150Th Wine Sale of the Hospices De Beaune
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LE MONDE/PAGES<UNE>
www.lemonde.fr 58 ANNÉE – Nº 17915 – 1,20 ¤ – FRANCE MÉTROPOLITAINE --- SAMEDI 31 AOÛT 2002 FONDATEUR : HUBERT BEUVE-MÉRY – DIRECTEUR : JEAN-MARIE COLOMBANI SÉRIES Le président Irak : Chirac ne veut pas de France ’ Télécom sous d’une guerre préventive la pression du DANS un discours prononcé à gouvernement Paris, jeudi 29 août, devant la . OBJETS CULTES conférence annuelle des ambassa- deurs, Jacques Chirac a pris ses dis- FAIT rarissime pour une entre- tances avec la position américaine prise de cette taille, France Télé- La tong sur l’Irak, Washington étant déter- com a annoncé, jeudi 29 août, sa miné à engager une action militaire décision de repousser au 12 septem- De l’Egypte ancienne pour renverser Saddam Hussein. bre la présentation de ses comptes aux créateurs p. 18 « On voit poindre la tentation de légiti- semestriels, initialement prévue mer l’usage unilatéral et préventif de le 4. Ce délai devrait permettre au la force, a déclaré le président de la groupe de définir sa stratégie face à VIEUX MÉTIERS République. Cette évolution est inquié- sa filiale allemande MobilCom, en tante. Elle est contraire à la vision de grande difficulté. Il peut soit acqué- Les couteliers la sécurité collective de la France, une rir la totalité du capital (contre vision qui repose sur la coopération 28,5 % actuellement), soit se retirer, Une profession en des Etats, le respect du droit et l’auto- ce qui reviendrait à provoquer la rité du Conseil de sécurité. » « Nous faillite de cette entreprise. Mais le perte d’emplois p. 11 rappellerons ces règles chaque fois que sort de la filiale allemande n’est pas nécessaire, et notamment à propos de le seul souci du président de France l’Irak, a poursuivi le chef de l’Etat. -
Valeurs Actuelles
30 OCT/05 NOV 14 Hebdomadaire OJD : 94849 Surface approx. (cm²) : 328 N° de page : 69 1 RUE LULLI 75002 PARIS - 01 40 54 11 00 Page 1/1 Spectacles la question tout au long du spectacle On préfère l'original au succédané du Tristan-Bernard. D'autant plus que Pierre Palmade, qui assure la mise en scène, ne se démarque en rien de l'ori- ginal. Sans doute les acteurs ont-ils Théâtre trop vu le film : ils imitent leurs prédé- Pierre Palmade et sa bande reprennent "Le Père Noël cesseurs sans même s'en apercevoir. est une ordure" qui fut l'un des grands succès de la troupe Ainsi, quand Benoît Moret (Pierre) du Splendid à la fin des années 1970. Est-ce bien utile ? prononce le fameux « C'est cela, oui... », on croit entendre Thierry 1974 : Michel Blanc, Christian Cla- certains dîners le secret de fabrication Lhermitte. Le spectacle n'est pas hon- vier, Gérard Jugnot et Thierry Lher- des doubitchous de M. Preskovitch teux, non, mais quand on dispose si mitte, qui se sont liés au lycée Pasteur (« roulés à la main sous les aisselles ») facilement du film ou de la vidéo, de Neuilly-sur-Seine et ont suivi ensem- quand la maîtresse de maison vous pourquoi se contenter d'un ersatz ? » ble les cours de théâtre de Tsilla Chel- propose une part de gâteau montre Jacques Nerson ton (la future Tatie Danielle d'Etienne que vous êtes un puits d'érudition. Le Le Pêre Noël est une ordure, Chatiliez), ouvrent le café-théâtre du phénomène se reproduira plus tard dejosianeBalasko, Marie-Anne Chazel, Splendid. -
Feature Films
FEATURE FILMS NEW BERLINALE 2016 GENERATION CANNES 2016 OFFICIAL SELECTION MISS IMPOSSIBLE SPECIAL MENTION CHOUF by Karim Dridi SPECIAL SCREENING by Emilie Deleuze TIFF KIDS 2016 With: Sofian Khammes, Foued Nabba, Oussama Abdul Aal With: Léna Magnien, Patricia Mazuy, Philippe Duquesne, Catherine Hiegel, Alex Lutz Chouf: It means “look” in Arabic but it is also the name of the watchmen in the drug cartels of Marseille. Sofiane is 20. A brilliant Some would say Aurore lives a boring life. But when you are a 13 year- student, he comes back to spend his holiday in the Marseille ghetto old girl, and just like her have an uncompromising way of looking where he was born. His brother, a dealer, gets shot before his eyes. at boys, school, family or friends, life takes on the appearance of a Sofiane gives up on his studies and gets involved in the drug network, merry psychodrama. Especially with a new French teacher, the threat ready to avenge him. He quickly rises to the top and becomes the of being sent to boarding school, repeatedly falling in love and the boss’s right hand. Trapped by the system, Sofiane is dragged into a crazy idea of going on stage with a band... spiral of violence... AGAT FILMS & CIE / FRANCE / 90’ / HD / 2016 TESSALIT PRODUCTIONS - MIRAK FILMS / FRANCE / 106’ / HD / 2016 VENICE FILM FESTIVAL 2016 - LOCARNO 2016 HOME by Fien Troch ORIZZONTI - BEST DIRECTOR AWARD THE FALSE SECRETS OFFICIAL SELECTION TIFF PLATFORM 2016 by Luc Bondy With: Sebastian Van Dun, Mistral Guidotti, Loic Batog, Lena Sukjkerbuijk, Karlijn Sileghem With: Isabelle Huppert, Louis Garrel, Bulle Ogier, Yves Jacques Dorante, a penniless young man, takes on the position of steward at 17-year-old Kevin, sentenced for violent behavior, is just let out the house of Araminte, an attractive widow whom he secretly loves. -
1 WINE LIST Wine List
1 WINE LIST Wine List WINE LIST 2 TABLE OF CONTENTS CHAMPAGNE & SPARKLING WINES PAGE CHAMPAGNE 3 ROSÉ CHAMPAGNE 4 CHAMPAGNES OF PASCAL AGRAPART 4 SPARKLING WINE & ROSÉ 5 WHITE WINE LIGHT, FRESH & CRISPY 6 RIESLING 7 CHABLIS 8 WHITE BURGUNDY 9-10 CHARDONNAY FROM ELSEWHERE 11 EDOARDO VALENTINI 11 MEDIUM & FULLER BODIED 12 CHENIN BLANC 13 SKIN CONTACT 14 ROSÉ 14 RED WINE LIGHT, AROMATIC & FRESH 15 BEAUJOLAIS 16 RED BURGUNDY 17-19 PINOT NOIR FROM ELSEWHERE 20 NEBBIOLO FROM LANGHE & VALTELLINA 21 BARBARESCO 21 BAROLO 22-23 CHIANTI CLASSICO & RISERVA 24 SANGIOVESE FROM MONTALCINO & ELSEWHERE 25 SPICY REDS 26 NORTHERN RHÔNE SYRAH 26 THE WINES OF ENVÍNATE 27 MEDIUM BODIED 28 FULLER BODIED 29 LARGE FORMATS 30-31 3 WINE LIST CHAMPAGNE Characterized by its unique chalky soil, wine from the Champagne region northeast of Paris can range from light to rich and full bodied. Our selection focuses on small family growers who farm their vine- yards and make their own wine. Light, Fresh & Crispy These Champagnes are perfect with breakfast, lunch and dinner: vibrant bubbles with racy acidity. Larmandier-Bernier, Longitude NV (Chardonnay) MAGNUM 250 Avize, Côte des Blancs Dhondt-Grellet, Dans un Premier Temps Extra Brut NV (Chardonnay/Pinot Noir) 110 Avize, Côte des Blancs Pierre Péters, Réserve Oubliée Brut NV (Chardonnay) 195 Le Mesnil sur Oger, Côte des Blancs Pierre Péters, Cuvée Spéciale Les Chétillons Brut 2012 (Chardonnay) MAGNUM 430 Le Mesnil sur Oger, Côte des Blancs Champagne Nowack, Les Bauchets Extra Brut NV (Pinot Noir) 139 Vandières, Vallée de la Marne Vinous, Textured & Intense Jump in here for selections ranging from buttery croissants to fuller, oxidative style Champagnes. -
In Vino Caritas
IN VINO CARITAS The Wine Burgundy June 29–July 2 Forum Excursion 2014 Contents Welcome to The Wine Forum 2 Schedule 4 The Burgundy Wine Region 6 The Producers 14 Festival Musique & Vin 20 Climats du Coeur 22 Biographies 24 1 Welcome to The Wine Forum June 29, 2014 Dear Member, Many wine lovers believe that Burgundy is home to the highest forms of Pinot Noir and So during our 2014 tour, we will combine our philanthropy towards the Climats du Coeur and Chardonnay grape varieties. With more than 1,500 years of cultivation, it is hard to argue against the Musique et Vin festival by holding an auction for special bottles donated by winemakers this belief. However, to The Wine Forum, Burgundy is more than just pure, scholarly wine. To us, whom we will be visiting and splitting the proceeds equally between these two worthy causes. Burgundy represents all that we as a group stand for—that is, that fine wine is not a right, but a And what a tour we have lined up! We commence with a Gevrey-Chambertin Grand Cru tasting privilege. Speaking with the region’s very top winemakers, they resolutely believe they are merely the current custodians of cherished plots, and that their role is to make the best wines possible at the Château du Clos de Vougeot on the final night of the 2014 Musique et Vin Festival. This and pass on the vineyard in the best condition possible to the next generation. Working the soil fabled region hosts 9 Grand Cru vineyards, the most of any in Burgundy. -
Mongrel Media
Mongrel Media Presents I’VE LOVED YOU SO LONG (Il y a longtemps que je t’aime) A Film By Philippe Claudel Starring Kristin Scott Thomas Elsa Zylberstein Official Selection: 2008 Berlin Film Festival Official Selection: 2008 Telluride Film Festival Official Selection: 2008 Toronto International Film Festival (117 mins, France/Germany, 2008) Distribution Publicity Bonne Smith 1028 Queen Street West Star PR Toronto, Ontario, Canada, M6J 1H6 Tel: 416-488-4436 Tel: 416-516-9775 Fax: 416-516-0651 Fax: 416-488-8438 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com High res stills may be downloaded from http://www.mongrelmedia.com/press.html "I'VE LOVED YOU SO LONG" is a film about the strength of women, their capacity to shine forth, reconstruct themselves and be reborn. A story about our secrets, about confinement, about the isolation we all share…." - Philippe Claudel SYNOPSIS Léa (Elsa Zylberstein) and Juliette (Kristin Scott Thomas) are sisters. The film begins with Léa, the younger sister by fifteen years, picking Juliette up at the airport. We soon realize that the two sisters are almost complete strangers to each other. Juliette has just been released from prison after serving a long sentence. Léa was still a teenager when Juliette, a doctor, was convicted of the murder of her six-year-old son. Léa contacted Juliette when she was released and suggested that Juliette come to live with her. Juliette had no particular desire to see her sister again. Luc (Serge Hazanavicius), Léa’s husband, is quite reserved, almost hostile, about Juliette’s presence under their roof. -
The Burgundy Report Vintages 2009 & 2010
J.J. BUCKLEY FINE WINES The Burgundy Report Vintages 2009 & 2010 web: jjbuckley.com phone: 888.85.wines (888.859.4637) email: [email protected] twitter: @jjbuckleywines 7305 edgewater drive, suite d | oakland, ca 94621 2010 BURGUNDY REPORT Authors Chuck Hayward Christopher Massie Editors Paige Granback Deborah Adeyanju Alexandra Fondren Contributing Writers Cory Gowan John Sweeney All photography supplied by Chuck Hayward. All rights reserved. For questions or comments, please email: [email protected] 2 TABLE OF CONTENTS Introducing Burgundy 3 Burgundy: A History 4 Hierarchies in Burgundy 6-8 The Region 9-15 House Styles 16 Vintages in Burgundy 17-19 The Negociants 20-21 Negociant profiles 22-25 An American in Burgundy 26-28 Where to Wine and Dine 29-32 The Future of Burgundy 33-36 Winery Profiles and Tasting Notes 37-98 About This Report 99 3 INTRODUCING BURGUNDY Burgundy is a unique part of the wine culty in growing the grape and fashion- experiencing such a wine, the need to world. Its viticultural history extends ing it into wine is well known. Finally, experience it again and again exerts an back two thousand years. It has pro- the vineyards have been divided and irresistible pull. The search becomes as duced wines that inspired great literary subdivided into plots of various sizes exciting, if not more so, than drinking works. Its vineyards are known and names, then ranked according to the wine. throughout the world and its wines their designated quality level. What you Adopting the idea that pinot represents command some of the highest prices. -
Westminsterresearch the Artist Biopic
WestminsterResearch http://www.westminster.ac.uk/westminsterresearch The artist biopic: a historical analysis of narrative cinema, 1934- 2010 Bovey, D. This is an electronic version of a PhD thesis awarded by the University of Westminster. © Mr David Bovey, 2015. The WestminsterResearch online digital archive at the University of Westminster aims to make the research output of the University available to a wider audience. Copyright and Moral Rights remain with the authors and/or copyright owners. Whilst further distribution of specific materials from within this archive is forbidden, you may freely distribute the URL of WestminsterResearch: ((http://westminsterresearch.wmin.ac.uk/). In case of abuse or copyright appearing without permission e-mail [email protected] 1 THE ARTIST BIOPIC: A HISTORICAL ANALYSIS OF NARRATIVE CINEMA, 1934-2010 DAVID ALLAN BOVEY A thesis submitted in partial fulfilment of the requirements of the University of Westminster for the degree of Master of Philosophy December 2015 2 ABSTRACT The thesis provides an historical overview of the artist biopic that has emerged as a distinct sub-genre of the biopic as a whole, totalling some ninety films from Europe and America alone since the first talking artist biopic in 1934. Their making usually reflects a determination on the part of the director or star to see the artist as an alter-ego. Many of them were adaptations of successful literary works, which tempted financial backers by having a ready-made audience based on a pre-established reputation. The sub-genre’s development is explored via the grouping of films with associated themes and the use of case studies. -
Catalogue-2018 Web W Covers.Pdf
A LOOK TO THE FUTURE 22 years in Hollywood… The COLCOA French Film this year. The French NeWave 2.0 lineup on Saturday is Festival has become a reference for many and a composed of first films written and directed by women. landmark with a non-stop growing popularity year after The Focus on a Filmmaker day will be offered to writer, year. This longevity has several reasons: the continued director, actor Mélanie Laurent and one of our panels will support of its creator, the Franco-American Cultural address the role of women in the French film industry. Fund (a unique partnership between DGA, MPA, SACEM and WGA West); the faithfulness of our audience and The future is also about new talent highlighted at sponsors; the interest of professionals (American and the festival. A large number of filmmakers invited to French filmmakers, distributors, producers, agents, COLCOA this year are newcomers. The popular compe- journalists); our unique location – the Directors Guild of tition dedicated to short films is back with a record 23 America in Hollywood – and, of course, the involvement films selected, and first films represent a significant part of a dedicated team. of the cinema selection. As in 2017, you will also be able to discover the work of new talent through our Television, Now, because of the continuing digital (r)evolution in Digital Series and Virtual Reality selections. the film and television series industry, the life of a film or series depends on people who spread the word and The future is, ultimately, about a new generation of foreign create a buzz. -
Here Was Obviously No Way to Imagine the Event Taking Place Anywhere Else
New theatre, new dates, new profile, new partners: WELCOME TO THE 23rd AND REVAMPED VERSION OF COLCOA! COLCOA’s first edition took place in April 1997, eight Finally, the high profile and exclusive 23rd program, years after the DGA theaters were inaugurated. For 22 including North American and U.S Premieres of films years we have had the privilege to premiere French from the recent Cannes and Venice Film Festivals, is films in the most prestigious theater complex in proof that COLCOA has become a major event for Hollywood. professionals in France and in Hollywood. When the Directors Guild of America (co-creator This year, our schedule has been improved in order to of COLCOA with the MPA, La Sacem and the WGA see more films during the day and have more choices West) decided to upgrade both sound and projection between different films offered in our three theatres. As systems in their main theater last year, the FACF board an example, evening screenings in the Renoir theater made the logical decision to postpone the event from will start earlier and give you the opportunity to attend April to September. The DGA building has become part screenings in other theatres after 10:00 p.m. of the festival’s DNA and there was obviously no way to imagine the event taking place anywhere else. All our popular series are back (Film Noir Series, French NeWave 2.0, After 10, World Cinema, documentaries Today, your patience is fully rewarded. First, you will and classics, Focus on a filmmaker and on a composer, rediscover your favorite festival in a very unique and TV series) as well as our educational program, exclusive way: You will be the very first audience to supported by ELMA and offered to 3,000 high school enjoy the most optimal theatrical viewing experience in students. -
The Beauty of the Real: What Hollywood Can
The Beauty of the Real The Beauty of the Real What Hollywood Can Learn from Contemporary French Actresses Mick LaSalle s ta n f or d ge n e r a l b o o k s An Imprint of Stanford University Press Stanford, California Stanford University Press Stanford, California © 2012 by Mick LaSalle. All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying and recording, or in any information storage or retrieval system without the prior written permission of Stanford University Press. Printed in the United States of America on acid-free, archival-quality paper Library of Congress Cataloging-in-Publication Data LaSalle, Mick, author. The beauty of the real : what Hollywood can learn from contemporary French actresses / Mick LaSalle. pages cm Includes bibliographical references and index. ISBN 978-0-8047-6854-2 (cloth : alk. paper) 1. Motion picture actors and actresses--France. 2. Actresses--France. 3. Women in motion pictures. 4. Motion pictures, French--United States. I. Title. PN1998.2.L376 2012 791.43'65220944--dc23 2011049156 Designed by Bruce Lundquist Typeset at Stanford University Press in 10.5/15 Bell MT For my mother, for Joanne, for Amy and for Leba Hertz. Great women. Contents Introduction: Two Myths 1 1 Teen Rebellion 11 2 The Young Woman Alone: Isabelle Huppert, Isabelle Adjani, and Nathalie Baye 23 3 Juliette Binoche, Emmanuelle Béart, and the Temptations of Vanity 37 4 The Shame of Valeria Bruni Tedeschi 49 5 Sandrine Kiberlain 61 6 Sandrine -
Arrêté Fermages Viticoles Côte D'or Récolte 2018
Direction départementale des territoires Service Économie Agricole Le préfet de la région Bourgogne-Franche-Comté et Environnement des Exploitations Préfet de la Côte-d’Or Dossier suivi par : Officier de la Légion d’Honneur Alessandra KIRSCH Officier de l’Ordre National du Mérite [email protected] Tél. 03 80 29 43 52 – Fax : 03 80 29 43 99 ARRETE PREFECTORAL n° 905 du 14/11/2019 fixant le prix annuel des vins pour la récolte 2018 devant servir de base au calcul des fermages dans le département de la Côte-d'Or. VU le code rural et notamment l'article L 411-11 ; VU la loi n° 95-2 du 2 janvier 1995 relative aux prix des fermages ; VU l'arrêté préfectoral n° 678/DDT du 22 octobre 2014 relatif au statut du fermage applicable dans le département de la Côte d’Or ; VU l'arrêté préfectoral n° 211/DDAF du 9 juin 1993, fixant les conditions de paiement des fermages des vins ; VU l’arrêté préfectoral n° 728/SG du 1er octobre 2019 portant délégation de signature à Mme Florence LAUBIER, directrice départementale des territoires de Côte-d’Or ; VU l'avis émis par la Commission départementale paritaire des baux ruraux le 31 octobre 2019 ; Considérant les prix moyens constatés (cours BIVB moyen des trois dernières campagnes) ; Considérant les rendements moyens par appellation constatés au cours des trois dernières campagnes ; Considérant les données nationales moyennes sur les prix des vins en vrac pour la récolte 2018 ; ARRETE ARTICLE 1 er : En application de l’arrêté préfectoral n° 211/DDAF du 9 juin 1993, fixant les nouvelles conditions de paiement