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SATURDAY APRIL 29, 2017 | 7:30 PM | ROCKEFELLER CHAPEL A TRIPTYCH: Earth, Moon, Peace Works of Augusta Read Thomas Played by Spektral Quartet and Third Coast Percussion ROCKEFELLER CHAPEL | UNIVERSITY OF CHICAGO OF UNIVERSITY 2 PROGRAM The program is performed without intermission, although there will be brief pauses for resetting the stage. You are warmly invited to a wine and cheese reception here in the Chapel after the concert, with refreshments served from the west transept. You will also find CDs on sale. RAINBOW BRIDGE TO PARADISE SELENE Moon Chariot Rituals 2016 2015 3 Russell Rolen CELLO Spektral Quartet Third Coast Percussion and CHI CHI | A TRIPTYCH: EARTH, MOON, PEACE CHI for string quartet RESOUNDING EARTH 2017 World première 2012 I CHI vital life force I INVOCATION pulse radiance II AURA atmospheres, colors, vibrations II PRAYER star dust orbits III MERIDIANS zeniths III MANTRA ceremonial time shapes IV CHAKRAS center of spiritual power in the body IV REVERIE CARILLON crystal lattice Spektral Quartet Third Coast Percussion Clara Lyon VIOLIN David Skidmore Maeve Feinberg VIOLIN Peter Martin Doyle Armbrust VIOLA Robert Dillon Russell Rolen CELLO Sean Connors ABOUT THIS CONCERT Like most works of art, tonight’s concert came into Enter Spektral Quartet (or re-enter, for this being through the confluence of flashes of desire, conversation also had begun, allegro con spirito, some snippets of conversation, and the sudden alignment of eons before). On March 7, 2015, the cosmic lights went energies sparked by the commissioning of a new work. green and we knew we had a program: Selene, to be The flash of desire came just over three years ago. -
TCB Groove Program
www.piccolotheatre.com 224-420-2223 T-F 10A-5P 37 PLAYS IN 80-90 MINUTES! APRIL 7- MAY 14! SAVE THE DATE! NOVEMBER 10, 11, & 12 APRIL 21 7:30P APRIL 22 5:00P APRIL 23 2:00P NICHOLS CONCERT HALL BENITO JUAREZ ST. CHRYSOSTOM’S Join us for the powerful polyphony of MUSIC INSTITUTE OF CHICAGO COMMUNITY ACADEMY EPISCOPAL CHURCH G.F. Handel's As pants the hart, 1490 CHICAGO AVE PERFORMING ARTS CENTER 1424 N DEARBORN ST. EVANSTON, IL 60201 1450 W CERMAK RD CHICAGO, IL 60610 Domenico Scarlatti's Stabat mater, TICKETS $10-$40 CHICAGO, IL 60608 TICKETS $10-$40 and J.S. Bach's Singet dem Herrn. FREE ADMISSION Dear friends, Last fall, Third Coast Baroque’s debut series ¡Sarabanda! focused on examining the African and Latin American folk music roots of the sarabande. Today, we will be following the paths of the chaconne, passacaglia and other ostinato rhythms – with origins similar to the sarabande – as they spread across Europe during the 17th century. With this program that we are calling Groove!, we present those intoxicating rhythms in the fashion and flavor of the different countries where they gained popularity. The great European composers wrote masterpieces using the rhythms of these ancient dances to create immortal pieces of art, but their weight and significance is such that we tend to forget where their origins lie. Bach, Couperin, and Purcell – to name only a few – wrote music for highly sophisticated institutions. Still, through these dance rhythms, they were searching for something similar to what the more ancient civilizations had been striving to attain: a connection to the spiritual world. -
175-Booklet.Pdf
Cover Philip Glass arr. Third Coast Percussion* Philip Glass, arr. Third Coast Percussion* 1 Madeira River (5:43) 15 Xingu River (4:59) Third Coast Percussion Jacob Druckman Paddle to the Sea** (33:57) Reflections on the Nature of Water 2 The Lighthouse and 16 III. Tranquil (2:45) the Cabin (4:23) Robert Dillon 3 Flow (2:34) 17 IV. Gently Swelling (2:09) 4 Open Water (4:19) David Skidmore 5 Thaw (3:36) Philip Glass arr. Third Coast Percussion* 6 The Stewards (2:44) 18 Japurá River (2:57) 7 Niagara (3:20) 8 Sanctuary (5:07) Jacob Druckman 9 The Locks (3:08) Reflections on the Nature of Water 10 Release (1:52) 19 V. Profound (4:35) 11 The Lighthouse (2:54) Robert Dillon Traditional, arr. Musekiwa Chingodza 20 VI. Relentless (2:15) 12 Chigwaya (2:57) Sean Connors Jacob Druckman Philip Glass arr. Third Coast Percussion* Reflections on the Nature of Water 21 Amazon River (9:35) 13 I. Crystalline (2:56) David Skidmore TT: (78:52) 14 II. Fleet (1:52) Peter Martin * from Aguas da Amazonia **World Premiere Recording In building a performance project around this story, the four members of Third Coast Percussion composed music together as a team to perform The protagonist of Holling C. live with the 1966 film adaptation Holling’s 1941 children’s book of Paddle to the Sea — music Paddle to the Sea is a small inspired by, and interspersed wooden figure in a canoe, with, other music that bears lovingly carved by a Native thematic connections to water. -
KSU School of Music Thanks Our Sponsors
Instruments and Bows KSU School of Music Guest Artist Recital Rentals Third Coast Percussion Repairs presents Stephanie Voss, Certified Master Violin Maker New Making "Points of Contact" 620 Glen Iris Drive, Suite 104 • Atlanta, GA 30308 • 404.876.8617 www.vossviolins.com • [email protected] Sean Connors, Robert Dillon, Peter Martin, David Skidmore, percussionists KSU School of Music Thanks Chastain Road our Located at the corner of Chastain Road & Busbee Parkway Sponsors 770-422-0153 Monday through Saturday 6 am - 10 pm Please join us in showing our appreciation with your support! Photos by Saverio Truglia program program notes Fractalia | Owen Clayton Condon Former Third Coast Percussion member Owen Clayton Condon writes music influenced by minimalism, electronica and taiko drumming. Condon has been commissioned to write music for the 75th anniversary celebration of Frank Lloyd Wright’s Fallingwater, and the video and light installation Luminous Field Tuesday, October 20, 2015 at 8:00 pm at Anish Kapoor’s iconic public sculpture Cloud Gate in Chicago’s Millennium Dr. Bobbie Bailey & Family Performance Center, Morgan Hall Park. Twenty-fifth Concert of the 2015-16 Concert Season Fractalia, written for Third Coast Percussion, is a sonic celebration of fractals, geometric shapes whose parts are each a reduced-size copy of the whole OWEN CLAYTON CONDON (b.1978) (derived from the Latin fractus, meaning “broken”). The kaleidoscopic fractured Fractalia (2011) melodies within Fractalia are created by passing a repeated figure through four players in different registers of the marimba. THIERRY DE MEY (b. 1956) Duration: 4 minutes Table Music (1987) Table Music | Thierry De Mey AUGUSTA READ THOMAS (b. -
Third Coast Percussion Presents "Points of Contact" Sean Connors, Robert Dillon, Peter Martin, David Skidmore, Percussionists
KSU School of Music Guest Artist Recital Third Coast Percussion presents "Points of Contact" Sean Connors, Robert Dillon, Peter Martin, David Skidmore, percussionists Photos by Saverio Truglia program Tuesday, October 20, 2015 at 8:00 pm Dr. Bobbie Bailey & Family Performance Center, Morgan Hall Twenty-fifth Concert of the 2015-16 Concert Season OWEN CLAYTON CONDON (b.1978) Fractalia (2011) THIERRY DE MEY (b. 1956) Table Music (1987) AUGUSTA READ THOMAS (b. 1964) Resounding Earth II. Prayer (2012) DAVID SKIDMORE (b. 1982) Trying (2014) Intermission STEVE REICH (b. 1936) Music for Pieces of Wood (1973) TOBIAS BROSTRÖM (b. 1978) Twilight (2001) ALEXANDRE LUNSQUI (b. 1969) Shi (2008) JOHN CAGE (1912-1992) Third Construction (1941) program notes Fractalia | Owen Clayton Condon Former Third Coast Percussion member Owen Clayton Condon writes music influenced by minimalism, electronica and taiko drumming. Condon has been commissioned to write music for the 75th anniversary celebration of Frank Lloyd Wright’s Fallingwater, and the video and light installation Luminous Field at Anish Kapoor’s iconic public sculpture Cloud Gate in Chicago’s Millennium Park. Fractalia, written for Third Coast Percussion, is a sonic celebration of fractals, geometric shapes whose parts are each a reduced-size copy of the whole (derived from the Latin fractus, meaning “broken”). The kaleidoscopic fractured melodies within Fractalia are created by passing a repeated figure through four players in different registers of the marimba. Duration: 4 minutes Table Music | Thierry De Mey Musique de Tables clearly displays Belgian composer and filmmaker Thierry De Mey’s interest in merging the visual and audio aspects of music into a performance art that engages multiple senses. -
Third Coast Percussion Is a Grammy Award-Winning Chicago-Based in Cooperation with Pacific’S Conservatory of Music Present Percussion Quartet
ARTIST PROFILE Third Coast Percussion is a Grammy Award-winning Chicago-based in Cooperation with Pacific’s Conservatory of Music present percussion quartet. For fifteen years, the ensemble has created exciting and unexpected performances that Third Coast Percussion constantly redefine the classical music experience. The ensemble has been SEAN CONNORS praised for “commandingly elegant” ROBERT DILLON (New York Times) performances, the PETER MARTIN “rare power” (Washington Post) of their DAVID SKIDMORE recordings, and “an inspirational sense 2 : 3 0 PM , Sunday, November 17, 2019 of fun and curiosity” (Minnesota Star- Faye Spanos Concert Hall Tribune). Third Coast Percussion University of the Pacific maintains a busy tour schedule, with past performances in 33 of the 50 states plus international tour dates in Colombia, the United Kingdom, “PERPETULUM” Lithuania, Taiwan, Germany, Italy, the Netherlands, Canada, and Poland. A direct connection with the audience DONNER (2016) DAVID SKIDMORE (b. 1982) is at the core of all of Third Coast Percussion’s work, whether the BEND (2016) PETER MARTIN (B. 1980) musicians are speaking from the stage about a new piece of music, inviting the RESOUNDING EARTH, MVT. II. PRAYER (2012) AUGUSTA READ THOMAS (B. 1964) audience to play along in a concert or educational performance, or inviting DEATH WISH (2017) GEMMA PEACOCKE (B. 1984) their fans around the world to create PERFECTLY VOICELESS (2018) DEVONTÉ HYNES (B. 1985) new music using one of their free mobile apps. The four members of Third Coast are also accomplished — INTERMISSION — teachers and make active participation by all students the corner stone of all their educational offerings. -
Recent Developments in Admiralty and Maritime Law
Recent Developments in Admiralty and Maritime Law Kirby Aarsheim, Jeanne L. Amy, Michael T. Amy, Attilio Costabel, Megen Madison Gold, Danielle T. Gauer, Chase Alexandra Jansson, Brian P. Maloney, Nicole M. Matteo, Donald A. Mau, Matthew A. Moeller, Kelly E. Mulrane, Casey M. O’Brien, Pamela L. Schultz, Allison N. Skopec, Thomas W. Snook, and W. Benjamin Woody I. Introduction .................................................................................270 II. Seamen’s Claims ...........................................................................271 A. Jones Act and Unseaworthiness ............................................271 B. Maintenance and Cure ..........................................................271 C. Seamen Status and Other Issues ...........................................273 III. Longshoremen Claims .................................................................274 IV. Passenger Claims .........................................................................275 Kirby Aarsheim ([email protected]) is a partner at Farrell Smith O’Connell, LLP, in Boston, MA; Jeanne L. Amy ([email protected]) is an associate at Jones Walker LLP in New Orleans, LA; Michael T. Amy ([email protected]) is an associate at Deutsch Kerrigan LLP in New Orleans, LA; Attilio Costabel (costabelpa@ bellsouth.net) is a solo practitioner specializing in maritime law and is a professor at St. Thomas University School of Law; Megen Madison Gold ([email protected]) is an associate attorney at Kubcki Draper, P.A. in Miami, FL; Danielle T. Gauer, LL.M, Esq. is an associate attorney in the maritime litigation group at MG+M The Law Firm in Miami, FL; Chase Alexandra Jansson ([email protected]) is an associ- ate at Kennedys CMK LLP in Miami, FL; Brian P. Maloney ([email protected]) is an associate at Seward & Kissel LLP, in New York, NY; Nicole M. Matteo (nmatteo@ PierceAtwood.com) is an associate at Pierce Atwood LLP in Providence, RI; Donald A. -
Surface Tension (2015)* Donnacha Dennehy (B
Third Coast Percussion Third Coast percussion at Notre Dame made possible through the generosity of Shari and Tom Crotty. DeBartolo Performing Arts Center Presenting Series SAT, JAN 30 AT 7:30 P.M. LEIGHTON CONCERT HALL University of Notre Dame Notre Dame, Indiana Visit Sorin’s or Rohr’s at Morris Inn for a front row seat to a culinary performance, where dinner is always the star of the show. Morris Inn is proud to partner with the DeBartolo Performing Arts Center. OFFICIAL HOTEL OF DEBARTOLO PERFORMING ARTS CENTER 130 MORRIS INN // NOTRE DAME, IN 46556 // 574.631.2000 // MORRISINN.ND.EDU THIRD COAST PERCUSSION Sean Connors Robert Dillon Peter Martin David Skidmore with David Friend and Oliver Hagen, pianos and keyboards Surface Tension (2015)* Donnacha Dennehy (b. 1970) -Intermission- Sextet (1984) Steve Reich (b. 1936) 1. 2. 3. 4. 5. *World Premiere Donnacha Dennehy’s Surface Tension was written for Third Coast Percussion, and commissioned by the University of Notre Dame’s DeBartolo Performing Arts Center and the Metropolitan Museum of Art. Additional funding provided by the Elizabeth F. Cheney Foundation. PROGRAM NOTES Born in Dublin, Donnacha Dennehy returned to Ireland after studies abroad at the University of Illinois, IRCAM (France) and the Netherlands. In 1997, he founded the Crash Ensemble, Dublin’s now renowned new music group, who performed many of Dennehy’s landmark works, including Grá Agus Bás (with the singer Iarla O’ Lionaird) and That the Night Come (with Dawn Upshaw). Dennehy joined the music faculty at Princeton University in 2014. His musical vocabulary draws on the scientific sonic analysis of French Spectralism, the intense repetitive energy of Dutch and American minimalism and his own Irish heritage. -
Insider Vol. 8 No. 2 Spring 2007
Western Michigan University ScholarWorks at WMU College of Arts and Sciences news College of Arts and Sciences Spring 2007 Insider Vol. 8 No. 2 Spring 2007 College of Arts & Sciences Follow this and additional works at: https://scholarworks.wmich.edu/cas_news Part of the Education Commons WMU ScholarWorks Citation College of Arts & Sciences, "Insider Vol. 8 No. 2 Spring 2007" (2007). College of Arts and Sciences news. 10. https://scholarworks.wmich.edu/cas_news/10 This Newsletter is brought to you for free and open access by the College of Arts and Sciences at ScholarWorks at WMU. It has been accepted for inclusion in College of Arts and Sciences news by an authorized administrator of ScholarWorks at WMU. For more information, please contact wmu- [email protected]. Visit our website at www.wmich.edu/cas A Publication for Friends of the College of Arts and Sciences Spring 2007 • Vol. VIII, No. 2 FACULTY Tech Profile PROFILE 2 GeoWall brings learning to life 3 STUDENT PROFILE News and Events Graduate students in the news. 4 12 Bronco Biodiesel hits the streets. NAMES & FACES New Chemistry Building Opens Rave reviews from alumni, faculty and students. 6 11 Buy an Element Fund-raiser in progress. STAFF PROFILE 10 Tech Profile GEOWALL BRINGS LEARNING TO TWO FROM COLLEGE NAMED LIFE FOR GEOSCIENCES TEACHING EXCELLENCE WINNERS we are adding to our collection.” The GeoWall allows for students to actually see 3-D representations that would typically have to be imag- ined by the student. The GeoWall is an eight foot by six foot rear-projection passive stereo wall, which examines subsurface models in a 3-D environment. -
806/317-0676 E-Mail: [email protected]
DR. CONSTANCE CORTEZ School of Art, Texas Tech University, Lubbock, Texas 79409 (cell) 806/317-0676 e-mail: [email protected] EDUCATION: 1995 Doctor of Philosophy (Art History), University of California, Los Angeles Dissertation: "Gaspar Antonio Chi and the Xiu Family Tree" •Major: Contact Period and Colonial Art of México •Minors: Chicano/a Art, Pre-Columbian Art of México, Classical Art •Areas of Specialization: Conquest Period cultures of the Americas & colonial and postcolonial discourse 1986 Master of Arts (Art History), The University of Texas at Austin Masters Thesis: "The Principal Bird Deity in Late Preclassic & Early Classic Maya Art" •Major: Pre-Columbian Art •Minor: Latin American Studies •Area of Specialization: Classic Maya Iconography and Epigraphy 1981 Bachelor of Arts (Art History), The University of Texas at Austin TEACHING EXPERIENCE: Sept.2003- Associate Professor, Texas Tech University (Tenure/Promotion to Associate, March 6, 2009) present Graduate courses: Themes of Contemporary Art [1985-2013]; Contemporary Theory; Methodology; Memory & Art; The Body in Contemporary Art. Undergraduate courses: Themes of Contemporary Art; Contemporary Chicana/o Art; 19th-20th century Mexican Art; Colonial Art of México; Survey II [Renaissance -Impression.]; Survey III [Post Impressionism - Contemporary]. Sept.1997- Assistant Professor, Santa Clara University May 2003 Tenure-track appointment. Undergraduate: Chicana/o Art; Modern Latin American Art; Colonial Art of Mexico & Perú; Pre-Columbian Art, Native North American Art; Survey of the Arts of Oceania, Africa, & the Americas. Sept.1996- Visiting Lecturer, University of California at Santa Cruz June 1997 Nine-month appointment. Undergraduate: Chicana/o Art; Colonial Art of México; Pre-Columbian Art, Native North American Art; Survey of the Arts of Oceania, Africa, & the Americas. -
A Science Plan for Carbon Cycle Research in North American Coastal Waters
A Science Plan For Carbon Cycle Research In North American Coastal Waters Table of Contents Executive Summary .................................................................................................................. 5 Introduction ................................................................................................................................ 6 Overarching Science Questions .............................................................................................. 8 North American Coastal Regions ........................................................................................... 8 Gulf of Mexico ..................................................................................................................................... 8 Regional Setting ............................................................................................................................................... 8 Synthesis Findings and Remaining Gaps .............................................................................................. 9 Atlantic Coast .................................................................................................................................... 11 Regional Setting ............................................................................................................................................. 11 Synthesis Findings and Remaining Gaps ............................................................................................ 11 Pacific Coast ..................................................................................................................................... -
Annual Report
Annual Report Senate District # 1 House District # 2 Artists Coop Residency/Exhibit Project for general operating support Chicago 3,200 Changing Worlds for general operating support Chicago 10,000 Chicago Film Archives NFP for general operating support Chicago 3,900 Chicago Public Art Group for general operating support Chicago 7,300 Clinard Dance Theatre for general operating support Chicago 2,800 Elevarte Community Studio for a Youth Employment in the Arts project Chicago 5,980 Elevarte Community Studio for general operating support Chicago 10,000 Hedges Elem School for a six week interdisciplinary arts residency with ElevArte Community Studio Chicago 5,400 Mexican Folkloric Dance Co of Chicago for general operating support Chicago 1,900 National Museum of Mexican Art for a Youth Employment in the Arts project Chicago 4,680 National Museum of Mexican Art for general operating support Chicago 31,455 Public Media Institute for general operating support Chicago 2,800 Redmoon Theater for general operating support Chicago 10,900 Woman Made for general operating support Chicago 4,425 House District #2 Total $104,740 Senate District #1 Total $104,740 Senate District # 2 House District # 4 826CHI Inc NFP for general operating support Chicago 6,400 Chicago Alliance of Visual Artists for general operating support Chicago 600 Community Television Network for a Youth Employment in the Arts project Chicago 4,800 Community Television Network for general operating support Chicago 7,300 Hromovytsia Ukrainian Dance Ensemble for general operating support