The Great Jazz Guitarists : the Ultimate Guide Pdf, Epub, Ebook

Total Page:16

File Type:pdf, Size:1020Kb

The Great Jazz Guitarists : the Ultimate Guide Pdf, Epub, Ebook THE GREAT JAZZ GUITARISTS : THE ULTIMATE GUIDE PDF, EPUB, EBOOK Scott Yanow | 238 pages | 01 Apr 2013 | Hal Leonard Corporation | 9781617130236 | English | United Kingdom The Great Jazz Guitarists : The Ultimate Guide PDF Book Kleinhaut has relocated a few times for his banking job, but wherever he has landed he has been able to find great musicians and venues. The best part is Jens gives lessons on YouTube and Instagram, which extends or supplement the book teachings as you can look at the videos on his YouTube channel after each chapter for a better understanding. He could play faster than anyone, but wisely remembered to include rhythm and tunes. Sit back and let this exciting New York rhythm section take you on an exhilarating ride through these timeless jazz session favorites. Jazz guitarists will be able to simplify their playing inside guide tone voicing that is considered easy as well as enhance their skills in altered dominant chords. This book is for musicians who already know the basics of guitar, but are looking for a low-stress introduction to the art of jazz improvisation. Back in , the fusion pioneer talked gear with Guitarist. Sit back and let this exciting New York rhythm section take you on an exhilarating As a result, they produce quite a clear and bright tone. So break out of your comfort zone and experiment with many new facets of jazz with The Jazz Guitar Experience. A return to its composer's original structure, after hearing so many "deconstructions" of this beautiful piece of music over the years. The first 20 lessons will be focused on 20 single-chord arpeggios that every jazz player should know. And there are countless further examples, as this plastic is one of the most common materials used to make picks. So even if you are happy with the guitar picks you are using at the minute, try mixing things up every now and again. Also a mid- morning coffee break. It has live recorded examples, tips, and tricks to make your learning process interesting and your sound notes authentic. Designed for intermediate to advanced guitarists who are already comfortable with the basic chordal and melodic vocabulary of jazz, this concise, comprehensive overview of important styles, techniques, and artists covers every era of the genrefrom gypsy jazz and cool jazz to bebop, fusion, and modern jazz. So what might be considered a thin gauge by one company, may be considered a medium or even a heavy gauge by another. This includes the following:. Starkville, MS. You have entered an incorrect email address! There are too many of these variations to list here, but some of the most common shapes that you will encounter when buying guitar picks are as follows:. Unmasked by Andy Ngo , Hardcover No ratings or reviews yet. Still playing more than ten years later, each weekly engagement features a duo performance with a guest artist. As such, if you decide you want to try any of these slightly unusal pick materials, I would first decide the gauge and shape of guitar pick that best suits your playing style. This piece is dedicated to Dr. If you are playing at your best, then you will be producing a great tone, and enjoying yourself. Mar 22, Of particular interest is Chad Coe's great Freddie Green styled rhythm guitar, performed on an original s D'Angelico guitar. The prints are sold unframed. For each of the 20 scales, Tom will show you one 2-octave fingering for both the scale, and the arpeggio of the parent chord. Ultem picks are also more durable than most of the other picks in the market. The Great Jazz Guitarists : The Ultimate Guide Writer I liked the material from which they were made, the gauge, and the size. There are 28 different scales and modes plus over 30 chord types with fingerings for all. It was where W. This has led to an exploration of new and old areas of music. Maybe we know one or two more of them but that still leaves all of the other positions completely in the dark, forcing us to jump around the fretboard to play over changes. If you are looking to master the art of that perfect jazz guitar, then you must learn it from fundamental changes in jazz Guitar by Joseph Alexander. Sorta, Kinda. Your mission, should you decide to accept it, is to attempt playing any style of jazz guitar without copping inspiration and lickage from the masters of the form. Unable to add to Wish List You are not logged in. If you are looking to master your jazz guitarist skills and learning solo, then this guide provides three solos full length! This gives them a slightly brighter tone with more bite. It is easy to think that the perfect piece of gear is out there just waiting for you. They include score and parts. The compilation provides a real depth regarded certain guitar sections, and it will surely absorb you into any style you prefer. Now in softcover! Sep 10, Main Menu. Accepted Undergraduate Students Overview of Your First Year Welcome Events As an entering student, you'll be required to take proficiency assessments in harmony, arranging, and ear training. Worth Reading. This chord is usually used in a jazz blues or in funk music. If you want to add a little brightness to your minor solos, try using this scale. Recordings Here is a selection: You can add some select tracks to the audio player to give a listen. All instrumental departments live under the Performance Division. In more recent years, a lot of companies have started to make guitar picks from a durable plastic that is referred to interchangeably as either acetal or delrin. Learn how to enable JavaScript on your browser. Cancel Reply. His original melodies range from hauntingly beautiful to classically inventive to playful. Mike rated it it was amazing Jun 29, Broadly speaking though, these picks are more suitable for acoustic guitar and fingerpicking styles. Please enter your name here. Moreover, the book is more of a practical than theoretical which gives it a cut above to other related books. This includes the following: The different materials from which picks are made, and how this affects your tone. There are now a huge range of different materials used to manufacture picks, but some of the most common are as follows:. I wrote a few things and wanted to hear what they sounded like, set up a rehearsal and it went from there. Gary Lang added it Nov 15, Follow The Happy Bluesman. A return to its composer's original structure, after hearing so many "deconstructions" of this beautiful piece of music over the years. Each guide is then further divided and detailed with its applications in the world of old and contemporary jazz. At this point, I suspect that you might be feeling somewhat overwhelmed. Guitar - Book 1. This book is not just a book rather a gate for your success. Enter your email address to learn our best guitar tips and tricks today! Kuba Kowalczyk marked it as to-read Feb 21, Join over , other guitar learners and subscribe to our guitar-tips-by-email service. The Great Jazz Guitarists : The Ultimate Guide Reviews This ultimate guide will show you everything you need to know! From Django Reinhardt and Charlie Christian to Pat Metheny, John McLaughlin and even Les Paul to Jeff Beck and beyond not to mention Wes and Barney and everyone in between , The Great Jazz Guitarist hits every note, never sharp or flat, and always with the combination of edge, sensitivity and awe-inspiring depth of knowledge that has made author Yanow one of the most widely read and respected critics and historians in jazz history. In simple terms, a pick with a sharp tip will produce quite an aggressive and biting sound. There are now a huge range of different materials used to manufacture picks, but some of the most common are as follows:. Resources Academic Calendar. But given that we encounter many of the materials listed above on a day-to-day basis, hopefully you can build up an idea of how these picks might feel and sound to play. You can find some guitar picks out there that are 6mm thick! Wilson, New York Times "Leitch plays with bite, drive, and refreshing intelligence Mark Kleinhaut is an accomplished jazz guitarist known for his elegant melodic improvisations, striking technical execution and responsive accompaniment. Learn how to enable JavaScript on your browser. While illness curtailed his performing career, once his recovery was underway, Leitch found that his interest in music was still strong. Heavy picks are very well suited for lead guitar playing. Be the first to write a review. You'll learn 50 highly versatile licks influenced by the music of these masters. This heartfelt biography celebrates the life and music of unsung hero Grant Green, the late jazz guitar genius who played on nearly albums from the early '60s to the late '70s, but narrowly missed celebrity. Great Britain Paperback Books. If you are still a unsure of where to start with choosing your guitar picks, then you can take some inspiration from these famous blues and blues-rock guitarists:. Good news! The main difference is that the edges of the teardrop picks are rounded, whereas those in the Jazz III are angular. All students must submit completed immunization records in order to finalize their application procedure. His original melodies range from hauntingly beautiful to classically inventive to playful. A visual investigation of the topographical and social landscape of the regions that produced the blues and jazz, America's indigenous musical art forms.
Recommended publications
  • 7 Lead Guitar Success Secrets Click Here
    7 Lead Guitar Success Secrets Click Here >>> (Video Course) - 7 Lead Guitar Success Secrets - (Video Course) 7 Lead Guitar Success Secrets Disclaimer and Terms of Use: Your reliance upon information and content obtained by you at or through this publication is solely at your own risk. The author assumes no liability or responsibly for damage or injury to you, other persons, or property arising from any use of any product, information, idea, or instruction contained in the content provided to you through this report. This information is intended for individuals taking action to achieve higher musical awareness, and expand their lead guitar vocabulary. However, I can’t be responsible for loss or action to any individual or corporation acting, or not acting, as a result of the material presented here. Reproduction or translation of any part of this work by any means, electronic or mechanical, including photocopying, beyond that permitted by the copyright law, without the permission of the publisher, is unlawful. Much effort has been applied to assure this report is free from errors. These proven lead guitar success secrets are the result of 25 years of lead guitar playing, and teaching. You’re about to learn 7 extremely effective Lead Guitar Success Secrets to quickly ramp up your lead guitar playing. In moments, I'm going to reveal 7 highly important lead guitar success secrets, and you're going to focus upon them quite possibly more than you ever have in all your years of guitar playing. Say goodbye to stale lead guitar playing, and hello to an injection of fresh horsepower.
    [Show full text]
  • Beginning Jazz Guitar Ebook Free Download
    BEGINNING JAZZ GUITAR PDF, EPUB, EBOOK Jody Fisher | 96 pages | 01 Jul 1995 | Alfred Publishing Co Inc.,U.S. | 9780739001103 | English | United States Beginning Jazz Guitar PDF Book Image 1 of 4. Having started out as a classical player and now dabbling in other styles like jazz, my eyes have really opened to the amazing possibilities that improvisation can bring. We use cookies on our website to give you the most relevant experience by remembering your preferences and repeat visits. Download Jam Track Jam Track. Laurence says:. Additional Information. Chuck Johnson on November 16, at am. I would really appreciate your feedback, so do let me know what you think about this post by leaving a comment below. Advertisement - Continue Reading Below. This goes for all the chords. In this guitar lesson, you will learn 6 variations of the jazz blues progression going from the basic blues to more modern variations like the bebop blues. Thank you. A famous jazz musician once said 'jazz can be taught in just three lessons; 1st lesson: practice for 10 years; 2nd lesson: practice and perform for 10 years; 3rd lesson: practice, perform and develop your art for 10 years. The fifth and last element is the improvisation. My pleasure Donald, thanks for reading : Reply. Also has a quite good acoustic amp setting for acoustic guitars with pickup — very versatile amp with a great sound. Added to cart. Although music theory has a bit of a bad reputation, it can make your life as an improvising guitarist a lot easier. So a major the 7th note of the major scale is added to the major chord.
    [Show full text]
  • The Compositional Style of Jazz Guitarist Nathen Page
    University of North Florida UNF Digital Commons All Volumes (2001-2008) The sprO ey Journal of Ideas and Inquiry 2004 Artist Study: The ompC ositional Style of Jazz Guitarist Nathen Page Stephen Lesche University of North Florida Follow this and additional works at: http://digitalcommons.unf.edu/ojii_volumes Part of the Composition Commons Suggested Citation Lesche, Stephen, "Artist Study: The ompositC ional Style of Jazz Guitarist Nathen Page" (2004). All Volumes (2001-2008). 89. http://digitalcommons.unf.edu/ojii_volumes/89 This Article is brought to you for free and open access by the The sprO ey Journal of Ideas and Inquiry at UNF Digital Commons. It has been accepted for inclusion in All Volumes (2001-2008) by an authorized administrator of UNF Digital Commons. For more information, please contact Digital Projects. © 2004 All Rights Reserved Artist Study: The Compositional his mastery because he does not compare Style of Jazz Guitarist Nathen to other guitarists that they have listened Page to. In spite of this, this is exactly why he is so great: he plays like himself. His tone is all his own and I have grown to Stephen Lesche enjoy it. His approach to technique is also very personalized. While he may Faculty Sponsor: Kevin Bales, not be able to produce rapid flurries of Assistant Professor of Music sixteenth notes like some of his contemporaries can, this has never Nathen Page is one of the hindered him in expressing himself and masters of modern jazz guitar. producing music of the highest caliber. Unfortunately, he is also one of the least In developing as an artist, there known and recognized of the masters.
    [Show full text]
  • Docs-Repo Documentation Release 0.0.1
    docs-repo Documentation Release 0.0.1 Ed Kidgell Jul 14, 2020 Contents 1 LICENSE 1 2 Help 3 3 Contact 5 4 Welcome to The Better Music Manual!7 4.1 How can we help you?..........................................7 4.2 Only interested in some of the subjects discussed in this book?.....................7 5 Intro 9 5.1 Background check............................................9 5.2 Experience................................................9 5.3 Starting up................................................9 6 What you can learn from this manual 11 7 The four stages of competence 13 8 The Cheap Seats 15 9 Sound 17 9.1 On Stage................................................. 17 10 The Basics 19 10.1 Know your gear!............................................. 19 10.2 Sound-chain from source to speaker................................... 19 11 The Sound field 21 11.1 Where to put them all.......................................... 21 11.2 Balancing acts.............................................. 22 12 Mixers 23 12.1 Analog / digital desks.......................................... 23 13 Things to consider 25 14 Monitoring 27 i 15 Microphone choice and usage 29 16 Effects 31 17 Equalisation 33 18 Using your instrument 35 18.1 Lead / rhythm guitar issues........................................ 35 19 Rhythm guitar 37 20 Lead guitar 39 21 The Rhythm section 41 21.1 Bass players............................................... 41 21.2 Drummers................................................ 41 22 Getting better at it 43 22.1 Practise.................................................
    [Show full text]
  • Guitar Educator Resource Guide
    GUITAR EDUCATOR RESOURCE GUIDE Introduction This guide is intended to assist precollege classroom guitar educators, studio guitar educators, curriculum administrators, and other stakeholders review the curricula, texts, materials, and supplements available and decide which are appropriate for their own students and educational setting. When considering a curriculum, resource, or text, it is important to consider standards in your own locale and district. For national, state, GFA, and professional standards, see the GFA website Education menu >> Education Standards. Contents Quick Reference Comprehensive Guitar Curricula for Classroom Use “Out-of-the-box” methods that include student text, teacher resources/materials, and a sequenced approach to multiple levels. These may also include ensemble and solo repertoire. Classroom Guitar Methods Methods for the classroom that include student text/materials only and/or for a single level General Guitar Methods Methods for general guitar instruction Graded Solo Repertoire Series Sequenced solo repertoire for individual student development. Online Guitar Education Publishers Online/digital publishers with a focus on educational content or application. General Guitar Publishers & Sheet Music Resources General publishers of guitar materials Guitar Educator’s Library Suggestions for reference materials from guitar educators and GFA Certified Schools Teaching Guitar Handbooks Professional Organizations and Professional Development for Guitar Educators Notes - Publisher Descriptions may be redacted for
    [Show full text]
  • Lead Series Guitar Amps
    G10, G20, G35FX, G100FX, G120 DSP, G120H DSP, G412A USER’S MANUAL G120H DSP G412A G100FX G120 DSP G10 G20 G35FX LEAD SERIES GUITAR AMPS www.acousticamplification.com IMPORTANT SAFETY INSTRUCTIONS Exposure to high noise levels may cause permanent hearing loss. Individuals vary considerably to noise-induced hearing loss but nearly everyone will lose some hearing if exposed to sufficiently intense noise over time. The U.S. Government’s Occupational Safety and Health Administration (OSHA) has specified the following permissible noise level exposures: DURATION PER DAY (HOURS) 8 6 4 3 2 1 According to OSHA, any exposure in the above permissible limits could result in some hearing loss. Hearing protection SOUND LEVEL (dB) 90 93 95 97 100 103 must be worn when operating this amplification system in order to prevent permanent hearing loss. This symbol is intended to alert the user to the presence of non-insulated “dangerous voltage” within the products enclosure. This symbol is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the unit. Apparatus shall not be exposed to dripping or splashing. Objects filled with liquids, such as vases, shall not be placed on the apparatus. • The apparatus shall not be exposed to dripping or splashing. Objects filled with liquids, such as vases, shall not be placed on the apparatus. L’appareil ne doit pas etreˆ exposé aux écoulements ou aux éclaboussures et aucun objet ne contenant de liquide, tel qu’un vase, ne doit etreˆ placé sur l’objet. • The main plug is used as disconnect device.
    [Show full text]
  • HSGA QUARTERLY Published Four Times a Year in Honolulu, Hawai‘I by the Hawaiian Steel Guitar Association
    HSGA QUARTERLY Published four times a year in Honolulu, Hawai‘i by the Hawaiian Steel Guitar Association Volume 35, Issue 135 Summer 2019 Inside this Issue… “Mark’s Haw’n Fishing 3 Seminar” by Chris Kennison “Constitution Hall Haw’n 4 Show” by F. Della-Penna “Fighting to Save the Haw’n 4 Language” by F. Della-Penna Member Donation 4 Acknowledgements Vintage Guitar Magazine 5 article on Bobby Ingano A mainstay at our Fort Collins festivals and active in all things Hawaiian in the Denver “In the Garden” – Steel Arr. area, Keoni Lagunero singing and playing great, pictured here with one of his daughters. 6 by Troy Brenningmeyer “Mystery Steel Guitarist Fort Collins 2019 Festival Review 8 Revealed” By Mark Kahalekulu hanging over the entire length of the 8 Weekly Steel Guitar Rocky Mountains, the azure sky Hotspots in the Islands My wife Dawn and I were up early brightly outlining the crenulated peaks. “In Memoriam” by Chris in the morning on the first day of the It was an outstanding day even by 9 Kennison Sixth Annual Fort Collins Hawaiian Colorado standards. Music Festival, HSGA’s big mainland We arrived at the Fort Collins Island Festival News – event, which was held this past Sep­ Hilton earlier than we had planned, 10 Event Reviews & Previews tember 19­21. The weather was pre­ owing probably to the lack of construc­ 11 “The Seven-Lever Steel dicted to be a bit cooler than the late tion along the highway. We quickly Guitar” by Lion Kobayashi summer days we had gotten accus­ unloaded our baggage and checked “Bobby Ingano Interview: tomed to, so the air had a crisp feel as into our hotel room, which we found to 11 Touring with Taj Mahal” we loaded up our vehicle for the drive be quite clean and comfortable.
    [Show full text]
  • A-List Electric Guitarist
    A-LIST ELECTRIC GUITARIST - POWER CHORDS OPERATION MANUAL The information in this document is subject to change without notice and does not represent a commitment on the part of Propellerhead Software AB. The software described herein is subject to a License Agreement and may not be copied to any other media except as specifically allowed in the License Agreement. No part of this publication may be copied, reproduced or otherwise transmitted or recorded, for any purpose, without prior written permission by Propellerhead Software AB. ©2014 Propellerhead Software and its licensors. All specifications subject to change without notice. Reason, Reason Essentials and Rack Extension are trademarks of Propellerhead Software. All other commercial symbols are protected trademarks and trade names of their respective holders. All rights reserved. A-List Electric Guitarist - Power Chords Introduction Electric Guitarist - Power Chords is the second Rack Extension instrument in the A-List series for Propellerhead Reason and Reason Essentials. Think of Electric Guitarist - Power Chords as a professional session guitarist, playing electric rhythm guitar on a top-notch instrument hooked up to hand-selected vintage amps and cabinets, and performing exactly as you wish, while giving you full control over musical performance and mix. And there's more: Electric Guitarist - Power Chords features an on-board, sophisticated amp with speaker cabinets, so that the sound of guitar, amp and speakers is fully under your control. Whether you want to add realistic rhythm guitar tracks to your productions, use it as an inspiration for writing songs on a train or plane, or as source material for creative sound design - it will get you from idea to result as fast as possible.
    [Show full text]
  • Jazz Standards Arranged for Classical Guitar in the Style of Art Tatum
    JAZZ STANDARDS ARRANGED FOR CLASSICAL GUITAR IN THE STYLE OF ART TATUM by Stephen S. Brew Submitted to the faculty of the Jacobs School of Music in partial fulfillment of the requirements for the degree, Doctor of Music Indiana University May 2018 Accepted by the faculty of the Indiana University Jacobs School of Music, in partial fulfillment of the requirements for the degree Doctor of Music Doctoral Committee ______________________________________ Luke Gillespie, Research Director ______________________________________ Ernesto Bitetti, Chair ______________________________________ Andrew Mead ______________________________________ Elzbieta Szmyt February 20, 2018 ii Copyright © 2018 Stephen S. Brew iii To my wife, Rachel And my parents, Steve and Marge iv Acknowledgements This document would not have been possible without the guidance and mentorship of many creative, intelligent, and thoughtful musicians. Maestro Bitetti, your wisdom has given me the confidence and understanding to embrace this ambitious project. It would not have been possible without you. Dr. Strand, you are an incredible mentor who has made me a better teacher, performer, and person; thank you! Thank you to Luke Gillespie, Elzbieta Szmyt, and Andrew Mead for your support throughout my coursework at IU, and for serving on my research committee. Your insight has been invaluable. Thank you to Heather Perry and the staff at Stonehill College’s MacPhaidin Library for doggedly tracking down resources. Thank you James Piorkowski for your mentorship and encouragement, and Ken Meyer for challenging me to reach new heights. Your teaching and artistry inspire me daily. To my parents, Steve and Marge, I cannot express enough thanks for your love and support. And to my sisters, Lisa, Karen, Steph, and Amanda, thank you.
    [Show full text]
  • 13. Cleveland Jazz Guitarists
    13. Cleveland Jazz Guitarists itariSts who grew up in still a teenager. He joined the leveland have been among musicians' union when he was 16. By Gthe most important and most 1940, when he was 17, he was playing acclaimed in jazz history. They all at parties and country clubs around drew their inspiration from the all­ Cleveland. "I played with band leaders time grand masters of jazz guitar, Clint Noble and Jack Horowitz," he Django Reinhardt and Charlie said, but he had bigger plans. Christian. "In 1941, I went to New York to become famous. My father borrowed Fred Sharp $50 on his life insurance policy and Anyone who was even a casual gave me the money to go. Joe Sharp listener ofjazz in Cleveland from the never had money at all. In New York, 1940s to the '80s probably heard I put in for my union card. You had to guitarist Fred Sharp. He played with stay six months to get your card and I some ofthe biggest names in jazz and went to the union floor every day and was the man Jim Hall credited as his started to get some club dates. The teacher. scale was $7 then for a club date, but In the mid-1930s, when Sharp was most everybody paid $4." growing up in the Glenville area of Courtesy of Fred Sharp When he was still in his teens, Fred Sharp and Babik Reinhardt, Cleveland and listening to music on Sharp remembered he almost starved the 23-year-old son of Sharp's the radio, the guitar, with a few guitar idol Ojango Reinhardt, in trying to become famous in New exceptions, was not a solo jazz voice, Paris in 1967 York.
    [Show full text]
  • Bluesrhythmguitarebook.Pdf
    How to play Blues Rhythm Guitar like the Blues Masters Antony Reynaert www.BestBluesGuitarLessonsOnline.com copyright (c) Guitar Mastery Solutions Contents ! Introduction: How to think like a blues guitar master . 4 I. Expanding your Rhythm Guitar Playing A. How to transform your basic blues riffs . 5 B. Combining Riffs & Chords . 7 C. Riffs based on the Blues Scale . 9 II. Creativity Exercises A. Making you Rhythm Guitar Playing sound more ‘Interesting’ . 11 ! Creativity Exercises for Rhythm ! ! Creativity Exercises for Dynamics B. Expanding your Rhythm guitar self expression . 1 5 C. About Inspiration: what to play if you don’t know what to play . 15 ! Performance Tips III. Tablature Examples A. Example 1 . 1 6 B. Example 2 . 19 About the Author copyright (c) Guitar Mastery Solutions Introduction: How to Think like a Blues Guitar Master Do you know the feeling when you are requested to ‘play something’, whether being called out by a family member or at a jamsession? Do you often feel that you don’t know what to play or that you repeat yourself far too much, when confronted with such a request? When you watch the blues masters play, they are having fun on stage. They seem to be performing from a place within themselves that is free and careless. A place where they don’t have to think ‘what to play’ anymore. Perhaps you think that you should be born with some kind of natural talent and that you probably don’t possess this talent. The truth is that the masters of blues guitar aren’t born with this talent.
    [Show full text]
  • Understanding Music Past and Present
    Understanding Music Past and Present N. Alan Clark, PhD Thomas Heflin, DMA Jeffrey Kluball, EdD Elizabeth Kramer, PhD Understanding Music Past and Present N. Alan Clark, PhD Thomas Heflin, DMA Jeffrey Kluball, EdD Elizabeth Kramer, PhD Dahlonega, GA Understanding Music: Past and Present is licensed under a Creative Commons Attribu- tion-ShareAlike 4.0 International License. This license allows you to remix, tweak, and build upon this work, even commercially, as long as you credit this original source for the creation and license the new creation under identical terms. If you reuse this content elsewhere, in order to comply with the attribution requirements of the license please attribute the original source to the University System of Georgia. NOTE: The above copyright license which University System of Georgia uses for their original content does not extend to or include content which was accessed and incorpo- rated, and which is licensed under various other CC Licenses, such as ND licenses. Nor does it extend to or include any Special Permissions which were granted to us by the rightsholders for our use of their content. Image Disclaimer: All images and figures in this book are believed to be (after a rea- sonable investigation) either public domain or carry a compatible Creative Commons license. If you are the copyright owner of images in this book and you have not authorized the use of your work under these terms, please contact the University of North Georgia Press at [email protected] to have the content removed. ISBN: 978-1-940771-33-5 Produced by: University System of Georgia Published by: University of North Georgia Press Dahlonega, Georgia Cover Design and Layout Design: Corey Parson For more information, please visit http://ung.edu/university-press Or email [email protected] TABLE OF C ONTENTS MUSIC FUNDAMENTALS 1 N.
    [Show full text]