed in people of my generation or even more generally in France. -
Moonlight the Irish Film Institute
FEBRUARY 2017 MOONLIGHT THE IRISH FILM INSTITUTE The Irish Film Institute is Ireland’s national cultural institution for film. EXHIBIT It aims to exhibit the finest in independent, Irish and international cinema, preserve PRESERVE Ireland’s moving image heritage at the IFI Irish Film Archive, and encourage EDUCATE engagement with film through its various educational programmes. PETE WALSH AWARD WINE & TAPAS EVENING Don’t forget that the closing date for entries for our Join us for a very special Spanish-themed wine and Annual Pete Walsh Writing Award is February 28th! tapas evening in the IFI Café Bar at 19.30 on Tuesday, The prize will be given for an exceptional piece of critical February 28th. With a selection of exclusive wines writing on any one film theatrically screened in Ireland from Rioja, Ribera del Duero, and Galicia, and delicious during 2016. The winner receives a year’s free entry to tapas, this event is a must for all gourmands. Places are films at the IFI and their piece will be published on the very limited. Tickets are priced €25 and are available IFI website. See www.ifi.ie/writingaward for more details. from the IFI Box Office on 01-6793477. IFI FRENCH FILM CLUB FEAST YOUR EYES This month’s French Film Club screening – where IFI Every month we pair a new release with a specially devised and Alliance Française members pay just €7.50 per ticket – main course from the IFI kitchen. This month’s film choice is Philippe Claudel's I've Loved You So Long starring Kristin is John Lee Hancock’s The Founder, in which Michael Scott Thomas as Juliette, who goes to stay with her sister Keaton plays Ray Kroc, a catering salesman who discovers Léa (Elsa Zylberstein) and her family after her release from a Californian restaurant named McDonald’s who have prison.