sign in sign up
<<
Home , 1470s, Albert Ritzenberg, Charles Jackson (judge), Don Quixote (Picasso), Francesco Robba, Francis Danby

2000 ANNUAL REPORT

NATIONAL GALLERY OF ART

2000 ylMMwa/ Copyright © 2001 Board of Trustees, Cover: Rotunda of the West Building. Photograph Details illustrated at section openings: by Robert Shelley of Art, Washington. p. 5: Attributed to Jacques Androet Ducerceau I, All rights reserved. The 'Palais Tutelle' near , unknown date, pen Title Page: Charles Sheeler, Classic Landscape, 1931, and brown ink with brown wash, Ailsa Mellon oil on canvas, 63.5 x 81.9 cm, Collection of Mr. and Bruce Fund, 1971.46.1 This publication was produced by the Mrs. Barney A. Ebsworth, 2000.39.2 p. 7: Thomas Cole, Temple of Juno, Argrigentum, 1842, Editors Office, Photographic credits: Works in the collection of the graphite and white chalk on gray paper, John Davis Editor-in-Chief, Judy Metro National Gallery of Art have been photographed by Hatch Collection, Avalon Fund, 1981.4.3 Production Manager, Chris Vogel the department of photography and digital imaging. p. 9: Giovanni Paolo Panini, Interior of Saint Peter's Managing Editor, Tarn Curry Bryfogle Other photographs are by Robert Shelley (pages 12, , c. 1754, oil on canvas, Ailsa Mellon Bruce 18, 22-23, 26, 70, 86, and 96). Fund, 1968.13.2 Editorial Assistant, Mariah Shay p. 13: Thomas Malton, Milsom Street in Bath, 1784, pen and gray and black ink with gray wash and Designed by Susan Lehmann, watercolor over graphite, Ailsa Mellon Bruce Fund, Washington, DC 1992.96.1 Printed by Schneidereith and Sons, p. 17: Christoffel Jegher after Sir , , Maryland The Garden of Love, c. 1633, woodcut printed from The type is Meridien, set by ARTECH two blocks, Director's Discretionary Fund, 2000.16.1 Graphics II, Inc., Baltimore, Maryland p. 37: Giovanni Battista Piranesi, Fantasy on a Mag- nificent Triumphal Arch, 1765, pen and reed pen and brown ink with brown wash, Ailsa Mellon Bruce ISBN 0-89468-292-X Fund, 1986.32.1 p. 47: Francois Boucher, Sancho Pursued by the National Gallery of Art Servants of the Duke, c. 1737, black chalk over black 4th Street and Constitution Avenue, NW wash, heightened with white on brown paper, Gift of Arthur L. Liebman, 1992.87.9 Washington, DC 20565 p. 65: Erastus Salsbury Field, "He Turned Their Waters www.nga.gov into Blood," c. 1865/1880, oil on canvas. Gift of Edgar William and Bernice Chrysler Garbisch, 1964.23.3 p. 75: Adriaen Isenbrant, The Adoration of the Shepherds, probably 1520/1540, oil on panel, Ailsa Mellon Bruce Fund, 1978.46.1 p. 79: , The Portico with the Lantern, c. 1735/1746, etching, Gift of W.G. Russell Allen, 1941.1.180 p. 87: Billy Morrow Jackson, Eve, 1967, oil on hardboard, Gift of the Artist, 1970.15.1 SS^

TENTS

Trustees, Committees, and Officers 7 Acquisitions 47

President's Foreword 9 Exhibitions 65 Temporary Exhibitions at the Director's Statement 13 National Gallery of Art 65 Lenders to Exhibitions 67 Summary Report of the Year 17 Loans 69 Gifts and Acquisitions 17 Exhibitions 22 Appendices 75 Public Programs: Changes of Attribution 75 Education, Films, and Music 28 Publications and Awards 76 Collection Management and Conservation 29 Staff, Fellows, Volunteers, and Resources for Scholarly Research: Interns 79 Archives, Library, Publications 32 The Center for Advanced Study in Gi/h 87 the Visual Arts 35

Treasurer's Report 37 Financial Statements 39 -

Julian Ganz Jr. David O. Maxwell Victoria P. Sant William H. Rehnquist Madeleine K. Albright The Chief Justice of the The Secretary of State

Lawrence H. Summers Lawrence M. Small Ruth Carter Stevenson Alexander M. Laughlin The Secretary of the Treasury The Secretary of the Trustee Emerita Trustee Emeritus Smithsonian Institution "T":

-

: i"'. ' 1 Mlii:" - & ! -Ti \

Trustees' Council Frederic C. Hamilton Frederick A. Terry Jr. (as of 30 September 2000) Teresa F. Heinz Ladislaus von Hoffmann Raymond J. Horowitz John C. Whitehead David 0. Maxwell, Chair Robert J. Hurst Dian Woodner Robert W. Duemling, Vice Chair Stephen M. ICellen Heidi L. Berry James V. Kimsey Executive Officers Leon D. Black Leonard A. Lauder (as of 30 September 2000) Calvin Cafritz Alexander M. Laughlin Iris Cantor LaSalle D. Leffall Jr. Robert H. Smith, President Melvin S. Cohen Donald B. Marron Earl A. Powell III, Director William T. Coleman Jr. Edward J. Mathias Alan Shestack, Deputy Director Edwin L. Cox Liselotte Millard Henry A. Millon, Dean Center for Advanced Study in the Visual Arts James T. Dyke Diane A. Nixon Darrell R. Willson, Administrator Barney A. Ebsworth Lucio A. Noto James E. Duff, Treasurer Mark D. Ein Diana Prince Edward E. Elson Elizabeth A. Croog, Secretary and Sharon Percy Rockefeller General Counsel Doris Fisher Robert M. Rosenthal Joseph J. Krakora, External Affairs Officer Juliet C. Folger RogerW. Sant John C. Fontaine James S. Smith J. Carter Brown, Director Emeritus Rose Ellen Meyerhoff Green Ruth Carter Stevenson Evelyn D. Haas

8 TRUSTEES, COMM ITTEES, AND OFFICER

Board of Trustees Finance Committee (as of 30 September 2000) (as of 30 September 2000)

Robert F. Erburu, Chairman Robert H. Smith, Chairman Robert H. Smith, President Lawrence H. Summers The Secretary of the Treasury Julian Ganz Jr. Robert F. Erburu David O. Maxwell Julian Ganz Jr. Victoria R Sant David O. Maxwell William H. Rehnquist The Chief Justice of the United States Victoria R Sant Madeleine K. Albright The Secretary of State Robert R Erburu Robert H. Smith Chairman President Lawrence H. Summers Art and Education Committee The Secretary of the Treasury (as of 30 September 2000)

Lawrence M. Small Robert H. Smith, Chairman The Secretary of the Smithsonian Institution Earl A. Powell III Ruth Carter Stevenson, Trustee Emerita Robert F. Erburu Alexander M. Laughlin, Trustee Emeritus Julian Ganz Jr. David O. Maxwell Audit Committee Victoria R Sant (as of 30 September 2000)

Robert R Erburu, Chairman Lawrence H. Summers The Secretary of the Treasury Robert H. Smith Julian Ganz Jr. David O. Maxwell Victoria R Sant PRESIDENT'S F El

For the National Gallery of Art fiscal 363 days a year, free of admission year 2000 provided another occasion to charge. As Mr. Mellon stipulated in honor Paul Mellon, whose unfailing making his founding gift, building the support has given the people of the nation's collection was, and is, solely United States a treasure of inestimable the responsibility of the private sector. value. His spirit of generosity was evi- We are tremendously grateful to the dent as the year began with an exhibi- President of the United States and the tion of masterpieces given to the nation Congress for upholding this historic by Mr. and Mrs. Mellon. Collecting was commitment to support America's always a pleasure for them, and they National Gallery of Art. The fiscal year made an art of giving. The extraordi- 2000 federal appropriation funded the nary gifts of works of art, his bequest Gallery's day-to-day operations and of endowment funds, his long and dis- maintenance as well as the continued tinguished service on the Board of implementation of the Gallery's master Trustees, and his magnanimity in creat- plan for repairing and upgrading its ing one of the great architectural monu- facilities. This crucial funding enables ments of the twentieth century, the East the National Gallery each year to pre- Building, are all part of Paul's enduring sent its renowned collection and pro- legacy. grams to millions of visitors and a wide The National Gallery's remarkable international audience. public-private partnership came into Private philanthropy is essential not being in 1937, when Andrew W. Mel- only to the strength of the collection Ion's gift of his art collection and funds but to the success of other important for what is now the West Building was Gallery activities. In the coming years it accepted by a Joint Resolution of the will be especially critical to secure Seventy-fifth Congress. In accepting this resources for art acquisition and special Johann Wolfgang Baumgartner, Venetian Fantasy with an Ornamental Arch, 1750s, pen and black and unprecedented gift, the federal govern- exhibitions. To meet this challenge, the gray ink over graphite with gray wash and white ment agreed to provide the funds Gallery launched special millennium heightening on blue paper, rubbed on verso with red chalk and partly indented for transfer, Director's needed to maintain the Gallery as the initiatives this year, one to raise spend- Discretionary Fund, 2000.67.1 (detail) nation's art museum, keeping it open able and endowment funds for acquisi-

9 tions, and the other to secure endow- acquisition, among them Roger W. works on paper as well as funds for ment funds for exhibitions. I am pleased and Victoria P. Sant, Mrs. Robert M. endowment. Gertrude Laughlin Chanler to report that we have made significant Weidenhammer, Mr. and Mrs. Mark bequeathed to the Gallery twenty-five progress toward our goals for these ini- Kington, Robert R and Arlene R. eighteenth-century drawings and tiatives, thanks to several major gifts Kogod, and The Brown Foundation, two etchings. The National Gallery also received in fiscal year 2000. In the area Inc., of Houston. We were also delighted received many works of art and a gen- of acquisitions the Gallery received a to receive leadership commitments for erous bequest of funds from Frances R number of outstanding works of art as the Gallery's exhibition endowment Smyth-Ravenel, who, with her late outright gifts, including major American fund from the Eugene B. Casey Foun- husband, Gaillard F. Ravenel, served the modernist given by Mr. and dation and an anonymous donor. The Gallery for many years—he as chief of Mrs. Barney A. Ebsworth, whose Amer- significance of planned giving was design, she as editor-in-chief. Other ican art collection was exhibited at the underscored by several exceptional friends made deferred gifts to the Gallery in the spring of 2000. Other bequests, one of which was a generous Gallery in the form of charitable remain- friends made generous gifts for art gift from Dora Donner Ide that included der trusts, charitable lead trusts, retire-

10 -, Shell Oil Company Foundation retirement of Alexander M. Laughlin, for Gerrit Dou (1613-1675): Master Painter who served on the board for thirteen in the Age of ; EduCap Inc. for years, the last three of them as chair- The Triumph of the : Architecture man. We are enormously grateful to in Europe, 1600-1750; and United Tech- Alex and his wife, Judy, for their long nologies Corporation for The Impressionists friendship and devoted service to the at Argenteuil. The Gallery also received Gallery, and we are pleased that Alex support from the Samuel H. Kress will continue his involvement here as a Foundation for special exhibitions in fis- member of the Trustees' Council. Robert cal year 2000. And we were grateful to F. Erburu was elected as the Gallery's Juliet and Lee Folger/The Folger Fund new chairman, and Victoria P. Sant, a for making possible an exhibition of longtime supporter of the Gallery, was 's masterpiece, The elected to fill the vacated position on Art of . We were saddened by the board. Julian Ganz Jr., David O. the death of Edmond J. Safra, who Maxwell, and I, as president, continue with his wife, Lily, received the Gallery's as private trustees. The Chief Justice of Medal for Distinguished Service to Edu- the Supreme Court, the Secretary of cation in Art in 1999 in recognition of State, the Secretary of the Treasury, and Republic Corporation and the Secretary of the Smithsonian Insti- Safra Republic Holdings' longtime sup- tution serve as ex officio trustees. port for the Gallery's exhibitions pro- David Maxwell and Robert W. Duem- gram. To all of our exhibition sponsors, ling continued to serve as chair and vice who have done so much to help pro- chair, respectively, of the Trustees' mote wider public appreciation of the Council, the national body of advisors arts, we owe our sincere thanks. to the Board of Trustees. We would like Annual giving through the Collectors to thank those on the Council whose Committee and The Circle of the terms ended in 2000: Iris Cantor of Los National Gallery of Art continued to Angeles; Juliet C. Folger of Washington, provide a strong, steady funding resource DC; John C. Fontaine of ; while attracting new friends to the Evelyn D. Haas of ; Gallery. Led by cochairs Doris Fisher of Stephen M. Kellen of New York City; San Francisco and Barney Ebsworth of Donald B. Marron, also of New York

Louis Leopold Boilly, The Card Sharp on the St. Louis, the Collectors Committee City; and Lucio A. Noto of Dallas, Texas. Boulevard, 1806, oil on wood, 24 x 33 cm, Gift of meets once a year to acquire modern We also welcomed new members to the Roger and Vicki Sant, 2000.5.1 and contemporary art for the perma- Council in 2000: Mark D. Ein ol Wash- nent collection. At its spring meeting ington, DC; Rose Ellen Meyerhoff this year the Committee voted to acquire Greene of Coral Gables, Florida; James a large-scale self-portrait by Andy V. Kimsey of Washington, DC; and Warhol from his late period, the first Robert M. Rosenthal, also of Washing- such work by the artist to enter the ton. Frederic C. Hamilton of Denver and Gallery's collection. More than one Sharon Percy Rockefeller of Washing- ment fund assets, and bequests. The thousand nationwide have joined The ton, DC, returned as Council members Legacy Circle has been established to Circle of the National Gallery of Art, this year. On behalf of my fellow recognize those who have included the now in its fifteenth year. We are grate- trustees, I want to express our warm Gallery in their estate plans, thus ensur- ful to Juliet C. Folger of Washington, appreciation to all Trustees' Council ing continued excellence in the years to DC, and to Marina K. French of New members for their dedicated service to come. York City for their leadership as chair the Gallery. Corporations have played an invalu- and cochair, respectively, of The Circle. The year 2000 has been a special able role in bringing great works of art The unrestricted Circle funds continued moment to reflect on the extraordinary from around the world to the National to be an important resource for many legacy that built the National Gallery of Gallery of Art. We extend our deep privately funded activities, including Art. The magnificent gifts from Paul appreciation to the following corpora- education programs, exhibitions, con- Mellon remind us of Andrew Mellon's tions for their generous support this servation, and acquisitions. foresight in making his founding gift to year: UBS AG for From Schongauer to The composition of the Board of the nation. He saw in his mind's eye Holbein: Master Drawings from Basel and Trustees changed in 2000 with the what all of us enjoy today, a world-class Degas' Little Dancer Aged Fourteen was featured in the exhibition An Enduring Legacy: Masterpieces from the Collection of Mr. and Mrs. Paul Mellon.

art museum made possible through the a talented staff, the Gallery has entered enduring generosity of the American the twenty-first century secure, strong, people. I want to express the profound and committed to its mission of service gratitude of the entire Board of Trustees as our nation's premier art museum. both to the federal government and to the Gallery's many generous friends for Robert H. Smith their pledges of faith in this institution. President With the support of this partnership and

12 DIRECTOR'S STATEMENT

Paul Mellon's generosity to the National tional experiences of unparalleled works Gallery of Art was celebrated as the fiscal of art from collections here and abroad. year began with the tribute exhibition Our service to the nation also extends An Enduring Legacy: Masterpieces from far beyond Washington, as we continue the Collection of Mr. and Mrs. Paul Mellon. to develop innovative ways to share Nearly one hundred superb French im- the collection, exhibitions, and other pressionist and postimpressionist paint- resources of the Gallery with consti- ings, drawings, and sculpture, together tuents worldwide. Meanwhile, through with American and British pictures, attentive stewardship of the West Build- were selected from his gift of 1,096 ing, the East Building, and the Sculp- works of art over the years. His extraor- ture Garden, we are ensuring that dinary legacy to the American people future generations can enjoy two mag- continues with the endowment funds nificent architectural monuments and established by his bequest that will help one of the capital's grand outdoor ensure the vitality of the Gallery's art spaces. acquisition, education, and scholarly The Gallery is defined by its collec- programs. tion, which creates its unique character The National Gallery begins the new and forms the basis for its many educa- century building on its strengths and tion, conservation, and scholarly activi- committed to enhancing the collection, ties. Continuing to acquire important developing active exhibition and educa- works of art by European and American tion programs, and protecting and masters is the Gallery's greatest priority. maintaining the buildings and grounds. In our efforts to expand the depth and The collection is at the heart of the scope of paintings in the Gallery's mission, following Andrew W. collection, we were delighted to acquire Mellon's founding gift and mandate to The Triumph of Galatea by Bernardo Cav- establish a national gallery with works allino. The previously underrepresented of the highest quality. The exhibitions area of Spanish still-life pictures was program is internationally celebrated, wonderfully enriched with the acquisi- offering visitors rich visual and educa- tion of the exquisite with Figs

13 and Bread by Luis Melendez, who ranks Collectors Committee purchase this year as one of the preeminent painters of the of our first painting from 's genre in all of Europe. The Card Sharp on important late period. Self-Portrait, one the Boulevard by Louis-Leopold Boilly, a of a sequence of large-scale "fright-wig" gift of Roger and Vicki Sant, is a finely portraits, complements the Gallery's two observed scene of early nineteenth-cen- early Warhol paintings. A complete list tury Parisian street life and the first of gifts and acquisitions is included on example of French genre painting of the pages 47-63 of this report, while other Empire period to enter the collection. highlights are noted in the summary of Two masterpieces of American mod- the year that follows. ernism came to the Gallery from Mr. The Gallery's special exhibitions bring and Mrs. Barney Ebsworth, whose col- together great works of art and con- lection is one of the premier private tribute to scholarship in the field. Col- holdings of early twentieth-century art. laborating with other nations and The Ebsworths not only lent their col- museums, the Gallery organizes exhibi- lection for an exhibition at the Gallery tions that enhance core strengths of the during the spring but gave several out- collection or present material of excep- standing works of art, notably Charles tional merit from other cultures and Sheeler's famous Classic Landscape, a periods. quintessential precisionist painting that Johannes Vermeer's great master- is widely regarded as his best work, and piece, The Art of Painting, came to the Arthur 's Moon, a striking example Gallery from the Kunsthistoriches of the artist's abstract based on Museum in during the holiday forms in nature. These gifts, only the season, building on the Gallery's popu- most recent examples of the Ebsworths' lar Vermeer exhibition of 1995-1996. generosity to the Gallery, bring great Shown alongside four paintings by Ver- strength and richness to our growing meer in the Gallery's own collection, collection of American modernism. this large allegorical picture further Among the singular works that expanded our understanding of the entered the collection is one of the few power of this Dutch master's work. An remaining turn-of-the-century exhibition of landscape, still-life, and Metropolitain entrances, designed by marine pictures by American painter architect Hector Guimard. A prominent Martin Johnson Heade confirmed that he was one of the most inventive and Bernardo Cavallino, The Triumph of Galatea, symbol of the art nouveau movement, c. 1650, oil on canvas, 148.3 x 203 cm, Patrons' this monumental structure came to the creative artists of the nineteenth- Permanent Fund, 2000.61.1 Gallery through a gift from Robert P. and century. His sublime Arlene R. Kogod. It will be installed in seascapes and dazzling depictions of the Sculpture Garden next year in front South American hummingbirds and of the art nouveau-inspired pavilion. orchids demonstrated his overwhelming The twenty-first century goals for the mastery of light and atmosphere and Gallery's collection of modern and con- established Heade as a true romantic temporary art are to acquire both mas- painter. Building, examined an era when paint- terpieces of modern art as well as the In a lifetime of traveling, one might ing, sculpture, decoration, architecture, finest examples of major artistic move- not be able to see and study the sweep landscape, and urban planning were ments of the last fifty years, including of European baroque architecture that splendidly unified. minimal, conceptual, and installation was exhibited at the National Gallery The spring and summer were also art. Our contemporary art holdings over the spring and summer. Visitors graced at the Gallery by The Impressionists were wonderfully enriched this year marveled at the realistic, intricately at Argenteuil. Just a short train ride from with four classic early works by installa- detailed architectural models that were Paris, Argenteuil had captivated Claude tion artist James Turrell, the gift of The the focus of The Triumph of the Baroque: Monet and his fellow artists some 120 Brown Foundation, Inc., Houston, while Architecture in Europe, 1600-1750. From years ago, and, remarkably, this was the a fifth would be generously donated by the exuberance of Bernini's Rome to first exhibition to look at the seminal the artist in the next fiscal year. The the grandeur of 's civic role the town played in the develop- contemporary art collection was also buildings, this awe-inspiring exhibition, ment of . The true inter- significantly augmented through the which occupied two floors of the West national flavor of the exhibition was

14 underscored by the visit of M. Roger sculptures. Small rooms for paintings by for all ages are made available around Ouvard, the mayor of Argenteuil, who Henri Matisse, Henri Rousseau, Amadeo the world using the latest technologies joined The Honorable Anthony Modigliani, and others serve as a fitting The National Gallery's Web site, Williams, mayor of Washington, DC, to prologue to the Calder mobiles and sta- www.nga.gov, continues to grow expo- view the pictures at the Gallery. biles beyond. A suite of three new, inti- nentially and has won numerous New installations of the collection mately scaled cabinet galleries in the awards this year, including the presti- provide fresh perspectives on familiar West Building became the setting for gious Federal Design Achievement works of art, enabling Gallery visitors to small Italian Renaissance paintings and Award and Forbes magazine's "Best of appreciate the art in new ways. This precious objects, evoking the interior of the Web" award for art museums. A year spaces in the East Building previ- a palace or villa of the period, where new feature, NGAkids, was launched ously hidden from public view were such works of art would originally have this year, inviting young people to opened for a dramatic presentation of been kept. explore art in the Gallery's collection paintings from the School of Paris and Extending the Gallery's resources through a Web site designed especially for Alexander Calder's groundbreaking beyond its doors, educational programs for them. The free-loan extension ser-

15 vice is another way the Gallery reaches will be long remembered and greatly a wide constituency, offering a broad appreciated by all of us. I was pleased to range of video programs, teach- welcome as fellow executive officers ing materials, and slide shows that Elizabeth A. Croog, who was named strengthen our educational mission. secretary and general counsel after The Gallery is committed to protect- twenty-six years at the Gallery, most ing the architectural integrity of its two recently as the deputy to this position; buildings, which are themselves works and James E. Duff, who was appointed of art. The highest priority is given to treasurer, having served as deputy trea- exterior and structural repairs, and key surer since 1997. The Gallery's senior structural repair work neared comple- staff was strengthened with the addi- tion this year on the West Building Mall tions of Thomas M. Berger as deputy steps. We are most grateful for the fed- treasurer, James J. Lucey as chief of eral funding of the Gallery's repair, protective services, Judy Metro as restoration, and renovation projects. editor-in-chief, and Christine M. Myers Federal support of this capital improve- as corporate relations officer. ment program is essential to the proper More than 5.2 million visitors came care and custody of the nation's art col- to the Gallery this year from every state lection and to the safety of the staff and and almost ninety foreign countries, the visiting public. confirming Andrew W. Mellon's vision This year construction work also pro- for a truly national art gallery with the ceeded on 18,740-square-foot sculpture highest quality collections and program- galleries on the ground floor of the ming. We are deeply grateful for the West Building, where visitors will have continuing commitment of the Admin- the opportunity to view the sculpture istration and the Congress to support collection in a dramatic suite of gal- the mission and goals of the Gallery by leries, much of it in natural daylight. providing for its operation and mainte- The National Gallery of Art Sculpture nance and for the repair, restoration, Garden has met tremendous success and renovation projects. On behalf of since its May 1999 opening, drawing the executive officers of the National more than 1.5 million visitors. From Gallery, I would also like to thank the Memorial Day to Labor Day, special staff and the many volunteers for their evening hours in the Sculpture Garden dedication, which enables us to serve offered a particular summertime delight the people of the United States by col- for residents and tourists alike. This lecting, exhibiting, and preserving wonderful outdoor space, which pro- important works of art. Our gratitude vides a distinctive landscaped setting for also goes to the many donors and major works of twentieth-century lenders who ensure the continuing sculpture, also features a popular vitality of the collection and programs. reflecting pool and fountain in the cen- In the years ahead the National ter that becomes an ice-skating rink Gallery is committed to building on its during the winter months. Although an strengths, developing and enhancing unseasonably warm autumn delayed the national role with the uncompro- the much-anticipated opening of the mising high standards of quality and skating rink until early December, from excellence which have been integral then on it was a resounding hit—with since the Gallery's founding. more than 44,000 skaters enjoying Washington's latest attraction during Earl A. Powell III the two and a half months of the ice- Director skating season. This fiscal year brought the retire- ment of Philip C. Jessup, who had served as the National Gallery's secre- tary and general counsel for over fifteen years. Phil's contributions to the Gallery

16 SUMMARY REPORT OF THE YEAR

Gifts and Acquisitions to Jan Both's monumental Italianate Evening Landscape, painted in the artist's PAINTINGS—In fiscal year 2000 the native Holland but resonating with National Gallery of Art purchased a memories of his sojourn in . Willem record number of and nine- van de Velde the Younger's Ships in a teenth-century paintings, from the Gale conveys a keen sense of the dan- Dutch, Flemish, French, Italian, and gers of life at sea—and the smallness of Spanish schools. Rich as the Gallery's man in nature. The Gallery acquired its founding collections are, important his- first northern romantic picture, Johan torical gaps remain to be filled, such as Christian Daht's View from Vaekero near in Italian baroque art. The Rebuke of Christiania, a moody nocturnal scene set Adam and Eve by is a key on the coast of . example of this artist's continuation of The National Gallery's important the grand manner in seventeenth- French holdings were augmented with century Rome. Bernardo Cavallino's several superb works, including Claude- The Triumph of Galatea is a remarkable Joseph Vernet's The Shipwreck, a melo- invention in which the beautiful nymph dramatic marine subject originally com- is carried across the waves on an exotic missioned to hang in an English country coral throne. A more down-to-earth house. Louis-Leopold Boilly's The Card view of the world is found in Still Life Sharp on the Boulevard is an amusing with Figs and Bread by eighteenth-century scene of Parisian street fife during the artist Luis Melendez, whose canvas is a First Empire, while Narcisse Diaz de la vivid observation of typical Spanish fare. Pena's The Edge of the Forest at Les Monts- Several aspects of northern European Girard, Fontainebleau, an elemental land- can now be surveyed scape under stormy skies, makes a sig- at the Gallery: from Jan Brueghel the nificant addition to the Gallery's Elder's panoramic River Landscape, a Barbizon school paintings. small painting on copper, full of the Louis Vallee's Silvio with the Wounded finely rendered detail that is characteris- Dorinda, the gift of Patricia Bauman and tic of seventeenth - century Flemish art; the Honorable John Landrum Bryant,

17 brings the Gallery its first fine example Fresnaye's cubist The Bathers, which had stands out particularly for such fate of classicizing history painting in been exhibited at the 1912 Salon Renaissance rarities as an eiegant por- mid-seventeenth-century Dutch art. d'Automne. The Collectors Committee trait medal by Bombarda of Gabriele Alexander M. and Judith W. Laughlin voted to acquire Andy Warhol's riveting Fiamma, Bishop of Chioggia; a delicate made a welcome partial and promised Self-Portrait of 1986, an important late plaquette of Abraham and the Angels by gift of Farmhouse at Le Pouldu by Paul work in which four "fright-wig" images Peter Flotner, the principal German Serusier, in which simplified form and of the artist are silkscreened in jarring artist in this genre; Nicolas B riot's early color express the artist's sympathetic hues of pink and yellow against a black panorama on his Charles I response to the simple rural life in this glossy background. medal of 1633; and a fine portrait remote area of . medai of Cardinal Mazarin by Jean The modern and contemporary col- SCULPTURE —Together with his wife, Warin. lection was greatly enriched by several Lisa, the renowned American graphic The Gallery also acquired a Renaissance generous gifts. Mr. and Mrs. Barney A. artist and sculptor Leonard Baskin, in bronze relief, King Juba I of Numidia Led Ebsworth donated three paintings— the last year of his life, gave the Gallery in Triumph by Julius Caesar by Francesco Charles Sheeler's iconic Classic Landscape, a group of twenty Renaissance and later Filarete, a major Italian fifteenth-century 1931; Arthur Dove's atmospheric Moon, medals. The Baskins' gift—the latest in master previously unrepresented in the 1935; and Bob Thompson's allegorical an annual series extending over the collection. The Gallery acquired its first Tree, 1962—on the occasion of the exhi- 1990s—brings the total of their gifts to American nineteenth-century marble bition Twentieth-Century American Art: more than 130 Renaissance, baroque, statue, the celebrated Nydia, the Blind The Ebsworth Collection. The Sara Lee and neoclassical medals, plaquettes, and Girl of Pompei, by Randolph Rogers. Corporation made a gift of Roger de La small bronzes. This year's donation Hector Guimard's Metropolitain including a spectacular architectural trian drawings, ranging in date from fantasy by Giovanni Battista Piranesi; about 1590 to 1850; and Alexandre five excellent sheets by Francois Calame's impressive gouache and Boucher; six lively illustrations to the watercolor An Ancient Pine Forest with a story of by Jean-Honore Mountain Stream given by Mr. and Mrs. Fragonard; an important compositional James T. Dyke. sketch by Antoine Watteau related to The British school gained two fine the Gallery's painting Italian Comedians watercolor landscapes by Cornelius Taking Their Bows: and other delightful Varley, both from 1803, and a dramatic works. In recognition of this outstand- coastal view in brown wash and white ing gift, Mrs. Chanler was named a gouache by Irish artist Francis Danby, founding benefactor of the Gallery's done around 1813. All three were the prints and drawings. gift of Diane Allen Nixon. A charming Other French acquisitions included watercolor by William Collins was pur- another drawing by Watteau, this one chased through the Ailsa Mellon Bruce of a wedding procession, purchased Fund. through the Margaret Mellon Hitchcock Thanks to the generosity of Dian and Fund; a red chalk landscape study by Andrea Woodner, the Italian drawings Francois Lemoyne, among the forty-one collection acquired a rare fourteenth- prints and drawings given by Frances P. century composition attributed to Smyth-Ravenel and Gaillard F. Ravenel, Altichiero da Zevio. Donald Stone's kind longtime Gallery employees; the charm- gift in memory of David Stone was one ing sketch A Girl in Peasant Dress by of Giovanni Battista Tiepolo's cloud- Jean-Francois Clermont, given by Mr. borne figures seen from below. The and Mrs. Ivan Phillips; and an exquisite William B. O'Neal Fund made possible The only example of an Italian Renaissance fresco portrait of French landscape artist the purchases of A Capriccio of Palaces series in the United States, painted by Milanese by Jean-Baptiste Isabey, and a Loggia Facing a Classical Bridge by artist Bernardino Luini, is now on view in the Italian Cabinet Galleries. donated by John Morton Morris. , a watercolor and pen Capturing the essence of eighteenth- ceiling drawing by Genoese painter century French grace, gallantry, and Lazzaro Tavarone, and a rapid jotting of style is Frangois-Andre Vincent's mas- plans for the famous Trevi fountain by terpiece, The Drawing Lesson. This beau- Luigi Vanvitelli. tiful brown wash drawing, a partial and Among our most important recent promised gift from an anonymous acquisitions is Adolph Menzel's gouache Entrance from about 1898, an iconoclas- donor, is a monumental addition to the masterpiece, The Interior of the Jacobs- tic structure for the French subway, was collection. Jean-Baptiste Greuze's study kirche at Innsbruck, with dazzling effects given by Robert P. and Arlene R. Kogod. for The Well-Loved Mother was a major of light enhancing a daring composition, acquisition for the collection which came to the Gallery through the INSTALLATION —Four early light through the New Century Gift Pepita Milmore Memorial Fund and The projections by James Turrell were Committee. Ahmanson Foundation. Light plays a acquired by the Gallery as a gift from The collections of the northern central role in Odilon Redon's Saint The Brown Foundation, Inc., Houston. schools were augmented with a host of George and the Dragon, gift of GTE and Inspired by the series of paintings by acquisitions spanning four centuries. the New Century Gift Committee; this is Barnett Newman in the Gallery's collec- Among the earliest are a highly finished one of several dramatic charcoal draw- tion, Stations of the Cross, these works model drawing for a print by Heinrich ings that Redon referred to as "noirs," by Turrell—Artar, 1967, Royce, 1967, Aldegrever, c. 1554, given by former which he later reworked with pastel. Amba, 1968, and Orca, 1968—are the National Gallery director J. Carter The Gallery's first drawing by Edvard first examples of instailation art in the Brown; and a handsome anonymous Munch, Double Portrait of Two Young collection. sixteenth-century Swiss Man in Armor Women, was a gift from the Epstein given by Dian and Andrea Woodner. Family Collection along with an impres- DRAWINGS —This was a banner year Luca Baroni's first gift was a fine man- sion of the color lithograph for which it for acquisitions of old master drawings. nerist drawing attributed to Frans was a study. Foremost among the gifts were twenty- Floris I. Other important acquisitions Notable acquisitions of twentieth- five major eighteenth-century drawings included the purchase of a varied group century drawings include the Gallery's from Gertrude Laughlin Chanler, of seventeen German, Swiss, and Aus- first two sheets by

19 painter Ad Reinhardt, one a spatially Rubens. The most remarkable was fluid early work from the Collectors Christoffel Jegher's monumental Garden Committee, and the other a more of Love, the undisputed masterpiece of tightly structured, later composition baroque woodcut design, purchased from Doris and Don Fisher. Claes through the Director's Discretionary Oldenburg's Fork Cutting Cake No. 1: Fund. Two other prints after Rubens— Proposed Colossal Monument for Piccadilly the Lion Hunt by Schelte Bolswert and Circus, London, a lively watercolor of an the Adoration of the Magi by Lucas unrealized sculpture, suggests the large- Vorsterman—were part of a wide-rang- scale pieces that are landmarks of the ing gift from Frances P. Smyth-Ravenel artist's later career. The Gallery's collec- and Gaillard F. Ravenel. First-time tion of postwar American art was donor Frank Anderson Trapp not only enhanced by Mrs. Phyllis Diebenkorn, gave a fine group of twenty-nine who donated the stellar drawing Seated nineteenth-century French prints and Woman, Umbrella, by her late husband, one pastel this year but also promised a Richard Diebenkorn. considerable number of future gifts to Gifts from Dorothy and Herbert Vogel strengthen the collection. included Sol LeWitt's Wavy Brushstrokes, Arthur Vershbow and the late marked by interwoven bands of densely Charlotte Vershbow gave the Gallery a layered color, as well as two and unique artist's proof by Giovanni two watercolors from the 1980s by Battista Piranesi, an outstanding addi- Edda Renouf and the Gallery's first tion to the collection of Italian prints. drawing by Patrick Ireland. Werner and Ladislaus and Beatrix von Hoffmann, Sarah-Ann ICramarsky added twenty- A. Thompson Ellwanger III, and Gregory four works by twenty-one artists to E. Mescha all gave works from the their previous gifts of contemporary atelier of Johann Teyler, seventeenth- drawings, including two felt-tip pen century landmarks in the invention of drawings by Mel Bochner. intaglio color printing. Ivan and Winifred Phillips donated three eighteenth- PRINTS —The highlight of this year's century prints, including Corps de Garde acquisitions of Renaissance prints was a by Jean-Charles Francois (after Carl van fine, extraordinarily rare impression of Loo), the most celebrated work by the Hans Baldung Grien's visionary wood- inventor of crayon-manner engraving. cut of the Madonna and Child. Ladislaus The Gallery's holdings of nineteenth- graph Hatteras and a trial proof for the and Beatrix von Hoffmann made a gen- century prints were dramatically 1968 screenprint Target with Four Faces. erous gift of early printed books, includ- enriched by the partial and promised The Gallery also acquired its first two ing two incunabula; a pristine copy of a gift from The Virginia and Ira Jackson collagraphs by Romare Bearden: passional with woodcuts by Hans Collection of a group of lithographs by Carolina Morning, purchased with the Schaufelein, Hans Baldung Grien, and that includes his Director's Discretionary Fund; and Erhard Schon in an original binding; extraordinary rendition of a Paris street Prelude to Troy (No. 2), a gift of Yvonne and a fascinating book of sermons illus- scene on a four-part screen, Promenade and Richard McCracken and Mary and trated by Hans Burgkmair. des Nourrices, Prise des Fiacres. Dr. Tony G. Jerald Melberg. Gerald Cerny donated Among the most notable acquisitions Marcy added to her previous gifts of forty-nine prints from the 1980s and of works by Netherlandish mannerists prints by with ten dry- 1990s, primarily by Polish artists. Mr. were ' allegory Quis points and a lithograph dating from and Mrs. Daniel Bell expanded the Evadet and his Adoration of the Shepherds 1914 through 1923. Likewise Mr. and Gallery's holdings of contemporary Ger- done in the manner of Lucas van Mrs. Gerhard E. Pinkus added to their man expressionist prints with three Leyden, which completed the Gallery's previous gifts of early prints by Marc woodcuts by Gustave Kluge and eight collection of Goltzius' virtuoso engrav- Chagall, with seven works from the exceptional variations on a monumen- ings of the Life of the Virgin. Both were 1920s. tal woodcut by Matthias Mansen. purchased through the Ailsa Mellon Among contemporary prints the The collection of illustrated books was Bruce Fund. An unusually bountiful Gallery was fortunate to acquire was a enhanced by a splendid volume with year for acquisitions of Dutch and group of eight proofs and edition prints seventeen lithographs by Henri de Flemish prints brought the Gallery a by Jasper Johns, including an artist's -Lautrec depicting the famous number of works made after Peter Paul proof of an early state of the 1963 litho- chanteuse Yvette Guilbert. Susan Lorence

20 Francois-Andre Vincent, The Drawing Lesson, 1777, brush and brown wash over graphite, 32.5 x 37.7 cm, Gift (Partial and Promised) of an anonymous donor, 2000.99.1

added ten volumes to the collection of six early photographs by ICertesz, made Gallery to purchase Alma Lavenson's contemporary illustrated books, includ- while he was working first as a clerk in Tanks, Standard Oil, as well as photo- ing Jamaica Kinkaid's Annie, Gwen, Lilly, the Budapest Stock Exchange and later graphs by Carlotta M. Corpron and Ruth Pam, and Tulip, with nine lithographs by as a soldier in World War I. The photo- Orkin, while funds from an anonymous Eric Fischl; Mei-Mei Bressenbrugge's graphs predict many of the ideas and donor supported the purchase of two Hiddenness, with four mixed-media subjects he would explore throughout portraits by James Van Der Zee. prints by Richard Tuttle; and Stephen his career, including his interest in cap- The Gallery acquired a portfolio of fif- King's My Pretty Pony, illustrated by turing the poetics of urban space and teen photographs by Garry Winogrand Barbara Kruger. Phyllis Diebenkorn his fascination with both portraiture with funds provided by the Collectors made a generous donation that included and self-portraiture. Joyce and Robert Committee. Winogrand used hand-held a special copy of Poems by W. B. Yeats, Menschel made possible the purchase cameras and available light to capture illustrated with six of Richard Dieben- of Ansel Adams' The White Tombstone, everyday occurrences that could be korn's etchings and accompanied by an San Francisco, California, which Adams darkly humorous or filled with mystery unbound suite of the prints, as well as considered among his most important and drama. The portfolio contains some an impression of his lovely color etch- works during the 1930s; it was included of Winogrand's most significant and ing Small Red, 1980. in his first major exhibition at Alfred best-known work, tracing his career Stieglitz's An American Place gallery in from the late 1950s to the early 1970s. PHOTOGRAPHS —The Gallery signi- 1936. Over the past year more than 820 ficantly expanded its representation of The Gallery also added works by visitors and class groups examined twentieth-century masters this year. artists not previously represented European prints and drawings in the The Andre and Elizabeth ICertesz among its holdings. Funds from Marvin East Building study room, while 517 Foundation generously donated twenty- Breckinridge Patterson enabled the viewed American prints, drawings, and

21 photographs in the West Building study prints, portfolios, volumes, and techni- Exhibitions room. cal materials, and 80 photographs. The National Gallery of Art is most Please see pages 47-63 for a complete Tilman Riemenschneider: Master Sculptor of grateful to all who supported the list of gifts and acquisitions. the Late Middle Ages (3 1999 to enhancement of the collection this year. 9 2000) opened at the National Among the 620 works of art acquired, Gallery of Art before traveling to the there were 18 paintings, 19 sculptures, Metropolitan Museum of Art, New 4 installation pieces, 134 drawings, 365 York. Refined polychrome figures were

22 Among the twenty-seven original architectural Circle of the National Gallery of Art. The Gallery produced an illustrated models on view at the National Gallery of Art in the exhibition The Triumph of the Baroque: Architec- Brassai: The Eye of Paris (17 October brochure and an English edition of the ture in Europe, 1600-1750, were Antonio Rinaldi's 1999 to 16 January 2000) came to the catalogue. The exhibition was made Model for St. Isaac's Cathedral (left), on loan from Gallery from the Museum of Fine Arts, possible by UBS AG, with additional the Scientific Research Museum of the Academy of Arts, St. Petersburg, and Matthias Gerl's Model for Houston, with funding from The Brown support from the Samuel H. Kress the Piarist church in Vienna (right), on loan from Foundation, Inc.; Houston Endowment Foundation. the Piaristenkollegium Maria Treu, Vienna. Inc.; and The Wortham Foundation. The An Enduring Legacy: Masterpieces from exhibition brought together compelling the Collection of Mr. and Mrs. Paul Mellon photographs of early twentieth-century (7 1999 to 28 2000) Paris, ranging from images of street was mounted in the East Building as a toughs to the intelligentsia, fashionable tribute to Mr. Mellon, who died in shop windows to popular advertise- February 1999. The exhibition com- ments, grand monuments to graffiti. prised paintings, drawings, prints, and From Schongauer to Holbein: Master sculptures donated by Mr. and Mrs. Drawings from Basel and Berlin (24 Oct- Mellon over the last three decades, ober 1999 to 9 January 2000) gave including bequests from Mr. Mellon's visitors the opportunity to see a magnif- estate. Works by were a shown alongside elegant yet powerfully icent group of early German drawings special feature, including a selection expressive unpainted wood and stone simultaneously with the sculpture of from the large group of wax sculptures, representations of the Virgin, Christ, Riemenschneider. More than 190 donated and promised in 1985, and saints, and secular subjects. The exhibi- drawings from the Offentliche Kunst- the monumental painting Scene from tion and catalogue received support sammlung Basel and the Kupfer- the Steeplechase: The Fallen Jockey, from The Ministry of Foreign Affairs of stichkabinett, Staatliche Museen zu bequeathed together with a group of the Federal Republic of ; the Berlin, included works by Durer and Degas' preparatory drawings. In addi- Samuel H. Kress Foundation; and The Grunewald, Holbein and Baldung Grien. tion to numerous masterpieces by other

23 French artists, such as Manet and Monet, the exhibition presented some of Mr. Mellon's favorite British and American paintings, including the bequests of George Stubbs' White Poodle in a Punt, several still lifes by John Frederick Peto, and watercolors by Winslow Homer. The exhibition was supported by The Circle of the National Gallery. In the ongoing series of small exhibi- tions of drawings from the Armand Hammer Collection, one (12 November 1999 to 15 May 2000) focused on com- positional drawings of religious and mythological subjects by artists from to Giovanni Domenico Tiepolo, while another (26 May to 12 November 2000) consisted of landscape studies from five centuries, with exemplary

Hans Baldung Grien's Portrait of a Youth (Self-Portrait), c. 1502, Offentliche Kunstsammlung Basel, Kupferstichkabinett, was featured in the exhibition From Schongauer to Holbein: Master Drawings from Basel and Berlin. 's Richard Gallo and His Dog Dick at Petit Gennevilliers, 1884, Private Collection, was among numerous delights in the exhibition The Impressionists at Argenteuil. lished an illustrated brochure to accom- pany the installation, supported by The Circle of the National Galiery. The Fantastic in Renaissance Prints and Drawings (6 February to 16 April 2000) explored the stranger conjurings of the Renaissance imagination, extending from demons and dragons to the witty satires of Pieter Bruegel the Elder. Included were some fifty objects drawn from the permanent collection and one important loan from Jacob and Ruth ICainen, Jan Muller's Fortune Showing Its Blindness. Martin Johnson Heade (13 February to 7 May 2000) gathered more than sev- enty paintings by this peripatetic nine- teenth-century American artist—New England seascapes, tropical landscapes, South American hummingbirds and orchids, lush magnolias from his late years in Florida. Organized by the Museum of Fine Arts, , the exhi- bition was made possible by The Henry Luce Foundation and the Vira I. Heinz Endowment. The showing in Washing- ton was supported by The Circle of the National Gallery. Carleton Watkins: The Art of Perception Raphael, Hercules and the Hydra (recto), c. 1508, works by Diirer, Rembrandt, and (20 February to 7 May 2000) featured Lent from the Royal Library by Her Majesty Queen Francois Boucher among others. Elizabeth II, came to the National Gallery of Art as the work of a pioneering landscape part of the exhibition Raphael and His Circle: Draw- Johannes Vermeer's "The Art of Painting" photographer, whose sublime images ings from Windsor Castle. (24 November 1999 to 8 February of the West, created in the nineteenth 2000) was a remarkable focus exhibi- century when photography was a new tion that centered on a masterpiece lent medium, reffect a modern aesthetic. by the ICunsthistorisches Museum, Organized by the San Francisco Museum Vienna. This large allegorical painting of Modern Art with the Metropolitan could not be part of the popular Museum of Art, the exhibition was sup- Vermeer exhibition in 1995-1996 ported by The Henry Luce Foundation, because of its fragile condition, but its Inc., and the National Endowment for successful conservation made possible the Humanities. its travel to Washington, where it was Twentieth-Century American Art: The seen with the Gallery's own paintings Ebsworth Collection (5 toll June by Vermeer. The exhibition and accom- 2000) showcased the superb representa- panying booklet were made possible by tion of American modernist art in the Juliet and Lee Folger/The Folger Fund. collection of Mr. and Mrs. Barney A. Max Weber's Modern Vision: Selections Ebsworth. Many of the paintings are from the National Gallery of Art and Related well known—Edward Hopper's Chop Collections (30 January to 2 April 2000) Suey, Charles Sheeler's Classic Landscape, included drawings and paintings as well Georgia O'Keeffe's Music—Pink and Blue as highlights from the Gallery's exten- No. 1—while other exceptional works sive collection of variant impressions of are less familiar to visitors, including Weber's important color woodcuts, Suzy Frelinghuysen's Composition and many of which were gifts from Mr. and Louis O. Guglielmi's Mental Geography. Mrs. Jack Vanderryn. The Gallery pub- The exhibition traveled to the Seattle

25 At the landmark exhibition Tilman Riemenschneider: Master Sculptor of the Late Middle Ages, visitors were able to compare the artist's figures of Saint Anne, both in a fragmentary limewood version (foreground) and in a monumental sandstone carving (background) for which the National Gallery of Art created a stylized niche to suggest the original architectural context in which the work would have been seen.

Art Museum following its showing at celebrated the recent publication of the colors, pastels, and charcoals by the the National Gallery. two-volume O'Keeffe catalogue artist offered fresh insights into this dis- O'Keeffe on Paper (9 April to 9 raisonne by the National Gallery, The tinctive aspect of her oeuvre. The exhi- 2000), organized by the Gallery and the Georgia O'Keeffe Foundation, and Yale bition was made possible by The Henry Georgia O'Keeffe Museum in Santa Fe, University Press. More than fifty water- Luce Foundation, The Georgia O'Keeffe

26 6 2000) was the third exhibition around the world, many of them rarely in the Dutch Cabinet Galleries spon- seen outside their private collections, sored by Shell Oil Company Foundation. the exhibition revealed the importance Organized with the Dulwich Picture of the small town of Argenteuil to the Gallery, London, and the Mauritshuis, groundbreaking work of , the show included thirty- and his contemporaries. The Gallery four paintings by Dou, Rembrandt's first produced a catalogue, brochure, and an pupil, who had been famous for the audio tour narrated by the director. The refinement of his images. The Gallery exhibition traveled to the Wadsworth published a scholarly catalogue and an after its showing in Washington. illustrated brochure, made possible by Drawings and Prints from the Permanent Juliet and Lee Folger/The Folger Fund. Collection (18 June to 15 October 2000) Raphael and His Circle: Drawings from was a four-part installation. "Eighteenth- Windsor Castle (14 May to 23 July 2000), Century Drawings from the Chanler organized by the Royal Library at Bequest" celebrated Gertrude Laughlin Windsor Castle, revealed the exemplary Chanler's major gift of her drawings skill and influence of this Renaissance and her designation as a founding bene- master by showing his drawings along- factor of prints and drawings. "Through side sheets both by older artists who the Window: Framing and Meaning," shaped his early work and by assistants which included Renaissance and who spread his style throughout Italy. baroque prints and illustrated books, Highlights included twenty-one exquis- was inspired by a theme from the Dou ite drawings by Raphael himself as well exhibition. "Prints and Drawings from as sheets by Perugino, Lucas Signorelli, the Gaillard F. Ravenel and Frances P. Giulio Romano, and . Smyth-Ravenel Bequest" was a tribute The Triumph of the Baroque: Architecture to the eclectic and highly personal col- in Europe, 1600-1750 (21 May to 9 Oct- lecting of two devoted Gallery em- ober 2000) was a dramatic installation ployees. "Prints and Proofs by Richard of twenty-seven original architectural Diebenkorn" provided an overview of models and forty related paintings, this important American artist's print prints, drawings, and medals. Among oeuvre, including several unique work- the most spectacular was the grand, ing proofs. gilded model for the Smol'ny Convent Small Northern European Portraits from in St. Petersburg. Other models were for the Walters Art Gallery, Baltimore (17 Sept- Amsterdam's town hall, Rome's Trevi ember to 21 December 2000) was also Fountain, and London's St-Martin-in- presented this year in the Dutch the-Fields. This exhibition was organ- Cabinet Galleries. This exhibition con- ized by the National Gallery, the Palazzo sisted of more than forty portraits- Grassi in , the Montreal Museum paintings and miniatures; manuscripts, of Fine Arts, and the Musee des Beaux- books, and prints; medals and sculp- Arts in Marseille. It was made possible ture—created between the fifteenth and by EduCap Inc., with additional support seventeenth centuries. Joining works from Juliet and Lee Folger/The Folger from the Walters were objects from the Fund; early support for research and National Gallery, the Smithsonian's educational programs was provided by American Art Museum, and private the Samuel H. Kress Foundation. The lenders. The Gallery produced an illus- Gallery produced an illustrated brochure trated booklet, made possible by Juliet and an audio tour. and Lee Folger/The Folger Fund. The Impressionists at Argenteuil (28 May During the fiscal year 286 lenders to 20 August 2000) was organized by from twenty-one countries and twenty- Foundation, and the National Advisory the National Gallery and the Wadsworth six states loaned 1,483 works of art to Council of the Georgia O'Keeffe Atheneum Museum of Art, Hartford, exhibitions at the National Gallery of Museum. and was made possible by United Tech- Art. For a complete list of lenders, Gerrit Dou (1613-1675): Master Painter nologies Corporation. Bringing together please see pages 67-68 of this report. in the Age of Rembrandt (16 April to more than fifty dazzling paintings from

27 Public Programs Congress. The program's introduction, narrated by the Gallery's director, was Art education programs at the National also produced as a videotape. Gallery reached more than 13 million An interactive satellite television pro- children, students, and adult learners gram coproduced with the and nearly 12 million computer users Consortium for Educational Telecom- around the world in fiscal year 2000. munications presented the Gallery's Reflecting the variety of Gallery audi- new Sculpture Garden to schools in ences, programs ranged from local high twenty-two states. The program fea- school institutes to interactive Web pub- tured interviews with curators, conser- lications on an acclaimed international vators, and architects, broadcast simul- Web site. Educational materials, from taneously to the students and then slides and books to CD-ROMs and made available on videotape. videotapes, were offered through free The Gallery's long-term loan of edu- loan and computer access. cation materials to media education Technology-based initiatives signifi- centers throughout the country was cantly expanded the Gallery's educa- revised. Distance learning programs of tional reach. One of the most exciting slides, teaching packets, videotapes, was the Gallery's new Web site for chil- books, and CD-ROMs accounted for dren, NGAkids, which in its first month 160,000 showings to varied audiences online registered over 450,000 page hits totaling 11,000,000 viewers. Art infor- and was selected as "Site of the Day" mation staff served more than 2 million by Britannica.com, "Site of the Week" people at the Gallery's information by Yahooligans, and "Cool Site" by desks and through the institution's pub- USAToday.com. It earned accolades from lic inquiry program. the Associated Press, the New York Inside the Gallery, about 60,000 stu- Times, CNN.com, The Scout Report, and dents, teachers, and families and other national media. The site opened 100,000 adults participated in public with six features on works of art in the programs. "Stories in Art," a new pro- collection, including information on the gram for visitors ages four and up, uses object and the artist as well as games, children's books as a source for dis- puzzles, and activities. The site also fea- cussing works of art. More than 1,500 tured "Lizzy and Gordon Visit the children enjoyed sessions such as Sculpture Garden," an animated musi- "Costumes in Art" and "Festive Feasts cal adventure written by children's and Other Earthly Delights." The chil- author Susan Finley. dren's film program and an interna- In-depth studies of artists, accounting tional "Filmfest DC for Kids," held at for over 2 million page hits on the the Gallery, had 2,200 and 3,800 view- Gallery's Web site in fiscal year 2000, ers, respectively. Multiple-visit school included 170,000 page hits on the new programs included "Art Around the Vermeer feature. Audiences also contin- Corner," serving 420 students and ued to access online Gallery Guides in teachers from four elementary schools hits exceeding 9 million. The online in Washington, DC, and the "Conser- Gallery Guides and in-depth features vation Project," involving 370 students were cited in Forbes magazine as the and teachers from six middle schools in highlights of the Gallery's Web site. Fairfax County, Virginia. The Gallery's The videodisc European Art from the High School Institute offered twenty- National Gallery of Art was completed two local students the chance to with support from the Annenberg shadow staff members throughout the Foundation. Copies of the program, institution, exploring museum careers; which treats 2,800 paintings, sculpture, provided eighteen others Saturday stud- prints, and drawings from the four- ies of the American collection galleries teenth through the twentieth century, for ten weeks; and engaged 400 more were awarded to 530 educational orga- students in day trips. More than 50,000 nizations designated by members of school children took 3,000 tours of the

28 Gallery led by 150 docents. "The Beat and "Treasures of American Film Generation and Beyond: American Art Archives." A special event honored film of the 1950s and 1960s" was the subject preservation projects supported by The of the Teacher Institute, a six-day ses- Pew Charitable Trusts, the National sion of lectures, discussion groups, tours, Endowment for the Arts, and the and other initiatives offered three times National Film Preservation Foundation. during summer months and attended Highlights of the 58th season of by 160 educators, IC-12, from around weekly concerts, which ran from 3 Oct- the world. Single-session teacher work- ober 1999 through 25 June 2000, shops offered insights on special exhibi- included performances by the tions to roughly 500 individuals. String Quartet, pianist Menahem About 100,000 adults attended public Pressler, violinist James Buswell, bari- gallery talks, tours, lectures, and panels. tone Wolfgang Holzmair, the Butch In addition to regularly scheduled col- Thompson Trio, and the con- lection and exhibition tours, the Gallery cert by the Washington Men's Camer- offered two lecture series on exhibitions ata. The National Gallery Orchestra of impressionist paintings and baroque played its traditional New Year's concert architecture, and two symposia related to an overflow audience of approxi- to exhibitions on Chinese archeology mately six hundred. The American and , the latter Music Festival, dedicated to the exhibi- organized with the Embassy of Belgium. tion Twentieth-Century American Art: The "Conversations with Artists" featured Ebsworth Collection, included the first Chuck Close, "Conversations with Washington performances of Eric Collectors," Barney Ebsworth. Docent Ewazen's "Roaring Fork," played by the lectures included eight on British paint- National Gallery Chamber Players Wind ing and ancient mythology, and a Quintet; and Benjamin Lees' "Sonata twenty-six-lecture series on European for Two Pianos," played by Shawn Daly and American art, all open to the pub- and Joe Galyon. James Dick performed lic. Scholars were invited to the Gallery the world premiere of the piano solo to discuss the Carracci drawings and version of "The Birth of Shiva Fantasy" Dou exhibitions. Thirty Sunday lectures by Dan Welcher. Excerpts from Gallery were presented, including the Andrew concerts were broadcast nationally on W. Mellon Lectures in the Fine Arts, NPR's "Performance Today" and were delivered by Malcolm Bell III. included once a month since January More than ninety educational publi- 2000 on WGMS-FM in a series called cations included family guides and "Front Row Washington." WGMS-FM activity brochures, teaching materials; a also previews upcoming concerts on timeline to accompany the award win- "This Week at the National Gallery of ning teaching packet Art since 1950; and Art." Gallery concerts were reviewed a guide to the new Italian Cabinet nineteen times in the Washington Post Galleries. Postcard tours for adults and and were the subject of nine photo pre- families, a new offering available at the views. Thirty-eight concerts were pre- Gallery's information desks, introduced sented, supported by funds bequeathed the American and twentieth-century to the Gallery by William Nelson collections to self-guiding visitors. Cromwell and F. Lammot Belin, with The Gallery continued its year-round additional subvention from the Ann and schedule of weekend film series orga- Gordon Getty Foundation. nized by film scholars on topics relating to exhibitions and the history of film as Collection Management and an art form. Special film series focused Conservation on major film collections and efforts to preserve and restore them. Topics Construction of the new ground floor included "Bernardo Bertolucci," sculpture galleries continued, requiring "Homage: Luis Bunuel at 100," "Man the movement of about eight hundred with a Movie Camera: Robert Kramer," works of art from public view into tem-

29 porary storage. Installation of the Young Governess, Ruisdael's Forest Scene, baroque architectural models exhibition 's Veil of Veronica, also displaced many collection objects, Edouard Gaertner's City Hall, and Lyonel including the West Garden Court foun- Feiniger's Bicycle Race. Other treatments tain. Exhibitions at the Gallery required focused on Neroccio de' Landi's Portrait the movement of more than one thou- of a Lady, Bernardo Cavallino's Galatea, sand works of art and the coordination Charles Ingham's Cora Livingston, of complex travel arrangements for Derain's Marie Harriman, and three can- more than two hundred couriers of vases by Rothko, Seagram Mural 1958 works to or from Washington. Around and two untitled works from 1948 and eight hundred outgoing loans of Gallery 1958. In addition, staff carried out 23 objects were packed, shipped, and deliv- major and 654 minor examinations and ered to two hundred sites. Nearly five 320 minor treatments. hundred other works were moved to a Object conservators undertook more recently acquired off-site storage facility, than two thousand examinations and filling it to 75 percent capacity. The three hundred treatments of works in Gallery processed a total of 2,577 the Sculpture Garden. Technical exami- incoming and 2,625 outgoing works for nations, including x-radiography and various considerations and handled ultraviolet photography, were com- 8,814 movements of art. The annual pleted on forty sculptures in the Mellon inventory recorded 6,536 paintings, bequest of Degas wax, bronze, and plas- sculpture, and decorative arts and 8,088 ter works as well as nineteenth-century works on paper. The Maryland Institute anamalier figures. A "Save America's College of Art sponsored nine Israeli Treasures" grant supported conservation students who came to the Gallery to of large-scale sculpture such as David copy works of art. A total of forty-five Smith's Circles I-III. Conservators pro- copyist permits were issued this year. vided 965 examinations and 79 treat- Among the more significant loans ments for exhibitions of Chinese archae- were seventy-one French paintings to ology, Riemenschneider, and the the Museum of Art; works Ebsworth and Mellon collections, and by Botticelli and Verocchio to an exhibi- for the fiscal year 2001 art nouveau tion at the National Gallery, London; and show. A three-year Mellon research four important paintings by Van Dyck to project on the polychrome terra cotta the in London. Bust of a Nobleman by Vincenzo Onofri Painting conservators completed fif- was completed. A complementary study teen major treatments, six of them on of Renaissance terra cotta sculpture recent acquisitions, including Jacob focused on the Madonna and Child tondo Maris' View of the Mill and Bridge, by Andrea della Robbia. Narcisse Diaz de la Pena's Edge of the In paper conservation a two-year Forest, Claude-Joseph Vernet's Shipwreck, project to treat 250 watercolors in the and Jan Brueghel the Elder's River Gallery's Index of American Design was Landscape-, technical study of Luis begun, thanks to a "Save America's Melendez' Still Life with Figs and Bread Treasures" grant. Other works receiving revealed numerous pentimenti, while treatment included Degas' etching Mary study of Sanford Gifford's Siout, Egypt, Cassatt at the , Giacometti's draw- compared the color spectrum of the ing Annette Sewing, and Jean-Baptiste inpainting with that of the original Deshays' oil on paper Herdsmen Driving paint. Treatments were also performed Cattle. In support of exhibitions, conser- on Nicolaes Maes' Old Woman Dozing vators treated a number of prints in the Over a Book, Carpaccio's Madonna and Max Weber show and in the Jackson Child, and Cuyp's Maas at Doordrecht. Collection; examined fifty-four pastels Varnish removal significantly improved in 0 'Keeffe on Paper, also contributing a the appearance of Rubens' Meeting of technical essay to the catalogue; and Abraham and Melchizedek, Chardin's completed sixty-eight major treatments

30 for the fiscal year 2001 show Modern Art lyzed and evaluated. For systematic cat- in America. In all, conservators handled alogues, scientists identified the wood in 115 major and 287 minor treatments Italian panel paintings and analyzed and almost 2,000 examinations. Flemish paintings at the Gallery and the Technical research on O'Keeffe's works , London. Technical on paper, using the Gallery's paper sam- study of Rembrandt's Apostle Paul was ple archive, provided pivotal evidence carried out to aid conservation treat- to support the findings of the recently ment. Analytical support was provided published catalogue raisonne. for the conservation/art history CASVA In addition to the examination and fellows' research on German expres- treatment of textiles at the Gallery, the sionist frames, using light microscopy conservator coordinated a project to and scanning electron microscopy/ photograph works in the collection, energy dispersive x-ray spectroscopy. helped develop appropriate housing and Senior visiting research fellow Roy storage for Eve Hesse's Test Piece for Berns used reflectance spectrophotome- "Contingent," and worked on the reloca- try and digital image analysis to create tion of the textile storage facilities and nonmetameric matches for retouching conservation laboratory. and to characterize the optical proper- Gallery scientists completed their ties of picture varnishes. Senior visiting comprehensive study of urea-aldehyde scientist Michael Schilling worked on retouching paints. The study was pub- the identification of organic binders. A lished and presented at an international computerized database was created to conference. A manufacturer of artists' organize the archives of more than two paints is now marketing retouching thousand microscopic paint samples, paints modeled on this research, and an and the collection of paint cross sections increasing number of conservators are was inventoried. The Gallery purchased beginning to use the paints. several new analytical instruments, The study of protective coating sys- including an energy dispersive spec- tems for outdoor bronze sculpture and trometer (with support from The Circle ornament was completed and the final of the National Gallery), a Fourier- report submitted to the National Center transform infrared microspectrometer, a for Preservation Technology and rheometer, and a differential scanning Training. Research into bronze casting calorimeter. practices and materials was carried out, All Gallery exhibitions receive conser- and x-ray fluorescence spectrometry vation support, but several required an was used to examine works in the col- unusual degree of involvement. Gallery lection. The Culpeper Fellow continued conservators, working closely with the research on the role of gelatin sizing in registrar's staff, assumed responsibility the durability of paper, collaborating for the handling, installation, and pack- with scientists at the . ing of works in The Golden Age of Chinese A study of the effects of cleaning sol- Archaeology beyond the showing in vents on oil paint films continued, with Washington, the Museum of Fine Arts funding from the Organi- in Houston, and the Asian Art Museum zation for Scientific Research. Technical in San Francisco. Other demanding examination of Rothko's "multiform" exhibitions were Riemenschneider and work from 1947-1949 helped character- Triumph of the Baroque. Conservators and ize the artist's use and abandonment of registrars participated in early planning certain pigments. Paint medium analysis for the fiscal year 2001 art nouveau was performed on paintings by Zoppo, exhibition to ensure the safe transport Van Eyck, Tura, Ercole de' Roberti, Still, of more than a thousand objects. Chagall, Blake, and Dove; some of this Matters and framers as well as frame work was done with conservators at the conservators prepared myriad graphic Phillips Collection and the Hirshhorn works for exhibition, developed new Museum. Fifteen commercial products mounts for installation of books and used as artists' media were also ana- posters, and designed silica-gel packages

31 to provide protection and support for stantial documentary material this year. shipment of panel paintings. Photographer Dennis Brack donated One of the most important contribu- more than six hundred slides taken in tions of Gallery conservators and scien- 1977 and 1978 in association with the tists, in addition to providing expert completion of the East Building and care for works of art, is their participa- installation of the art commissions; tion in professional meetings and publi- included were images of Henry Moore, cations. A record of Gallery staff publi- Tony Cam, Paul Mellon, and I. M. Pel cations on page 77 includes numerous that are new to archival holdings. technical papers that make available Engineer Jesse Darden transferred more the results of research undertaken at than two hundred architectural draw- the Gallery, which support and enhance ings of Gallery building systems and conservation practices around the projects. Noncurrent records with long- world. term historical value were also regularly transferred to the archives from other Resources for Scholarly Gallery offices. Research The Circle of the National Gallery of Art provided a grant for the organiza- The National Gallery has assumed a tion and preservation of John Rewald's leadership role among institutions com- Cezanne catalogue raisonne files. His mitted to World War II-era provenance research materials include important research. At the Vilnius International source documents relating to the Forum on Holocaust Era Assets the impressionists and postimpressionists, Gallery's delegate discussed efforts to which Rewald assembled during his publish the provenance of paintings pre-World War II research in Europe. in American museum collections. Archivists completed a project to assess Stuart Eizenstat, the keynote speaker, the condition of historical negatives and acknowledged the Gallery for its thor- to identify unique and significant An anonymous photograph of Theophile Steinlen ough research and for giving transpar- images that had not been printed with one of his cats, c. 1896, was a recent ent access to collection information. The before. The survey found that with few acquisition for the photographic archives. Presidential Advisory Commission on exceptions the negatives are in excellent Holocaust Assets in the United States condition. The project also brought to has also praised the Gallery's approach. light previously obscure photographs of Having completed its review of paint- Paul Mellon, David Finley, John Walker, ings in the collection for evidence of Chester Dale, Mrs. Nikita IChruschev, unrestituted art, the Gallery this year Kennedy Onassis, and others collections through gifts and purchases. began a review of European sculpture. associated with the Gallery's history. A The Circle of the National Gallery of Art Files and records are updated daily to coordinated system to identify and digi- funded the purchase of four important document the collection as completely tize the most valuable color slides of eighteenth- and nineteenth-century as possible. In addition, the Gallery historic events was implemented to titles on the history and description of strengthened the Munich Central improve access and to permit long-term cities and regions in the Netherlands; Collecting Point negative archive, preservation through cold storage. Cold and five beautifully illustrated German adding 3,000 entries so that more than storage for preservation of film materi- volumes from the sixteenth through the 15,000 works of art are now referenced als was also expanded and improved. eighteenth century. One of the latter, in the electronic finding aid and assist- Digitized slides and exhibition installa- Ulrich Finder's Speculum Passionis Domini ing a record number of provenance tion images are among the materials Nostri Jesu Christi (1519), is considered researchers from around the world. that have been preserved in this way. among the finest woodcut books of the With complete known provenance Tape recordings of Sunday lectures and time, with full-page illustrations by information for all paintings and sculp- other public programs, concert pro- Hans Schaufelein and two plates by ture in its collection available on its grams, and exhibition files were among Hans Baldung Grien. Funds from C. Web site, www.nga.gov, the Gallery this the historical materials organized and Wesley and Jacqueline Peebles enabled year enhanced the site's search capabil- described, preparing them for research the purchase of a rare edition of Livy's ity and created a page dedicated to use. Archivists also processed more than Latinae historiae principis decades tres . . . World War II resources. 350 architectural drawings. (1549), with handwritten annotations The Gallery Archives acquired sub- The library strengthened its research and marginal drawings of the figures in

32 contemporary costume with architec- Plummer. The library is grateful for the tions, answered 19,021 reference tural settings, weapons, and other accou- generous donations of many individu- inquiries, and shared 3,612 volumes trements of mid-sixteenth-century life. als, especially Winthrop and Jeanne with other institutions via interlibrary The J. Paul Getty Fund in honor of Faulkner, Ruth Fine, Mark Samuels loan. Franklin D. Murphy provided for the Lasner, Mr. and Mrs. Milton Rose, Books from the library's collection purchase of Notitia dignitatum (1552) Steven M. Umin, and the late Paul were included in several exhibitions, and Jacques Francquart's Pompa fvnebris Mellon, Frances P. Smyth-Ravenel, and among them Vermeer's Art of Painting at optimi potentissimiq[ue] principis Alberti Pii, Bradbury Thompson. the Gallery, which featured three seven- ArchdvcisAvstria ... (1623). The New Published this year, The Patricia G. teenth-century Dutch volumes. Loaned Century Fund supported the acquisition England Collection of Fine Press and Artists' to the Palazzo Grassi for Triumph of the of an important catalogue raisonne, Les Books highlighted a special aspect of the Baroque were Gaetano Chiaveri's Breve peintures de Charles Le Brun et d'Eustache library's holdings. The Cicognara Library discorso (1767) and Breve discorso in difesa he Sueur qui sont dans I'hotel Chastelet. . . cataloguing project, supported by a della cupola di S. Pietro . . . (1744). The (1740). Resources for the study of pho- grant from the Samuel H. Kress Hood Museum of Art, Dartmouth tography were greatly enhanced by the Foundation, now includes more than College, borrowed Paolo Giovio's Elogia addition of two collections totaling 2,200 records, which are available virorum bellica virtute illustrium (1575) nearly four thousand titles: comple- worldwide through the library's online and Giovanni Paolo Lomazzo's Idea del menting the purchase of Van Deren and catalogue. In fiscal year 2000 the library tempio della pittura . . . (1590). Volume 2 Joan Coke's library was the gift of acquired 11,367 volumes, admitted of Tableaux Modernes from the Hotel Harvey J. Shipley Miller and J. Randall 3,677 visitors, conducted 712 orienta- Drouot, Paris, 25 February 1878, was

33 lent to the Dallas Museum of Art for its Museum of Fine Arts in Houston, the exhibition Degas to . , and the The photographic archives was again Museum of Art. Ongoing fortunate to receive a generous grant efforts to build in-depth holdings of from the Samuel H. Kress Foundation. museum collections were rewarded by This two-year grant supported a photo- the acquisition of slides from the graph conservator to assess the collec- National Gallery of Victoria, Melbourne; tion's most pressing conservation needs Alte and Neue Pinakothek, Munich; and to begin treatment; more than ICunsthalle, Hamburg; Stedelijk Museum, 1,600 photographs and 55 broken glass Amsterdam; and Kunstmuseum Basel. negatives were treated, and improve- The publishing arm of the National ments were made in housing and han- Gallery produced a great variety of dling vintage photographs and albums. scholarly catalogues as well as special- The archives acquired 14,463 photo- ized materials both for the Web site and graphs, 13,648 microform images, and for print publication. In addition to six 20 nineteenth-century albums. The col- major exhibition catalogues, the Gallery lection now comprises 9,567,090 published one systematic catalogue, one images. Longtime donors continued to volume in the Studies in the History of make gifts that greatly enhance archival Art series, and one special collection holdings: Professor William Brumfield's book for the library (listed on page photographs of Russian architecture and 76); it also produced five brochures, a Professor John O'Brien's images of bimonthly calendar of events, two seventeenth- and eighteenth-century development Bulletins, annual reports European drawings add unique items to for the National Gallery and for the the collection. Among acquisitions were Center for Advanced Study in the Visual a rare photograph album with views of Arts, a tote bag for the Center's twenti- the 1889 Exposition Universelle in eth anniversary, five press kits, object Paris, including the just-completed Eiffel labels and wall texts for all exhibitions, Tower; and a vintage photograph of the myriad invitations and flyers. French artist Theophile Steinlen in his The Web site continued to flourish. studio holding one of his famous Visits to the site increased steadily, from Persian cats. about 9,000 visits per day in October The slide library's database now pro- 1999 to around 14,000 per day in vides records for almost 73,000 images, September 2000. Projects of particular nearly 40 percent of the total holdings note were the launching of a popular of 186,000 slides. Of these, about children's feature, NGAkids, online tours 26,000 slides circulated, 15 percent of of the Stieglitz collection of photo- them to public borrowers. Access to the graphs, a searchable descriptive list of database was made available to other all past exhibitions at the Gallery, the visual image collections for reference ability to search the library catalogue, purposes. The public lending guide was and links to current Gallery vacancy downloaded from the Gallery Web site announcements. Special features were more than five hundred times in addi- produced for seven exhibitions tion to many requests by mail. Notable (Riemenschneider, Carracci, Enduring gifts to the slide library included Legacy, Watkins, Dou, Heade, and Triumph Richard Eisinger's donation of slides of of the Baroque), print brochures were the Edward G. Robinson Collection from redesigned for the Web for four other the estate of his father, who served as exhibitions (, Vermeer, Weber, and legal counsel to Mrs. Robinson; and Argenteuil), and the Gallery Shops Elaine Mead Murphy's presentation of pages were enhanced and expanded the largest public archive of the work dramatically. of her father, Roderick Fletcher Mead. A special design award, named for the Other significant gifts were made by the Gallery's late editor-in-chief, Frances P. Sid Richardson Collection of Western Smyth-Ravenel, was given by the Art, the Cleveland Museum of Art, the American Association of Museums to

34 the Georgia O'Keeffe catalogue raisonne, archaeological context of a looted trea- copublished with Yale University Press sure of Greek silver from Morgantina. and the Georgia O'Keefle Foundation. One informal presentation of research focused on the English garden Great The Center for Advanced Dixter. Study in the Visual Arts One volume in the symposium series Studies in the History of Art was pub- The Center sponsors scholarship in four lished this past year: Olmec Art and major program areas: fellowships, Archaeology in Mesoamerica. For a com- research, meetings, and publications. plete description of the Center's activi- The resident community of scholars at ties, see Center 20: Record of Activities and the Center in 1999-2000 included indi- Research Programs, June 1999-May 2000. viduals from France, Germany, Italy, the People's Republic of China, Russia, the United Kingdom, and the United States (see page 84 for a list of members). Fellows studied topics ranging from modern Japanese architecture to the building and decorating of late medieval abbey and cathedral towns. Four long- term research projects included devel- opment of the National Gallery's photo- graphic archive of pre-1800 Italian architectural drawings; production of an illustrated glossary of landscape vocabu- lary in America from the colonial period to the mid-nineteenth century; publica- tion of a guide to documentary sources for the art history and archaeology of the Andes; and creation of a bibliogra- phy of the technology and tools of lux- ury objects in the ancient world. The Center sponsored two symposia this past year: "Large Bronzes in the Renaissance," made possible by the Samuel H. Kress Foundation and The Andrew W. Mellon Foundation; and "Tilman Riemenschneider: A Late Medieval Master Sculptor," supported by The Andrew W. Mellon Foundation. Other meetings included "The Practice of Advanced Research in Art History Today," cosponsored with the Association of Research Institutes in Art History and the Research Institutes in the History of Art; and the annual curatorial/conserva- tion colloquy on "Antonio Pollaiuolo's Battle of the Naked Men." Among infor- mal meetings were "Reports on the Samuel H. Kress/Ailsa Mellon Bruce Paired Fellowships in Art History and Archaeology" and "The camera lucida in the History of Drawing." Lectures addressed the history of perspective and the reconstruction of the historical and

35 : ",w*

'2 TREASURER'S REPORT

As fiscal year 2000 began, the National Garden, which opened in 1999. Federal Gallery of Art received Paul Mellon's renovation funds supported several final legacy of support. Mr. Mellon's major capital projects, including comple- dedication to the National Gallery for tion of the building automation/ nearly sixty years—as founding benefac- energy management system, repair of tor, trustee, president, chairman, and the West Building Mall steps, progress finally honorary trustee—will be forever toward completion of the fire protection remembered through the endowment system, and continuation of the repair he established for art acquisition, educa- and restoration of both the East and tion, the Gallery Archives, and the Center West Buildings. The Gallery proceeded for Advanced Study in the Visual Arts. with its expanded program of capital Mr. Mellon's generosity exemplifies the projects, including the comprehensive successful partnership of the private and master facilities plan that has been public sectors that has sustained the designed to address needed improve- National Gallery. ments to our galleries and public spaces The Gallery is grateful to the President and to provide for restoring both build- of the United States and to the Congress ings over a ten- to twelve-year period. for the ongoing appropriations of federal The federal government, through the funds that have allowed the Gallery to indemnity program of the Federal flourish over the years since its found- Council on the Arts and the Humanities, ing. These funds provide critical support is a major factor in the international for the efficient operations and mainte- component of the Gallery's exhibitions nance of the Gallery and the protection program. In fiscal year 2000 federal and care of the nation's art collection. indemnity was provided for five special Appropriated federal funds in fiscal exhibitions, enabling the Gallery to bor- year 2000 supported various expendi- row a great number of masterworks tures, including increases in salaries and from public and private collections Giovanni Battista Piranesi, A Magnificent Palatial fringe benefits for Gallery employees as around the world to present in carefully Interior, c. 1750, pen and brown ink and brown wash with graphite over red chalk, Gift of Gertrude well as the supply, utility, and mainte- selected exhibitions, an undertaking Laughlin Chanler, 2000.9.20 nance expenses for the new Sculpture that would simply not have been possi-

37 ble without this support. Fiscal year 2000 purpose funds, and endowment funds, opened with the exhibition Tilman increased $105.2 million in fiscal year Riemenschneider: Master Sculptor of the 2000 to more than $561.5 million by Late Middle Ages and included other 30 September 2000. Deferred charges major exhibitions such as The Impres- increased in fiscal year 2000, owing to sionists at Argenteuil, The Triumph of the costs associated with a large exhibition Baroque: Architecture in Europe, 1600-1750, opening early in the next fiscal year. and Martin Johnson Heade. The auditor's report and the state- The Gallery welcomed some 5.2 ments of financial position, activities, million visitors in fiscal year 2000. and cash flows for the National Gallery of Art for the years ended 30 September Operating Results 2000 and 1999 are presented on the Operating revenue in fiscal year 2000 following pages. totaled $139.1 million, an increase of $34.9 million, or 33.6 percent, over James E. Duff the previous year. Most of this growth Treasurer occurred as a result of continued increases in annual giving and the receipt of several large bequests. The National Gallery's investment portfolio continued to benefit from a robust financial market and returned 12.1 per- cent in fiscal year 2000. A portion of F^CEWATERHOUS^OOPERS § the total investment return is desig-

PricewaterhouseCoopers LLP nated annually to support operations, 1900 K Street, N.W. Washington DC 20006-1110 while the remainder, $36.5 million in Telephone (202) 822 4000 fiscal year 2000, was reinvested for the Facsimile (202) 822 5800 future. Nonoperating support, including gifts and grants designated for special purposes, art acquisitions, and endow- Report of Independent Accountants ment funds, increased in 2000 by $42.3 million when compared with the prior To the Board of Trustees of year, thanks to several large bequests. The National Gallery of Art Operating expenses of $95.5 million In our opinion, the accompanying statements of financial position and the related statements of activities and cash flows present fairly, in all material respects, the financial position of the National for fiscal year 2000 were 3.2 percent Gallery of Art (the Gallery) as of September 30. 2000, and the changes in its net assets and its cash flows lower than the previous year, mainly for the year then ended in conformity with accounting principles generally accepted in the United States of America. These financial statements are the responsibility of the Gallery's management; our responsibility owing to decreases in the organizational is to express an opinion on these financial statements based on our audit. The prior year summarized comparative information has been derived from the Gallery's 1999 financial statements: and in our report costs of several large exhibitions and dated , 2000 we expressed an unqualified opinion on those financial statements. We conducted our Gallery shop expenses. Federal appro- audit of these financial statements in accordance with auditing standards generally accepted in the United States of America and Government Auditing Standards issued by the Comptroller General of the United priated funds totaling $68.9 million States, which require that we plan and perform the audit to obtain reasonable assurance about whether the financial statements are free of material misstatement. An audit includes examining, on a test basis, evidence were used for the operation, mainte- supporting the amounts and disclosures in the financial statements, assessing the accounting principles used nance, and renovation of the Gallery. and significant estimates made by management, and evaluating the overall financial statement presentation. We believe that our audit provides a reasonable basis for the opinion expressed above.

Statement of Financial Position In accordance with Government Auditing Standards, we have also issued a report dated December 8, 2000, on our consideration of the Gallery's internal control structure and its compliance with The Gallery's financial position contin- laws and regulations. ued to strengthen, with net assets increasing $111.3 million, or 18.9 per- cent, during fiscal year 2000. This was December 8. 2000 largely due to the continued strong per- formance of the investment portfolio compared with fiscal year 1999 and the ongoing successes of the Gallery's devel- opment efforts resulting in gifts and grants. The investment portfolio, which includes funds for operations, special

38 STATEMENTS OF FINANCIAL POSITION 30 September 2000 and 1999

ASSETS 2000 1999 Cash and cash equivalents, including interest-bearing demand deposits and appropriated amounts remaining on deposit with the U.S. Treasury $ 16,580,817 $ 15,170,105 Accounts receivable, net 4,329,121 3,112,548 Pledges receivable, net 10,841,263 8,433,867 Investments 561,470,731 456,228,754 Trusts held by others 8,638,675 7,693,843 Publications inventory, net 4,050,285 3,853,613 Deferred charges 1,522,679 993.179 Fixed assets, net 117,580,530 1 15,167,266

Art collections — —

TOTAL ASSETS $725,014,101 $610,653,175

LIABILITIES AND NET ASSETS Liabilities: Accounts payable, accrued expenses, and undelivered orders $ 23,754,996 $ 20,674,704 Total liabilities 23,754,996 20,674,704 Net assets: Unrestricted Designated for collections and art purchases 18,419,773 17,512,875 Designated for special exhibitions 4,071,244 4,571,745 Designated for capital projects 29,133,841 27,758,828 Designated for education and public programs 20,957,541 20,796,593 Designated for other operating purposes 18,784,113 14,121,716 Designated for publications, including systematic catalogues 23,797,901 23,406,230 Designated for fixed assets 117,580,530 115,167,266 Total unrestricted 232,744,943 223,335,253 Temporarily restricted 166,464,895 122,071,223 Permanently restricted 302,049,267 244,571,995 Total net assets 701,259,105 589,978,471

TOTAL LIABILITIES AND NET ASSETS $725,014,101 $610,653,175

The accompanying notes are an integral part of these financial statements.

39 STATEMENTS OF ACTIVITIES FOR THE YEAR ENDED 30 SEPTEMBER 2000 WITH SUMMARIZED FINANCIAL INFORMATION FOR THE YEAR ENDED 30 SEPTEMBER 1999

Temporarily Permanently 2000 7999 Unrestricted Restricted Restricted Total Total

OPERATING Support and revenue: U.S. government appropriation $ 58,291,035 $ 3,026,000 $ — $ 61,317,035 $ 57,959,335

Gifts and grants 3,178,773 46,033,055 — 49,211.828 9,630,875

Gallery shops sales, net 10,514,099 — — 10,514,099 19,008,271

Investment return designated for operations 2,811,841 13,777,000 — 16,588,841 15,456,192

Royalties and other income 1,420,038 — — 1,420,038 2,060,815

76,215,786 62,836,055 — 139,051,841 104,115,488 Net assets released from restrictions

to fund operating expenses 14,507,330 (14,507,330) — — —

TOTAL SUPPORT AND REVENUE 90,723,116 48,328,725 — 139,051,841 104,115,488 Operating expenses: Program services:

Collections 25,937,472 — — 25,937,472 24,011,022

Special exhibitions 14,647,569 — — 14,647,569 16,707,594

Education, Gallery shops, and public programs 32,071,378 — — 32,071,378 35,543,274

Editorial and photography 3,645,094 - — 3,645,094 3,162,367

TOTAL PROGRAM SERVICES 76,301,513 — — 76,301,513 79,424,257 Supporting services:

General and administrative 16,549,818 — — 16,549,818 15,203,466

Development 2,633,327 — — 2,633,327 3,102,629

TOTAL SUPPORTING SERVICES 19,183,145 — — 19,183,145 18,306,095

TOTAL EXPENSES 95,484,658 — — 95,484,658 97,730,352

(Decrease) increase in net assets from operating activities (4,761,542) 48,328,725 — 43,567,183 6,385,136

NON-OPERATING

U.S. Government appropriation—no-year renovation funds — 6,311,000 — 6,311,000 6,311,000 Non-operating gifts and grants 71,183 8.791,426 44,203,029 53,065,638 10,725,040

Bad debt losses — (156,497) — (156,497) — Changes in value of trusts held by others (66,263) 16,237 943,556 893,530 1,003,072 Investment return in excess of amount designated for operations 9,450,911 14,792,175 12,330,687 36,573,773 41,135,195

Renovation and equipment expenditures (2,483,597) — — (2,483,597) (1,958,946) Net assets released from restrictions to fund

non-operating activities 33,689,394 (33,689,394) — — — Change in net assets from non-operating activities before acquisitions of works of art 40,661,628 (3,935,053) 57,477,272 94,203,847 57,215,361

Acquisitions of works of art (26,490,396) — — (26,490,396) (18,746,109) Increase in net assets 9,409,690 44,393,672 57,477,272 111,280,634 44,854,388 NET ASSETS AT BEGINNING OF YEAR 223,335,253 122,071,223 244,571,995 589,978,471 545,124,083 NET ASSETS AT END OF YEAR $232,744,943 $166,464,895 $302,049,267 $701,259,105 $589,978,471

The accompanying notes are an integral part of these financial statements.

40 STATEMENTS OF CASH FLOWS FOR THE YEARS ENDED 30 SEPTEMBER 2000 AND 1999

2000 1999

CASH FLOWS FROM OPERATING ACTIVITIES: Increase in net assets $111,280,634 $44,854,388 Adjustments to reconcile increase in net assets to net cash provided by operating activities: Depreciation and amortization 5,776,680 4,391,108 Amortization of discount on pledges receivable (264,315) (376,128) Contributions and investment appreciation for permanently restricted investments (51,842,959) (11,907,698) Realized gains on sale of investments (45,743,667) (25,545,694) Unrealized losses (gains) on investments 7,929,534 (19,692,066) Changes in value of trusts held by others (944,832) (1,141,213) (Increase) decrease in accounts receivable, net (1,216,573) 837,351 (Increase) decrease in pledges receivable, net (2,143,081 ) 7,205,451 (Increase) decrease in publications inventory, net (196,672) 384,942 (Increase) decrease in deferred charges (529,500) 2,751,156 Increase (decrease) in accounts payable, accrued expenses and undelivered orders 3,080,292 (682,881) NET CASH PROVIDED BY OPERATING ACTIVITIES 25,185,541 1,078,716

CASH FLOWS FROM INVESTING ACTIVITIES: Purchase of investments (407,903,410) (424,438,116) Proceeds from sale of investments 340,475,566 418,617.164 Purchase of fixed assets (8,189,944) (6,299,036) NET CASH USED IN INVESTMENT ACTIVITIES (75,617,788) (12,119.988)

CASH FLOWS FROM FINANCING ACTIVITIES: Contributions and investment appreciation for permanently restricted investments 51,842,959 11,907,698 NET CASH PROVIDED BY FINANCING ACTIVITIES 51,842,959 11,907,698 Net increase in cash and cash equivalents 1,410,712 866,426 Cash and cash equivalents, at beginning of year 15,170,105 14,303,679 Cash and cash equivalents, at end of year $16,580,817 $15,170,105 Noncash investing activities: Donated investment securities $2,347,402 $1,480,036

The accompanying notes are an integral part of these financial statements.

41 Notes to Financial Statements one-year federal appropriations that are not trusts are recorded as "changes in the value of obligated or expended are retained by the trusts held by others" in the statement of 1. Summary of significant accounting Gallery in accordance with federal guidelines. activities. policies At the discretion of the Gallery's Board of PUBLICATIONS INVENTORY—Publications GENERAL—The National Gallery of Art (the Trustees, private funds that are not expended inventory is carried at the lower of cost or Gallery) receives an annual appropriation to for operating activities may be set aside in market. Cost is determined using the retail cover its core programs as part of the budget designated reserves and earmarked to cover cost method. approved annually by Congress and signed by future program costs or other contingencies. DEFERRED CHARGES—Deferred charges rep- the President of the United States. This is sup- • Temporarily restricted net assets carry specific resent expenses incurred in connection with plemented with income from endowments donor-imposed restrictions on the expendi- future special exhibitions and other activities. designated for current operating expenditures ture or other use of the contributed funds. In Private expenses are recognized in the period as well as gifts and grants designated by the addition, the Gallery's "no-year" federal in which the exhibition or activity occurs. donors for specific programmatic activity. (All appropriations for special exhibitions and for monies, related activities, and balances from the repair, renovation, and restoration of its FIXED ASSETS—The land occupied by the federal sources are referred to herein as "fed- buildings are classified as temporarily Gallery's buildings was appropriated and eral," while all other monies, related activi- restricted net assets. reserved by the Congress of the United States ties, and balances are referred to herein as Temporary restrictions may expire as a for that purpose. No value has been assigned "private.") All identified interfund transac- result of fulfillment of the donor's wishes or in the accompanying financial statements. tions have been eliminated from the financial the passage of time. Net assets released from Buildings are recorded at cost and depreciated statements. temporarily restricted net assets to unre- on a straight-line basis over the estimated stricted net assets occur when contributions useful life of fifty years. Building improve- MEASURE OF OPERATIONS—The Gallery are expended and are reported as net assets ments, equipment, furniture, and computer includes in its measure of operations all fed- released from restrictions in the statement of software are also recorded at cost and depre- eral and private support and revenue and activities. ciated on a straight-line basis over estimated expenses that are integral to its core program • Permanently restricted net assets have donor- useful lives ranging from five to twenty-five services: collections; special exhibitions; edu- imposed restrictions, which stipulate that the years. Upon retirement of fixed assets, the cation, Gallery shops, and public programs; corpus of the gifts be retained permanently. related cost and accumulated depreciation are and editorial and photography. The measure In some cases the donor has also permanently removed from the accounts (see Note 7). of operations excludes certain nonoperating restricted the use of income and any realized activities such as nonoperating gifts and ART COLLECTIONS—The Gallery's art collec- or unrealized gains attributable to the corpus. grants, investment return in excess of tions focus on European and American paint- amounts designated for operations, and CASH AND CASH EQUIVALENTS—The Gallery ings and works on paper. In conformity with acquisitions of works of art. considers all highly liquid investments with accounting procedures generally followed by The Gallery's Board of Trustees designates an original maturity of three months or less art museums, the value of art has been only a portion of the Gallery's cumulative to be cash equivalents, except where such excluded from the statement of financial posi- investment return for support of current cash equivalents are held as part of a long- tion. The Gallery's collections are maintained operations; the remainder is retained to sup- term investment strategy (see Notes 2 and 5). for public exhibition, education, and research port operations of future years and offset PLEDGES RECEIVABLE—Unconditional in furtherance of public service, rather than potential market declines. The amount desig- promises to contribute to the Gallery in the for financial gain. nated (which is computed under the spending future (pledges receivable) are recorded at the The Gallery acquires its art collections policy) and all interest income earned by present value of future cash flows, using a through purchase or by donation-in-kind. investing cash in excess of daily requirements risk-free rate of return, after providing an Only current-year purchases made from are used to support current operations (see allowance for uncollectibility. specifically designated funds, not donations- Note 5). in-kind, are reflected in the statement of INVESTMENTS—Investments are carried at activities. The Gallery does not deaccession SUMMARIZED FINANCIAL INFORMATION— fair value based on the last reported sales any of its permanent collections. The financial statements include certain sum- price at the end of the fiscal year or, in the marized prior-year information in total only, absence of a reported sale, on the average of UNDELIVERED ORDERS—In accordance with but not by net asset class. Such information the bid and ask prices. Purchases and sales of accounting principles prescribed by the does not include sufficient detail to constitute securities are reflected on a trade-date basis. Comptroller General of the United States as a presentation in conformity with generally Gain or loss on sales of securities is based on set forth in the Policy and Procedures Manual for accepted accounting principles. Accordingly, average historical value (cost of securities if Guidance of Federal Agencies, the obligation such information should be read in conjunc- purchased or the fair market value at the date basis of accounting used for federal funds dif- tion with the Gallery's financial statements for of gift if received by donation). Dividend and fers in some respects from generally accepted the year ended 30 September 1999, from interest income is recorded on the accrual accounting principles. Obligations, such as which the summarized information was basis. In accordance with the policy of stating purchase orders and contracts, are recognized derived. investments at fair value, the net change in as expenses and are carried as liabilities even though the related goods or services may not NET ASSETS—The Gallery's net assets, sup- unrealized appreciation or depreciation for have been received. Such amounts are port and revenue, expenses, gains and losses the year is reflected in the statement of labelled undelivered orders. This accounting are classified based on the existence or activities (see Note 5). treatment is used only for federal funds. Cer- absence of donor-imposed restrictions. TRUSTS HELD BY OTHERS—The Gallery has tain of these amounts will be capitalized in Accordingly, net assets of the Gallery are been named as beneficiary in several irrevo- the following year. classified and reported as follows: cable charitable trusts held by third parties. * Unrestricted net assets include "multi-year The Gallery's share of these trusts is recorded UNEXPENDED APPROPRIATIONS—Unex- and one-year" federal appropriations and all at current fair value. Income distributions pended appropriations represent the Gallery's other resources, which are not subject to from these trusts are recorded as investment liability for funds provided by congressional donor-imposed restrictions. Multi-year and income and changes in the value of these appropriations and consist of obligated funds,

42 unobligated funds, and unavailable authority. recognize a current-period expense for the includes travel, transportation of items and Obligated funds represent amounts desig- future cost of postretiremen! health benefits other services necessary for the display of nated for payment of goods and services and life insurance for its employees while special exhibitions. Education, Gallery shops, ordered but not received, or for goods they are still working. The Gallery accounts and public programs includes the cost of pro- received and not yet paid for. Unobligated for and reports this expense in its financial viding a wide array of lectures, tours, films, funds are generally available for current oper- statements in a manner similar to that used music, symposia, and academic programs to ations; however, there may be restrictions for pension expense, with the exception that the general public, in addition to the Gallery placed on the use of these amounts. Unobli- employees and the Gallery do not make cur- shops cost of goods sold and expenses. Editor- gated funds include amounts made available rent contributions to fund these future ial and photography includes the costs to pro- for multiple fiscal years and no-year appropri- benefits. duce the many publications produced by the ations that are available for an indefinite IMPUTED FINANCING SOURCES—In certain Gallery. General and administrative includes period of time. Unavailable authority includes cases the operating costs of the Gallery are expenses for executive management, finan- amounts appropriated to the Gallery in prior paid out of funds appropriated to other fed- cial administration, information systems, fiscal years, which may not be used for cur- eral agencies. As an example, the law human resources, and legal services. Devel- rent operations. requires certain costs of retirement programs opment includes the expenses associated with ACCRUED LEAVE—Annual leave is accrued as be paid by OPM and certain legal judgments individual and corporate gifts and grants, it is earned by employees and is included in against the Gallery be paid from the Judg- annual appeals, and other fundraising efforts. personnel compensation and benefit costs. An ment Fund maintained by Treasury. Costs ESTIMATES—The preparation of the financial unfunded liability as of the date of the finan- that are identifiable to the Gallery and statements, in conformity with generally cial statements is recognized for earned but directly attributable to the Gallery's opera- accepted accounting principles, requires man- unused annual leave by federal employees, tions are paid by these federal agencies. agement to make estimates and assumptions since this annual leave will be paid from CONTRIBUTED SERVICES—The Gallery has that affect the reported amount of assets and future federal appropriations when the leave volunteers who provide assistance in various liabilities, disclosure of contingent assets and is used by employees. The amount accrued is departments. Such contributed services do liabilities, and the reported amounts of sup- based on current pay of the employees. not meet the criteria for recognition of con- port and revenue and expenses at the date of EMPLOYEE BENEFITS—The Federal Account- tributed services contained in Statement of the financial statements and during the ing Standards Advisory Board issued State- Financial Accounting Standards No. 116 and, reporting period. Actual results could differ ment of Federal Financial Accounting Stan- accordingly, are not reflected in the accompa- from these estimates. dards No. 5 (SSFAS No. 5), "Accounting for nying financial statements. RECLASSIFICATIONS — Certain prior-year bal-

Liabilities of the Federal Government," which FUNCTIONAL ALLOCATION OF EXPENSES — ances have been reclassified to conform requires employing agencies to recognize the The cost of providing various programs and to current year presentation. cost of pensions and other retirement benefits other activities has been summarized on a during their employees' active years of ser- functional basis in the statement of activities. 2. Cash and cash equivalents vice. The pension expense recognized in the Certain costs including depreciation, utilities, As of 30 September 2000 and 1999, federal Gallery's financial statements is equal to the building maintenance, security, and other cash of $13,640,859 and $12,142,747, respec- current service cost for the Gallery's employ- operating costs have been allocated among tively, was on deposit with the U.S. Treasury ees for the accounting period less the amount program and supporting services. and represents appropriated amounts yet to contributed by the employees. The measure- Included under the collections category are be disbursed. There are no reconciling items ment of the pension service cost requires the the costs of the care and display of the between the amounts recorded by the Gallery use of an actuarial cost method and assump- Gallery's collections. Special exhibitions and on deposit with the U.S. Treasury. tions with factors applied by the Gallery. These factors are supplied by the Office of Personnel Management (OPM), the agency 3. Accounts receivable that administers the plan. The excess of the As of 30 September 2000 and 1999, accounts receivable consisted of the following: recognized pension expense over the amount contributed by the Gallery represents the 2000 Due from brokers on sales of securities and amount being financed directly through the accrued investment income $3,467,825 $1,826,616 Civil Service Retirement and Disability Fund Special exhibition and other program receivables 691,667 1,151,442 administered by OPM. This amount is consid- Other 227,333 202,240 ered imputed financing by the Gallery. Subtotal 4,386,825 3,180,298 All permanent employees of the Gallery, Less allowances (57,704) (67,750) both federal and nonfederal, hired prior to 1 January 1984, participate in the Civil Ser- Total $4,329,121 $3,112,548 vice Retirement System (CSRS). Employees 4. Pledges receivable hired subsequent to 1 January 1984 partici- As of 30 September 2000 and 1999, pledges receivable consisted of the following: pate in both the Social Security Retirement System and the Federal Employees' Retire- 2000 7999 ment System (FERS), which went into effect Due in one year or less $ 4,424,571 $4,303,115 1 January 1987. All employees have the Due between one year and five years 7,606,853 4,679,391 option to make tax-deferred contributions to Due in more than five years 100,000 200,000 a Thrift Savings Plan and, in some instances, Subtotal 12,131,424 9,182,506 receive a matching portion from the Gallery. Less discounts of $1,140,161 and $598,639 and The Gallery funds all retirement contributions allowances of $150,000 and $150,000, respectively (1,290,161) (748,639) on a current basis, and accordingly there are Total $10,841,263 $8,433,867 no unfunded retirement costs (see Note 11). SFFAS No. 5 also requires that the Gallery

43 5. Investments As of 30 September 2000 and 1999, investments consisted of the following: 2000 7999 Cost Fair Value Cost Fair Value Loan to the U.S. Treasury $ 5,000,000 $ 5,000,000 $ 5,000,000 $ 5,000,000 Government obligations and cash equivalents 32,605,505 33,181.987 43,508,144 43.962,660 Common and preferred stocks 1 11,300,323 137,568,102 180,868,881 221,970,086 Mutual funds (equity & fixed income) 371,672,203 382,320,404 178,959,116 182,667,642 Other 3,464,293 3,400,238 2,670,324 2,628,366 Total $524,042,324 $561,470,731 $411,006,465 $456,228,754

In 1942, the Gallery, under authority of an Act of Congress, made a $5,000,000 permanent loan to the U.S. Treasury. This loan bears interest at 1/4% below the average monthly rate for long-term funds paid by the U.S. Treasury (ranging from 5.625% to 6.5% during fiscal year 2000). Interest income on this loan was $308,177 and $270,434 for the years ended 30 September 2000 and 1999, respectively. According to the Gallery's spending policy set by the Board of Trustees, only a portion of the total investment return derived from investments is available to support current opera- tions, while the remainder is reinvested. Under this spending policy, 5 percent of the average fair value of investments at the end of each of the previous thirteen quarters is available to support current operations. The following schedule summarizes the investment return and its classification in the statement of activities: Temporarily Permanently 2000 1999 Unrestricted Restricted Restricted Total Total Investment return designated for operations

Interest on short-term investments $ 1,785,841 $ — $ — $ 1,785,841 $ 1,760,192 Investment return designated by spending policy for

current operations 1,026,000 13,777,000 — 14,803,000 13,696.000

Total investment return designated for current operations $ 2,811,841 $13,777,000 $ — $16,588,841 $15,456,192

Investment return in excess of amount designated for operations Dividends and interest (net of expenses of $1,442,440 and $1,367,523, respectively) $ 2,434,542 $10,376,490 $ 751,608 $13,562,640 $ 9.593.435 Net realized gains on sale of investments 11,918,401 22,185,504 11,639,762 45,743,667 25,545.694 Net unrealized (depreciation)appreciation (3,876,032) (3,992,819) (60,683) (7,929,534) 19.692,066 Total return on long-term investments 10,476,911 28,569,175 12,330,687 51,376,773 54,831,195 Investment return designated by spending policy for

current operations (1,026,000) (13,777,000) — (14,803,000) (13,696,000) Total investment return in excess of amount designated for operations $ 9,450,911 $14,792,175 $12,330,687 $36,573,773 $41,135,195

6.Publications inventory, net As of 30 September 2000 and 1999, net publications inventory consisted of the following:

2000 1999 Retail $1,290,556 $1,322,465 Work-in-process 1,855,212 1,657,051 Consignment 904,517 874,097 Total $4,050,285 $3,853,613

44 7. Fixed assets As of 30 September 2000 and 1999, net fixed assets consisted of the following:

2000 7999 Buildings and improvements $183,730,220 $ 185,048,559 Equipment 25,667,899 22,558,594 Construction-in-progress 8,849,203 2,517,127 218,247,322 210,124,280 Less accumulated depreciation and amortization (100,666,792) (94,957,014) Total $117,580,530 $ 115,167,266

Depreciation and amortization expense was $5,776,680 and $4,391,108 for fiscal years 2000 and 1999, respectively.

8. Unexpended appropriations The Gallery's unexpended federal appropriations as of 30 September 2000 and 1 999 are as follows

No-year Total 2000 Total 1999 Multi-year and No-year special federal federal one-year renovations exhibition appropriated appropriated funds funds funds funds funds Balance beginning of period: Available $ 71,664 $3,583,300 $ 523,519 $ 4,178,483 $ 2,405,325 Unavailable 726,268 — — 726,268 741,925 Total beginning unexpended appropriations 797,932 3,583,300 523,519 4,904,751 3,147,250

Unavailable authority returned to U.S. Treasury (66,715) — - (66,715) (19,658) Current appropriation received 58,253,000 6,311,000 3,026,000 67,590,000 64,346,000 Obligations incurred:

Art care (20,741,701 ) — - (20,741,701 ) (20,165,007) Operations and maintenance (13,096,688) — — (13,096,688) (12,102,283) Security (13,495,484) — — (13,495,484) (12,378,764) General and administrative (10,573,087) — — (10,573,087) (10,129,284)

Special exhibitions — - (3,319,021 ) (3,319,021 ) (3,040,879)

Renovation and equipment (384,075) (7,275,841 ) — (7,659,916) (4,752,624) Total obligations incurred (58,291,035) (7,275,841 ) (3,319,021 ) (68,885,897) (62,568,841 ) Net change (104,750) (964,841 ) (293,021 ) (1,362,612) 1,757,501 Balance end of period:

Available — 2,618,459 230,498 2,848.957 4,178,483

Unavailable 693,182 — 693,182 726,268 Total ending unexpended appropriations $ 693,182 $2,618,459 $ 230,498 $ 3.542,139 $ 4,904,751

9. Net assets released from restrictions Net assets are released from donor restrictions when the expenses are incurred to satisfy the restricted purposes as specified by donors. The donor-specified restrictions that were met in the reporting period are as follows: 20M 7999 Operating Nonoperating Operating Nonoperating Acquisition of art $ $26,154,918 $ $18,832,500 Collections 906,126 1,749,706 — Special exhibitions 6,020,692 — 11,676,770 — Education and public programs 2,432,997 — 2,612,382 — Editorial and photography 262,651 662,089 — Capital projects — 7,534,476 6,705,643

Operations 4,884,864 — 4,559,920 — Total $14,507,330 $33,689,394 $21,260,867 $25,538,143

45 10. Analysis of restricted net assets As of 30 September 2000 and 1999, temporarily restricted net assets and the investment income from permanently restricted net assets are restricted to support the following purposes: 2000 1999 Temporarily Permanently Temporarily Permanently Restricted Restricted Restricted Restricted Acquisition of art $100,870,076 !i 91,469,691 $101,418,451 $ 64,453,670 Collections 1,951,227 37,040,760 1,149,874 34,836.403 Special exhibitions 7,410,436 5,969,854 5,362,832 1,189,831 Education and public programs 29,393,194 62,319,980 6,414,346 56,086,528

Editorial and photography 675,955 — 839,346 —

Capital projects 5,204,898 — 6,428,374 — Operations 20,959,109 105,248,982 458,000 88,005,563 Total $166,464,895 $302,049,267 $122,071,223 $244,571,995

11. Employee benefits 12. Income taxes Total pension expense recognized in the The Gallery is a nonprofit organization Gallery's financial statements was $3,878,975 exempt from federal income taxes under the and $3,794,913 for the years ended 30 Sep- provisions of 501(c)(3) of the Internal Rev- tember 2000 and 1999, respectively. These enue Code. amounts do not include pension expense financed by OPM and imputed to the Gallery 13. Rental commitments of $1,483,209 and $890,421, respectively. To The Gallery has entered into several operat- the extent that Gallery employees are cov- ing leases for warehouse and office space, ered by the thrift savings component of which continue through 31 January 2009. FERS, the Gallery's payments to the plan are The terms of these leases include additional recorded as operating expenses. The Gallery's rent for operating expenses, real estate taxes, cost associated with the thrift savings compo- utilities, and maintenance. Future minimum nent of FERS for the years ended 30 Septem- rental commitments under these operating ber 2000 and 1999, were $1,054,672 and leases for the fiscal years ending 30 Septem- $941,463, respectively. ber are as follows: In addition, the Gallery makes matching contributions for all employees who are eligi- Total ble for current health and life insurance ben- 2001 $ 850,947 efits. The Gallery's contributions for active 2002 826,878 employees are recognized as operating 2003 835,707 expenses. During fiscal years 2000 and 1999 2004 844,713 the Gallery contributed $2,449,539 and 2005 853,899 $2,165,519, respectively. Using the cost fac- Thereafter 2,921,432 tors supplied by OPM, the Gallery has not Total future minimum recognized as an expense in its financial rental commitments $7,133,576 statements the future cost of postretiremen! health benefits and life insurance for its Rental expense was approximately employees. These costs amounted to approx- $834,500 and $747,000 for the years ended imately $3,599,012 and $3,375,949 during 30 September 2000 and 1999, respectively. fiscal years 2000 and 1999, respectively, are financed by OPM, and imputed to the Gallery.

46 ACQUISITION

Paintings Preti, Mattia, Italian, 1613-1699 The Martyrdom of Saint Gennaro, c. 1685, oil on Boilly, Louis-Leopold. French, 1761-1845 canvas, 2000.75.1, Patrons' Permanent Fund The Card Sharp on the Boulevard, 1806, oil on Serusier, Paul, French, 1863-1927 wood, 2000.5.1, Gift of Roger and Vicki Sant Farmhouse at Le Pouldu, 1890, oil on canvas, Both, Jan, Dutch, 1615/1618-1652 2000.95.1, Gift (Partial and Promised) of Alexander M. An Italianate Evening Landscape, c. 1650, oil on and Judith W. Laughlin canvas, 2000.91.1, Patrons' Permanent Fund Sheeler, Charles, American, 1883-1965 Brueghel, the Elder, Jan, Flemish, 1568-1625 Classic Landscape, 1931, oil on canvas, 2000.39.2, River Landscape, 1607, oil on copper, 2000.4.1, Collection of Mr. and Mrs. Barney A. Ebsworth Patrons' Permanent Fund and Nell and Robert Weiden- Thompson, Bob, American, 1937-1966 hammer Fund Tree, 1962, oil on canvas, 2000.39.3, Collection of Cavallino, Bernardo, Italian, 1616-1656 Mr. and Mrs. Barney A. Ebsworth The Triumph of Galatea, c. 1650, oil on canvas, Vallee, Louis, Dutch, died 1653 2000.61.1, Patrons' Permanent Fund Silvio with the Wounded Dorinda, 165(1?), oil on Dahl, Johan Christian, Norwegian, canvas, 2000.114.1, Gift of Patricia Bauman and the 1788-1857 Honorable John Landrum Bryant View from Vaekere near Christiania, 1827, oil on van de Velde, the Younger, Willem, canvas, 1999.99.1, Patrons' Permanent Fund Dutch, 1633-1707 Diaz de la Pena, Narcisse, French, 1808-1876 Ships in a Gale, 1660, oil on panel, 2000.72.1, The Edge of the Forest at Les Monts-Girard, Patrons' Permanent Fund Fontainebleau, 1868, oil on canvas, 2000.37.1, Vernet, Claude-Joseph, French, 1714-1789 Chester Dale Fund The Shipwreck, 1772, oil on canvas, 2000.22.1, Domenichino, Italian, 1581-1641 Patrons' Permanent Fund and Chester Dale Fund The Rebuke of Adam and Eve, 1626, oil on canvas, Warhol, Andy, American, 1928-1987 2000.3.1, Patrons' Permanent Fund Self-Portrait, 1986, synthetic polymer paint and Dove, Arthur, American, 1880-1946 silkscreen ink on canvas, 2000.28.1, Gift of the Col- Moon, 1935, oil on canvas, 2000.39.1, Collection of lectors Committee Mr. and Mrs. Barney A. Ebsworth

La Fresnaye, Roger de, French, 1885-1925 The Bathers, 1912, oil on canvas, 2000.51.1, Gift of Sara Lee Corporation

Melendez, Luis, Spanish, 1716-1780 Still Life with Figs and Bread, 1760s, oil on can- vas, 2000.6.1, Patrons' Permanent Fund

47 Sculpture Flamerani, Giovanni, Italian, 1646-1705 Saint Veronica (obverse), Christ Crucified (reverse), Arondeaux, Regnier, Flemish (?), active c. 1675, gilded bronze, 1999.109.14.a,b, Gift of Lisa 1678/1702 and Leonard Baskin James II...King of England 1685-1688 (obverse), Master H.L.T., Danish, mid-17th century Beheading of James Scott.. .and Archibald Camp- Frederick III.. .King of Denmark and Norway 1648 bell...(reverse), 1685, silver, 1999.109.l.a.b. Gift ol (obverse), Sophia Amelia... Wife of Frederick III... Lisa and Leonard Baskin (reverse), c. 1648, silver, 1999.109.15.a,b, Belli, Valerio, Italian, c. 1480-1546 Gift of Lisa and Leonard Baskin Adoration of the Magi (obverse), Presentation of German (Georg Fugger Christ in the Temple (reverse), c. 1530s, bronze, Group) 1999.109.2.a,b, Gift of Lisa and Leonard Baskin' Charles V...King of 1516, Holy Roman Briot, Nicolas, French, 1579/1580-1646 Emperor 1519-1556 (obverse), Pillars of Hercules Charles I...King of England 1625 (obverse), The (reverse), 16th century, lead, 1999.109.16.a,b, Gift King's Return to London (reverse), 1633, lead, of Lisa and Leonard Baskin 1999.109.4.a,b, Gift of Lisa and Leonard Baskin Milanese 16th Century British 19th Century Gian Michele Zerbi (obverse), Allegory of Music Britannia Recording Merit (obverse), Thorp Semi- (reverse), c. 1550, bronze, 1999.109.17.a,b, Gift of nary Award (reverse), c. 1800, inscribed 1809, Lisa and Leonard Baskin silver, 1999.109.8.a,b, Gift of Lisa and Paladino, Girolamo, Italian, 1647-1689 Leonard Baskin Julius II... 1503 (obverse), Delia Rovere Shield Cambio, Giovanni Battista (or Andrea), of Arms (reverse), 1667/1682, bronze, called Bombarda, Italian, active 1540/1578 1999.109.18.a,b. Gift of Lisa and Leonard Baskin Gabriele Fiamma.. .Abbot General of the Augustinian Rogers, Randolph, American, 1825-1892 Congregation 1578 (obverse), Inscribed Record of Nydia, the Blind Girl of Pompeii, model 1855, Fiamma's Life and Works (reverse), 1578, bronze, carved 1860, marble, 2000.85.1, Patrons' 1999.109.3.a,b, Gift of Lisa and Leonard Baskin Permanent Fund Dassier, Jean, Swiss, 1676-1763 Rossi, Giovanni Antonio de', Italian, Edward IV... King of England 1461 (obverse), For- 1517-after 1575 tune Triumphant (reverse), 1731, gilded bronze, Pius V...Pope 1566 (obverse), Alliance of the 1999.109.5.a,b, Gift of Lisa and Papacy, Spain, and Venice (reverse), 1571, Leonard Baskin gilded bronze, 1999.109.19.a,b, Gift of Lisa and Dupre, Guillaume, French, c. 1574-1642 Leonard Baskin Henri IV... King of France 1589, 1607, bronze, Warin, Jean, Flemish, 1607-1672 1999.109.6. Gift of Lisa and Leonard Baskin Cardinal Jules Mazarin... Prime Minister of France Diirer, Albrecht, Follower of, German, 1643 (obverse), The Peace of the Pyrenees (reverse), or Possibly Antonio Abondio, Italian, 1660, bronze, 1999.109.20.a,b, Gift of Lisa and 1538-1591 Leonard Baskin Portrait of a Man, 1514 or after, lead, 1999.109.7, Gift of Lisa and Leonard Baskin Filarete, Italian, c. 1400-c. 1469 Installation King Juba I of Numidia Led in Triumph by Julius Caesar, c. 1433/1435, bronze, 1999.102.1, Patrons' Turrell, James, American, born 1943 Permanent Fund Amba, 1968, end wall projection Orca, 1968, end wall projection Flotner, Peter, German, c. 1485-1546 Royce, 1967, single wall projection Abraham Welcoming the Three Angels, Artar, 1967, single wall projection c. 1525/1535, lead, 1999.109.9, Gift of Lisa 2000.84. l^i, Gift of The Brown Foundation, Inc., Houston and Leonard Baskin Fontana, Annibale, Italian, 1540-1587 Hercules and Cerberus, c. 1570/1589 Drawings Hercules and the Hydra, c. 1570/1589 bronze, 1999.109.10,11, Gift of Lisa and Aldegrever, Fleinrich, German, Leonard Baskin 1502-1555/1561 French 15th or 16th Century A Man Overpowered by Thieves, c. 1554, pen and Louis XII.. .King of France 1498 (obverse), black ink with gray wash on buff paper, , Wife of Louis XII... (reverse), 2000.96.1, Gift of J. Carter Brown 1498/1514, bronze, 1999.109.12.a,b, Gift of Lisa Auguste, Jules-Robert, French, 1789-1850 and Leonard Baskin A Turk, 1815/1817, pastel on paper mounted on German or Flemish 17th Century board, 1999.111.1, Gift of Frank Anderson Trapp Battle Scene, mid-17th century, gilded bronze, Baroff, Jill, American, born 1954 1999.109.13, Gift of Lisa and Leonard Baskin Sitings (SW), 1998, graphite on gampi paper Guimard, Hector, French, 1867-1942 mounted to kozo paper, 2000.41.1, Gift of Werner Entrance to the Metropolitain, conceived 1902, fab- H. and Sarah-Ann Kramarsky ricated 1902/1913, painted cast iron and bronze, Baumgartner, Johann Wolfgang, German, 2000.2.1, Gift of Robert P. and Arlene R. Kogod 1709-1761 Luis Melendez, Still Life with Figs and Bread, 1760s, Venetian Fantasy with an Ornamental Arch, 1750s oil on canvas, 47.6 x 34 cm, Patrons' Permanent Venetian Fantasy with the Dogana, 1750s Fund, 2000.6.1

48

Randolph Rogers, Nydia, the Blind Girl of Pompeii, model 1855, carved 1860, marble, 137.2 cm, Patrons' Permanent Fund, 2000.85.1

pen and black and gray ink over graphite with Benton, Thomas Hart, American, 1889-1975 Bochner, Mel, American, born 1940 gray wash and white heightening on blue paper, Tennessee Belle, c. 1939, graphite and pen and Counting: Asymptotic Zones (2), 1972 partly incised for transfer, 2000.67.1-2, Director's black ink with brown wash, 2000.98.2, Gift of Eliz- Counting: Asymptotic Zones (3), 1972 Discretionary Fund abeth Meyer Lorentz colored felt-tip pens, 2000.41.2-3, Gift of Werner H. and Sarah-Ann ICramarsky Bellotto, Bernardo, Italian, 1722-1780 Bergmuller, Johann Georg, German, A Capriccio of Palaces and a Loggia Facing a Classical 1688-1762 Bohemian 18th Century Bridge, c. 1750, pen and black ink over graphite Saint Michael Defeating Heresy and Satan, 1730, The Return of the Prodigal Son, c. 1720, pen and on 2 joined sheets of paper, 1999.125.1, William B. pen and brown ink with brown wash and white brown ink with brown wash over graphite, O'Neal Fund heightening on blue paper, incised for transfer, 2000.63.1, Director's Discretionary Fund 2000.68.1, Director's Discretionary Fund

50 Arthur Dove, Moon, 1935, oil on canvas, 88.9 x 63.5 cm, Collection of Mr. and Mrs. Barney A. Ebsworth, 2000.39.1

Boucher, Frangois, French, 1703-1770 Reclining Nymph, c. 1752, black and white chalk Braque, Georges, French, 1882-1963 The Adoration of the Magi, pen and brown ink on brown paper Large Nude, 1927, brown chalk on paper laid and brown wash over red chalk, laid down Venus, c. 1754, black chalk with touches of red down on canvas, 2000.25.1, Woodner Collection The Adoration of the Shepherds, c. 1750, black chalk, heightened with white chalk on gray paper Brennan, Michael, American, born 1965 chalk, pen and brown ink with brown wash 2000.9.1-5, Gift of Gertrude Laughlin Chanler Untitled, 1995, graphite and ink on brown paper heightened with white and laid down Boys, Thomas Shotter, British, 1803-1874 Untitled, 1995, graphite and ink Aurora, 1733, red chalk heightened with white Chartres, 1836, watercolor, 1999.110.1, Gift (Partial 2000.41.4-5, Gift of Werner H. and Sarah-Ann ICra- chalk on brown paper and Promised) of Donald Stone marsky

51 Brodsky, Eugene, American, born 1946 Elsasser, Julius Albert, German, 1814-1859 Explosion, 1989, flashe on 3 sheets of paper, A Woodland Chapel at Evening, 1859, pen and gray and black ink and gray wash, 2000.64.1, 2000.41.6.a-c, Gift of Werner H. and Sarah-Ann Kra- Director's Discretionary Fund marsky Floris I, Frans, attributed to, Flemish, Buckley, Carmel, British, born 1956 c. 1519-1570 Untitled, 1995, ink, 2000.41.7, Gift of Werner H. and Diana and Endymion, c. 1560, black chalk on Sarah-Ann Kramarsky ocher prepared paper, 2000.40.1, Gift of Luca Calame, Alexandre, Swiss, 1810-1864 Baroni An Ancient Pine Forest with a Mountain Stream, Fragonard, Jean-FIonore, French, 1732-1806 c. 1840, pen and brown ink and brown wash Don Quixote about to Strike the Helmet, 1780s with charcoal and gouache, 1999.126.1, Gift of Don Quixote and See Being Mr. and Mrs. James T. Dyke Attacked, 1780s Caracciolo, Roberto, Italian, born 1960 Don Quixote Attacking the Biscayan, 1780s Untitled, 1989-1990, charcoal and graphite on 2 Don Quixote Attacking the Windmill, 1780s joined sheets of paper, 2000.41.8, Gift of Werner H. Don Quixote Defeated by the Windmill, 1780s and Sarah-Ann Kramarsky The Muleteer Attacking Don Quixote as He Lies Help- less on the Ground, 1780s Carus, Carl Gustav, German, 1789-1869 A Path through Fields near Leipzig, c. 1812, brush with brown and gray washes over black graphite and gray wash on slightly blued paper, chalk, 2000.9.6-10, 13, Gift of Gertrude Laughlin 2000.65.1, Director's Discretionary Fund Chanler

Casey, Tim, American, born 1947 French 18th Century W-7 11/88, 1988, watercolor and gouache, A Young Girl Wearing a Flowered Hat, red chalk on 2000.41.9, Gift of Werner H. and Sarah-Ann Kramarsky light beige paper, 2000.9.14, Gift of Gertrude Laugh- lin Chanler Chamlin, Suzanne, American, born 1963 Untitled, 1996, ink, 2000.41.10, Gift of Werner H. French 18th Century, follower of Giovanni and Sarah-Ann Kramarsky Battista Piranesi Roman Prison, pen and black ink with brown Charles, Michelle, British, born 1959 and gray wash heightened with white over Untitled (Spanish Bottle), 1995, green oil paint, traces of graphite, 2000.9.21, Gift of Gertrude 2000.41.11, Gift of Werner H. and Sarah-Ann Kra- Laughlin Chanler marsky Greuze, Jean-Baptiste, French, 1725-1805 Clermont, Jean-Franq:ois, French, 1717-1807 The Well-Loved Mother, 1765, pastel with red, A Girl in Peasant Dress, c. 1750, black and white black, and white chalks and stumping, 2000.15.1, chalk on pink paper, 2000.77.1, Gift of Ivan E. and New Century Gift Committee Winifred Phillips in memory of Neil Phillips Sacrifice to Love, gray and black wash over black Cohen, Mirit, Israeli, 1945-1990 chalk, 2000.97.1, Bequest of Lore Heinemann in Untitled, c. 1975, graphite on brown paper, memory of her husband, Dr. Rudolf J. Heinemann 2000.107.1, Gift of Tony Ganz in memory of Victor and Guardi, Francesco, Style of Sally Ganz View of the Rialto Bridge, Venice, pen and brown Collins, William, British, 1788-1847 ink with brown wash and watercolor, laid A Heath in Sussex, 1810/1815, watercolor over down, 2000.9.15, Gift of Gertrude Laughlin Chanler graphite with scratching out, 2000.71.1, Ailsa Mel- Kallmann, Anton, German, 1812-1845 Claude-Joseph Vernet, The Shipwreck, 1772, oil on lon Bruce Fund The Cloister of Santa Maria di Gesu at , canvas, 113.5 x 162.9 cm, Patrons' Permanent Danby, Francis, Irish, 1793-1861 1835, graphite, 2000.62.1, Ailsa Mellon Bruce Fund Fund and Chester Dale Fund, 2000.22.1 Panorama of the Coast at Sunset, c. 1813, brown Fleerdt, Johann Christian, German, wash with white heightening, 2000.74.1, Gift of 1812-1878 Diane Allen Nixon Wild Plants near Birstein (recto), Study of Cliffs Dean, Stephen, French, born 1968 (verso), 1835, graphite and pale brown wash, Untitled (Help Wanted Full Page), 1994, watercolor 2000.81. La,b, Ailsa Mellon Bruce Fund Italian 16th Century on newsprint, 2000.41.12, Gift of Werner H. and Fleintz, the Elder, Joseph, Swiss, 1564-1609 Grotesque with a Satyr, pen and brown ink and Sarah-Ann Kramarsky The Toilet of Venus, c. 1590, pen and black ink brown wash over black chalk Decamps, Alexandre-Gabriel, French, over red and black chalk with brown and gray Sketches, late 16th century, pen and brown ink 1803-1860 wash, heightened with white, 2000.65.2, Director's with black chalk Three Arab Horsemen Crossing a River, c. 1835, Discretionary Fund 2000.7.16, 18.a. Gift of Gaillard F. Ravenel and Frances charcoal with white heightening and black ink, P. Smyth-Ravenel Hoger, Josef, Austrian, 1801-1877 2000.66.1, Ailsa Mellon Bruce Fund Eichhorn Castle at Evening, c. 1838, watercolor Italian 18th Century Degas, Edgar, French, 1834-1917 over graphite, 2000.73.1, New Century Fund Stage Design (recto), pen and brown ink over Spanish Dancers and Musicians, 1868/1869, water- graphite; Fantastic Architectural Studies (verso), Ireland, Patrick, American, born 1934 color and pen and black ink, 2000.25.3, Woodner graphite, 2000.7.19.a,b, Gift of Gaillard F. Ravenel and (or 1935?) Collection Frances P. Smyth-Ravenel Twenty Dot Drawing, 1970/1971, colored felt-tip Diebenkorn, Richard, American, 1922-1993 pen, 1999.118.2, The Dorothy and Herbert Vogel Col- Kager, Johann Mathias, German, 1575-1634 Seated Woman, Umbrella, 1967, ink and charcoal, lection Without Ceres and , Venus Freezes, 1590s, 2000.141.2, Gift of Phyllis Diebenkorn pen and black ink with gray wash over graphite, Isabey, Jean-Baptiste, French, 1767-1855 1999.128.1, Ailsa Mellon Bruce Fund El Hanani, Jacob, Israeli, born 1947 Hubert Robert, 1787, black chalk heightened with Untitled, 1980, ink and xerox, 2000.41.13, white on buff paper, 2000.176.1, Gift of John Mor- The Stigmatization of Saint Francis, 1607, pen and Gift of Werner H. and Sarah-Ann Kramarsky ton Morris black ink with gray wash, 2000.65.3, Director's Dis- cretionary Fund

52 Keyser, Robert, American, 1924-1999 Knowlton, Win, American, born 1953 red chalk, 2000.7.23, Gift of Gaillard F. Ravenel and Sketchbook, 1995, with 60 drawings in water- Untitled (Stack), 1992, brush and black ink, Frances P. Smyth-Ravenel color and ink 2000.41.14, Gift of Werner H. and Sarah-Ann Kra- Levine, Tom, American, born 1945 Sketchbook, 1976-1996, with 109 drawings in marsky Untitled, 15.1.95, 1995, oil pastel, graphite and various media Le Clerc, Pierre Thomas, French. charcoal, 2000.41.16, Gift of Werner H. and Sarah- Sketchbook, 1977-1986, with 118 drawings in born c. 1740 Ann ICramarsky watered or and ink A Clerk Accompanying a Lady on Her Morning Walk, 2000.101.10.1-60, 2000.101.11.1-109, LeWitt, Sol, American, born 1928 1778/1780 2000.101.12.1-118, Gift of Wally Reinhardt Wavy Brushstrokes, 1996, gouache, 1999.118.1, A Lady and Gentleman with Exaggerated The Dorothy and Herbert Vogel Collection Kniep, Christoph Heinrich, German, Headdresses, 1778/1780 1755-1825 red chalk on beige paper, 2000.9.16-17, Gift of Malinconico, Nicola, Italian, 1663-1721 Arcadian Landscape with a Mausoleum, 1790s, pen Gertrude Laughlin Chanler The Sacrifice of Elijah before King Ahab, 1680s, pen and brown ink and brown wash over graphite, and brown and black ink with brown wash, Ledy, Ann, American, born 1952 2000.70.1, Director's Discretionary Fund 2000.53.1, Ailsa Mellon Bruce Fund Untitled (a.-d.), 1988, graphite and ink on 4 Arcadian Landscape with a Doric Temple, 1790s, sheets of paper, 2000.41.15.a-d, Gift of Werner H. Mandevare, Alphonse Nicolas-Michel, pen and brown ink and brown wash over and Sarah-Ann Kramarsky French, active 1793-1848 graphite, 2000.70.2, Eugene L. and Marie-Louise Gar- A Bizarre Rock Formation, black chalk, 2000.32.1, Lemoyne, Francois, French, 1688-1737 baty Fund Ailsa Mellon Bruce Fund An Italian Walled Town Seen through Trees, c. 1724,

53 Marin, John, American, 1870-1953 Piranesi, Giovanni Battista, Italian, Hohenluft (Austrian Tyrol) (recto), Untitled 1720-1778 (verso), 1910 A Magnificent Palatial Interior, c. 1750, pen and The Modern Universe, 1937 brown ink and brown wash with graphite over watercolor and graphite, 2000.98.3.a,b, 4, Gift of red chalk, 2000.9.20, Gift of Gertrude Laughlin Elizabeth Meyer Lorentz Chanler Mayr, Johann Ulrich, German, 1630-1704 Pondick, Rona, American, born 1952 The Head of Christ, c. 1670, black chalk height- Mouth #46, 1994, casein, pigment, and graphite ened with white chalk on brown oatmeal paper, on Mulberry paper, 2000.41.18, Gift of Werner H. 2000.65.4, Gift of The Very Reverend and Mrs. Charles and Sarah-Ann Kramarsky U. Harris Redon, Odilon, French, 1840-1916 Menzel, Adolph, German, 1815-1905 Saint George and the Dragon, 1880s and c. 1892, The Interior of the Jacobskirche at Innsbruck, 1872, charcoal and pastel on tan paper, 2000.14.1, Gift gouache, 2000.56.1, Pepita Milmore Memorial Fund of GTE and the New Century Gift Committee and Gift of The Ahmanson Foundation Reinhardt, Ad, American, 1913-1967 Montreuil, Gregory, American, born 1958 Untitled, 1942, watercolor and ink, 2000.38.1, Gift Untitled, 1995, orange ink and pencil, 2000.41.17, of the Collectors Committee Gift of Werner H. and Sarah-Ann Kramarsky Untitled, 1946, watercolor, gouache, crayon, Moreau, Jean Michel, French, 1741-1814 and ink, 2000.38.2, Gift of Doris and Don Fisher View of the Hotel des Vermes Generales du Tabac, Renouf, Edda, American, born 1943 1763, pen and black ink with brown wash and Wing Drawing #4, 1980, incised pastel Workshop of Johann Teyler, Snake and Butterfly, watercolor over graphite on 2 joined sheets of Wing Drawing #7, 1980, graphite and incised 1680s/, color etching with engraving on laid paper pastel paper, 17.3 x 45.8 cm, Gift of Ladislaus and Beatrix May Ball, 1765, pen and black ink with brown Rain #3, 1982, incised watercolor von Hoffmann, 2000.17.3 and gray wash, watercolor, and gouache over Janitzio #3, 1982, incised watercolor graphite 1999.118.4-7, The Dorothy and Herbert Vogel Collection 2000.9.18, 25, Gift of Gertrude Laughlin Chanler Robert, Hubert, Follower of Munch, Edvard, Norwegian, 1863-1944 Courtyard of the Villa Pliniana, pen and black ink Double Portrait of Two Young Women, 1898, with brown gray wash and watercolor on beige colored crayons, 2000.42.1, Gift of the Epstein Fam- paper, 2000.9.22, Gift of Gertrude Laughlin Chanler ily Collection Steinman, Steven, American, born 1951 Roos, Johann Heinrich, German, 1631-1685 In Man's Brain, c. 1897, brush and black ink on Untitled, 1994 A Bull Sleeping, 1660s, pen and brown ink over orange paper (recto); rubbing from woodblock, [/MOW, 1998 black chalk, 2000.86.1, Ailsa Mellon Bruce Fund heightened with brush and black ink (verso) graphite and ink on paper with scored lines, 2000.142,1.a,b, Epstein Family Fund and the Director's Rottmann, Carl, German, 1797-1850 2000.41.20-21, Gift of Werner H. and Sarah-Ann Discretionary Fund Panoramic Views of Vesuvius and Monte Pellegrino Kramarsky (recto), 1827, watercolor and graphite; Views of Naeke, Gustav Heinrich, German, 1786-1835 Swiss 16th Century Monte Pellegrino (verso), graphite, 1999.104.l.a.b, Peter Paying the Temple Tax, 1820/1821, pen and A Man in Armor, black chalk, pen and black ink, Ailsa Mellon Bruce Fund black ink over graphite, 1999.133.1, Ailsa Mellon and gray wash heightened with white on red Bruce Fund Rottmayr, Johann Michael, Austrian, orange prepared paper, 2000.25.4, Woodner Collection 1652-1730 Nattier, Jean-Baptiste, French, 1678-1726 Tavarone, Lazzaro, Italian, 1556-1641 Susanna and the Elders, c. 1700, red chalk with A Triton Blowing a Conch Shell, 1724, black chalk A Ceiling Decoration with Landscapes and Battles, red and brown wash and white heightening, heightened with white chalk on gray brown c. 1620, pen, brown ink, watercolor, and black 2000.65.7, Director's Discretionary Fund paper, 2000.9.19, Gift of Gertrude Laughlin Chanler chalk, 2000.24.1, William B. O'Neal Fund Rousselot, Bruno, French, born 1957 Oldenburg, Claes, American, born 1929 Testard, Jean, French, born c. 1740 Delta, 1994, blue acrylic paint and ink, Fork Cutting Cake No. I: Proposed Colossal Monu- Project for the House and Gardens of Mile. Guimard, 2000.41.19, Gift of Werner H. and Sarah-Ann Kra- ment for Piccadilly Circus, London, 1966, water- c. 1768-1770, pen and black ink with gray wash marsky color and lithographic crayon, 2000.59.1, Director's and watercolor over graphite, with a color etch- Discretionary Fund Saint-Aubin, Gabriel Jacques de, French, ing by Charles-Philippe Campion de Tersan 1724-1780 attached, 2000.9.26, Gift of Gertrude Laughlin Olivier, Friedrich, German, 1791-1859 Ballet from "The Rival Fairies" (recto), Sketches of Chanler A Corner of the , 1820, pen and brown Dancers and Heads of Putti (verso), c. 1748, pen ink and brown wash over graphite, 2000.65.5, Tiepolo, Giovanni Battista, Italian, and black ink with gray wash Gift of The Very Reverend and Mrs. Charles U. Harris 1696-1770 Royal Review of the Troops, 1760s, graphite and Figure on a Cloud, 1750/1760, pen and brown Orlik, Emil, German, 1870-1932 black chalk, pen and brown ink, gray brown ink and brown wash, 1999.110.2, Gift of Donald A Volendam Girl in Costume, 1898, pastel on gray wash and watercolor Stone in memory of David Stone brown paper, 2000.90.1, Gift of Jill Newhouse and 2000.9.23.a,b, .24, Gift of Gertrude Laughlin Chanler Andrew Robison Vanvitelli, Luigi, Italian, 1700-1773 Salathe, Friedrich, Swiss, 1793-1858 Proposal for the Trevi Fountain, 1730/1732, pen Pearlstein, Philip. American, born 1924 Ruins of a Rheinland Castle, c. 1835, watercolor and brown ink with gray wash, 1999.140.1, Untitled, 1963, brush and sepia ink, 1999.118.3, over graphite on 2 joined sheets of paper, William B. O'Neal Fund The Dorothy and Herbert Vogel Collection 2000.73.2, New Century Fund Varley, Cornelius, British, 1781-1873 Picot, Fran^ois-Edouard, French, 1786-1868 Steidlin, Hans, Attributed to, German, An Extensive View in Shropshire, 1803 Vulcan Discovering Venus and Mars 1555-1607 A Wooded Lane near Ross, 1803 Cupid with Psyche Extinguishing the Lamp Janus, c. 1600, pen and black ink over graphite watercolor over graphite, 2000.74.2-3, Gift of pen and black ink with brown and gray wash with brown and pink wash and white heighten- Diane Allen Nixon and white heightening on brown prepared ing, incised for transfer, 2000.65.6, Director's Dis- paper, 2000.60.1-2, Ailsa Mellon Bruce Fund cretionary Fund

54 Vincent, Francois-Andre, French, 1746-1816 A View of Rome from Santa Maria del Priorato Baldung Grien, Hans, German, The Drawing Lesson, 1777, brush and brown (recto), c. 1710, pen and brown ink and gray 1484/1485-1545 wash over graphite, 2000.99.1, Gift (Partial and wash with red chalk; Figures from the Farnese Madonna and Child, 1515/1517, woodcut, Promised) of an anonymous donor Ceiling and from Life, pen and brown ink and red 1999.101.1, Patrons' Permanent Fund chalk over traces of graphite Voltolini, Giuseppe, Italian, active mid-19th The Lamentation, 1510, woodcut, 2000.7.3, Gift of 2000.97.2.a,b, .3.a,b, Bequest of Lore Heinemann in century Gaillard F. Ravenel and Frances P. Smyth-Ravenel memory of her husband, Dr. Rudolf J. Heinemann Trompe I'oeil, 1846, watercolor with pen and Barbiere, Domenico del, Italian, black ink, 2000.7.40, Gift of Gaillard F. Ravenel and da Zevio, Altichiero, Attributed to, Italian, c. 1506-probably 1565/1575 Frances P. Smyth-Ravenel active c. 1369-1388 The Banquet of Alexander the Great (after Procession Entering a City, c. 1369, pen and brown Vuillard, Edouard, French, 1868-1940 Francesco Primaticcio), 1544/1546, engraving, ink and brown wash, 2000.25.2, Woodner Collection The Enigmatic Smile, watercolor over graphite, 1999.103.1, Ailsa Mellon Bruce Fund 2000.66.2, Given in memory of Martin Atlas by the Bartczak, Andrzej, Polish, born 1945 Cafritz Foundation Graphic Exercises XII, 1993, color screenprint on Prints and Illustrated Books Walker, John Frederick, American, born 1945 3 sheets of paper mounted together, 1999.116.3, Quadrant Study, 1995, ink, graphite, and metallic Gift of Gerald Cerny pencil, 2000.41.22, Gift of Werner H. and Sarah-Ann Achimescu, Bogdan, Romanian, born 1965 Bartlett, Jennifer, American, born 1941 Kramarsky Anamat Eimar, 1996, monotype on 2 sheets of House: Dots, Hatches, 1999, color screenprint, Waltemath, Joan, American, born 1953 joined paper, 1999.116.1, Gift of Gerald Cerny 2000.47.1, Gift of The Smithsonian Associates Untitled, 1994, graphite and colored pencil on Alt, Jakob, German, 1789-1872 Basoli, Luigi and Francesco, Italian, active photosensitive paper, 2000.41.23, Gift of Werner H. Baiern, Kalkfelsen zwischen Weltenburg und Kell- c. 1810, and Antonio Basoli (author), Italian, and Sarah-Ann Kramarsky heim, 1820/1826 1774-1848 Watteau, Antoine, French, 1684-1721 Nieder-Oesterreich, Ruinen des Schlosses Hinterhaus, Compartimenti di Camere per uso degli Amatori e The Wedding Procession, c. 1712, red chalk over 1820/1826 Studenti delle Belle Arti (Bologna, 1827), bound red chalk counterproof, 2000.8.1, Margaret Mellon lithographs, 1999.135.1-2, Ailsa Mellon Bruce Fund volume with 100 etched illustrations, 1999.134.1, Hitchcock Fund Mark J. Millard Architectural Collection Andreani, Andrea, Italian, 1558/1559-1629 Italian Comedians Taking Their Bows, c. 1720, red Madonna and Child (after Francesco Vanni), Bearden, Romare, American, 1914-1988 chalk and graphite, 2000.9.27, Gift of Gertrude 1591/1593, chiaroscuro woodcut printed from 2 Carolina Morning, 1972, color collagraph, Laughlin Chanler blocks in black and gray brown, 2000.18.1, Ailsa 2000.133.1, Director's Discretionary Fund Willinges, Johann, German, c. 1560-1625 Mellon Bruce Fund Prelude to Troy (No. 2), 1974, color collagraph, The Three Marys, 1590s, pen and brown ink with 2000.58.1, Gift of Yvonne and Richard McCracken and Appian, Adolphe, French, 1818-1898 gray wash, 2000.20.3, Ailsa Mellon Bruce Fund Mary and Jerald Melberg Au Valromey, 1868, etching with drypoint Witek, Joan, American, born 1943 Barque de Pecheurs, 1874, etching Bgbenek, Andrzej, Polish, born 1950 Starry Night, 1994, gouache on film, 2000.41.24, 2000.7.1-2, Gift of Gaillard F. Ravenel and Frances P. Marysia III, 1995, etching and drypoint [proof], Gift of Werner H. and Sarah-Ann Kramarsky Smyth-Ravenel 1999.116.4, Gift of Gerald Cerny Wittel, Caspar van, Dutch, 1652/1653-1736 Armata, Ludmifa, Polish, born 1954 The Gardens of the Villa Medici (recto and verso), Personae, 1992, color etching, aquatint, and dry- 1710-1720, pen and brown ink over graphite point, 1999.116.2, Gift of Gerald Cerny

55 Beck, Leonhard, German, c. 1480-1542, and Bonnard, Pierre, French, 1867-1947 Berno of Reichenau (author), German, died Child with Lamp, c. 1897, color lithograph on 1048 china paper Gloriosorum christi confessorum Uldarici Symperti Family Scene, 1892, color lithograph (, 1516), bound volume with 6 wood- La Legende de Joseph, 1914, color lithograph cut illustrations, 2000.57.1, Millard Acquisition Fund The Laundress, 1896, color lithograph on china paper Bednarczyk, Andrzej, Polish, born 1960 Le Salon des Cent, 1896, color lithograph Singing of the World, 1999, mixed media with Le Salon des Cent, 1896, color lithograph on perforations, 1999.116.5, Gift of Gerald Cerny japan paper [proof before letters] Bellmer, Hans, German, 1902-1975 Les Boulevards, 1900, color lithograph Untitled, 1967, engraving, 1999.114.1, Gift of Elisa- Promenade des Nourrices, Frise des Fiacres, 1899, beth French 4-part color lithographic screen Benton, Thomas Hart, American, 1889-1975 1999.138.1-8, Gift (Partial and Promised) of The Virginia and Ira Jackson Collection Going West, 1934, lithograph, 2000.98.1, Gift of Elizabeth Meyer Lorentz Boudin, Eugene, French, 1824-1898 Aaron, 1941, lithograph, 2000.103.1, Gift of A. Marine View, etching, 2000.7.7, Gift of Gaillard F. Thompson Ellwanger III Ravenel and Frances P. Smyth-Ravenel

Berdyszak, Jan, Polish, born 1934 Boulanger, Louis-Candide, French, Imaginative Design XV, 1993, color lithograph on 1806-1867 black paper, 1999.116.6, Gift of Gerald Cerny Le Lion et le tigre (after Eugene Delacroix), c. 1830 Bergomensis, Jacobus Philippus (author), Attaque du lion, c. 1830 Italian, 1434-1520 Le Sommeil du lion Supplementum Chronicarum (Venice, 1486), Attaque du tigre bound volume with 75 woodcut illustrations, lithographs, 1999.111.4-7, Gift of Frank 2000.23.2.b, Gift of ladislaus and Beatrix von Hoff- Anderson Trapp

Boyvin, Rene, French, c. 1525-c. 1580/1598 Bida, Alexandre, French, 1823-1895 Argonauts Presented to King Pelias at Ioleus (after Arnautes, Egypte Leonard Thiry), 1563, engraving, 2000.49.1, Gift A Turk (Partial and Promised) of David M. Frost lithographs, 1999.111.2-3, Gift of Frank Anderson Trapp The Incantation of Medea (after Leonard Thiry), 1563, engraving, 2000.69.1, Ailsa Mellon Bruce Bleker, Gerrit Claesz., Dutch, active Fund 1628—1656 The Four-Wheeled Cart, 1643, etching, 2000.18.2, Breenbergh, Bartholomews, Dutch, probably Ailsa Mellon Bruce Fund 1599-1657 Part of the Via Flaminia, 1639/1640, etching, Blery, Eugene, French, 1805-1887 2000.7.8, Gift of Gaillard F. Ravenel and Frances P. Water Dock and Brambles at a Sluice, 1843, etching Smyth-Ravenel Jan Brueghel the Elder, River Landscape, 1607, oil [proof], 2000.102.1, Gift of Ruth Fine and Larry Day on copper, 20.7 x 32.1 cm, Patrons' Permanent Bronchorst, Jan Gerritsz. van, Dutch, in memory of Frances Smyth Fund and Nell and Robert Weidenhammer Fund, 1603-c. 1661 2000.4.1 Bloemaert, Frederick, Dutch, 1610 or Venus and Cupid (after Cornells van Poelen- after-1669 or after burgh), 1636, etching, 1999.135.4, Ailsa Mellon Saint John the Baptist (after Parmigianino), Bruce Fund chiaroscuro woodcut in 2 shades of brown with etching, 2000.78.1, Ailsa Mellon Bruce Fund Buhot, Felix-Hilaire, French, 1847-1898 Une Matinee d'hiver au Quai de I'Hotel-Dieu, 1876, Boissieu, Jean-Jacques de, French. etching with drypoint and roulette, 2000.7.9, Gift Man with a Pig, 1922/1923, transfer lithograph 1736-1810 of Gaillard F. Ravenel and Frances P. Smyth-Ravenel The Talmud Teacher, 1922, drypoint [artist's proof] Self-Portrait, 1796, etching with drypoint and 2000.45.1-7, Gift of Mr. and Mrs. Gerhard E. Pinkus roulette, 1999.135.3, Katharine Shepard Fund Burdyniewicz, Zenon, Polish, born 1956 C of the E Cycle, 1993, color linocut, 1999.116.7, Collaert, Adriaen, Flemish, c. 1560-1618 The Temple of Vesta, 1774, etching Gift of Gerald Cerny Venus, Juno, and Minerva (after Jan van der Vue d'Aqua Pendente sur la route de Sienne a Rome, Stract), 1587, engraving, 2000.88.1, Ailsa Mellon 1773, etching and drypoint Burgkmair, Hans, German, 1473-1531, and Bruce Fund 2000.7.4-5, Gift of Gaillard F. Ravenel and Frances P. Johann Geiler von Kaysersberg (author), Smyth-Ravenel German, 1445-1510 Condo, George, American, born 1957, and Das buch granatapfel im genant Malogranatus William S. Burroughs (author), American, Bolswert, Schelte Adams, Flemish, (Augsburg, 1510), bound volume with 6 wood- 1914-1997 1586-1659 cut illustrations, 2000.57.2, Gift of Ladislaus and Ghost of a Chance (New York, 1991), bound The Drunken Silenus (after Sir Peter Paul Beatrix von Hoffmann volume with 3 etchings, 1999.117.2.a-c, Rubens), c. 1635, etching and engraving Gift of Susan Lorence Christ Crucified between Two Thieves (after Sir Peter Caylus, Anne-Claude-Philippe de Tubieres, Paul Rubens), 1640s, engraving comte de, French, 1692-1765 Constant, Jean Joseph Benjamin. French, The Four Evangelists (after Sir Peter Paul Apollo (after Edme Bouchardon), etching, 1845-1902 Rubens), 1640s, engraving 2000.30.1, Ailsa Mellon Bruce Fund Oriental Interior with Sleeping Tiger, 1875/1885, etching, 1999.111.8, Gift of Frank Anderson Trapp 1999.139.1, 2000.31.1-2, Ailsa Mellon Bruce Fund Chagall, Marc, Russian, 1887-1985 Lion Hunt (after Sir Peter Paul Rubens), engrav- Acrobat with a Violin, 1924, etching and drypoint Corinth, Lovis, German, 1858-1925 ing, 2000.7.6, Gift of Gaillard F. Ravenel and Frances P. Goat in the Night, 1922/1923, transfer lithograph ArnoHolz, 1922, lithograph Smyth-Ravenel Goat with a Violin, 1922/1923 (printed 1950), On a Lake, 1917, drypoint woodcut on oriental paper Crouching Female Nude, 1914, drypoint and The Greeting, 1922/1923, etching and drypoint aquatint Man Seated with Goat, 1922/1923, lithograph Horseman, drypoint on japan paper

56 In the Hammock II, 1920, drypoint Decamps, Alexandre-Gabriel. French, Denon, Dominique Vivant, Baron, French, Martyrium, 1921, drypoint 1803-1860 1747-1825 Pieta, 1920, drypoint Camel and Arabs Profile Head of Oriental in Turban, 1820, litho- Portrait of a Woman, 1914, drypoint Oriental Vignettes, c. 1829 graph, 1999.111.15, Gift of Frank Anderson Trapp Standing Female Nude, 1916, drypoint lithographs, 1999.111.9-10, Gift of Frank Anderson Diebenkorn, Richard, American, 1922-1993 Walchensee, c. 1923, drypoint Trapp Arion Press Edition of "Poems by W.B. Yeats," 1990, Walchensee in Winter 1923, drypoint Delacroix, Eugene, French, 1798-1863 bound volume with 6 etchings, accompanied by 2000.105.1-11, Gift of Dr. Toni G. Marcy Arabes d'Oran, 1833, lithograph an unbound suite of the prints Corot, Jean-Baptiste-Camille. French, Femmes d'Alger, 1833, lithograph Small Red, 1980, color etching 1796-1875 Tiger Sleeping in the Desert, c. 1830, etching 2000.141.1, 3, Gift of Phyllis Diebenkorn Italian Landscape, c. 1865, etching, 2000.7.10, Gift Tigre en arret, 1854, cliche-verre Dobosz, Agnieszka, Polish, born 1969 of Gaillard F. Ravenel and Frances P. Smyth-Ravenel 1999.111.11-14, Gift of Frank Anderson Trapp Figure /, 1993, etching and drypoint [proof], Cort, Cornells, Netherlandish, 1533-1578 Delia Bella, Stefano, Italian, 1610-1664, and 1999.116.8, Gift of Gerald Cerny Roger and Angelica (alter ), 1563, engrav- Andrea Cavalcanti (author), Italian, Duclos, Antoine-Jean, French, 1742-1795 ing, 2000.7.11, Gift of Gaillard F. Ravenel and Frances 1610-1672 Reception de Choiseul-Gouffier chez Hassan-Tchousch- P. Smyth-Ravenel Esequie del Serenissimo Principe Francesco, celebrate Oglou (after Jean Michel Moreau), 1780, in Fiorenza dal Serenissimo Ferdinando II Granduca Daubigny, Charles-Francois, French, engraving, 1999.111.22, Gift of Frank Anderson Trapp di Toscana suo fratello (, 1634), bound 1817-1878 volume with 10 etched illustrations, 2000.23.1, Dutka, Agnieszka, Polish, born 1959 Moonlit Landscape, 1862, cliche-verre, 2000.7.12, Gift of Ladislaus and Beatrix von Hoffmann Town Vila, 1992/1993, aquatint, 1999.116.9, Gift Gift of Gaillard F. Ravenel and Frances P. Smyth- of Gerald Cerny Ravenel Earlom, Richard, British, 1743-1822 Roses (after Dr. Robert John Thornton), 1805,

57 color mezzotint and etching, 2000.43.1, Gift of A. Gheyn II, Jacques de, Dutch, 1565-1629 Juvarra, Filippo, Italian, 1678-1736, and Fil- Thompson Ellwanger III in honor of Gregory E. Mescha Saint Paul and Saint Peter (after Hendrik Goltz- ippo Amadei (author), Italian, active ius), 1589, engravings, 2000.54.1-2, Ailsa Mellon 1690-1730 Ehinger, Gabriel, German, 1652-1736, and Bruce Fund Teodosio il Giovane, Dramma posto in musica dal Celestino Sfondrati (author), Italian, Signer Filippo Amadei e rappresentato in Roma 1644-1696 Goltzius, Hendrik, Dutch, 1558-1617 I'Anno 1711 (Rome, 1712), bound volume with Innocentia Vindicata (St. Gallen, 1695), bound Justus Lipsius, 1587 12 etchings, 1999.105.1, William B. O'Neal Fund volume with folding frontispiece and 46 engrav- Adoration of the Magi, 1594 ings, 2000.109.1, William B. O'Neal Fund Quis Evadet, 1594 Kasprzak, Andrzej, Polish, born 1963 engravings, 2000.30.2, 2000.34.1, and 2000.55.1, Your Faith Will Move Mountains, 1990-1998, color Ertinger, Franz, French, 1640-c. 1710 Ailsa Mellon Bruce Fund etching, drypoint, and collage with colored pen- Self-Portrait of Joseph Werner, c. 1662, etching, cil additions, 1999.116.14, Gift of Gerald Cerny 2000.7.13, Gift of Gaillard F. Ravenel and Frances P. Grabowski, Jerzy, Polish, born 1933 Smyth-Ravenel Esoterism of Numbers—Study I, 1984-1994, relief Keyser, Robert, American, 1924-1999 embossment and color linocut, 1999.116.11, Art History Number One, 1990, color etching and Estes, Richard, American, born 1936 Gift of Gerald Cerny aquatint with collage Study VI, New York Harbor, 1997, color woodcut Inventor, 1994, color woodcut on ocher paper plus 22 woodblocks used to create the print, Graff, Anton, Swiss, 1736-1813 The Jester Courts Death and Sees Himself, 1977, 2000.50.1, Gift of Marlborough Graphics, New York Detmar Friedrich Wilhelm Basse, c. 1782 etching and aquatint Johann Georg Sulzer, 1774 Fessard, Claude-Mathieu, French, active Opus 1, 1976, etching etchings, 1999.128.2-3, Gift of Robert Paul Mann and 1765-1805 Oriental Landscape, 1998, color woodcut Dorothy Neeld Mann Fragonard and Bergeret with Their Wives Visiting a Portal, 1993, color woodcut Tomb in Pompeii (after Jean-Honore Fragonard), Grazda, Ryszard, Polish, born 1952 REM, 1991, etching and aquatint 1781, etching [prooi], 1999.141.1, Gift of Ivan E. Self-Portrait, 1994, color woodcut [proof] She Laid Her Hands Gently Among the Tea Things, and Winifred Phillips in memory of Neil F. Phillips 1999.116.12, Gift of Gerald Cerny 1993, color woodcut FijaZkowski, Stanisiaw, Polish, born 1922 Grooms, Red, American, born 1937 Skater, 1994, color woodcut Homage to Witold Lutostawski, 1993, color linocut, Nineteenth Century Artists, 1976, portfolio of 9 Steeplechase-Tears of Grass, 1997, color woodcut 1999.116.10, Gift of Gerald Cerny etchings and 1 drypoint, 1999.115.1-10, Gift of Lisa on ocher paper Travers, William O'Reilly, New York Transformation with Wild Man, 1990, color etch- Fischl, Eric, American, born 1948, and ing and aquatint Jamaica Kincaid (author), American, born Grospietsch, Florian, German, 1789-1830 Untitled, 1998, color woodcut 1949 Shepherd and Flock under an Ancient Tree, 1819, Ur-Var 3, 1976, etching Annie, Gwen, Lilly, Pam, and Tulip (New York, etching, 2000.13.1, Ailsa Mellon Bruce Fund 2000.101.1-9, 13-16, Gift of Wally Reinhardt 1986), bound volume with 9 lithographs, Hejnowicz, Jerzy, Polish, born 1962 1999.117.3.a-i, Gift of Susan Lorence Klein, Johann Adam, German, 1792-1875 Triptyk III, 1994, linocut [proof], 1999.116.13, Gift Erlangen Students on Horseback, 1811, lithograph Fortuny y Carbo, Mariano, Spanish, of Gerald Cerny on blued paper 1838-1874 Homer, Winslow, after Outing on Horseback, 1811, lithograph on blued Two Arabian Figures: A Sketch, c. 1865 The Noon Recess, published 1873, wood engrav- paper Seated Arabs ing on newsprint, 2000.7.15, Gift of Gaillard F. 2000.20.1-2, Ailsa Mellon Bruce Fund etchings, 1999.111.16-17, Gift of Frank Anderson Ravenel and Frances P. Smyth-Ravenel Trapp Klinger, Max, German, 1857-1920 Hooghe, Romeyn de, Dutch, 1645-1708 First Future, 1880, etching with aquatint, Fragonard, Alexandre-Evariste, French, The Entry of William Henry, Prince of Orange, into 2000.7.20, Gift of Gaillard F. Ravenel and 1780-1850 Amsterdam, c. 1672, etching and engraving, Frances P. Smyth-Ravenel Repos des Arabes, c. 1820, lithograph, 1999.111.18, 2000.36.1, Ailsa Mellon Bruce Fund Gift of Frank Anderson Trapp Kluge, Gustave, German, born 1947 Isabey, Eugene, French, 1803-1886 Burning Figure, 1984 Francois, Jean-Charles, French, 1717-1769 Two Cottages, c. 1844, stone engraving, 2000.7.14, Figure Caught in a Wood, 1985 Corps de Garde (after Carle Vanloo), 1757, soft- Gift of Gaillard F. Ravenel and Frances P. Smyth- Figure in a Cleft, 1986 ground etching and crayon-manner engraving, Ravenel woodcuts, 2000.106.1-3, Gift of Mr. and 1999.135.5, Gift of Ivan E. and Winifred Phillips in Mrs. Daniel Bell memory of Neil F. Phillips Italian 16th Century Landscape with a Knight, a Page, and a Horse (after Kolbe, Carl Wilhelm, German, 1759-1835 Fruytiers, Philip, Flemish, 1610-1666 Titian), late 16th century, etching, 2000.7.18.b, Satyr and Nymph in a Swamp, 1790s, etching, Godefroy Wendelin, 1648, etching and engraving, Gift of Gaillard F. Ravenel and Frances P. Smyth- 2000.7.21, Gift of Gaillard F. Ravenel and 2000.79.1, Ailsa Mellon Bruce Fund Ravenel Frances P. Smyth-Ravenel Gallo, Giovanni, Italian, active 16th century Jegher, Christoffel, Flemish, 1596-1652/1653 Kotkowski, Wiodzimierz, Polish, born 1942 Madonna and Child with Saint Catherine (after The Garden of Love (after Sir Peter Paul Rubens), Council, 1991-1992, mezzotint, 1999.116.15, Marco Pino), woodcut, 2000.7.17, Gift of Gaillard F. c. 1633, woodcut printed from 2 blocks on 2 Gift of Gerald Cerny Ravenel and Frances P. Smyth-Ravenel joined sheets of paper, 2000.16.1, Director's Discre- Kraupe, Janina, Polish, born 1921 Gericault, Theodore, French, 1791-1824 tionary Fund Book of Changes XI, 1997, color linocut on black Lion Devouring a Horse, 1823, lithograph, Johns, Jasper, American, born 1930 paper [proof], 1999.116.16, Gift of Gerald Cerny 1999.111.19, Gift of Frank Anderson Trapp Untitled, 1999, color intaglio, 1999.90.1, Gift of Kruger, Barbara, American, born 1945, and Gericault, Theodore, French, 1791-1824, and Werner H. and Sarah-Ann Kramarsky Stephen King (author), American, born 1948 Eugene Louis Lami, French, 1800-1890 Hatteras, 1963, lithograph My Pretty Pony (New York, 1988), bound volume Le Giaour, 1823, lithograph, 1999.111.20, Gift of "6," 1963, lithograph with 9 lithographs and digital clock mounted to Frank Anderson Trapp Watchman, 1967, color lithograph brushed stainless steel cover, 1999.117.4.a-i, Gerome, Jean Leon, French, 1824-1904 Target with Four Faces, 1968, color screenprint Gift of Susan Lorence Untitled, c. 1968-1969, inkless embossing Seated Arab with Pipe, c. 1864, etching, Laboureur, Jean-Emile, French, 1877-1943 Souvenir, 1970, lithograph 1999.111.21, Gift of Frank Anderson Trapp Le Diner a I'auberge, 1917-1922, engraving, Screen Piece, 1972, color screenprint 2000.52.1, Ailsa Mellon Bruce Fund Gessner, Salomon, Swiss, 1730-1788 0 Through 9, 1976, lithograph Idyllic Landscapes with Mythological Figures, 2000.120.1-8, Pepita Milmore Memorial Fund Lalanne, Maxime, French, 1827-1886 1769-1771, complete set of 10 etchings, Incendie dans le port de Bordeaux, 1869, etching, 1999.100.5-14, Ailsa Mellon Bruce Fund

58 Andy Warhol, Self-Portrait, 1986, synthetic polymer paint and silkscreen ink on canvas, 203.2 x 203.2 cm, Gift of the Collectors Committee, 2000.28.1

2000.7.22, Gift of Gaillard F. Ravenel and Frances P. Loutherbourg II, Philippe Jacques de, 2000.7.29, Gift of Gaillard F. Ravenel and Frances P. Smyth-Ravenel French, 1740-1812; Jacques Philippe Joseph Smyth-Ravenel de Saint-Quentin, French, 1738-c. 1780; and Legros, Alphonse, French, 1837-1911 Mansen, Matthias, German, born 1958 Pierre Fulcrand de Rosset (author) Abandoned Village, etching and drypoint, Kopf und Ftisse, 1987, 8 color woodcuts [proofs], L'Agriculture: Poeme (Paris, 1774), bound volume 2000.7.24, Gift of Gaillard F. Ravenel and Frances P. 2000.106.4-11, Gift of Mr. and Mrs. Daniel Bell with 17 etched illustrations, 1999.142.1, William Smyth-Ravenel B. O'Neal Fund Marden, Brice, American, born 1938; Tu Fu Leibl, Wilhelm, German, 1844-1900 (author), Chinese, 712-770; Kenneth Rexroth Lucas van Leyden, Netherlandish, Old Man and Old Woman, 1874-1880, electro- (translator), American, 1905-1982 1489/1494-1533 type, 2000.7.25, Gift of Gaillard F. Ravenel and Tu Fu (New York, 1987), bound volume with The Annunciation, c. 1516, engraving, 1999.103.2, Frances P. Smyth-Ravenel 1 etching, 1999.117.5, Gift of Susan Lorence Ailsa Mellon Bruce Fund Lepere, Auguste, French, 1849-1918 Marshall, William Edgar, American, Lucini, Antonio Francesco, attributed to, Ital- Le Bassin des Tuiteries, 1898, color woodcut, 1837-1906 ian, born c. 1610 2000.7.26, Gift of Gaillard F. Ravenel and Frances P. Abraham Lincoln, 1866 Landscape with Ruins, etching and engraving, Smyth-Ravenel General U.S. Grant, 1868 2000.7.28, Gift of Gaillard F. Ravenel and Frances P. engravings, 2000.104.1-2, Gift of A. Thompson Ell- Lepic, Ludovic , Vicomte, French, Smyth-Ravenel wanger III and Gregory E. Mescha in memory of Fran- 1839-1889 Lutomski, Zbigniew, Polish, born 1934 cis J. Lynch Environs de Dordrecht, c. 1870, etching, 2000.7.27 Connection, 1981 Gift of Gaillard F. Ravenel and Frances P. Smyth- Martial Potemont, Adolphe Theodore Valve, 1983 Ravenel Jules, French, 1828-1883 Zone I, 1995 Joconde (after Jean-Honore Fragonard), Lissitzky, El, Russian, 1890-1941 Zone IV—VI, 1996 1882-1883, aquatint and etching, 2000.44.1, Gift Chad Gadya (The Tale of the Goat) (Kiev, 1919), color woodcuts [proofs], 1999.116.17-22, Gift of of Christopher Mendez bound volume with color lithographs, Gerald Cerny 2000.100.1, Gift of Lionel C. Epstein and Family Master HCF, Netherlandish, active c. 1560 Magritte, Rene, Belgian, 1898-1967 A Nun, a Prior and a Young Monk, c. 1560, Bijoux Indiscrets, c. 1963, color lithograph, engraving, 2000.87.1, Ailsa Mellon Bruce Fund

59 Master P.W. of Cologne, German, active c. Miskiewicz, LesJaw, Polish Nathe, Christoph, German, 1753-1806 1490/1510 Untitled, 1993, woodcut, 1999.116.24, Landeskrone Mountain near Gorlitz, c. 1795 Saint Catherine, c. 1500, engraving, 1999.101.2, Gift of Gerald Cerny Lauban in Silesia, 1805 Patrons' Permanent Fund etchings, 1999.128.4-5, Ailsa Mellon Bruce Fund Motte, Charles Etienne Pierre, French, Meryon, Charles, French, 1821-1868 1785-1836 Nilson, Johannes Esaias, German, 1721-1788 Le Pavillion de Mile, et une partie du Louvre (after Tiger Hunt (after Auguste Jacques Regnier), Cartouche Moderne with a Young Couple Being Reinier Zeeman), 1849, etching, 2000.7.30, Gift of 1821, lithograph, 1999.111.23, Gift of Frank Served Wine Gaillard F. Ravenel and Frances P. Smyth-Ravenel Anderson Trapp Cartouche Moderne with Emblems of Death Cartouches Modernes avec des Enfans qui Michalska, Hanna, Polish, born 1963 Munch, Edvard, Norwegian, 1863-1944 representant les Modes d'Augsbourg Big-Bang VIII (Parti), 1995 Diorama Exhibition Poster, 1910, color Cartouches Modernes orne avec des Big-Bang VIII (Part II), 1995 Moonlight, 1901, color woodcut [differentes Figures] relief etchings [proofs], 1999.116.23.a,b, Gift of Double Portrait of Two Young Women, 1898, color counterproofs of etchings [incomplete proofs] Gerald Cerny lithograph , 1999.112.1-2, 2000.42.2, Gift of the with drawings in pen and black ink and gray Epstein Family Collection wash, incised for transfer, 2000.89.1-4, Mark J.

60 Hunchback Gazing at a Windmill Rovine d'una Galleria di Statue nella Villa Adriana a (after Jacques Callot) Tivoli, 1770, etching, 2000.7.34, Gift of Gaillard F. Hunchback Playing a Lute (after Jacques Callot) Ravenel and Frances R Smyth-Ravenel A Book Peddler Raffet, Auguste, French, 1804-1860 woodcuts, 1999.100.1^1, Ailsa Mellon Bruce Fund Les Arabes signalent I'approche de I'armee fran^aise, Olejniczak, Zdzislaw, Polish 1837, lithograph, 1999.111.25, Gift of Frank Ander- Stairs VI, 1992, linocut, 1999.116.27, son Trapp Gift of Gerald Cerny Ribera, Jusepe de, Circle of, Spanish, Ossorio, Alfonso, American, 1916-1990 and 1591-1652 Lewis Thomas, American, 1913-1993 Battle between a Centaur and a Triton, etching, Could I Ask You Something? (New York, 1984), 2000.12.1, Ailsa Mellon Bruce Fund accordion-bound volume with 9 etchings, Rippl-Ronai, Jozsef, Hungarian, 1861-1927 1999.117.8.a-i, Gift of Susan Lorence La fete de village, 1896, color lithograph on japan Otrfba, Ryszard, Polish, born 1932 paper, 1999.138.9, Gift (Partial and Promised) of The Boundless Trust I, 1994 Virginia and Ira Jackson Collection An Undefined Wish II, 1994 Rolewinclc, Werner (author), German, plastercuts, 1999.116.28-29, Gift of Gerald Cerny c. 1425-1502 Overbeck, Johann Fried rich, German, Fasciculus temporum (Venice, 1484), bound vol- 1789-1869 ume with 57 woodcuts, 2000.23.2.a, Gift of Ladis- Saint Philip Neri, 1826, etching with engraving, laus and Beatrix von Hoffmann 1999.135.6, Ailsa Mellon Bruce Fund Rossini, Luigi, Italian, 1790-1857 Ozog, Henryk, Polish, born 1956 Delle Antichita di Roma Divise in 40 Vedute (Rome, Couch I-II, 1995, mixed media in color, 1817), bound volume with 41 etchings, 1999.116.30-31, Gift of Gerald Cerny 1999.127.1, Mark J. Millard Architectural Collection Palko, Franz Xavier Karl, Czechoslovakian, Rousseau, Theodore, French, 1812-1867 1724-1767/1770 Oaks on the Rocks, 1861, etching, 2000.7.35, Gift of God Breathing Life into Adam, 1760s, etching, Gaillard F. Ravenel and Frances P. Smyth-Ravenel 2000.89.5, Ailsa Mellon Bruce Fund Russ, Carl, Austrian, 1779-1843 Palmer, Samuel, British, 1805-1881 Xenocrates and Phryne, 1811, etching [proof], The Herdsman's Cottage, 1850, etching, 1999.107.1, 2000.76.1, Ailsa Mellon Bruce Fund Ailsa Mellon Bruce Fund Sadeler, Justus, Flemish, 1583-1620 The Early Ploughman, c. 1861, etching, 2000.7.32, Jonah Thrown into the Stormy Sea (after Paul Bril), Gift of Gaillard F. Ravenel and Frances P. Smyth- 1610/1620, engraving, 1999.136.1, Ailsa Mellon Ravenel Bruce Fund Panasiewicz, Adam Maria, Polish, born 1963 Saint-Non, Jean Claude Richard de, French, Up and Down, 1993, color lithograph, 1727-1791 1999.116.32, Gift of Gerald Cerny Le Petit Pare (after Jean-Honore Fragonard), i/ii Panek, Jerzy, Polish, born 1918 Le Petit Pare (after Jean-Honore Fragonard), ii/ii Blind Sex Maniacs XIV, 1993, etching, 1999.116.33, etchings, 1763/1765, 2000.9.11-12, Gift of Gertrude Gift of Gerald Cerny Laughlin Chanler

Pawluczuk, Jerzy, Polish Sartain, John, American, 1808-1897 Untitled, 1993, linocut, 1999.116.34, The County Election (after George Caleb Bing- Gift of Gerald Cerny ham), 1852, hand-colored etching with roulette work, 2000.7.36, Gift of Gaillard F. Ravenel and Jan Both, An Italianate Evening Landscape, c. 1650, Pfeffel I, Johann Andreas, German, Frances P. Smyth-Ravenel oil on canvas, 138.5 x 172.7 cm, Patrons' 1674-1748 Permanent Fund, 2000.91.1 Catafalque (after Giuseppe Galli Bibiena), Schaeffer, Eugen Eduard, German, engraving, 1740, 2000.7.33, Gift of Gaillard F. 1802-1877 Ravenel and Frances P. Smyth-Ravenel Portrait of Maisonneuve, 1824, engraving with etching, 1999.141.2, Ailsa Mellon Bruce Fund Pietsch, Andrzej, Polish, born 1932 Actress III B, 1993 Schenck I, Pieter, Dutch, 1660-1718/1719 At Night in the Valley, 1994, Still Life with a Hanging Partridge, mezzotint, 2000.78.2, Katharine Shepard Fund Millard Architectural Collection and Ailsa Mellon color etchings, 1999.116.35-36, Gift of Gerald Cerny Bruce Fund Pinelli, Bartolomeo, Italian, 1781-1835 Signac, Paul, French, 1863-1935 Saint Tropez, 1894, color lithograph, 1999.138.10, Norman, Joseph, American, born 1957 Cavalcature che conducono le bestie bovine in Roma, Gift (Partial and Promised) of The Virginia and Ira Jack- Untitled, 1998-1999, 5 lithographs from per macellare (Cattle Driven to the Slaughter in son Collection Black Forest Suite, 2000.46.1-5, Gift of Dr. and Mrs. Rome), 1809, etching, 1999.111.24, Gift of Frank William Tsiaras Anderson Trapp Skibinski, Wieslaw, Polish, born 1961 Two Towers, 1994, color etching [proof], Nuckowski, Tadeusz, Polish, born 1948 Pinto, Angelo, American, born 1908 1999.116.37, Gift of Gerald Cerny Made in Be-Be, 1995, two-sided color linocut on Execution Backstage, 1934, wood engraving oriental paper Train Tracks, 1936, etching Skorczewski, Krzysztof, Polish, born 1947 1999.113.1-2, Gift of Gertrude Pinto and family Putative Intention, 1995, linocut Black Tower, 1994, engraving, 1999.116.38, Gift of 1999.116.25-26, Gift of Gerald Cerny Piranesi, Giovanni Battista, Italian, Gerald Cerny Numan, H„ Dutch, 1728-1788 1720-1778 Sobol-Wejman, Anna, Polish, born 1946 Hunchback Brandishing Two Swords Prospettiva della Scala della conserva d'acqua, 1764, Cloak Room I, 1997, color etching and aquatint, (after Jacques Callot) etching and engraving [proof], 1999.124.1, Gift of 1999.116.39, Gift of Gerald Cerny Arthur and Charlotte Vershbow

61 Solis, Virgil, German, 1514-1562 Vallotton, Felix, Swiss, 1865-1925 Photographs Biblische Figuren (Frankfurt am Main, 1562), The Little Bathers, 1893, complete set of 10 bound volume with 117 woodcut illustrations, woodcuts, 1999.106.1-10, Ailsa Mellon Bruce Fund 2000.109.2, Ailsa Mellon Bruce Fund Three Bathers, 1894, woodcut, 2000.7.39, Gift of Abbott, Berenice, American, 1898-1991 Spreng, Anton, Austrian, 1770-1845 Gaillard F. Ravenel and Frances P. Smyth-Ravenel Barclay Street Station, 1935, gelatin silver print, 1999.119.1, Gift of Jane D. Collins A Peasant Eating (after Adriaen Brouwer), van den Bossche, Helias, Dutch, active aquatint and etching, 2000.76.2, Gift of Gregory c. 1600-610 Adams, Ansel, American, 1902-1984 Jecmen The Virgin and Child on the Crescent (after Abra- The White Tombstone, San Francisco, California, Srolca, Jacek, Polish, born 1957 ham Bloemaert), 1607, engraving, 2000.32.2, 1934, gelatin silver print, before 1952, Structuring the World, color etching and aquatint, Ailsa Mellon Bruce Fund 1999.129.1, Gift of Joyce and Robert Menschel 1999.116.40, Gift of Gerald Cerny Vasina, Dariusz, Polish, born 1964 Atget, Eugene, French, 1857-1927 Steinberg, Saul, American, 1914-1999, and News, 1996 Pare de Sceaux, c. 1925, albumen print, John Hollander (author), American, MgAkM H, 1993 2000.111.1, Gift of Edward Brooks DeCelle born 1929 color etchings, 1999.116.43-44, Gift of Gerald Cerny Barney, Tina, American, born 1945, and Tina Dal Vero (New York, 1983), bound volume with Verkolje I, Jan, Dutch, 1650-1693 Howe (author) 1 etching, 1999.117,7, Gift of Susan Lorence Steffan Walters (after Sir Godfrey Kneller), 1684, Swimming, 1991, bound volume with 9 dye Surzycki, Marcin, Polish, born 1963 mezzotint, 2000.30.3, Ailsa Mellon Bruce Fund transfer prints, 1999.117.1, Gift of Susan Lorence Stairs I, color intaglio, 1999.116.41, Gift of Gerald Vernet, Carle, French, 1758-1836 Bing, llse, American, born Germany, Cerny Famille Arabe en voyage, c. 1818, lithograph, 1899-1998 Suyderhoff, Jonas, Dutch, c. 1613-1686 1999.111.26, Gift of Frank Anderson Trapp Nancy Harris, 1951, gelatin silver print, 2000.110.1, Gift of Marvin Breckinridge Patterson Hendrick Goltzius (after Pieter Claesz. Soutman), Vernet, Horace, French, 1789-1863 1649, etching and engraving, 2000.92.1, Ailsa Mel- Massacre des Mameluks Rebelles dans le Chateau de Brandt, Bill, British, born Germany, lon Bruce Fund Caire, 1818, lithograph, 1999.111.27, Gift of Frank 1904-1983 Sygufa, Wiod/imierz, Polish, born 1959 Anderson Trapp London, Museum Vault, 1936, gelatin silver print, 2000.94.1, Anonymous Gift Sitting Lady, 1995, color softground etching and Villon, Jacques, French, 1875-1963 aquatint, 1999.116.42, Gift of Gerald Cerny Lili-Polka, 1900, color lithograph with sheet Calderone, Mary Steichen. American, Teyler, Johann, Workshop of, Dutch, music, 2000.93.1, Ailsa Mellon Bruce Fund 1904-1998, and Edward Steichen, American, 1879-1973 1648-after 1697 Vorsterman, Lucas Emil, Flemish, 1595-1675 The First Picture Book: Everyday Things for Babies, Parrot, 1680s/1690s, color etching with engrav- Adoration of the Magi (after Sir Peter Paul 1991, illustrated book with 24 offset lithographs ing, 2000.17.2, Gift of A. Thompson Ellwanger 111 and Rubens), 1621, engraving, 2000.7.41, Gift of Gail- and one photogravure, 1999.117.6, Gift of Susan Gregory E. Mescha in memory of Arthur R. Watson lard F. Ravenel and Frances P. Smyth-Ravenel Lorence Lizard, 1680s/1690s, color etching Wael, Jan Baptist de, Flemish, Snake and Butterfly, 1680s/1690s, color etching Corpron, Carlotta M„ American, 1901-1988 1632-after 1669 with engraving, Texas, c. 1942, gelatin silver print, 2000.110.2, Gift Italian Genre Scenes, 1660s, bound volume with The River IJ at Amsterdam (after Jan van Call), of Marvin Breckinridge Patterson complete set of 14 etchings, 2000.12.2.a-n, Ailsa 1680s/1690s, color etching Mellon Bruce Fund Davis, Lynn, American, born 1944 2000.17.1,3,4, Gift of Ladislaus and Beatrix von Hoff- Evening, Northumberland Strait, No. X, 1994, sele- Walawska, Ewa, Polish, born 1943 nium-toned gelatin silver print, 1999, 2000.29.1, Blue Shadow, 1995, color etching and aquatint, Tichy, Gyula, Hungarian, 1879-1920 Anonymous Gift 1999.116.45, Gift of Gerald Cerny Egy Tusos Uveg Mesei, (Budapest,1909), bound Evans, Frederick H. British, 1853-1943 volume with 39 lithographic illustrations, Wawrzyniak, Krzysztof, Polish, born 1954 A View of Ely Cathedral, 1899, platinum print, 2000.7.31, Gift of Gaillard F. Ravenel and Frances P. Magic Field of Consciousness, 1993, linocut, 1999.120.1, Gift of Nancy Jane and Alan Shestack in Smyth-Ravenel 1999.116.46, Gift of Gerald Cerny memory of Frances Smyth-Ravenel Tiepolo, Giovanni Domenico, Italian, Wejman, StanisJaw, Polish, born 1994 Evans, Walker, American, 1903-1975 1727-1804 Blue Suede Shoes No. 1, 1994, color etching and Santa Monica, California, 1947, gelatin silver Old Man with an Open Book, 1770, etching, aquatint, 1999.116.47, Gift of Gerald Cerny print, 2000.82.1, Anonymous Gift 2000.7.38, Gift of Gaillard F. Ravenel and Frances P. Zagroba, Idalia, Polish, born 1967 Fichter, Robert, American, born 1939 Smyth-Ravenel Untitled, 1995, woodcut, 1999.116.48, Gift of Bass, Rabbit, Trout, 1982 Toulouse-Lautrec, Henri de, French, Gerald Cerny Henry's Theory of the Greater Fool, 1982 1864-1901, and Gustave Geffroy (author), Zanetti, Anton Maria, Italian, Rattle Snake Strike, 1982 French, 1825-1926 1679/1680-1767 Standard Still Life with Japanese Prints, 1982 Yvette Guilbert (Paris, 1894), unbound volume Bacchus, 1740s, etching and engraving, 2000.30.4, cibachrome prints, 1999.121.1^1, with complete set of 16 lithographs and litho- Ailsa Mellon Bruce Fund Gift of Marc Freidus graphic cover, 2000.1.1, New Century Fund, Gift of Edwin L. Cox—Ed Cox Foundation Zawadzka, Ewa, Polish, born 1950 Kertesz, Andre, American, born , Black Countryside XVIII, 1992, color collagraph, 1894-1985 Troger, Paul, Austrian, 1698-1762 1999.116.49, Gift of Gerald Cerny Self-Portrait with Brother Jeno, 1913 Saints Cosmas and Damian Caring for the Sick, Self-Portrait in Uniform, 1915 c. 1736, etching with engraving, 2000.35.1, Ailsa Zompini, Gaetano, Italian, 1700-1778 Esztergom Cathedral, Hungary, 1917 Mellon Bruce Fund Chiron Teaching Music to Achilles (after Giovanni Nepliget, Budapest, 1918 Benedetto Castiglione), 1758, etching, 2000.33.1, Children Admiring Camera, Budafok, Tuttle, Richard, American, born 1941, and Ailsa Mellon Bruce Fund Mei-mei Berssenbrugge (author), American, Hungary, 1919 born 1947 Budapest, 1919 Hiddenness (New York, 1987), accordion-bound Jeno Kertesz as Satyr, 1919 volume with 4 prints in mixed media, Jeno Kertesz as Icarus, Dunaharaszti, Hungary, 1919 1999.117.9.a-d, Gift of Susan Lorence Jeno Kertesz, c. 1919 Jeno Kertesz, c. 1919 Jeno Kertesz, 1920

62 Hector Guimard's Entrance to the Metropolitan, 1902, painted cast iron and bronze, Gift of Robert P. and Arlene R. Kogod, 2000.2.1, was featured in the exhibition Art Nouveau, 1890-1914, and will be installed in the National Gallery of Art Sculpture Garden.

Wandering Violinist, Abony, Hungary, 1921 Levitt, Helen, American, born 1918 Shadow, Chicago, 1951 Self-Portrait, Diving, 1921 New York, 1972, dye transfer print gelatin silver prints, 2000.10.1-2, Anonymous Gift Self-Portrait with Elizabeth, Budapest, 1921 New York, 1980, chromogenic print, 1998 Orkin, Ruth, American, 1921-1985 Jeno Kertesz as Spirit, 1923 1999.123.1-2, Gift of Marvin Hoshino in memory Starlight Roof at the Waldorf, New York City, 1950, Self-Portrait, 1924 of Masao W. Hoshino gelatin silver print, 2000.83.3, Gift of Marvin Breck- Self-Portrait as Woman, early 1920s New York, 1971, dye transfer print inridge Patterson Self-Portrait as Woman with Unknown Man and New York, 1980, chromogenic print Steichen, Edward, American, 1879-1973 Women, early 1920s 2000.48.1-2, Gift of Marvin Hoshino Vaux (Chateau Thierry Sector), 1917-1918, gelatin Street Scene, early 1920s New York, c. 1940, gelatin silver print, 2000.112.1, silver print, 2000.108.1, Anonymous Gift City Park, early 1920s Gift of Toby Levitt Parliament Building, Budapest, early 1920s New York, c. 1942, gelatin silver print, 2000.113.1, Sutcliffe, Frank Meadow, British, 1853-1941 West 134th Street, New York, 1944 Gift of William H. Levitt Dinnertime, c. 1890, carbon print, 2000.11.1, gelatin silver prints, 1999.122.1-21, 1999.132.1, Gift Anonymous Gift of The Andre and Elizabeth Kertesz Foundation Lyon, Danny, American, born 1942 Gaucho Field Meet, Chicago, 1966, gelatin silver Tanning, Dorothea, American, born 1910 Ktihn, Heinrich, German, 1866-1944 print, 2000.27.1, Gift of the Collectors Committee Torn Screen, gelatin silver print, 2000.7.37, Gift of Walther Ktihn, 1911, gum bichromate print, Gaillard F. Ravenel and Frances P. Smyth-Ravenel Metzker, Ray K., American, born 1931 2000.19.1, Anonymous Gift Chicago, 1959, gelatin silver print, 1999.130.1, Van Der Zee, James, American, 1886-1983 Lavenson, Alma, American, 1897-1989 New Century Fund, Fund for Living Photographers Couple, 1924 Tanks, Standard Oil Company, 1931, gelatin silver Sisters, 1926 Misrach, Richard, American, born 1949 gelatin silver prints, 2000.83.1-2, Anonymous Gift print, 1999.131.1, Gift of Marvin Breckinridge Patter- 10.31.98 5:18 p.m. (View from my Front Porch), 1998, chromogenic print, 1999, 2000.80.1, New Winogrand, Garry, American, 1928-1984 Century Fund, Fund for Living Photographers Garry Winogrand, 1974, portfolio of 15 gelatin silver prints, 1999.137.1-15, Gift of the Collectors , French, 1820-1910 Committee Self-Portrait with Wife Ernestine in a Balloon Gon- dola, c. 1865, gelatin silver print, c. 1890, Winter, Charles David, French, 1821-1904 2000.21.1, Anonymous Gift Pillar of Angels, Strasbourg Cathedral, c. 1858, salted paper print from waxed-paper negative, Newman, Marvin, American, born 1927 2000.26.1, Anonymous Gift Shadow, Chicago, 1951

63

EXHIBITIONS

Temporary Exhibitions at the National Gallery of Art The Golden Age of Chinese Archaeology: An Enduring Legacy: Masterpieces from Celebrated Discoveries from The People's the Collection of Mr. and Mrs. Paul Mellon Republic of China 7 November 1999 to 28 February 2000 continued from the previous fiscal year to Alan Shestack, curator 2 January 2000 supported by The Circle of the National Gallery of Art The Drawings of continued from the previous fiscal year to Drawings of Religious and Mythological 9 January 2000 Subjects from the Armand Hammer Tilman Riemenschneider: Master Sculptor Collection 12 November 1999 to 15 May 2000 of the Late Middle Ages Margaret Morgan Grasselli, curator 3 October 1999 to 9 January 2000 organized by the National Gallery of Art and The Johannes Vermeer's "The Art of Painting" Metropolitan Museum of Art, New York 24 November 1999 to 8 February 2000 Julien Chapuis, guest curator organized by the National Gallery of Art and the supported by The Ministry of Foreign Affairs of the Kunsthistorisches Museum, Vienna Federal Republic of Germany; additional support Arthur K. Wheelock Jr., curator from the Samuel H. Kress Foundation and The supported by Juliet and Lee Folger/The Folger Fund Circle of the National Gallery of Art also supported by an indemnity from the Federal Max Weber's Modern Vision: Selections Council on the Arts and the Humanities from the National Gallery of Art and Related Collections Brassai: The Eye of Paris 30 January to 2 April 2000 17 October 1999 to 16 January 2000 Charles Ritchie, curator organized by the Museum of Fine Arts, Houston supported by The Circle of the National Gallery Anne Wilkes Tucker, guest curator of Art supported by The Brown Foundation, Inc., Houston Endowment Inc., and The Wortham Foundation The Fantastic in Renaissance Prints and From Schongauer to Holbein: Master Drawings 6 February to 16 April 2000 Drawings from Basel and Berlin Peter Parshall, curator 24 October 1999 to 9 January 2000 organized by the National Gallery of Art with Martin Johnson Heade the Offentliche Kunstsammlung Basel and the 13 February to 7 May 2000 Kupferstichkabinett, Staatliche Museen zu Berlin- organized by the Museum of Fine Arts, Boston Preussischer Kulturbesitz Theodore E. Stebbins Jr., guest curator Andrew Robison, curator supported by The Henry Luce Foundation and the supported by UBS AG; additional support from the Vira I. Heinz Endowment Samuel H. Kress Foundation exhibition in Washington made possible by The also supported by an indemnity from the Federal Johannes Vermeer's The Art of Painting was lent by Circle of the National Gallery of Art Council on the Arts and the Humanities the Kunsthistorisches Museum, Vienna, as a special loan to the National Gallery of Art this year.

65 Carleton Watkins: The Art of Perception Cabinet of Paintings Mauritshuis, The Hague The Impressionists at Argenteuil 20 February to 7 May 2000 Arthur K. Wheelock Jr., curator, with Ronni Baer, 28 May to 20 August 2000 organized by the San Francisco Museum of Modern guest curator organized by the National Gallery of Art and the Art with The Metropolitan Museum of Art, New supported by Shell Oil Company Foundation Wadsworth Atheneum Museum of Art, Hartford York, and the Huntington Library and Art Gallery, also supported by an indemnity from the Federal Paul Hayes Tucker, guest curator San Marino Council on the Arts and the Humanities supported by United Technologies Corporation Douglas R. Nickel and Maria Morris Hambourg, Raphael and His Circle: Drawings from also supported by an indemnity from the Federal guest curators Council on the Arts and the Humanities supported by The Henry Luce Foundation, Inc., Windsor Castle and the National Endowment for the Humanities; 14 May to 23 July 2000 Landscape Drawings from the Armand in-kind support from SGI and Stereographies organized by the Royal Library, Windsor Castle, Hammer Collection with the National Gallery of Art 26 May to 12 November 2000 Twentieth-Century American Art: Andrew Robinson, curator, with Martin Clayton, Margaret Morgan Grasselli, curator The Ebsworth Collection guest curator 5 March to 11 June 2000 supported by an indemnity from the Federal Drawings and Prints from the Permanent Franklin Kelly, curator Council on the Arts and the Humanities Collection 18 June to 15 October 2000 O'Keeffe on Paper The Triumph of the Baroque: Architecture Andrew Robison, Margaret Morgan Grasselli, Ruth 9 April to 9 July 2000 in Europe, 1600-1750 Fine, Charles Ritchie, and Gregory Jecmen, curators organized by the National Gallery of Art and the 21 May to 9 October 2000 Georgia O'Keeffe Museum, Santa Fe organized by the National Gallery of Art; the Small Northern European Portraits from Ruth E. Fine, curator, with Barbara Lynes and Palazzo Grassi, Venice; the Montreal Museum of the Walters Art Gallery, Baltimore Elizabeth Glassman, guest curators Fine Arts; and the Musee des Beaux-Arts, Marseille 17 September to 21 December 2000 supported by The Henry Luce Foundation, The Henry A. Millon, curator, with Guy Cogeval, Paolo Arthur K. Wheelock Jr., curator, with Joaneath Georgia O'Keeffe Foundation, and the National Viti, and Marie-Paule Vial, guest curators Spicer, guest curator Advisory Council of the Georgia O'Keeffe Museum supported by EduCap Inc.; with additional support from Juliet and Lee Folger/The Folger Fund; early Gerrit Dou (1613-1675): Master Painter support for research and educational programs in the Age of Rembrandt from the Samuel H. Kress Foundation 16 April to 6 August 2000 organized by the National Gallery of Art and , London, with the Royal

66 Collection of Jo Ann and Julian Ganz Jr. China Gemini G.E.L. Beijing: Institute of Archaeology, Chinese Academy Gilman Paper Company of Social Sciences; National Museum of Chinese Courtesy of Howard Greenberg Gallery, New York History Mr. Michael Hall, Esq. Chunhua County Cultural Relics Museum, Shaanxi Collection of Anna Marie and Juan Hamilton Province Teresa Heinz and the late Senator John Heinz Fufeng: Famen Monastery Museum, Shaanxi Mr. and Mrs. Michal Hornstein Province; Zhouyuan Administrative Office of Courtesy of Edwynn Houk Gallery, New York Cultural Relics, Shaanxi Province Collection of Deborah Irmas, Los Angeles Guangzhou: Museum of the Western Han Tomb of Ivor Foundation, New York the Nanyue King Mr. and Mrs. Leon E. Kachurin Hangzhou: Zhejiang Provincial Institute of Jacob and Ruth Kainen Archaeology Collection of Michael and Jeanne Klein Jingzhou Prefecture Museum Mark Leno Lanzhou: Gansu Provincial Museum Collection of David L. Long and Elizabeth Lintong: Qin Terra-cotta Museum, Shaanxi Valk Long, New York Province Collection of Mr. and Mrs. Henry Luce III Nanchang: Jiangxi Provincial Museum Collection of James Edward Maloney and Qingzhou Municipal Museum, Shandong Province Beverly Ann Young Sanxingdui Museum Manoogian Collection Shenyang: Liaoning Provincial Institute of Courtesy of Marlborough Gallery, New York Archaeology; Liaoning Provincial Museum Collection of Joseph F. McCrindle Shijiazhuang: Hebei Provincial Cultural Relics James W. and Frances G. McGlothlin Institute; Hebei Provincial Museum S. Mehringer, Munich Taiyuan: Shanxi Provincial Institute of Archaeology Collection of Mr. and Mrs. Paul Mellon Wuhan: Hubei Provincial Museum Catherine Mills Xi'an: Shaanxi History Museum; Municipal Collection of Ornella and Robert Morrow Institute of Archaeology and Preservation of Weston Naef Cultural Relics Roy Nutt Family Trust Yanshi City Museum, Henan Province Georgia O'Keeffe Foundation, Abiquiu Zhengzhou: Henan Museum Merrily and Tony Page, Page Imageworks Denmark Collection of James and Barbara Palmer Copenhagen: Statens Museum for Kunst Peter E. Palmquist Collection of Susan Patricof England Martin Johnson Heade's Cattleya Orchid and Three Collection of Kathy and Ron Perisho Cambridge: Cheltenham Art Gallery and Museums Brazilian Hummingbirds, 1871, oil on panel, Princely Collections, Vaduz Castle, Liechtenstein Gift of the The Morris and Gwendolyn Cafritz Collection of Nicholas J. Pritzker Greenwich: National Maritime Museum Foundation, 1982.73.1, was included in the Royal Collection Trust London: Dulwich Picture Gallery; British Museum; National Gallery; Trustees of Burghley House; Martin Johnson Heade exhibition. Collection of the Alvin Rush family Mr. and Mrs. Michael Scharf Vicar and Church Wardens, Saint-Martin-in-the- Collection of Jean-Michel Skira, Fields; Victoria and Albert Museum Natalie and Spingarn Manchester City Art Galleries Mr. Howard Stein Norwich: Norfolk Museums Service Courtesy of Stockeregg Gallery, Zurich France Collection of Marion Stroud Swingle Dijon: Musee des Beaux-Arts Ellen and Bill Taubman Paris: Ecole Nationale Superieure des Beaux Arts; Terra Foundation for the Arts Musee d'Orsay; Musee des Plans-Reliefs; Musee Lenders to Exhibitions Rogert Therond Collection, Paris du Louvre; Musee Carnavalet; Service Historique John M. and Sally B. Thornton Trust de la Marine Jack and Margrit Vanderryn Marjorie and Leonard Vernon Germany Private Collections Richard and Leah Waitzer Aschaffenburg: Museum der Stadt AEA Investors, Inc. Collection of Leonard A. Walle Augsburg: Stadt Augsburg Kunstsammlungen Maida and George Abrams Collection, Boston Collection of Thomas Walther, New York Berlin: Staatliche Museen: Kupferstichkabinett; Collection of Stuart Alexander Weston Gallery, Inc. Nationalgalerie; and Skulpturensammlung Aurora Art Fund (courtesy Rosenberg & Stiebel) Michael and Jane Wilson Collection Bremen: Kunstsammlungen Bottcherstrasse Kirsten N. Bedford Collection of Wallace S. Wilson Burghausen: Kirche von Marienberg Gordon L. Bennett Daniel Wolf Cologne: Museum fur Angewandte Kunst; Collection of Gilberte Brassai Ydessa Hendeles Art Foundation, Toronto Wallraf-Richartz-Museum Collection of Mr. and Mrs. Arnaud Brunei Collection of Virginia Zabriskie, New York Darmstadt: Hessisches Landesmuseum Doris Bry Essen: Museum Folkwang Frankfurt: Historisches Museum; Stadelsches Collection of Vincent Buonanno, Chicago Public Collections Duke of Devonshire and the Chatsworth Kunstinstitut Grosslangheim: Antoniuskapelle Settlement Trustees Grossostheim: Katholisches Kirchenstiftung Dr. and Mrs. John B. Chewning Vienna: Graphische Sammlung Albertina; St. Peter and Paul Theodore G. and Eleanor S. Congdon Kunsthistorisches Museum Wien; Hamburg: Museum fur Kunst und Gewerbe Fondation Corboud Piaristenkollegiums Maria Treu James Crain Munich: Bayerisches Nationalmuseum; Staatliche Mr. and Mrs. Trammell Crow Belgium Graphische Sammlung Collection of Mr. and Mrs. Barney A. Ebsworth Mont-sur-Marchienne: Musee de la Photographic Nuremberg: City of Nuremberg; Evangelisch- Her Majesty Queen Elizabeth II Canada Lutherischen Kirchenverwaltung St. Jacob; Germanisches Nationalmuseum Collection of Jacqueline and Milton Esterow Montreal: Canadian Centre for Architecture; Schwerin: Staatliches Museum Mr. and Mrs. Stuart P. Feld Montreal Museum of Fine Arts Stuttgart: Staatsgalerie Stuttgart, Graphische Collection of Jerald Dillon Fessenden Toronto: Art Gallery of Ontario Jeffrey Fraenkel Sammlung; Wurttembergisches Landesmuseum Fraenkel Gallery Wiirzburg: Mainfrankisches Museum

67 Hungary Maryland Cooper-Hewitt, National Museum of Design, Budapest: Szepmiiveszeti Muzeum Baltimore: Walters Art Gallery Smithsonian Institution Giovanni Domenico Tiepolo, Immaculate Conception Italy Massachusetts Bologna: Accademia di Belle Arti Andover: Addison Gallery of American Art Collection of the Artist Caserta: Soprintendenza B.A.A.A.S. per le Province Boston: Museum of Fine Arts , Mountains and Sea di Caserta e Benevento Williamstown: Sterling and Francine Clark Art Peter A. Jay Florence: Galleria degli Institute Gilbert Stuart, John Jay Rome: e Galleria Comunale d'Arte Moderna; Museo Nazionale di Castel Sant'Angelo Collection of the Artist Detroit Institute of Arts Turin: Biblioteca Reale; Museo Civico d'Arte Antica Jasper Johns, Between the Clock and the Bed; Field Flint Institute of Arts e Palazzo Madama Painting; No; Target; Untitled (Red, Yellow, Blue) Urbino: Galleria Nazionale delle Marche Minnesota Koninklijk Museum voor Schone Kunsten, Venice: Galleria dell'Accademia; Museo Correr Minneapolis Institute of Arts Japan Missouri Jacob Jordaens, As the Old Sing, So Pipe the Young Niigata Prefectural Museum of Modern Art Kansas City: Nelson-Atkins Museum of Art Manoogian Collection Netherlands George Caleb Bingham, Jolly Flatboatmen Amsterdam: Historisch Museum; Gemeentearchief; New Hampshire Manoogian Foundation Manchester: Currier Gallery of Art , Portrait of Whittredge; Richard Antwerp: Provinciaal Museum voor Fotografie Caton Woodville, War News from : Teylers Museum Princeton University: Art Museum; Department of Joseph F. McCrindle Otterlo: Kroller-Miiller Museum Art and Archaeology Jan de Bray, Double Profile Portrait of the : Museum Boijmans Van Beuningen Artist's Parents... The Hague: Koninklijk Huisarchief; Koninklijk New Mexico Santa Fe: Georgia O'Keeffe Museum Kabinet van Schilderijen "Mauritshuis" Metropolitan Museum of Art, New York Francesco di Giorgio Martini, Nativity Russia New York of Art Moscow: A.V. Shchusev State Research Museum of National Museum of American Art, Buffalo: Albright-Knox Art Gallery Architecture Smithsonian Institution New York: Metropolitan Museum of Art; Pierpont St. Petersburg: Central Naval Museum; Scientific Sir Anthony van Dyck, Marchesa Elena Grimaldi- Research Museum of the Academy of Arts of Morgan Library Cattaneo; French 13th Century, Vita Contemplativa; Russia; State Yonkers: Hudson River Museum Heraldic Panel; Bishop Blessing; Angel Holding the Cross and Crown of Thorns; Sebastiano Mazzoni, Banquet of North Carolina Cleopatra; Jan Anthonisz. Ravesteyn, Judith Langley Edinburgh: National Gallery of Scotland; National Raleigh: North Carolina Museum of Art Winston-Salem: Reynolda House Museum of Museums of Scotland National Museum of Health and Medicine of the American Art Armed Forces Institute of Pathology Switzerland Thomas Eakins, Dr. John H. Brinton Basel: Offentliche Kunstsammlung Ohio Bern: Kunstmuseum U.S. Department of the Interior, National Park Saint Gallen: Stiftsbibliothek Cleveland Museum of Art Service, Saint-Gaudens National Historic Site, Youngstown: Butler Institute of American Art Cornish, New Hampshire Wales Augustus Saint-Gaudens, six study heads of black : National Museum of Wales Oregon Portland: Oregon Historical Society; Portland Art soldiers; preliminary sketch for Shaw Memorial; United States Museum Shaw Memorial; early study of the allegorical figure for the Shaw Memorial California Pennsylvania Yosemite Museum, National Park Service Philadelphia: Pennsylvania Academy of the Fine Collection of Candida and Rebecca Smith Berkeley: Berkeley Art Museum; Bancroft Library, Arts; Philadelphia Museum of Art David Smith, Aggressive Character; Lunar Arcs on One University of California Leg; Blue Construction; Ninety Father; Black-White Rhode Island Los Angeles: Fisher Gallery; J. Paul Getty Museum Forward; Construction December II; Construction with Providence: Museum of Art, Rhode Island School of Sacramento: California State Library; California Forged Neck State University Library Design U. S. Naval Academy Museum San Diego Museum of Art Tennessee Jean Joseph Benjamin Constant, Favorite of the Emir San Francisco: San Francisco Museum of Modern Memphis Brooks Museum of Art Art; Society of California Pioneers; Fine Arts White House Collection Texas Museums of San Francisco Paul Cezanne, The Forest; House on the Marne; House Amarillo Museum of Art San Marino: Huntington Library, Art Collections, on a Hill Austin: Harry Ransom Humanities Research Center and Botanical Gardens Fort Worth: Amon Carter Museum Erving and Joyce Wolf Stanford University Museum of Art Houston: Menil Collection; Museum of Fine Arts, Francis Augustus Silva, Indian Rock, Narragansett Bay Houston Anonymous Hartford: Wadsworth Atheneum Museum of Art San Antonio: Marion Koogler McNay Art Museum Hendrick Avercamp, Winter Landscape with Golfers; New Haven: Yale University Art Gallery Bernardo Bellotto, Pima, Fortress of Sonnenstein; District of Columbia Lenders of Works Displayed with Botticelli, Portrait of a Young Man Holding a Medallion; Washington: Dumbarton Oaks; Hirshhorn Museum Collection Bartholomeus Breenbergh, Landscape with Christ and and Sculpture Garden; National Museum of the Woman of Samaria; Jan Brueghel the Elder, American Art; National Museum of American Abrams Collection, Boston Flowers in a Glass Vase; A Road with a Ford in a Wood; History; Pieter Duyfhuysen, A Boy Eating Porridge; Jan Olis, Jean-Charles Cazin, Quarry of Monsieur Pascal near Nauterre; Pieter Claesz., Still Life with a Basket of Florida Interior with Young Men Playing Tric-Trac Grapes; Chuck Close, Jasper; Arshile Gorky, Self-Por- St. Augustine Historical Society Calder Foundation, New York trait; Still Life on the Table; The Limit; Portrait of Master Illinois Alexander Calder, 1 Red, 4 Black plus X White; Aztec Bill; , A View in Amsterdam; Jan Art Institute of Chicago Josephine Baker, Cheval Rouge (with maquette); van Huysum, Still Life of Flowers and Fruit; Roy Object with Red Ball; Red Panel; Tom's (with Kansas Lichtenstein, Cosmology; Rouen Cathedral (Seen at Five maquette); Untitled Lawrence: Spencer Museum of Art Different Times of the Day), Set III; Edouard Manet, Catholic University of America, Oliveira Jeanne—Le Printemps; Jacopo Pal ma il Giovane, Louisiana Lima Library Venus and Cupid at the Forge of Vulcan; Robert Shreveport: R. W. Norton Art Gallery Frans Post, Brazilian Landscape, Said to Be Pernambuco Rauschenberg, Summer Rental + I; Sir Peter Paul Rubens, Landscape with Willows; Salomon van

C>8 An array of sculptures by Alexander Calder was installed in a gallery open to two levels in the East Building, with lights casting shadows of the mobiles on the walls.

Maryland Pennsylvania Virginia Hagerstown, Washington County Museum Doylestown, James A. Michener Art Museum Fairfax, George Mason University of Fine Arts American 19th Century, Profile Portrait of a Man *; Alfredo Halegua, America; Lila Pell Katzen, Frederick Kemmelmeyer, First Landing of Christopher Profile Portrait of a Lady *; William Bonnell, Clement Antecedent Columbus Bonnell *; Joseph Goodhue Chandler, Girl with Kitten-, Edward Hicks, Landing of Columbus

70 Ruysdael, River Landscape; Pieter Jansz. Saenredam, Portrait; Fritz Mtiller, Capture of the "Savannah" by the A. A. Lamb, Emancipation Proclamation; Maurice Interior of the Saint Peter's Church in 's-Hertogenbosch; U.S.S. "Perry"; Thomas Sully, Vanderkemp Children Utrillo, Pont Saint-Michel, Paris David Tcniers II, Dice and Skittle Players in a Tavern Secretary of Transportation Courtyard: Cy Twombly, Untitled; Willem van de UNITED STATES Circle of Jacob Adriaensz. Bellevois, Dutch Ships in a Velde II, Ships on a Calm Sea; Adriaen van de Velde, Alabama Lively Breeze; Follower of Claude Lorrain, Harbor at Figures in a Deer Park; Winter Landscape; Philips Sunset; L. M. Cooke, Salute to General Washington in Birmingham Museum of Art Wouwerman, Landscape New York Harbor; Hugues Merle, Children Playing in Anders Zorn, Hugo Reisinger a Park; Rene Pierre Charles Princeteau, Horses Montgomery Museum of Fine Arts Secretary of the Treasury Loans Mark Rothko, Untitled Billy Morrow Jackson, Eve * (returned); Chaim California Soutine, Pastry Chef (returned); James McNeill A total of 589 works from the Gallery's col- Oakland Museum Whistler, Alice Butt (returned) lection were lent to 171 exhibitions at 173 Mark Rothko, 2 untitled works Supreme Court of the United States Chief Justice Rehnquist institutions this fiscal year; 150 objects were Connecticut George Cuitt the Younger, Easby Abbey, near sent as extended loans to 35 sites; and 5 Hartford, Wadsworth Atheneum Museum of Art Richmond; Captain Edward H. Molyneux, Chapel in works were sent as short-term loans to other Mark Rothko, Untitled Provence; Thomas Sully, Thomas Alston; Frits museum collections. District of Columbia Thaulow, River Scene; Eugene Lawrence Vail, Flags, Blair House Saint Mark's, Venice—Fete Day Extended Loans from the National John Singleton Copley, Harrison Gray; Style of Justice Ginsburg Benjamin Marshall, and Trainer; Gilbert Mark Rothko, The Omen; Untitled Gallery Collection Stuart, Dr. William Hartigan (?) Justice Kennedy All works are part of the National Lending Service Library of Congress Jean Beraud, Paris, rue du Havre; Dutch 17th unless indicated by * Carl Milles, Head of Orpheus Century, Flowers in a Classical Vase; Walt Kuhn, National Museum of American History Zinnias BELGIUM Charles Peale Polk, General Washington at Princeton Justice O'Connor , United States Embassy Residence, North National Portrait Gallery George Catlin, After the Buffalo Chase—Sioux; An Atlantic Treaty Organization Chester Harding, Self-Portrait (returned); Daniel Apachee Village; Buffalo Chase, Sioux Indians, Upper Gilbert Stuart, George Pollock; Catherine Yates Pollock; Huntington, Henry Theodore Tuckerman (returned); Missouri; A Crow Village and the Salmon River Thomas Sully, Ann Biddle Hopkinson; Francis Hopkin- Dr. James Hall (returned); John Wesley Jarvis, Mountains; A Little Sioux Village (returned); Two son; Leland Sisters Thomas Paine (returned); Edward Savage, George Blackfoot Warriors and a Woman Washington (returned); Irving R. Wiles, Miss Julia Justice Scalia CANADA Marlowe (returned) Gilbert Stuart, George Washington; Thomas Sully, Ottawa, United States Embassy Residence National Trust for Historic Preservation Henry Pratt; Augustus Vincent Tack, Charles Evans Hughes John Singer Sargent, Mary Crowninshield Endicott Bernard Hailstone, David E. Finley Chamberlain; Gilbert Stuart, William Thornton; Office of the Vice President of the United States Justice Souter Anna Maria Brodeau Thornton American 18th Century, Attack on Bunker's Hill, Rembrandt Peale, George Washington; Gilbert Stuart, with the Burning of Charles Town; A. Hashagen, Captain Joseph Anthony; after Gilbert Stuart, William ENGLAND Ship "Arkansas" Leaving Havana; John Wesley Constable; James Lloyd; Augustus Vincent Tack, Harlan F. Stone London, United States Embassy Residence Jarvis, Commodore John Rodgers; John Neagle, Sir William Beechey, Lieutenant-General Sir Thomas Augustus James Pleasonton; John Vanderlyn, Justice Stevens Picton; Francis Cotes, Mrs. Thomas Home; Franklin John Sudam American 19th Century, Portland Harbor, Maine; C. Courter, Lincoln and His Son, Tad *; Thomas Residence of the Vice President of the George Catlin, Scene from the Lower Mississippi; Gainsborough, William Yelverton Davenport; Winslow United States Eduard Gaertner, City Hall at Torun (returned); Homer, Sunset; Michiel van Miereveld, Portrait of a , Memories Alphonse Legros, Hampstead Heath; C. Gregory Stapko after John Constable, A View of Salisbury Lady with a Ruff; John Singer Sargent, Miss Mathilde Secretary of Agriculture Cathedral *; Maurice Utrillo, Street at Corte, Corsica; Townsend; Miss Grace Woodhouse; Thomas Sully, John American 19th Century, Bucks County Farm Outside Franz Xaver Winterhalter, Queen Victoria Quincy Adams; Benjamin West, Maria Hamilton Beck- Doylestown, Pennsylvania; Spring on the Range; Amzi ford; after Benjamin West, Benjamin West Emmons Zeliff, The Barnyard United States Trade Representative American 19th Century, New England Farm in London, Secretary of Commerce Winter; Chinese Qing Dynasty, Archery Contest; Karl Sir Thomas Lawrence, Francis Charles Seymour- Thomas Chambers, New York Harbor with Pilot Boat Knaths, Marble Mantel; Mark Rothko, Untitled; Conway "George Washington"; Raoul Dufy, Regatta at Cowes *; Marguerite Zorach, Christmas Mail Walt Kuhn, Green Apples and Scoop; Leonid, FRANCE Derrynane Harbor, Ireland White House George Catlin, Battle between the Jiccarilla Apachees Secretary of Education Paris, Musee du Louvre and Camanchees; Camanchee Chief, His Wife, and a American 19th Century, Sargent Family (returned); Severn da Ravenna, Christ Child * Warrior; Camanchee Chief with Three Warriors; Excavat- Pierre Bonnard, Bouquet of Flowers; Andre Derain, Paris, United States Embassy Residence ing a Canoe—Nay as Indians; A Flathead Chief with His Abandoned House in Provence; Road in Provence; after George Inness, Lake Albano, Sunset; Mark Rothko, Family; Ojibbeway Indians; Three Navaho Indians; Two Jean-Baptiste Greuze, Benjamin Franklin; after Untitled Unidentified North American Indians; William John Wilgus, Ichabod Crane and the Headless View of the Lower Mississippi; Raoul Dufy, Basin at Horseman IRELAND Deauville *; Henri Matisse, Still Life with Pineapple; Secretary of Energy Mark Rothko, Number 7; Thomas Sully, Andrew , United States Embassy Residence American 19th Century, Chief Jumper of the Jackson Gilbert Stuart, Counsellor John Dunn; John Bill Seminoles; Indians Cooking Maize; Lexington Battle White House Chief of Staff Ricketts Monument; Thomas Chambers, Storm-Tossed Frigate; Mark Rothko, Untitled (woman and girl in interior); Joseph Bartholomew Kidd after John James 3 untitled works ITA LY Audubon, Black-Backed Three-Toed Woodpecker Florence, Casa Buonarroti Secretary of Housing and Urban Development Indiana after Buonarroti, Damned Soul * American 19th Century, Imaginary Regatta of Indianapolis Museum of Art America's Cup Winners; "We Go for the Union"; , Christ in Limbo; Larry Bell, Eugene Boudin, Coast of Brittany *; George Ropes, Chrome and Glass Construction; Mark Rothko, Sketch Lisbon, United States Embassy Residence Mount Vernon; Douglas Volk, Abraham Lincoln for Mural H American 19th Century, Allegory of Freedom; View of Secretary of State Concord; Ralph Eleaser Whiteside Earl, Family American 19th Century, Washington at Valley Forge;

69 Temporary Loans to Museum DENMARK 9 Mar.-28 May 2000; and Metropolitan Museum Collections Copenhagen, Ordrupgaardsamlingen of Art, New York, 19 June-3 Sept. 2000 DEGAS AND NEW ORLEANS: A FRENCH Jean Simeon Chardin, Still Life with Game. Paris and IMPRESSIONIST IN AMERICA, 17 Sept.- Dusseldorf only: Jean Simeon Chardin, Kitchen FRANCE 28 Nov. 1999 Maid. London and New York only: Jean Simeon Chardin, Attentive Nurse Montauban, Musee Ingres Edgar Degas, Rene de Gas 27 Jan. 1999-2 Jan. 2000 DAUMIER: 1808-1879, 5 Oct. 1999-3 Jan. 2000; Jean-Auguste-Dominiquc Ingres, Pope Pius VII ENGLAND circulated to Phillips Collection, Washington, in the Sistine Chapel Colchester, University of Essex 19 Feb.-14 May 2000 Honore Daumier, Prodigal Son; Sommeil d'Endymion- Paris, Musee national d'art moderne, Centre CONSTABLE AND WIVENHOE PARK: REALITY AND Berryer. Paris only: Scene of the Tribunal (The Verdict); Georges Pompidou VISION, 18 Sept.-16 Dec. 2000 Washington only: 43 additional works by Daumier 1 Jan. 2000-28 Feb. 2001 John Constable, Wivenhoe Park, Essex Mark Rothko, Untitled London, British Museum Paris, Institut du Monde Arabe LIGHT OF NATURE: LANDSCAPE DRAWINGS LE MAROC DE MATISSE, SWITZERLAND AND WATERCOLOURS BY VAN DYCK AND HIS 19 Oct. 1999-30 Jan. 2000 Henri Matisse, Palm Leaf, Basel, Fondation Beyeler CONTEMPORARIES, 10 Sept.-28 Nov. 1999 31 July-1 Nov. 2000 Sir Anthony van Dyck, Edge of a Wood Paris, Musee d'Art Moderne de la Ville LE FAUVISME OU L'&PREUVE DU FEU: fiRUPTION DE Mark Rothko, Untitled (Seagram Mural) * APOCALYPSE AND THE SHAPE OF THINGS TO COME, LA MODERNITE EN EUROPE, 17 Dec. 1999-24 Apr. 2000 UNITED STATES Max Beckmann, Apocalypse; , Great 29 Oct. 1999-27 Feb. 2000 Andre Derain, Charing Cross Bridge, London f; New York, Metropolitan Museum of Art Red Dragon and the Beast from the Sea; Great Red Mountains at Collioure f 12 Oct. 1994-12 Oct. 1999 Dragon and the Woman Clothed with the Sun Francesco di Giorgio Martini, God the Father London, Courtauld Institute of Art Paris, Musee du Louvre Surrounded by Angels and Cherubim ART MADE MODERN: ROGER FRY'S VISION OF ART, DOMINIQUE-VIVANT DENON: L'OEIL DE NAPOLFION, 20 Oct. 1999-17 Jan. 2000 Oregon, Portland Museum of Art 15 Oct. 1999-23 Jan. 2000 Louis-Leopold Boilly, Public in the Salon of the Louvre, 28 May-3 Dec. 2000 Paul Cezanne, Houses in Provence Viewing the Painting of the Sacre; Jean-Honore Auguste Renoir, Picking Flowers London, Dulwich Picture Gallery Fragonard, Grandfather's Reprimand GERRIT DOU, 6 Sept.-19 Nov. 2000 Versailles, Musee national des Chateaux de National Gallery Loans to Gerard Dou, The Hermit Versailles et de Trianon Temporary Exhibitions London, National Gallery JEAN-MARC NATTIER: 1685-1766, RENAISSANCE FLORENCE: ART OF THE 1470S, 26 Oct. 1999-30 Jan. 2000 Works in National Lending Service marked f 20 Oct. 1999-16 Jan. 2000 Jean-Marc Nattier, Joseph Bonnier de la Mosson Botticelli, Giuliano de' Medici; Italian , AUSTRIA Man in a Fantastic Helmet; Andrea del Verrocchio, GERMANY Graz, Steiermarkisches Landesmuseum Joan- Giuliano de' Medici; Circle of Andrea del Verrocchio, Berlin, Kulturforum A Lady; Workshop of Andrea del Verrocchio, SANDRO BOTTICELLI—ART OF THE NARRATIVE, GAUGUIN AND BRITTANY: A NEW BEGINNING, Alexander the Great 15 Apr-18 June 2000 9 June-1 Oct. 2000 London, Royal Academy of Arts Giorgio Vasari with drawings by Filippino Lippi , Breton Girls Dancing, Pont-Aven; Pair of ANTHONY VAN DYCK 1599-1641, and Botticelli, Page from "Libro de' Disegni" Wooden Shoes-, Self-Portrait Dedicated to Carriere 11 Sept.-lO Dec. 1999 Bonn, Kunstmuseum Vienna, Kunstforum Sir Anthony van Dyck, ; A Genoese RETROSPECTIVE, 26 Aug.-l Nov. CEZANNE: FINISHED—UNFINISHED, Noblewoman and Her Son; Clelia Cattaneo, Daughter of 1999; circulated to Wurttembergischer ICunstverein 19 Jan.-25 Apr. 2000; circulated to Kunsthaus Marchesa Elena Grimaldi; Queen Henrietta Maria with Stuttgart, 16 Feb.-24 Apr. 2000; National Gallery of Zurich, 5 May-30 July 2000 Sir Jeffrey Hudson Canada, Ottawa, 12 May-30 July 2000; and Musee Paul Cezanne, At the Water's Edge +; Mont Sainte- THE YEAR 1900: ART AT THE CROSSROADS, national d'art moderne, Centre Georges Pompidou, Victoire f 16 Jan.-3 Apr. 2000; circulated to Guggenheim Paris, 13 Sept.-4 Dec. 2000 Museum, New York, 11 May-4 Sept. 2000 Philip Guston, Review BELGIUM Paul Gauguin, The Bathers; James McNeill Whistler, Cologne, Museum Ludwig Antwerp, Koninklijk Museum voor Schone George W. Vanderbilt f. New York only: Paul ART—WORLDS IN DIALOGUE, Kunsten Cezanne, Le Chateau Noir 5 Nov. 1999-19 Mar. 2000 AS YOU WILL: WOMEN ARTISTS IN THE London, Victoria and Albert Museum Jean Dubuffet, They Hold Council NETHERLANDS AND BELGIUM, 1500-1950, ART NOUVEAU, 1890-1914, 6 Apr.-30 July 2000 17 Oct. 1999-16 Jan. 2000; circulated to Museum Dortmund, Museum fur Kunst und Hector Guimard, Entrance to the Metropolitain voor Moderne Kunst Arnhem, 26 Feb.-4 June 2000 Kulturgeschichte Judith Leyster, Self-Portrait C£ZANNE-MANET-SCHUCH. THREE PATHS TOWARD FRANCE AUTONOMOUS ART, Brussels, Palais des Beaux-Arts Aix-en-Provence, Musee Granet 30 May-30 July 2000 BRUXELLES, UNE VILLE AU CARREFOUR DE CtiZANNE AU FIL DE L'EAU, Edouard Manet, Oysters; Flowers in a Crystal Vase CULTURES, 7 Sept.-5 Nov. 2000 17 June-15 Sept. 2000 James McNeill Whistler, Gold-House, Brussels; Grand' Hannover, Niedersachsisches Landesmuseum Paul Cezanne, Riverbank Place, Brussels EXPO 2000, 1 June-31 Aug. 2000 Besanq:on, Musee des Beaux-Arts et d'Archeologie Hans Holbein the Younger, Edward VI as a Child GUSTAVE COURBET ET LA FRANCHE-COMT6, CANADA Hannover, Sprengel Museum 22 Sept.-31 Dec. 2000 Musee des Beaux-Arts de Montreal HOW YOU LOOK AT IT. PHOTOGRAPHS OF THE Gustave Courbet, La Grotte de la Loue COSMOS: FROM TO THE AVANT- TWENTIETH CENTURY, 14 May-6 Aug. 2000; circu- GARDE, 1801-2001, 17 June-17 Oct. 1999; Montpellier, Pavilion du Musee Fabre lated to Stadelsches Kunstinstitut und Stadtische circulated to Centro de Cultura Contemporania de SfiBASTIEN BOURDON (1616-1671), Galerie, Frankfurt, 23 Aug.-l2 Nov. 2000 Barcelona, 23 Nov. 1999-27 Feb. 2000; and Palazzo 4 July-15 Oct. 2000 Walker Evans, Wooden Church, South Carolina; Min- Grassi, Venice, 25 Mar.-23 July 2000 Sebastien Bourdon, Countess Ebba Sparre f; Finding strel Showbill; Photographer's Window Display, Birming- Montreal only: Alexander Calder, Untitled (The Con- of Moses ham, Alabama stellation Mobile); Movement in Space. Montreal and Paris, Galeries nationales du Grand Palais Barcelona only: Mark Rothko, Untitled (black and CHARDIN, 7 Sept.-22 Nov. 1999; circulated to gray) f. Venice only: Johan Christian Dahl, View Kunstmuseum Dusseldorf, 5 Dec. 1999- from Vaeker0 near Christiana 28 Feb. 2000; Royal Academy of Arts, London,

71 Saarbrucken, Saarland Museum Tokyo, National Museum of Western Art Ercole I d'Este, 1431-1505...; Cosme Tura, Madonna JEAN DUBUFFET—FIGURES AND HEADS. SEARCH- PICASSO'S WORLD OF CHILDREN, and Child in a Garden; Follower of Cosme Tura, Saint ING FOR A COUNTER-CULTURE, 12 Sept.-14 Nov. 14 Mar.-18 June 2000 Francis Receiving the Stigmata , Study for "The Death of Harlequin" 1999 DRAWINGS AND STAINED GLASS IN THE AGE OF Jean Dubuffet, Bertele as a Blossoming Bouquet, DORER AND HOLBEIN, 11 July-24 Sept. 2000 NETHERLANDS Sideshow Portrait; Marbleized Body of a Lady, Darner of Sebald Beham, Saint Sebald Carrying the Model of His Socks Amsterdam, Rijksmuseum Church in Nuremberg Stuttgart, Staatsgalerie GLORY OF THE GOLDEN AGE, Los Angeles County Museum of Art , 11 Dec. 1999-1 May 2000 15 Apr-17 Sept. 2000 AROUND IMPRESSIONISM: FRENCH PAINTINGS Camille Pissarro, Peasant Girl with a Straw Hat; Willem Buytewech, Woodland Pond with a Fisherman; FROM THE NATIONAL GALLERY OF ART, Hampton Court Green; Two Women Chatting by the Sea, Dirk Helmbreker, Self-Portrait; Simon de Vlieger, 15 Aug.-29 Nov. 1999 St. Thomas +; Charing Cross Bridge, London Estuary at Dawn Frederic Bazille, Ramparts at Aigues-Mortes f; Edmond The Hague, Mauritshuis Maitre f; Pierre Bonnard, Artist's Sister and Her GREECE REMBRANDT BY HIMSELF, Children; Green Table; Table Set in a Garden; Bouquet of Athens, National Gallery and Alexandres Soutzos 25 Sept. 1999-9 Jan. 2000 Flowers f; Spring Landscape; Stairs in the Artist's Museum Rembrandt van Rijn, Self-Portrait; Self-Portrait Garden f; Eugene Boudin, Beach at Trouville; Yacht Basin at Trouville-Deauville; Bathing Time at Deauville; GREEK GODS AND HEROES IN THE AGE OF RUBENS FACE TO FACE IN THE MAURITSHUIS, AND REMBRANDT 28 Sept. 2000-8 Jan. 2001 Jetty and Wharf at Trouville; Figures on the Beach; 15 Apr-10 Sept. 2000 Rembrandt van Rijn, Philemon and Baucis; Sir Peter Gustave Caillebotte, Skiffs f; Paul Cezanne, Johannes Cornelisz. Verspronck, Andries Stilte as a Paul Rubens, Fall of Phaeton Riverbank; At the Water's Edge f; Battle of Love f; Mont Standard Bearer Sainte-Victoire +; Harlequin; Camille Corot, Gypsy Girl with Mandolin; Ville d'Avray; River Scene with Bridge; SPAIN Madame Stumpf and Her Daughter; Gustave Courbet, Jerusalem, Israel Museum Barcelona, Museu d'Art Contemporani Boats on a Beach, Etretat f; La Bretonnerie in the LANDSCAPE OF THE BIBLE: SACRED SCENES IN FORCE-FIELDS: PHASES OF THE KINETIC, Department of Indre +; Henri Edmond Cross, Coast EUROPEAN MASTER PAINTINGS, 18 Apr-18 June 2000; circulated to Hayward near Antibes +; Charles-Francois Daubigny, Landscape 5 Sept. 2000-2 Jan. 2001 Gallery, London, 13 July-17 Sept. 2000 with Figures; Edgar Degas, Before the Ballet; Woman Joachim Anthonisz. Wtewael, Moses Striking the Rock Sol LeWitt, Untitled; Short Straight Lines, Not Touching, Ironing; Jean-Louis Forain, Behind the Scenes f; Paul Drawn at Random and Evenly Distributed Over the Area Gauguin, Haystacks in Brittany f; Vincent van Gogh, ITALY Bilbao, Museo de Bellas Artes Farmhouse in Provence; Flower Beds in Holland; Bologna, Museo Civico Archeologico EL BODEGdN ESPANOL. DE ZURBARAN A PICASSO, Edouard Manet, Tragic Actor; Still Life with Melon and : FORME E COLORI DEL MEDIOEVO A Peaches; Oysters; A King Charles Spaniel; Flowers in a 3 Dec. 1999-19 Apr. 2000 BOLOGNA, 15 Apr.-16 July 2000 Crystal Vase; Claude Monet, Argenteuil; Ships Riding Juan van der Hamen y Leon, Still Life with Sweets Master of the Franciscan Crucifixes, Mourning and Pottery on the Seine at Rouen; Bridge at Argenteuil on a Gray Madonna; Saint John the Evangelist Day; Artist's Garden at Vetheuil; Cradle—Camille with , Museo Nacional Centro de Arte Reina the Artist's Son Jean; Woman with a Parasol—Madame , Palazzo Reale Sofia Monet and Her Son; Japanese Footbridge; Henri Moret, UN CARAVAGGESCO AL NORD: TANZIO DA A REBOURS, 6 July-11 Oct. 1999 VARALLO, 12 Apr.-2 July 2000 Island of Raguenez, Brittany +; , The Franz Kline, Four Square f; Mark Rothko, Sisters; Artist's Sister at a Window; Harbor at Lorient; Tanzio da Varallo, Saint Sebastian 3 untitled works Young Woman with a Straw Hat f; Girl in a Boat with Rome, Palazzo delle Esposizioni SURREALISTS IN EXILE AND THE ORIGIN OF THE Geese +; Camille Pissarro, Peasant Girl with a Straw EL GRECO: IDENTIDAD Y TRANSFORMAClON, NEW YORK SCHOOL, 21 Dec. 1999-28 Feb. 2000; Hat; Hampton Court Green; Artist's Garden at Eragny; 2 June-3 Oct. 1999 circulated to Musee d'Art Moderne et Contem- Place du Carrousel, Paris; Odilon Redon, Flowers in a El Greco, Christ Cleansing the Temple porain, Strasbourg, 12 May-27 Aug. 2000 Vase; Auguste Renoir, Mile Charlotte Berthier; Pont L'IDEA DEL BELLO. VIAGGIO PER ROMA NEL SEI- Mark Rothko, Vision at End of Day f; 2 untitled Neuf Paris; Young Woman Braiding Her Hair; Young CENTO CON GIOVAN PIETRO BELLORI, works, both f Spanish Woman with a Guitar; Flowers in a Vase; Child 29 Mar.-26 June 2000 with Toys—Gabrielle and the Artist's Son, Jean; Georges Madrid, Museo Nacional del Prado Annibale Carracci, River Landscape-, , Seurat, Seascape at Port-en-Bessin, f; Alfred VELAZQUEZ, RUBENS AND VAN DYCK: Baptism of Christ Sisley, Boulevard Heloise, Argenteuil; Meadow; Antoine PINTORES CORTESANOS DEL SIGLO XVII, Vollon, Mound of Butter; Edouard Vuillard, Yellow Turin, La Palazzina di Caccia di Stupinigi 17 Dec. 1999-5 Mar. 2000 Curtain; Woman Sitting by the Fireside; Vase of Flowers TRIUMPH OF THE BAROQUE: ARCHITECTURE Sir Anthony van Dyck, Queen Henrietta Maria with on a Mantelpiece; also Claude Monet, Bazille and IN EUROPE 1600-1750, 3 July-7 Nov. 1999; Sir Jeffrey Hudson Camille (Study for "Dejeuner sur I'Herbe"); Auguste circulated to Montreal Museum of Fine Arts, Madrid, Fundacion Coleccion Thyssen- Renoir, Woman with a Cat from 1 Nov.-29 Nov. 1999 9 Dec. 1999-9 Apr. 2000 Bornemisza Bernardo Bellotto and Workshop, Nymphenburg LEE KRASNER, 10 Oct. 1999-3 Jan. 2000; PAISAJE AMERICANO: EXPLORAR EL EDEN, Palace, Munich. Montreal only: Giovanni Paolo circulated to Des Moines Art Center, 27 Sept. 2000-14 Jan. 2001 Panini, Interior of Saint Peter's, Rome; , 26 Feb.-21 May 2000; and Akron Art Museum, Thomas Cole, Voyage of Life: Childhood; Youth; lllusionistic Architecture for the Vault of San Ignazio; Sir 10 June-27 Aug. 2000 Manhood; Old Age Peter Paul Rubens, Meeting of Abraham and Lee Krasner, Imperative Melchizedek SWITZERLAND Fine Arts Museums of San Francisco Venice, Palazzo Grassi WAYNE THIEBAUD RETROSPECTIVE, 10 June- Basel, Fondation Beyeler RENAISSANCE VENICE AND THE NORTH: CROSS- 3 Sept. 2000; circulated to Modern Art Museum COLOUR TO LIGHT, 16 Apr.-30 July 2000 CURRENTS IN THE TIME OF BELLINI, DURER, AND of Fort Worth, 24 Sept. 2000-14 Jan. 2001 Mark Rothko, Untitled (Seagram Mural) f TITIAN, 5 Sept. 1999-9 Jan. 2000 Wayne Thiebaud, Cakes Giovanni Bellini, Portrait of a Young Man-, Saint San Francisco Museum of Modern Art UNITED STATES Jerome Reading; Pieter Bruegel the Elder, Landscape DEGAS TO PICASSO: THE PAINTER, THE with the Penitence of Saint Jerome; Lorenzo Lotto, California SCULPTOR, AND THE CAMERA, 1 Oct. 1999- Allegory of Virtue and Vice Los Angeles, J. Paul Getty Museum 4 Jan. 2000; circulated to Dallas Museum of Art, ADRIAEN DE VRIES (1556-1626), IMPERIAL 1 Feb.-7 May 2000; and Museo Guggenheim Bil- JAPAN SCULPTOR, 12 Oct. 1999-9 Jan. 2000 bao, 12 June-10 Sept. 200 Paul Gauguin, Te Pape Nave Nave (Delectable Waters) Municipal Museum of Art Adriaen de Vries, Empire Triumphant over Avarice THE PUBLIC AND THE PRIVATE IN THE AGE OF VER- THE GUALENGHI-D'ESTE HOURS: ART AND DEVO- SOL LEWITT RETROSPECTIVE, MEER, 4 Apr.-2 July 2000 TION IN RENAISSANCE , 18 Feb.-30 May 2000; circulated to Museum of Pieter de Hooch, The Bedroom; Johannes Vermeer, 9 May-30 July 2000 Contemporary Art, Chicago, 22 July-22 Oct. 2000 Woman Holding a Balance Francesco di Giorgio Martini, Triumph of Cupid; Sol LeWitt, Yellow Lines, Not Straight, Not Touching; Pisanello, Leonello d'Este, 1407-1450...; Sperandio, Drawing From Standing Open Structure-Black, 1966

72 REN6 MAGRITTE, 5 May-12 Sept. 2000 Maryland only: James McNeill Whistler, Mother of Pearl and Rene Magritte, La condition humaine Baltimore Museum of Art Silver: The Andalusian Connecticut IMPRESSIONIST PORTRAITS FROM AMERICAN New Brunswick, Zimmerli Art Museum, COLLECTIONS, 6 Oct. 1999-30 Jan. 2000; Hartford, Wadsworth Atheneum Museum of Art Rutgers University circulated to Museum of Fine Arts, Houston, IMPRESSIONISTS AT ARGENTEUIL, ENDURING FIGURE 1890S-1970S: SIXTEEN SCULP- 9 Sept.-3 Dec. 2000 TORS FROM THE NATIONAL ASSOCIATION OF 15 Mar.-7 May 2000; and Cleveland Museum Claude Monet, Argenteuil; Artist's Garden in WOMEN ARTISTS, 12 Dec. 1999-12 Mar. 2000 of Art, 27 May-30 July 2000 Argenteuil; Bridge at Argenteuil; Woman with a Parasol— Mary Callery, Amity + Frederic Bazille, Young Woman with Peonies; Paul Madame Monet and Her Son; Auguste Renoir, Claude New Mexico Cezanne, Antony Valabregue Monet: Madame Monet and Her Son; Regatta at Argen- Albuquerque Museum teuil; , Boulevard Heloi'se, Argenteuil Massachusetts SILENT THINGS, SECRET THINGS: STILL LIFE FROM New Haven, Yale Center for British Art Museum of Fine Arts, Boston REMBRANDT TO THE MILLENNIUM, JAMES TISSOT: VICTORIAN LIFE/MODERN LOVE, 22 MARTIN JOHNSON HEADE, 29 Sept. 1999- 19 Sept. 1999-2 Jan. 2000 Sept.-28 Nov. 1999; circulated to Musee du 17 Jan. 2000; circulated to Los Angeles County Mark Rothko, Untitled (Still life in front of window) + Quebec, 15 Dec. 1999-12 Mar. 2000; and Albright- Museum of Art, 28 May-17 Aug. 2000 Santa Fe, Georgia O'Keeffe Museum Knox Art Gallery, Buffalo, 24 Mar.-2 July 2000 Martin Johnson Heade, Cattleya Orchid and Three GEORGIA O'KEEFFE: THE POETRY OF THINGS, James Jacques Joseph Tissot, Hide and Seek Brazilian Hummingbirds; Giant Magnolias on a Blue 7 Aug.-l7 Oct. 1999; circulated to Dallas Museum Velvet Cloth District of Columbia of Art, 7 Nov. 1999-30 Jan. 2000; and Fine Arts Folger Shakespeare Library VAN GOGH FACE TO FACE: THE PORTRAITS, Museums of San Francisco, 19 Feb.-14 May 2000 Georgia O'Keeffe, Jack-in-the-Pulpit Nos. IV, VI; Santa FORTUNE: ALL IS BUT FORTUNE, 2 July-24 Sept. 2000 Fe only: Georgia O'Keeffe, Jack-in-the-Pulpit Nos. Ill, V 18 Jan.-lO June 2000 Vincent van Gogh, Self-Portrait Style of Vittore Gambello, Virtue and Fortune; South Hadley, Mount Holyoke College Art O'KEEFFE ON PAPER, 29 July-29 Oct. 2000 Niccolo Fiorentino, Fortune Holding a Rudder and Museum Georgia O'Keeffe, Crazy Day; No. 7 Special; Nude No. Cornucopiae; Style of Niccolo Fiorentino, Fortune with THE MOON & THE STARS: AFTERLIFE OF A ROMAN Ill; Second, Out of My Head; The Shell Sail, on a Dolphin; Titian, Cupid with the Wheel of EMPRESS, 4 Sept.-19 Dec. 1999 New York Fortune; Jean Varin, Fortune Chained to a Chariot Deruta 16th Century, Large dish with border of floral scrollwork and cornucopias; in the center, profile bust of Glens Falls, Hyde Collection Art Museum Carrying Fame and France; Venetian 16th Century, "Faustina " PICTURING GENTILITY: PORTRAITS OF WOMEN IN AMERICAN ART, 24 Sept.-3 Dec. 2000 Fortuna Williamstown, Sterling and Francine Clark Art Erastus Salisbury Field, Woman Holding a Book f; National Museum of American Art Institute Charles Cromwell Ingham, Cora Livingston f EDWARD HOPPER: THE WATERCOLORS, OVERCOMING ALL OBSTACLES: WOMEN OF THE 22 Oct. 1999-3 Jan. 2000 ACADSMIE JULIAN, 2 Oct. 1999-2 Jan. 2000; Hastings-on-Hudson, Newington Cropsey Foun- Edward Hopper, Haskell's House circulated to Dahesh Museum, New York, dation SCENES FROM A CENTURY PAST—REFLECTIONS OF White House 18 Jan.-l 3 May 2000 THE SPIRIT, 15 May-30 June 2000 TWENTIETH-CENTURY AMERICAN SCULPTURE: Kathe Kollwitz, Two Nudes Jasper Francis Cropsey, Autumn—On the Hudson River INSPIRED BY RODIN, 28 Sept. 1998-17 Oct. 1999 A FRESH AND LARGE ASSORTMENT: AMERICAN New York, Adelson Galleries, Inc. Auguste Rodin, Memorial Relief (Hand of Child) SILVER FROM A PRIVATE COLLECTION, : AN AMERICAN IMPRESSIONIST, 12 Feb.-30 Apr. 2000 Florida 2 Nov.-l 5 Dec. 1999; circulated to Meredith Long & The Gansevoort Limner (Possibly Pieter Vanderlyn), Gainesville, Harn Museum of Art, Co., Houston, 11 Jan.-5 Feb. 2000 Susanna Truax f University of Florida Childe Hassam, Poppies, Isles of Shoals SEEING DOUBLE: TWO VERSIONS OF Michigan New York, AXA Gallery 'S "JOSEPH AND POTIPHAR'S WIFE," Grand Rapids Art Museum DREAMS 1900-2000: SCIENCE, ART, AND THE 3 Oct.-13 Dec. 1999 UNENDING FRONTIER: ART OF THE WEST, UNCONSCIOUS MIND, 4 Nov. 1999-26 Feb. 2000; Guercino, Joseph and Potiphar's Wife 29 Sept.-31 Dec. 2000 circulated to Historisches Museum, Vienna, INTIMATE RITUALS AND PERSONAL DEVOTIONS: Thomas Hart Benton, Trail Riders f 22 Mar.-25 June 2000 SPIRITUAL ART THROUGH THE AGES, Minnesota Mark Rothko, Hierarchical Birds f 12 Aug. 2000-14 Jan. 2001 Minneapolis, Walker Art Center New York, Frick Collection German 15th Century, ; Madonna 2000 BC: THE BRUCE CONNER STORY PART II, WATTEAU AND HIS WORLD: FRENCH DRAWINGS between Saints Catherine and Barbara 9 Oct. 1999-2 Jan. 2000; circulated to Modern Art FROM 1700 TO 1750, 19 Oct. 1999- Georgia Museum of Fort Worth, 6 Feb.-23 Apr. 2000; and 9 Jan. 2000; circulated to National Gallery of Canada, Ottawa, 11 Feb.-8 May 2000 Atlanta, High Museum of Art M. H. de Young Memorial Museum, San Francisco, Nicolas Lancret, Seated Figure and Standing Figure; : AN AMERICAN 21 May-30 July 2000 Antoine Watteau, Three Studies of a Woman's Head IMPRESSIONIST 26 Feb.-21 May 2000 Bruce Conner, Book Pages and a Study of Hands; The Bower John Henry Twachtman, Winter Harmony Mississippi New York, Galerie St. Etienne Illinois Jackson, Mississippi Museum of Art SAVED FROM EUROPE: OTTO KALLIR AND THE HIS- Chicago, Terra Museum of American Art AMERICAN WEST: OUT OF MYTH, INTO REALITY, TORY OF THE GALERIE ST. ETIENNE, IN SEARCH OF THE PROMISED LAND: 19 Feb.-6 June 2000; circulated to Terra Museum 16 Nov. 1999-8 Jan. 2000 AND EXPLORATION, of American Art, Chicago, 24 June-17 Sept. 2000 Gustav Klimt, Baby (Cradle); Egon Schiele, Self-Portrait George Catlin, A Little Sioux Village f; Three 5 Aug.-l Oct. 2000 New York, Grolier Club Shoshonee Warriors f; Two Apachee Warriors and a Frederic Edwin Church, Morning in the Tropics A CENTURY FOR THE CENTURY: FINE PRINTED Woman + Louisiana BOOKS FROM 1900 TO 1999, 14 Sept.-13 Nov. 1999 New Jersey Max Beckmann, Apocalypse New Orleans Museum of Art RAOUL DUFY: LAST OF THE FAUVES, Montclair Art Museum New York, Leubsdorf Art Gallery, Hunter College 2 Oct-21 Nov. 1999; circulated to Marion Koogler PARIS 1900: "THE AMERICAN SCHOOL" AT THE UNI- GIULIO ROMANO, MASTER DESIGNER: AN McNay Art Museum, San Antonio, VERSAL EXPOSITION, 18 Sept. 1999- EXHIBITION OF DRAWINGS AND PRINTS IN 18 Jan.-19 Mar. 2000 16 Jan. 2000; circulated to Pennsylvania Academy CELEBRATION OF HIS 500TH ANNIVERSARY, Raoul Dufy, in Le Havre f; Music and the Pink of the Fine Arts, Philadelphia, 11 Feb.-16 Apr. 2000; 16 Sept.-27 Nov. 1999 Violin +. New Orleans only: Raoul Dufy, Beach at , 18 May-13 Aug. 2000; Giulio Romano, Saint Michael; River God Sainte-Adresse and Elvehjem Museum of Art, University of Wis- New York, International Center of Photography consin-Madison, 16 Sept. 2000-28 Jan. 2001 PICTURING BUSINESS: PHOTOGRAPHY OF Gari Melchers, The Sisters f; Willard Leroy Metcalf, FORTUNE, 1930-1965, 22 Feb.-15 May 2000 Midsummer Twilight f. Philadelphia and Columbus Walker Evans, Chicago

73 New York, Jewish Museum Doctors; Rembrandt van Rijn, Faust; Jan Pietersz. Norfolk, BERLIN METROPOLIS: JEWS AND THE NEW Saenredam after Hendrik Goltzius, Touch MARITIME PAINTINGS BY WINSLOW HOMER, CULTURE, 1890-1918, 14 Nov. 1999-23 Apr. 2000 Philadelphia Museum of Art 10 June-19 Aug. 2000 Lyonel Feininger, Bicycle Race t EDWARD HICKS, 10 Oct. 1999-2 Jan. 2000; Winslow Homer, Breezing Up (A Fair Wind) New York, Metropolitan Museum of Art circulated to Denver Art Museum, 5 Feb- Richmond, Virginia Historical Society PORTRAITS BY INGRES: IMAGES OF AN EPOCH, 30 Apr. 2000; New York State Historical Associa- VIRGINIA LANDSCAPE, 13 July-12 Nov. 2000 5 Oct. 1999-2 Jan. 2000 tion, Cooperstown, 3 June-4 Sept. 2000; and Fine American 19th Century, End of the Hunt + J.-A.-D. Ingres, Henri Labrouste; Monsieur Marcotte; Arts Museums of San Francisco, Washington Madame Moitessier; Sketch for Madame Moitessier; Por- 24 Sept. 2000-7 Jan. 2001 Seattle Art Museum trait of a Man; Self-Portrait Edward Hicks, Peaceable Kingdom +. Philadelphia TWENTIETH-CENTURY AMERICAN ART: THE only: Edward Hicks, Cornell Farm f; Grave of CARLETON WATKINS: ART OF PERCEPTION, EBSWORTH COLLECTION, 10 Aug.-12 Nov. 2000 William Penn + 11 Oct. 1999-9 Jan. 2000 Arthur Dove, Moon; Georgia O'Keeffe, Black, White Carleton E. Watkins, Piwyac, Vernal Falls, 300 feet, ART IN ROME IN THE EIGHTEENTH CENTURY, and Blue; Charles Sheeler, Classic Landscape; Bob Yosemite; Twin Redwoods, Palo Alto 16 Mar.-21 May 2000; circulated to Museum of Thompson, Tree Fine Arts, Houston, 17 June-17 Sept. 2000 WALKER EVANS, 1 Feb.-14 May 2000; circulated to Wyoming , Head of ; Giovanni San Francisco Museum of Modern Art, Paolo Panini, Interior of the Pantheon, Rome; 22 prints Cody, Buffalo Bill Historical Center 2 June-12 Sept. 2000 and one bound volume by Giovanni Battista JOHN JAMES AUDUBON IN THE WEST: IN SEARCH Walker Evans,4 Subway Portraits; Signs, Beaufort, Piranesi. Philadelphia only: 4 additional prints by OF AMERICAS ANIMALS, South Carolina; The Passengers; Lunch Wagon Detail, Pier Leone Ghezzi, Hugh Douglas Hamilton, and 23 June-24 Sept. 2000 New York Giovanni Battista Piranesi John Woodhouse Audubon, Black-Footed Ferret f TILMAN RIEMENSCHNEIDER: MASTER Philadelphia, Pennsylvania Academy of SCULPTOR OF THE LATE MIDDLE AGES, the Fine Arts 7 Feb.-14 May 2000 ANDY WARHOL: SOCIAL OBSERVER, Israhel van Meckenem, Christ Washing the Feet of the 17 June-24 Sept. 2000 Apostles; Israhel van Meckenem after Hans Holbein Andy Warhol, Vote McGovern the Elder, Nativity; Tilman Riemenschneider, A Bishop Saint (Burchard of Wurzburg?); Martin Schon- Selinsgrove, Susquehanna University gauer, Saint Stephen QUILTS AND FOLK ART FROM THE MAHANTANGO VALLEY, 29 Apr.-19 June 2000 ART AND THE EMPIRE CITY: NEW YORK, American 19th Century, Farmhouse in Mahantango 1825-1861, 11 Sept. 2000-7 Jan. 2001 Valley f John Frederick Kensett, Beacon Rock, Newport Harbor + Rhode Island New York, National Academy Museum RAVE REVIEWS: ONE HUNDRED YEARS OF GREAT Newport Art Museum AMERICAN ART, 20 Sept.-31 Dec. 2000 GEORGE BELLOWS IN NEWPORT AND BEYOND, 24 Jasper Francis Cropsey, Spirit of War; Childe Hassam, June-10 Sept. 2000 Allies Day, May 1917 f; John Singer Sargent, Street in George Bellows, Tennis Tournament Venice; Irving R. Wiles, Miss Julia Marlowe f Tennessee New York, Whitney Museum of American Art Knoxville Museum of Art 1900-1984, 29 June-17 Sept. 2000 M.C. ESCHER: A CENTENNIAL TRIBUTE, Alice Neel, Hartley 4 Feb.-14 May 2000 Roslyn Harbor, Nassau County Museum of Art 67 prints, 5 bound volumes, 7 drawings, and REVOLUTIONARY WAR: FOUNDING THE NEW 5 woodcut blocks by M.C. Escher NATION, 16 Jan.-26 Mar. 2000 Texas John Singleton Copley, Death of the Earl of Chatham f Fort Worth, Kimbell Art Museum North Carolina GIOVANNI BATTISTA MORONI: RENAISSANCE POR- Raleigh, North Carolina Museum of Art TRAITIST, 27 Feb.-28 May 2000 LIKE FATHER, LIKE SON? PORTRAITS BY FRANS Giovanni Battista Moroni, A Gentleman in Adoration HALS AND JAN HALS, 12 Feb.-7 May 2000 before the Madonna; "Titian's Schoolmaster" Frans Hals, Willem Coymans Houston, Menil Collection Ohio SAM FRANCIS: PAINTINGS 1947-1990, 10 Sept. 1999-2 Jan. 2000; circulated to Malmo Cleveland Museum of Art Konsthall, 29 Jan.-30 Apr. 2000; and Museo STILL-LIFE PAINTINGS FROM THE NETHERLANDS Nacional Centro de Arte Reina Sofia, Madrid, 1550-1720, 31 Oct. 1999-9 Jan. 2000 6 June-28 Aug. 2000 Osias Beert the Elder, Banquet Piece with Oysters, Sam Francis, White Line Fruit, and Wine; Paulus Bor, Still Life with Travel Pouch Virginia A PAINTING IN FOCUS: NICOLAS POUSSIN'S "HOLY FAMILY ON THE STEPS," 14 Nov. 1999-23 Jan. 2000 Charlottesville, Bayly Art Museum Follower of Nicolas Poussin, Holy Family on the Steps TO INVENT A GARDEN: THE LIFE AND ART OF ADJA YUNKERS, 21 Mar.-l 1 June 2000 Columbus Museum of Art Adja Yunkers, Black Candle; Green Atelier; Desert; ILLUSIONS OF EDEN: VISIONS OF THE AMERICAN La Mesa; Green Atelier HEARTLAND, 18 Feb.-30 Apr. 2000 , New Road Daura Gallery, Lynchburg College ORIGINS OF THE AMERICAN CENTURY, Pennsylvania 26 Jan.-2 Mar. 2000 Carlisle, Trout Gallery, Dickinson College George Bellows, A Winter Day—Under the Elevated WRITING ON HANDS: MEMORY AND KNOWLEDGE near Brooklyn Bridge; Frederick Stuart Church, IN EARLY MODERN EUROPE, 1470-1700, Woman and a Crane (Vigilance?); Arthur B. Davies, 8 Sept.-25 Nov. 2000 Josie; Robert Henri, Paris Street Scene; Joseph Pen- Albrecht Diirer, Doubting Thomas; Attributed to nell, Niagara Rainbows; Hail America; Ernest David Philip Galle after Pieter Bruegel the Elder, The Roth, A Cloister, Venice; Ponte Vecchio-Morning—Flo- Alchemist; German 15th Century, An Easter Calendar rence; John Sloan, Night Windows; James McNeill Beginning with the Year 1466; Lucas van Leyden, The Whistler, Butcher's Dog Dentist; Netherlandish 15th Century, Hand as the Mirror of Salvation; Marcantonio Raimondi, Three

74 APPENDICES

Changes of Attribution

The following changes of attribution made and approved by the Gallery's are the result of scholarly research using Board of Trustees during the 2000 fiscal the latest art historical investigations year. Each list is arranged in alphabeti- and scientific examinations. It is the cal order according to former attribu- policy of the National Gallery of Art to tion. Changes of title and date are publish these changes regularly. The included if they were a part of the attri- following changes of attribution were bution change.

Paintings Formerly Changes to

1963.10.118 Follower of Jacques-Louis Circle of Jacques-Louis Portrait of a Young David David Woman in White probably 1800/1850 c. 1798

1963.10.19 Follower of Eugene Delacroix Follower of Eugene Michelangelo in undated Delacroix (Possibly His Studio Pierre Andrieu) late 19th century

1963.10.28 Baron Francois Gerard French 19th Century The Model c. 1790 A Young Girl Posing in a Back View 1820/1830

1984.29.2 Attributed to Theodore after Theodore Gericault Gray Stallion Gericaultc. 1850 or later undated

1963.10.212 Georges Rouget Studio of Georges Rouget Jacques-Louis David probably c. 1815 c. 1813/1815

1954.3.1 Franz Xaver Winterhalter Studio of Franz Xaver Queen Victoria c. 1841 Winterhalter c. 1843

75 Sculpture Formerly Changes to

1977.58.1 Albert-Ernest Carrier- Albert-Ernest Carrier- Belleuse Belleuse, possibly with The Abduction of Auguste Rodin Hippodamia The Abduction of 1879 Hippodamia (L 'Enlevement d'Hippodamie) model 1877/1879, cast after 1877

1957.14.135 Donatello Francesco di Giorgio The Triumph of Cupid undated Martini 1472/1474

1952.5.95 French 19th Century French 19th Century, Bacchant after Jacopo Sansovino Bacchus and a Faun

1957.14.901.a-b Italian 16th Century French or Italian 16th Louis XII, 1462-1515, c. 1530 Century, after Michel King of France 1498 Colombe (obverse); Incision early 16th century (reverse)

Publications and Awards

National Gallery of Art Catalogues of the Collection Exhibition Catalogues French Paintings of the Nineteenth Century, Part I: Before Art for the Nation: Collecting for a New Century, with Impressionism, by Lorenz Eitner (416 pages, 67 color, 175 b/w; copublished with Oxford University Press). contributions by Melissa Beck, Judith Brodie, David Alan Brown, Nicolai Cikovsky Jr., Virginia Tuttle Clayton, Florence E. Coman, Philip Conisbee, Molly Studies in the History of Art Donovan, Ruth E. Fine, Margaret Morgan Grasselli, Sarah Greenough, John Oliver Hand, Gretchen A. Olmec Art and Archeology in Mesoamerica, ed. John Hirschauer, Gregory Jecmen, Kimberly Jones, E. Clark and Mary E. Pye (344 pages, 11 color, Franklin Kelly, Douglas Lewis, Alison Luchs, Car- 270 b/w; copublished with Yale University lotta Owens, Peter Parshall, Charles Ritchie, Press, New Haven and London). Andrew Robison, Lynn Pearson Russell, Stacey Sell, Julia Thompson, April Watson, Jeffrey Weiss, and Other National Gallery Publications Arthur K. Wheelock Jr. (320 pages, 142 color). Extensive illustrated checklist bound into U.S. edi- Exh. brochure. Gerrit Dou (1613-1675): Master Painter tion of Art Nouveau, 1890-1914, by Paul Greenhalgh in the Age of Rembrandt. (copublished with the Victoria & Albert Museum, Exh. brochure. The Impressionists at Argenteuil. London, and Harry N. Abrams, New York). Special issue of the French art magazine Connais- G err it Dou (1613-1675): Master Painter in the Age of sance des Arts: National Gallery of Art, with contribu- Rembrandt, by Ronni Baer and Arthur K. Wheelock tions by David Alan Brown, Philip Conisbee, May- Jr. (160 pages, 40 color, 11 b/w; copublished with gene Daniels, Ruth E. Fine, Sarah Greenough, John Yale University Press, New Haven and London). Oliver Hand, Franklin Kelly, Alison Luchs, Andrew The Impressionists at Argenteuil, by Paul Hayes Tucker Robison, Jeffrey Weiss, Arthur I<. Wheelock Jr., and (180 pages, 83 color, 31 b/w; copublished with Yale Deborah Ziska. University Press, New Haven and London). Exh. brochure. Max Weber's Modern Vision: Selections O'Keeffe on Paper, by Ruth E. Fine, Elizabeth Glass- from the National Gallery of Art and Related Collections man, Barbara Buhler-Lynes, and Judith Walsh (144 by Charles Ritchie. pages, 69 color, 11 b/w; copublished with Harry N. The Patricia G. England Collection of Fine Press and Abrams, Inc., New York). Artists' Books, by Lamia Doumato and Ruth E. Fine Prints Abound: Paris in the 1890s, From the Collections of (88 pages, 11 color). Virginia and Ira Jackson and the National Gallery of Art, Exh. brochure. Small Northern European Portraits by Philip Dennis Gate, Gale B. Murray, and Richard from the Walters Art Gallery, Baltimore, by Arthur K. Thomson (184 pages, 166 color, 77 b/w; copub- Wheelock Jr., with Joaneath Spicer. lished with Lund Humphries Publishers, London). Exh. brochure. The Triumph of the Baroque: Architec- Twentieth-Century American Art: The Ebsworth Collec- ture in Europe from 1600-1750. tion. Essay by Bruce Robertson, with contributions Exh. brochure. Johannes Vermeer's "The Art of Paint- by Charles Brock, Nicolai Cikovsky Jr., Isabelle Der- ing, " by Arthur K. Wheelock Jr. vaux, Molly Donovan, Ruth E. Fine, Sarah Gree- nough, Franklin Kelly, Maria Prather, and Jeffrey Weiss (304 pages, 88 color, 98 b/w; copublished with Harry N. Abrams, Inc., New York). Awards , Suzanne Quillen Lomax, Michael Palmer, Exh. cat., Ian Potter Museum of Art, University of Lisha Deming Glinsman, and Christopher A. Melbourne. Melbourne, 2000. Beyond the Yellow River: Recent Discoveries from Ancient Maines. "An Investigation of the Photochemical . "Valerio Belli: un catalogo ragionato dei China, film Stability of Urea-Aldehyde Resin Retouching Paints: cristalli di rocca, e delle placchette su metallo." Golden Eagle Award, Council on International Removability Tests and Colour Spectroscopy." Tradi- In Valerio Belli vicentino, c. 1468-1546, 51-65, ed. Non-Theatrical Events tion and Innovation: Advances in Conservation, 51-59. Howard Burns, Marco Collareta, and Davide Gas- Gold Plaque, International Communications Film Melbourne Congress, International Institute for parotto. , 2000. and Video Conservation of Historic and Artistic Works. Lon- Telly Award don 2000. Luchs, Alison. "Lorenzo from Life? Renaissance Portrait Busts of Lorenzo de' Medici." The Sculpture The Drawings of Annibale Carracci, exhibition Doumato, Lamia. "Exquisite Ornaments." Review Journal 4 (2000), 6-23. catalogue of Falize: A Dynasty of Jewelers by Katherine Purcell. American Association of Museums design award In Art Documentation 19, no. 1 (Spring 2000), 55. Maines, Christopher A., coauthor. "Lacquer as an Association of American University Presses design Adhesive for Gilding on Copper Alloy Sculpture in . Review of A Renaissance Treasury: The Flagg Col- award SE Asia." In Gilded Metals: History, Technology & Con- lection of European Decorative Arts and Sculpture by "The Big Crit," awarded by Critique Magazine servation, ed. Terry Drayman-Weisser. London, Laurie Winters. In Choice 37, no. 4 (Dec. 1999), 37. Georgia O'Keeffe, catalogue raisonne 2000. The first Frances P. Smyth Prize for Excellence in . Review of Gold of the Pharoahs by Hans Wolf- Most, Gregory P.J. Awash in Color: The Watercolors gang Muller and Eberhard Thiem. In Choice 37, no. Publication Design, from the American Association of Roderick Mead. Exh. cat., Carlsbad Museum and 9 (May 2000), 14. of Museums Art Center. Carlsbad, NM, 2000. . Review of Jewels and Jewelry by Clare Phillips. Tilman Riemenschneider exhibition catalogue . Review of Tupperware: The Promise of Plastics in In Choice 37, no. 11/12 (July-Aug. 2000), 16. Association of American University Presses design the 1950s America by Alison J. Clarke. In Art Docu- award . Review of Irish Carnegie Libraries: A Catalogue mentation 19 (Spring 2000), 58-59. and Architectural History by Brendan Grimes. In Art www.nga.gov, National Gallery of Art Web site Parshall, Peter. "The Art of Memory and the Pas- Libraries Journal 25, no. 3 (2000), 47-48. Federal Design Achievement Award, highest honor sion." Art Bulletin 81 (1999), 456-472. from the National Endowment for the Arts . "Emerging Christianity." Review of Imaging the . "The Vision of the Apocalypse in the Sixteenth Forbes magazine's "Best of the Web" Early Medieval Bible, ed. John Williams. In Art Docu- and Seventeenth Centuries." The Apocalypse and the mentation (Aug. 2000). Shape of Things to Come, 99-124, ed. Frances Carey. Staff Publications Downs, Linda. Diego Rivera: The Detroit Industry Exh. cat., British Museum. London, 1999. Murals. Detroit and New York, 1999. Robertson, Ann Bigley. An Enduring Legacy: The Berrie, Barbara H., coauthor. "On Copper Green Fine, Ruth E. "Reflections and Shadows: Realism Painting Collection of Georgetown . Washing- Glazes in Paintings." Art et Chemie: La Couleur, and Its Discontents." In Contemporary American Real- ton, DC, 2000. 18-21. Paris, 2000. ist Drawings: The Jalane and Richard Davidson Collec- Robison, Andrew. "Mark J. Millard." In Grolier Brown, David Alan. . Origini di tion at The Art Institute of Chicago. Exh. cat., Art Insti- 2000. New York, 2000. ungenio. Milan, 1999. tute of Chicago. New York, 1999. . "A National Collection of Master Drawings." Chotner, Deborah, contributor. Masterworks of Gifford, E. Melanie. Review of Copper as Canvas: Master Drawings (September 2000), 293-302. American Painting and Sculpture from the Smith College Two Centuries of Masterpiece Paintings on Copper Museum of Art. New York, 1999. 1575-1775 (1999) by Michael K. Komanecky, et al. Sprague, Abbie N. "The British Tempera Revival: The Pre-Raphaelites and the Link with America." Cikovsky, Nicolai, Jr. Introduction to Carleton In CAA Reviews, www.caareviews.org, 2000. Apollo 150, no. 453 (Nov. 1999), 47-52. Mabee's The American Leonardo: A Life of Samuel F.B. Grasselli, Margaret Morgan. "Following in Wat- Morse, rev. ed. Fleischmanns, NY, 2000. teau's Line: Some Drawings by Jean-Baptiste Springer, Julie. Review of Angels of Art: Women and Art in American Society, 1876-1914, by Bailey van . "J. Alden Weir and Impressionism." In A Con- Pater." Master Drawings 38, no. 2 (Summer 2000), Hook. In Woman's Art Journal 21 (Spring/Summer necticut Place: Weir Farm, an American Painter's Rural 159-166. 2000), 44-45. Retreat. Exh. cat., Weir Farm. Wilton, CT, 2000. Hand, John Oliver. "In Memoriam: Anne Dubois Wheelock, Arthur K., Jr., coeditor and contribu- Clayton, Virginia Tuttle, editor. The Once and de Groer (1950-1998)." Historians of Netherlandish tor. The Public and Private in Dutch Culture of the Future Gardener: Garden Writing from the Golden Age of Art Newsletter 16, no. 2 (Nov. 1999), 4. Golden Age. Newark and London, 2000. Magazines. Boston, 2000. . Review of Jan Joest van Kalkar: ein niederlandi- . The Golden Age of Dutch and Flemish Art and Conisbee, Philip. "La Nature et le sublime dans scher Maler um 1500 by Ulrike Wolff-Thomsen. In Selections from the Edward Speelman Collection. Exh. l'art de Claude-Joseph Vernet." In Autour de Claude- Historians of Netherlandish Art Newsletter 16, no. 2 cat., Museum of Fine Arts, Houston. Houston, Joseph Vernet. La marine a voile de 1650 a 1890, 27-43. (Nov. 1999), 35-36. 2000. Exh. cat., Musee des beaux-arts. Rouen, 1999. . "Joos van Cleve." Encyclopedia of the Renaissance, . The Public and the Private in the Age of Vermeer. . Review of Chardin by Pierre Rosenberg. In 2:24-25. New York, 1999. Exh. cat., Osaka Municipal Museum. Osaka, 2000. Burlington Magazine 142 (Jan. 2000), 55-56. Hinish, Heidi. Review of The Sacred and the Pro- . "Rembrandt Inventing Himself." In Rembrandt . Review of Baltic Light: Early Open-Air Painting in fane: Josefa de 6bidos of Portugal. In Woman's Art Jour- Creates Rembrandt: Art and Ambition in , 13-24. Denmark and North Germany, by Catherine John- nal 20 (Fall 1999/Winter 2000). Exh. cat., Isabella Stewart Gardner Museum. ston, et al. In Burlington Magazine 142 (May 2000), Kelly, Franklin. "Distinct Reality: Martin Johnson Boston, 2000. 189-191. Heade." Veranda 14, no. 3 (May-June 2000), Witmer, Susan, coauthor. "Exploring the Potential . Review of Drawn to Painting: Leon Kossoff Draw- 70-80. of Museum Multiple-Visit Programs." Art Education ings and Prints after Nicolas Poussin, Los Angeles Lewis, Douglas. "A Model by Martinelli with a (Sept. 2000), 46-52. County Museum of Art. In Burlington Magazine 142 Result by Rossi: The Late Baroque Church of the (April 2000), 260-261. Teutonic Knights in ." In Francesco Robba . "A Neighborhood Partnership: Art Around the Corner." The Docent Educator (Autumn 2000), . "Claude-Joseph Vernet." In Art in Rome in the and Venetian Sculpture of the Eighteenth Century, 10-12. Eighteenth Century, 452-456. Exh. cat., Philadelphia 175-189, ed. Janez Hofler. Ljubljana (), Museum of Art. Philadelphia, 2000. 2000. Yeide, Nancy H. "The Marie Harriman Gallery." Archives of American Art Journal 39, nos. 1-2 (Sept. de la Rie, E. Rene, coauthor. "Development of a . "Jacopo ritrattista: il problema dei busti sanso- 1999), 2-110. New Material for Retouching"; and "External viniani." In Studi in Onore di Renato Cevese, 343-349 Reflection Study of Copper-Benzotriazole Films on and 604-609, ed. Guido Beltramini, Adriano Bronze in Relation to Pretreatments of Coated Out- Ghisetti Giavarina, and Paola Marini. Vicenza, door Bronzes." Tradition and Innovation: Advances in 2000. Conservation, 29-33. Melbourne Congress, Interna- . "An Appropriated Drawing, Face, and Format: tional Institute for Conservation of Historic and A Post-1574 Self-Portrait of Baldassare Peruzzi." In Artistic Works. London 2000. Portrait of Sansovino?, 26-35, ed. Elizabeth Trenerry.

77

TAFF (as of February 2001)

OFFICE OF THE Project Manager Electrician DIRECTOR Roily T. Strauss Robert Benoit Director Exhibition Assistant Head of Paint Shop Earl A. Powell III Kelly Swain Dennis Bult Deputy to the Director Painters/Finishers Carol W. Kelley DESIGN AND Robert Barnett Executive Assistant INSTALLATION Joseph Richardson Angela M. LoRe Senior Curator, Chief Staff Assistants of Design OFFICE OF THE Debra S. Tatman Mark Leithauser DEPUTY DIRECTOR Dianne D. Stephens Head of Production Deputy Director and Chief Internal Auditor Gordon Anson Curator Larry L. Lewis Production Coordinators Alan Shestack Auditor William Bowser Administrator for Policy and Orin Wolf John Olson Programs Nathan Peek Elizabeth Driscoll Pochter EXHIBITIONS Architects Executive Secretary Chief of Exhibitions Linda Heinrich Lydia Beruff D. Dodge Thompson Donna Kirk Staff Assistant Exhibition Officers Office Manager Tamara Wilson Jennifer Fletcher Cipriano Gina O'Connell Naomi R. Remes Staff Assistant EUROPEAN PAINTINGS Ann Bigley Robertson Julia Cates Senior Curator and Office Manager & Exhibition Photographer Head of French Paintings Coordinator Robert Shelley Philip Conisbee Jonathan F. Walz Head of Silkscreen Assistant Curators, French Assistants for Exhibition Barbara Keyes Paintings Administration Silkscreen Production Florence E. Coman Jennifer O. Bumba-Kongo Lisa Farrell Kimberly A. Jones Abbie N. Sprague Glenn Perry Staff Assistant Secretary to the Chief of Jeffrey Wilson Michelle Bird Exhibitions Stefan Wood Wendy Battaglino Head of Exhibits Shop Renaissance Paintings Randy Payne Curator, Italian Renaissance Exhibition Programs Carpenters David Alan Brown Head of Department Richard Bruce Curator, Northern Susan M. Arensberg Lester Dumont Renaissance Associate Curator Paul Heath John Oliver Hand Claudia Bohn-Spector Miller Mack Assistant Curator, Italian Adolph Mcnzel, The Interior of the Jacobskirche at Video & Film Productions Thomas Piddington Renaissance Innsbruck, 1872, gouache, 40 x 26.2 cm, Carroll Moore Head of Lighting Shop Gretchen Hirschauer Pepita Milmore Memorial Fund and Gift of Jeffrey Bramhall The Ahmanson Foundation, 2000.56.1

79 Research Associate Modern Prints and Special Assistant Michael G. Bryant Project Assistant Eleonora Luciano Drawings Marta Horgan Dion Redman Mariah Shay Staff Assistant Curator Adult Programs Teacher and School Pro- Elon Danziger Ruth E. Fine LIBRARY Head of Department grams Assistant Curators Executive Librarian Northern Baroque Paintings Lynn Russell Head of Department Carlotta J. Owens Neal T. Turtell Curator Coordinator of Tours and Maria Marable-Bunch Charles M. Ritchie Administrative Librarian Arthur K. Wheelock Jr. Lectures Coordinator of Teacher Staff Assistant Roger C. Lawson Eric Denker Programs Ava Lambert Automation Coordinator Staff Lecturers Julie A. Springer AMERICAN AND Karen P. Cassedy BRITISH PAINTINGS Frances Feldman Coordinator of School PHOTOGRAPHS Staff Assistant Senior Curator Anne Collins Goodyear Docents Curator Kate M. Allen Nicolai Cikovsky Jr. Philip Leonard Elisa Patterson Sarah Greenough Office Assistant Curator and Head of J. Russell Sale Coordinator of Art Around Assistant Curator Crystal Kelly American Paintings Sally Shelburne the Corner Program Julia Thompson Franklin Kelly Coordinator of Adult Susan Witman Technical Services Research Associate Associate Curator Program Docents Coordinator of Family and Technical Services Librarian Charles Brock Nancy K. Anderson Wilford W. Scott Youth Programs Anna M. Rachwald Research Assistant, Stieglitz Assistant Curator Program Administrator, Heidi Hinish Acquisitions Processing Systematic Catalogue Deborah Chotner Academic Programs School Tour Coordinator and Assistant Janet Blyberg Staff Assistant Rachel Schulze Program Assistant Mary A. Masters Curatorial Assistant Heidi Applegate Program Assistants, Jennifer Cross Acquisitions Technicians April Watson Academic Programs Program Assistant, Art Susan Clay SCULPTURE AND Lara Murray Around the Corner Program David Diaz CURATORIAL RECORDS DECORATIVE ARTS Gabriella Rodriguez Paige Simpson Jeffrey Leone AND FILES Curator of Early European Staff Assistant, Adult Program Assistant, Teacher Cataloguers Head of Department Sculpture Programs Programs Trudi W. Olivetti Nancy H. Yeide Alison Luchs Maury Pully Marget Van Horn Jane D. Collins Assistant Curator of Sculpture and Docent Liaison, Program J. Bryan Lane Anne L. Halpern Decorative Arts Assistant FILM PROGRAMS Cathy F. Quinn Arlette Raspberry Douglas Lewis Curator Marsha D. Spieth REGISTRATION AND Margaret Parsons Cataloging Technician Staff Assistant Education Publications LOANS Assistant Curator Paula L. Zech Rebecca Hunter Head of Department Office of the Registrar Victoria Toye Bindery Assistant Barbara Moore MODERN AND Chief Registrar Jane E. Higgins Production Manager CONTEMPORARY ART Sally Freitag Cataloging Technician Donna Mann Curator Registrar for Exhibitions Katarina Spears Writer/Editor EDITORS OFFICE Jeffrey Weiss Michelle Fondas Editor-in-Chief Carla Brenner Reader Services Associate Curator Collection Manager Judy Metro Head of Reader Services Leah Dickerman Lauren Mellon Education Resources Production Manager Lamia Doumato Assistant Curator Associate Registrar for Loans Head of Department Chris Vogel Reference Librarian Molly Donovan Judith Cline Ruth R. Perlin Senior Editor/Manager of Frances P. Lederer Exhibition Specialist Assistant Registrar for Supervisory Program the Systematic Catalogue Reference Assistant Jessica Stewart Exhibitions Specialist Mary Yakush George (Ted) T. Dalziel Jr. Exhibition Specialist Hunter Hollins Leo J. Kasun Web Site Manager/Art Interlibrary Loan Assistant Sally Mansfield Assistant Registrar Editorial Coordinator, Director Thomas F.J. McGill Jr. Staff Assistants Melissa Stegeman Videodisc Projects Phyllis Hecht Interlibrary Loan Technician Lisa Coldiron Staff Assistant Avery Beeson Managing Editor Maria Sampang Katherine Roeder Michelle Matuszak Assistant Program Tam Curry Bryfogle Vertical Files Librarian Supervisory Museum Coordinator, Videodisc Managing Editor, CASVA Roberta Geier PRINTS AND Specialists Projects Publications Vertical Files Student DRAWINGS Daniel Shay Stephanie Burnett Carol Eron Assistant Andrew W. Mellon Senior Gary Webber Coordinating Curator of Art Editors Sarah Osborne Curator Art Services Specialists Information Susan Higman Serials Technicians Andrew Robison James Clark Christopher With Julie Warnement Bruce B. Hebblethwaite Office Manager Robert Cwiok Supervisory Art Information Katherine M. Whann Inge F. Newstead Susanne L. Cook Andrew Krieger Specialist Technical and Web Site Circulation Supervisor Staff Assistant Johnnie Mizell Carol Boyes Editor Jeannette Canty Lesley Keiner Dan Randall Senior Art Information Ulrike Mills Circulation Technicians Pierre Richard Specialist Designers Old Master Prints Jennifer Spiker Art Services Technicians John Cogswell Margaret Bauer Curator Rachel Barham Goven Martinez Art Information Specialist Wendy Schleicher Smith Peter Parshall Douglas Jackson Margaret Baucom Web Site Designer Photographic Archives Associate Curator David Smith Program Assistant Guillermo Saenz Curator Virginia Clayton Carol F. Bridges Research Assistant, Ruth R. Philbrick Assistant Curator Loans and the National Supervisor, Extension Rothko catalogue raisonne Archivist: Architecture Gregory Jecmen Lending Service Programs Circulation Head of Department Laili Nasr Andrea R. Gibbs Susan Sedlock Old Master Drawings Stephanie T. Belt Permissions Coordinator, Cataloguer of English and Supervisory Program Curator Loan Officer Multimedia American Art Technician Margaret Morgan Grasselli Alicia Thomas Ira Bartfield Richard W. Hutton Associate Curator Roland Young Permissions Coordinator, Archivist: Judith Brodie Affiliate Loan Coordinator Print Media Melissa Lemke EDUCATION Assistant Curator Frances Duhart Sara Sanders-Buell Archivist: 20th-century Art Head of Education Stacey Sell Chief Scheduling Technician Budget Coordinator Meg Melvin Linda Downs Martha H. Aspron Karen Kretzer Cataloguer of Decorative Arts Staff Assistant Program Shipping Production Assistant Wendy Cole Pamela Chewning Technicians Rio Denaro

80 Staff Assistant Michael R. Palmer Office of Architectural Lester Smith Assistant Manager Debra K. Massey Christopher Maines Services Larry Welch John Bixler Research Assistant Assistant to the Administrator Supervisors Slide Library Mason Shop Corey D'Augustine for Architectural Services/ Darnell Bell Chief Slide Librarian Supervisor Senior Architect Zery Mingo Gregory P. J. Most Loans and Exhibitions Roland Martin James M. Grupe William Sutton Associate Slide Librarians Conservation Mason Leader Assistant Senior Architect Donald Young Patricia C. Ballard Head of Department/Deputy Joseph Sandleitner Carl M. Campioli Leaders Nicolas A. Martin Chief of Conservation Masons Project Architects Lough Thomas A. O'Callaghan Jr. Mervin Richard Reginald Kellibrew Bruce D. Condit Larry Smith Coordinator of Michael Proctor William H. Cross, Jr. Anthony Thomas Matting/Framing Gino Ricci CONSERVATION Christopher Ruffing Engineering Technicians Hugh Phibbs Clare Wiedmaier Chief of Conservation CAD Manager/Architect Joseph Burgess Senior Conservator Mason Workers Ross Merrill Eric Mucklow Kevin Cockrell Michael Pierce Christopher Baumann Conservation Administrator Interior Design Specialist Eugene Givens Matter/Framer Betty Holmes Michael Skalka Susan A. Ritterpusch Ed Hanna Jenny Ritchie Roofer/Glazier Conservation Programs Staff Assistant Gary Persing Frame Conservators James Powell, Jr. Assistant Michele D. DuBois Shawn Sizemore Suzanne Sarraf Stephan Wilcox Building Services Depart- Operating Engineers Staff Assistants Richard Ford EEO OFFICER ment James Hamilton Theresa Beall Conservation Technician Lindsay Patterson General Foreman Wayne Valentine Christina Rich Bethann Barressi Charles Boone James Wilson Painting Conservation FACILITIES Assistant Foreman Maintenance Engineers CENTER FOR Head of Painting MANAGEMENT Harry Colclough Noel Ashton Conservation ADVANCED STUDY Chief of Facilities Supervisors Nathaniel Bethune Sarah Fisher IN THE VISUAL Kurt Sisson Frank Ford Roger Dunning Senior Conservators ARTS Deputy Chief of Facilities Angela Lee Operations Unit Larry Brown Michael Swicklik Dean Michael Giamber Leaders Jay Krueger Elizabeth Cropper Budget/ADP Andre Adams Frank Lim Catherine Metzger Associate Dean Dan Hamm Paul Cotton John Ott Conservators Therese O'Malley Special Project Coordinator Geraldine Crawford Eugene Guthrie Ann Hoenigswald Associate Dean Allan Riggles Eva Harrison Utility Systems Repair Elizabeth Walmsley Faya Causey Assistant Special Projects Sheila Sanders Operators Walter Coehins Carol Christensen Research Associates Coordinator Housekeepers Conservation Technician Barbara Christen Darrell Waytes Maurice Anderson Levern Jacobs Harvey Moore Laura Rivers Giuseppe Dardanello Staff Assistant Kenneth Belts Bjoern Ewald Linda Hilliard George Bridges Clifton Mutts Paper Conservation Mary Pixley Rowna Camper James Stevens Head of Paper Conservation Engineering Department Alexander Tonic Center Administrator Gerald Carthorne Shelley Fletcher Supervisor Helen Tangires Yvette Clanton Pipefitters Senior Conservators William Burns Robert Lowry Program Assistants James Clark Judith Walsh Engineering Technicians James Phillips Nicole Anselona Barbara Coleman Yoonjoo Strumfels Mark Casalez Sheet Metal Mechanic Casey Benson Lewis Dobbs Photograph Conservator Eric Chamberlain Elizabeth Kielpinski Bernessa Drain Mark Teed Constance McCabe Gary Ilko Martha McLaughlin Geraldine Drayton Conservation Technician Electric Shop ICimberly Rodeffer Work Control Center Emma Faison Lehua Fisher Supervisor Jennifer Rutman Oliver Fowler Permanent Collection Supervisor Brian Thomas Secretary John Haughey Isaac Graham Matting/Framing Leader Amanda Mister Josephine Halloman Elaine Vamos Work Control Coordinators Daniel Smith Gwendolyn Arnold Carolyn Harvey Electricians Object Conservation OFFICE OF THE Judith Williams Brock Hawkins David Cole Alice Holloman Head of Object Conservation ADMINISTRATOR Fred Dodge Building Maintenance Anthony Inabinet Shelley Sturman Administrator Carlton Williams Department Lawrence Jackson Senior Conservator Darrell R. Willson Electrician Helper Manager Michon Jenkins Judy L. Ozone Deputy Administrator Leslie Raspberry Craig MacFarlane Dorothy Johnson Conservator Charles H. Schneider Elevator Mechanic Teresa Johnson Daphne Barbour Executive Assistant Carpenter Shop Willie Parker Varon Lee Conservation Technician Anne Valentine Supervisor Sheldon Malloy Sheila Payaqui Assistant to the Administrator Alvin Adams HORTICULTURAL Theodora McCard for Budget Analysis Wood Crafter Leaders SERVICES Textile Conservation Cassandra Pixley Andrew McCoy Dorson Abney Chief of Horticultural Service Head of Textile Conservation Leora Richardson Assistant to the Administrator George McDonald Donald Hand Julia Burke Henry Rivers for Business Activities Wood Crafters Assistant Chief of Betty Rufus Scientific Research Stephanie Topolgus Francis Dyson, Jr. Horticultural Services Evelyn Scott Department Anthony Givens Dianne Cina Office of Capital Projects Lorraine Staggs Head of Scientific Research Willard Menson Horticulturists Assistant to the Administrator Angeline Sutton E. Rene de la Rie Robert Motley Marge Church for Capital Projects/Senior Gloria Thomas Senior Conservation Scientist John Rogers David Gentilcore Architect Elsie Thompson Barbara H. Berrie Juli Goodman Susan Wertheim Paint Shop Diana Wells Research Conservator for James Kaufmann Energy Conservation Supervisor James Wells Painting Technology Cynthia Lawless Specialist Rhonda McCord Zilphia Wright E. Melanie Gifford Gardener Leaders Dennis Donaldson Painters Organic Chemist Building Operations Ulysses Greatheart Fire Protection Engineer Joseph Copeland Suzanne Q. Lomax Department James Stewart Robert Wilson James Miller Conservation Scientists Manager Gardeners Assistant Project Manager Jesus Pena Lisha D. Glinsman Pete Aitcheson John Jones Annalisa Givens

8 Ronald McGill Tawania McKinzy Charles Moody Elvis Hernandez Nolen Paulk Michael Peters Ernest Reynolds Dexter Moten Jimmie Hines Claude Poole Adam Sklar James Townsend James Murphy Alice Holloman Tyrone Rawls Ronald Terrell La Verne Whitted Justina Page Fred Holmes Marcus A. Reeves Lieutenants Ronald Randall Priscilla Hopkins Annette Williamson PROTECTION SERVICES Hajji Al-Hadith Jerry Reaves Ina Hunter Office of the Chief of Cleven Brown William Richardson Charles Jackson PERSONNEL Protection Services Armando Hartley Dana Roberson John Jackson Personnel Officer Chief Dona Linder Dexter Roberson Victor Jamison Michael Bloom James J. Lucey Ricky Manuel Loretta Roy Alan Jenkins Deputy Personnel Officer Secretary Lawrence Marshall Ronald Sewell Jesus Jimenez Meredith Weiser Geri M. Green Daniel Miller Calvin Simmons Eric Johnson Systems Specialists Investigators John Palmer Ronnie Sloan Jr. Wayman Johnson Michele Caputo Enis Pinar Vincent Parker John Smith Yamashita Johnson Darryl Cherry James Deas Karen Perry Leroy Smith Kenneth Jones Personnel Specialist Kathy Sutton Timothy Smith Micah B. Jones Terrence Snyder Administration Marlene Tucker Michael Strong Lamont Lee Staffing Specialists Deputy Chief Sergeants Altina Sumter Charles Leggett Rick Decuir Yvette Coles Willie Barnes Edward Thomas John Legrand Linda Pettiford Computer Specialist Bernard demons Larry Turner Robert Lewis Employee Relations Advisors Stephen Lockard Timothy Fortt Eugenio Velazquez Tyrone Lewis Luis Baquedano Supply Clerks Emanuel Goddard Gerald Walker Fransonia Littles Nilaya Baccus Michelle Cameron Harry Groce Linda West Larry Macalino Staff Assistant Chris Privott Maurice Johnson David Weston Rodney Mathew Tammy Bennett Program Specialist William Johnson Lynn Williams Isaac Mathis Receptionist Catherine Ferryman Quellan Josey Ralph Wright Darryl McCathon Janie Cole Staff Assistant Alonzo Kennedy Willie Wright Quinyardo McClain Training Officer Sherry Shaw Johnson Roger Kraft James Yancey Henry McICinnon Judith Frank Office Automation Assistant Joe Lewis Gallery Protection Officers Leroy Miller Training Administrator Zoya Mussienko Jeroboam Powell Rukan Ahmed Leroy Moreno George Martin Sandra Powell Anthony Thompson James Allison Jr. Billy Joe Norman Training Specialist Sheila Wright Ashley Arnold Willie Norman Technical Services Edward Watson Gallery Protection Officers II Cedric Baker Beverly North Deputy Chief Daniel Bailey Gwendolyn Bell Joyce Palmer David G. Schott ADMINISTRATIVE Latina Bailey Larita Best Joe Peterson Technical Services Supervisor SERVICES Leonard Bashful Ronald Bond, Jr. Willie Pugh Angelo Catucci Chief of Administrative Ludwig Bednar, Jr. Kenneth Bristow Gary Reed Electronic Mechanics Services Vander Blount Steve Brock Brannock Reilly Patrick Parrett Cathy Yates Ronald Brown Wayne Bryant Robert Rice Jr. William Shaw Deputy Chief of Samuel Brown Benjamin Burgess Edward Roberts Nathaniel Stroman Administrative Services Tyrone Brown Felesia Burgess James Roberts Locksmiths Elaine Larison Wayne Buckner Otis Butler Andrew Robinson Robert Brown Staff Assistants Alvin Burts Richard Byrd Michael Robinson Ty Cullins Stephanie V. Lott Joseph Callahan David Caldwell Patrick Rogers Safety and Health Patricia Barber Ellis Caudle George Caldwell John Sherrill Occupational Manager Computer Specialist Edward Chapman Joe Cardwell Willie Sims Philip Goldsmith Scott Stephens Luther Clark, Jr. James Carlton Franklin Smalls Safety & Occupational Health Administrative Officer Venus Cristwell Albert Carr, Jr. William Smallwood Specialist Sharlene Mobley John Davis Jesus Castro-Alvartez Milton Sochor, Sr. Joseph Harchick Fiscal Clerk Wade Davis David Clark Alexander Stephens Personnel Security Specialist Christy Williams Jerry Doss Thomasine Cloude Gregory Stevenson Pamela Davis Ernest Edwards Walter Colbert Earl Stewart Acquisition Support Security Assistant Ronald Estes Robert Conyers Charles Strickland Supervisory Contract Annette Brown Benjamin Flores Leslie Copeland Jermaine Thomas Specialist Visitor Services Paul Ford Dennis Diggs William Thorne Terry Vann Ellis Manager Edward Foster Raymond Dryburgh Reginald Thornton Contract Specialists Sandra Creighton Robert Gayleard Thomas DuBois Raymond Tyndle Claudine Harper Staff Assistants James Hairston Alexander DuBoise, Jr. William Walker Jeannette Rogue Paula Phipps George Hamilton Carlos DuBose Carlos Watson Purchasing Agents Emily Hawkins Alvin Hawkins Altwan Edwards Gregory Watson Grayling Reaves Peter Henderson Roby Ellis Michael Webster Barbara Stevens Operations Dennis Hill Neil Floyd Verda Whitlow Deputy Chief Logistics Support Donna Hinton Ardella Foster Celia Whitney Michael Prendergast Chief Edgar Hopson Alonzo Fountain Ronald Wilkins Captain of the Guard Edward Harrison Joseph Hudson Carlton Gaines Barry Williams Larry Kaylor Felisha Jones Johnnie Gallop Philip Williamson Travel & Transportation Assistant Operations Officer Veronica Jones Gene Garrett Andre Wilson Program Assistant/Travel Richard Allen Edward Johnson Antone Gatewood Warren Woodson Coordinator Security Frank Johnson Dionne Gilbert Anthony Wright Barbara Caldwell Joshua Mewborn David Lee Jermaine Ginyard Anne Wyder Supply Technician Console Operator Supervisors Franklin Lewis Cynthia Greene Gallery Security Officers Dora Barksdale Frank Ebb Gary Lindsay Paul Gresham Vincente Best Driver Walter Queen David Logan Carolyn Groce Jerome Corbett Bruce Carter Console Operators Marvin Mallard Mark Habermehl John C. Gibson Records Management Philip Arnett Victor McCrea Lome Harleston Douglas Hamm Information Management Winston Franklin Frank Meyer Burley Harris Mildred Holeman Specialist Derrick Hairston Joseph Midgette Thomas Henderson Mariatu Koroma Victoria Emerson Barbara Height

82 Mailroom Christina Moore Visual Information Specialist Concourse Book Store Deputy Chief of Archives Lead Mail Clerk Allison Needle Melissa Front Store Manager Anne G. Ritchie Felton Byrd Stephen McKevitt Archivist Mail Clerks OFFICE OF THE GALLERY SHOPS Assistant Store Managers Michele Lee James Arnold Archives Technicians TREASURER Division Chief Craig Himmons Clifton Fleet Ysabel L. Lightner Kelly Song Tara Ballentine Treasurer Jose Vallecillo Deputy Division Chief/ Category Specialists Caitlin Jenkins James E. Duff Operations Manager Byron Chigoy Staff Assistant Supply & Property Deputy Treasurer Karen Boyd Charlene Conlon Mary McCormack Inventory Management Thomas M. Berger Officer Nicole Glaude Executive Assistant Office Administration Ted Harper Cashiers OFFICE OF Alfreda M. Spraggins Office Manager Supply Technicians Mary Beth Bainbridge Assistant Treasurer/ Laura A. Fitzgerald EXTERNAL AND Larry Fauntleroy Pamela Baxter-Simms Investment Management Staff Assistants INTERNATIONAL Paul Fortune Kristin Bergquist Michael W. Levine Vasily Lazarenko AFFAIRS Kevin Grays Denis Donovan Supervisory Operating Michelle Brooks External and International Anthony Sean Milliard Sylvia A. Jenkins Accountant Affairs Officer Nathan Howell Merchandising Rodger Jones Kelly Liller Joseph J. Krakora Ulrick Vilmenay Visual Information Specialist Jeanette Ramsaroop Budget Officer Deputy to the Executive Noriko K. Bell Chandra Rolle Warehouse & Distribution William H. Roache Officer Product Development Mildred Shivers Supervisory Distribution Budget Analyst Ellen Bryant Specialist/Buyer Rosemary Wilkerson Facilities Specialist Jean Krevinas Associate Judy C. Luther Merchandise Stock Clerks Paul Rodriguez Assistant to the Treasurer Judy Szypa Book Buyers Terry W. Gibson Warehouse Leader for Risk Management and Special Assistant Dennis E. Callaghan Linda A. Hunt Samuel Baugh Special Projects Francine Linde Materials Handlers Nancy Hoffmann Donald L. Henderson Warehouse & Mail Order Buyers Operations Darnell Brandon Financial Program Specialist DEVELOPMENT Janet B. Kerger Operations Supervisor Brian Johnson Rosa E. Jackson Chief Development Officer Mary K. Sard Stephen Richardson Dwyne Proctor Ruth Anderson Coggeshall General Accounting Reorder Buyer Lead Materials Handler Receiving Clerk Senior Development Comptroller Nancy A. Sanders Marvin M. Walton Alfred Cohen Associate Dale C. Rinker Program Assistant Materials Handlers Cathryn Dickert Scoville Technical Support Deputy Comptroller Shannon M. Rutherford Mike Nichols Senior Associate Chief David J. Rada Angela Johnson Retail Systems Patricia A. Donovan Thomas Valentine Operating Accountants Terrence Smith Systems Manager Senior Associate for Planned Audio Visual Services Ruth E. Lewis Truck Driver G. Lee Cathey Giving Program Assistant Linda K. Smith James B. Everett Systems Analyst/Programmer FA. Bonnie Hourigan Dorian Breau Accounting Technicians Lead Mail Clerk Alexander Bloshteyn Associate for Development Radio Production Specialist Cynthia W. Czubat E. Jean Mitchell Technology Specialist Operations John Conway Dyann Nelson-Reese Mail Order Clerk Martin Rudder Elizabeth A. Hutcheson Motion Picture Projectionist Brenda M. Stevenson Miriam Davis Associate for Foundation Jeannie Bernhards Stephanie L. Thorpe Shipping Clerk Store & Warehouse Relations Maintenance Technician Valerie M. Wright Todd Osborn Operations Salina R. Muellich Lester Barry Retail System Manager Accounts Receivable Clerk Michael Chapman Visual Presentation Development Officer, Printing & Duplicating Carol L. Messineo Accounts Payable Technician Manager Prospect Research Off-Set Press Operators Kevin C. Oberman Therese M. Stripling Visual Services Rita P. Monner Patrick Beverly Sales Audit Technicians Supervisor Development Officer, Annual Frank Schiavone Earlene Bright Holly Ivanoff Barbara Bernard Giving Equipment/Copier Operator Inventory Accounting Mary Tewalt Museum Specialists Elizabeth O'Brien James Morris Technician West Building Shop Barbara Goldstein Annual Giving Associates Telecommunications Richard Eckert Store Manager Nancy Stanfield Jinene DeRibas Telecommunications Nancy G. Vibert Elizabeth H. Spratt Payroll Specialist Assistant Store Managers OFFICE OF Development Associate Michael Batt Supervisory Pay Technician Kara Ramirez Mullins Louise Coward SECRETARY and Supervisory Telephone Emma G. Moses Petra Giuland Development Associate, GENERAL COUNSEL Operator Civilian Pay Technicians C. Kelly Mayle Prospect Research Secretary and General Minnie Barbour Eric Humphrey Category Specialists Kara Barnes Counsel Telephone Operators Margaret Myers Mary Heiss Development Associate, Elizabeth A. Croog Barbara McNair Mary J. Powell Stewardship Data Processing Deputy Secretary and Deputy Juanita Walker Chris Siron Susan Redford Chief Information General Counsel Photography Services Lead Cashier Network Specialist Technology Officer John A. Lindburg Supervisory Photographer Linda Peterson John D. Carstens Richard C. Snyder Associate General Counsels Dean Beasom Cashiers Annual Giving Assistant Supervisory Computer Nancy Robinson Breuer Photographers Sara Basavaraju Corey Blondeau Specialists Marilyn Tebor Shaw Ricardo Blanc Matthew Cockrell Staff Assistant Henry B. Clark Assistant General Counsel Lorene Emerson Patrick Conneely Pamela Turner Susan E. Farr Isabelle Jain Photographers / Lab Denise Enriquez Financial Systems Manager Legal Assistant Doris Alston Jennifer Grubbs CORPORATE Carol Ann Proietti Sarah E. Fontana David Applegate Peter Huestis RELATIONS Computer Specialists Assistant Secretary James Locke Theresa Keys Chief Corporate Relations Rick Foster Kathryn K. Bartfield Secretary Elizabeth McManus Officer Susan Y. Hsia Staff Assistant Geneva Rosenboro Peggy Miles Christine M. Myers Jack M. Tucker Carol A. Christ Bonnie McBride Corporate Relations Associate Digital Imaging Services Computer Operators Secretary Kim Peacock Anne H. Lottmann Coordinator Karen M. Martin Montrue V Conner Robert Grove John H. McNeil Merchandise Stock Clerks Executive Assistant Visual Information Specialists Roddie Worthington Steven Corbin Gallery Archives Catherine C. Labib Deborah Adenan Aaron Seaboch Chief of Gallery Archives Maygene F. Daniels

83 Research and Multimedia Ailsa Mellon Bruce Senior Wyeth Predoctoral Fellows Brendan Fay Margaret W. Doole Specialist Fellows Wendy Bellion Frances Gage Judy Doyle Jeanette Crangle Beers Jonathan Reynolds Rachael Z. DeLue Carlos Gomez Helga Ehudin Sponsorship Manager Georges Roque Christena Hambrick Alice Ellington Susan McCullough Samuel H. Kress FELLOWS AND INTERNS Lynn Matheny Elizabeth Farrell Senior Fellow IN CONSERVATION Alison McElheny Leslie Jones Farrell PRESS AND PUBLIC Linda Neagley Interns for the Art Materials Marilyn Farrington INFORMATION Ailsa Mellon Bruce National Collection EDUCAP, INC., SUMMER Sharon Feldman Press and Public Information Gallery of Art Sabbatical Annie Leist INTERNS Victoria Feldman Officer Curatorial Fellow Suzanne Shelley Terri Anderson Paula G. Ferdinand Sima Picks Deborah Ziska Isabelle Dervaux Painting Conservation Kimberly Camuel Frese Senior Research Fellow Harriet Jillian Finkelstein Publicists Charles E. Culpeper Alicia Currier Sandra Fischer Sarah Holley Stefan Hauser Advanced Training Fellow Claire Deschamps Paul Mellon Visiting Senior Virginia N. Flavin Lisa Knapp Rikke Foulke Jill Johnson Deupi Cassandra Fletcher Dominic Morea Fellows William R. Leisher Memorial Francesca Filippi Clifford Brown Eleanor Foulger Program Assistant Fellow Cristiana Garofalo Phyllis Freirich Shannon Roberts Elena Khodza Allison Langley Alyson Horn Albert Kostenevich Joyce Gamse Receptionist Kress Intern Lisa Huber John Wilton-Ely Mary Gibb David Wojcinski Renee Lorion Sarah Kirk Ailsa Mellon Bruce Visiting Thomas A. Gilday Staff Assistants Training Program Intern Jenny Meads Senior Fellows Marcia Gilman Caroline Cobb Helen Spande Leanne Montgomery Betty Ann Gilmore Kristin Fuller Sergej Androssov Mid-Career Fellow Natalie Phillips Louis Cellauro Pauline Gilstrap Katherine Stainer-Hutchins Katherine Poole Alison Futrell Mark Porter Dawn S. Glass SPECIAL EVENTS Paper Conservation Marco Venturi di Este Joyce Quitasol Marilynn Goldsmith Assistant to the Director for Andrew W. Mellon Advanced Ailsa Mellon Bruce Visiting Nathalie Ryan Jonathan W. Gray Special Events Training Fellow Senior Fellows Jody Servon Kathy Green Genevra O. Higginson Rebecca Donnan Joseph Connors Julie Thomson Deborah L. Griffith Assistants Andrew W. Mellon Advanced Catharine A. Barnett Giuseppe Pucci Meghan Tierney Nancy Hafer Paul Mellon Visiting Senior Training Fellow Florence Hall Bethann Burns Cyntia Karnes Nora Connolly Fellows VOLUNTEERS Pamela Gulley Hardin Fredrika Jacobs Object Conservation Melissa Harris Francis J. Frigo DOCENTS Andrew W. Mellon Advanced Nadine Harth Elizabeth Lee Jahnke Orietta Rossi Pinelli Ann G. Allen Elena Sharnova Training Fellow Florence Heller Suzanne R. Pilet Lee Allen Angela Chang Eliane Herring Anne K. Sawkiw Starr Foundation Visiting Satomi Aoki Senior Research Fellows Andrew W. Mellon Advanced Shannon Hobbs Carissa E. South Diane Arkin Sihui Meng Training Fellow Jane Hochberg Donna Aubinoe Abdul Rehman Katherine May Nira Hodos SPECIAL PROJECTS Hannah Aurbach Samuel H. Kress/Ailsa Mellon Fellow Sally Hoffmann Special Projects Officer Barbara Baker Bruce Paired Fellows for Elizabeth Wild Jennifer Hollings Pamela Jenkinson Rosalie Baker Research in Conservation Adriana Hopper Special Projects Associates Scientific Research Department Jane Barton and Art History/Archaeology Marta Madrid de Horgan Carol Koelemay Andrew W. Mellon Research Heinz Bauer Susan Dackerman Sandy Horowitz Linda Daniel Fellow Sue Beddow Thomas Primeau Marilyn Norwood Roy Berns B.J. Beers Eva Mendgen Charles E. Culpeper Carol Pope Howerton MUSIC Marlene Bolze Richard Ford Advanced Training Fellow Merry T. Hunt Assistant to the Director for Lena Boman-Schuwer Andrew W. Mellon Anne-Laurence Dupont Mary Hurd Music Maureen Fallon Bridgeland Predoctoral Fellows Intern Patricia Jacobs George Manos Gail Briggs Andrew K. Y. Leung Tara Shedlowsky Francesca Janni Music Program Specialists Florence Brodkey Stella Nair Predoctoral Fellow Marilyn Johnson Juliana Munsing Ana Maria Brown Chester Dale Predoctoral Kenneth Sutherland Joan Jordano Stephen Ackert Debra Brown Fellows Cynthia Juvan Music Librarians Susan Brown Elizabeth Guenther Candace Kaller George Gillespie LAMPADIA Susan C. Bruce Annie Pedret Rebecca Karo Elmer Booze FOUNDATION FELLOWS Roberta Buchanan David E. Finley Predoctoral Louise Karpicus Concert Aides Paulo de Freitas Costa Carol Burton Fellows Evelyn Katz Eugenia Langley Maria Jose Herrera James R. Byron Mimi Hellman Nancy Keefe Cathy Kazmierczak Ricardo Resende Mary Ann Cameron Stephen Pinson Carolyn Kelloff Angela Rooney Nancy Cammack Kristel Smentek Marney Kennedy Vrejoohie Armenian GRADUATE LECTURING Karen Campbell Ittleson Predoctoral Fellows Carol King FELLOWS Sheila Campbell David Doris Ilze King Anne Collins Goodyear Valerie Carleton FELLOWSHIPS Melissa McCormick Phyllis Knight Mark Levitch Marian Carroll Mary Davis Predoctoral Gunter Koenig MEMBERS, CENTER Scott Schweigert Jane Casazza Fellows Patricia Kraemer FOR ADVANCED STUDY Rosemary Trippe Sara Cherner Sarah Kennel Carol Kuehl IN THE VISUAL ARTS William R. Cline Kathryn A. Tuma Tommi Kumer Academic Year 1999-2000 CHARLES E. CULPEPER Mary Ann Coffland Paul Mellon Predoctoral Marie Kux Leslie K. Cohen Fellows INTERNS FOR Kate LaBuda Samuel H. Kress Professor Robyn Cooke Carla Keyvanian DIVERSITY IN THE Rita Landers Mina Gregori David Cooper Sarah Linford MUSEUM PROFESSION Eugenia S. Langley Andrew W. Mellon Professor Dina D'Arcangelo Leila Whittemore Rorio Aranda-Alvarado Gigi Lazarus Malcolm Bell III Joy Dale Robert H. and Clarice Smith Kristina Perea Anne-Marie Lee Andrew W. Mellon Lecturer Kitty Davis Predoctoral Fellows Hillary Lee in the Fine Arts Dominique N. de Keghel Susan Merriam INTERNS IN THE Rosalie Lesser Marc Fumaroli Gerard de la Cruz Samuel H. Kress Predoctoral MUSEUM PROFESSION Peter S. Levitt Paul Mellon Senior Fellows Rutgera de Rivera Fellows Phoebe Avery Paula G. Litvak Barbara Abou-el-Haj Joan Dickey Kathryn Rudy Esperanqa Camara Janet Lloyd Anthony Cutler Anna Dixon

84 Doris Loftness Trudi Small Elizabeth des Cognets Mary T. Neves Jean Loper Sally Smyser Therese des Rosiers Marian Nida Rody Lopez Langley Spurlock Joanne DeSiato Ronald E. Niemann Anne Lowenstein James Stein Verda Deutscher Darvine J. Noel Camilla M. Lundell Celia Steingold Janet Donaldson Ursula R. Pariser Ana Maria Macchetto Mary Ann Sures Kimberly Doyle Roberta Lynn Peel Barbra Mann Hiroko Tada My Le Ducharme June Ramey Anne Marie Marenburg Michelle Tager Donna Edmondson Karin Regan Patricia Martin Hiroko Takagi Estelle S. Eisendrath Annette B. Rich Marylin Mathis Etsuko Takeichi Judith Feldman Bette Richardson Ursula McKinney Lillian R. Taylor Maureen Ferguson Arlene Ring Mary Ellen McMillen Karen Telis Barbara J. Fisher Sara T. Roberts Joseph McPhillips Ruth Thomas Marjorie Fisher Alix Robinson Virginia A. McQuoid Susan Toerge Sue Fretts Wynefred W. Rogerson Amy Meadows Laurie Trusty Marguerite L. Fry Eugene L. Rosenfeld Kyla H. Medigovich Susan Van Nice Pamela Fry Shirley Rosenfeld Alberto Melo Greg F. Van Tatenhove Agnes E. Gavin Margit Ruben Betty W. Mezines Ginger Vanderver Joyce Gentile Suzannah Rubens Elaine Miller Suzanne Vegh Jean Gerhardt Howard J. Sanders Marjorie Mitzner Rosario Velasquez Carla Augustina Bakker Gois Audri Schiller Joan Morton Joy Vige Annette Goldschmidt Roberta B. Schneidman Mary Mossop Stella Walters Helena Gunnarsson Sonja Deaner Schulken Joan Banks Mulcahy Josephine Wang Harvey R. Hale Marilyn Schwaner Peter Neuhaus Momoko Watanabe Mary P. Hanrahan Carl Shugaar Judith Newton Maria Elena Weissman Tawney Harding Margaret H. Sickels Judith M. Newton Anne West Betty Hatch Nancy Silverman Laureen Higgins Nicholson Michael Weyl Alice Haywood Esther Slaff Elizabeth Niederman William F. Whalen Josephine Hearld Linda L. Stamp Akemi Nishida Carla White Jean Holder Joan M. Steigelman Saka Noma Sue White Leonard Holder Debra A. Strickland Olga Nosova Sue Wickwire Dru Hopper Janet Sugg Nur Nossuli Brooke Wilding Claire Horowitz Bonnie Sweet Lucy O'Brien Thomas Winans Eileen Hurley Wei Tang Mary Catharine O'Connell Maria Ilona Wood Florence Imburg Joan Timberlake Mary O'Neill Laura Wyman Carmen Iribarren Alicia Tisnado Mary Lee O'Neill Fred S. Yamada Jane Irvin Grace Tull Mariko Oka Dora Jean Young David Iverson Ward C. Van Wormer Gail H. Ostergaard Lois D. Young Bernice Jacobsen Barbara Vondy Patty Owens Joan Zeizel Barbara Jensen Frances M. Walls Anne Padelford Kathryn Zoeller Lyn Jonnes Moon-Shia Wang Hedwig Pasolini Gianna Zucchi Cynthia Juvan Robert W. Wegener Cynthea Perry Nancy A. Kane Cecile West Maxie Phillips ART INFORMATION Jill Kasle Eleanor R. Williams Karen Piper VOLUNTEERS Nancy C. Kotz Michael S. Winer Nancy Porter Claire Ackerman Elaine ICrassner Eileen Winkelman Annette Pozzo Elsie Aranda Sally Ann Kreisberg Frances Winston Anastasia Pratt Mary Anne Arbo Adel M. Labib Maria Ilona Wood Teresa Preville Eleanor H. Augustine Stephen L. Lake Merriam Woodhouse Christine Prichard Rosalie Baker Shirley Lavine Gerry 0. Wyche Ludmila Pruner Edith Ball Mary Lawler Antoine Yared Maria Amelia Ramaciotti Valerie Ballard Marion H. Lebanik Rubye O. Youngblood Ross Randall Eleanor J. Bateman Ilse Lewy Pickett Davis Randolph Georgienne Bednar Susan Lightsey VOLUNTEER INTERNS Karen Redfern Barbara Behr Lionel Lipschultz Jennifer Akamine Lucia Jean Reynolds Diane Soucy Bergan Karen Livornese Tara Ballentine Nancy Richardson Catherine F. Beyer Ksenia Lobanova Kelly Crawford Wynefred Rogerson Marian Binder Amie Long Katherine Fogg Jo Roland Barbara Bluestone Marty Longan Kristin Fuller Eileen Dugan Romano Janet Boccia Joyce MacCorquodale Jennifer Hamilton Suzannah Rubens BJ Boudreau Rosetta Penna Maguigad Shari Harel Deborah Rucci Greta Brown Eileen Mandle Sarah McCormick Susan Rudy Amy C. Bruins Donald E. Markle Nicole Parisi Sheila Ruffine Laina M. Bush Geraldine 0. Markle Suzanne Shelley Lois Sacks Mario Cader-Frech Harriett C. Mathews Ryan Shepard Suzanne Schiffman Marian Carroll Virginia McCormick Laura Soete Tazuko Schmitz Patricia A. Casson Rebekah R. McKenna Stephanie Sonntag Susan Walker Scola Nancy R. Center Virginia A. McQuoid Nancy Searles Joan K. Chapin Lynne Middleton Elizabeth Shepherd Evelyn P. Childs Dena Zenti Moglia Carl Shugaar Kimball Clark Bonnie Moisan Judy Shulman Simone Clarke Dale Moran Ruth Sickel Lynn Cleary Barbara B. Morris Danielle Siew Pat Clopper Yolanda Morris Milton A. Silveira Marlene B. Conner Nika Moscalionov Iris Silverman Janet F. Cooper Susan Murphree Joan Silverman Marcia Corey Ruth E. Myer Beatriz Slotkoff Sherry F. Cross Gabriele A. Nanda

1 FTS 1 October 1999-30 September 2000

The National Gallery of Art Benefactors Gifts of Art is pleased to recognize the The Gallery's founding The Gallery extends generous individuals, benefactors formed the warmest thanks to those foundations, and corpora- basis for the museum's who gave works of art tions listed on the follow- permanent collection with from 1 October 1999 ing pages for their gifts their unprecedented gifts through 30 September during the fiscal year. of art nearly sixty years 2000. These thoughtful These gifts from the private ago. Today benefactors are gifts enhance the collec- sector, together with oper- those who make cumula- tions and carry on the tra- ational support from the tive gifts of art and/or dition of generosity begun federal government, con- funds at the level of by the founding benefac- tinued the distinguished $2,500,000 or more. The tors nearly sixty years ago. public-private partnership Gallery was proud to add that has created an institu- Luca Baroni two individuals to this tion that is a source of Lisa and Leonard Baskin illustrious list during fiscal Patricia Bauman and The delight, inspiration, and Honorable John Landrum learning for millions of year 2000: Gertrude Laughlin Chanler Bryant people. Daniel Bell and Pearl K. Bell became a founding bene- Donald M. Blinken factor of prints and draw- J. Carter Brown ings; and Dora Donner Ide Maria Pinto Garland was named a Gallery Gerald Cerny benefactor. Gertrude Laughlin Chanler Jane D. Collins Edward Brooks DeCelle Phyllis Diebenkorn Barney A. Ebsworth A. Thompson Ellwanger III and Gregory E. Mescha Lionel C. Epstein The Foundation for the Epstein Family Munch Collection Ruth Fine Detail of the facade of the West Building and steps Marc Freidus to the National Mall following a light snowfall.

87 Elisabeth R. French Corporate Sponsors Millennium Funds Margaret and Raymond J. David M. Frost Horowitz Tony Ganz The National Gallery of Art is The Gallery relies on private Mr. and Mrs. Forrest E. Mars Jr. Stephen Hahn extremely grateful to the cor- philanthropy to fulfill its mis- Robert and Joyce Menschel Lore Heinemann porations whose generous sup- sion of acquiring, exhibiting, Family Foundation Margaret and Raymond port allows us to mount special interpreting, and preserving Evelyn Stefansson Nef Horowitz Ladislaus and Beatrix von Hoff- exhibitions of the highest qual- works of art at the highest pos- Marvin Hoshino mann Virginia and Ira Jackson ity. Corporate contributions for sible standards. To help ensure Fund for the International The Andre and Elizabeth Kertesz special exhibitions support an the success of this vital mis- Exchange of Art Foundation array of related programs that sion, the Gallery has under- Werner H. Kramarsky enhance visitors' experiences, taken special millennium ini- Friends who make gifts to this Judith W. Laughlin reach millions more online, tiatives to secure funds for two fund help the Gallery foster Toby Levitt and fund award-winning edu- important privately supported cross-cultural exchange William H. Levitt through the presentation of Susan Lorence cational outreach programs for activities, art acquisition and Elizabeth Meyer Lorentz teachers and students through- special exhibitions. The Fund international exhibitions and Dr. Toni G. Marcy out the country. for Art Acquisition and the Fund related projects. The Gallery Marlborough Gallery, Inc. A total of $2,190,475 was for the International Exchange of extends many thanks to those Christopher Mendez generously given by the fol- Art will enable the Gallery to who gave their support to this Diane A. Nixon lowing corporations for exhibi- make great works of art acces- important undertaking during Mr. and Mrs. Gerhard E. Pinkus fiscal year 2000. Walter Reinhardt tions and programs that sible to a wide audience for David E. Rust occurred in fiscal year 2000: years to come. $1,000,000 or more Mrs. Walter Salant Fund for Art Acquisition Anonymous The Carlyle Group Arnold A. Saltzman Eugene B. Casey Foundation Eastman Kodak Company Gifts for art acquisition help Sara Lee Corporation Dora Donner Ide Nancy Jane and Alan Shestack EduCap Inc. the Gallery to sustain the qual- Herman and Lila Shickman Federal Republic of Germany ity of its collections, which are $250,000-$999,999 Exxon Mobil Corporation Smithsonian Institution, Resi- the heart of the museum and Robert W. and Louisa C. Duem- dent Associate Program PaineWebber Inc. its programs. The Gallery ling Frances P. Smyth-Ravenel Pro Helvetia Donald Stone Shell Oil Company Foundation gratefully recognizes those $100,000-$249,999 Frank Anderson Trapp UBS AG who made gifts for this crucial Robert P. and Arlene R. Kogod Lisa Travers and William O'Reilly United Technologies Corporation purpose during the fiscal year. Samuel H. Kress Foundation Dr. and Mrs. William Tsiaras $1,000,000 or more The Georgia O'Keeffe Founda- Arthur and Charlotte Vershbow During fiscal year 2000 these tion Dorothy and Herbert Vogel additional corporations also Mr. and Mrs. Mark Kington Eleanor and Donald Taffner Roger and Vicki Sant Emile E. Wolf generously pledged and con- Terra Foundation for the Arts The Ian Woodner Family Frances P. Smyth-Ravenel tributed $5,505,000 to support $50,000-$99,999 Collection, Inc. Mrs. Robert M. Weidenhammer future programs, publications, $500,000-$999,999 Parnassus Foundation Library Gifts and exhibitions: AEGON USA The Brown Foundation, Inc., Christo and Jeanne-Claude Airbus Industrie Houston Patricia G. England AT&T Juliet and Lee Folger / Sheldon Grossman DaimlerChrysler Corporation The Folger Fund Stuart H. Johnson III Deutsche Bank Robert P. and Arlene R. ICogod Harvey J. Shipley Miller and Deutsche Banc Alex. Brown $100,000-$499,999 J. Randall Plummer Eastman Kodak Company Mrs. Jefferson Patterson First Union Corporation The Horace W. Goldsmith Annemarie H. Pope Ford Motor Company Foundation Mr. and Mrs. Milton Rose Target Guest Services, Inc. Mark Samuels Lasner Verizon Foundation $50,000-$99,999 Bradbury Thompson The Ahmanson Foundation Steven M. Umin Helen Porter and James T. Dyke Herbert and Dorothy Vogel Ruth Cole Kainen and Jacob Kainen $ 10,000-$49,999 Diane and Norman Bernstein Foundation Huntington T. and Amie W. Block Elinor K. Farquhar Doris and Don Fisher Barbara Gordon Margaret Mellon Hitchcock Foundation Other Special Gifts Legacy Circle New Century Fund and Helen Porter and James T. Dyke New Century Gift Com- Mr. and Mrs. Barney A. The following unrestricted The Gallery is delighted to Ebsworth mittee and/or specifically designated recognize the charter members The Charles Engelhard Foundation gifts bring to life projects and of the Legacy Circle for their The New Century Fund (1994- Mr. and Mrs. Robert F. Erburu programs that are central to decision to include the museum 1998) raised more than The William Stamps Parish Fund the Gallery's mission, including in their estate plans. With their $123 million for art acquisi- Mr. and Mrs. Donald G. Fisher special exhibitions, art acquisi- gifts, these exemplary individu- tion, reframing, CASVA, library William H. G. and Annelise tion, conservation, education als uphold a tremendous legacy endowment, scientific FitzGerald and outreach, research, and of philanthropy to the great research, unrestricted endow- Mr. Aaron I. Fleischman and publications. The Gallery benefit of future generations. ment, and special projects. The Mr. Lin Lougheed Juliet and Lee Folger / acknowledges with gratitude Gallery gratefully acknowl- Charter Members of the The Folger Fund the many friends who have Legacy Circle edges all contributors to this Mr. and Mrs. John C. Fontaine made such gifts during the Anonymous (4) campaign, as the impact of Arnold D. Frese Foundation fiscal year. M. Francis Anders their generous gifts will remain Cynthia Friedman $500,000 or more In memory of Richard A. Rol- long into the future. As a spe- Morton and Norma Lee Funger land and Hildegard Rolland cial component of the New Jo Ann and Julian Ganz Jr. Samuel H. Kress Foundation Eugene L. and Marie-Louise Blackett Century Fund campaign the $250,000-5499,999 Harold Brooke Garbaty New Century Gift Committee Susan and Michael Gelman Hildegard Rolland Blackett Mrs. Charles Francis Carr raised funds solely for art The J. Paul Getty Trust Dora Donner Ide Mrs. Terrence F. Catherman acquisition. Bernard and Sarah Gewirz Mr. and Mrs. Robert M. Walter S. Collin Mary and Kingdon Gould Jr. Rosenthal Elizabeth M. Cooke Gifts of $100,000 or more Dr. Lois de Menil and Dr. Mrs. Katharine Graham $200,000—$249,999 Georges de Menil Anonymous Philip L. Graham Fund Anonymous Fund III of The Anonymous Ms. Jane Engle C. Boyden Gray Community Foundation for Park Foundation, Inc. Ernest L. Folk GTE Foundation Naomi A. Garber the National Capital Region Evelyn and Walter Haas Jr. Fund $100,000-$ 199,999 Eugene and Marie-Louise Gar- The Ahmanson Foundation Mr. and Mrs. Frederic C. The Getty Grant Program baty Carolyn Small Alper Hamilton Mr. and Mrs. William T. Gibb Nancy Lee and Perry Bass Charles U. Harris and Janet $50,000-$99,999 Mr. and Mrs. John T. Gibson Sondra D. and Howard M. Ben- Harris Robyn and Edward Mathias Charles U. Harris der William Randolph Hearst Grace and Morton Bender Foundation $ 10,000-$49,999 Lore Heinemann in memory of her husband, Heidi and Max N. Berry Lore Heinemann Anonymous Rudolf J. Heinemann Hildegard Rolland Blackett Teresa & H. John Heinz III Clark-Winchcole Foundation Dora Donner Ide Fleur and Charles Bresler Foundation The Honorable and Mrs. William Mr. James A. Johnson Jr. Carolyn and Kenneth D. Brody William & Flora Hewlett T. Coleman Jr. Ruth Cole Kainen in honor of Mr. and Mrs. W. L. Lyons Foundation Geraldine R. Dodge Foundation Beuford and Teden Cole Brown Jr. The Irwin Family Mr. and Mrs. Robert F. Erburu Mr. Thomas G. Klarner The Brown Foundation, Inc., Irene and Edward H. Kaplan GE Fund Kathryn A. Looney Houston Dr. Cyrus Katzen Foundation Gurney Foundation, Inc. David Maxwell Deborah B. Burklund Elaine and Richard Kaufman Melvin Henderson-Rubio Frederick R. Mayer The Morris and Gwendolyn Linda H. and George M. George F. Jewett Jr. 1965 Trust Alletta McBean Cafritz Foundation Kaufman Thomas Phillips Johnson and Mr. Paul Mellon Mr. and Mrs. William N. Cafritz Ina and Jack Kay Jane Moore Johnson Julienne M. Michel Oliver and Kathleen Carr Anna-Maria and Stephen Kellen Foundation Evelyn Stefansson Nef Amon G. Carter Foundation Foundation Lampadia Service Corporation William B. O'Neal A. James and Alice B. Clark Joseph E. and Mary E. Keller Dr. and Mrs. LaSalle D. Leffall Jr. Mr. Laurance S. Rockefeller Melvin S. and Ryna G. Cohen Foundation C. Wesley and Jacqueline Mark Samuels Lasner Naomi and Nehemiah Cohen Kimsey Foundation Peebles ICatherine Shepard Foundation Robert P. and Arlene R. ICogod The Rhode Island Foundation Mrs. Muller Sheppard The Cole Family Foundation Samuel H. Kress Foundation Michael L. Rosenberg Carl Spinatelli The Connors Foundation Evelyn and Leonard A. Lauder Foundation John R. Stevenson Edwin L. Cox Mrs. Harry A. Lenart The Starr Foundation Frances P. Smyth-Ravenel Charles E. Culpeper Foundation Janice H. Levin washingtonpost.com Mr. Andre-Francois H. Vil- Mr. and Mrs. Leo A. Daly III Virginia Cretalla Mars Wyeth Endowment for American leneuve The Arthur Vining Davis Foun- Robyn and Edward Mathias Art Mrs. Robert M. Weidenhammer dations Joan and David Maxwell The Gallery acknowledges with John Hay Whitney Mr. and Mrs. Donald de Laski The Andrew W. Mellon much appreciation all donors for Lois and Georges de Menil Foundation Barbaralee Diamonstein and Carl their gifts to the museum. While Mrs. Louise Mellon Spielvogel Paul Mellon space does not permit listing each The Max and Victoria Dreyfus Joyce and Robert Menschel gift, the Gallery is deeply grateful Foundation Julienne Michel Foundation to these friends for their generosity. Robert W. and Louisa C. Mrs. Mark Millard Duemling G. William and Ariadna Miller

89 Harvey S. Shipley Miller / The Collectors Committee George F. Jewett Jr. and Lucille The Circle of the Judith Rothschild Foundation (as of 30 September 2000) M. Jewett National Gallery of Art Miller & Long Co, Inc. Ms. J. Lisa Jorgenson and Mr. (as of 30 September 2000) Evelyn Stefansson Nef The Gallery gratefully David D. Doniger Samuel I. Newhouse Foundation George M. and Linda H. acknowledges members of the The Gallery extends thanks to Diane Allen Nixon Kaufman Collectors Committee for their those contributors to The Cir- Mr. and Mrs. Lucio A. Noto Stephen and Anna-Maria Kellen annual gifts of $10,000, William B. O'Neal Mrs. Janet W. Ketcham cle for their generous annual PaineWebber Group Inc. $20,000, or more. Their role is Mr. and Mrs. Peter Kimmelman gifts. Their support at the level Mrs. Jefferson Patterson vital in helping the Gallery to James V. ICimsey of $1,000, $2,500, $5,000, or Frank H. and Geryl Pearl acquire modern and contem- Robert P. and Arlene R. Kogod $10,000 or more provides a C. Wesley and Jacqueline porary art. Ronald and Anstiss Krueck flexible and significant source Peebles Marc and Jacqueline Leland of unrestricted funds for a host Louise and Allan Potter Cochairs Melvin and Thelma Z. Lenkin Frederick Henry Prince Doris Fisher Dr. and Mrs. Robert Magoon of activities throughout the Charitable Trusts Barney A. Ebsworth The Honorable Frederic V. Malek Gallery. Sharon and John D. Members and Mrs. Malek Patron Rockefeller IV Anonymous Jan and Frederick Mayer ($10,000 or more) Mr. and Mrs. Robert M. Mr. and Mrs. Robert E. Abrams Mr. and Mrs. Roblee Rosenthal Mr. and Mrs. Anthony M. Ames McCarthy Jr. Anonymous (2) Sara Lee Corporation Ann and Steven Ames Henry S. and Leslie A. McNeil Mr. and Mrs. James B. Adler Mr. and Mrs. B. Francis Saul II Anne H. Bass Mr. and Mrs. Peter C. Meinig Mr. and Mrs. David B. Leonard and Elaine Silverstein Anne T. and Robert M. Bass Dr. Laurie F. Michaels and Mr. Anthony Jr. Robert H. and Clarice Smith Eli and Edythe Broad David Bonderman The Honorable John Landrum Patricia A. and Paul G. Stern Mr. and Mrs. John H. Bryan Mr. and Mrs. Edwin Van R. Bryant and Patricia Bauman The Times Mirror Foundation Melva Bucksbaum Milbury Bloomberg Jay and Toshiko Tompkins Vivian and David Campbell Mr. Raymond D. Nasher The David and Janet Brashear Ladislaus and Beatrix von Paul and Fredrica Cassiday Nancy B. Negley Foundation Hoffmann Joseph and Barbara Cohen Lucio and Joan Noto Mr. and Mrs. W. L. Lyons Walker & Dunlop / Green Park Mr. and Mrs. David C. Cole John and Mary Pappajohn Brown Jr. Financial Edwin L. Cox Kathleen O. and Gerald W. Petitt Mr. and Mrs. William N. Cafritz Mrs. Robert M. Weidenhammer David L. Davies and John D. Mr. and Mrs. Leon B. Polsky Naomi and Nehemiah Cohen Andrea and Stephen Weiswasser Weeden Mr. and Mrs. Frederick H. Prince Foundation John and Nancy Whitehead Jane and David R. Davis Mr. Mitchell P. Rales / The The Honorable William T. Mr. Curtin Winsor III Ms. Beth Rudin DeWoody Glenstone Foundation Coleman Jr. and Mrs. Cole- Mr. and Mrs. Kenneth R. Mr. and Mrs. John R. Donnell Stewart and Lynda Resnick man Woodcock Ms. Suzanne Dubose / Verizon The Honorable William D. Roll- Brittain Bardes Cudlip Nina Zolt and Miles Gilburne Foundation nick and The Honorable Nancy Mr. and Mrs. Leo A. Daly III Robert W. Duemling and Louisa Ellison Mr and Mrs. Leslie Douglas C. Duemling Mr. and Mrs. Robert M. Robert W. Duemling and Louisa Mr. and Mrs. Barney A. Rosenthal C. Duemling Ebsworth Roger and Vicki Sant Barney A. and Pamela Ebsworth Mr. and Mrs. James A. Elkins Jr. Faye and Herman Sarkowsky Mr. Mark D. Ein Mrs. Thomas Mellon Evans Louisa Stude Sarofim Dr. Mark R. Epstein and Mr. and Mrs. Donald G. Fisher Andrew and Denise Saul Amoretta Hoeber Mr. Aaron I. Fleischman and Mr. and Mrs. Paul C. Schorr III Mr. and Mrs. Robert F. Erburu Mr. Lin Lougheed Mrs. Hannelore Schulhof Fannie Mae Cynthia Friedman Charles R. and Helen O. Schwab Mrs. Norman Farquhar Jo Ann and Julian Ganz Jr. Stephen and Bonnie Simon John D. Firestone Robin Quist Gates and Milo S. William K. Simpson Mr. and Mrs. Lee M. Folger Gates Emily and Jerry Spiegel Mr. and Mrs. John French III Mr. David Geffen Mr. H. Peter Stern and Dr. Jo Ann and Julian Ganz Jr. Mr. and Mrs. Gordon P. Getty Margaret Johns Mrs. John T. Gibson Marsha S. and Jay M. Glazer Richard C. and Jane Coe Stoker Mr. and Mrs. Terence Golden Katharine Graham Shirley Ross Sullivan and Mr. and Mrs. Robert E. Goldsten Holcombe and Nancy Green Charles Sullivan Katharine Graham Lenore and Bernard Greenberg Roselyne Chroman Swig Harold and Sylvia Greenberg Glenda and Gerald Greenwald Mr. Richard E. Thompson Monica and Hermen Greenberg Gerald and Carolyn Grinstein Sharon and Thurston Twigg- Mr. and Mrs. Newman T. Mimi and Peter Haas Smith Halvorson Jr. Mrs. Melville Wakeman Hall Mrs. William Wood Prince Charles U. Harris Mr. and Mrs. Frederic C. Mr. and Mrs. Robert Woods Jr. The John and June Hechinger Hamilton Mr. and Mrs. C. Bagley Advised Fund of The Richard C. and Elizabeth A. Wright Jr. Community Foundation for Hedreen Nina Zolt and Miles Gilburne the National Capital Region Ms. Susan Morse Hilles Kay and J. Roderick Heller III Mrs. Charles W. Ireland Clark Hoyt and Linda Kauss Mr. and Mrs. R. L. Ireland III Mr. and Mrs. Edward C. Mrs. Glenn C. Janss Johnson 3rd

')() The Jurie Foundation / Jeong Mr. and Mrs. Stanford S. Mrs. James Hayes The Honorable Trevor Potter and and Cindy Kim Warshawsky Gale Hayman-Haseltine and Mr. Dana S. Westring Dr. and Mrs. Cyrus Katzen The Washington Post Company William Haseltine Mrs. Lewis T. Preston Mr. and Mrs. Jack Kay Mr. and Mrs. Anthony Welters Helen Lee Henderson Mrs. Charles P. Price Mr. and Mrs. Mark John Kington The Honorable John C. Mr. and Mrs. Joseph W. Mr. and Mrs. Joseph E. Lee G. Kirstein Whitehead Henderson III Robert Jr. Mr. Thomas G. Klarner The Honorable James D. Mr. and Mrs. Joseph F. Mr. David Rockefeller Mr. and Mrs. Chiswell D. Lang- Wolfensohn and Horning Jr. Mr. David E. Rust home Jr. Mrs. Wolfensohn Mr. and Mrs. Raymond J. Mark Samuels Lasner Mr. and Mrs. Leonard A. Lauder Nina Zolt and Miles Gilburne Horowitz Mrs. Stanley J. Sarnoff Jo Carole and Ronald S. Lauder Mr. and Mrs. J. Timothy Howard Mr. and Mrs. B. Francis Saul II Sustaining Judith and Alexander Laughlin Margaret Stuart Hunter The Honorable James H. Scheuer Dr. and Mrs. LaSalle D. Leifall Jr. ($5,000-$ 10,000) Arthur and Anne Hale Johnson and Emily Malino Scheuer Debra Lehman-Smith and David Anonymous James A. Johnson and Maxine Mary and Willard Scott T. Smith Mr. and Mrs. William S. Abell Isaacs Mrs. Muller Sheppard Mr. Edward J. Lenkin Dan and Karin Akerson Ruth and Jacob ICainen Raja W. Sidawi Leonsis Foundation Mrs. Mary Amory Mr. and Mrs. Edward H. Kaplan Mr. and Mrs. Lawrence M. Small Mr. and Mrs. I

91 Frances Ann Bufalo The Honorable Roderick Hills Mr. and Mrs. Bruce W. Sanford Rhoda Baer Robert and Jane Burke Fund and The Honorable Carla A. Jean Schepers Colonel Owen C. Baker and Russell and Anne Byers Hills Richard and Geane Schubert Barbara Baker Carter and Melissa Cafritz Mr. Jim Hoagland and Ms. Jane Mr. and Mrs. Charles C. Dennis and Eileen Bakke Mr. and Mrs. Daniel J. Stanton Hitchcock Shelleman Jr. Mrs. Harding Bancroft Callahan III Drs. Wayne and Mary Joan and Ev Shorey Gwen Baptist James S. and Mary E. Campbell Hockmeyer Caroline T. Simmons Mrs. Stratton N. Barclay David Carliner Mr. and Mrs. Wallace F. Holladay Mr. and Mrs. David Simone Dwight H. Barnes Mr. and Mrs. Giuseppe Cecchi Richard Hubbard Howland Dr. Gerald D. Slawecki and Ms. Mr. and Mrs. Edmund Bartlett III The Honorable John E. Mr. and Mrs. R. Bruce Hughes Constance H. Slawecki Mr. Jean R. Bartoli and Ms. Chapoton and Mrs. Chapoton Dr. and Mrs. Robert Jacobs The Honorable John T. Smith II Gracia M. Berg Mrs. Ellen M. Charles The Honorable R. Tenney and Mrs. Smith Mrs. Fred H. Barton t Mrs. Robert H. Charles Johnson and Mrs. Marilyn M. Mrs. Frederick M. Stafford Drs. Jordan and Rhoda Baruch Mr. and Mrs. Catesby W. Clay Johnson Mr. and Mrs. Terence P. Stewart Mr. and Mrs. Lucius D. Battle Judith G. Cohen Lieutenant Colonel Freeman Ms. Polly Surrey Anne Susan and Nevins Baxter Mr. and Mrs. Clement E. Conger Jones and Mrs. Jones Mr. and Mrs. Alexander C. Mr. and Mrs. Duane W. Anne C. B. Cook Mr. and Mrs. Peter H. Jost Tomlinson Beckhorn Louise and Wendell Grain Peter W. Josten William E. Trueheart and Carol Mr. and Mrs. Thomas H. Beddall Mrs. Dillon-Smyth Crocker Mr. and Mrs. David T. Kenney A. Word Mr. and Mrs. James R. Beers Elsie and Marvin Dekelboum Mr. and Mrs. William Kimberly The Truland Foundation Mr. L. Graeme Bell III and Ms. Mr. and Mrs. Douglas Dillon Mr. and Mrs. Norman V. ICinsey Antoine and Emily van Agtmael Claudia Cooley Dr. and Mrs. William H. L. Dor- Mr. and Mrs. Anthony A. Robert and Margaret Vanderhye Burkey and Donna Belser nette Lapham Ted and Peggy Weidlein Miriam and Eliezer Benbassat Bill and Donna Eacho Albert G. Lauber Jr. and Craig W. Marvin F. Weissberg Mr. and Mrs. Robert S. Bennett Mr. and Mrs. LeRoy Eakin III Hoffman Edward and Ruth Wheeler Mrs. William Tapley Bennett Jr. Mr. and Mrs. Jonathan S. Gigi and Arthur Lazarus Jr. Carol and Tom Wheeler Suzanne R. Bennison England The Lemon Foundation The Honorable Charles S. L. Robert Berberich M.D. and Mr. and Mrs. Richard England William J. Levy Foundation Whitehouse and Mrs. Carey C. Roberts The Honorable Melvyn J. Estrin Willee and Finlay Lewis Whitehouse Mrs. Lyn Berger and Mrs. Estrin Mr. and Mrs. Jerome B. Libin Edward Foss Wilson Charitable Paul S. and Debra J. Berger Candy and Greg Fazakerley Mr. and Mrs. Meredith J. Long Trust Mrs. Edwin A. Bergman Dr. and Mrs. James J. Dr. and Mrs. Bruce K. MacLaury Mrs. Frances C. Winston Jane and Alfred Bergner Ferguson Jr. Sir Edwin Manton and Lady Robert K. and Anne H. Zelle Mr. Robert Hunt Berry Julie Finley Manton Mr. and Mrs. Albert J. Contributing William H. G. and Annelise R. Mrs. Susan McCabe Beveridge III FitzGerald James and Gretchen McLeish ($l,000-$2,500) Mr. and Mrs. Arthur A. Birney Mr. and Mrs. Robert T. Foley Laurel and Robert Anonymous (6) Brent W. Bitz and Dion E. Mrs. Nancy M. Folger and Dr. Mendelsohn M.D. Mr. and Mrs. Paul B. Abrams Lapham Sidney Werkman Jerome F. Meyer Rebecca Abrams and Nathan Mr. and Mrs. James I. Black III Betsy and Peter Forster Mr. and Mrs. James K. Mitchell Benn John and Jennifer Blackburn Mr. and Mrs. P. Wesley Foster Jr./ Mr. and Mrs. Adrian L. Mrs. Charles F. Adams The Honorable William Blair Jr. Long & Foster Real Estate, Inc. Moorhead Jr. Hugh Trumbull Adams and Mrs. Blair Mr. and Mrs. Eric P. Fraunfelter Dan and Joan Mulcahy John B. Adams Jr. Mr. and Mrs. Roger W. Block Dr. and Mrs. Peter A. Freeman Ambassador Paul H. Nitze and Theodore Adamstein and Olvia Barbara and Tom Boggs Mr. David M. Frost Ms. Elisabeth Scott Porter Demetriou Bennett Boskey Professor Joseph L. Gastwirth Christopher Ogden Sylvia and Christopher Addison Edward C. Bou, Esq. Nancy I<. Glassman Diana Ogden Mr. and Mrs. M. Bernard Julia A. Bowen Mr. and Mrs. John Goelet Dr. and Mrs. Frederick I. Aidinoff Mr. John Gordon Boyd Susan Sachs Goldman Ordway III Catherine D. Allen Mr. and Mrs. Allan Bratman Mr. and Mrs. Joseph I. Goldstein Sandra Payson Ms. Margaret Allen John and Joan Bray Mr. David R. Goodhand and Mr. Mr. and Mrs. Nathan W. Pearson Richard Small Alper Mrs. Isabella G. Breckinridge Vincent J. Griski Mr. and Mrs. John Ely Pflieger Louise Alport Ms. Edith H. Brewster Ms. Jamie S. Gorelick and Dr. Mr. and Mrs. Benjamin T. Pierce Mr. and Mrs. Samuel A. Alward Mrs. Hilda Ochoa-Brillembourg Richard E. Waldhorn Irene and Abe Pollin Mr. M. Francis Anders and Mr. Arturo Brillembourg Pamela and Thomas Green Mr. and Mrs. Charles L. Poor Mr. and Mrs. Robert L. Anderson Margot Brinkley Mrs. Elisha Hanson Mr. and Mrs. Stephen W. Porter Louise S. Ansberry The Honorable Kenneth D. Nancy W. Harding Mr. and Mrs. Whayne S. Quin Judith Areen and Richard Brody and Mrs. Brody Mr. and Mrs. Bradford W. Mr. Robert C. Rea Cooper Mr. and Mrs. Jere Broh-Kahn Harries Ms. Dee Dee Ricks Alexandra Armstrong and Jerry Mr. and Mrs. Richard Gerard Mrs. Horace J. Havemeyer Jr. Ms. Cary Ridder and Mr. David J. McCoy Brown John and Eleanor Hedden Alberswerth Arnold & Porter Mrs. Philip W. Buchen Mr. and Mrs. Charles T. Mr. and Mrs. Rodman C. Gale H. Arnold Leonard and Frances Burka Hellmuth Sr. Rockefeller Linda L. Arret Mrs. Arthur F. Burns Catherine Winkler Herman The Honorable Philip E. Ruppe Brady and Peter Arundel Mrs. Jefferson D. Burrus Jr. Mr. and Mrs. Robert N. Herman Mr. and Mrs. Derald H. Allie and Ellen Ash Miss Elizabeth A. Burton Miss Elisabeth Marie Hickey Ruttenberg Mrs. Martin Atlas Patricia Dwinnell Butler Mary Louise Hildreth Michael and Sheila Ryan Marilyn and David Austern Susan L. and Dixon M. Butler Mr. and Mrs. Frederick D. Hill James J. Sandman and Elizabeth Patricia A. Avery The Honorable John Thiers D. Mullin Mr. and Mrs. William Backer Calkins

92 John and Frances Call Sally and Edison Dick Mr. and Mrs. Fred Frailey Mrs. Anita G. Herrick Mrs. Anne D. Camalier Phyllis G. Diebenkorn Ann H. Franke and Daniel J. Mr. and Mrs. George G. Herrick Mr. and Mrs. Juan M. Cameron Mr. and Mrs. Michael D. Alpert John D. Herring Brigadier General Thomas J. Dingman Charlton Gillet Friedberg Mr. and Mrs. Paul L. Herring Camp Jr. and Mrs. Camp Bob and Andy Dodds Mr. and Mrs. Alvin Friedman Mr. and Mrs. Loren W. Hershey Douglass Campbell Mr. and Mrs. Clarence Dodge Jr. Alfred and Pie Friendly The Honorable Christian Herter Drs. Dorothy and Jerome Canter Mrs. Gaylord Donnelley James T. Fuller III and Catherine Jr. and Mrs. Herter Mrs. Woolsey Carmalt Lieutenant General Stanley T. Porter Florence M. Hillman and Owen Mr. and Mrs. Neil Carothers III Donovan and Mrs. Donovan Mr. and Mrs. Vincent J. Fuller T. Snyder Mr. and Mrs. Keith Armistead Margery A. Doppelt and Larry P. Mr. and Mrs. Arthur W. Gardner The Paul and Annetta Himmel- Carr Rothman Robert J. and Jane F. Geniesse farb Foundation Ruth and John Carr The Honorable Thomas Downey Mr. and Mrs. Edward H. Gerry Richard and Pamela Hinds Mrs. Warwick Montgomery and Mrs. Downey Katrina and Steven Gewirz Catherine Hirsch and James K. Carter Mr. John L. Dreyfuss and Ms. Mr. and Mrs. Michael K. Gewirz White The Honorable Henry Catto Jr. Mary Noble Ours Mr. and Mrs. William T. Gibb The Honorable Omer L. Hirst and Mrs. Catto Mr. and Mrs. John Driggs Mr. and Mrs. Lawrence B. Gibbs and Mrs. Hirst Mr. and Mrs. David Challinor Douglas and Nancy Drysdale Dr. and Mrs. Prosser Gifford Mr. and Mrs. Frank W. Hoch Ms. Mary Challinor and Mr. Helen and Ray DuBois Mr. and Mrs. Louis Glickfield Mr. and Mrs. John Hodges Henry Richardson Raymond and Melina Dunn Mr. and Mrs. Richard D. Gluck Grace M. Holden Mr. and Mrs. S. Allen Mr. and Mrs. Weaver Dunnan Kenneth and Patricia Golding Mrs. Vernon W. Holleman Jr. Chambers Jr. Helen Porter and James T. Dyke Mary Anne Goley Mr. and Mrs. Stephen A. Mr. and Mrs. Aldus H. Chapin Mr. and Mrs. Robert E. Eberly Elizabeth Marsteller Gordon Hopkins Mr. and Mrs. Christopher K. Mr. C. Franklin Eck Jr. and Mrs. Harold Gordon Mr. and Mrs. S. Roger Horchow Chapin Ms. Bailey J. Morris-Eck Mr. and Mrs. Dennis M. Gorman Mr. Charles M. Horn and Ms. Ann Charnley and Peter Nik B. Edes Maughan Anthony Gould and Jane C. Luxton Meleney Mr. and Mrs. Arthur B. Nancy Walters Gould Norbert Hornstein and Amy Mr. and Mrs. G.M. Chester Jr. Edge worth Jr. Kathleen and Austin Graff Weinberg Drs. Thomas and Judith Chused Mr. and Mrs. Dean S. Mr. and Mrs. Temple Grassi Dr. Sari R. Hornstein and Kate Clark and Joseph Tydings Edmonds III Richard and Mary L. Gray Dr. David W. Lightfoot Mr. and Mrs. Thomas C. Clarke Mr. and Mrs. Arthur W. Edwards Brans and Perrin Grayson Mr. and Mrs. Outerbridge Horsey The Honorable Raymond C. Ms. Cathy Ehrman Richard and Peggy Greenfield Janet Howard / The Coca-Cola Clevenger III and Mrs. Lawrence R. and Vicky C. Eicher Foundation Company Clevenger Dr. and Mrs. Daniel Ein Mr. and Mrs. George G. B. James and Rosemarie Howe Suzanne F. Cohen Mr. and Mrs. Julian Eisenstein Griffin Helen M. Hubbard Mr. and Mrs. Oliver C. Colburn R. Anthony Elson and Marjorie Mrs. Nina B. Griswold Mr. and Mrs. Robert W. Hubner Brigadier General James L. F. Elson The Honorable Brandon H. Mr. and Mrs. Hadlai A. Hull Collins Jr. and Mrs. Collins Ms. Catherine B. Elwell Grove Jr. and Mrs. Grove R. Bruce Hunter Mr. and Mrs. Jeremiah Collins Mr. and Mrs. Edward Louis John W. and Michelle K. Guinee Fern K. Hurst Mr. and Mrs. Terence W. Collins Emes Jr. Dr. and Mrs. Randolph H. Barbara and Allan Hurwitz Mrs. H. Dunscombe Colt Mr. and Mrs. Harold E. Engle Guthrie Jr. Mr. and Mrs. James F. C. Mr. and Mrs. David J. Cooper Epstein Becker & Green, P.C. / The Honorable Gilbert Hahn Jr. Hyde Jr. Lieutenant Colonel (Retired) and Stuart M. Gerson and Pamela and Mrs. Hahn Mrs. Walter Deane Innis Mrs. Richmond J. Cooper E. Somers Dr. Thomas B. Hakes and Mr. John Peters Irelan Mr. Ted Cooper Lionel C. Epstein and Elizabeth Mrs. Ellen Hallock Hakes Shirley and Marshall Jacobs Mrs. Jack Coopersmith P. Streicher Mr. and Mrs. Najeeb E. Halaby Joan L. and Dr. Julius H. Ms. Ann D. Cornell Mrs. David M. Evans The Honorable William R. Haley Jacobson II Mr. and Mrs. Donald M. Cox Mr. and Mrs. James W. Evans and Mrs. Haley Mr. and Mrs. William S. Janes Mr. and Mrs. Warren J. Cox Mr. and Mrs. Rowland Evans Jr. Mr. and Mrs. Edwin K. Hall Mrs. Mary D. Janney Mr. and Mrs. Robert H. Craft Jr. Mr. and Mrs. Frank J. Anne and Ridgway Hall Mr. and Mrs. Donald W. Jeffries Mr. and Mrs. Jerome Cramer Fahrenkopf Jr. Elizabeth B. Hamilton Elizabeth Jeppson and George Richard and Jane Creighton Mr. and Mrs. Bernard Fein Dr. Sidney and Mrs. Eldon H. Crowell Dr. and Mrs. Robert S. Feinberg Harman Joan and Garry Jewett Cheryl and George Crowley Mr. and Mrs. Myer Feldman Gail and John Harmon The Barbara Piasecka Johnson Mr. and Mrs. Edward M. Thomas D. and Kathleen L. Laura S. Harper, Esq., and Dr. Collection Cummings Fingleton Arnold Robert Mr. James A. Johnson Jr. Alexander, Lord d'Arleston Mr. Benjamin E. Finley II Virginia Watts Harrison Willow Johnson Comtesse Alain d'Eudeville Laura and Chester Fisher Mr. and Mrs. Douglas Hart Ms. Barbara J. Jones Francesca Danieli and Gary Molly and Frank Fitzmaurice Terry Hartle and Susan Quantius S. Kann Sons Co. Foundation Gensler Mr. and Mrs. John H. Fitzpatrick John and Meg Hauge Louis M. and Sally B. Kaplan Mr. and Mrs. Stuart C. Davidson Mr. and Mrs. William J. E. Matthew Hause Foundation Mr. and Mrs. Edward L. Davis Flather III Mones and Eunice Hawley Mr. and Mrs. Peter E. Kaplan Robert Aubry Davis and Patricia Susan and Arthur Fleischer Jr. Mr. and Mrs. John T. Hazel Jr. Mr. and Mrs. Steven Kaplan Ann Brannan Barbara G. Fleischman Dr. and Mrs. Robert M. Hazen Richard and Linda VG Kelley Mr. and Mrs. Porter G. Dawson Richard E. Ford Mr. and Mrs. Anthony Hecht James G. Kenan III Mr. and Mrs. Michael K. Deaver Mr. and Mrs. John O. Forrer The Honorable Richard M. Arleen and Edward Kessler Dr. and Mrs. Ziad Deeb David and Jackie Fowler Helms and Mrs. Helms Paul and Joelle Killian Willem and Frauke de Looper Mr. and Mrs. J. Edward Fowler William G. and Mary Lee Mr. and Mrs. Robin Reynolds Edward and Karren DeSeve Florence Bryan Fowlkes Herbster King Mr. and Mrs. C. M. Dick Jr. Mrs. Daniel J. Fraad Jr. Mr. and Mrs. Robert Hermann Mrs. Elizabeth L. Klee

V3 Margaret K. Klein Miss Priscilla Mason Allen D. Ohrstrom Douglas and Suzanne Schiffman Mr. and Mrs. Walter C. Klein Jr. Mr. and Mrs. Mike Massie Mr. and Mrs. Roderic E. Ordway Dr. Robert M. Schmidt and Mr. and Mrs. Erasmus H. Dr. Thomas A. Mathews Donald R. Osborn Fund of the Family Kloman Mr. and Mrs. Julian Mazor / New York Community Trust Mr. and Mrs. Martin L. Mr. and Mrs. Robert H. Knox The Meyer and Esther Mazor Dr. Betty Ann Ottinger Schoffstall Mr. and Mrs. James L. Koltes Foundation Louise Daniel Owen Page Evans Schwartz Dr. and Mrs. Marvin ICorengold Violet McCandlish Mr. and Mrs. Thomas A. Parrott Louise K. Schwebel Matt Korn and Cindy Miller Mr. and Mrs. Donald R. Mrs. Jefferson Patterson Mr. Frederick W. Scott Jr. Stephen P. Koster McClelland Judge and Mrs. Michael T. Paul Mr. and Mrs. Anthony E. Mary Lynn and Nick Kotz Mr. and Mrs. William Mr. and Mrs. Malcolm E. Scoville Mr. and Mrs. Robert Edmund McCollam Jr. Peabody Joan Searby Kramer Steven and Jill McGovern Muller Haven and Simmy Pell Ms. Judith Seligson and Mr. Robert M. and Hale A. Krasne Dorn and Lee K. McGrath Pamela and Robert Pelletreau Allan Greenberg Mr. and Mrs. Peter L. Kreeger Darina and Allan McKelvie Charles H. and Loraine G. Percy The Nina and Ivan Selin Family Barbara Krumsiek and Bart Mr. and Mrs. James A. McKenna Mr. and Mrs. Phillips S. Peter Foundation, Inc. Leonard Arnold and Oriana McKinnon Mr. and Mrs. Gerald P. Peters III Wendy L. Shapiro and Charles Mr. and Mrs. John M. Kurtz Mr. and Mrs. Thomas F. Mr. and Mrs. Devereaux J. D. Ferris Suzanne D. ICuser McLarty III Phelps Willis and Virginia Shapley Mr. and Mrs. Cameron La Clair Mr. and Mrs. Donald H. Mr. and Mrs. William Glover Deane and Paul Shatz Sheela and Francois-Marie-Jean McLucas Jr. Porter Jr. Linda and Stanley Sher Lampietti Ken and Theresa McVearry Judy Lynn Prince Mr. and Mrs. Stephen F. Sherwin Mr. and Mrs. W. Loeber Landau Mrs. Robert B. Menapace Dr. and Mrs. Jerold J. Principato Mr. and Mrs. Robert H. Shorb Mr. and Mrs. Edward W. Lane Jr. Mrs. Charles A. Meyer Mr. and Mrs. William A. Pusey Elaine Feidelman and Irwin Mr. and Mrs. William Lane Mr. and Mrs. Cord Meyer Mr. and Mrs. Eben W. Pyne Shuman Ridgley Lange and Lorrayne Y. Edward T. and Noel C. Miller Mr. and Mrs. Thomas J. Quigley Elizabeth Sidamon-Eristoff and Baird-Lange Gus and Deanne Miller Dr. and Mrs. Charles E. Rackley Hunter Lewis Janet E. Lanman Mr. and Mrs. Karl S. Miller Major General James G. Nancy and Simon Sidamon- Paul F. Larner Denny and Ida Minami Randolph and Mrs. Randolph Eristoff David and Connie Lawson Mr. and Mrs. Robert K. Molloy Sylvia and Coleman Raphael David Silver and Ann R. Don and Jane Stern Lebell Frederick W. Moncrief and Linda The Honorable Donald Schwartz Fred M. Lege III and Geneva C. K. Moncrief Rappaport and Mrs. Rappaport Dr. and Mrs. Richard A. Simms Lege Dr. and Mrs. Allen Mondzac Earl and Carol Ravenal Dr. Lionel J. Skidmore and Dr. Mrs. Egbert Leigh Mr. Robert S. Montgomerie- Mr. and Mrs. William K. Rawson Jean M. Karle Margeret and Terry Lenzner Charrington Miss Berenice Anne Reed Robert B. Smart Mr. and Mrs. Herbert J. Lerner Mrs. E. P. Moore Henry S. and Anne S. Reich Candida N. Smith and Carroll J. Mark D. and Judy Lenkin Lerner Mr. and Mrs. Robert L. Moore Jr. Family Foundation, Inc. Cavanagh Mr. and Mrs. Charles F. Lettow Lucy G. Moorhead Louise Walker Resor and Stanley Raymond W. Smith and Phyllis Jack and Laura Levengard Mr. and Mrs. William S. R. Resor L. Goldstein Dr. and Mrs. Alec C. Levin Moorhead III Mr. and Mrs. Donald H. Mr. and Mrs. Robert B. Smith Jr. Dr. and Mrs. Jerome H. Levy Mr. and Mrs. F. Joseph Moravec Richardson Elaine and Jerry Snider Leon Levy and Shelby White Mr. and Mrs. Robert W. Morey Mr. and Mrs. John D. Janet W. Solinger Jeanne G. Lewis Anne M. and Paul S. Morgan Richardson Mr. and Mrs. Leonard A. Donald V. Lincoln Mr. and Mrs. David B. Morgan Marie W. Ridder Solomon Mr. and Mrs. Wingate Lloyd Don and Rene Morgan Carlyn Ring Mr. and Mrs. Howard B. Sosin Mrs. Edith S. S. Loebs Mrs. Wendy Burden Morgan Mr. and Mrs. William W. Patti and Jerry Sowalsky Kathryn A. Looney Barbara and David Morowitz Robertson Jr. Mrs. Samuel Spencer Jack and Betty Lou Ludwick Mr. and Mrs. Seymour Alix I. Robinson Marilyn & Saul Spilke Kennie Ann Lupton and George Moskowitz Bridgette A. Robinson Foundation Paschal Lupton Mr. and Mrs. Tommy Mulitz Jane Washburn Robinson Victoria Stack Mr. and Mrs. Kenneth S. Lynn Anne G. Murphy Mr. and Mrs. Robert W. Dave and Carol Stahl Mr. and Mrs. James E. Lyons Mr. and Mrs. James J. Murphy Robinson Mrs. Benjamin F. Stapleton Michael and Sandylee Maccoby Ms. Catherine Murray Mr. and Mrs. Thomas P. Roddy Christine J. and Robert L. Mr. and Mrs. James T. Magee Mr. George Murray and Ms. Mr. and Mrs. Frederick S. Steiner Mr. and Mrs. Thomas F. Stephanie Phillipps Rolandi III S.S. Steiner, Inc. Magovern Ms. Joan D. Murray Carla Rolde Drs. Edward and Joan Stemmler Mr. Michael R.T. Mahoney and Mr. A1 Neely and Dr. Carla The Honorable Frederick B. The Honorable Malcolm Sterrett Mr. Raymond Bahor Elliott-Neely Rooney and Mrs. Rooney and Mrs. Sterrett Mrs. William S. Mailliard Sharon and Michael Nemeroff Mr. and Mrs. Sheldon Ruben Mr. and Mrs. Guy T. Steuart II Wendy and Christopher Makins Edith McBean Newberry Mr. and Mrs. George Rublee Mr. and Mrs. George C. Mrs. Edwin A. Malloy Louisa and William Newlin Frederick and Dorothy Rudolph Stevens Jr. Mr. and Mrs. Phillip L. Mann Judith and Philippe Newton Mr. and Mrs. Lewis Rumford III Ruth Carter Stevenson Mr. and Mrs. J. Eugene Marans Mr. and Mrs. Henry E. Nichols Mr. and Mrs. Clive Runnells Mr. and Mrs. Robert D. Stillman Ruth R. Marder Judge and Mrs. Arthur Nims Mark and Alison Russell Scot Stone The Honorable Jan W. Mares John and Lisa Nolan Dr. and Mrs. Paul S. Russell Dara and Lewis Strauss and Mrs. Mares Gerson Nordlinger Jr. Mrs. Victor Sadd Mrs. Lewis Lichtenstein Strauss James and Celia Martin Mr. and Mrs. John Oberdorfer Louise and Arnold Sagalyn Dr. Stephen P. Strickland and Dr. Mrs. William McChesney Oehme, van , and J. Andrew and Pamela B. Scallan Juras T. Ryfa Martin Jr. Associates, Inc. John and Edith Schafer Stacy and Daniel Stryer Arthur K. and Jane S. Mason Roger H. Ogden Dr. and Mrs. Stephen K. Scher

94 Mr. and Mrs. Brendan V. Captain, USN (Retired) and Mrs. Sullivan Curtis T. Youngblood Mrs. Jane E. Suydam Robert D. Zimet Mary H. D. Swift The Honorable Warren Mr. and Mrs. John T. Taft Zimmermann and Mrs. Ms. Nella F. Taylor Zimmermann Ralph A. Taylor Jr. and Joanna Mr. and Mrs. Michael N. Zirkle L. Moorhead Mrs. Sidney S. Zlotnick Topsy Taylor Gianna and Dario Zucchi Mrs. Waverly Taylor Mrs. Benjamin W. Thoron Every effort has been made to create Mr. and Mrs. Frederic C. Towers a complete and accurate list of con- Mr. and Mrs. Lewis Townsend tributors. Unfortunately, owing to Mrs. Cuthbert Train limited space, gifts under $1,000 are Steve and Candy Umin not listed. Please call the develop- Mrs. Herbert A. Vance ment office at (202) 842-6372 should Mr. and Mrs. Herbert A. you have further questions. Vance Jr. Mr. William C. Vance George D. Vassiliou / Prudential Securities Philip and Melanne Verveer Mr. and Mrs. C. Woods Vest Jr. Mr. and Mrs. Robert von Pentz Mr. and Mrs. William von Raab The Nancy Voorhees Fund of The Community Foundation for the National Capital Region Dr. Jeremy P. Waletzky Dr. and Mrs. Robert B. Wallace William and Irene Wallert Robert D. Wallick and Ann D. Wallick Gerald Warburg and Joy Jacobson Ms. Virginia S. Warner Mr. and Mrs. William W. Warner Mr. Melvin R. Weaver Suzan Reed Weaver Mr. and Mrs. Caspar W. Weinberger Rebecca Weistock Harrison and Sue Wellford The Honorable Allan Wendt and Ms. Que D. Nguyen Sidelle and Franc Wertheimer The Honorable J. Robinson West and Eileen Shields West Victoria Peters Westin Ms. Dorothy B. Wexler Nan Shaver Whalen Mr. and Mrs. George Y. Wheeler Ms. Kendall Wheeler Chris and Sue White Ms. Mary White Jaan W. Whitehead Mr. and Mrs. George F. Will Mrs. Richard Pardee Williams Professor John Wilmerding Mr. Robert W. Wilson Mr. and Mrs. Walter C. Wilson The David L. Winstead Family Hugh and Evelyn Witt Mr. James W. Wohlgemuth and Dr. Caroline Wohlgemuth Mr. and Mrs. Alan F. Wohlstetter John C. Wohlstetter Mavis and Hal Wylie Mr. and Mrs. David N. Yerkes

95 GIFTS AND BEQUESTS

The National Gallery of Art was estab- Every work of art in the collection of than by outright gift and can maximize lished by a remarkable act of private the National Gallery has either been the tax benefits and cost effectiveness of philanthropy, joined by a unique and gift of a private individual or purchased making a gift. Donors of deferred gifts historic partnership with the federal through generously given private funds. may indicate that the National Gallery government. In addition to its federal Gifts of works of art to the Gallery's col- of Art is to receive a certain sum of operational support, the Gallery relies lection are subject to approval by the money, property, works of art, or a per- on private citizens, foundations, and Board of Trustees. Offers of such gifts centage of an estate. We encourage corporations to fund art acquisition as should be discussed in advance with the donors considering such a gift to discuss well as many other important projects Secretary and General Counsel (tele- confidentially how it is to be used, and programs. phone 202 842-6363). Offers of gifts when arranging the gift. The support of private individuals, of books of art historical importance All gifts and bequests are deductible, through annual giving to The Circle and should be discussed in advance with within the limits prescribed by law, for the Collectors Committee, planned giv- the Executive Librarian (telephone applicable federal tax purposes. For ing, and major and specially designated 202 842-6505). more information regarding gifts of gifts, is critically important to the imme- Planned giving, by which a donor funds and property, both real and per- diate everyday activity of the Gallery as makes a commitment to benefit the sonal, please contact Ruth Anderson well as its ability to sustain its standards Gallery at a later date, can enable many Coggeshall, Chief Development Officer, of excellence in the long term. donors to make substantially larger gifts at (202) 842-6447.