New Campus Tips Diversity

Total Page:16

File Type:pdf, Size:1020Kb

New Campus Tips Diversity © 2019 Storyteller Distribution Co., LLC All Rights Reserved. SWANK MOTION PICTURESU Spring Inspire6Programming Toolkit Edition © 2019 Warner Bros. Ent. All rights reserved. © 2019 Warner © Columbia Pictures Industries, Inc. © 2019 Disney Enterprises Inc. In This Issue: ReleasesNew © Lions Gate Entertainment, Inc. Diversity & Inclusion Campus Spotlight Ti p s & Tricks © Paramount Pictures NEW Releases EVENT & PROMO IDEAS Aquaman Anticipated 3/06 Event Idea: Make your showing a dive-in event, complete with plenty of inflatables and water-themed games before the show. Promo Idea: Pass out gummy fish and sharks while tabling for the showing. Ralph Breaks the Internet Available 1/31 Event Idea: Host a video game tournament before the show. Include a simple VR component (downloaded app paired with an inexpensive headset) so students can feel like they’re in the game. Promo Idea: For your digital invites, overlay the event details onto classic memes from the late 90s and early 2000s. Spider-Man: Into the © 2019 Disney Enterprises Inc. Spider-Verse © 2019 WBEI TM & DC Comics Anticipated 2/20 Event Idea: Partner with your athletics group to create a tangled web obstacle course! Pass out prizes to the students with the fastest spidey skills. Promo Idea: Challenge students to write their own Spider-Man comic story and post it on social so everyone can vote on the winner – which will be revealed at your movie event. Green Book Available Now Event Idea: Before the show, invite a history professor or member of your black student organization to provide background information on the actual “The Negro Motorist Green-Book” referenced in the movie. Promo Idea: One of the film’s main characters is a chauffeur, so dress up as one and carry a sign around campus promoting the event. Play some of Tony Shirley’s incredible music to grab interest as you go. © Columbia Pictures Industries, Inc. © 2019 Storyteller Distribution, LLC. All Rights Rserved. Contact us to add these titles to your movie series!1.800.876.5577 | swank.com/college Bumblebee Anticipated 2/27 Event Idea: Help protect endangered bumblebees on your campus – as well as bolster other environmental causes – by partnering with your campus’ sustainability group to educate students before the show! Promo Idea: Have a volunteer wear a bumblebee costume and “fly” around campus handing out flyers. Beautiful Boy Available Now Event Idea: Invite a faculty member from your counseling or student affairs departments to discuss substance abuse on college campuses and resources available to help those in need. Promo Idea: Host a writing contest asking students to submit stories about their parents. Ask members of your English department to serve as judges, and announce the winner at the show. © Paramount Pictures © Amazon Studios Ben Is Back Anticipated 1/18 Event Idea: Lead a discussion after the film about the impact addiction has on the person’s entire circle of family and friends, and the ripple effect that often takes place. Promo Idea: Ensure a large audience at this impactful film by promoting in residence halls, wellness centers and on your school’s social media. Vice Anticipated 3/13 Event Idea: Christian Bale looks almost unrecognizable in the film as Dick Cheney. See if your students can do the same by challenging them to come dressed as a famous politician and voting on the best disguise! Promo Idea: Create memes advertising your event using images of famous past vice presidents. © Lions Gate Entertainment, Inc. © 2019 ANNAPURNA PRODUCTIONS, LLC. Contact us to add these titles to your movie series!1.800.876.5577 | swank.com/college NEW Releases EVENT & PROMO IDEAS A Star Is Born Anticipated 2/08 Event Idea: Discover the next Ally at your school by hosting a singing competition before the show, or do a low-key open mic night to spotlight your campus’ talent! Promo Idea: Write a short, fun original song then turn it into a music video and blast it all over social to promote your event. Mary Poppins Returns Anticipated 3/06 Event Idea: Do a fun spin on the egg on the spoon game by challenging students to hold a spoon filled with sugar cubes in their mouth as they walk through a mini course. The fastest participant with the most cubes left on their spoon is the winner! Promo Idea: Walk around with red umbrellas to hand out flyers, or chalk event details onto your campus sidewalks. © 2019 Warner Bros. Ent. All rights reserved. © 2019 Warner © 2019 Disney Enterprises Inc. Escape Room Anticipated 3/13 Event Idea: Challenge attendees to your very own mini escape room before the show! You can ask a local escape room business to help in exchange for promoting their full experience to students. Promo Idea: Have mini puzzle challenges at your promotions booth students can solve to win a small prize. Glass Anticipated 4/03 Event Idea: Make it a double – or a spread out triple – feature by showing “Unbreakable” or “Split” – M. Night Shyamalan’s two films that lead up to this new release. Promo Idea: Try to scare professors and school leaders, film it and create a short video to post on social promoting the event! © Columbia Pictures Industries, Inc.a All Rights Reserved. © 2019 Universal City Studios Productions LLLP. Contact us to add these titles to your movie series!1.800.876.5577 | swank.com/college Instant Family Available 1/16 Event Idea: Make your movie showing a fundraising event to raise donations – either supplies or money – for group homes and foster care organizations. Promo Idea: Invite friends to take instant awkward “family” photos in your student union using a Polaroid camera with the event details pre-printed on the back of the photo paper. Mid90s Available 1/08 Event Idea: Theme your event as a totally awesome 90s party – complete with a splatter paint photo op, fortune teller garland decorations and costume contest! Promo Idea: Hand out classic 90s candy, like Baby Bottle Pops, Hubba Bubba and Ring Pops at your promo table. © Paramount Pictures © A24 Films Second Act Anticipated 2/27 Event Idea: Help students get their first act right by pairing your event with a career fair so students can find their true passion! Promo Idea: For a fun spin on your flyers, make them look like job resumes! Fantastic Beasts: The Crimes of Grindelwald Available 1/18 Event Idea: Spotlight Newt Scamandar’s love for all creatures by raising money for an endangered species or collecting items for your local animal shelter! Promo Idea: Encourage students to submit photos of their own “fantastic beasts” aka beloved pets. Have people vote for the best entry and announce the winner at the event! © 2019 STX Entertainment © 2019 WBEI Publishing Rights J.K.R. TM Contact us to add these titles to your movie series!1.800.876.5577 | swank.com/college PROGRAMMING Spotlight DIVERSITY & INCLUSION SPRING IS FILLED WITH MANY IMPORTANT AWARENESS INITIATIVES. Honor them by leading important conversations around diversity and inclusion following your screenings. Ask your Account Executive about our movie discussion guides. MOVIE DISCUSSION GUIDE “ We hosted a discussion after showingChi-Raq during Black History Green Book “Green Book” is based on the true story of an unlikely Month, which was friendship between world-class, black pianist Don Shirley and the Italian-American bouncer hired to protect him incredibly impactful. We during a 1962 concert tour from Manhattan to the Deep South. Named after a guidebook listing black-friendly promoted the event as businesses to aid black motorists during road travel, this film shares the experience of two men from different backgrounds who face racism, dangers – as well as part of a Black History humanity and humor – together during a journey through Month display in the segregated Jim Crow country. student union.” © 2019 Storyteller Distribution Co., LLC All Right Reserved. – LeAnne Sipe Programming Suggestions University of New Orleans, LA This discussion guide is designed to facilitate educational programs after viewing the film “Green Book.” Its purpose is to generate discussion based on social issues found within the movie and for program participants to reflect on themes that might be pertinent to them. Therefore, there are no “right” or “wrong” answers to questions in this guide. The discussion facilitator may choose to utilize one of the following activities as a means of developing discussion: Issues Follow the University of New • Partner with your musical department for a performance of Don Shirley’s music before the movie. Race Orleans’ lead using our free Black • Tony makes assumptions about Don based on his race. Ask members of your black student organization to come and lead the post-show Class History Month discussion guides. discussion – particularly regarding the generalizations people make about black people even today. Human • Before the show, invite a history professor to provide insight into how Connection Italians and African-Americans would have treated during that time in Stereotypes America, as well as the Green Book’s significance. • Honor Tony’s love of eating by making your showing a foodie event! Empathy Include a DIY spaghetti bar, order KFC or have a pizza party! Call us at 1.800.876.5577 today or request a discussion guide online at bit.ly/SwankDiscussion. DIVERSITY & INCLUSION Reflect the conversations and movements happening Black History Month on your campus with a showing of a relevant new release. © 2019 Lava Films LLC. All Rights Reserved. © 2019 Marvel © Paramount Pictures © 2019 Oakland Moving Pictures, LLC © NEON Rated, LLC. All Rights Reserved Pay tribute to the successes, struggles, accomplishments and talents Women’s History Month of women both past and present with a female-focused, true story film! ® © Focus Features LLC. © IFC Films © Bleecker Street Media, LLC © 2019 Home Box Office, Inc.
Recommended publications
  • How Lego Constructs a Cross-Promotional Franchise with Video Games David Robert Wooten University of Wisconsin-Milwaukee
    University of Wisconsin Milwaukee UWM Digital Commons Theses and Dissertations August 2013 How Lego Constructs a Cross-promotional Franchise with Video Games David Robert Wooten University of Wisconsin-Milwaukee Follow this and additional works at: https://dc.uwm.edu/etd Part of the Mass Communication Commons Recommended Citation Wooten, David Robert, "How Lego Constructs a Cross-promotional Franchise with Video Games" (2013). Theses and Dissertations. 273. https://dc.uwm.edu/etd/273 This Thesis is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UWM Digital Commons. For more information, please contact [email protected]. HOW LEGO CONSTRUCTS A CROSS-PROMOTIONAL FRANCHISE WITH VIDEO GAMES by David Wooten A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in Media Studies at The University of Wisconsin-Milwaukee August 2013 ABSTRACT HOW LEGO CONSTRUCTS A CROSS-PROMOTIONAL FRANCHISE WITH VIDEO GAMES by David Wooten The University of Wisconsin-Milwaukee, 2013 Under the Supervision of Professor Michael Newman The purpose of this project is to examine how the cross-promotional Lego video game series functions as the site of a complex relationship between a major toy manufacturer and several media conglomerates simultaneously to create this series of licensed texts. The Lego video game series is financially successful outselling traditionally produced licensed video games. The Lego series also receives critical acclaim from both gaming magazine reviews and user reviews. By conducting both an industrial and audience address study, this project displays how texts that begin as promotional products for Hollywood movies and a toy line can grow into their own franchise of releases that stills bolster the original work.
    [Show full text]
  • Summer Classic Film Series, Now in Its 43Rd Year
    Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre.
    [Show full text]
  • Cablelabs Studio Code List 05/01/2006
    CableLabs Studio Code List 05/01/2006 Studio Name Code Last Update 05/05/2006 1 120 Degree Films 120D 2 1st National FSN 3 2 Silks Releasing 2SR 4 20th Century Fox FOX 5 21st Century 21ST 6 2nd Generation 2GN 7 4th & Broadway 4TH 8 50th Street 50TH 9 7th Planet Prods 7PP 10 8X Entertainment 8X 11 A.D.G. ADG 12 A.I.P. Studios AIPS 13 Abramorama Entertainment ABR 14 Academy ACD 15 Access Motion Picture Group ACM 16 ADV Films ADV 17 AFD Theatrical AFDT 18 Alive ALV 19 Alliance Atlantis Communications AA 20 Alliance International Pictures AIP 21 Almi ALM 22 American International Pictures AINT 23 American Vacation Production AVP 24 American World Pictures AWP 25 American Zoetrope AZO 26 Amoon AMO 27 Andora Pictures AND 28 Angelika ANG 29 A-Pix APIX 30 Apollo APO 31 Apple and Honey Film Corp. AHFC 32 Arab Films ARAB 33 Arcangelo Entertainment ARC 34 Arenaplex ARN 35 Arenas Entertainment ARNS 36 Aries ARI 37 Ariztical Entertainment ARIZ 38 Arrival Pictures ARR 39 Arrow Releasing ARW 40 Arthouse Films AHF 41 Artificial Eye ARTI 42 Artisan ARTS 43 Artist View Ent. ARV 44 Artistic License ARTL 45 Artists Releasing Corp ARP 46 ArtMattan Productions AMP 47 Artrution Productions ART 48 ASA Communications ASA 49 Ascot ASC 50 Associated Film Distribution AFD 51 Astor Pictures AST 1 CableLabs Studio Code List 05/01/2006 Studio Name Code Last Update 05/05/2006 52 Astral Films ASRL 53 At An Angle ANGL 54 Atlantic ATL 55 Atopia ATP 56 Attitude Films ATT 57 Avalanche Films AVF 58 Avatar Films AVA 59 Avco Embassy AEM 60 Avenue AVE 61 B&W Prods.
    [Show full text]
  • “Why So Serious?” Comics, Film and Politics, Or the Comic Book Film As the Answer to the Question of Identity and Narrative in a Post-9/11 World
    ABSTRACT “WHY SO SERIOUS?” COMICS, FILM AND POLITICS, OR THE COMIC BOOK FILM AS THE ANSWER TO THE QUESTION OF IDENTITY AND NARRATIVE IN A POST-9/11 WORLD by Kyle Andrew Moody This thesis analyzes a trend in a subgenre of motion pictures that are designed to not only entertain, but also provide a message for the modern world after the terrorist attacks of September 11, 2001. The analysis provides a critical look at three different films as artifacts of post-9/11 culture, showing how the integration of certain elements made them allegorical works regarding the status of the United States in the aftermath of the attacks. Jean Baudrillard‟s postmodern theory of simulation and simulacra was utilized to provide a context for the films that tap into themes reflecting post-9/11 reality. The results were analyzed by critically examining the source material, with a cultural criticism emerging regarding the progression of this subgenre of motion pictures as meaningful work. “WHY SO SERIOUS?” COMICS, FILM AND POLITICS, OR THE COMIC BOOK FILM AS THE ANSWER TO THE QUESTION OF IDENTITY AND NARRATIVE IN A POST-9/11 WORLD A Thesis Submitted to the Faculty of Miami University in partial fulfillment of the requirements for the degree of Master of Arts Department of Communications Mass Communications Area by Kyle Andrew Moody Miami University Oxford, Ohio 2009 Advisor ___________________ Dr. Bruce Drushel Reader ___________________ Dr. Ronald Scott Reader ___________________ Dr. David Sholle TABLE OF CONTENTS ACKNOWLEDGMENTS .......................................................................................................................... III CHAPTER ONE: COMIC BOOK MOVIES AND THE REAL WORLD ............................................. 1 PURPOSE OF STUDY ...................................................................................................................................
    [Show full text]
  • Crossroads Film and Television Program List
    Crossroads Film and Television Program List This resource list will help expand your programmatic options for the Crossroads exhibition. Work with your local library, schools, and daycare centers to introduce age-appropriate books that focus on themes featured in the exhibition. Help libraries and bookstores to host book clubs, discussion programs or other learning opportunities, or develop a display with books on the subject. This list is not exhaustive or even all encompassing – it will simply get you started. Rural themes appeared in feature-length films from the beginning of silent movies. The subject matter appealed to audiences, many of whom had relatives or direct experience with life in rural America. Historian Hal Barron explores rural melodrama in “Rural America on the Silent Screen,” Agricultural History 80 (Fall 2006), pp. 383-410. Over the decades, film and television series dramatized, romanticized, sensationalized, and even trivialized rural life, landscapes and experiences. Audiences remained loyal, tuning in to series syndicated on non-network channels. Rural themes still appear in films and series, and treatments of the subject matter range from realistic to sensational. FEATURE LENGTH FILMS The following films are listed alphabetically and by Crossroads exhibit theme. Each film can be a basis for discussions of topics relevant to your state or community. Selected films are those that critics found compelling and that remain accessible. Identity Bridges of Madison County (1995) In rural Iowa in 1965, Italian war-bride Francesca Johnson begins to question her future when National Geographic photographer Robert Kincaid pulls into her farm while her husband and children are away at the state fair, asking for directions to Roseman Bridge.
    [Show full text]
  • Film Calendar
    FILM CALENDAR JULY 26 - OCTOBER 3, 2019 ONCE UPON A TIME… IN HOLLYWOOD *ON 70MM* OPENS JULY 26 JENNIFER KENT’S THE NIGHTINGALE OPENS AUGUST 16 NOIR CITY CHICAGO SEPTEMBER 6-12 GIVE ME LIBERTY A MUSIC BOX FILMS RELEASE OPENS SEPTEMBER 13 DORIS DAY WEEKEND MATINEES SEPTEMBER 15-29 Music Box Theatre 90th Anniversary Celebration August 22 - 29 Welcome TO THE MUSIC BOX THEATRE! FEATURE FILMS 5 ONCE UPON A TIME… IN HOLLYWOOD OPENS JULY 26 7 LUZ OPENS AUGUST 2 7 HONEYLAND OPENS AUGUST 9 8 THE NIGHTINGALE OPENS AUGUST 16 CHICAGO 9 AQUARELA OPENS AUGUST 30 ONSCREEN 9 GIVE ME LIBERTY OPENS SEPTEMBER 13 12 MONOS OPENS SEPTEMBER 20 A traveling exhibition of MUSIC BOX 90TH ANNIVERSARY Chicago-made film 16 INNOCENTS OF PARIS AUGUST 22 17 THE FUGITIVE AUGUST 23 18 WORLD CITY IN ITS TEENS AUGUST 24 18 DOLLY PARTON 9 TO 5ER AUGUST 24 19 MARY POPPINS SING-A-LONG AUGUST 25 19 INDIE HORROR: SOCIETY AUGUST 25 20 MUSIC BOX FILMS DOUBLE FEATURE AUGUST 27 21 AUDIENCE CHOICE DOUBLE FEATURE AUGUST 28 22 70MM: BACK TO THE FUTURE II AUGUST 29 24 THE HISTORY OF THE MUSIC BOX SERIES 28 BETTE DAVIS MATINEES 30 DORIS DAY MATINEES 30 SILENT CINEMA 08.26-08.28 32 CHICAGO FILM SOCIETY NEIGHBORHOOD 34 MIDNIGHTS SHOWCASE SCREENINGS Dunbar Park | Grant Park | Horner Park SPECIAL EVENTS Jackson Park | Margate Park | Mckinley Park 6 GALLAGHER WAY MOVIE SERIES MAY - SEPTEMBER Steelworkers Park | Wicker Park 6 DISCOVER THE HORROR JULY 27 8 RUSH: CINEMA STRANGIATO AUGUST 21 08.29-08.31 10 NOIR CITY SEPTEMBER 6-12 CHICAGO ONSCREEN FESTIVAL 11 SAY AMEN, SOMEBODY SEPTEMBER 14 & 15 Humboldt Park | Three days of local films from filmmakers 11 REELING FILM FESTIVAL OPENING SEPTEMBER 19 and film organizations from all over the city in a multi-screen 12 48 HOUR FILM PROJECT SEPTEMBER 22-25 festival celebration of movies by and about Chicago.
    [Show full text]
  • 9781474410571 Contemporary
    CONTEMPORARY HOLLYWOOD ANIMATION 66543_Brown.indd543_Brown.indd i 330/09/200/09/20 66:43:43 PPMM Traditions in American Cinema Series Editors Linda Badley and R. Barton Palmer Titles in the series include: The ‘War on Terror’ and American Film: 9/11 Frames Per Second Terence McSweeney American Postfeminist Cinema: Women, Romance and Contemporary Culture Michele Schreiber In Secrecy’s Shadow: The OSS and CIA in Hollywood Cinema 1941–1979 Simon Willmetts Indie Reframed: Women’s Filmmaking and Contemporary American Independent Cinema Linda Badley, Claire Perkins and Michele Schreiber (eds) Vampires, Race and Transnational Hollywoods Dale Hudson Who’s in the Money? The Great Depression Musicals and Hollywood’s New Deal Harvey G. Cohen Engaging Dialogue: Cinematic Verbalism in American Independent Cinema Jennifer O’Meara Cold War Film Genres Homer B. Pettey (ed.) The Style of Sleaze: The American Exploitation Film, 1959–1977 Calum Waddell The Franchise Era: Managing Media in the Digital Economy James Fleury, Bryan Hikari Hartzheim, and Stephen Mamber (eds) The Stillness of Solitude: Romanticism and Contemporary American Independent Film Michelle Devereaux The Other Hollywood Renaissance Dominic Lennard, R. Barton Palmer and Murray Pomerance (eds) Contemporary Hollywood Animation: Style, Storytelling, Culture and Ideology Since the 1990s Noel Brown www.edinburghuniversitypress.com/series/tiac 66543_Brown.indd543_Brown.indd iiii 330/09/200/09/20 66:43:43 PPMM CONTEMPORARY HOLLYWOOD ANIMATION Style, Storytelling, Culture and Ideology Since the 1990s Noel Brown 66543_Brown.indd543_Brown.indd iiiiii 330/09/200/09/20 66:43:43 PPMM Edinburgh University Press is one of the leading university presses in the UK. We publish academic books and journals in our selected subject areas across the humanities and social sciences, combining cutting-edge scholarship with high editorial and production values to produce academic works of lasting importance.
    [Show full text]
  • Forum Articles the Legacy of 19Th Century Popular Freak Show
    Forum Articles The Legacy of 19th Century Popular Freak Show Discourse in the 21st Century X-Men Films Fiona Pettit, PhD Exeter University, United Kingdom Abstract: This essay seeks to tease out the narrative similarities found in nineteenth-century freak show literature and in the X-Men films of the twenty-first century. Both of these forms of popular entertainment emphasize the precarious position of people with extraordinary bodies in their contemporary societies. Keywords: freak, X-Men, disability Introduction In terms of the narrative similarities between the nineteenth-century freak show and the X-Men films, there are two key components that this paper will explore. There exists a striking similarity in how certain freak show performers and mutated characters in the X-Men speak about their condition. Additionally, there is a degree of resonance between how ‘normal’ or non- normative bodies speak of the freak, the mutant, or the “other”. This paper addresses the narrative relationship to demonstrate the legacy of popular nineteenth-century freak show discourse. During the winter season of 1898-1899, the popular Barnum and Bailey Circus, dubbed the “greatest show on earth,” exhibited in London at the Olympia theatre. The show was a huge success and was regularly featured in numerous popular periodicals. In the middle of this season, the freak show performers, who made up a large portion of the circus, held a protest against their designation as “Freaks of Nature”, and instead adopted the title of “Prodigy.” They explained: “In the opinion of many some of us are really the development of a higher type, and are superior persons, inasmuch as some of us are gifted with extraordinary attributes not apparent in ordinary beings” (Man about town, 1899, p.
    [Show full text]
  • Wilby Wonderful
    Wilby Wonderful A film by Daniel MacIvor Running Time: 99 min. Distributor Contact: Josh Levin Film Movement Series 109 W. 27th St., Suite 9B, New York, NY 10001 Tel: 212-941-7744 ext. 213 Fax: 212-941-7812 [email protected] SYNOPSIS Wilby Wonderful is a bittersweet comedy about the difference a day makes. Over the course of twenty-four hours, the residents of the tiny island town of Wilby try to maintain business as a sex scandal threatens to rock the town to its core. The town’s video store owner, Dan Jarvis (James Allodi) – depressed over the pending revelations about his love life – decides to end it all, but keeps getting interrupted by Duck MacDonald (Callum Keith Rennie), the town’s dyslexic sign-painter, during his half-hearted suicide attempts. Meanwhile, Dan has enlisted blindly ambitious real estate agent Carol French (Sandra Oh) to sell his house in an effort to quickly tie up the last of his loose ends. Carol, however, is more interested in selling her recently deceased mother-in-law’s house to Mayor Brent Fisher (Maury Chaykin), in order to get in with the in-crowd. To take her social step up, Carol could use the help of her police officer husband Buddy (Paul Gross), but Buddy has his hands full with sexy, wrong-side-of-the-tracks Sandra Anderson (Rebecca Jenkins), who can never decide if she is coming or going. Sandra’s daughter Emily (Ellen Page), is none too thrilled about her mother repeating her typical pattern of married men and bad reputation, but Emily herself is just about to have her heart broken for the very first time.
    [Show full text]
  • JUMP WISH-LIST Rules/Notes: Settings
    JUMP WISH-LIST Rules/Notes: ● This list is solely for settings that don’t have jumps made yet. ● No jumps you want to see redone, I’m not going to go down this path. If there is any such setting mentioned on list, then as soon as it is pointed out to me, I’ll remove it. ● Settings already claimed will be either removed from list or have claim noted. I’ll accept info about claims only from the jump-maker who claimed it. ● I hope to maintain this list in such way that /tg/, SB and QQ communities can all check it out. If you don’t like something on it, just ignore it. After all, if jump is being made doesn’t mean you have to use it. Furthermore, we all have different tastes, be mindful of that. ● Fanfics will be listed separately. Some people like the idea of such jumps, some don’t. I might end up removing this section altogether just because it is so difficult to decide if certain fanfic would be acceptable for being turned into jump or not. ● Settings will be listed alphabetically within a genre, by their official name. Any other names will be included after that one. Please include genre and medium with any suggestions (e.g. KultHorror - Tabletop RPG; The Culture - Science Fiction - Novel) ● Rule of thumb – recommend settings that you would want to visit in order to interact with characters and storylines, not in order to get specific perks/powers/items. Settings: 0-9 ● 100, The (SF - TV Series) ● 300 (movies) ● 3x3 Eyes (manga) ● 7th Heaven (TV series) ● 9 (movie) ● 100 Bullets (vertigo) ● 11eyes (VN/anime) ● 2 Broke Girls (TV Series)
    [Show full text]
  • The Representation of a Multimedia Franchise As a Single Entity: Contrasting Existing Bibliographic Entities with Web-Based Superwork Portrayals
    volume 28, issue 2, pages 40-57 (2018) The Representation of a Multimedia Franchise as a Single Entity: Contrasting Existing Bibliographic Entities With Web-Based Superwork Portrayals Senan Kiryakos and Shigeo Sugimoto Graduate School of Library, Information and Media Studies, University of Tsukuba, Japan [email protected]; [email protected] ABSTRACT Background. Multimedia franchises may have a single origin, but over time develop into a network of related creative works in various media formats such as film, novels, animation, and video games. A single entity to represent a whole franchise is often utilized on the Web, but the ability for existing bibliographic models to represent this entity, which we refer to as the Superwork, is unclear. Objective. This research sought to determine whether entities representing multimedia franchises and the relationships they contain can be accurately portrayed using current models and, if not, how a new entity can be differentiated from the entities in the existing models. It also examines the role of existing franchise-level concepts on the Web and their ability to define properties and boundaries. Methods. We contrasted the franchise-level concept against official documentation and past research into similar entities (i.e. FRBR Work and FRBROO Complex Work). A mapping and analysis of franchise articles on Wikipedia was performed to identify user-created boundaries and relationships between related instances. Results. The analysis revealed that the concept of a singular entity for a multimedia franchise was not the intended use for existing bibliographic entities, and that users will create such entities to collocate resources belonging to a single franchise.
    [Show full text]
  • Adaptation: Is the Book Really Better Than The...Television Series? Jane F
    Claremont Colleges Scholarship @ Claremont Scripps Senior Theses Scripps Student Scholarship 2012 Adaptation: Is the Book Really Better Than the...Television Series? Jane F. Eberts Scripps College Recommended Citation Eberts, Jane F., "Adaptation: Is the Book Really Better Than the...Television Series?" (2012). Scripps Senior Theses. Paper 105. http://scholarship.claremont.edu/scripps_theses/105 This Open Access Senior Thesis is brought to you for free and open access by the Scripps Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in Scripps Senior Theses by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. ADAPTATION: IS THE BOOK REALLY BETER THAN THE…TELEVISION SERIES? by JANE F. EBERTS SUBMITTED TO SCRIPPS COLLEGE IN PARTIAL FULFILLMENT OF THE DEGREE OF BACHELOR OF ARTS PROFESSOR JOHN PEAVOY PROFESSOR JAMES MORRISON April 20, 2012 TABLE OF CONTENTS Preface: Why look at adaptation? …………………………………………………………... 3 Introduction: Defining Adaptation ………………………………………………………………..... 6 Chapter 1: History and Adaptation ………………………………………………………….. 12 The influence of history: looking back to understand the present Bias towards classic literature: What constitutes high vs. mass culture? Chapter 2: Fidelity in Adaptation …………………………………………………………….. 18 Attitudes towards adaptation and the relationship of the adaptation to its source text: Are they a couple or do they stand-alone? Case Study: Adaptation, The Film Chapter 3: Contextualizing Adaptation ……………………………………………………. 26 Battle of the medium: Anything film can do, television can do differently Case Study: Harry Potter and the franchise that took over the world Case study: True Blood: Taking a bite our of a book series…and then some So now we have a wizard and a telepath to read about and watch…Now What? Battle of the medium, round two: Same fight, same source texts, different contexts Case Study: Shakespeare, past and present: the outlier of adaptations Conclusion: Final Thoughts …………………………………………………………………….....
    [Show full text]