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Peter Guber has spent his entire life blazing his own trail. From movies to music to television to sports, he has seized the opportunity and been a pioneer in Peter Guber businesses and industries that are notoriously difficult. A successful executive and entrepreneur in various industries, he has deep strategic and operational experience with universal application. Speech Topics Peter’s diverse career encompasses 40 years of experience that has propelled him to success as an executive, entrepreneur, professional sports team owner, and #1 NYT bestselling author. His extraordinary life has been built on sharing a vision Sports and creating the organization to realize that dream. Marketing In his keynotes, Peter shares lessons he has learned from a life at the highest Management levels of sports and entertainment – revealing tools and processes that inform and Leadership ignite the newest leaders in the business community as they strive to make big Innovation things happen. Peter Guber’s career has been fueled by curiosity and personal reinvention. He is Entrepreneur Chairman and CEO of Mandalay Entertainment Group. Before Mandalay, Peter was Chairman and CEO of Sony Pictures Entertainment, Chairman and CEO of Polygram Entertainment, Owner and Co-Founder of Casablanca Record & Filmworks and President of Columbia Pictures. He produced or executive produced (personally or through his companies) films that garnered five Best Picture Academy Award nominations (winning for Rain Man) and box office hits that include The Color Purple, Midnight Express, Batman, Flashdance, The Kids Are All Right and Soul Surfer. Peter is operating Owner of the three-time NBA Champion Golden State Warriors, an Owner of the six-time National League West Champion, and two-time National League Champion, Los Angeles Dodgers, and an Owner an... Testimonials “The JP Morgan clients have not stopped talking about you! They just loved their evening at Paramount with your riveting talk. We used many of your points the next day during our presentations. Thank you for your time, your energy and your wisdom – we were blessed with all three.” - MARY CALLAHAN ERDOES, CEO of Wealth Management, JP Morgan Chase . "Your words today hit the mark. Journalists are a challenging group to entertain, yet you found a way to inspire them by weaving in empowering stories and life experiences that moved their hearts and minds.” - MARK SHAPIRO, Former CEO Six Flags . 901.754.9404 www.executivespeakers.com.

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Final Appendices
Bibliography ADORNO, THEODOR W (1941). ‘On Popular Music’. On Record: Rock, Pop and the Written Word (ed. S Frith & A Goodwin, 1990): 301-314. London: Routledge (1publ. in Philosophy of Social Sci- ence, 9. 1941, New York: Institute of Social Research: 17-48). —— (1970). Om musikens fetischkaraktär och lyssnandets regression. Göteborg: Musikvetenskapliga in- stitutionen [On the fetish character of music and the regression of listening]. —— (1971). Sociologie de la musique. Musique en jeu, 02: 5-13. —— (1976a). Introduction to the Sociology of Music. New York: Seabury. —— (1976b) Musiksociologi – 12 teoretiska föreläsningar (tr. H Apitzsch). Kristianstad: Cavefors [The Sociology of Music – 12 theoretical lectures]. —— (1977). Letters to Walter Benjamin: ‘Reconciliation under Duress’ and ‘Commitment’. Aesthetics and Politics (ed. E Bloch et al.): 110-133. London: New Left Books. ADVIS, LUIS; GONZÁLEZ, JUAN PABLO (eds., 1994). Clásicos de la Música Popular Chilena 1900-1960. Santiago: Sociedad Chilena del Derecho de Autor. ADVIS, LUIS; CÁCERES, EDUARDO; GARCÍA, FERNANDO; GONZÁLEZ, JUAN PABLO (eds., 1997). Clásicos de la música popular chilena, volumen II, 1960-1973: raíz folclórica - segunda edición. Santia- go: Ediciones Universidad Católica de Chile. AHARONIÁN, CORIúN (1969a). Boom-Tac, Boom-Tac. Marcha, 1969-05-30. —— (1969b) Mesomúsica y educación musical. Educación artística para niños y adolescentes (ed. Tomeo). 1969, Montevideo: Tauro (pp. 81-89). —— (1985) ‘A Latin-American Approach in a Pioneering Essay’. Popular Music Perspectives (ed. D Horn). Göteborg & Exeter: IASPM (pp. 52-65). —— (1992a) ‘Music, Revolution and Dependency in Latin America’. 1789-1989. Musique, Histoire, Dé- mocratie. Colloque international organisé par Vibrations et l’IASPM, Paris 17-20 juillet (ed. A Hennion.
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Flashdance – Show Synopsis
FLASHDANCE – SHOW SYNOPSIS Set in Pittsburgh, USA, Flashdance tells the story of 19 year old girl Alex, a welder by day, and ‘flashdancer’ by night, who dreams of getting a place at the Shipley Dance Academy. With the help of her three friends, Alex’s dreams become a reality. The show was adapted from the 1983 film, and features some well known songs such as MANIAC, GLORIA, I LOVE ROCK & ROLL and, of course, FLASHDANCE – WHAT A FEELING. It’s a fast-paced, energetic musical with something for everyone, whether you want to dance, sing or act. CHARACTER BREAKDOWN NB. To audition for Alex, Keisha, Jazmin, Gloria, Hannah and Nick you must be age 15 years or above on audition day. CHARACTER VOCAL RANGE & NUMBERS DANCE LEVEL ALEX OWENS – 19, steel worker by day, flash Mid range voice – lowest Involved in lots of the numbers – dancer by night. Alex is a strong willed young note is G, below middle sings GLORIA with the girls and a woman who is also witty, energetic, loyal and C. Needs to be able to duet with Hannah called ONE IN A loveable. She is ambitious and a little sing a separate melody MILLION; She also duets with Nick rebellious but sensible and possibly even when singing with a full in a number called DON’T STOP. cautious and sometimes mistrusting of people chorus. Strong dancer – in power. has solo dances. KEISHA – Dancer at the Steel Bar – strong Alto voice – needs to be Some of the numbers she sings are character. One of the team of four dancers able to harmonise.
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Feature Films
Libraries FEATURE FILMS The Media and Reserve Library, located in the lower level of the west wing, has over 9,000 videotapes, DVDs and audiobooks covering a multitude of subjects. For more information on these titles, consult the Libraries' online catalog. 0.5mm DVD-8746 2012 DVD-4759 10 Things I Hate About You DVD-0812 21 Grams DVD-8358 1000 Eyes of Dr. Mabuse DVD-0048 21 Up South Africa DVD-3691 10th Victim DVD-5591 24 Hour Party People DVD-8359 12 DVD-1200 24 Season 1 (Discs 1-3) DVD-2780 Discs 12 and Holding DVD-5110 25th Hour DVD-2291 12 Angry Men DVD-0850 25th Hour c.2 DVD-2291 c.2 12 Monkeys DVD-8358 25th Hour c.3 DVD-2291 c.3 DVD-3375 27 Dresses DVD-8204 12 Years a Slave DVD-7691 28 Days Later DVD-4333 13 Going on 30 DVD-8704 28 Days Later c.2 DVD-4333 c.2 1776 DVD-0397 28 Days Later c.3 DVD-4333 c.3 1900 DVD-4443 28 Weeks Later c.2 DVD-4805 c.2 1984 (Hurt) DVD-6795 3 Days of the Condor DVD-8360 DVD-4640 3 Women DVD-4850 1984 (O'Brien) DVD-6971 3 Worlds of Gulliver DVD-4239 2 Autumns, 3 Summers DVD-7930 3:10 to Yuma DVD-4340 2 or 3 Things I Know About Her DVD-6091 30 Days of Night DVD-4812 20 Million Miles to Earth DVD-3608 300 DVD-9078 20,000 Leagues Under the Sea DVD-8356 DVD-6064 2001: A Space Odyssey DVD-8357 300: Rise of the Empire DVD-9092 DVD-0260 35 Shots of Rum DVD-4729 2010: The Year We Make Contact DVD-3418 36th Chamber of Shaolin DVD-9181 1/25/2018 39 Steps DVD-0337 About Last Night DVD-0928 39 Steps c.2 DVD-0337 c.2 Abraham (Bible Collection) DVD-0602 4 Films by Virgil Wildrich DVD-8361 Absence of Malice DVD-8243
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Everything Began with the Movie Moulin Rouge (2001)
Introduction Everything began with the movie Moulin Rouge (2001). Since I was so obsessed with this hit film, I couldn’t but want to know more about this particular genre - musical films. Then I started to trace the history of this genre back to Hollywood’s classical musical films. It’s interesting that musical films have undergone several revivals and are usually regarded as the products of escapism. Watching those protagonists singing and dancing happily, the audience can daydream freely and forget about the cruel reality. What are the aesthetic artifices of this genre so enchanting that it always catches the eye of audience generation after generation? What kinds of ideal life do these musical films try to depict? Do they (musical films) merely escape from reality or, as a matter of fact, implicitly criticize the society? In regard to the musical films produced by Hollywood, what do they reflect the contemporary social, political or economic situations? To investigate these aspects, I start my research project on the Hollywood musical film genre from the 1950s (its Classical Period) to 2002. However, some people might wonder that among all those Hollywood movies, what is so special about the musical films that makes them distinguish from the other types of movies? On the one hand, the musical film genre indeed has several important contributions to the Hollywood industry, and its influence never wanes even until today. In need of specialty for musical film production, many talented professional dancers and singers thus get the chances to join in Hollywood and prove themselves as great actors (actresses), too.
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Build a Be4er Neplix, Win a Million Dollars?
Build a Be)er Ne,lix, Win a Million Dollars? Lester Mackey 2012 USA Science and Engineering FesDval Nelix • Rents & streams movies and TV shows • 100,000 movie Dtles • 26 million customers Recommends “Movies You’ll ♥” Recommending Movies You’ll ♥ Hated it! Loved it! Recommending Movies You’ll ♥ Recommending Movies You’ll ♥ How This Works Top Secret Now I’m Cinematch Computer Program I don’t unhappy! like this movie. Your Predicted Rang: Back at Ne,lix How can we Let’s have a improve contest! Cinematch? What should the prize be? How about $1 million? The Ne,lix Prize October 2, 2006 • Contest open to the world • 100 million movie rangs released to public • Goal: Create computer program to predict rangs • $1 Million Grand Prize for beang Cinematch accuracy by 10% • $50,000 Progress Prize for the team with the best predicDons each year 5,100 teams from 186 countries entered Dinosaur Planet David Weiss David Lin Lester Mackey Team Dinosaur Planet The Rangs • Training Set – What computer programs use to learn customer preferences – Each entry: July 5, 1999 – 100,500,000 rangs in total – 480,000 customers and 18,000 movies The Rangs: A Closer Look Highest Rated Movies The Shawshank RedempDon Lord of the Rings: The Return of the King Raiders of the Lost Ark Lord of the Rings: The Two Towers Finding Nemo The Green Mile Most Divisive Movies Fahrenheit 9/11 Napoleon Dynamite Pearl Harbor Miss Congeniality Lost in Translaon The Royal Tenenbaums How the Contest Worked • Quiz Set & Test Set – Used to evaluate accuracy of computer programs – Each entry: Rang Sept.
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Bibliographie Der Filmmusik: Ergänzungen II (2014–2020)
Repositorium für die Medienwissenschaft Hans Jürgen Wulff; Ludger Kaczmarek Bibliographie der Filmmusik: Ergänzungen II (2014– 2020) 2020 https://doi.org/10.25969/mediarep/14981 Veröffentlichungsversion / published version Buch / book Empfohlene Zitierung / Suggested Citation: Wulff, Hans Jürgen; Kaczmarek, Ludger: Bibliographie der Filmmusik: Ergänzungen II (2014–2020). Westerkappeln: DerWulff.de 2020 (Medienwissenschaft: Berichte und Papiere 197). DOI: https://doi.org/10.25969/mediarep/14981. Erstmalig hier erschienen / Initial publication here: http://berichte.derwulff.de/0197_20.pdf Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 4.0/ Attribution - Non Commercial - No Derivatives 4.0/ License. For Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0/ https://creativecommons.org/licenses/by-nc-nd/4.0/ Medienwissenschaft: Berichte und Papiere 197, 2020: Filmmusik: Ergänzungen II (2014–2020). Redaktion und Copyright dieser Ausgabe: Hans J. Wulff u. Ludger Kaczmarek. ISSN 2366-6404. URL: http://berichte.derwulff.de/0197_20.pdf. CC BY-NC-ND 4.0. Letzte Änderung: 19.10.2020. Bibliographie der Filmmusik: Ergänzungen II (2014–2020) Zusammengestell !on "ans #$ %ul& und 'udger (aczmarek Mit der folgenden Bibliographie stellen wir unseren Leser_innen die zweite Fortschrei- bung der „Bibliographie der Filmmusik“ vor die wir !""# in Medienwissenschaft: Berichte und Papiere $#% !""#& 'rgänzung )* +,% !"+-. begr/ndet haben. 1owohl dieser s2noptische 3berblick wie auch diverse Bibliographien und Filmographien zu 1pezialproblemen der Filmmusikforschung zeigen, wie zentral das Feld inzwischen als 4eildisziplin der Musik- wissenscha5 am 6ande der Medienwissenschaft mit 3bergängen in ein eigenes Feld der Sound Studies geworden ist.
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SB Resume 1:19
STEVEN R. BERNSTEIN Representation: Soundtrack Music Associates (310) 260-1023 TELEVISION ANIMANIACS (2020 ‘reboot’) Warner Brothers Animated Series: Underscore, Songs, Orchestration (26 episodes) ANIMANIACS (STEVEN SPIELBERG PRESENTS) Warner Brothers Animated Series: Underscore, Songs (See AWARDS) PINKY AND THE BRAIN (STEVEN SPIELBERG PRESENTS) Warner Brothers Animated Series: Underscore, Songs, Vocals (See AWARDS) PINKY, ELMYRA AND THE BRAIN Warner Brothers (STEVEN SPIELBERG PRESENTS) Animated Series: Underscore, Vocals (Main Title) FREAKAZOID (STEVEN SPIELBERG PRESENTS) Warner Brothers Animated Series (See AWARDS) HISTERIA! Warner Brothers Animated Series: Underscore, Songs, Vocals (See AWARDS) BABY LOONEY TUNES Warner Brothers Animated Series (See AWARDS) SYLVESTER AND TWEETY MYSTERIES Warner Brothers Animated Series TAZ-MANIA Warner Brothers Animated Series TINY TOONS: IT’S A WONDERFUL CHRISTMAS Warner Brothers (STEVEN SPIELBERG PRESENTS) Animated Special TINY TOONS: NIGHT GHOULERY (STEVEN SPIELBERG PRESENTS) Warner Brothers Animated Special TINY TOONS: EASTER SPECIAL (STEVEN SPIELBERG PRESENTS) Warner Brothers Animated Special TINY TOON ADVENTURES Warner Brothers (STEVEN SPIELBERG PRESENTS) Animated Series: Additional Music, Orchestration (more) STEVEN R. BERNSTEIN (Television cont.) TOONSYLVANIA (STEVEN SPIELBERG PRESENTS) Dreamworks Animated Series: Main Title SAFETY SMART: ONLINE SAFETY Disney Animated Educational Video: Underscore HAVE A LAUGH Disney Animated Interstitials: Restoration of original scores, Arrangements, Additional
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Spectacle and Imperialism in Hollywood
EVIL EMPIRE: SPECTACLE AND IMPERIALISM IN HOLLYWOOD Scott Forsyth It was just robbery with violence, aggravated murder on a great scale and men going at it blind-as is very proper for those who tackle a darkness. The conquest of the earth, which mostly means the taking it away from those who have a different complexion or slightly flatter noses than ourselves, is not a pretty thing when you look into it too much. What redeems it is the idea only. something you can set up, and bow down before, and offer a sacrifice to. Heart of Darkness, Joseph Conrad, 1902 Next time I'll know to send Rambo. Ronald Reagan, 1985 Conrad's Marlowe and Reagan's Rambo can still speak with one another. Despite what we could call a diminution in aesthetic language they address the same epoch-the epoch of imperialism, what we call the last stage, grimly and optimistically, of capitalism-and its violent transformation in wars and revolutions. Marlowe's tale is the tragic derangement of the ennobling mission, civilization imperilled by the wilderness's evil impulses- in the tradition of the nineteenth century realist novel, both romanticisa- tion and lament over advancing capitalism and its ideological contra- dictions. Rambo, equally enamoured of imperial adventure but hardly gesturing at 'the idea', is merely ready for tactical duty, rhetorically and physiologically fitted to serve the chief imperialist's bitter, if laconically phrased, vengeance. It is not surprising that the actor in the White House turns to the movies for political rhetoric, perceives the world, the inter- national class struggle, as if he were in the more comforting, more enter- taining world of the movies.
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"A" - You're Adorable (The Alphabet Song) 1948 Buddy Kaye Fred Wise Sidney Lippman 1 Piano Solo | Twelfth 12Th Street Rag 1914 Euday L
Box Title Year Lyricist if known Composer if known Creator3 Notes # "A" - You're Adorable (The Alphabet Song) 1948 Buddy Kaye Fred Wise Sidney Lippman 1 piano solo | Twelfth 12th Street Rag 1914 Euday L. Bowman Street Rag 1 3rd Man Theme, The (The Harry Lime piano solo | The Theme) 1949 Anton Karas Third Man 1 A, E, I, O, U: The Dance Step Language Song 1937 Louis Vecchio 1 Aba Daba Honeymoon, The 1914 Arthur Fields Walter Donovan 1 Abide With Me 1901 John Wiegand 1 Abilene 1963 John D. Loudermilk Lester Brown 1 About a Quarter to Nine 1935 Al Dubin Harry Warren 1 About Face 1948 Sam Lerner Gerald Marks 1 Abraham 1931 Bob MacGimsey 1 Abraham 1942 Irving Berlin 1 Abraham, Martin and John 1968 Dick Holler 1 Absence Makes the Heart Grow Fonder (For Somebody Else) 1929 Lewis Harry Warren Young 1 Absent 1927 John W. Metcalf 1 Acabaste! (Bolero-Son) 1944 Al Stewart Anselmo Sacasas Castro Valencia Jose Pafumy 1 Ac-cent-tchu-ate the Positive 1944 Johnny Mercer Harold Arlen 1 Ac-cent-tchu-ate the Positive 1944 Johnny Mercer Harold Arlen 1 Accidents Will Happen 1950 Johnny Burke James Van Huesen 1 According to the Moonlight 1935 Jack Yellen Joseph Meyer Herb Magidson 1 Ace In the Hole, The 1909 James Dempsey George Mitchell 1 Acquaint Now Thyself With Him 1960 Michael Head 1 Acres of Diamonds 1959 Arthur Smith 1 Across the Alley From the Alamo 1947 Joe Greene 1 Across the Blue Aegean Sea 1935 Anna Moody Gena Branscombe 1 Across the Bridge of Dreams 1927 Gus Kahn Joe Burke 1 Across the Wide Missouri (A-Roll A-Roll A-Ree) 1951 Ervin Drake Jimmy Shirl 1 Adele 1913 Paul Herve Jean Briquet Edward Paulton Adolph Philipp 1 Adeste Fideles (Portuguese Hymn) 1901 Jas.
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Flashdance What a Feeling String Quintet Arr Adrian Wagner Sheet Music
Flashdance What A Feeling String Quintet Arr Adrian Wagner Sheet Music Download flashdance what a feeling string quintet arr adrian wagner sheet music pdf now available in our library. We give you 6 pages partial preview of flashdance what a feeling string quintet arr adrian wagner sheet music that you can try for free. This music notes has been read 9985 times and last read at 2021-09-22 05:56:37. In order to continue read the entire sheet music of flashdance what a feeling string quintet arr adrian wagner you need to signup, download music sheet notes in pdf format also available for offline reading. Instrument: Double Bass Ensemble: String Orchestra, String Quintet Level: Intermediate [ Read Sheet Music ] Other Sheet Music Flashdance What A Feeling Wind Quintet Arr Adrian Wagner Flashdance What A Feeling Wind Quintet Arr Adrian Wagner sheet music has been read 9261 times. Flashdance what a feeling wind quintet arr adrian wagner arrangement is for Intermediate level. The music notes has 6 preview and last read at 2021-09-22 05:56:38. [ Read More ] Flashdance What A Feeling Brass Quintet Arr Adrian Wagner Flashdance What A Feeling Brass Quintet Arr Adrian Wagner sheet music has been read 9769 times. Flashdance what a feeling brass quintet arr adrian wagner arrangement is for Intermediate level. The music notes has 6 preview and last read at 2021-09-22 05:56:51. [ Read More ] Flashdance What A Feeling Saxophone Quintet Arr Adrian Wagner Flashdance What A Feeling Saxophone Quintet Arr Adrian Wagner sheet music has been read 10140 times.
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Joan Baez / Ennio Morricone
Here’s To You from the Movie Sacco e Vanzetti Wind Band / Concert Band / Harmonie / Blasorchester / Fanfare Arr.: John Glenesk Mortimer Joan Baez / Ennio Morricone EMR 11908 st 1 Score 2 1 Trombone + st nd 4 1 Flute 2 2 Trombone + nd 4 2 Flute 2 Bass Trombone + 1 Oboe (optional) 2 Baritone + 1 Bassoon (optional) 2 E Bass 1 E Clarinet (optional) 2 B Bass st 5 1 B Clarinet 2 Tuba 4 2nd B Clarinet 1 Piano Reduction (optional) 4 3rd B Clarinet 1 String Bass (optional) 1 B Bass Clarinet (optional) 1 Timpani 1 B Soprano Saxophone (optional) 1 Drums 2 1st E Alto Saxophone 2 2nd E Alto Saxophone 2 B Tenor Saxophone Special Parts Fanfare Parts 1 E Baritone Saxophone (optional) st 1 1st B Trombone 2 1 Flugelhorn 1 E Trumpet / Cornet (optional) nd nd 2 2 Flugelhorn st 1 2 B Trombone 2 1 B Trumpet / Cornet rd 1 B Bass Trombone 2 3 Flugelhorn 2 2nd B Trumpet / Cornet 1 B Baritone 2 3rd B Trumpet / Cornet 1 E Tuba 2 1st F & E Horn 1 B Tuba 2 2nd F & E Horn 2 3rd F & E Horn Print & Listen Drucken & Anhören Imprimer & Ecouter ≤ www.reift.ch Route du Golf 150 CH-3963 Crans-Montana (Switzerland) Tel. +41 (0) 27 483 12 00 Fax +41 (0) 27 483 42 43 E-Mail : [email protected] www.reift.ch DISCOGRAPHY Cinemagic 36 Track Titel / Title Time N° EMR N° EMR N° (Komponist / Composer) Blasorchester Brass Band Concert Band 1 Romancing The Stone (Silvestri) 7’42 EMR 11998 EMR 9563 2 Starship Troopers (Poledouris) 7’05 EMR 12020 EMR 9567 3 Van Helsing (Silvestri) 11’57 EMR 11960 EMR 9564 4 Il Bidone (Rota) 7’47 EMR 11990 EMR 9566 5 Here’s To You (Baez / Morricone) 3’48 EMR 11908 EMR 9565 6 The Untouchables (Morricone) 7’33 EMR 12028 EMR 9568 7 Stargate (Alwyn) 4’36 EMR 12039 EMR 9569 8 Captain Blood (Korngold) 5’33 EMR 12043 EMR 9570 Zu bestellen bei • A commander chez • To be ordered from: Editions Marc Reift • Route du Golf 150 • CH-3963 Crans-Montana (Switzerland) • Tel.
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Back to the Future Howard Shore:The Cell
Original Music Soundtracks for Motion Pictures and TV V OLUME 5 , N UMBER 9 / 1 0 Art-house Action page 45 09 > ALAN SILVESTRI: CAST AWAY PLUS: BACK TO THE FUTURE 7 252 74 9 3 7 0 4 2 $4.95 U.S. • $5.95 Canada HOWARD SHORE: THE CELL Two new scores by the legendary composer of The Mission and A Fistful Of Dollars. GAUMONT AND LEGenDE enTrePriSES PReSENT Also Available: The Mission Film Music Vol. I Film Music Vol. II MUSicic BYBY ENNIO MORRICONE a ROLAND JOFFÉ film IN STORES FEBRUARY 13 ©2001 Virgin Records America, Inc. v CONTENTS NOVEMBER/DECEMBER 2000 cover story departments 26 101 Great Film Scores on CD 2 Editorial Here at the end of the year, century, millennium, Counting the Votes. whatever—FSM sticks out its collective neck and selects the ultimate list of influential, significant 4 News and enjoyable soundtracks released on CD. Hoyt Curtin, 1922-2000; By Joe Sikoryak, with John Bender, Jeff Bond, Winter Awards Winners. Jason Comerford, Tim Curran, Jeff Eldridge, 5 Record Label Jonathan Z. Kaplan, Lukas Kendall Round-up & Chris Stavrakis What’s on the way. 6 Now Playing 33 21 Should’a Been Contenders Movies and CDs in release. Go back to Back to the Future for 41 Missing in Action 8 Concerts ’round-the-clock analysis. Live performances page 16 around the world. f e a t u r e s 9 Upcoming Assignments 14 To Score or Not To Score? Who’s writing what Composer Alan Silvestri found his music for whom. struggling for survival in the post-production of Cast Away.
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