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The FTC Vs. POM Wonderful
Daniels Fund Ethics Initiative University of New Mexico http://danielsethics.mgt.unm.edu Debate The FTC vs. POM Wonderful ISSUE: Does the Federal Trade Commission’s verdict on POM Wonderful’s advertising protect consumers or limit the company’s First Amendment rights? POM Wonderful, owned by philanthropists Lynda and Stewart Resnick, sells products made from pomegranate juice. Their product lines include juice, juice blends, teas, concentrates and extracts. Its most popular product is its POM 100% Juice. The company has marketed pomegranate juice for its high antioxidants, vitamin K, and potassium. Pomegranate juice has become popular among consumers who desire to improve their health. However, in 2010 the Federal Trade Commission (FTC) ruled that POM Wonderful used deceptive advertising. Among its marketing claims, POM Wonderful maintained that pomegranate juice lowers the risks of heart disease, erectile dysfunction, and prostate cancer. POM advertisements with claims such as “Amaze Your Cardiologist” and “Drink to Prostate Health” were placed in Parade, Fitness, and Fitness magazines; The New York Times; on price tags; and on the websites pomwonderful.com, pompills.com, and pomegranatetruth.com. The problem, according to the FTC, was that these claims were not substantiated. The FTC maintains that POM Wonderful based its claims on faulty evidence the company distorted and that was eventually refuted. POM Wonderful was found guilty of violating the Federal Trade Commission Act by making deceptive claims in 36 advertisements and promotions. The FTC accused POM of making unsubstantiated efficacy claims—or suggesting that the product works as advertised—as well as establishment claims—claims that a product’s benefits and superiority have been scientifically established. -
Noel Lateef: in This the Foreign Policy Association's Centennial Year We're Very Fortunate to Have with Us This Evening a Distinguished Leader of Higher Education
Noel Lateef: In this the Foreign Policy Association's centennial year we're very fortunate to have with us this evening a distinguished leader of higher education. President Leon Botstein will speak to the important topic of elites, higher education and the future. You may have seen in the current issue of the New Yorker a review of a book published by the Foreign Policy Association 50 years ago. A 1968 book tried to predict the world of 2018. The book successfully predicted pocket computers and the jacket cover asked the question, "Will our children in 2018 still be wrestling with racial problems, economic depressions and other Vietnams?" I am pleased that president Botstein's remarks this evening will be included in a new book that we are publishing this year, that will predict the world of 2068. I should note that president Botstein chaired a blue ribbon commission that looked into the relevance of the mission of the Foreign Policy Association 25 years ago. It was underwritten by the Ford foundation, and as I recall the leadership of the FP at the time waited with some trepidation for the conclusion of this important report. We are grateful to president Botstein for concluding that our mission was never more important. Ladies and gentlemen, to formally introduce president Botstein I'm going to turn to an FPA fellow of long standing, who happens to be the dean of international studies at Bard college, and director of the Bard globalization and international studies program, Jim Ketterer. Jim? Jim Ketterer: Good evening. It's a pleasure to see so many Bard alumni, faculty and students here this evening, who come not only from our campus in Annandale, but as Noel mentioned, the Bard globalization international affairs program here in New York city that draws in students, not only from the Bard institutions, but from colleges and universities across the country, and in fact across the world, and many of them are here. -
LEON BOTSTEIN, Conductor
Thursday Evening, November 14, 2019, at 7:00 Isaac Stern Auditorium / Ronald O. Perelman Stage presents LEON BOTSTEIN, Conductor Performance #141: Season 5, Concert 12 ARTHUR HONEGGER Rugby (1928) (1891–1955) OTHMAR SCHOECK Lebendig begraben (Buried Alive), Op. 40 (1886–1957) (1926) MICHAEL NAGY, Baritone Intermission DIMITRI MITROPOULOS Concerto Grosso (1929) (1896–1960) Largo Allegro—Largo Chorale: Largo Allegro IGOR STRAVINSKY Divertimento, Symphonic Suite from the (1882–1971) Ballet The Fairy’s Kiss (1928, 1931, rev. ’32, ’34, ’49) Danses suisses (“Swiss Dances”) Scherzo Pas de deux a. Adagio b. Variation c. Coda This evening’s concert will run approximately 2 hours and 25 minutes including one 20-minute intermission. PLEASE SWITCH OFF YOUR CELL PHONES AND OTHER ELECTRONIC DEVICES. Notes ON THE MUSIC – TON’S KADEN HENDERSON ON ARTHUR HONEGGER’S RUGBY MATT DINE MATT Full Contact Music Honegger’s second tone poem, entitled Rugby, which we will be hearing today, was composed in 1928. Although it bears the name Rugby, the composer himself insisted that this work was not programmatic in a traditional sense. Despite what Honegger may have said, it takes little imagination to find oneself in the middle of the pitch dodging tack- les left and right from the very first note. Immediately from the downbeat it is apparent that Honegger is not alluding to two-hand-touch rugby, but rather the sport in its full contact, “hold no pris- oners” variety. The very first notes from The Composer the strings hit the audience like a ton of When thinking about the great orches- bricks as the cascading strings sweep us tral tone poems in our repertoire, the into a musical dogpile. -
Leon Botstein
binternationalrockprize in education 2012 Brock International Prize in Education Nominee Leon Botstein Nominated by Jeanne Butler 2012 B R OC K I NT E R NAT I ONAL PRIZE IN EDUCATION NOMINEE: L EON B OTSTEIN NOMI NATED BY : J EANNE B UTLER 1 CONTENTS Nomination 1 Brief Biography 2 Contributions to Education: 3 International Education 3 Kindergarten Through Twelfth Grade 4 Curricular Innovations 5 Curriculum Vitae 7 Letters of Support 26 Article: “High Education and Public Schooling in Twenty-First Century America.” In NE A Higher J ournal; Fall, 2008 33 Links to PBS Features 42 Charlie Rose Show excerpt, with Sari Nusseibeh PBS Newshour feature: “From Ball and Chain to Cap and Gown: Getting a B.A. Behind Bars” 2 NOMINATION Anyone who saw the National Geographic/BBC film “The First Grader” this summer witnessed a victorious testimony to the transformative force of education. The lessons of Kimani Ng’ang’a Maruge, an aging illiterate Kenyan and Mau Mau veteran, are undeniably powerful and his message is clear, ”We have to learn from our past because we must not forget and because we must get better… the power is in the pen.” The other event of the summer that has helped to re-vitalize and focus thinking globally about education is a remarkably fine series of interviews, The Global Search for Education, by C.M. Rubin for Educational News. The interviews with individuals renowned for their international leadership (including some of the Brock Prize nominees and laureates) are being conducted according to Rubin, “with the intention of raising the awareness of policy makers, the media, and the public of the global facts.” The film and the interviews have helped crystallize my thinking about the individual I had nominated in the spring; they have served to re-affirm my choice of Leon Botstein as the next Brock International Laureate. -
TOP GIFTS RECEIVED in L.A. COUNTY Architectural Firms, Business Improvement Ranked by Gift Value in 2018 the LIST Districts, Commercial Interior Designers
10 LOS ANGELES BUSINESS JOURNAL JANUARY 21, 2019 NEXT WEEK TOP GIFTS RECEIVED IN L.A. COUNTY Architectural Firms, Business Improvement Ranked by gift value in 2018 THE LIST Districts, Commercial Interior Designers Rank Company Gift Value Description Donor • name • name • address • source of wealth • phone Cedars-Sinai Medical Center $50,000,000 create the Smidt Heart Institute Smidt Foundation 1 8700 Beverly Blvd. retail Los Angeles 90048 (800) 233-2771 Partnership for Los Angeles Schools 35,000,000 improve 18 identified public schools in the Los Angeles Richard Lundquist 2 1055 Wilshire Blvd., Suite 1850 Unified School District Melanie Lundquist Los Angeles 90017 real estate (213) 201-2000 University of California, Los Angeles Hammer Museum 30,000,000 capital campaign Stewart Resnick 3 10899 Wilshire Blvd. Lynda Resnick Los Angeles 90024 agriculture, food and beverage, (310) 443-7000 investments David Geffen School of Medicine at UCLA 25,000,000 establish the Laurie and Steven Gordon Commitment Steven Gordon Family Foundation 4 10833 Le Conte Ave. to Cure Parkinson's Disease law, real estate Los Angeles 90095 (310) 825-6373 University of California, Los Angeles 25,000,000 endow scholarships for graduate students in the Kenneth Panzer 405 Hilgard Ave. humanities Jordan Kaplan Los Angeles 90095 real estate (310) 825-4321 Oprah Winfrey Charitable Foundation 22,500,000 gift of Weight Watchers International Inc. stock Oprah Winfrey 6 1041 N. Formosa Ave. media and entertainment West Hollywood 90046 N/A Good Samaritan Hospital 21,000,000 expansion of the emergency department and fund Charles Munger 7 1225 Wilshire Blvd. seismic improvements to the hospital investments Los Angeles 90017 (213) 977-2121 Children's Hospital Los Angeles 20,000,000 renovate its emergency department, pay for new Anonymous 8 4650 Sunset Blvd. -
Political Ecologies of Almond Production in California and Spain
UNIVERSITY OF CALIFORNIA SANTA CRUZ Orchard Entanglements: Political Ecologies of Almond Production in California and Spain A dissertation submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in ENVIRONMENTAL STUDIES by Emily D. Reisman June 2020 The Dissertation of Emily D. Reisman is approved: ____________________________________ Professor Madeleine Fairbairn, chair ____________________________________ Professor Julie Guthman ____________________________________ Professor Carol Shennan ____________________________________ Professor Andrew Mathews _______________________________________ Quentin Williams Acting Vice Provost and Dean of Graduate Studies i © Emily D. Reisman ii TABLE OF CONTENTS Abstract ....................................................................................................................... iv Acknowledgements .................................................................................................... vi Introduction ..................................................................................................................1 Orchard Entanglements ..............................................................................................1 Approach & Methods .................................................................................................2 Results ........................................................................................................................5 Chapter 1: The Great Almond Debate: a subtle double movement in California -
View Program
02-10 ASO_Carnegie Hall Rental 1/29/13 12:54 PM Page 1 Sunday Afternoon, February 10, 2013, at 2:00 Isaac Stern Auditorium/Ronald O. Perelman Stage Conductor’s Notes Q&A with Leon Botstein at 1:00 presents Truth or Truffles LEON BOTSTEIN, Conductor KARL AMADEUS Gesangsszene (“Sodom and Gomorrah”) HARTMANN (U.S. Premiere) LESTER LYNCH, Baritone Intermission RICHARD STRAUSS Schlagobers, Op. 70 (“Whipped Cream”) This evening’s concert will run approximately two and a half hours, inlcuding one 20-minute intermission. American Symphony Orchestra welcomes students and teachers from ASO’s arts education program, Music Notes. For information on how you can support Music Notes, visit AmericanSymphony.org. PLEASE SWITCH OFF YOUR CELL PHONES AND OTHER ELECTRONIC DEVICES. 02-10 ASO_Carnegie Hall Rental 1/29/13 12:54 PM Page 2 THE Program KARL AMADEUS HARTMANN Gesangsszene Born August 2, 1905, in Munich Died December 5, 1963, in Munich Composed in 1962–63 Premiered on November 12, 1964, in Frankfurt, by the orchestra of the Hessischer Rundfunk under Dean Dixon with soloist Dietrich Fischer-Dieskau, for whom it was written Performance Time: Approximately 27 minutes Instruments: 3 flutes, 2 piccolos, alto flute, 3 oboes, English horn, 3 clarinets, bass clarinet, 3 bassoons, contrabassoon, 3 French horns, 3 trumpets, piccolo trumpet, 3 trombones, tuba, timpani, percussion (triangle, gong, chimes, cymbals, tamtam, tambourine, tomtoms, timbales, field drum, snare drum, bass drum, glockenspiel, xylophone, vibraphone, marimba), harp, celesta, piano, strings, -
The Levy Institute Generates Effective Public Policy Responses to Economic Problems That Profoundly Affect the Quality of Life in the United States and Abroad
Biennial Report 2004–2005 The Levy Economics Institute of Bard College was founded in 1986, through the generous support of Bard College Trustee Leon Levy, as a nonprofit, nonpartisan, public policy research organization. It is independent of any political or other affiliation and encourages diversity of opinion in the examination of economic issues. The purpose of all Levy Institute research and activities is to enable scholars and leaders in business, labor, and government to work together on problems of common interest. Levy Institute findings are disseminated—via publications, conferences, workshops, seminars, congressional testimony, and other activities—to an international audience of public officials, private sector executives, academics, and the general public. Through this process of scholarship, analysis, and informed debate, the Levy Institute generates effective public policy responses to economic problems that profoundly affect the quality of life in the United States and abroad. The Levy Institute’s main conference and research facility is Blithewood Manor, on the campus of Bard College, located 90 miles north of New York City. The Levy Institute is housed in Blithewood Manor at Bard College. 2 MESSAGE FROM THE PRESIDENT 4 NEW INITIATIVE 6 RESEARCH AND PUBLICATIONS : .. , : , - () : : : , , 26 CONFERENCES 36 THE LEVY INSTITUTE BOOK SERIES 37 BIOGRAPHIES OF INSTITUTE SCHOLARS 44 BOARD, ADMINISTRATION, AND RESEARCH STAFF MESSAGE FROM THE PRESIDENT In the biennial reports of previous years, I described how the Levy Institute draws inspiration and guid- ance not only from its founders and scholars but from a world facing many new and daunting chal- lenges. Our efforts to redefine economics and public policy continue to attract notice and exert influ- ence, nationally and internationally. -
California's Groundwater: a Political Economy
California’s Groundwater: A Political Economy John Ferejohn NYU Law February 2017 1 Table of Contents Introduction 3 1. Nuts 8 2. Groundwater 11 3. From Political Economy to Industrial Organization 19 4. Early History 24 5. Water Law: Courts v. Legislature 30 6. Groundwater Regulation 43 7. Federal and State Water Projects 52 8. Environmental Revolution 73 9. Drought 87 10. Political Opportunities 100 2 “...Annie Cooper was looking outside her kitchen window at another orchard of nuts going into the ground. This one was being planted right across the street. Before the trees even arrived, the big grower – no one from around here seems to know his name – turned on the pump to test his new deep well, and it was at that precise moment, Annie says, when the water in his plowed field gushed like flood time, that the Coopers’ house went dry.”1 Introduction Many suppose that Annie Cooper’s story is emblematic of California’s water problem. Often the culprit is named – almonds, pistachios, walnuts – each of which is very profitable to farm in California and is water hungry. It is true that California Almond growers supply 80% of the worldwide supply despite severe drought conditions in recent years. In 2015 a story in the Sacramento Bee reported that “the amount of California farmland devoted to almonds has nearly doubled over the past 20 years, to more than 900,000 acres.” Similar increases have been experienced by other nut crops (pistachios, walnuts, etc). There is no question therefore that there has been an immense change Central Valley agriculture. -
Carnegie Hall Rental 1/8/13 4:35 PM Page 1
1-25 ASO_Carnegie Hall Rental 1/8/13 4:35 PM Page 1 Friday Evening, January 25, 2013, at 8:00 Isaac Stern Auditorium/Ronald O. Perelman Stage Conductor’s Notes Q&A with Leon Botstein at 7:00 presents What Makes a Masterpiece LEON BOTSTEIN, Conductor ANTONÍN DVORÁKˇ Symphony No. 4 in D minor, Op. 13 Allegro Andante sostenuto e molto cantabile Allegro feroce Allegro con brio HEINRICH VON Symphony No. 1 in C minor, Op. 50 HERZOGENBERG (U.S. Premiere) Adagio—Allegro Adagio, ma non troppo Allegro agitato Allegro Intermission JOHANNES BRAHMS Symphony No. 4 in E minor, Op. 98 Allegro non troppo Andante moderato Allegro giocoso Allegro energico e passionato This evening’s concert will run approximately two and a half hours, inlcuding one 20-minute intermission. American Symphony Orchestra welcomes students and teachers from ASO’s arts education program, Music Notes. For information on how you can support Music Notes, visit AmericanSymphony.org. PLEASE SWITCH OFF YOUR CELL PHONES AND OTHER ELECTRONIC DEVICES. 1-25 ASO_Carnegie Hall Rental 1/8/13 4:35 PM Page 2 THE Program ANTONÍN DVORÁKˇ Symphony No. 4 Born September 8, 1841, in Nelahozeves, Czechoslovakia Died May 1, 1904, in Prague Composed January 1–March 26, 1874, in Prague, revised in 1887–8, Premiered April 6, 1982, in Prague Performance Time: Approximately 38 minutes Instruments: 2 flutes, 2 piccolos, 2 oboes, 2 clarinets, 2 bassoons, 4 French horns, 2 trumpets, 3 trombones, timpani, percussion (triangle, cymbals, bass drum), harp, and strings HEINRICH VON HERZOGENBERG Symphony No. 1 Born June 2, 1843, in Graz, Austria Died October 9, 1900, in Wiesbaden, Germany Composed in 1885 Performance Time: Approximately 42 minutes Instruments: 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 French horns, 2 trumpets, 3 trombones, timpani, and strings JOHANNES BRAHMS Symphony No. -
Annual Report 2000
2000 ANNUAL REPORT NATIONAL GALLERY OF ART 2000 ylMMwa/ Copyright © 2001 Board of Trustees, Cover: Rotunda of the West Building. Photograph Details illustrated at section openings: by Robert Shelley National Gallery of Art, Washington. p. 5: Attributed to Jacques Androet Ducerceau I, All rights reserved. The 'Palais Tutelle' near Bordeaux, unknown date, pen Title Page: Charles Sheeler, Classic Landscape, 1931, and brown ink with brown wash, Ailsa Mellon oil on canvas, 63.5 x 81.9 cm, Collection of Mr. and Bruce Fund, 1971.46.1 This publication was produced by the Mrs. Barney A. Ebsworth, 2000.39.2 p. 7: Thomas Cole, Temple of Juno, Argrigentum, 1842, Editors Office, National Gallery of Art Photographic credits: Works in the collection of the graphite and white chalk on gray paper, John Davis Editor-in-Chief, Judy Metro National Gallery of Art have been photographed by Hatch Collection, Avalon Fund, 1981.4.3 Production Manager, Chris Vogel the department of photography and digital imaging. p. 9: Giovanni Paolo Panini, Interior of Saint Peter's Managing Editor, Tarn Curry Bryfogle Other photographs are by Robert Shelley (pages 12, Rome, c. 1754, oil on canvas, Ailsa Mellon Bruce 18, 22-23, 26, 70, 86, and 96). Fund, 1968.13.2 Editorial Assistant, Mariah Shay p. 13: Thomas Malton, Milsom Street in Bath, 1784, pen and gray and black ink with gray wash and Designed by Susan Lehmann, watercolor over graphite, Ailsa Mellon Bruce Fund, Washington, DC 1992.96.1 Printed by Schneidereith and Sons, p. 17: Christoffel Jegher after Sir Peter Paul Rubens, Baltimore, Maryland The Garden of Love, c. -
Carnegie Hall Rental
Wednesday Evening, October 15, 2014, at 8:00 Isaac Stern Auditorium/Ronald O. Perelman Stage Conductor’s Notes Q&A with Leon Botstein at 7:00 presents Marriage Actually LEON BOTSTEIN, Conductor RICHARD STRAUSS Four Symphonic Interludes from Intermezzo Reisefieber und Walzerszene (“Travel excitement and waltz scene”) Träumerei am Kamin (“Reverie by the fireplace”) Am Spieltisch (“At the gaming table”) Fröhlicher Beschluß (“Happy conclusion”) Parergon on Symphonia Domestica, Op. 73 MARK BEBBINGTON, Piano Intermission RICHARD STRAUSS Symphonia Domestica, Op. 53 Theme 1: Bewegt/Theme 2: Sehr lebhaft/ Theme 3: Ruhig Scherzo (Munter) Wiegenlied (Mäßig langsam) Adagio (Langsam) Finale (Sehr lebhaft) This evening’s concert will run approximately two hours and 10 minutes, including one 20-minute intermission. ASO’s Vanguard Series at Carnegie Hall is supported, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council, and the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature. American Symphony Orchestra welcomes the many organizations who participate in our Community Access Program, which provides free and low-cost tickets to underserved groups in New York’s five boroughs. For information on how you can support this program, please call (212) 868-9276. PLEASE SWITCH OFF YOUR CELL PHONES AND OTHER ELECTRONIC DEVICES. FROM THE Music Director Marriage Actually possibilities of music and turned it into by Leon Botstein a cheapened illustrative medium. The musical language of late Romanti- But this division was more ambiguous cism, its rhetoric and vocabulary, were than it appears.