DOCSLIB.ORG

CPY Document

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
CPY Document In The Matter Of: STUART Y SILVERSTEIN v PENGUINPUTMAN, INC. July 17,2007 TRIAL SOUTHERNDISTRICTREPORTERS 500 PEARL STREET NEW YORK., NY 10007 212-805-0300 Original File 77H4SILF.txt, Pages 1-190 Word Index included with this Min-U-Script® STUART Y. SILVERSTEIN v PENGUIN PUTMAN, INC. July 17,2007 Page 1 Page 3 77H7SILI [1] [1] UNITED STATES DISTRICT COURT podium? SOUTHERN DISTRICT OF NEW YORK [2] THE COURT: From the podium, please. [2] ------------------------------x [3] MR. RABINOWITZ: Good morning, your Honor. The [3] STUART Y. SILVERSTEIN, [4J evidence will show that after Penguin declined to purchase [4] Plaintiff, [5] Mr. Silverstein's book, and since Mr. Silverstein published it [5J v. 01 Civ. 309 [6] with Scribner, Penguin simply bought a copy, cut and pasted the [6] PENGUIN PUTMAN, INC., [7] pages onto paper, and then republished it as its own book. The [8] evidence will show that such conduct is unheard of in the [7] Defendant. [9] publishing industry. [8] ------------------------------x [10] The evidence will establish that Penguin deliberately [9] July 17, 2007 9:30 a.m. [11] denied Mr. Silverstein attribution in order to "avoid directing [10] [12] people to the competition" and it then misrepresented to the Before: [11] [13] public that the items were faithfully reproduced from their HON. JOHN F. KEENAN [12J [14] original publications. District Judge [15J The evidence will show that senior Penguin employees [13] APPEARANCES [16] violated Penguin's explicit written policies by failing to [14] NEAL GERBER & EISENBERG LLP [17] investigate the copyright status of Silverstein1s work, which [15] Attorneys for Plaintiff BY: MARK A. RABINOWITZ [18] they admitted contained an explicit copyright notice, and [16] CHRISTOPHER D. MICKUS [19] failing to seek permission from Mr. Silverstein to use his work [1~] COWAN LIEBOWITZ & LATMAN PC Attorneys for Defendant [20] or provide any attribution to Mr. Silverstein. [18] BY: RICHARD DANNAY THOMAS KJELLBERG [21] The evidence will show that Penguin's senior [19] [22] management failed to remedy its misconduct and instead [20] [23] deliberately continued to issue new editions. Penguin at first [21] [22] [24] denied that it even copied Mr. Silverstein's work until its (23) [25] editor admitted that she bought it and cut it and pasted it.. [24] [25] Page 2 Page 4 [1 J (Case called; in open court) [1] Plaintiff will present the testimony of two of [2] THE COURT: Be seated. Good morning, everybody. [2] Penguin's senior management executives who testified that in [3] The first observation I would like to make before we [3J their decades-long careers in the publishing industry they [4J start the trial is that the animosity of counsel towards each [4 J never had heard of an instance in which a publisher published [5] other in this case, as evidenced by the flock of letters that [5] material on which an author was asserting a copyright. [6] my chambers has received from each side, the animosity is [6J Your Honor, this is a very simple case at bottom. [7] beginning to border on hostility, and it should stop during the [7] Mr. Silverstein has a protectable right in his original . [8] trial of the case. That's number one. [8] creative effort in selecting and compiling the items that are [9] This animosity has resulted in the fact that there is [9] contained in Not Much Fun, and penguin violated it. [10] no joint pretrial order, nothing has been agreed to. Proving [10] The evidence will show that in selecting and compiling [11] that no good deed goes unpunished, my efforts to supply a [11] the items for Not Much Fun, on dozens of occasions [12] proposed pretrial order were rebuffed by the defense, and then [l2] Mr. Silverstein exercised personal subjective judgment, made [13] I received· a self-serving and somewhat insulting letter [13] nonobvious choices from a large universe, and protected his [14] yesterday from Mr. Dannay, so we are proceeding without any [14] original creative efforts by at all times notifying others of [15] pretrial order. [15] his copyright claim and registering a compilation copyright for [16] Originally at a pretrial conference I was told that [16] the book. [17] the trial would last five to six days. Now I am told ten days. [17] The evidence will show that Mr. Silverstein made [18] If the case is not over by the close of business on July 27, [18] subjective judgments as to whether numerous items were either [19] 2007, which is a week from Friday, we will resume at 2:15 p.m. [19] ~ritten by Dorothy Parker, whether they then constituted poems [20] on August 6, 2007 and complete the case by the close of [20] or whether they constituted nonpoetic free versus. [21] business Tuesday, August 7, 2007. [21] The evidence will also show that Mr. Silverstein [22] This Thursday our day will begin at 9 a.m. and end at [22] decided that certain items were poems -- and he included them [23] 12 noon. You may open, Mr. Rabinowitz if you choose to. [23] in his work -- that other scholars had concluded were not [24] MR. RABINOWITZ: Good morning, your Honor. Would you [24] poems. The evidence will show that Mr. Silverstein decided [25] prefer for me to address the court. -from here or from the [25] that numerous items that other scholars has classified as poems TRIAL Min-U-Script® (1) Page 1 - Page 4 " STUART Y. SILVERSTEIN v July 17,2007 PENGUIN PUTMAN, INC. Page 5 Page 7 [1) in fact were not in his opinion poems and he then excluded [1] The evidence will show that Penguin had hired an [2] them. (2) outside editor, Coleen Breeze, and told her to use Not Much Fun [3) The evidence will show that Mr. Silverstein decided [3) as the source of the material for Complete Poems. Breeze did [4) that certain items that scholars attributed to Dorothy Parker [4] exactly that. She obtained a copy of Not Much Fun herself, she [5] in his opinion had not been written by her, and he excluded [5) photocopied the pages, the poems and verses that were in it, [6] them. (6) she then cut and pasted those photocopies onto new sheets of [7) The evidence will show that Mr. Silverstein decided [7J paper, and then that was published as Penguin's Complete Poems. [8) that numerous items that other scholars had considered to be [8] She did it the old way, she testified. [9] poems, in his opinion were nonpoetic free verses, and he [9] Ms. Breeze did not check the accuracy of the items in [10) included them in a separate section titled verses. [10] Not Much Fun against the original publications, and we know [11) The evidence will show that there is in fact an active [11] that certainly because Not Much Fun contained hundreds of [12) scholarly dispute as to whether free verses are poems, and [12] punctuations, edits, titles and errors. [13) contemporaneous documents will demonstrate that Silverstein [13) THE COURT: I thought the Second Circuit said that had [14) explicitly and repeatedly drew that distinction when he was [14) nothing to do with the case. [15) compiling That Much Fun. [15] MR. RABINOWITZ: The Second Circuit said, your Honor, [16) The, evidence will demonstrate that Penguin possessed (16) that Mr. Silverstein was not entitled to protect those edits, [17) actual knowledge that Mr.~ilverstein was employing his own [17) and Mr. Silverstein is not contending that he has any right [18) subjective judgment in selecting items for his book when [18] to [19) Penguin in effect reviewed a Not Much Fun manuscript that he [19) THE COURT: As long as I understand you are abiding by (20) submitted to a senior Penguin editor in 1994, and that was two [20] the Second Circuit ruling. Go ahead. [21) years before Not Much Fun in fact was published. [21] MR. RABINOWITZ: Exactly, your Honor. [22] The evidence will also show that Mr. Silverstein [22) Mr. Silverstein is showing only that they copied [23) identified and selected several items that buried in book [23) they didn't make the same selection themselves. They copied [24] reviews, a personal letter and a magazine ad. [24] his, because it has all of his edits. That's the only purpose [25) Mr. Silverstein will prove by a preponderance of the [25] we are using that for. Page 6 Page 8 [1] evidence that in selecting and compiling the items in That Much [1) Penguin deliberately omitted from Complete Poems any [2] Fun he exercised personal subjective judgment and that another [2] credit or attribution either to Silverstein or Not Much Fun and [3) scholar engaging in the same exercise would not necessarily [3) actively concealed the existence of his book because Penguin [4] select the same literary works. He will establish that Not [4) did not want to "direct people to the competition". Penguin [5) Much Fun is protectable as an original compilation because he [5) then affirmatively misled the public by misrepresenting that [6] exercised vastly more than the minimal or slight amount of [6) the poems and verses contained in Complete Poems were [7) creativity that the U.S. Supreme Court Freist case requires to [7] faithfUlly reproduced from Dorothy Parker's original poems and [8] find originality and selection. [8) verses when it actually knew they had been copied from Not Much [9) Mr. Silverstein also satisfies the Second Circuit's [9) Fun. [10) test annunciated in the Matthew Bender opinion because he will [10) Not Much Fun and Complete Poems were placed in book [11) e$tablish that another scholar· making the same selection would [11.) stores in the same poetry' section across the country.
Load more

Recommended publications
  • A Tempest Or, on the flood of Interest In: Sentiment Analysis, Opinion Mining, and the Computational Treatment of Subjective Language
    A Tempest Or, on the flood of interest in: sentiment analysis, opinion mining, and the computational treatment of subjective language Lillian Lee Cornell University http://www.cs.cornell.edu/home/llee “Romance should never begin with sentiment. It should begin with science and end with a settlement.” — Oscar Wilde, An Ideal Husband , that has such people in’t According to a Comscore ’07 report and an ’08 Pew survey: 60% of US residents have done online product research. 15% do so on a typical day. 73%-87% of US readers of online reviews of services say the reviews were significant influences. (more on economics later) But 58% of US internet users report that online information was missing, impossible to find, confusing, and/or overwhelming. Creating technologies that find and analyze reviews would answer a tremendous information need. O brave new world People search for and are affected by online opinions. TripAdvisor, Rotten Tomatoes, Yelp, ... Amazon, eBay, YouTube... blogs, Q&A and discussion sites, ... But 58% of US internet users report that online information was missing, impossible to find, confusing, and/or overwhelming. Creating technologies that find and analyze reviews would answer a tremendous information need. O brave new world, that has such people in’t People search for and are affected by online opinions. TripAdvisor, Rotten Tomatoes, Yelp, ... Amazon, eBay, YouTube... blogs, Q&A and discussion sites, ... According to a Comscore ’07 report and an ’08 Pew survey: 60% of US residents have done online product research. 15% do so on a typical day. 73%-87% of US readers of online reviews of services say the reviews were significant influences.
    [Show full text]
  • Gifted Support Center
    GIFTED SUPPORT CENTER TM An adventure that happens between the pages of a book and the words of a song BASED ON THE WORK OF Natalie Merchant CURRICULUM DEVELOPMENT LED BY Sandra Kaplan GIFTED SUPPORT CENTER TM BASED ON THE WORK OF Natalie Merchant CURRICULUM DEVELOPMENT LED BY Sandra Kaplan CONTENTS Introduction 4 Curriculum Introduction 5 Purpose 7 Nursery Rhyme of Innocence and Experience 8 The Sleepy Giant 25 The Janitor’s Boy 38 Adventures of Isabel 51 Bleezer’s Ice Cream 65 Culmination Poem 78 Poetry Overview 79 Musical Overview 82 The Curriculum 84 Credits 85 Acknowledgments 86 IntRODUction When you are given a gift that touches your soul, you never forget the experience. That spring day when I first received Leave Your Sleep, I knew I was in the possession of something incredibly special. Little did I know then it was the beginning of a love affair and journey that would take me to new heights, challenge me in extraordinary ways, and allow in me a profound depth of love for humanity that I didn’t know I was capable of. Over the course of five years, Natalie Merchant researched and wrote Leave Your Sleep. She adapted the poems to music, collaborating with more than a hundred musicians. She transformed the work by creating an exquisite picture book with Barbara McClintock. It was at this moment that I knew this extraordinary work needed to be in front of children – all children, but I didn’t know how it would come to fruition. Leave Your Sleep for Education was born out of the passion and vision of a dedicated team of individuals who believe in the importance of the arts in education.
    [Show full text]
  • August 2018 Special Days
    August 2018 Special Days Scroll down the page or click on a date below to jump to ideas for that specific day of the month. August 2018 Monthly Events Sun Mon Tues Wed Thur Fri Sat 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 Welcome to August Day – Welcome August by reading the August Monthly Gazette and Newsletter. Then go Searching for August and solve the Famous August Birthdays. Also, test your August IQ. Finally, play a game or two of August Bingo, which is available from the Shopping page. If the first week in August is unusually warm, the coming winter will be snowy and long. Clowning Around Day – August 1 marks the beginning of International Clown Week each year. Invite a local clown to visit the facility to perform and demonstrate how they put on their makeup. Ask how they got started in the business or for a short lesson on "clowning." Offer clown makeup for residents, volunteers, and staff to try. Make a clown bow tie or other clown props and set up a clown photo booth. Bring in red clown noses and encourage staff to wear them; these are practically guaranteed to bring on some laughs throughout the day. Also, try solving the Bring in the Clowns puzzles. Finally, visit our Discuss & Recall for a program titled "Clowning Around." PT-109 Disaster 75th Anniversary – On this day in 1943, the naval ship PT-109 sank off the Solomon Islands after colliding with a Japanese destroyer at 2:30 a.m.
    [Show full text]
  • Chicago Writer to Give Visual Presentation on Quincy-Born Algonquin Round Table Member & Artist Neysa Mcmein
    Chicago Writer to Give Visual Presentation on Quincy-Born Algonquin Round Table Member & Artist Neysa McMein Chicago writer and poet Cynthia Gallaher will debut her nonfiction book, “Frugal Poets’ Guide to Life: How to Live a Poetic Life, Even If You Aren’t a Poet” at Quincy Art Center, Quincy, Illinois, on Saturday, June 17 at 2 p.m. During this free event, she’ll give a talk and visual presentation on her Quincy-born relative, artist Neysa McMein. Neysa McMein, born in Quincy in 1888, left Quincy after high school to attend the School of the Art Institute of Chicago before heading east, where she created hundreds of magazine covers, developed the first iconic image of Betty Crocker, and became a member of the famous Algonquin Round Table in New York City, which included writer Dorothy Parker and comic Harpo Marx. McMein’s ancestral relative, Cynthia Gallaher, who holds a degree in art history, helped curate a Neysa McMein art retrospective at Quincy Art Center in 2004 and now returns to the art center to revisit McMein’s work in her PowerPoint visual presentation as well as spotlight McMein’s appearance in “Frugal Poets’ Guide to Life.” "Frugal Poets' Guide to Life" is part memoir, part life-coaching for poets (or those who’d like to live like one) and part creativity guide. “Frugal Poets’ Guide to Life” is a book to nurture any creative person, whether he or she is a #musician, #composer, #dancer, #artist, #fiction, #nonfiction or #drama #writer, or a #poet. This event is part of Frugal Poets' Guide to Life 2017 10-city book tour, partially supported by an Individual Artists Program Grant from the City of Chicago Department of Cultural Affairs & Special Events, as well as a grant from the Illinois Arts Council Agency, a state agency through federal funds provided by the National Endowment for the Arts.
    [Show full text]
  • Ogden Nash - Poems
    Classic Poetry Series Ogden Nash - poems - Publication Date: 2004 Publisher: Poemhunter.com - The World's Poetry Archive Ogden Nash(August 19, 1902 – May 19, 1971) Born Frederick Ogden Nash on August 19, 1902 in Rye, New York. An ancestor, General Francis Nash, gave his name to Nashville, Tennessee. Raised in Rye, New York and Savannah, Georgia. Educated at St. George's School in Rhode Island and, briefly, Harvard University. Started work writing advertising copy for Doubleday, Page Publishing, New York, in 1925. Published first book for children, The Cricket of Caradon in 1925. First published poem Spring Comes to Murray Hill appears in New Yorker magazine in 1930. Joins staff at New Yorker in 1932. Married Frances Rider Leonard on June 6, 1933. Published 19 books of poetry. Collaborated, in 1943, in the musical comedy, One Touch of Venus Elected to the National Institute of Arts and Letters in 1950. Lived in New York but his principal home was in Baltimore, Maryland, where he died on May 19, 1971. He was buried in North Hampton, New Hampshire. www.PoemHunter.com - The World's Poetry Archive 1 à Bas Ben Adhem My fellow man I do not care for. I often ask me, What's he there for? The only answer I can find Is, Reproduction of his kind. If I'm supposed to swallow that, Winnetka is my habitat. Isn't it time to carve Hic Jacet Above that Reproduction racket? To make the matter more succint: Suppose my fellow man extinct. Why, who would not approve the plan Save possibly my fellow man? Yet with a politician's voice He names himself as Nature's choice.
    [Show full text]
  • Sponsors of Writing and Workersâ•Ž Education in the 1930S
    Community Literacy Journal Volume 11 Issue 1 Fall, Special Issue: Building Engaged Article 3 Infrastructure Fall 2016 Write. Persist. Struggle: Sponsors of Writing and Workers’ Education in the 1930s Deborah Mutnick Dr. Long Island University - Brooklyn Campus, [email protected] Follow this and additional works at: https://digitalcommons.fiu.edu/communityliteracy Recommended Citation Mutnick, Deborah. “Write. Persist. Struggle: Sponsors of Writing and Workers’ Education in the 1930s.” Community Literacy Journal, vol. 11, no. 1, 2016, pp. 10–21, doi:10.25148/clj.11.1.009245. This work is brought to you for free and open access by FIU Digital Commons. It has been accepted for inclusion in Community Literacy Journal by an authorized administrator of FIU Digital Commons. For more information, please contact [email protected]. community literacy journal Write. Persist. Struggle: Sponsors of Writing and Workers’ Education in the 1930s Deborah Mutnick Organizations like the John Reed Clubs and the WPA Federal Writers’ Project, as well as publications like The New Masses can be seen as “literacy sponsors” of the U.S. literary left in the 1930s, particularly the young, the working class, and African American writers. The vibrant, inclusionary, activist, literary culture of that era reflected a surge of revolutionary ideas and activity that seized the imagination of a generation of writers and artists, including rhetoricians like Kenneth Burke. Here I argue that this history has relevance for contemporary community writing projects, which collectively lack the political cohesiveness and power of the national and international movements that sponsored the 1930s literary left but may anticipate another global period of struggle for democracy in which writers and artists can play a significant role.
    [Show full text]
  • Dorothy Rothschild Parker
    Dorothy Rothschild Parker August 22, 1893 – June 7, 1967 Celebrated Conversationalist renowned for her literary contributions and founder/member of the “Algonquin Round Table” Dorothy Parker Rothschild represented one of the most accomplished feminist and successful literary writers in women’s history. Living from 1893-1967, she became known as one of the most brilliant writers from the early 1900s. Born in West End, New Jersey, and attaining her success from New York, she became one of the most brilliant writers that revolutionized American thinking then and after. Dorothy Parker lived a full and prosperous life, even though she did not have a happy childhood. Growing up, having bad relationships with her father and stepmother, she never had the privilege of growing up with a mother. Her mother died on July 20, 1897, when Dorothy was only four years of age, and her father died shortly after on December 28, 1913. Right before the death of her father was the passing away of her “brother Henry, who died on the passage home from a vacation with his wife Lissie aboard a first class steamship the Titanic, which sank in 1912.” (source link dead) As a sad woman, stung with depression and alcoholism her entire adult life, she had a successful and productive life. In 1916, at the age of 23, she joined the editorial staff of Vogue. Then in 1917 she started working for as a theater critic for Vanity Fair, who had published her first poem entitled “Any Porch,” (1914), in which she received $12. Vanity Fair became a significant variable in her life in that she met her associates whom she would form the Algonquin Round Table/Vicious Circle, an intellectual and renowned literary circle.
    [Show full text]
  • Flappers As Portrayed in Dorothy Parker's Short
    The Grove. Working Papers on English Studies 22 (2015): 91-105. DOI: 10.17561/grove.v0i22.2699 FEMALE FIGURES OF THE JAZZ AGE IN DOROTHY PARKER’S SHORT STORIES Isabel López Cirugeda University of Castilla-La Mancha (Spain) Abstract Most criticism on Dorothy Parker (1893–1967) highlights her literary persona only to the detriment of the study of a profuse work comprising six decades of narrative, poetry and drama. Probably her best-known contribution to literature was her condition of the voice of the Jazz Age generation, shifting from acquiescence to irony. A corpus of Parker’s short stories written in the 1920s and early 1930s will be analyzed from feminist perspectives, such as those by Pettit, Melzer or Showalter, in terms of ‘appearance’, ‘social life’ and ‘bonds with men’ to determine whether her heroines respond to the stereotype of the flapper in the Roaring Twenties. Results show a satirized viewpoint conveying dissatisfaction regarding body, idleness and romance predicting many of the conflicts of women in the second half of the XXth century. Keywords: Dorothy Parker, short stories, flappers, Jazz Age, feminist criticism, body, satire. Resumen La mayor parte de los estudios sobre Dorothy Parker (1893–1967) se centran en su condición de personalidad del panorama escénico en detrimento de su profusa obra, con más de seis decenios de narrativa, poesía y teatro. Probablemente su contribución más reconocida sea haber dado voz a la generación de la Era del Jazz, con una visión que oscila entre la complicidad y la ironía. Las heroínas del corpus de relatos escritos por Parker en los años veinte y treinta serán analizadas bajo perspectivas feministas (Pettit, Melzer, Showalter) en términos de ‘apariencia’, ‘vida social’ y ‘relación con los hombres’ para determinar si se acomodan al estereotipo de la flapper.
    [Show full text]
  • Dorothy Parker - Poems
    Classic Poetry Series Dorothy Parker - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive Dorothy Parker(22 August 1893 - 7 June 1967) Dorothy Parker was an American poet, short story writer, critic and satirist, best known for her wit, wisecracks, and eye for 20th century urban foibles. From a conflicted and unhappy childhood, Parker rose to acclaim, both for her literary output in such venues as The New Yorker and as a founding member of the Algonquin Round Table. Following the breakup of the circle, Parker traveled to Hollywood to pursue screenwriting. Her successes there, including two Academy Award nominations, were curtailed as her involvement in left-wing politics led to a place on the Hollywood blacklist. Parker went through three marriages (two to the same man) and survived several suicide attempts. Dismissive of her own talents, she deplored her reputation as a "wisecracker." Nevertheless, her literary output and reputation for her sharp wit have endured <b> Early Life</b> Parker was born in West End, New Jersey, as the fourth and last child of Jacob (Henry) Rothschild, a garment manufacturer, and Annie Eliza (Marston) Rothschild, the daughter of a machinist at Phoenix Armour. Parker's mother died in 1898. Jacob married in 1900 Eleanor Frances Lewis, a Roman Catholic; Parker never liked her stepmother. Eleanor Frances died three years after the wedding. Parker's father died when she was twenty. Parker was educated at a Catholic school. "But as for helping me in the outside world, the convent taught me only that if you spit on a pencil eraser it will erase in," Parker said later in an interview.
    [Show full text]
  • Round Table Reading List
    ‘Such Friends’ ‘…and say my glory was I had such friends.’ —W B Yeats Dorothy Parker and the Algonquin Round Table For further reading Compiled by Kathleen Dixon Donnelly, Ph.D. www.suchfriends.wordpress.com @SuchFriends [email protected] Robert E. Drennan, ed. The Algonquin Wits. New York: Citadel Press, 1968. Mostly just a collection of Parker’s quips and those of her friends, without much context. Use it to entertain your friends at parties. Kevin C. Fitzpatrick. The Algonquin Round Table New York: A Historical Guide. Guildford, CT: Lyons Press, 2015. Excellent. Lots of pictures and details, and an expanded cast of characters. Kevin C. Fitzpatrick. A Journey into Dorothy Parker’s New York. Berkeley, CA: Roaring Forties Press, 2013. This is the guy who runs the Dorothy Parker Society and does Manhattan walking tours, so really knows his stuff. Kevin C. Fitzpatrick. Under the Table: A Dorothy Parker Cocktail Guide. Guildford, CT: Lyons Press, 2013. “I love a martini—But two at the most. Three, I’m under the table; Four, I’m under the host.” Who wants to use this to throw a post-coronavirus party?! I’m in… James R. Gaines. Wit’s End: Days and Nights of the Algonquin Round Table, New York: Harcourt, Brace Jovanovich, 1977. One of the few books really about the whole group. Good pictures. Brendan Gill. Here at The New Yorker. New York: Random House. 1975. An excellent reminiscence, starting with the early days, by one who came along a bit later. Marion Meade. Bobbed Hair and Bathtub Gin: Writers Running Wild in the Twenties.
    [Show full text]
  • CR 585 Porter on My Mind Francis Thorne
    NWCR585 Francis Thorne: Porter On My Mind Francis Thorne, piano and vocals; Jack Six, bass 7. Just One Of Those Things ................................... (3:45) (From Jubilee, 1935) 8. You’re Sensational .............................................. (4:04) (From High Society, 1956) 9. Why Shouldn’t I? ................................................ (3:54) (From Jubilee, 1935) 10. You Do Something To Me .................................. (2:41) (From Fifty Million Frenchmen, 1929) 11. Please Don’t Monkey With Broadway ................ (2:16) (From Broadway Melody of 1940) 12. How Could We Be Wrong? ................................. (3:46) (From Nymph Errant, 1933) 13. All Of You .......................................................... (2:26) (From Silk Stockings, 1955) 14. I Happen To Like New York ............................... (2:10) (From The New Yorkers, 1930) 15. A Picture Of Me Without You ............................ (4:34) (From Jubilee, 1935) 16. Easy To Love ...................................................... (3:39) (From Born To Dance, 1936) 1. At Long Last Love .............................................. (3:50) 17. Down In The Depths ........................................... (3:14) (From You Never Know, 1938) (From Red, Hot and Blue, 1936) 2. I’ve Got You On My Mind ................................. (2:02) 18. Night And Day .................................................... (3:23) (From Gay Divorce, 1932) (From Gay Divorce, 1932) 3. Dream Dancing ................................................... (2:57) 19.
    [Show full text]
  • Minnesotan 1952 1953.Pdf
    In this issue .•. SOUTH ASIA, and especially In· Know Your University- dia, is the subject matter of the Ames library, which will one day belong to the University. Read about what this library contains and how it will bene­ fit U scholars on page 3. BEGINNING WITH THIS ISSUE we start a new series about the build­ ings that have had a distinguished University history . Eddy Hall appears on this page. TURNING HIS SUMMER HOME into a vacation spot for DP children -that's what John Akerman, head of aero engineering has been doing the past two years. Pictures of his "camp" plus the heartwarming story of how it's grown, page 4. NEWCOMERS AND OLDTIMERS get separate recognition in this Min­ nesotan. New staff members are wel­ comed on page 7, retiring staffers cited on page 12. EVER WONDER WHO MAKES lJP the pollen count you see in your newspaper during August and Sep­ tember? You'll meet Agnes Hansen, and learn how she makes her micro­ Eddy Hall scopic tallies on page 10. LDEST building on the Minne­ engineering and mechanics in 1894 O apolis campus is Eddy Hall. It and had nine years later been made On the eover •.• was built in 1886 at a cost of $30,000 dean of the Graduate School. October brings us to the be­ and has had a long and varied list of Today, Eddy Hall is one of the ginning of another school tenants during its history. most "miscellaneous" buildings on the year. Our cover, appropri­ Known for some 40 years as the Minneapolis car»pus.
    [Show full text]