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=AFRICANDIASPORA STUDIES facts in the but did not report these fmd- ings (Van Sertima 1976). However, oral history lives on and also the archaeological diggings are showing A West African reflection in the evidence that there were African people in this re- Danish gion of the world long before the Europeans arrived. Therefore, it is important to teach from an African Caryl Johnson perspective as as a European perspective when Department of Family, Consumer teaching about historical architectural styles. Sciences and Agriculture Eastern New Mexico State University Portales, New Mexico Review of Literature USA, 881 30 e-mail: What are the connections between Africa and roncarjohnsonQ3lefties.com the Caribbean? The first connection is that the Danes brought enslaved people from West Africa to the Caribbean. Second there is a connection between the historical forts found both in Ghana and the Dan- Introduction ish West Indies. The third connection is the cultural This is an attempt to identi@ the influences impact that the West African people had on the his- that the enslaved people coming from West Africa torical architecture of the Caribbean. had on the historical architectureofthe United States Enslaved People. After the year 1600, most of (formerly the ). the African people who were coming to the Carib- There are several connections between West Africa bean were the result of the slave trade which was and the former Danish West Indies as related to ar- being conducted in the islands. The people from the chitecture that will be discussed. As educators we following tribes were brought to the Danish West do not always include the AficadAfrican-Caribbean Indies (U.S.V.1.) as of May 166 I : Mandinga, Kanga, perspective in the teaching of historical architecture. Loango, Congo, Amina, Kassenti, Fida, Papaa, Ibo, The findings of this research should provide benefi- Bibi, Karabaie, Watje, Selungo, and Fulah cial information for educators. (Paiewonsky 1989).“The Danes worked closely with Traditionally the teaching of historical ar- Fetus and other neighboring tribes such as the chitecture has focused on European influences. But Akwamee and the Akim Tribes,” (Paiewonsky what about the Afkican influences? If one looks 1989:92). Paiewonsky continues to cite that the Accra, through a high school and/or college housing text- Dahommey, Ashanti, Sherbros, Fellatahs and book, one does not see the African influences as Bambarras were the tribes which were in great de- related to architectural styles found either in the United mand because they were more willing to work and States or in the United States Virgin Islands (former they were strong. Africans from the Mandingo tribe Danish West Indies). were noted for their quickness to adjust to a new situation and learn a skill and they made excellent craftsmen and artisans (Paiewonsky 1989). Whose Perspective? “A Moravian missionary C. G. A. Oldendrop Housing educators usually teach from a Euro- who visited the Danish islands in I767 and I769 said pean perspective. What about teaching from an Af- he observed larger numbers of people from the rican perspective? Many persons believe that the followingtribes: Fulaini, Maandingoes,Amina, Akims, first black people to come to the Caribbean were the Popos, Ibos, and Yorubas.” The tribes came from a enslaved people which the Europeans brought to large geographical area which extends from the work for the plantation (Johnson 1995). Ivan Senegal Rivertothe Bight of Benin (Hall 1992:70-7I). Van Sertima in his book, They Came Before Columbus, The backbone of the Caribbean is and has always provides facts that Black people were in the Carib- been the African culture. Much of the hard work and bean long before the arrival of the Spaniards. The cultural heritage which is so much a part of the West Spanish had sighted African settlements and arti- African people is reflected in the Caribbean

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historical architecture ofthe Danish West Indies (pres- Africa (Johnson 1995). The researcher observed ently U.S.V.I.). construction of houses during field- work in Ghana in July 2000 and May 2002. Forts. Another connection between Afiica and the Caribbean are the forts. “Through studying the Jahann Jakob Bossard, in A Caribbean Mis- forts, we will be able to look at historical, geographi- sion, gives this account of Afican housing. “The cal and architectural legacies of the African people house rests on four stakes which are driven into the who, in conjunction with the Danish, created the ground. The stakes are fork-shaped at the top end present-day society of the United States Virgin Is- and spaced in such a manner as to form a square. lands.” (Edge 1994:16). Edge goes on to say that, The stakes are linked together at the top by an equal “Danish forts in both Ghana and the Virgin islands number of horizontal boards, and on these rest the provides us with insight into the triangular system of rafters of the roof which come together in a crest. A trade as it was established between Europe and Af- few vertical stakes are placed between the four cor- rica, linking the Virgin Islands. The West Indian and ner posts and pliable branches are woven among Guinea Company built forts in Ghana on the Gold these. The branches are covered with quicklime and Coast. The African captives sent to the Virgin Is- plastered with cow dung” (Bossard 1987:221). The lands came from areas of Ghana near the Danish forts,” braided twigs are called wattle. (Edge 1994: 16- 17). The Danes occupied a fort Ningo at The wattle and daub construction can be traced between 1735 and 1850. Ningo is located between to the Ika district on the Niger River located in West Accra the present day capital of Ghana and the mouth Africa (Sobel 1987). An interesting comment that of the Volta River (Briggs, 2000, p. 162). Osa Castle author John Vlach makes is that, “One of the little (Christiansbourg Castle) located in present day Accra understood dimensions of the American culture has was built by the Danes in 166 1 (Briggs 2000: 15). Two been the material contribution of the Afio-American. other Danish forts were Fort Kongensted at Ada at The material achievements of the Blacks are gener- the mouth ofthe Volta and Fort Prindsensted at Keta. ally assumed to have been negligible, if not non- Keta is located on the southern coastline of Ghana existent” (Vlach 1976:47). This statement can also be between the mouth of the Volta and the country of applied to the Danish West Indies and to that of the Togo (Anquandah 1999: 1 1). The West Africans who Afio-Caribbean culture. The more the Black culture came to the Danish West Indies represented persons is studied the more one is aware of the “Black” crea- from all walks of life: architects, teachers, engineers, tivity and the existence of an Afro-American or Afro- craftsmen, doctors, farmers, etc. The next section of Caribbean material culture (Vlach 1976). Other refer- this paper will show influences that West Africans ences also describe the construction of a wattle and have made on the historical architecture of the Dan- daub house: Ulsamer-Harrison 1992; Jackson 1990; ish West Indies. These influences include construc- Righter 1991). Wattle and daub construction was tion methods and social-cultural relationships. known to both the Africans and the Europeans. How- ever, an interesting note is that the type of Cultural influences on the historical which was done on the wattle and daub architecture: construction methods houses in the Caribbean was more characteristic of those that were constructed in Afiica than those which Wattle and Daub. What were the cultural influ- were constructed in Europe (Johnson 1995). Prussin ences on the historical architecture of the Danish cites that, “the traditional building wall is made of West Indies (U.S.V.I.) as related to the Black African wattle and daub.” This is the traditional housing for culture? The first houses that the Africans built were the Ashanti, Baule, Ibo, Urhobo and Yoruba tribes made of wattle and daub construction. Until the end (Prussin 1974: 187). of the lSmcentury the houses which the Africans lived in were designed by Afiican people. At the time Rubble Construction. Another contribution of this writing there are only two wattle and daub made by the Africans was rubble masonry construc- houses left in the U.S.V.I. and they are found on the tion. This method was known to them in their native island of St. John. They were rectangular in shape; land. The reason this method of construction was usually the length was twice as long as the width of used in some areas of Africa as well as in the Carib- the house. This same pattern was also found in bean is that some of the stone was not conducive for

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trimmii and cutting (Prussin 1974). A close look at . How and where did the idea of the rubble walls found on the historical buildings in the cistern as we known it in the Danish West Indies Danish West Indies, shows the use of red brick, Blue come from? Information on where the idea of the Bitch (a local rock found on St. Thomas), yellow brick cistern originally developed, as far as a cultural influ- and other stones. The rubble walls or “rubbed up” ence, has been hard to obtain. Denyer cites that “In were made by placing stones in a trench which marks Yorubaland, Benin, which is located in West Africa, where the is for the building. Then mor- the houses were built around a courtyard. The rain- tar is placed between and around the rocks and the water ran down the comer groins of the roof and was stones (Johnson 1995). Rubble construction is also channeled into large water pots. Although some- used for foundations of houses in the rural areas of times a more elaborate system of underground stor- the Volta Region of Ghana. The Volta Region of Ghana age tanks were used,” (Denyer 1978:95-96). This re- is where the Danes took the enslaved people to the searcher observed the collection of rain water in a Caribbean. gutter-type system in which the water ran into a con- crete cistern at the Paramount Chiefs Palace at Peki The Africans knew how to take sea shells and Blengo in the Volta Region of Ghana. grind them into a lime-like substance and then mix this with earth to form a hard cement-like impervious In Africa, towns located “away from rivers and surface which was added to earthen walls (Prussin streams, every compound had from three to twelve 1974). The people from the Niger, Ori, Volta and Bani artificial subterranean tanks covered with timber and rivers of Africa are the ones who practiced this con- earth. Each tank had small holes for water to run in struction method. If one looks carefully at the mortar and to be taken out,” (Deny- 1978:95-96). This could construction as found in the United States Virgin be a connection between West African culture and Islands, one is able to see this type of construction. the cistern system which developed in the Danish West Indies for the collection of rain water. Currently Stone. The of cutting stone is an- Cutting art research is being conducted on cistern fields lo- other contribution which the people fiom West Af- cated in Saakpuli. Saakpuli is located in the Savelugu- rica gave to the Caribbean architecture. This art had Nanton district of Northern Ghana. Saakpuli had a been mastered by the Africans tens of thousands of slave market (Okoro 2002:2,5). Slaves were used in years ago (Beazley 1988). Many of the plantation constructing and in Salaga (Okoro buildings were made fiom cut stone well other as as 2002:4).To this day the cistern is the main method of buildings found throughout the islands. There is a collecting water for the United States Virgin Islands lot of stone work found on the warehouses in the (former Danish West Indies). downtown area of St. Thomas. Many of the planta- tion buildings especially Reef Bay Plantation and Front PorcIdGallery or Verandah. One of the Annaberg Plantation on the island of St. John are most important architectural features of a Caribbean good examples of cut stone work. house is the gallery. Stanley D. Dodge states that, “the gallery or the porch may well be the legend that Tabby Construction. The West Africans also the slaves brought fiom the tropical rain forest to the knew about tabby construction which is a cross-cul- Caribbean.” He goes on to state that, “Architectural tural influence seen in the historical architecture. historians have overlooked the historical precedents “This method of construction was known and used for the verandah. They have assumed that early Eu- by the Spanish, Europeans, and Africans. However, ropean colonists invented it in response to the Car- Africans generally are not included in textbooks as ibbean climate,” (Dodge 1923: 12- 13). However, the one of the original cultures who used this construc- verandah is widespread in the indigenous architec- tion method,” (Johnson1998:59). method makes This ture of the West African rain forest. The verandah is use of a cement-like mixture comprised of sea shells, important in the social and the ceremonial life of the lime, water, and stone applied over a wooden frame extendedAfrican family. The verandah is well suited that has been filled with stones. The tabby is made to the Caribbean climate because it offm shade fiom by pouring the masonry mixture and small stones the hot sun and it encourages the flow of cool and shells into a wood mold. The exterior walls are breezes. An interesting point which Dodge brings then plastered. out is that an eighteenth century etching shows the King of Dahomey,West Afiica, entertaining slave trad-

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ers on the palace verandah. This piece of art work (Denyer 1978: 19). Sometimes the villages were laid shows that many early European traders in Afiica out symbolically. Denyer cites an example of this, could have been influenced by African architecture “In what is now Mali, the village people based their (Dodge 1923) philosophy on the idea of germinating cells vibrating along a spiral path to break out of a world egg. Each village was laid out either in a square to represent the Social and cultural relationships first field cultivated by man or an oval with a hole at The way houses are grouped together provides one end to represent the world egg” (Denyer 1978: us with a guide to the social and cultural relation- 19-20). ships found within a society. Courtyards are used to The organization or the grouping of buildings group houses in parts of West Africa. This open is many times a reflection of one’s culture. In the area brings the people together. This is one of the Danish West Indies the West Afiicans built their first most interesting types of houses found at Benin, houses on the plantations around a yard. Later on which is a region of West Africa. Benin is one of the this is how their long row houses in the Savan area of main artistic and cultural centers of West Africa. Tra- St. Thomas were grouped. Savan is an area where ditionally the houses of the Benin chiefs had rooms the ‘‘fiee colored” lived . Most of the people living in arranged around a series of courtyards (Foyle 1995). Savan were craftsmen or worked on the docks (Woods The grouping of houses around a central courtyard 1994). CaribbeanAfrican houses built around the “Big was observed by this researcher in the Volta Region Yard” is an influence coming from the Afiican phi- of Ghana. The Africans grouped their houses to- losophy. The houses which were grouped around gether when they first arrived in the Caribbean. The the “Big Yard were very small and they were used method in which the Africans grouped their houses mainly for storage, sleeping and to get out of tad was a reflection of their cultural context and the im- weather. The “Big Yard” was used by all of the fami- portance of the group and the interrelationships of lies living around it as the place for socialization, group members. The idea of social integration and raising children, and eating, washing cloth- working in harmony together is important in the high- ing, etc. In Africa the compound always had a sacred context culture a theory of Edward T. Hall. One does tree located within the yard area. “In Savan ‘Big not sense this in a European community (low-con- Yards’ did not have a sacred tree as such, but there text culture) where people seem to keep their dis- was always a hittree which was very important”. tance from their neighbors. These were the words of Felipe Ayala who grew up in This cultural reflection is cited in Susan Savan and is an active member of the Historical Trust Denyer ’s book titled African Traditional Architec- Society on the island of St. Thomas (December 1994). ture. Denyer says that “the architecture in Afiica was a personal adaptation of a group solution. The Conclusions houses built by a particular society were in a style which had been communally worked over several As educators, if we are going to teach from a generations and it was tailored to meet the peoples’ non-European perspective and meet the needs of all needs.” When this researcher asked various com- of our students, then we must know something about pound chiefs and tribal leaders what determined the the historical architecture of nowEuropean groups design and/or the layout of the buildings as found in ofpeople who came to live in the former Danish West the rural Volta area of Ghana, they replied that it had Indies (U.S.V.I.) and the United States mainland. There been handed down generation after generation. “In are still many unanswered questions about the con- all societies kinship was an important determinant of tributions that the West African people have made in structure of the settlement pattern, which was usu- the Caribbean. Traditionally, the West African cul- ally expressed by physical nearness” (Denyer ture has been an oral culture and not a written cul- 1978:4,8). In the African villages, structures were not ture, which has made it more difficult for educators conceived as a group of buildings, but as a group of and researchers to gain access to the contributions people. The African villages are an expression of the of the African-Caribbean people. group of people who live in them. “Villages and houses were built around people and not groupings”

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Other reasons that make this research difficult References to answer questions as related to the West African contributions to the historical architecture of the Anquandah, J. Caribbean are as follows: (1) documents have not 1999 Castles and Forts of Ghana. Paris: Ghana been available on traditional African construction Museums and Monuments Board’s Book. methods (Johnson 1998); (2) Europeans tried to strip the Africans of their traditional culture; and (3) care- ful records were not kept or they were destroyed. It Beazley, M., editor becomes difficult to trace back to the historical archi- tectural influences which the Africans have contrib- 1988 The World Atlas of Architecture. London: uted to the Caribbean. Mitchell Beazley, Artists House. What is clear is that the three former Danish West Indian islands would not have all the beautiful Bossard, J. J. historical buildings that they have today, if it had not been for the labor and hard work of the West African 1987 A Caribbean Mission. Ann Arbor: Karom craftsmen. Their contributions are found on planta- Publishers, Inc. tion buildings, warehouses, churches, forts, castles, townhouses and vernacular houses that are still in existence today. The connection between West Af- Denyer, s. rica and the Caribbean is reflected in the historical 1978 Afiican Traditwnal Architecture. New York: architecture as found in the Caribbean islands. Africana Publishing Company.

Implications Dodge, S. D. Traditionally, African culture has been an oral 1923 House types in Africa. Papers of the Michi- culture which has made it more difficult for educators gan Academy of Science, Arts and Letters to obtain the contributions made by this culture, un- 10 12-13. less the particular educator has conducted personal research. As educators, we need to research and take a closer look at the African cultural influences Edge, W. that have made an impact on the development of architectural styles as found within the United States 1994 Historical Forts of the V.I. The virgin Is- Virgin Islands and the United States mainland. There lands Daily News 16- 17 (February 25). are many unanswered questions about the extent of contributions from the African people as related to architectural styles found in the “Western World.” Foyle, A. M. Houses play an important role between man and his 1959 Architecture in West Africa. Afiica South world. Housing is a powdway of revealing one’s 3 (3): 97-105. culture and aesthetic beliefs. Afiican have played an important role in the shaping of architec- tural traditions of this country and the U.S.V.I. during Hal1,E. T. their formative years. Further research is needed to identify the West African tribes that developed the 1976 Beyond Culture. New York: Doubleday. “Big Yards.” More research is needed on the devel- opment of the cistern in the Caribbean and the cul- tural influences as related to that development. Hall, N. A .T. 1992 Slave Society in the Danish West Indies. Baltimore: The John Hopkins University Press.

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Jackson, M. D. Righer, E. 1990 Fold Architecture. 1990 Festival ofAmeri- 1991 Post-in Ground Construction: an Example can folk Life. Washington: Smithsonian of Acculturation in the firgin Islands. St. InstitutionhJational Park Service, pp. 28-29. Thomas: United States Virgin Islands.

Johnson, C. L. Sobel, M. 1995 The cultural influences on the Historical 1987 The World They Made Together Princeton: Architecture of the United States Virgin Princeton University Press. Islands. PhD dissertation. University 'of Houston. UlSamer-Hd~on,D. 19sr2 OfHands and Earth. United States Virgin 1998 Teaching Architectural Styles from a Islands: Virgin Islands Council of the Arts. Multicultural Perspective. Journal ofFam- ily and Consumer Sciences 90 (1): 58-60. Vlach, J. M. Okoro, J. A. 1976 Affecting Architecture of the Yoruba. Afiicun Arts X (1): 47-53. 2002 Recent Archaeological Research on cisterns at Saakpuli, Northern Ghana. Nyame Akuma 57: 2-5. van semma, I. 1976 They Came Before Columbus. New York Paiewonsky, I. Random House. 1989 Eyewitness Accounts of Slavery in the Danish West Indies. New York: Fordham Woods, E. University Press. 1994 Savaneros. St. Thomas: Virgin Islands Department of Planning and Natural Re- Prussin, L. sources, Division for Archaeology and Historic Preservation. 1974 An Introduction to Indigenous African Architecture. Journal of the Society of ArchitecturalHistorians 33 (3): 185-192.

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