DOCSLIB.ORG

CPY Document

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
CPY Document In The Matter Of: STUART Y SILVERSTEIN v. PENGUINPUTMAN, INC. July 18, 2007 TRIAL SOUTHERNDISTRICTREPORTERS 500 PEARL STREET NEW YORK., NY 10007 212-805-0300 Original File 77I7SILF:ti.l, Pages 191-362 (172) Word Index included with this Min-U-Script® STUARTY. SILVERSTEIN v. PENGUIN PUTMAN, INC. July 18,2007 Page 191 Page 193 11} UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF NEW YORK [1) going to be based on what you have read, is that right? [2} ------------------------------x [2) MR. DANNAY: Correct. \, [3) STUART Y. SILVERSTEIN, [3) THE COURT: All right, fine. Go ahead. [4) Plaintiff, (4) MR. DANNAY: 1just need to explain what it is 1 am [5} getting to. [5} v. 01 Civ. 309 [6} THE COURT: Fine. [6} PENGUIN PUTMAN, INC., [7) Q. In the conclusion the court said, "We hold that [7) Defendant. (8) Silverstein's rights are limited to his selection of ----------------~~------------x [B) [9} categorization ofsome works as poems that were written by [9) July 18, 2007 [10) Mrs. Parker." And I am focusing on the "some works," and in 9:30 a.m. [10) [11) your testimony yesterday, as I understood it, you appeared to Before: [12) be claiming protectable creativity for a certain number but, as [ll} HON. JOHN F. KEENAN [13} 1understood it, not all the poems individually in Not Much [12} District Judge [14} Fun. And that's what I want to go over here, someofthe [13) APPEARANCES [IS} numbers. (14) [16) Now, initially Not Much Fun collects, am I correct, NEAL GERBER & EI~NBERG LLP [15) Attorneys for Plaintiff (17) 121 - contains, rather, 121 previously uncollected poems and BY: MARK A. RABINOWITZ [18} [16) CHRISTOPHER D. MICKUS versus, putting aside Day Dreams for the moment. Isthat [17} COWAN LIEBOWITZ & LATMAN PC [19l correct? Attorneys for Defendant [lB} BY, RICHARD DANNAY [20) A. Yes. THOMAS KJELLBERG [19} [21) Q. Thank you. And as I understood your testimony -- and this [22) is a question -- you claimed some protectable creativity in the [20} [21} [23). inclusion ofthe 19 free verses which include the 18 hate [22} (23) (24) verses and the item called Oh, Look etc., the modernist verse, [24) (25) (25) is that right? )---------~--------------~----+----'------------~--,--------------- Page 192 Page 194 [1) (Trial resumed; jury present) [1) A. Not quite. I claimed that those were instances of (2) THE COURT-:' Good morning, ever·ybody _ Thank you. for [2) subjective selection. [3) getting here so promptly. It's a terrible day out, and traffic [3) Q. OK. And you claimed the same as to four works that were [4J and everything is delayed, so thank. you very much. (4) found, you might say, in larger works, the two that you titled [5) All right. Mr. Silverstein, come on up. (5) After Dawn and Crisscross, that is the two verses in book (6) And you may continue cross-examination, sir. [6) reviews, correct? [7) MR. DANNAY: Than~ you, your Honor. [7) A. Those were instances ofsubjective selection. [B) THE COURT: All right. [8J Q. And that's your claim. Andthe two leiters Dorothy Parker [9) STUART Y. SILVERSTEIN, resumed. [9) to Ogden Nash that was in the advertisement, aild Dorothy Parker [lq) CROSS EXAMINATION (ContinueQ) [10) to Robert Benchly,the letter and verse, is it the same claim? (11) BY MR.DANNAY: [11) A. Instances ofsubjective selection, yes. (12) Q- Good morning, Mr. 5i1verstein. I have s'orne questions' to [12) Q. Beg your pardon? (13) ask you obviously ,on cross-examanation, bU~ I do want to just [13)· A. Instances ofsubjective selection. 114f read --"it's not a question to you -- ~rom the conclus~on of [14) Q. Subjectiveselection, OK. [15) the Sec'and Circuit opinion, because it re'lates to what I :want [15) Do you claim any protectable creativity underyour [16) to ask you at the outset here. And under this section in the 116) . selection copyright claim for the Inclusion -- and let me go [17) opinion that says-~ [f7) through them from your table ofcontents from your book in Not (lB) HR. RABINOWITZ: Objection, your Honot-. If this isn't (18) Much Fun which is Exhibit A and B ofours and 2 and 3 ofyours. (19) . part of a question, I object to him"'making argurne"nt as pa'rt of [19) Is that correct? Just so you can fmd it. Not. Much FUn. [20) cross-examination. [20) A. 1 claim a copyright inthe compilation itself as a wh6le. (21) MR. DANNAY: It's not an argument. [21) Q. I understand. But d~ you claim anyprotectab](: creativity [n} MR~ RABINOWITZ: You ~on·t make statements to -­ [22) in the Bridge Fiend, which is the first poem listed in Not Much [23) THE COURT: It might be helpful if you·1et me rule. ·[23) Fun? [24) If it's pr~efatory to a question, r-l'm going ,to permit him to do [24] MR. RABINOWITZ: Objection. Vague. [25) it, and then he puts the question. I take it the questi-on is [25) THE COURT: Objection overruled.· TRIAL Min-U-Script® (1) Page 191 - Page 194 STUART Y. SILVERSTEIN v. July 18,2007 PENGUIN PUTMAN, INC. Page 195 Page 197 (I) A. The claim is for a compilation copyright for the [lJ Q. I'm just trying to understand your claim from your (2) compilation in toto. 12J testimony yesterday. I am asking you whether you are also 13) Q. OK. But my question' is do you claim any rights in the 13) claiming that some protectable right in having excluded from 14 ) Bridge Fiend individually? 14 ) your compilation ofNot Much Fun the standardized song sheet. [5) A. Bridge Fiend is only alleged as an instance ofsubjective 15) I won't quarrel with you for the moment whetherthat consists 16) selection that was part ofthe composition ofthe compilation. [6) ofone item or six items. I know that Calhoun classified it as [7) I'm not claiming any individual right in Bridge Fiend. 17J one and you classified it as six. IB) Q. OK. Do you claim any individual right inAny Porch? IB) A. We are alleging that the selection ofsome item or the (9) A, The same answer would go for any individual item. [9) refusal or the nonselection ofsome item is in itself 110) Q. Any individual item iuNot Much Fun? [10J subjective, and by not selecting an item which I could have [llJ A. I'm saying that the claim isfor a subjective selective Ill) selected is in itselfsubjective. 112) compilation. We alleged certain specific items as instances of [12) Q. And,therefore, you are claiming some right in the [13) subjective selection. We're not claiming any individual rights [13) subjectivity you claim in having excluded the item? [14) in those items. [14J A. No, I'm claiming that that is an example ofselection. [15) Q. OK. Do you claim any, to use your phrase, subjective [15J Q. It's an example ofselection. (16J selection rights in the Bridge Fiend? I will go back to that. 116) A. Yes, subjective selection. 117) A. We are saying that ev~ one ofthe selections I made was [17) Q. And are you claiming protection for that selection, ifyou 11BJ subjective. [lB) will, by excluding the song sheet? 119) Q. OK. Now, that's what I want to focus on. You are saying (19) A.. I am saying that that is another example that displays the [20) it was subjective to include the Bridge Fiend? [20) subjectivity ofmy selection, because selection requires both [21J A. Yes. [21) selection and nonselection. [22) Q. You are saying it w~s subjective to include Any Porch? 122) Q. And in the nonselection area, the exclusion of the (23) A. Yes. 123) standardized song sheet, that would fall in the nonexclusion? [24) Q. You are saying.it was subjective to include The Gun Men and [24) A. That would indicate the fact that I did not select it and I [25J The Debutante? [25) did so subjectively: . Page 196 Page 19t· 11 ) A. Yes. [1) Q. Are you saying for Playing It Safe? [2J Q. To save time in reading all ofthem, all "12 1 ofthe [2) A. Yes. 13) previously uncollected poems you say you included on the basis [3) Q. Are you saying the same for HiggledIy Piggledy? (4 ) ofsubjective selection; is that your claim? 14J A. Yes. [5) A. I am saying that in each individual instance I made a IS} Q~ Are you saying the same for the three attribution items, [6J subjective selection whether to select or not to select.that 16J From the Ladies, Upon Your.Honor, and Elinor Glyn? [i) item. 17J A. I am saying for each ofthose three items I could as easily (B) Q. And do you think that each selection that you made reflects IBJ have selected them as not, and it was a subjective decision [9) creativity that you are ciaimirigprotection for in this court? 19J because there were no objective criteria upon which to base my [10) A; I'm saying that each oneofthem-is subjective. [10J subjective selection. There was no documentary evidence that [11) Ck'My question wasllfeyou c1aiiningthat your subjective [llJ was conclusive either way; and all the documentary evidence for [12J selection, asyoupllfit,entitles youtoaClaim ofcreativity [12) at least one ofthem was that she had written it, that being [13J in support ofyour copyright claim? . [13J From the Ladies. [14J A. I am saying that the claim that we are making is for a ll4i Q. Now turtling to figures in American Folklore, you testified [15) selective and subjective compilation.
Load more

Recommended publications
  • Gifted Support Center
    GIFTED SUPPORT CENTER TM An adventure that happens between the pages of a book and the words of a song BASED ON THE WORK OF Natalie Merchant CURRICULUM DEVELOPMENT LED BY Sandra Kaplan GIFTED SUPPORT CENTER TM BASED ON THE WORK OF Natalie Merchant CURRICULUM DEVELOPMENT LED BY Sandra Kaplan CONTENTS Introduction 4 Curriculum Introduction 5 Purpose 7 Nursery Rhyme of Innocence and Experience 8 The Sleepy Giant 25 The Janitor’s Boy 38 Adventures of Isabel 51 Bleezer’s Ice Cream 65 Culmination Poem 78 Poetry Overview 79 Musical Overview 82 The Curriculum 84 Credits 85 Acknowledgments 86 IntRODUction When you are given a gift that touches your soul, you never forget the experience. That spring day when I first received Leave Your Sleep, I knew I was in the possession of something incredibly special. Little did I know then it was the beginning of a love affair and journey that would take me to new heights, challenge me in extraordinary ways, and allow in me a profound depth of love for humanity that I didn’t know I was capable of. Over the course of five years, Natalie Merchant researched and wrote Leave Your Sleep. She adapted the poems to music, collaborating with more than a hundred musicians. She transformed the work by creating an exquisite picture book with Barbara McClintock. It was at this moment that I knew this extraordinary work needed to be in front of children – all children, but I didn’t know how it would come to fruition. Leave Your Sleep for Education was born out of the passion and vision of a dedicated team of individuals who believe in the importance of the arts in education.
    [Show full text]
  • August 2018 Special Days
    August 2018 Special Days Scroll down the page or click on a date below to jump to ideas for that specific day of the month. August 2018 Monthly Events Sun Mon Tues Wed Thur Fri Sat 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 Welcome to August Day – Welcome August by reading the August Monthly Gazette and Newsletter. Then go Searching for August and solve the Famous August Birthdays. Also, test your August IQ. Finally, play a game or two of August Bingo, which is available from the Shopping page. If the first week in August is unusually warm, the coming winter will be snowy and long. Clowning Around Day – August 1 marks the beginning of International Clown Week each year. Invite a local clown to visit the facility to perform and demonstrate how they put on their makeup. Ask how they got started in the business or for a short lesson on "clowning." Offer clown makeup for residents, volunteers, and staff to try. Make a clown bow tie or other clown props and set up a clown photo booth. Bring in red clown noses and encourage staff to wear them; these are practically guaranteed to bring on some laughs throughout the day. Also, try solving the Bring in the Clowns puzzles. Finally, visit our Discuss & Recall for a program titled "Clowning Around." PT-109 Disaster 75th Anniversary – On this day in 1943, the naval ship PT-109 sank off the Solomon Islands after colliding with a Japanese destroyer at 2:30 a.m.
    [Show full text]
  • Ogden Nash - Poems
    Classic Poetry Series Ogden Nash - poems - Publication Date: 2004 Publisher: Poemhunter.com - The World's Poetry Archive Ogden Nash(August 19, 1902 – May 19, 1971) Born Frederick Ogden Nash on August 19, 1902 in Rye, New York. An ancestor, General Francis Nash, gave his name to Nashville, Tennessee. Raised in Rye, New York and Savannah, Georgia. Educated at St. George's School in Rhode Island and, briefly, Harvard University. Started work writing advertising copy for Doubleday, Page Publishing, New York, in 1925. Published first book for children, The Cricket of Caradon in 1925. First published poem Spring Comes to Murray Hill appears in New Yorker magazine in 1930. Joins staff at New Yorker in 1932. Married Frances Rider Leonard on June 6, 1933. Published 19 books of poetry. Collaborated, in 1943, in the musical comedy, One Touch of Venus Elected to the National Institute of Arts and Letters in 1950. Lived in New York but his principal home was in Baltimore, Maryland, where he died on May 19, 1971. He was buried in North Hampton, New Hampshire. www.PoemHunter.com - The World's Poetry Archive 1 à Bas Ben Adhem My fellow man I do not care for. I often ask me, What's he there for? The only answer I can find Is, Reproduction of his kind. If I'm supposed to swallow that, Winnetka is my habitat. Isn't it time to carve Hic Jacet Above that Reproduction racket? To make the matter more succint: Suppose my fellow man extinct. Why, who would not approve the plan Save possibly my fellow man? Yet with a politician's voice He names himself as Nature's choice.
    [Show full text]
  • CPY Document
    In The Matter Of: STUART Y SILVERSTEIN v PENGUINPUTMAN, INC. July 17,2007 TRIAL SOUTHERNDISTRICTREPORTERS 500 PEARL STREET NEW YORK., NY 10007 212-805-0300 Original File 77H4SILF.txt, Pages 1-190 Word Index included with this Min-U-Script® STUART Y. SILVERSTEIN v PENGUIN PUTMAN, INC. July 17,2007 Page 1 Page 3 77H7SILI [1] [1] UNITED STATES DISTRICT COURT podium? SOUTHERN DISTRICT OF NEW YORK [2] THE COURT: From the podium, please. [2] ------------------------------x [3] MR. RABINOWITZ: Good morning, your Honor. The [3] STUART Y. SILVERSTEIN, [4J evidence will show that after Penguin declined to purchase [4] Plaintiff, [5] Mr. Silverstein's book, and since Mr. Silverstein published it [5J v. 01 Civ. 309 [6] with Scribner, Penguin simply bought a copy, cut and pasted the [6] PENGUIN PUTMAN, INC., [7] pages onto paper, and then republished it as its own book. The [8] evidence will show that such conduct is unheard of in the [7] Defendant. [9] publishing industry. [8] ------------------------------x [10] The evidence will establish that Penguin deliberately [9] July 17, 2007 9:30 a.m. [11] denied Mr. Silverstein attribution in order to "avoid directing [10] [12] people to the competition" and it then misrepresented to the Before: [11] [13] public that the items were faithfully reproduced from their HON. JOHN F. KEENAN [12J [14] original publications. District Judge [15J The evidence will show that senior Penguin employees [13] APPEARANCES [16] violated Penguin's explicit written policies by failing to [14] NEAL GERBER & EISENBERG LLP [17] investigate the copyright status of Silverstein1s work, which [15] Attorneys for Plaintiff BY: MARK A.
    [Show full text]
  • Minnesotan 1952 1953.Pdf
    In this issue .•. SOUTH ASIA, and especially In· Know Your University- dia, is the subject matter of the Ames library, which will one day belong to the University. Read about what this library contains and how it will bene­ fit U scholars on page 3. BEGINNING WITH THIS ISSUE we start a new series about the build­ ings that have had a distinguished University history . Eddy Hall appears on this page. TURNING HIS SUMMER HOME into a vacation spot for DP children -that's what John Akerman, head of aero engineering has been doing the past two years. Pictures of his "camp" plus the heartwarming story of how it's grown, page 4. NEWCOMERS AND OLDTIMERS get separate recognition in this Min­ nesotan. New staff members are wel­ comed on page 7, retiring staffers cited on page 12. EVER WONDER WHO MAKES lJP the pollen count you see in your newspaper during August and Sep­ tember? You'll meet Agnes Hansen, and learn how she makes her micro­ Eddy Hall scopic tallies on page 10. LDEST building on the Minne­ engineering and mechanics in 1894 O apolis campus is Eddy Hall. It and had nine years later been made On the eover •.• was built in 1886 at a cost of $30,000 dean of the Graduate School. October brings us to the be­ and has had a long and varied list of Today, Eddy Hall is one of the ginning of another school tenants during its history. most "miscellaneous" buildings on the year. Our cover, appropri­ Known for some 40 years as the Minneapolis car»pus.
    [Show full text]
  • ANIMAL DITTIES Study Guide
    ANIMAL DITTIES Study Guide This guide was compiled by Jewel Winds for free distribution to classrooms, libraries and other centers of learning. May be photocopied and used for educational purposes in preparing for concert listening experiences. Contents: Ogden Nash (biographical background) Ogden Nash (poster) Anthony Plog (biographical background) Anthony Plog (poster) Kangaroo, Fly, Canary, Ostrich, Guppies (poems/posters) Suggestions for Activities Lesson Plan #1 - Music Composition Activity (can be adjusted for grades 2-6) Attachments for Lesson Plan #1 – Activity Sheets A and B Lesson Plan #2 – Music and Movement Activity (can be adjusted for grades PK-1) Please contact Jewel Winds at [email protected] with questions or comments about this study guide. Ogden Nash Frederic Ogden Nash (August 19, 1902 – May 19, 1971) was an American poet well known for his light verse. At the time of his death in 1971, the New York Times said his "droll verse with its unconventional rhymes made him the country's best-known producer of humorous poetry". Nash was born in Rye, New York. His father owned and operated an import-export company, and because of business obligations, the family relocated often. His family lived briefly in Savannah, GA in a carriage house owned by Juliette Gordon Low, founder of the Girl Scouts; he wrote a poem about Mrs. Low's House. After graduating from St. George's School in Middletown, Rhode Island, Nash entered Harvard University in 1920, only to drop out a year later. He returned to St. George's to teach for a year and left to work his way through a series of other jobs, eventually landing a position as an editor at Doubleday publishing house, where he first began to write poetry.
    [Show full text]
  • ALLAN H. SELIG, Plaintiff-Appellee, V. UNITED STATES of AMERICA, Defendant-Appellant No
    ALLAN H. SELIG, Plaintiff-Appellee, v. UNITED STATES OF AMERICA, Defendant-Appellant No. 83-2330 UNITED STATES COURT OF APPEALS FOR THE SEVENTH CIRCUIT 740 F.2d 572; 1984 U.S. App. LEXIS 20104; 84-2 U.S. Tax Cas. (CCH) P9696; 54 A.F.T.R.2d (P-H) 5784; 16 Fed. R. Evid. Serv. (Callaghan) 196 July 27, 1984 PRIOR HISTORY: overhand pitching and the switch to a cork-center base- ball in 1911 were two of the final major steps toward the Appeal from the United States District Court for the game as we enjoy it today. Eastern District of Wisconsin. No. 81 C 334 -- John W. Reynolds, Judge. COUNSEL: David E. Beckwith, Foley The National Association of Professional Base-Ball & Lardner, E. Wisconsin Milwaukee, Wisconsin, for Players was born in 1871. In the first recorded profes- Plaintiff. sional game, the Kekiongas franchise of Fort Wayne de- feated Forest City of Cleveland, 2 to 0. Franchises cost Gayle P. Miller, Tax Div., Dept. of Justice, Wash- $10. Notably, the White Stockings of Chicago led the ington, District of Columbia, for Defendant. league throughout the season and appeared headed for JUDGES: Bauer and Coffey, Circuit Judges, and the pennant until an accident in Mrs. O'Leary's barn de- Fairchild, Senior Circuit Judge. stroyed their ball yard along with most of the city. Forced to play their remaining games on the road, the White OPINIONBY: BAUER Stockings lost three straight games and the flag to the OPINION: BAUER, Circuit Judge. Athletics of Philadelphia. The birth of the National League in 1876 spelled the end of the National Associa- The government asks this court to overturn the dis- tion.
    [Show full text]
  • Thonx for the Bronx
    Evelyn Gonzalez. The Bronx. New York: Columbia University Press, 2003. ix + 263 pp. $19.95, paper, ISBN 978-0-231-12115-6. Reviewed by Joseph Dorinson Published on H-Urban (September, 2007) New Yorkers harbor a love-hate relationship serves that the South Bronx was two-thirds white. with the Bronx. Ogden Nash framed this ambiva‐ In a dramatic demographic shift, by 1960, it was lence with a negative assessment: "The Bronx--no two-thirds black and Hispanic (pp. 1, 144). There‐ thonks!"[1] Visions of burning buildings, white by, hangs a Bronx tale. flight, urban blight, citizen fright: all contributed This valuable contribution to the Columbia to a profound despair, vintage 1970s. Yet, the History of Urban Life series under the able edito‐ Bronx also evokes pride in Yankee glory, the fa‐ rial aegis of Kenneth T. Jackson joins other major mous zoo, the beautiful parks, cooperative hous‐ studies by such intellectual heavyweights as Deb‐ es, progressive politics, and a safety valve for re‐ orah Dash Moore, Frederick Binder, David cent immigrants seeking refuge from overcrowd‐ Reimers, Clarence Taylor, Andrew Dolkart, and ed Manhattan. Craig Steven Wilder, in chronological order.[2] Culling data from every available source per‐ Professor Gonzalez charts urbanization from the taining to this borough, author Evelyn Gonzalez 1840s to the present. Each era, she avers, depends earns high praise for meticulous research that en‐ on a principal source (p. 3). Chapters 1 and 2, for compasses eighty-plus pages of endnotes and bib‐ example, build on Joel Schwartz's important dis‐ liography. Many maps and tables enrich this nar‐ sertation.
    [Show full text]
  • Take Me out to the Ballgame: a History of Baseball in America Professor Timothy B
    TAKE ME OUT TO THE BALLGAME : A H ISTORY OF BASEBALL IN AMERICA COURSE GUIDE Professor Timothy B. Shutt KENYON COLLEGE Take Me Out to the Ballgame: A History of Baseball in America Professor Timothy B. Shutt Kenyon College Recorded Books ™ is a trademark of Recorded Books, LLC. All rights reserved. Take Me Out to the Ballgame: A History of Baseball in America Professor Timothy B. Shutt Executive Producer John J. Alexander Executive Editor Donna F. Carnahan RECORDING Producer - David Markowitz Director - Matthew Cavnar COURSE GUIDE Editor - James Gallagher Contributing Editor - Karen Sparrough Design - Edward White Lecture content ©2007 by Timothy B. Shutt Course guide ©2007 by Recorded Books, LLC Cover image: © Photos.com 72007 by Recorded Books, LLC #UT110 ISBN: 978-1-4281-7584-6 All beliefs and opinions expressed in this audio/video program and accompanying course guide are those of the author and not of Recorded Books, LLC, or its employees. Course Syllabus Take Me Out to the Ballgame: A History of Baseball in America About Your Professor...................................................................................................4 Introduction...................................................................................................................5 Lecture 1 Origin and Fundamental Character of the Game ..................................6 Lecture 2 Nineteenth-Century Professional Baseball..........................................11 Lecture 3 The Early 1900s ..................................................................................17
    [Show full text]
  • Baseball Nonfiction
    PLAY BALL! BASEBALL NONFICTION Title: 1954: THE YEAR WILLIE MAYS AND THE FIRST GENERATION OF BLACK SUPERSTARS CHANGED MAJOR LEAGUE BASEBALL FOREVER Author: MADDEN, BILL Original Date: 2014 Although Jackie Robinson officially broke baseball’s color barrier in 1947, sportswriter Madden dates the true integration of the game to 1954. That was the year players like Willie Mays, Hank Aaron, and Ernie Banks took center stage and changed baseball. Unrated. DB 81875 Title: 25 GREATEST BASEBALL PLAYERS OF ALL TIME Author: BERMAN, LEN Original Date: 2010 Panel of experts pick their favorite baseball stars. Discusses the players’ statistics, best games, and personalities on and off the field. Includes early greats like Cy Young and Ty Cobb and later ones like Mike Schmidt and Alex Rodriguez. For grades 5-8 and older readers. 2010. BR 19260 DB 74531 Title: A-ROD: THE MANY LIVES OF ALEX RODRIGUEZ Author: ROBERTS, SELENA Original Date: 2009 Biography of Alex Rodriguez, the highest-paid player in the history of baseball. Sports Illustrated writer expands on her expose of Rodriguez’s use of steroids—tracing substance abuse since his high school days in Miami. Details Rodriguez’s personal and professional life, including his divorce and dedication to Kabbalah. Some strong language. 2009. DB 69287 7/2018 Title: ABLE TO PLAY: OVERCOMING PHYSICAL CHALLENGES Author: STOUT, GLENN, 1958- Original Date: 2012 Profiles four professional baseball players: pitcher Mordecai Brown, who lost a finger in a farming accident; third baseman Ron Santo, who dealt with diabetes throughout his career; pitcher Jim Abbott, who was born without his right hand; and outfielder Curtis Pride, who was born deaf.
    [Show full text]
  • Edwin S. Cohen
    Columbia Law School Scholarship Archive Faculty Scholarship Faculty Publications 2006 Edwin S. Cohen Michael J. Graetz Columbia Law School, [email protected] Follow this and additional works at: https://scholarship.law.columbia.edu/faculty_scholarship Part of the Law Commons Recommended Citation Michael J. Graetz, Edwin S. Cohen, 25 VA. TAX. REV. 563 (2006). Available at: https://scholarship.law.columbia.edu/faculty_scholarship/802 This In Memoriam is brought to you for free and open access by the Faculty Publications at Scholarship Archive. It has been accepted for inclusion in Faculty Scholarship by an authorized administrator of Scholarship Archive. For more information, please contact [email protected]. EDWIN S. COHEN Michael J.Graetz* This is not the first time I have spoken to honor Edwin S. Cohen. I spoke at two of his retirements - at least - and in the Rotunda at both his 7 5th and 9 0 1h birthday celebrations. Each time, and on many other occasions over the years when I have spoken about tax law or policy in his presence, I would always steal a glance at Eddie, looking for that twinkle in his eyes, hoping to bring a smile to his face, or even an outright giggle. Today, I know I will still look, as I will for years to come, though I realize that I can no longer find his eyes, except in my own mind's eye. Eddie's absence is palpable; my heart is heavy. On July 4, 1939, when Eddie Cohen was a twenty-four-year-old lawyer at Sullivan and Cromwell, the New York Yankee's legendary first baseman Lou Gehrig - who had contracted a fatal disease that cut short his remarkable baseball career and his life - stood before a packed Yankee Stadium and uttered the most famous sentence in sports history: "[T]oday, I consider myself the luckiest man on the face of the earth." Even people who know little and care less about sports have heard about this.
    [Show full text]
  • Ogden Nash in His Time”
    UNIVERSIDAD DE CUENCA FACULTAD DE FILOSOFIA, LETRAS Y CIENCIAS DE LA EDUCACION TEMA: “FREDERICK OGDEN NASH IN HIS TIME” ABSTRACT “Ogden Nash in His Time,” is about a famous American humorous poet. Nash became very famous for his funny works. His poems were humorous not only because they made people laugh, but also because they contained some truth of human experience. His poems are loved by children and adults in the United States. Nash applied his love of language to poems, stories, and lyrics. Among his most popular writings were a series of animal verses. When Nash wasn't writing poems, he made guest appearances on comedy, radio shows, and toured the United States and England, giving lectures at colleges and universities. Nash wrote about the famous baseball players of his day, but he particularly loved Baltimore sports. Nash´s works have been a way to show us his life, his experiences, and his problems. Our thesis contains five chapters. The first one, BIOGRAPHY, is about Nash’s life. The second chapter, HISTORICAL EVENTS, is about the time that Nash lived in during the First War World, The First Radio Broadcast, The immigration Act, The Great Depression, and the life and the presidency of John Fitzgerald Kennedy. The third chapter, OGDEN NASH’S POETRY STYLE, illustrates the poetry style that Nash used to write his poems. The fourth chapter, 1 AUTHORS: Nelly Rocío Cárdenas Guamán Diana Azucena Zhagüi Tenesaca UNIVERSIDAD DE CUENCA FACULTAD DE FILOSOFIA, LETRAS Y CIENCIAS DE LA EDUCACION TEMA: “FREDERICK OGDEN NASH IN HIS TIME” HOW OGDEN NASH WAS AFFECTED BY SOME HISTORICAL EVENTS, explains how Nash’ life was affected, and the contributions made by him in that time.
    [Show full text]