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Joan Baez / Ennio Morricone Here’s To You from the Movie Sacco e Vanzetti Wind Band / Concert Band / Harmonie / Blasorchester / Fanfare Arr.: John Glenesk Mortimer Joan Baez / Ennio Morricone EMR 11908 st 1 Score 2 1 Trombone + st nd 4 1 Flute 2 2 Trombone + nd 4 2 Flute 2 Bass Trombone + 1 Oboe (optional) 2 Baritone + 1 Bassoon (optional) 2 E Bass 1 E Clarinet (optional) 2 B Bass st 5 1 B Clarinet 2 Tuba 4 2nd B Clarinet 1 Piano Reduction (optional) 4 3rd B Clarinet 1 String Bass (optional) 1 B Bass Clarinet (optional) 1 Timpani 1 B Soprano Saxophone (optional) 1 Drums 2 1st E Alto Saxophone 2 2nd E Alto Saxophone 2 B Tenor Saxophone Special Parts Fanfare Parts 1 E Baritone Saxophone (optional) st 1 1st B Trombone 2 1 Flugelhorn 1 E Trumpet / Cornet (optional) nd nd 2 2 Flugelhorn st 1 2 B Trombone 2 1 B Trumpet / Cornet rd 1 B Bass Trombone 2 3 Flugelhorn 2 2nd B Trumpet / Cornet 1 B Baritone 2 3rd B Trumpet / Cornet 1 E Tuba 2 1st F & E Horn 1 B Tuba 2 2nd F & E Horn 2 3rd F & E Horn Print & Listen Drucken & Anhören Imprimer & Ecouter ≤ www.reift.ch Route du Golf 150 CH-3963 Crans-Montana (Switzerland) Tel. +41 (0) 27 483 12 00 Fax +41 (0) 27 483 42 43 E-Mail : [email protected] www.reift.ch DISCOGRAPHY Cinemagic 36 Track Titel / Title Time N° EMR N° EMR N° (Komponist / Composer) Blasorchester Brass Band Concert Band 1 Romancing The Stone (Silvestri) 7’42 EMR 11998 EMR 9563 2 Starship Troopers (Poledouris) 7’05 EMR 12020 EMR 9567 3 Van Helsing (Silvestri) 11’57 EMR 11960 EMR 9564 4 Il Bidone (Rota) 7’47 EMR 11990 EMR 9566 5 Here’s To You (Baez / Morricone) 3’48 EMR 11908 EMR 9565 6 The Untouchables (Morricone) 7’33 EMR 12028 EMR 9568 7 Stargate (Alwyn) 4’36 EMR 12039 EMR 9569 8 Captain Blood (Korngold) 5’33 EMR 12043 EMR 9570 Zu bestellen bei • A commander chez • To be ordered from: Editions Marc Reift • Route du Golf 150 • CH-3963 Crans-Montana (Switzerland) • Tel. +41 (0) 27 483 12 00 • Fax +41 (0) 27 483 42 43 • E-Mail: [email protected] • www.reift.ch Recorded on CD - Auf CD aufgenommen - Enregistré sur CD | Photocopying Here’s To You Words by Joan Baez is illegal! from the Movie Sacco e Vanzetti Music by Ennio Morricone Arr.: John Glenesk Mortimer 2 3 4 5 6 7 8 9 10 11 12 A Allegro moderato q = 112 1st & 2nd Flute Oboe Bassoon 1st B b Clarinet 2nd B b Clarinet 3rd B b Clarinet Bb Bass Clarinet 1st E b Alto Saxophone 2nd E b Alto Saxophone Bb Tenor Saxophone Eb Baritone Saxophone 1st B b Trumpet / Cornet 2nd B b Trumpet / Cornet 3rd B b Trumpet / Cornet 1st F Horn 2nd F Horn 3rd F Horn 1st Trombone p 2nd Trombone p Bass Trombone p Baritone p Tuba in C pp p pizz. String Bass (optional) pp p Timpani Drums Piano p reduction pp (optional) EMR 11908 © COPYRIGHT 1971 UNIVERSAL MUSIC PUBLISHING. USED BY PERMISSION OF MUSIC SALES LIMITED EDITIONS MARC REIFT CH-3963 CRANS-MONTANA (SWITZERLAND) ALL RIGHTS RESERVED - INTERNATIONAL COPYRIGHT SECURED www.reift.ch 4 13 14 15 16 17 18 19 20 21 22 23 24 25 B C Fl.1/2 Ob. Bsn. Cl.1 Cl.2 Cl.3 B.Cl. A.Sax.1 A.Sax.2 T.Sax. B.Sax. Tpt./ Cnt.1 p Tpt./ Cnt.2 p Tpt./ Cnt.3 p Hn.1 p Hn.2 p Hn.3 p Tbn.1 p Tbn.2 p B.Tbn. p Bar. p Tba. Str.B./ B.Gtr. Timp. Drums Pno. EMR 11908 www.reift.ch 5 26 27 28 29 30 31 32D 33 34 35 36 Fl.1/2 p Ob. p Bsn. p Cl.1 p Cl.2 p Cl.3 p B.Cl. p A.Sax.1 p A.Sax.2 p T.Sax. p B.Sax. p Tpt./ Cnt.1 Tpt./ Cnt.2 Tpt./ Cnt.3 Hn.1 Hn.2 Hn.3 Tbn.1 Tbn.2 B.Tbn. Bar. Tba. Str.B./ B.Gtr. Timp. Drums Pno. EMR 11908 www.reift.ch 6 37 38 39 40E 41 42 43 44 45 46 Fl.1/2 mp Ob. mp Bsn. mp Cl.1 mp Cl.2 mp Cl.3 mp B.Cl. mp A.Sax.1 mp A.Sax.2 mp T.Sax. mp B.Sax. mp Tpt./ Cnt.1 Tpt./ Cnt.2 Tpt./ Cnt.3 Hn.1 mp Hn.2 mp Hn.3 Tbn.1 Tbn.2 B.Tbn. Bar. mp Tba. mp Str.B./ B.Gtr. mp Timp. Drums Pno. mp EMR 11908 www.reift.ch 7 47 48F 49 50 51 52 53 54 55 Fl.1/2 mf Ob. mf Bsn. mf Cl.1 mf Cl.2 mf Cl.3 mf B.Cl. mf A.Sax.1 mf A.Sax.2 mf T.Sax. mf B.Sax. mf Tpt./ Cnt.1 Tpt./ Cnt.2 Tpt./ Cnt.3 Hn.1 mf Hn.2 mf Hn.3 mf Tbn.1 mf Tbn.2 .
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    Bibliography ADORNO, THEODOR W (1941). ‘On Popular Music’. On Record: Rock, Pop and the Written Word (ed. S Frith & A Goodwin, 1990): 301-314. London: Routledge (1publ. in Philosophy of Social Sci- ence, 9. 1941, New York: Institute of Social Research: 17-48). —— (1970). Om musikens fetischkaraktär och lyssnandets regression. Göteborg: Musikvetenskapliga in- stitutionen [On the fetish character of music and the regression of listening]. —— (1971). Sociologie de la musique. Musique en jeu, 02: 5-13. —— (1976a). Introduction to the Sociology of Music. New York: Seabury. —— (1976b) Musiksociologi – 12 teoretiska föreläsningar (tr. H Apitzsch). Kristianstad: Cavefors [The Sociology of Music – 12 theoretical lectures]. —— (1977). Letters to Walter Benjamin: ‘Reconciliation under Duress’ and ‘Commitment’. Aesthetics and Politics (ed. E Bloch et al.): 110-133. London: New Left Books. ADVIS, LUIS; GONZÁLEZ, JUAN PABLO (eds., 1994). Clásicos de la Música Popular Chilena 1900-1960. Santiago: Sociedad Chilena del Derecho de Autor. ADVIS, LUIS; CÁCERES, EDUARDO; GARCÍA, FERNANDO; GONZÁLEZ, JUAN PABLO (eds., 1997). Clásicos de la música popular chilena, volumen II, 1960-1973: raíz folclórica - segunda edición. Santia- go: Ediciones Universidad Católica de Chile. AHARONIÁN, CORIúN (1969a). Boom-Tac, Boom-Tac. Marcha, 1969-05-30. —— (1969b) Mesomúsica y educación musical. Educación artística para niños y adolescentes (ed. Tomeo). 1969, Montevideo: Tauro (pp. 81-89). —— (1985) ‘A Latin-American Approach in a Pioneering Essay’. Popular Music Perspectives (ed. D Horn). Göteborg & Exeter: IASPM (pp. 52-65). —— (1992a) ‘Music, Revolution and Dependency in Latin America’. 1789-1989. Musique, Histoire, Dé- mocratie. Colloque international organisé par Vibrations et l’IASPM, Paris 17-20 juillet (ed. A Hennion.
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