Dorothy Parker - Poems
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The Algonquin Round Table New York: a Historical Guide the Algonquin Round Table New York: a Historical Guide
(Read free ebook) The Algonquin Round Table New York: A Historical Guide The Algonquin Round Table New York: A Historical Guide QxKpnBVVk The Algonquin Round Table New York: A Historical Guide GF-51433 USmix/Data/US-2015 4.5/5 From 294 Reviews Kevin C. Fitzpatrick DOC | *audiobook | ebooks | Download PDF | ePub 13 of 13 people found the following review helpful. A great way to introduce yourself to a group who made literary historyBy Greg HatfieldIt seems my entire life has been connected to the Algonquin Round Table. When I first discovered Harpo Marx, as a youngster, it led me to his autobiography, Harpo Speaks,where I then learned about the Round Table. Alexander Woollcott, George S. Kaufman, Dorothy Parker, Robert Benchley, Franklin P. Adams, Edna Ferber, Heywood Broun, and all the rest who made up the Vicious Circle, became an obsession to me and I had to learn about their lives and, more importantly, their work.Kevin Fitzpatrick has done a remarkable job with this book, putting the group into a historical perspective, and giving the reader a terrific overview of what made the Algonquin Round Table unique and worthy of your time. They were the leading writers and critics of the 1920's, who really did enjoy one another's company, meeting practically every day for lunch for ten years at the Algonquin Hotel.Fitzpatrick says, in one section, that there isn't a day, in this modern era, where someone, somewhere, mentions one of the group in a glowing context (I'm paraphrasing here). The fact remains that the work of Kaufman, Mrs. -
Jay Graydon Discography (Valid July 10, 2008)
Jay Graydon Discography (valid July 10, 2008) Jay Graydon Discography - A (After The Love Has Gone) Adeline 2008 RCI Music Pro ??? Songwriter SHE'S SINGIN' HIS SONG (I Can Wait Forever) Producer 1984 258 720 Air Supply GHOSTBUSTERS (Original Movie Soundtrack) Arista Songwriter 1990 8246 Engineer (I Can Wait Forever) Producer 2005 Collectables 8436 Air Supply GHOSTBUSTERS (Original Movie Soundtrack - Reissue) Songwriter 2006 Arista/Legacy 75985 Engineer (I Can Wait Forever) Producer Air Supply DEFINITIVE COLLECTION 1999 ARISTA 14611 Songwriter (I Can Wait Forever) Producer Air Supply ULTIMATE COLLECTION: MILLENNIUM [IMPORT] 2002 Korea? ??? Songwriter (I Can Wait Forever) BMG Entertainment 97903 Producer Air Supply FOREVER LOVE 2003 BMG Entertainment, Argentina 74321979032 Songwriter (I Can Wait Forever) FOREVER LOVE - 36 GREATEST Producer Air Supply HITS 1980 - 2001 2003 BMG Victor BVCM-37408 Import (2 CDs) Songwriter (I Can Wait Forever) Producer Air Supply PLATINUM & GOLD COLLECTION 2004 BMG Heritage 59262 Songwriter (I Can Wait Forever) Producer Air Supply LOVE SONGS 2005 Arista 66934 Songwriter (I Can Wait Forever) Producer Air Supply 2006 Sony Bmg Music, UK 82876756722 COLLECTIONS Songwriter Air Supply (I Can Wait Forever) 2006 Arista 75985 Producer GHOSTBUSTERS - (bonus track) remastered UPC: 828767598529 Songwriter (I Can Wait Forever) Producer Air Supply 2007 ??? ??? GRANDI SUCCESSI (2 CD) Songwriter (I Can Wait Forever) ULTIMATE COLLECTION Producer Air Supply 2007 Sony/Bmg Import ??? [IMPORT] [EXPLICIT LYRICS] [ENHANCED] Songwriter (I Can Wait Forever) Producer Air Supply ??? ??? ??? BELOVED Songwriter (I Can Wait Forever) Producer Air Supply CF TOP 20 VOL.3 ??? ??? ??? Songwriter (Compilation by various artists) (I Can Wait Forever) Producer Air Supply COLLECTIONS TO EVELYN VOL. -
A Tempest Or, on the flood of Interest In: Sentiment Analysis, Opinion Mining, and the Computational Treatment of Subjective Language
A Tempest Or, on the flood of interest in: sentiment analysis, opinion mining, and the computational treatment of subjective language Lillian Lee Cornell University http://www.cs.cornell.edu/home/llee “Romance should never begin with sentiment. It should begin with science and end with a settlement.” — Oscar Wilde, An Ideal Husband , that has such people in’t According to a Comscore ’07 report and an ’08 Pew survey: 60% of US residents have done online product research. 15% do so on a typical day. 73%-87% of US readers of online reviews of services say the reviews were significant influences. (more on economics later) But 58% of US internet users report that online information was missing, impossible to find, confusing, and/or overwhelming. Creating technologies that find and analyze reviews would answer a tremendous information need. O brave new world People search for and are affected by online opinions. TripAdvisor, Rotten Tomatoes, Yelp, ... Amazon, eBay, YouTube... blogs, Q&A and discussion sites, ... But 58% of US internet users report that online information was missing, impossible to find, confusing, and/or overwhelming. Creating technologies that find and analyze reviews would answer a tremendous information need. O brave new world, that has such people in’t People search for and are affected by online opinions. TripAdvisor, Rotten Tomatoes, Yelp, ... Amazon, eBay, YouTube... blogs, Q&A and discussion sites, ... According to a Comscore ’07 report and an ’08 Pew survey: 60% of US residents have done online product research. 15% do so on a typical day. 73%-87% of US readers of online reviews of services say the reviews were significant influences. -
Phon.O Sly + Robbie Symbiz Sound
AUSGABE 16 JULI 2012 WWW.HEADLINERMAG.DE ISSUE # 16 PHON.O SYMBIZ SOUND SLY + ROBBIE DIE KOENIGSDISZIPLIN FUTURE DANCEHALL DRUMS AND BASS 08 SYMBIZ SOUND SLY & ROBBIE 10 06 PHON.O INHALT 16 NEWS UND VERLOSUNGEN ................................................. 04 INTERVIEWS & STORYS MAGAZIN PHON.O ...................................................................................... 06 EVENT REVIEWS ....................................................................... 18 SYMBIZ SOUND ....................................................................... 08 BOOKSRING .............................................................................. 19 SLY & ROBBIE ............................................................................ 10 DATES .......................................................................................... 19 10 LIEDER HÖREN MIT .......................................................... 12 AUDIOKRITIKEN ....................................................................... 20 BEET 74 ....................................................................................... 14 CHARTS ...................................................................................... 26 POSTER ....................................................................................... 16 TECHNIK ..................................................................................... 28 HEADLINER IMPRESSUM REDAKTION HEADLINER MAGAZIN SPITZWEGSTRASSE 21 38106 BRAUNSCHWEIG NET WWW.HEADLINERMAG.DE HERAUSGEBER OLIVER LÜDDECKE CHEFREDAKTION -
Chicago Writer to Give Visual Presentation on Quincy-Born Algonquin Round Table Member & Artist Neysa Mcmein
Chicago Writer to Give Visual Presentation on Quincy-Born Algonquin Round Table Member & Artist Neysa McMein Chicago writer and poet Cynthia Gallaher will debut her nonfiction book, “Frugal Poets’ Guide to Life: How to Live a Poetic Life, Even If You Aren’t a Poet” at Quincy Art Center, Quincy, Illinois, on Saturday, June 17 at 2 p.m. During this free event, she’ll give a talk and visual presentation on her Quincy-born relative, artist Neysa McMein. Neysa McMein, born in Quincy in 1888, left Quincy after high school to attend the School of the Art Institute of Chicago before heading east, where she created hundreds of magazine covers, developed the first iconic image of Betty Crocker, and became a member of the famous Algonquin Round Table in New York City, which included writer Dorothy Parker and comic Harpo Marx. McMein’s ancestral relative, Cynthia Gallaher, who holds a degree in art history, helped curate a Neysa McMein art retrospective at Quincy Art Center in 2004 and now returns to the art center to revisit McMein’s work in her PowerPoint visual presentation as well as spotlight McMein’s appearance in “Frugal Poets’ Guide to Life.” "Frugal Poets' Guide to Life" is part memoir, part life-coaching for poets (or those who’d like to live like one) and part creativity guide. “Frugal Poets’ Guide to Life” is a book to nurture any creative person, whether he or she is a #musician, #composer, #dancer, #artist, #fiction, #nonfiction or #drama #writer, or a #poet. This event is part of Frugal Poets' Guide to Life 2017 10-city book tour, partially supported by an Individual Artists Program Grant from the City of Chicago Department of Cultural Affairs & Special Events, as well as a grant from the Illinois Arts Council Agency, a state agency through federal funds provided by the National Endowment for the Arts. -
Deutsche Nationalbibliografie 2012 T 09
Deutsche Nationalbibliografie Reihe T Musiktonträgerverzeichnis Monatliches Verzeichnis Jahrgang: 2012 T 09 Stand: 19. September 2012 Deutsche Nationalbibliothek (Leipzig, Frankfurt am Main) 2012 ISSN 1613-8945 urn:nbn:de:101-ReiheT09_2012-0 2 Hinweise Die Deutsche Nationalbibliografie erfasst eingesandte Pflichtexemplare in Deutschland veröffentlichter Medienwerke, aber auch im Ausland veröffentlichte deutschsprachige Medienwerke, Übersetzungen deutschsprachiger Medienwerke in andere Sprachen und fremdsprachige Medienwerke über Deutschland im Original. Grundlage für die Anzeige ist das Gesetz über die Deutsche Nationalbibliothek (DNBG) vom 22. Juni 2006 (BGBl. I, S. 1338). Monografien und Periodika (Zeitschriften, zeitschriftenartige Reihen und Loseblattausgaben) werden in ihren unterschiedlichen Erscheinungsformen (z.B. Papierausgabe, Mikroform, Diaserie, AV-Medium, elektronische Offline-Publikationen, Arbeitstransparentsammlung oder Tonträger) angezeigt. Alle verzeichneten Titel enthalten einen Link zur Anzeige im Portalkatalog der Deutschen Nationalbibliothek und alle vorhandenen URLs z.B. von Inhaltsverzeichnissen sind als Link hinterlegt. Die Titelanzeigen der Musiktonträger in Reihe T sind, wie sche Katalogisierung von Ausgaben musikalischer Wer- auf der Sachgruppenübersicht angegeben, entsprechend ke (RAK-Musik)“ unter Einbeziehung der „International der Dewey-Dezimalklassifikation (DDC) gegliedert, wo- Standard Bibliographic Description for Printed Music – bei tiefere Ebenen mit bis zu sechs Stellen berücksichtigt ISBD (PM)“ zugrunde. -
Sponsors of Writing and Workers╎ Education in the 1930S
Community Literacy Journal Volume 11 Issue 1 Fall, Special Issue: Building Engaged Article 3 Infrastructure Fall 2016 Write. Persist. Struggle: Sponsors of Writing and Workers’ Education in the 1930s Deborah Mutnick Dr. Long Island University - Brooklyn Campus, [email protected] Follow this and additional works at: https://digitalcommons.fiu.edu/communityliteracy Recommended Citation Mutnick, Deborah. “Write. Persist. Struggle: Sponsors of Writing and Workers’ Education in the 1930s.” Community Literacy Journal, vol. 11, no. 1, 2016, pp. 10–21, doi:10.25148/clj.11.1.009245. This work is brought to you for free and open access by FIU Digital Commons. It has been accepted for inclusion in Community Literacy Journal by an authorized administrator of FIU Digital Commons. For more information, please contact [email protected]. community literacy journal Write. Persist. Struggle: Sponsors of Writing and Workers’ Education in the 1930s Deborah Mutnick Organizations like the John Reed Clubs and the WPA Federal Writers’ Project, as well as publications like The New Masses can be seen as “literacy sponsors” of the U.S. literary left in the 1930s, particularly the young, the working class, and African American writers. The vibrant, inclusionary, activist, literary culture of that era reflected a surge of revolutionary ideas and activity that seized the imagination of a generation of writers and artists, including rhetoricians like Kenneth Burke. Here I argue that this history has relevance for contemporary community writing projects, which collectively lack the political cohesiveness and power of the national and international movements that sponsored the 1930s literary left but may anticipate another global period of struggle for democracy in which writers and artists can play a significant role. -
CPY Document
In The Matter Of: STUART Y SILVERSTEIN v PENGUINPUTMAN, INC. July 17,2007 TRIAL SOUTHERNDISTRICTREPORTERS 500 PEARL STREET NEW YORK., NY 10007 212-805-0300 Original File 77H4SILF.txt, Pages 1-190 Word Index included with this Min-U-Script® STUART Y. SILVERSTEIN v PENGUIN PUTMAN, INC. July 17,2007 Page 1 Page 3 77H7SILI [1] [1] UNITED STATES DISTRICT COURT podium? SOUTHERN DISTRICT OF NEW YORK [2] THE COURT: From the podium, please. [2] ------------------------------x [3] MR. RABINOWITZ: Good morning, your Honor. The [3] STUART Y. SILVERSTEIN, [4J evidence will show that after Penguin declined to purchase [4] Plaintiff, [5] Mr. Silverstein's book, and since Mr. Silverstein published it [5J v. 01 Civ. 309 [6] with Scribner, Penguin simply bought a copy, cut and pasted the [6] PENGUIN PUTMAN, INC., [7] pages onto paper, and then republished it as its own book. The [8] evidence will show that such conduct is unheard of in the [7] Defendant. [9] publishing industry. [8] ------------------------------x [10] The evidence will establish that Penguin deliberately [9] July 17, 2007 9:30 a.m. [11] denied Mr. Silverstein attribution in order to "avoid directing [10] [12] people to the competition" and it then misrepresented to the Before: [11] [13] public that the items were faithfully reproduced from their HON. JOHN F. KEENAN [12J [14] original publications. District Judge [15J The evidence will show that senior Penguin employees [13] APPEARANCES [16] violated Penguin's explicit written policies by failing to [14] NEAL GERBER & EISENBERG LLP [17] investigate the copyright status of Silverstein1s work, which [15] Attorneys for Plaintiff BY: MARK A. -
Dorothy Rothschild Parker
Dorothy Rothschild Parker August 22, 1893 – June 7, 1967 Celebrated Conversationalist renowned for her literary contributions and founder/member of the “Algonquin Round Table” Dorothy Parker Rothschild represented one of the most accomplished feminist and successful literary writers in women’s history. Living from 1893-1967, she became known as one of the most brilliant writers from the early 1900s. Born in West End, New Jersey, and attaining her success from New York, she became one of the most brilliant writers that revolutionized American thinking then and after. Dorothy Parker lived a full and prosperous life, even though she did not have a happy childhood. Growing up, having bad relationships with her father and stepmother, she never had the privilege of growing up with a mother. Her mother died on July 20, 1897, when Dorothy was only four years of age, and her father died shortly after on December 28, 1913. Right before the death of her father was the passing away of her “brother Henry, who died on the passage home from a vacation with his wife Lissie aboard a first class steamship the Titanic, which sank in 1912.” (source link dead) As a sad woman, stung with depression and alcoholism her entire adult life, she had a successful and productive life. In 1916, at the age of 23, she joined the editorial staff of Vogue. Then in 1917 she started working for as a theater critic for Vanity Fair, who had published her first poem entitled “Any Porch,” (1914), in which she received $12. Vanity Fair became a significant variable in her life in that she met her associates whom she would form the Algonquin Round Table/Vicious Circle, an intellectual and renowned literary circle. -
IMRO Annual Report 2007
IMRO ANNUAL REPORT & ACCOUNTS 2007 Cover IMRO.indd 1 07/08/2008 10:50:57 IMRO ANNUAL REPORT & ACCOUNTS 2007 Title Page IMRO 1 30/07/2008 1 3:11:55 Blank Page IMRO 1 30/07/2008 1 3:07:51 IMRO BOARD OF DIRECTORS: Keith Donald (Cathaoirleach), Paul Brady, Philip Flynn, Eddie Joyce, Johnny Lappin, Steve Lindsey (UK), Donagh Long, Eleanor McEvoy, Charlie McGettigan, Christy Moore, James Morris, CREDITS Michael O’Riordan, Niall Toner. PRODUCTION MANAGER: Mairin Sheehy CONTRIBUTORS: Jackie Hayden, Greg McAteer, Colm O’Hare, Peter Murphy DESIGN & PRODUCTION: Hot Press, 13 Trinity Street, Dublin 2. ART DIRECTOR: David Keane ADDITIONAL DESIGN: Graham Keogh PRODUCTION CO-ORDINATOR: Anne Marie Conlon 3 Credits IMRO 1 30/07/2008 1 3:13:14 Blank Page IMRO 1 30/07/2008 1 3:08:22 6 TAKING IMRO TO HEART KEITH DONALD tells us about his plans for his term as IMRO Chairman. 9 FINANCIAL HIGHLIGHTS IN 2007 10 IMRO WELCOMES NEW CEO VICTOR FINN We talk to newly-appointed CEO, VICTOR FINN about the future of the CONTENTS organisation. 12 NEWS REVIEW A look at the music news that made headlines over the last year. 15 IMRO MOVING AHEAD Publishers MICHAEL O’RIORDAN, PETER BARDON and STEVE LINDSEY share their views on the challenges and opportunities facing Irish music. 18 THE SONGWRITERS’ PERSPECTIVE PAUL BRADY and ELEANOR MCEVOY on the trials and tribulations of being a modern-day songwriter. 20 ONCE UPON A TIME GLEN HANSARD and MARKETA IRGLOVA talk about the life-changing experience of winning an Oscar in March 2008. -
Flappers As Portrayed in Dorothy Parker's Short
The Grove. Working Papers on English Studies 22 (2015): 91-105. DOI: 10.17561/grove.v0i22.2699 FEMALE FIGURES OF THE JAZZ AGE IN DOROTHY PARKER’S SHORT STORIES Isabel López Cirugeda University of Castilla-La Mancha (Spain) Abstract Most criticism on Dorothy Parker (1893–1967) highlights her literary persona only to the detriment of the study of a profuse work comprising six decades of narrative, poetry and drama. Probably her best-known contribution to literature was her condition of the voice of the Jazz Age generation, shifting from acquiescence to irony. A corpus of Parker’s short stories written in the 1920s and early 1930s will be analyzed from feminist perspectives, such as those by Pettit, Melzer or Showalter, in terms of ‘appearance’, ‘social life’ and ‘bonds with men’ to determine whether her heroines respond to the stereotype of the flapper in the Roaring Twenties. Results show a satirized viewpoint conveying dissatisfaction regarding body, idleness and romance predicting many of the conflicts of women in the second half of the XXth century. Keywords: Dorothy Parker, short stories, flappers, Jazz Age, feminist criticism, body, satire. Resumen La mayor parte de los estudios sobre Dorothy Parker (1893–1967) se centran en su condición de personalidad del panorama escénico en detrimento de su profusa obra, con más de seis decenios de narrativa, poesía y teatro. Probablemente su contribución más reconocida sea haber dado voz a la generación de la Era del Jazz, con una visión que oscila entre la complicidad y la ironía. Las heroínas del corpus de relatos escritos por Parker en los años veinte y treinta serán analizadas bajo perspectivas feministas (Pettit, Melzer, Showalter) en términos de ‘apariencia’, ‘vida social’ y ‘relación con los hombres’ para determinar si se acomodan al estereotipo de la flapper. -
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~tatc of '1:Ccnnc.s.scc HOUSE JOINT RESOLUTION NO. 574 By Representatives Miller, Camper, Turner, Akbari, Todd, Coley, Lollar, Hardaway, DeBerry, Armstrong, Towns, Parkinson, Cooper, McManus, Mark White, Alexander, Beck, Harry Brooks, Kevin Brooks, Byrd, Calfee, Carr, Carter, Casada, Clemmons, Daniel, Doss, Dunlap, Dunn, Durham, Eldridge, Faison, Farmer, Favors, Fitzhugh, Forgety, Gilmore, Goins, Gravitt, Halford, Hawk, Hazlewood, Hicks, Matthew Hill, Timothy Hill, Holsclaw, Howell, Hulsey, Jenkins, Jernigan, Johnson, Kane, Keisling, Kumar, Lamberth, Littleton, Love, Lundberg, Lynn, Marsh, Matheny, Matlock, McCormick, McDaniel, Mitchell, Moody, Pitts, Powell, Powers, Reedy, Rogers, Sanderson, Sargent, Cameron Sexton, Jerry Sexton, Shepard, Smith, Stewart, Swann, Terry, Travis, Van Huss, Weaver, Dawn White, Williams, Windle, Wirgau, Zachary, and Madam Speaker Harwell A RESOLUTION to honor the memory of Maurice White. WHEREAS, the members of this General Assembly were greatly saddened to learn of the passing of Maurice White, an innovative and multitalented musician, singer, songwriter, record producer, arranger, and founder and leader of Earth, Wind & Fire (EW&F), one of the most popular and enduring musical groups of all time; and WHEREAS, during the course of a long and distinguished career, Mr. White won seven Gram mys and was nominated for twenty-one Gram mys in total; and WHEREAS, he was inducted into the Rock and Roll Hall of Fame and the Vocal Group Hall of Fame as a member of EW&F and individually inducted into the Songwriters