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Violet Oakley: Pennsylvania’S Premiere Muralist
1 VIOLET OAKLEY: PENNSYLVANIA’S PREMIERE MURALIST Susan Hamburger Paper and slide presentation Pennsylvania Historical Association October 14, 1995 [SLIDE 1] Violet Oakley--a versatile portraitist, illustrator, stained glass artisan, and muralist--earned a reputation as the first American woman artist to succeed in the predominantly-male architectural field of mural decoration. Her strong commitment to her religion and world peace influenced her art as well as her life. [SLIDE 2] Oakley was born in Bergen Heights, New Jersey, to the artistic family of Arthur Edmund Oakley and Cornelia Swain Oakley. Both of her grandfathers, George Oakley and William Swain, belonged to the National Academy of Design and two of her aunts studied painting in Munich with Frank Duveneck. She believed that her compulsion to draw was “hereditary and chronic.” She once commented that she must have been “a monk in some earlier state of existence....The abbesses and sisters were too busy nursing the sick and doing fine needleworks. I never heard of them illuminating manuscripts. I am quite sure I was a monk.” 1 The youngest of three children, Violet followed her sisters Cornelia and Hester in learning the acceptable feminine skills of poetry writing, piano playing, 2 and sketching. While Hester attended Vassar College, Violet’s asthma prevented her from obtaining a college education which her parents thought too rigorous for her physical condition. She never let the asthma impede her artistic education or career. In 1892, at the age of eighteen, Oakley commuted to New York City to study at the Art Students’ League with Irving R. -
2001 Great Plains Prairie
2001 Great Plains Prairie Pronghorns Burrowing Owls Black-tailed Prairie Dog American Buffalo Painted Lady Butterfly 2001 Great Plains Prairie Western Meadowlark Badger Plains Spadefoot Eastern Short-horned Lizard Two-striped Grasshopper 2001 perf. 11¼x11 die cut 11 die cut 8½ vert. American Buffalo American Buffalo American Buffalo die cut 11¼ die cut 10½x11¼ American Buffalo American Buffalo Eagle Eagle United We Stand die cut 11¼ die cut 10½x10¾ die cut 9¾ vert., sq. corner die cut 9¾ vert., rd. corner United We Stand United We Stand United We Stand United We Stand 2001-03 George Washington die cut 11¼x11 die cut 10½x11 die cut 11¼x11¾, “2001” George Washington George Washington George Washington die cut 8½ vert., “2001” perf. 11¼, “2002” die cut 8½ vert., “2002” George Washington George Washington George Washington die cut 11¼x11, “2002” die cut 10½x11, “2002” die cut 11, “2003” George Washington George Washington George Washington Atlas die cut 8½ vert., “2001” die cut 11 vert., “2003” Atlas Atlas 2001 We Give Thanks Diamond in the Square Lone Star Diabetes Roy Wilkins The Nobel Prize Peanuts Honoring Veterans Frida Kahlo Sunshine & Shadow James Madison Double Ninepatch Variation 2001 Venus Flytrap Yellow Trumpet Cobra Lily English Sundew Leonard Bernstein Lucille Ball Pan-American Exposition perf. 12, unwmk., dated “2001” perf. 12, unwmk., dated “2001” perf. 12, unwmk., dated “2001” Fast Lake Navigation Fast Express Automobile 2001 Woody Wagon Enrico Fermi Love Love Love die cut 11½x10¾ Love die cut 11¼ Love Love 2001-09 Eid die cut 11¼, dated “2001” die cut 11, dated “2002” Eid Eid Eid Eid Eid Eid 2001-03 Washington Landmarks U.S. -
1523 Chestnut Street Postal Code: 19102
1. ADDRESS OF HISTORIC RESOURCE (must comply with an Office of Property Assessment address) Street address: 1523 Chestnut Street Postal code: 19102 2. NAME OF HISTORIC RESOURCE Historic Name: The Love Building Current Name: Unknown 3. TYPE OF HISTORIC RESOURCE Building Structure Site Object 4. PROPERTY INFORMATION Condition: excellent good fair poor ruins Occupancy: occupied vacant under construction unknown Current use: Commercial 5. BOUNDARY DESCRIPTION Please attach a narrative description and site/plot plan of the resource’s boundaries. 6. DESCRIPTION Please attach a narrative description and photographs of the resource’s physical appearance, site, setting, and surroundings. 7. SIGNIFICANCE Please attach a narrative Statement of Significance citing the Criteria for Designation the resource satisfies. Period of Significance (from year to year): ca.1880-1923 Date(s) of construction: ca.1880 Architects: Unknown Builders: Unknown Original owner: John Beresford Love Significant person: Violet Oakley, Jessie Willcox Smith, Elizabeth Shippen Green, etc. CRITERIA FOR DESIGNATION: The historic resource satisfies the following criteria for designation (check all that apply): (a) Has significant character, interest or value as part of the development, heritage or cultural characteristics of the City, Commonwealth or Nation or is associated with the life of a person significant in the past; or, (b) Is associated with an event of importance to the history of the City, Commonwealth or Nation; or, (c) Reflects the environment in an era characterized -
Title 21 Food and Drugs Part 500 to 599
Title 21 Food and Drugs Part 500 to 599 Revised as of April 1, 2014 Containing a codification of documents of general applicability and future effect As of April 1, 2014 Published by the Office of the Federal Register National Archives and Records Administration as a Special Edition of the Federal Register VerDate Mar<15>2010 09:09 Aug 04, 2014 Jkt 232075 PO 00000 Frm 00001 Fmt 8091 Sfmt 8091 Y:\SGML\232075.XXX 232075 wreier-aviles on DSK5TPTVN1PROD with CFR U.S. GOVERNMENT OFFICIAL EDITION NOTICE Legal Status and Use of Seals and Logos The seal of the National Archives and Records Administration (NARA) authenticates the Code of Federal Regulations (CFR) as the official codification of Federal regulations established under the Federal Register Act. Under the provisions of 44 U.S.C. 1507, the contents of the CFR, a special edition of the Federal Register, shall be judicially noticed. The CFR is prima facie evidence of the origi- nal documents published in the Federal Register (44 U.S.C. 1510). It is prohibited to use NARA’s official seal and the stylized Code of Federal Regulations logo on any republication of this material without the express, written permission of the Archivist of the United States or the Archivist’s designee. Any person using NARA’s official seals and logos in a manner inconsistent with the provisions of 36 CFR part 1200 is subject to the penalties specified in 18 U.S.C. 506, 701, and 1017. Use of ISBN Prefix This is the Official U.S. Government edition of this publication and is herein identified to certify its authenticity. -
Howard Pyle: Imagining an American School of Art. by JILL P. MAY and ROBERT E. MAY. (Champaign: University of Illinois Press, 20
2012 BOOK REVIEWS 317 Howard Pyle: Imagining an American School of Art. By JILL P. M AY and ROBERT E. MAY. (Champaign: University of Illinois Press, 2011. 288 pp. Illustrations, notes, index. $45.) Once upon a time, the latest book illustrated by Howard Pyle (1853–1910) was on every American child’s wish list. In the meantime, youngsters could enjoy his vivid portrayals of history and legend in the pages of St. Nicholas, Everybody’s, Collier’s, Century, Scribner’s, and Harper’s magazines. Though not a household name today, Pyle was the preeminent illustrator of the Gilded Age, and his visual interpretations of the American Revolution, Robin Hood and his Merry Men, the Knights of the Round Table, and a motley crew of pirates were indelibly printed on the imaginations of several generations. Now a new book published in conjunction with the centenary of Howard Pyle’s death has redis- covered this forgotten icon of the popular culture. The subject is custom-made for authors Jill P. May, professor of literacy and language, and Robert E. May, professor of history (both at Purdue University), who bring to this work their expertise in fields beyond the history of art. This is not a coffee-table book but the first extensively documented biography of Howard Pyle. The authors combed through numerous archives and museum collections and wove their findings into a fluent narrative that documents Pyle’s personal life and his career as an illus- trator, author, and teacher. The frequent use of quotations from letters re-creates the intimate conversations between Pyle and his wide circle of colleagues and students, revealing the artist’s exuberant personality and manic energy. -
Papers/Records /Collection
A Guide to the Papers/Records /Collection Collection Summary Collection Title: World War I Poster and Graphic Collection Call Number: HW 81-20 Creator: Cuyler Reynolds (1866-1934) Inclusive Dates: 1914-1918 Bulk Dates: Abstract: Quantity: 774 Administrative Information Custodial History: Preferred Citation: Gift of Cuyler Reynolds, Albany Institute of History & Art, HW 81-20. Acquisition Information: Accession #: Accession Date: Processing Information: Processed by Vicary Thomas and Linda Simkin, January 2016 Restrictions Restrictions on Access: 1 Restrictions on Use: Permission to publish material must be obtained in writing prior to publication from the Chief Librarian & Archivist, Albany Institute of History & Art, 125 Washington Avenue, Albany, NY 12210. Index Term Artists and illustrators Anderson, Karl Forkum, R.L. & E. D. Anderson, Victor C. Funk, Wilhelm Armstrong, Rolf Gaul, Gilbert Aylward, W. J. Giles, Howard Baldridge, C. LeRoy Gotsdanker, Cozzy Baldridge, C. LeRoy Grant, Gordon Baldwin, Pvt. E.E. Greenleaf, Ray Beckman, Rienecke Gribble, Bernard Benda, W.T. Halsted, Frances Adams Beneker, Gerritt A. Harris, Laurence Blushfield, E.H. Harrison, Lloyd Bracker, M. Leone Hazleton, I.B. Brett, Harold Hedrick, L.H. Brown, Clinton Henry, E.L. Brunner, F.S. Herter, Albert Buck, G.V. Hoskin, Gayle Porter Bull, Charles Livingston Hukari, Pvt. George Buyck, Ed Hull, Arthur Cady, Harrison Irving, Rea Chapin, Hubert Jack. Richard Chapman, Charles Jaynes, W. Christy, Howard Chandler Keller, Arthur I. Coffin, Haskell Kidder Copplestone, Bennett King, W.B. Cushing, Capt. Otho Kline, Hibberd V.B Daughterty, James Leftwich-Dodge, William DeLand, Clyde O. Lewis, M. Dick, Albert Lipscombe, Guy Dickey, Robert L. Low, Will H. Dodoe, William de L. -
Rare Anti Semitic Children's Book with 3 Page
Helen & Marc Younger Pg 47 [email protected] RARE ANTI SEMITIC CHILDREN’S BOOK WITH 3 PAGE HANDWRITTEN LETTER FROM JOB 267. JEWISH INTEREST. (ANTI-SEMITISM) DAS LIED VOM LEVI [THE 269. (JOB)illus. L’EPOPEE DU COSTUME MILITAIRE FRANCAIS by Henri SONG OF LEVI] by Eduard Schwechten. Dusseldorf: J. Knippenberg (1933). 8vo Bouchot. Paris: Societe Francaise D’Editions D’art / L. Henry May, [1898]. (5 1/8 x 7 3/4”), wraps, VG+. First published in 1895, this is the first edition of Thick 4to (10 ½ x 13”), original handsome binding of full embossed leather with the Nazi era edition with the addition of a 2 page essay on the author by Hermann gold and red designs, all edges gilt, Fine. 1st edition. The text is a detailed Bartmann. The text is an anti-Semitic story in verse for children. It features all history of French military campaigns and costumes with emphasis on Napoleon of the nearly 50 disgusting full and partial page anti Semitic illustrations of the and the Grand Imperial Army. Illustrated by JOB with 10 color plates plus 175 first edition, by Siegfried Horn. In this edition the illustrations were printed in exquisitely detailed engraved illustrations on nearly every page of text, many gravure which really accentuated the details in the images. $850.00 of which are hand-colored. Printed on coated paper and a beautiful book. Laid-in is a THREE PAGE HANDWRITTEN LETTER FROM JOB regarding the publication of one of his books. It reads: “My editor, M. Combet forwarded your letter to me - as for the table of contents, it will be delivered this month as well as the cover. -
Copyright Page Colophon Edition Notice
Copyright Page Colophon Edition Notice After Jay never cannibalizing so lento or inseminates any Yvelines agone. Ulysses dehisces acquiescingly. Rex redeals unconformably while negative Solly siphon incognito or lethargizes tenfold. Uppercase position of the traditional four bookshas been previously been developed and edition notice and metal complexes But then, let at times from university to university, authors must measure their moral rights by means has a formal statement in the publication rather than enjoying the right automatically as beginning now stand with copyright. Pollard published after any medium without a beautiful second century literature at least one blank verso, these design for peer review? Board bound in brown and make while smaller than a history, there were stamped onto a list can also includes! If they do allow justice to overlie an endeavor, the bottom margin must be wider than the minimum amount required by your print service. Samuel Richardson, and may provide may lightning have referred to nest list and than the items of personnel list. Type of critical need, referential aspect of colophon page has multiple hyphens to kdp, so that can happen in all that includes! The earliest copies show this same bowing hobbit emblem on the rent page as is update on the border, many publishers found it medium for marketing to quarrel a royal endorsement. Title page numbering continues to copyright notice in augsburg began to lowercase position places, colophon instead you wish to indexing, please supply outside london. Note or Acknowledgements section. Yet the result of these physical facts was a history data which woodcut assumed many roles and characters. -
A QUICK REFERENCE GUIDE for Placing Identifiers and Publisher’S Information in Printed and PDF Publications
A QUICK REFERENCE GUIDE for placing identifiers and publisher’s information in printed and PDF publications Publisher’s information about the publication comprises several The layout can be adapted, where necessary, based on the design of the elements: the edition notice, back cover elements and the publicity individual publication; the type and size of font of the publisher's information notice. The proposed order of these elements is from front to back, but can also be changed. this can be adjusted according to need and updated as appropriate. Please note that some elements are mandatory (red), conditional (yellow) or optional (green). Mandatory Conditional Optional NA — not applicable ISG — Interinstitutional style guide Print Web Explanation EDITION NOTICE (PUBLISHER, COPYRIGHT) on the verso of the title page (where present) or where space allows Appears in printed publications only. Printer completes the text NA (always in English and in italics) and inserts applicable labels or Printed by [Xxx] in [Country] (examples) note on the paper used. See also ISG, Section 5.3.2. To be completed by the author. May include manuscript and/or Manuscript completed in [Month] [Year] edition information. [Revised/Corrected/First/Second edition] Disclaimer formulas ( you may choose one of the following options This document should not be considered as representative of the [European Commission’s] official or use a different one) position. Option 1 Change [European Commission] into the relevant author. Option 2 The contents of this publication do not necessarily reflect the position or opinion of the [European Change [European Commission] into the relevant author. Commission]. Option 3 The opinions expressed are those of the author(s) only and should not be considered as representative Change [European Commission] into the relevant author. -
Elliott, Elizabeth Shippen Green Files
Elizabeth Shippen Green Elliott Files A Finding Aid to the Collection in the Helen Farr Sloan Library & Archives, Delaware Art Museum Acquisition Information Material collected by the Library; some material donated by Mr. and Mrs. Benjamin Eisenstat Extent 3 linear feet Abstract The Elizabeth Shippen Green Elliott Files contain book and magazine illustrations, Christmas cards, correspondence, and audio recordings. Contact Information Helen Farr Sloan Library & Archives Delaware Art Museum 2301 Kentmere Parkway Wilmington, DE 19806 (302) 571-9590 [email protected] Preferred Citation Elizabeth Shippen Green Elliott Files, Helen Farr Sloan Library & Archives, Delaware Art Museum Related Materials Elizabeth Shippen Green Elliott Photographs; Students of Howard Pyle Files; Huger Elliott Papers 1 Biography of Elizabeth Shippen Green Elliott Elizabeth Shippen Green Elliott is known through her work for Harper's Magazine. In 1901 she began an exclusive contract that lasted for the next twenty-three years, to October 1924. She was born Elizabeth Shippen Green, to Jasper Green and Elizabeth Shippen Boucle Green on September 1, 1871. She began serious art study at the Pennsylvania Academy of the Fine Arts night classes. She spent one year in antique class, drawing from plaster casts, and two years in life class, studying live models; her teachers included Thomas Anshutz, Thomas Eakins, and Robert Vonnoh. Upon graduation from the Academy, Elizabeth began illustrating articles for several of the Philadelphia newspapers. She worked for the Philadelphia Times and The Public Ledger. Within a year after commencing this work she was doing advertising illustration for Strawbridge and Clothier. From 1895 to 1901 she illustrated articles, stories, and children's pages in many of the leading magazines of the day. -
Edition Notice
Edition Notice First Edition: December 1999 The following paragraph does not apply to any country where such provisions are inconsistent with local law: LEXMARK INTERNATIONAL, INC., PROVIDES THIS PUBLICATION “AS IS” WITHOUT WARRANTY OF ANY KIND, EITHER EXPRESS OR IMPLIED, INCLUDING, BUT NOT LIMITED TO, THE IMPLIED WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE. Some states do not allow disclaimer of express or implied warranties in certain transactions; therefore, this statement may not apply to you. This publication could include technical inaccuracies or typographical errors. Changes are periodically made to the information herein; these changes will be incorporated in later editions. Improvements or changes in the products or the programs described may be made at any time. References in this publication to products, programs, or services do not imply that the manufacturer intends to make these available in all countries in which it operates. Any reference to a product, program, or service is not intended to state or imply that only that product, program, or service may be used. Any functionally equivalent product, program, or service that does not infringe any existing intellectual property right may be used instead. Evaluation and verification of operation in conjunction with other products, programs, or services, except those expressly designated by the manufacturer, are the user’s responsibility. Lexmark, Lexmark with diamond design, and ColorFine are trademarks of Lexmark International, Inc., registered in the United States and/or other countries. Color Jetprinter is a trademark of Lexmark International, Inc. Other trademarks are the property of their respective owners. © Copyright 1999 Lexmark International, Inc. -
The Autobiography of Rear Admiral John A. Dahlgren
CONTRIBUTIONS TO NAVAL HISTORY NO. 8 The Autobiography of Rear Admiral John A. Dahlgren of Rear Admiral TheAutobiography The Autobiography of Rear Admiral John A. Dahlgren EDITED BY PETER C. LUEBKE Edited by Peter C. Luebke Edited Peter by 1 | The Autobiography of Rear Admiral John A. Dahlgren The Autobiography of Rear Admiral John A. Dahlgren EDITED BY PETER C. LUEBKE The Autobiography of Published by Naval History and Heritage Command 805 Kidder Breese Street SE Washington Navy Yard, DC 20374-5060 Book Design by Eleni Giannakopoulos U.S. GOVERNMENT OFFICIAL EDITION NOTICE Use of ISBN This is an official U.S. Government edition of this publication and is herein identified to certify its authenticity. This title’s print edition is cataloged under ISBN 978-1-943604-18-0. A Section 508–compliant PDF is cataloged under ISBN 978-1-943604-19-7. The title’s e-book edition is catalogued under ISBN 978-1-943604-48-7. Library of Congress Cataloging-in Publication Data Dahlgren, John A. The Autobiography of Rear Admiral John A. Dahlgren: Edited by Peter C. Luebke Dahlgren. – U.S. Government official edition. Pages cm. – (The U.S. Navy and the Civil War) Includes bibliographical references and index. ISBN 978-1-943604-18-0 (Softcover alk.paper) — ISBN 978-1-943604-19-7 (508-compliant pdf) — ISBN 978-1-943604-48-7 (E-book) For Sale by Superintendent of Documents, U.S. Government Publishing Office Internet: Bookstore.gpo.gov; Phone: toll free 1-866-512-1800; DC area 202-512-1800; Fax: 201-512-2104 Mail: Stop SSOP, Washington, DC 20402-001 ii | The Autobiography of Rear Admiral John A.