Atomic Thunder: the Maralinga Story
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ON TAUNGURUNG LAND SHARING HISTORY and CULTURE Aboriginal History Incorporated Aboriginal History Inc
ON TAUNGURUNG LAND SHARING HISTORY AND CULTURE Aboriginal History Incorporated Aboriginal History Inc. is a part of the Australian Centre for Indigenous History, Research School of Social Sciences, The Australian National University, and gratefully acknowledges the support of the School of History and the National Centre for Indigenous Studies, The Australian National University. Aboriginal History Inc. is administered by an Editorial Board which is responsible for all unsigned material. Views and opinions expressed by the author are not necessarily shared by Board members. Contacting Aboriginal History All correspondence should be addressed to the Editors, Aboriginal History Inc., ACIH, School of History, RSSS, 9 Fellows Road (Coombs Building), The Australian National University, Acton, ACT, 2601, or [email protected]. WARNING: Readers are notified that this publication may contain names or images of deceased persons. ON TAUNGURUNG LAND SHARING HISTORY AND CULTURE UNCLE ROY PATTERSON AND JENNIFER JONES Published by ANU Press and Aboriginal History Inc. The Australian National University Acton ACT 2601, Australia Email: [email protected] Available to download for free at press.anu.edu.au ISBN (print): 9781760464066 ISBN (online): 9781760464073 WorldCat (print): 1224453432 WorldCat (online): 1224452874 DOI: 10.22459/OTL.2020 This title is published under a Creative Commons Attribution-NonCommercial- NoDerivatives 4.0 International (CC BY-NC-ND 4.0). The full licence terms are available at creativecommons.org/licenses/by-nc-nd/4.0/legalcode Cover design and layout by ANU Press Cover photograph: Patterson family photograph, circa 1904 This edition © 2020 ANU Press and Aboriginal History Inc. Contents Acknowledgements ....................................... vii Note on terminology ......................................ix Preface .................................................xi Introduction: Meeting and working with Uncle Roy ..............1 Part 1: Sharing Taungurung history 1. -
Fighting Extinction Challenge Teacher Answers Middle Years 9-10
Fighting Extinction Challenge Teacher Answers Middle Years 9-10 Wurundjeri Investigation We are all custodians of the land, just as the Wurundjeri have been for thousands of years. During your independent investigation around the Sanctuary look for ways that the Wurundjeri people lived on country and record these observations in the box below. Look (what you saw) Hear (what you heard) I wonder… (questions to ask an expert or investigate back at school ) Bunjil Soundscapes Waa Information from education Mindi officers Signs about plant uses Dreaming stories at feature shows Signs about animal dreaming Information about Wurundjeri stories Seasons Sculptures Didjeridoo Scar Tree Bark Canoe Gunyah Information about Coranderrk William Barak sculpture Information about William Barak Artefacts (eg eel trap, marngrook, possum skin cloak) 1. Identify and explain how did indigenous people impact upon their environment? Indigenous people changed the landscape using fire stick farming which also assisted hunting Aboriginal people used their knowledge of the seasons to optimise hunting, gathering, eel farming and more Aboriginal people used organic local materials to create tools to assist them with hunting and gathering their food i.e. eel traps, woven grass baskets, rock fish traps etc. They only ever took what they needed from the land and had a deep respect and spiritual connection to the land and their surroundings. 2. How are humans impacting on natural resources in today’s society? How does this affect wildlife? When the land is disrespected, damaged or destroyed, this can have real impact on the wellbeing of people, plants and animals. European settlers and modern day humans have caused land degradation by: •Introducing poor farming practices causing land degradation •Introducing noxious weeds •Changing water flow courses and draining wetlands •Introducing feral animals •Destroying habitat through urbanization, logging and farming practices 3. -
Palaeoworks Technical Papers 9
Palaeoworks Technical Papers 9 Geochemistry and identification of Australian red ochre deposits Mike Smith & Barry Fankhauser National Museum of Australia, Canberra, ACT 2601 and Centre for Archaeological Research, Australian National University, ACT 0200, Australia. Email: [email protected] September 2009 Note This information has been prepared for students and researchers interested in identifying ochre in archaeological contexts. It is open to use by everyone with the proviso that its use is cited in any publications, using the URL as the place of publication. Any comments regarding the information found here should be directed to the authors at the above address. © Mike Smith & Barry Fankhauser 2009 Preface Between 1994 and 1998 the authors undertook a project to look at the feasibility of using geochemical signatures to identify the sources of ochres recovered in archaeological excavations. This research was supported by AIATSIS research grants G94/4879, G96/5222 and G98/6143.The two substantive reports on this research (listed below) have remained unpublished until now and are brought together in this Palaeoworks Technical Paper to make them more generally accessible to students and other researchers. Smith, M. A. and B. Fankhauser (1996) An archaeological perspective on the geochemistry of Australian red ochre deposits: Prospects for fingerprinting major sources. A report to the Australian Institute of Aboriginal and Torres Strait Islander Studies, Canberra. Smith, M. A. and B. Fankhauser (2003) G96/5222 - Further characterisation and sourcing of archaeological ochres. A report to the Australian Institute of Aboriginal and Torres Strait Islander Studies, Canberra. The original reports are reproduced substantially as written, with the exception that the tables listing samples from ochre quarries (1996: Tables II/ 1-11) have been revised to include additional samples. -
William Buelow Gould--Convict Artist in Van Diemen's Land
PAP~:<:Rs AND PRoCE::8DJNGS OF THE ROYAL Sf.tf"IETY oF TASMANIA, VoLUME 9:3 WILLIAM BUELOW GOULD--CONVICT ARTIST IN VAN DIEMEN'S LAND By !SABELLA MEAD* (With 1 Plate) When I came first to the Launceston Museum I brought William Buelow Gould to Van Diemen's found very many paintings by a convict named Land. He writes of him:- Gould. Very soon visitors were asking me questions about him and I proceeded to read what had been " This poor wretch is another example of the written. It seemed very little. In fact, it amounted baneful effects produced by gambling. He to the notes that had been put together by Mr. has been a pupil of Mulreadys-his true name Henry Allport for an exhibition of Tasmanian art is Holland-his friends residing in Stafford are held in Hobart in 1931. These notes were published chinaware manufacturers. in the " Mercury " newspaper and then put together He got into a gambling set in Liverpool, lost in pamphlet form. Every subsequent writer on his money and to redeem it and being fond Gould has used them. of play he got initiated and became a regular When people said, however," vVhen was he born? member of the set of sharpers. When did he die? Was he marri.ed? Did he leave In the course of his practices he came to any family? Did he paint only in oil?", I had to London and was at one time intimate with reply, "I do not know." I am still not certain when the notorious Thurthill, the murderer, and he was born, but I know when he died. -
Colonial Frontier Massacres in Australia 1788-1930: Sources
Colonial Frontier Massacres in Australia 1788-1930: Sources © Ryan, Lyndall; Pascoe, William; Debenham, Jennifer; Gilbert, Stephanie; Richards, Jonathan; Smith, Robyn; Owen, Chris; Anders, Robert J; Brown, Mark; Price, Daniel; Newley, Jack; Usher, Kaine, 2019. The information and data on this site may only be re-used in accordance with the Terms Of Use. This research was funded by the Australian Government through the Australian Research Council, PROJECT ID: DP140100399. http://hdl.handle.net/1959.13/1340762 Colonial Frontier Massacres in Australia 1788-1930: Sources 0 Abbreviations 1 Unpublished Archival Sources 2 Battye Library, Perth, Western Australia 2 State Records of NSW (SRNSW) 2 Mitchell Library - State Library of New South Wales (MLSLNSW) 3 National Library of Australia (NLA) 3 Northern Territory Archives Service (NTAS) 4 Oxley Memorial Library, State Library Of Queensland 4 National Archives, London (PRO) 4 Queensland State Archives (QSA) 4 State Libary Of Victoria (SLV) - La Trobe Library, Melbourne 5 State Records Of Western Australia (SROWA) 5 Tasmanian Archives And Heritage Office (TAHO), Hobart 7 Colonial Secretary’s Office (CSO) 1/321, 16 June, 1829; 1/316, 24 August, 1831. 7 Victorian Public Records Series (VPRS), Melbourne 7 Manuscripts, Theses and Typescripts 8 Newspapers 9 Films and Artworks 12 Printed and Electronic Sources 13 Colonial Frontier Massacres In Australia, 1788-1930: Sources 1 Abbreviations AJCP Australian Joint Copying Project ANU Australian National University AOT Archives of Office of Tasmania -
A Dictionary of Diyari, South Australia
A Dictionary of Diyari, South Australia Peter K. Austin A Dictionary of Diyari, South Australia © 2013 Peter K. Austin Department of Linguistics, SOAS, University of London Russell Square, London WC1H 0XG United Kingdom [email protected] Preface Diyari is an Australian Aboriginal language spoken by a few Dieri people living at various places in the north-east of South Australia and in Broken Hill, New South Wales. Although the language is no longer in regular use among Dieri families there is still a lot of knowledge about the language held by community members who are keen to see it preserved and passed on to younger generations. This book is a draft reference dictionary of Diyari based primarily on materials collected during my fieldwork on the language in 1974-77 and subsequent research. A companion grammar is also available, and a text collection is in preparation. This book will be revised and extended as further work on the language is undertaken, based on recordings made by myself and Luise Hercus in the 1970s, together with new materials provided by current speakers and Dieri community members. I dedicate this book to the Dieri karna. London and Canberra January 2013 Acknowledgements This study would not have been possible without the interest and help of the speakers of Diyari I worked with in the 1970s, together with members of the Dieri Aboriginal Corporation since 2010. I owe a particular debt of gratitude to the late Ben Murray, Rosa Warren and the Frieda Merrick who spent so much time teaching me Diyari and sharing with me their memories of “the old days”. -
Artistic Identity in the Published Writings of Margaret Thomas (C1840-1929)
University of Wollongong Research Online University of Wollongong Thesis Collection 1954-2016 University of Wollongong Thesis Collections 1993 Artistic identity in the published writings of Margaret Thomas (c1840-1929) Lynn Patricia Brunet University of Wollongong Follow this and additional works at: https://ro.uow.edu.au/theses University of Wollongong Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorise you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: This work is copyright. Apart from any use permitted under the Copyright Act 1968, no part of this work may be reproduced by any process, nor may any other exclusive right be exercised, without the permission of the author. Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. A court may impose penalties and award damages in relation to offences and infringements relating to copyright material. Higher penalties may apply, and higher damages may be awarded, for offences and infringements involving the conversion of material into digital or electronic form. Unless otherwise indicated, the views expressed in this thesis are those of the author and do not necessarily represent the views of the University of Wollongong. Recommended Citation Brunet, Lynn Patricia, Artistic identity in the published writings of Margaret Thomas (c1840-1929), Master of Creative Arts (Hons.) thesis, School of Creative Arts, University of Wollongong, 1993. -
Central Land Council and Northern Land Council
CENTRAL LAND COUNCIL and NORTHERN LAND COUNCIL Submission to the Productivity Commission Draft Report into Resources Sector Regulation 21 August 2020 TABLE OF CONTENTS 1. KEY TERMS ____________________________________________________________ 4 2. INTRODUCTION ________________________________________________________ 5 PART 1 – DETAILED RESPONSE AND COMMENTARY_________________________ 5 3. LEGAL CONTEXT _______________________________________________________ 5 3.1. ALRA NT ______________________________________________________________ 5 3.2. Native Title Act _________________________________________________________ 6 3.3. The ALRA NT is not alternate to the Native Title Act. __________________________ 6 4. POLICY CONTEXT ______________________________________________________ 6 4.1. Land Council Policy Context ______________________________________________ 6 4.2. Productivity Commission consultation context ________________________________ 8 5. RECOMMENDATIONS AND COMMENTS __________________________________ 9 5.1. The EPBC Act, and Northern Territory Environmental Law has recently been subject to specialised review _________________________________________________________ 9 5.2. Pt IV of the ALRA NT has recently been subject to specialised review _____________ 9 5.3. Traditional owners are discrete from the Aboriginal Community and have special rights ____________________________________________________________________ 10 5.4. Free Prior Informed Consent _____________________________________________ 11 5.5. Inaccuracies in the draft Report -
Aboriginal Agency, Institutionalisation and Survival
2q' t '9à ABORIGINAL AGENCY, INSTITUTIONALISATION AND PEGGY BROCK B. A. (Hons) Universit¡r of Adelaide Thesis submitted for the degree of Doctor of Philosophy in History/Geography, University of Adelaide March f99f ll TAT}LE OF CONTENTS ii LIST OF TAE}LES AND MAPS iii SUMMARY iv ACKNOWLEDGEMENTS . vii ABBREVIATIONS ix C}IAPTER ONE. INTRODUCTION I CFIAPTER TWO. TI{E HISTORICAL CONTEXT IN SOUTH AUSTRALIA 32 CHAPTER THREE. POONINDIE: HOME AWAY FROM COUNTRY 46 POONINDIE: AN trSTä,TILISHED COMMUNITY AND ITS DESTRUCTION 83 KOONIBBA: REFUGE FOR TI{E PEOPLE OF THE VI/EST COAST r22 CFIAPTER SIX. KOONIBBA: INSTITUTIONAL UPHtrAVAL AND ADJUSTMENT t70 C}IAPTER SEVEN. DISPERSAL OF KOONIBBA PEOPLE AND THE END OF TI{E MISSION ERA T98 CTIAPTER EIGHT. SURVTVAL WITHOUT INSTITUTIONALISATION236 C}IAPTER NINtr. NEPABUNNA: THtr MISSION FACTOR 268 CFIAPTER TEN. AE}ORIGINAL AGENCY, INSTITUTIONALISATION AND SURVTVAL 299 BIBLIOGRAPI{Y 320 ltt TABLES AND MAPS Table I L7 Table 2 128 Poonindie location map opposite 54 Poonindie land tenure map f 876 opposite 114 Poonindie land tenure map f 896 opposite r14 Koonibba location map opposite L27 Location of Adnyamathanha campsites in relation to pastoral station homesteads opposite 252 Map of North Flinders Ranges I93O opposite 269 lv SUMMARY The institutionalisation of Aborigines on missions and government stations has dominated Aboriginal-non-Aboriginal relations. Institutionalisation of Aborigines, under the guise of assimilation and protection policies, was only abandoned in.the lg7Os. It is therefore important to understand the implications of these policies for Aborigines and Australian society in general. I investigate the affect of institutionalisation on Aborigines, questioning the assumption tl.at they were passive victims forced onto missions and government stations and kept there as virtual prisoners. -
Urban Forms and the Politics of Property in Colonial Hong Kong By
Speculative Modern: Urban Forms and the Politics of Property in Colonial Hong Kong by Cecilia Louise Chu A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Architecture in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Nezar AlSayyad, Chair Professor C. Greig Crysler Professor Eugene F. Irschick Spring 2012 Speculative Modern: Urban Forms and the Politics of Property in Colonial Hong Kong Copyright 2012 by Cecilia Louise Chu 1 Abstract Speculative Modern: Urban Forms and the Politics of Property in Colonial Hong Kong Cecilia Louise Chu Doctor of Philosophy in Architecture University of California, Berkeley Professor Nezar AlSayyad, Chair This dissertation traces the genealogy of property development and emergence of an urban milieu in Hong Kong between the 1870s and mid 1930s. This is a period that saw the transition of colonial rule from one that relied heavily on coercion to one that was increasingly “civil,” in the sense that a growing number of native Chinese came to willingly abide by, if not whole-heartedly accept, the rules and regulations of the colonial state whilst becoming more assertive in exercising their rights under the rule of law. Long hailed for its laissez-faire credentials and market freedom, Hong Kong offers a unique context to study what I call “speculative urbanism,” wherein the colonial government’s heavy reliance on generating revenue from private property supported a lucrative housing market that enriched a large number of native property owners. Although resenting the discrimination they encountered in the colonial territory, they were able to accumulate economic and social capital by working within and around the colonial regulatory system. -
Art Collectors in Colonial Victoria 1854 - 1892
ART COLLECTORS IN COLONIAL VICTORIA 1854 - 1892 : AN ANALYSIS OF TASTE AND PATRONAGE. Gerard Vaughan B.A. Honours Thesis 1976 Volume I. TABLE OF CONTENTS VOLUME 1 Introduction i - v Chapter 1 The Loan Exhibitions before 1880 1- 8 Chapter 11 The Taste for Prints 9 - 11 Chapter 111 The Collectors 12-47 Chapter 1V Collectors and the International 48 - 51 Exhibitions - A Resume Chapter V The Interest in Foreign Art 52-62 Chapter V1 The Dealers 63 - 78 Conclusion 79 - 82 VOLUME 11 Footnotes - Introduction Chapter 1 1- 4 Chapter 11 5- 7 Chapter 111 8-24 Chapter 1V 25-26 Chapter V 27 - 30 Chapter Vi and conclusion 31-37 Appendix A Holdings of Major Art Collections 38-59 Appendix B Furniture and Sculpture 60-62 Appendix C List of Illustrations 63 - 66 Appendix D A Note on Picture Galleries 67 Appendix E Patrons of Melbourne Artists in 68 - 86 the 1880s VOLUME 111 Illustrations ART.COLLECTORS IN COLONIAL VICTORIA 1854-1892; an analysis of taste and patronage. INTRODUCTION My examination of the holdings of private art collections in Victoria before 1892 is confined to British and European art. It was to Britain that taste was oriented, and the emerging group of Australian painters made little impact upon those patrons and collectors recognized as being the cultural leaders of the community. It would have been difficult to incorporate my research on collectors of Australian art in an essay of this length. I have therefore confined myself to a number of general observations set out in Appendix E. These may be useful in better understanding a part of the background against which British and European art was collected. -
Diane Elizabeth Bar Wick 1938-1986 a Bibliography
DIANE ELIZABETH BAR WICK 1938-1986 A BIBLIOGRAPHY Published Papers 1961 'Canadian Indian policy', in Federal Council for Aboriginal Advancement, Reports and resolutions received by the 4th national Aboriginal conference, vol.2:34-43. 1962 "Economic absorption without assimilation? The case of some Melbourne part- Aboriginal families’, Oceania 33(1): 18-23. 1964 'The self-conscious people of Melbourne', in Marie Reay ed., Aborigines now, pp.20-31.Angus & Robertson, Sydney. 1965 Take Tyers Reserve: an anthropologist's submission', Smoke Signals 4(l):8-9. 1966 'Short history of Lake Tyers farming development', in Aborigines Welfare Board, Victoria, Report of the Lake Tyers Planning and Action Committee on rehabilitation and training for Aborigines at Lake Tyers, Appendix 2:35-7. 1967 Review of Oral tradition: a study in historical methodology, by Jan Vansina (trans. H.M. Wright), Journal of Pacific History 2:233-4. 1969 'Outsiders: Aboriginal women', in Julie Rigg ed.,In her own right: women of Australia, pp.85-97. Nelson, Sydney. 1969 'Aboriginal women'. [Abridged reprint of 'Outsiders: Aboriginal women'], Aboriginal News 1(12): Special issue on women. 1970 ' "And the lubras are ladies now"', in Fay Gale ed., Woman's role in Aboriginal society, pp.30-38. Australian Institute of Aboriginal Studies, Canberra. [2nd edn 1974, pp.50-63; 3rd edn 1978, pp.50-63.] 1970 Review of Aboriginal progress: a new era? edited by D.E. Hutchison, Mankind 7(4):316. 1971 'Changes in the Aboriginal population of Victoria, 1863-1966', in D.J. Mulvaney and J. Golson eds, Aboriginal man and environment in Australia, pp.288-315.