DOCSLIB.ORG

Oct. 1, 2 & 3, 2021 HALL of FAME INDUCTEES

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Oct. 1, 2 & 3, 2021 HALL of FAME INDUCTEES Volume 39, Number 7 August 2021 Come Join The Fun At The Western Swing Society’s 40th Annual HALL OF FAME INDUCTEES The following persons have been designated for induction into the Western Swing Hall of Fame on Oct. 1, 2 & 3, 2021 October 3, 2021 in recognition of their contributions to the preservation of Western Swing Music. Machinists’ Hall, Rancho Cordova, California Jake Erwin Lenny Serdahl Sr. $10 each day, or $25 for 3-day pass Joni Harms Whit Smith David Brian McCommas Jimmy Spero Sonny Rice John Steele Eddie Rivers Charlie Joe Wallace Zack Sapunor Joseph (Joe) Ybarra Great Western Swing Bands Ramon Selby Daily Jam Sessions Special Award For Service To WSS Don DeMars Hall of Fame Inductions on Sunday, October 3rd SPECIAL RATES AT LA QUINTA On-Site Beverages and Food Available 11131 Folsom Blvd, Rancho Cordova, CA 95670 $116/night + tax Special Western Swing Room Rates at FULL DETAILS ON PAGE 5 Nearby La Quinta (Pg 7) W H A T’ S I N S I D E Officials & Staff ............. 2 New Items............................... 7 Editor’s Letter ................ 2 Dance Photos .................... 8 Jam Room Jammers ....... 2 Dance Photos .................... 9 GUEST BAND HOF Profiles .................. 3 Dance Photos .................. 10 Aug. 1, 2021 Hotel Flyer for HOF ...... 5 Dance Photos .................. 11 RIP Floyd Barnes ........... 5 Pictures Online ............. 12 Mae McCoy & President’s Letter ........... 5 Dance Photos .................. 14 her Neon Stars Band Photos ................... 6 Other WSS Orgs ........... 15 Board Mtg Invitation .......... 6 1:00 to 2:30 pm Membership Report ........... 6 Followed by Food Available ............... 6 “The House Band” Membership Application. ... 6 3:00 to 5:00pm Page 5 for the President’s Letter WESTERN SWING SOCIETY MUSIC NEWS August 2021 - Page 2 The Western Swing Society Letter from The Editor JAM ROOM JAMMERS PO Box 2474 Carmichael, CA 95609 Hey Folks, I’m As always the westernswingsociety.net happy to be able jam room was Facebook: SacramentoWesternSwingSociety to invite a new packed and Founded in 1981 by Loyd and Perry Jones exciting group to swingin’! to enable performance, preservation and the stage. Mae I have to give perpetuation of the unique American art McCoy and her form known as Western Swing Music. Tony big time Neon Stars have thanks for mak- Officers: agreed to come President, Rex Barnes (916) 704-1566 ing the jam Vice Pres, (open) entertain us room a big success. He also plays Treasurer, Linda Swanson in our drums and sets up the room with Secretary, (open) “feature band Other Directors: Chuck. Thank you boys! Tony Arana (775) 971-3070 spot”. I know Ronnie Elkan (916) 765-4345 our WSS We had a great crowd! Linda McCarley (916) 870-7463 family is go- Dave Rietz (916) 806-0520 We’d like to have you write to us Jeff Tilton (916) 798-9377 ing to give about your experience if you play Staff and Committee Chairpersons: them a warm welcome. in the jam room or go in to listen. Admissions Coordinator, Linda McCarley This great group has features Mae We’ll share your comments here Bar Manager, Cyndi Lee Bartender, Cyndi Lee McCoy out front with an exciting in this column. Just send your Decorating Chair, Rex Barnes rhythm guitar. She’s backed with a thoughts to this email: Equipment and Staging, Gary Blodgett pedal steel and stand up bass. Our [email protected] or send Historian, (open) Jam Room, Tony Arana own Tom Gunterman sometimes us a letter via snail mail. In the Master of Ceremonies, (open) jumps in on meantime we’ll list the players Membership Director, (open) fiddle. This is who joined us last month. Music Director, Ronnie Elkan Newsletter Editor, Ronnie Elkan an exciting Thanks gang. It was great!!!!!! Photographer, Mary Harris group that Tony Arana, Jam Room Host Public Relations Administrator, Jeff Tilton plays the “The Raffle, Bob and Virginia Kuykendall Editor’s letter continued Slide Show, (open) Real Deal Sound Engineer, Gary Blodgett Western was a barn burner. Big thanks Website, Dave Rietz Swing Music”. Tommy Thomsen and his great band. Tommy had Hall of Famers, If you can get on youtube.com you Olen Dillingham on mando and can bring them up. fiddle, Gary Blodgett on bass gui- Western Swing Society Music News Even though time is short because of tar, Bill Cornett and future Hall of is published monthly by the the pandemic the board has decided Famer Joe Ybarra on pedal steel. Western Swing Society to make plans for our regular Hall of Tommy himself has been a Hall of Views and opinions expressed by contrib- Fame celebration October 1st, 2nd Famer since October 1, 1995. He uting authors are not necessarily those of the and 3rd. This is pretty tough getting also owns and runs the “Church of editorial staff or the Society. out of towners here on short notice. Western Swing” in Submitted articles, publicity notices and Turkey Texas. He is a letters not relating directly to the Society or We’ll have a big time anyway. host of Bob Wills its members may be published at the discre- I’m starting to put a list of bands to- tion of the Editor, as space permits. The staff Days. Look it up, it is a gether right now, so get a hold of me reserves the right to edit any and all items great event. submitted for publication. if you know some bands that play our kind of music. I’m gonna miss seeing Floyd Barnes. RIP Deadline for Submittals: I missed the last dance, but I heard it All items, photographs, articles, and Buddy. Continued on next column ad’s are due to the Editor no later than See Ya Sunday, Ronnie the 10th of the month. WESTERN SWING SOCIETY MUSIC NEWS August 2021 - Page 3 DANIEL LEROY “ROY” HONEYCUTT BARRY DOSS June 3, 1920 - January 27, 1982 January 1, 1924 - September 18, 2007 Inducted October 4, 1987 Inducted October 4, 1987 Daniel Leroy (Roy) Honeycutt was born on June Since 1979 he has been working with the states of 3rd 1920 in Broken Arrow, Oklahoma to Sam and Nevada, Colorado, Nebraska, and Wyoming on their Sarah (Graham) Honeycutt. He was the youngest of Country Music Associations and their Country Mu- seven children (Brothers Walter, William, Charley, sic Halls of Fame The aim is to help the young Matt and sisters Hazel and Edith). He was the third country entertainers get started in this business and generation of self taught musicians. He started play- to also honor the famed country music legends who ing the guitar at 6 years of age. When he was 10 paved the way for them years old, he was playing the steel guitar and fiddle. He has worked promotion for Movie Stars: Gail Back in those days times were hard and children had Russell, Marie McDonald, Graucho Marx, and re- to grow up fast. Before he could learn to read and cently with George Montgomery on his induction write he had to quit school to help support the fami- into the Nebraska Hall of Fame. ly. His first love, however, is Country Music, and his Roy and his four older brothers were all musically real family are the many legends he has known and talented. For money they would often play at get- worked with. He is very proud to have known and togethers and other events around town. worked with three of Texas’ greatest bands: Hoyle When the southwest suffered from the great depres- Nix West Texas Cowboys, Bob Wills Texas Play- sion in 1929 (which affected the worldwide econo- boys, and now the most celebrated and honored my all through the 1930's) and the drought in 1934 group of them all, the Row Brothers Band of Dallas, that caused the dust bowl of 1935-1938 Roy and his Texas with Sister Louise and Buddy Beasley. family like so many others, living in poverty, left Their efforts so far have not yet produced a full Oklahoma and came to California in search of work fledged Country Star, but he will predict that when and a better life. the break through comes it will have originated in Continued on Page 4 the California Western Swing Society. The array of new and older talent there is staggering and it is on . Continued on Page 4 WESTERN SWING SOCIETY MUSIC NEWS August 2021 - Page 4 Roy Honeycutt continued from page 3 Barry Doss continued from page 3 Roy and his wife Dorothy moved to Campbell, Cali- ly a matter of time until the right song and the right fornia, while the rest of Roy's family settled in Tur- people come along. He asks that all country music lock, California. fans back the group that are promoting country mu- They found work picking fruit and working in the sic associations. Do it with your time and with your cotton fields and the workers and their families lived donations. It is very heartwarming and worth while in small cabins on the farm. In the evenings Roy and “it is your chance to have a hand in helping to performed at the local nightclubs around the Santa discover the next great talent just waiting out there Clara Valley. for you and me to find”. His talent and skill were quickly recognized by Roy Honeycutt continued from previous column many of the musicians and bands that were currently Pee Wee himself did go on to become an accom- working the clubs. He soon landed a job with Tex plished steel guitarist in his own right all the way to Randall band working five nights a week at The Se- the Steel Guitar Hall of Fame, inducted in 1992.
Load more

Recommended publications
  • Whiskey River (Take My Mind)  I 
    whiskey river (take my mind) i introduction 00 Bush rev pg proofs 000i-xxiv i i 12/11/06 9:58:38 AM THIS PAGE INTENTIONALLY LEFT BLANK whiskey river (take my mind) iii The True Story of Texas Honky-Tonk by johnny bush with rick mitchell foreword by willie nelson University of Texas Press, Austin introduction 00 Bush rev pg proofs 000i-xxiv iii iii 12/11/06 9:58:39 AM iv copyright © 2007 by the university of texas press All rights reserved Printed in the United States of America First edition, 2007 Requests for permission to reproduce material from this work should be sent to: Permissions University of Texas Press P.O. Box 7819 Austin, TX 78713-7819 www.utexas.edu/utpress/about/bpermission.html ∞ The paper used in this book meets the minimum requirements of ansi/niso z39.48-1992 (r1997) (Permanence of Paper). library of congress cataloging-in-publication data Bush, Johnny. Whiskey river (take my mind) : the true story of Texas honky-tonk / by Johnny Bush with Rick Mitchell ; foreword by Willie Nelson. — 1st ed. p. cm. Includes discography (p. ), bibliographical references (p. ), and index. isbn-13: 978-0-292-71490-8 (cl. : alk. paper) isbn-10: 0-292-71490-4 1. Bush, Johnny. 2. Country musicians—Texas—Biography. 3. Spasmodic dysphonia—Patients—Texas—Biography. 4. Honky-tonk music—Texas— History and criticism. I. Mitchell, Rick, 1952– II. Title. ml420.b8967a3 2007 782.421642092—dc22 [B] 2006033039 whiskey river (take my mind) 00 Bush rev pg proofs 000i-xxiv iv iv 12/11/06 9:58:39 AM Dedicated to v John Bush Shinn, Jr., my dad, who encouraged me to follow my dreams.
    [Show full text]
  • Docs-Repo Documentation Release 0.0.1
    docs-repo Documentation Release 0.0.1 Ed Kidgell Jul 14, 2020 Contents 1 LICENSE 1 2 Help 3 3 Contact 5 4 Welcome to The Better Music Manual!7 4.1 How can we help you?..........................................7 4.2 Only interested in some of the subjects discussed in this book?.....................7 5 Intro 9 5.1 Background check............................................9 5.2 Experience................................................9 5.3 Starting up................................................9 6 What you can learn from this manual 11 7 The four stages of competence 13 8 The Cheap Seats 15 9 Sound 17 9.1 On Stage................................................. 17 10 The Basics 19 10.1 Know your gear!............................................. 19 10.2 Sound-chain from source to speaker................................... 19 11 The Sound field 21 11.1 Where to put them all.......................................... 21 11.2 Balancing acts.............................................. 22 12 Mixers 23 12.1 Analog / digital desks.......................................... 23 13 Things to consider 25 14 Monitoring 27 i 15 Microphone choice and usage 29 16 Effects 31 17 Equalisation 33 18 Using your instrument 35 18.1 Lead / rhythm guitar issues........................................ 35 19 Rhythm guitar 37 20 Lead guitar 39 21 The Rhythm section 41 21.1 Bass players............................................... 41 21.2 Drummers................................................ 41 22 Getting better at it 43 22.1 Practise.................................................
    [Show full text]
  • FOREWORD by Tom Miller
    Dave Stogner Only A Memory Away - The Dave and Vi Stogner Story (A history of his music and their romance) FOREWORD By Tom Miller It could have been disconcerting for the young fiddle player on the stage. Early evening in an empty honky-tonk, it's still light out. It's the beginning of the 1980's and we are in the middle of the Urban Cowboy scare. “Hat Acts” were all the rage at that time, too. Resistol rock and roll babies are playing Country music to thin air. The front door is open--there is no way to stop the momentum of Dave Stogner's entrance. The erect sixty-something cowboy with the square jaw marches directly to the middle of the sunken dance floor at O.T. Price's Music Hall and kneels, elbow on higher knee, hand on chin, eyes fixed on young fiddle player. Rodin's ”Thinker,” Stogner's “Fiddle Contemplator.” No sense being rattled. The fiddler played right to the chiseled Western Swing bandleader. If there is a big linebacker you might as well run right at him, if you can't get around him. Stogner was not moving. My attention turned to making sure we had enough Jack Daniels and beer stocked for the night--bartending was my intro to the concert coordinating business. A few minutes later Dave walked directly toward me at the bar, wearing a Texas sized grin spanning Waco to Juarez. The fiddle player that night would do just fine. I was in my late twenties and loved all kinds of music, except most produced pop stuff.
    [Show full text]
  • August 2012 Newsletter
    August 2012 Newsletter ------------------------------------ Yesterday & Today Records P.O.Box 54 Miranda NSW 2228 Phone: (02) 95311710 Email:[email protected] www.yesterdayandtoday.com.au ------------------------------------------------ Postage Australia post is essentially the world’s most expensive service. We aim to break even on postage and will use the best method to minimise costs. One good innovation is the introduction of the “POST PLUS” satchels, which replace the old red satchels and include a tracking number. Available in 3 sizes they are 500 grams ($7.50) 3kgs ($11.50) 5kgs ($14.50) P & P. The latter 2 are perfect for larger interstate packages as anything over 500 grams even is going to cost more than $11.50. We can take a cd out of a case to reduce costs. Basically 1 cd still $2. 2cds $3 and rest as they will fit. Again Australia Post have this ludicrous notion that if a package can fit through a certain slot on a card it goes as a letter whereas if it doesn’t it is classified as a “parcel” and can cost up to 5 times as much. One day I will send a letter to the Minister for Trade as their policies are distinctly prejudicial to commerce. Out here they make massive profits but offer a very poor number of services and charge top dollar for what they do provide. Still, the mail mostly always gets there. But until ssuch times as their local monopoly remains, things won’t be much different. ----------------------------------------------- For those long term customers and anyone receiving these newsletters for the first time we have several walk in sales per year, with the next being Saturday August 25th.
    [Show full text]
  • HSGA QUARTERLY Published Four Times a Year in Honolulu, Hawai‘I by the Hawaiian Steel Guitar Association
    HSGA QUARTERLY Published four times a year in Honolulu, Hawai‘i by the Hawaiian Steel Guitar Association Volume 35, Issue 135 Summer 2019 Inside this Issue… “Mark’s Haw’n Fishing 3 Seminar” by Chris Kennison “Constitution Hall Haw’n 4 Show” by F. Della-Penna “Fighting to Save the Haw’n 4 Language” by F. Della-Penna Member Donation 4 Acknowledgements Vintage Guitar Magazine 5 article on Bobby Ingano A mainstay at our Fort Collins festivals and active in all things Hawaiian in the Denver “In the Garden” – Steel Arr. area, Keoni Lagunero singing and playing great, pictured here with one of his daughters. 6 by Troy Brenningmeyer “Mystery Steel Guitarist Fort Collins 2019 Festival Review 8 Revealed” By Mark Kahalekulu hanging over the entire length of the 8 Weekly Steel Guitar Rocky Mountains, the azure sky Hotspots in the Islands My wife Dawn and I were up early brightly outlining the crenulated peaks. “In Memoriam” by Chris in the morning on the first day of the It was an outstanding day even by 9 Kennison Sixth Annual Fort Collins Hawaiian Colorado standards. Music Festival, HSGA’s big mainland We arrived at the Fort Collins Island Festival News – event, which was held this past Sep­ Hilton earlier than we had planned, 10 Event Reviews & Previews tember 19­21. The weather was pre­ owing probably to the lack of construc­ 11 “The Seven-Lever Steel dicted to be a bit cooler than the late tion along the highway. We quickly Guitar” by Lion Kobayashi summer days we had gotten accus­ unloaded our baggage and checked “Bobby Ingano Interview: tomed to, so the air had a crisp feel as into our hotel room, which we found to 11 Touring with Taj Mahal” we loaded up our vehicle for the drive be quite clean and comfortable.
    [Show full text]
  • A-List Electric Guitarist
    A-LIST ELECTRIC GUITARIST - POWER CHORDS OPERATION MANUAL The information in this document is subject to change without notice and does not represent a commitment on the part of Propellerhead Software AB. The software described herein is subject to a License Agreement and may not be copied to any other media except as specifically allowed in the License Agreement. No part of this publication may be copied, reproduced or otherwise transmitted or recorded, for any purpose, without prior written permission by Propellerhead Software AB. ©2014 Propellerhead Software and its licensors. All specifications subject to change without notice. Reason, Reason Essentials and Rack Extension are trademarks of Propellerhead Software. All other commercial symbols are protected trademarks and trade names of their respective holders. All rights reserved. A-List Electric Guitarist - Power Chords Introduction Electric Guitarist - Power Chords is the second Rack Extension instrument in the A-List series for Propellerhead Reason and Reason Essentials. Think of Electric Guitarist - Power Chords as a professional session guitarist, playing electric rhythm guitar on a top-notch instrument hooked up to hand-selected vintage amps and cabinets, and performing exactly as you wish, while giving you full control over musical performance and mix. And there's more: Electric Guitarist - Power Chords features an on-board, sophisticated amp with speaker cabinets, so that the sound of guitar, amp and speakers is fully under your control. Whether you want to add realistic rhythm guitar tracks to your productions, use it as an inspiration for writing songs on a train or plane, or as source material for creative sound design - it will get you from idea to result as fast as possible.
    [Show full text]
  • Bluesrhythmguitarebook.Pdf
    How to play Blues Rhythm Guitar like the Blues Masters Antony Reynaert www.BestBluesGuitarLessonsOnline.com copyright (c) Guitar Mastery Solutions Contents ! Introduction: How to think like a blues guitar master . 4 I. Expanding your Rhythm Guitar Playing A. How to transform your basic blues riffs . 5 B. Combining Riffs & Chords . 7 C. Riffs based on the Blues Scale . 9 II. Creativity Exercises A. Making you Rhythm Guitar Playing sound more ‘Interesting’ . 11 ! Creativity Exercises for Rhythm ! ! Creativity Exercises for Dynamics B. Expanding your Rhythm guitar self expression . 1 5 C. About Inspiration: what to play if you don’t know what to play . 15 ! Performance Tips III. Tablature Examples A. Example 1 . 1 6 B. Example 2 . 19 About the Author copyright (c) Guitar Mastery Solutions Introduction: How to Think like a Blues Guitar Master Do you know the feeling when you are requested to ‘play something’, whether being called out by a family member or at a jamsession? Do you often feel that you don’t know what to play or that you repeat yourself far too much, when confronted with such a request? When you watch the blues masters play, they are having fun on stage. They seem to be performing from a place within themselves that is free and careless. A place where they don’t have to think ‘what to play’ anymore. Perhaps you think that you should be born with some kind of natural talent and that you probably don’t possess this talent. The truth is that the masters of blues guitar aren’t born with this talent.
    [Show full text]
  • Understanding Music Past and Present
    Understanding Music Past and Present N. Alan Clark, PhD Thomas Heflin, DMA Jeffrey Kluball, EdD Elizabeth Kramer, PhD Understanding Music Past and Present N. Alan Clark, PhD Thomas Heflin, DMA Jeffrey Kluball, EdD Elizabeth Kramer, PhD Dahlonega, GA Understanding Music: Past and Present is licensed under a Creative Commons Attribu- tion-ShareAlike 4.0 International License. This license allows you to remix, tweak, and build upon this work, even commercially, as long as you credit this original source for the creation and license the new creation under identical terms. If you reuse this content elsewhere, in order to comply with the attribution requirements of the license please attribute the original source to the University System of Georgia. NOTE: The above copyright license which University System of Georgia uses for their original content does not extend to or include content which was accessed and incorpo- rated, and which is licensed under various other CC Licenses, such as ND licenses. Nor does it extend to or include any Special Permissions which were granted to us by the rightsholders for our use of their content. Image Disclaimer: All images and figures in this book are believed to be (after a rea- sonable investigation) either public domain or carry a compatible Creative Commons license. If you are the copyright owner of images in this book and you have not authorized the use of your work under these terms, please contact the University of North Georgia Press at [email protected] to have the content removed. ISBN: 978-1-940771-33-5 Produced by: University System of Georgia Published by: University of North Georgia Press Dahlonega, Georgia Cover Design and Layout Design: Corey Parson For more information, please visit http://ung.edu/university-press Or email [email protected] TABLE OF C ONTENTS MUSIC FUNDAMENTALS 1 N.
    [Show full text]
  • Aloh a Drea M
    oohhaa AAll aamm DDrree September 2009 Vol. 7. Issue 3. Contents 1. Lava Tube Beach Moon” by Ben Saber 2. Contents Page 3. Welcome. The Editor’s usual flummoxed verbiage 4. The Chanos International Steel Guitar Festival 5. “ “ “ “ “ “ 6. “ “ “ “ “ “ 7. “ “ “ “ “ “ 8. European Steel Guitar Hall of Fame The Medal” 9. “ “ “ “ “ “ “ 10. Brecon - 16th Hawaiian Guitarsts’ Convention and Luau by Beryl Lavinia 11. “ “ Pictures 12. “ “ Pictures 13. Steelin’ Tricks of the Trade / The Conspiracy 14. Tablature - Sweet Georgia Brown 15. “ “ “ “ 16. Pedal Steel in Hawaiian Music 17. Malcolm Rockwell - A ‘phone interview 18. “ “ “ “ “ “ “ “ 19. “ “ “ “ “ “ “ “ 20. 21. The Steel Guitar in Early Country Music by Anthony Lis: Pt 2 Ch 4 section 2 22. “ “ “ “ “ “ “ “ “ “ “ 23. “ “ “ “ “ “ “ “ “ “ “ 24. “ “ “ “ “ “ “ “ “ “ “ 25. Penny Points to Paradise” By John Marsden 26. Readers Letters 27. “ “ 28. Birthday Bash Shustoke Sailng Club All ads and enquires to :- Editorial and design:- Pat and Basil Henriques Honorary members Pat Henrick Subscriptions:- Pat Jones (Wales.) Morgan & Thorne U.K. £16:00 per year 28-30 The Square Keith Grant (Japan) Europe 25:00€ Aldridge ----------------------------- Overseas $35:00 Walsall WS9 8QS Hawaiian Musicologists (U.S. dollars or equivalent) West Midlands. John Marsden (U.K.) All include P+P (S+H) Phone No:- 0182 770 4110. Prof. Anthony Lis E Mail - [email protected] Payment by UK cheque, cash or web page www.waikiki-islanders.com money order payable to:- Pat Henrick” Published in the U.K. by Waikiki Islanders Aloha Dream Magazine Copyright 2009 2 AAlloohhaa ttoo yyoouu aallll Well here we are late again, I did think of combining this issue with December’s it’s that late.
    [Show full text]
  • Ted Nugent Ted Love the One You’Re With… How Optimizing the Guitars “I Am Classic Rock Revisited
    Mountainview Publishing, LLC INSIDE the Mambo Son’s guitarist Tom Guerra takes a journey to the center of The Player’s Guide to Ultimate Tone TM the mind $10.00 US, September 2010/VOL.11 NO.11 Report of the Byrdland blaster, Ted Nugent Ted Love the One You’re With… How optimizing the guitars “I am Classic Rock Revisited. I revisit it every waking moment of my life because it has the spirit you already and the attitude and the fire and the middle finger. I am Rosa Parks with a Gibson guitar.” own provides cheap – Ted Nugent relief in tough times… Who among us has played 7 more than six thousand RS Guitarwork’s shows, sold 30 million Roy Bowen records, arrived at the peak on replacement of their career bankrupt, pots, tone caps, rebounded with a vengeance refins, repairs and is still throwing down and the variable nature of loud and proud thirty years nickel-silver hence? Uh-huh. Ted. In case you hadn’t noticed, the state Optimizing Junior… of Michigan, and the city of Common sense Detroit in particular, have tips for safely turned out some very inter- replacing esting human beings… Bill pots, caps Haley, Del Shannon, Jim & pickup covers McCarty, Bob Seger, Alice Cooper, Iggy Pop, Marshall 14 Crenshaw, Wilson Pickett, Primal Scream! Little Willie John, Smokey Robinson, Aretha Franklin, Chasing Madonna, Don Was, Jack tone with Wolfetone’s White, and Stevie Wonder, MarshallHead among others. hi-octane humbuckers Then there are the bands… MC5, Mitch Ryder and the plus… Detroit Wheels, Iggy Pop and Wolfe’s the Stooges, Cactus, George ‘meaner’ Clinton and Funkadelic, P90s Grand Funk Railroad, Brownsville Station, ? Mark 17 and the Mysterians, Rare The Eastman T185 MX A truly superior, Earth, the mighty, mighty Motown stable, and The White Stripes.
    [Show full text]
  • Austin's Progressive Country Music Scene and the Negotiation
    Space, Place, and Protest: Austin’s Progressive Country Music Scene and the Negotiation of Texan Identities, 1968-1978 Travis David Stimeling A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements of the Doctor of Philosophy in the Department of Music. Chapel Hill 2007 Approved by: Jocelyn R. Neal, Chair Jon W. Finson David García Mark Katz Philip Vandermeer © 2007 Travis David Stimeling ALL RIGHTS RESERVED ii ABSTRACT TRAVIS DAVID STIMELING: “Space, Place, and Protest: Austin’s Progressive Country Music Scene and the Negotiation of Texan Identities, 1968-1978” (Under the direction of Jocelyn R. Neal) The progressive country music movement developed in Austin, Texas, during the early 1970s as a community of liberal young musicians and concertgoers with strong interests in Texan country music traditions and contemporary rock music converged on the city. Children of the Cold War and the post-World War II migration to the suburbs, these “cosmic cowboys” sought to get back in touch with their rural roots and to leave behind the socially conservative world their parents had created for them. As a hybrid of country music and rock, progressive country music both encapsulated the contradictions of the cosmic cowboys in song and helped to create a musical sanctuary in which these youths could articulate their difference from mainstream Texan culture. Examining the work of the movement’s singer-songwriters (Michael Murphey, Guy Clark, Gary P. Nunn), western swing revivalists (Asleep at the Wheel, Alvin Crow and the Pleasant Valley Boys), and commercial country singers (Willie Nelson, Waylon Jennings), this dissertation explores the proliferation of stock imagery, landscape painting, and Texan stereotypes in progressive country music and their role in the construction of Austin’s difference.
    [Show full text]
  • POWS BOOKLET 2009 Cd.Pub
    Founded in 1983 NORTHWEST WESTERN SWING MUSIC SOCIETY 19TH ANNUAL WESTERN SWING HALL OF FAME FESTIVAL 2009 INDUCTEES Celebrating Our 26th Year Booklet by Beryl Shawley — With harassment by Ray WELCOME Northwest Western Swing Music Society Officers President: Beryl Shawley, 12433 Admiralty Wy S-201, Everett, WA 98204 Phone: 425-374-2452 Email: [email protected] Vice-Pres: Jim Neel, 9227-48th Dr. N.E., Marysville, WA 98270 Dear Friends and Western Swing Fans: Email: [email protected] Secretary: Alice Striegel, 2708 Mission Beach Hts, Tulalip, WA 98271 Welcom e to the 19th annual Northwest Western Phone: 360-659-9713 Email: [email protected] Swing Music Society (form erly known as the Seattle Treasurer: Dave Wheeler, 18650-59th Dr., Arlington, WA 98223 Western Swing Music Society) Hall of Fam e induction Phone: 425-238-7696 Email: [email protected] cerem onies. This annual cerem ony is our way of Board Members: Butch Gibson, Lloyd Hooper, LeRoy King, recognizing those m usicians whom we feel have Ray Shawley, Sharon Skurlock m ade an outstanding contribution to Western Swing Music and to other worthy individuals who have helped prom ote and preserve Western Swing m usic. We thank you for com ing and appreciate your support in our efforts to preserve and perpetuate this very special m usic form . It is our privilege to A NON-PROFIT ORGANIZATION FORMED IN NOVEMBER 1983 BY carry on this legacy handed down to us through the A GROUP OF MUSICIANS AND ENTHUSIASTS FOR THE PURPOSE OF years by giants in the m usic business which are too PRESERVING, PROMOTING & PERFORMING WESTERN SWING MUSIC num erous to list here.
    [Show full text]