RUIDOSO NEWS Slaff WRJ1ER Ished
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Southern Arizona Guest Ranch As a Symbol of the West
The Southern Arizona guest ranch as a symbol of the West Item Type text; Thesis-Reproduction (electronic) Authors Norris, Frank B. (Frank Blaine), 1950-. Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 07/10/2021 15:00:58 Link to Item http://hdl.handle.net/10150/555065 THE SOUTHERN ARIZONA GUEST RANCH AS A SYMBOL OF THE WEST by Frank Blaine Norris A Thesis Submitted to the Faculty of the DEPARTMENT OF GEOGRAPHY, REGIONAL DEVELOPMENT, AND URBAN PLANNING In Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS WITH A MAJOR IN GEOGRAPHY In the Graduate College THE UNIVERSITY OF ARIZONA 1 9 7 6 Copyright 1976 Frank Blaine Norris STATEMENT BY AUTHOR This thesis has been submitted in partial fulfill ment of requirements for an advanced degree at The University of Arizona and is deposited in the University Library to be made available to borrowers under rules of the Library. Brief quotations from this thesis are allowable without special permission, provided that accurate acknowl edgment of source is made. Requests for permission for extended quotation from or reproduction of this manuscript in whole or in part may be granted by the copyright holder. SIGNED: APPROVAL BY THESIS DIRECTOR This thesis has been approved on the date shown below: ACKNOWLEDGMENTS This thesis is the collective effort of many, and to each who played a part in its compilation, I am indebted. -
Whiskey River (Take My Mind) I
whiskey river (take my mind) i introduction 00 Bush rev pg proofs 000i-xxiv i i 12/11/06 9:58:38 AM THIS PAGE INTENTIONALLY LEFT BLANK whiskey river (take my mind) iii The True Story of Texas Honky-Tonk by johnny bush with rick mitchell foreword by willie nelson University of Texas Press, Austin introduction 00 Bush rev pg proofs 000i-xxiv iii iii 12/11/06 9:58:39 AM iv copyright © 2007 by the university of texas press All rights reserved Printed in the United States of America First edition, 2007 Requests for permission to reproduce material from this work should be sent to: Permissions University of Texas Press P.O. Box 7819 Austin, TX 78713-7819 www.utexas.edu/utpress/about/bpermission.html ∞ The paper used in this book meets the minimum requirements of ansi/niso z39.48-1992 (r1997) (Permanence of Paper). library of congress cataloging-in-publication data Bush, Johnny. Whiskey river (take my mind) : the true story of Texas honky-tonk / by Johnny Bush with Rick Mitchell ; foreword by Willie Nelson. — 1st ed. p. cm. Includes discography (p. ), bibliographical references (p. ), and index. isbn-13: 978-0-292-71490-8 (cl. : alk. paper) isbn-10: 0-292-71490-4 1. Bush, Johnny. 2. Country musicians—Texas—Biography. 3. Spasmodic dysphonia—Patients—Texas—Biography. 4. Honky-tonk music—Texas— History and criticism. I. Mitchell, Rick, 1952– II. Title. ml420.b8967a3 2007 782.421642092—dc22 [B] 2006033039 whiskey river (take my mind) 00 Bush rev pg proofs 000i-xxiv iv iv 12/11/06 9:58:39 AM Dedicated to v John Bush Shinn, Jr., my dad, who encouraged me to follow my dreams. -
FOREWORD by Tom Miller
Dave Stogner Only A Memory Away - The Dave and Vi Stogner Story (A history of his music and their romance) FOREWORD By Tom Miller It could have been disconcerting for the young fiddle player on the stage. Early evening in an empty honky-tonk, it's still light out. It's the beginning of the 1980's and we are in the middle of the Urban Cowboy scare. “Hat Acts” were all the rage at that time, too. Resistol rock and roll babies are playing Country music to thin air. The front door is open--there is no way to stop the momentum of Dave Stogner's entrance. The erect sixty-something cowboy with the square jaw marches directly to the middle of the sunken dance floor at O.T. Price's Music Hall and kneels, elbow on higher knee, hand on chin, eyes fixed on young fiddle player. Rodin's ”Thinker,” Stogner's “Fiddle Contemplator.” No sense being rattled. The fiddler played right to the chiseled Western Swing bandleader. If there is a big linebacker you might as well run right at him, if you can't get around him. Stogner was not moving. My attention turned to making sure we had enough Jack Daniels and beer stocked for the night--bartending was my intro to the concert coordinating business. A few minutes later Dave walked directly toward me at the bar, wearing a Texas sized grin spanning Waco to Juarez. The fiddle player that night would do just fine. I was in my late twenties and loved all kinds of music, except most produced pop stuff. -
August 2012 Newsletter
August 2012 Newsletter ------------------------------------ Yesterday & Today Records P.O.Box 54 Miranda NSW 2228 Phone: (02) 95311710 Email:[email protected] www.yesterdayandtoday.com.au ------------------------------------------------ Postage Australia post is essentially the world’s most expensive service. We aim to break even on postage and will use the best method to minimise costs. One good innovation is the introduction of the “POST PLUS” satchels, which replace the old red satchels and include a tracking number. Available in 3 sizes they are 500 grams ($7.50) 3kgs ($11.50) 5kgs ($14.50) P & P. The latter 2 are perfect for larger interstate packages as anything over 500 grams even is going to cost more than $11.50. We can take a cd out of a case to reduce costs. Basically 1 cd still $2. 2cds $3 and rest as they will fit. Again Australia Post have this ludicrous notion that if a package can fit through a certain slot on a card it goes as a letter whereas if it doesn’t it is classified as a “parcel” and can cost up to 5 times as much. One day I will send a letter to the Minister for Trade as their policies are distinctly prejudicial to commerce. Out here they make massive profits but offer a very poor number of services and charge top dollar for what they do provide. Still, the mail mostly always gets there. But until ssuch times as their local monopoly remains, things won’t be much different. ----------------------------------------------- For those long term customers and anyone receiving these newsletters for the first time we have several walk in sales per year, with the next being Saturday August 25th. -
Action Research to Build the Capacity of Nyikina Indigenous Australians
Culturally sensitive and confidential material not to be reproduced without permission of the author. Action Research to Build the Capacity of Nyikina Indigenous Australians Anne Poelina Master of Arts (Indigenous Social Policy): The University of Technology, Sydney Master of Education (Research): Curtin University of Technology, WA Master of Public Health and Tropical Medicine: James Cook University, North Queensland Graduate Diploma in Education Studies (Aboriginal Education): Armidale College of Advanced Education (now University of New England), NSW Associate Diploma in Health Education: Western Australian College of Advanced Education (now Edith Cowan University) Registered Nurse: Western Australian School of Nursing A thesis submitted for the degree of Doctor of Philosophy of the University of New England December 2008 Culturally sensitive and confidential material – not to be reproduced without permission of the author. Acknowledgements I am grateful to Dr David Plummer who was my principal supervisor in the early period of my study. David inspired me to continue learning and to think from multiple perspectives. I thank Dr Jeanne Madison, Head of School of Health who continued to encourage me when she took on the role of principal supervisor, following David’s international posting. I acknowledge Dr Myfanwy Maple, School of Health as a supervisor with new ideas and a structure that moved the writing of the study into its final format. I also appreciate the assistance of Dr Helen Edwards, School of Education who provided the technical guidance which enabled me to finalise this research project. To my friend and colleague, Colleen Hattersley, who provided invaluable editorial comment, all the while reinforcing in me the importance our collective narrative on Nyikina resilience and resourcefulness. -
Spring 2020 $5.95 THE
Volume 30 Issue 2 Spring 2020 $5.95 THE The Offi cial Publication of the International Western Music Association CROSSHAIRS: AWARD-WINNING AND MULTI-TALENTED JIM JONES PRESERVES THE CULTURE OF THE WEST PAGE 6 Swingin’ in Sacramento PAGE 10 Legacy of Jack Thorpe PAGE 12 ★ ★ ★ 2020 AWARD OF EXCELLENCE NOMINATION BALLOT INSIDE, PAGE 46 ★ ★ ★ __WW Spring 2020_Cover.indd 1 3/18/20 7:32 PM __WW Spring 2020_Cover.indd 2 3/18/20 7:32 PM 2019 Instrumentalist of the Year Thank you IWMA for your love & support of my music! HaileySandoz.com 2020 WESTERN WRITERS OF AMERICA CONVENTION June 17-20, 2020 Rushmore Plaza Holiday Inn Rapid City, SD Tour to Spearfish and Deadwood PROGRAMMING ON LAKOTA CULTURE FEATURED SPEAKER Virginia Driving Hawk Sneve SESSIONS ON: Marketing, Editors and Agents, Fiction, Nonfiction, Old West Legends, Woman Suffrage and more. Visit www.westernwriters.org or contact wwa.moulton@gmail. for more info __WW Spring 2020_Interior.indd 1 3/18/20 7:26 PM FOUNDER Bill Wiley From The President... OFFICERS Robert Lorbeer, President Jerry Hall, Executive V.P. Robert’s Marvin O’Dell, V.P. Belinda Gail, Secretary Diana Raven, Treasurer Ramblings EXECUTIVE DIRECTOR Marsha Short IWMA Board of Directors, herein after BOD, BOARD OF DIRECTORS meets several times each year; our Bylaws specify Richard Dollarhide that the BOD has to meet face to face for not less Juni Fisher Belinda Gail than 3 meetings each year. Jerry Hall The first meeting is usually in the late January/ Robert Lorbeer early February time frame, and this year we met Marvin O’Dell Robert Lorbeer Theresa O’Dell on February 4 and 5 in Sierra Vista, AZ. -
CONSUMING LINCOLN: ABRAHAM LINCOLN's WESTERN MANHOOD in the URBAN NORTHEAST, 1848-1861 a Dissertation Submitted to the Kent S
CONSUMING LINCOLN: ABRAHAM LINCOLN’S WESTERN MANHOOD IN THE URBAN NORTHEAST, 1848-1861 A dissertation submitted to the Kent State University College of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy By David Demaree August 2018 © Copyright All right reserved Except for previously published materials A dissertation written by David Demaree B.A., Geneva College, 2008 M.A., Indiana University of Pennsylvania, 2012 Ph.D., Kent State University, 2018 Approved by ____________________________, Chair, Doctoral Dissertation Committee Kevin Adams, Ph.D. ____________________________, Members, Doctoral Dissertation Committee Elaine Frantz, Ph.D. ____________________________, Lesley J. Gordon, Ph.D. ____________________________, Sara Hume, Ph.D. ____________________________ Robert W. Trogdon, Ph.D. Accepted by ____________________________, Chair, Department of History Brian M. Hayashi, Ph.D. ____________________________, Dean, College of Arts and Sciences James L. Blank, Ph.D. TABLE OF CONTENTS TABLE OF CONTENTS ..............................................................................................................iii LIST OF FIGURES ...................................................................................................................... iv ACKNOWLEDGMENTS...............................................................................................................v INTRODUCTION ..........................................................................................................................1 -
Austin's Progressive Country Music Scene and the Negotiation
Space, Place, and Protest: Austin’s Progressive Country Music Scene and the Negotiation of Texan Identities, 1968-1978 Travis David Stimeling A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements of the Doctor of Philosophy in the Department of Music. Chapel Hill 2007 Approved by: Jocelyn R. Neal, Chair Jon W. Finson David García Mark Katz Philip Vandermeer © 2007 Travis David Stimeling ALL RIGHTS RESERVED ii ABSTRACT TRAVIS DAVID STIMELING: “Space, Place, and Protest: Austin’s Progressive Country Music Scene and the Negotiation of Texan Identities, 1968-1978” (Under the direction of Jocelyn R. Neal) The progressive country music movement developed in Austin, Texas, during the early 1970s as a community of liberal young musicians and concertgoers with strong interests in Texan country music traditions and contemporary rock music converged on the city. Children of the Cold War and the post-World War II migration to the suburbs, these “cosmic cowboys” sought to get back in touch with their rural roots and to leave behind the socially conservative world their parents had created for them. As a hybrid of country music and rock, progressive country music both encapsulated the contradictions of the cosmic cowboys in song and helped to create a musical sanctuary in which these youths could articulate their difference from mainstream Texan culture. Examining the work of the movement’s singer-songwriters (Michael Murphey, Guy Clark, Gary P. Nunn), western swing revivalists (Asleep at the Wheel, Alvin Crow and the Pleasant Valley Boys), and commercial country singers (Willie Nelson, Waylon Jennings), this dissertation explores the proliferation of stock imagery, landscape painting, and Texan stereotypes in progressive country music and their role in the construction of Austin’s difference. -
POWS BOOKLET 2009 Cd.Pub
Founded in 1983 NORTHWEST WESTERN SWING MUSIC SOCIETY 19TH ANNUAL WESTERN SWING HALL OF FAME FESTIVAL 2009 INDUCTEES Celebrating Our 26th Year Booklet by Beryl Shawley — With harassment by Ray WELCOME Northwest Western Swing Music Society Officers President: Beryl Shawley, 12433 Admiralty Wy S-201, Everett, WA 98204 Phone: 425-374-2452 Email: [email protected] Vice-Pres: Jim Neel, 9227-48th Dr. N.E., Marysville, WA 98270 Dear Friends and Western Swing Fans: Email: [email protected] Secretary: Alice Striegel, 2708 Mission Beach Hts, Tulalip, WA 98271 Welcom e to the 19th annual Northwest Western Phone: 360-659-9713 Email: [email protected] Swing Music Society (form erly known as the Seattle Treasurer: Dave Wheeler, 18650-59th Dr., Arlington, WA 98223 Western Swing Music Society) Hall of Fam e induction Phone: 425-238-7696 Email: [email protected] cerem onies. This annual cerem ony is our way of Board Members: Butch Gibson, Lloyd Hooper, LeRoy King, recognizing those m usicians whom we feel have Ray Shawley, Sharon Skurlock m ade an outstanding contribution to Western Swing Music and to other worthy individuals who have helped prom ote and preserve Western Swing m usic. We thank you for com ing and appreciate your support in our efforts to preserve and perpetuate this very special m usic form . It is our privilege to A NON-PROFIT ORGANIZATION FORMED IN NOVEMBER 1983 BY carry on this legacy handed down to us through the A GROUP OF MUSICIANS AND ENTHUSIASTS FOR THE PURPOSE OF years by giants in the m usic business which are too PRESERVING, PROMOTING & PERFORMING WESTERN SWING MUSIC num erous to list here. -
The Center for Popular Music Middle Tennessee State University, Murfreesboro, Tn
THE CENTER FOR POPULAR MUSIC MIDDLE TENNESSEE STATE UNIVERSITY, MURFREESBORO, TN JESSE AUSTIN MORRIS COLLECTION 13-070 Creator: Morris, Jesse Austin (April 26, 1932-August 30, 2014) Type of Material: Manuscript materials, books, serials, performance documents, iconographic items, artifacts, sound recordings, correspondence, and reproductions of various materials Physical Description: 22 linear feet of manuscript material, including 8 linear feet of Wills Brothers manuscript materials 6 linear feet of photographs, including 1 linear foot of Wills Brothers photographs 3 boxes of smaller 4x6 photographs 21 linear feet of manuscript audio/visual materials Dates: 1930-2012, bulk 1940-1990 RESTRICTIONS: All materials in this collection are subject to standard national and international copyright laws. Center staff are able to assist with copyright questions for this material. Provenance and Acquisition Information: This collection was donated to the Center by Jesse Austin Morris of Colorado Springs, Colorado on May 23, 2014. Former Center for Popular Music Director Dale Cockrell and Archivist Lucinda Cockrell picked up the collection from the home of Mr. Morris and transported it to the Center. Arrangement: The original arrangement scheme for the collection was maintained during processing. The exception to this arrangement was the audio/visual materials, which in the absence of any original order, are organized by format. Collection is arranged in six series: 1. General files; 2. Wills Brothers; 3. General photographs; 4. Wills Brothers photographs; 5. Small print photographs; 6. Manuscript Audio/Visual Materials. “JESSE AUSTIN MORRIS COLLECTION” 13-070 Subject/Index Terms: Western Swing Wills, Bob Wills, Johnnie Lee Cain’s Ballroom Country Music Texas Music Oklahoma Music Jazz music Giffis, Ken Agency History/Biographical Sketch: Jesse Austin Morris was editor of The Western Swing Journal and its smaller predecessors for twenty years and a well-known knowledge base in western swing research. -
The Virginian's Cultural Clashes
The Virginian’s Cultural Clashes A Study of Cultural Representation in Owen Wister’s novel The Virginian By Karoline Aksnes Master’s Thesis Department of Foreign Languages University of Bergen November 2012 Samandrag på Norsk Denne oppgåva tek føre seg korleis kulturelle ulikskapar er framstilte i Owen Wister sin roman The Virginian frå 1902. Handlinga i boka utspelar seg i dei nyleg etablerte vestlege grensetraktene av USA, der immigrantar frå ymse kulturelle og sosiale samfunnslag samlast og saman skal skapa eit felles samfunn. Dei tre hovudkarakterane i romanen representerer ulike kulturelle perspektiv og ambisjonar for korleis eit samfunn bør vera, og desse ulike verdiane vert knytte til den sentrale konflikten mellom den amerikanske vesten og den etablerte austkysten. Usemja mellom dei to motståande verdisyna kjem særskilt fram i problemstillingar som gjeld næringsgrunnlag, sosial etablering og institusjonelle lover og reglar. The Virginian følgjer desse karakterane, og det lokale samfunnet dei lever i, gjennom eit halvt tiår med kulturell utvikling og grunnleggande samfunnsendring. Forteljarstemma, som og verkar som ein av dei tre hovudkarakterane i boka, tilhøyrer ein akademisk ung mann med verdiar som er forma på den urbane og kultiverte austkysten, noko som ser ut til å påverka framstillinga hans. Det samfunnet han skildrar som den amerikanske vesten er på mange sett eit romantisk ideal med særeigne normer, og på denne måten underbyggjer romanen det mytiske omdømet den amerikanske vesten har fått. Hovudfokuset i denne oppgåva er å utforska korleis dei kulturelle ulikskapane mellom aust og vest er framstilte, og kva kulturelle endringar som vert skildra gjennom den tida handlinga utspelar seg. -
NWWSMS Newsletter for October 2019.Pdf
Vol. 36 , Issue 10 NorthWest Western Swing Music Society October 2019 PO Box 14003, Mill Creek, WA 98082 Preserving the music that is too country for Jazz Included In This Issue and too jazz for Country 1 Cowboy Chords by Whit Smith Cowboy Chords: An Introduction to Western 4 Western Swing Forum Cherishing the Memories Swing and Its Illustrious Guitarists MARCH 24, 2019 9 The Tommy Duncan Project, by Bob From the May/June 2019 issue of Acoustic Guitar | BY WHIT SMITH Richards New Release: Graham Lees’ Editor’s Note: Our thanks to Ramon autobiography Selby for sharing this article.. We hope you had the opportunity, either 12 Photo highlights of the WSS Festival in here in Seattle at Jazz Alley or at Sacramento the Machinist’s Hall in Sacramento, 13 29th Red Steagall Cowboy Gathering to enjoy the music of Whit Smith and Flyer, Ft. Worth, TX his Hot Club of Cowtown! 2019 Academy of Western Artists 2019 Academy of Western Artists The first Western swing Nomination Information record I heard was Bob Wills 14 Bobby Flores Cruise Information and the Texas Western Swing Time Radio Show P l a y b o y s ’ T i f f a n y Information Transcriptions, Vol.1. I was Bob Wills & the Texas Playboys 15 Bob Wills Fiddle Festival & Contest Flyer immediately amazed and Greenville, TX hooked. I had been listening to Eddie Lang records and other 1920s and 1930s guitar albums by Carl Kress, Dick McDonough, and George Van Eps. Hearing the “Tiffany Transcriptions,” I had In Every Issue an epiphany: I could apply all of my various jazz studies into one dynamic format and start a cool band that lots of people anywhere would like.