ISX – the First Five Years (2004-2009) and the Next Five
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Palaeoworks Technical Papers 9
Palaeoworks Technical Papers 9 Geochemistry and identification of Australian red ochre deposits Mike Smith & Barry Fankhauser National Museum of Australia, Canberra, ACT 2601 and Centre for Archaeological Research, Australian National University, ACT 0200, Australia. Email: [email protected] September 2009 Note This information has been prepared for students and researchers interested in identifying ochre in archaeological contexts. It is open to use by everyone with the proviso that its use is cited in any publications, using the URL as the place of publication. Any comments regarding the information found here should be directed to the authors at the above address. © Mike Smith & Barry Fankhauser 2009 Preface Between 1994 and 1998 the authors undertook a project to look at the feasibility of using geochemical signatures to identify the sources of ochres recovered in archaeological excavations. This research was supported by AIATSIS research grants G94/4879, G96/5222 and G98/6143.The two substantive reports on this research (listed below) have remained unpublished until now and are brought together in this Palaeoworks Technical Paper to make them more generally accessible to students and other researchers. Smith, M. A. and B. Fankhauser (1996) An archaeological perspective on the geochemistry of Australian red ochre deposits: Prospects for fingerprinting major sources. A report to the Australian Institute of Aboriginal and Torres Strait Islander Studies, Canberra. Smith, M. A. and B. Fankhauser (2003) G96/5222 - Further characterisation and sourcing of archaeological ochres. A report to the Australian Institute of Aboriginal and Torres Strait Islander Studies, Canberra. The original reports are reproduced substantially as written, with the exception that the tables listing samples from ochre quarries (1996: Tables II/ 1-11) have been revised to include additional samples. -
Central Land Council and Northern Land Council
CENTRAL LAND COUNCIL and NORTHERN LAND COUNCIL Submission to the Productivity Commission Draft Report into Resources Sector Regulation 21 August 2020 TABLE OF CONTENTS 1. KEY TERMS ____________________________________________________________ 4 2. INTRODUCTION ________________________________________________________ 5 PART 1 – DETAILED RESPONSE AND COMMENTARY_________________________ 5 3. LEGAL CONTEXT _______________________________________________________ 5 3.1. ALRA NT ______________________________________________________________ 5 3.2. Native Title Act _________________________________________________________ 6 3.3. The ALRA NT is not alternate to the Native Title Act. __________________________ 6 4. POLICY CONTEXT ______________________________________________________ 6 4.1. Land Council Policy Context ______________________________________________ 6 4.2. Productivity Commission consultation context ________________________________ 8 5. RECOMMENDATIONS AND COMMENTS __________________________________ 9 5.1. The EPBC Act, and Northern Territory Environmental Law has recently been subject to specialised review _________________________________________________________ 9 5.2. Pt IV of the ALRA NT has recently been subject to specialised review _____________ 9 5.3. Traditional owners are discrete from the Aboriginal Community and have special rights ____________________________________________________________________ 10 5.4. Free Prior Informed Consent _____________________________________________ 11 5.5. Inaccuracies in the draft Report -
Central Land Council Confines It’S Submission to the Following Terms of Reference, As They Relate to the Protection of Sacred Sites in the Northern Territory
Submission to the Joint Standing Committee on Northern Australia – Inquiry into the destruction of 46,000 year old caves at the Juukan Gorge in the Pilbara region of Western Australia August 2020 Contents Terms of Reference ................................................................................................................... 3 Executive Summary ................................................................................................................... 3 Recommendations .................................................................................................................... 4 Abbreviations and Acronyms .................................................................................................... 6 Introduction ............................................................................................................................... 7 Guiding principles when reviewing Indigenous heritage legislation ...................................... 8 Term of reference (f): The interaction of state indigenous heritage regulations with Commonwealth laws................................................................................................................. 9 Interaction of Aboriginal and Torres Strait Islander Heritage Protection Act (Cth) with the Northern Territory Sacred Sites Act ....................................................................................... 9 The ATSIHP Act .................................................................................................................... -
Indigenous Archives
INDIGENOUS ARCHIVES 3108 Indigenous Archives.indd 1 14/10/2016 3:37 PM 15 ANACHRONIC ARCHIVE: TURNING THE TIME OF THE IMAGE IN THE ABORIGINAL AVANT-GARDE Khadija von Zinnenburg Carroll Figure 15.1: Daniel Boyd, Untitled TI3, 2015, 56th International Art Exhibition – la Biennale di Venezia, All the World’s Futures. Photo by Andrea Avezzù. Courtesy: la Biennale di Venezia. Daniel Boyd’s Untitled T13 (2015) is not an Aboriginal acrylic dot painting but dots of archival glue placed to match the pixel-like 3108 Indigenous Archives.indd 342 14/10/2016 3:38 PM Anachronic Archive form of a reproduction from a colonial photographic archive. Archival glue is a hard, wax-like material that forms into lumps – the artist compares them to lenses – rather than the smooth two- dimensional dot of acrylic paint. As material evidence of racist photography, Boyd’s paintings in glue at the 2015 Venice Biennale exhibition physicalised the leitmotiv of archives. In Boyd’s Untitled T13 the representation of the Marshall Islands’ navigational charts is an analogy to the visual wayfinding of archival photographs. While not associated with a concrete institution, Boyd’s fake anachronic archive refers to institutional- ised racism – thus fitting the Biennale curator Okwui Enwezor’s curatorial interest in archival and documentary photography, which he argues was invented in apartheid South Africa.1 In the exhibition he curated in 2008, Archive Fever: Uses of the Document in Contemporary Art, Enwezor diagnosed an ‘archival fever’ that had afflicted the art of modernity since the invention of photography. The invention, he believed, had precipitated a seismic shift in how art and temporality were conceived, and that we still live in its wake. -
CENTRAL LAND COUNCIL Submission to the Independent
CENTRAL LAND COUNCIL Submission to the Independent Reviewer Independent Review of the Environment Protection and Biodiversity Conservation Act (Cth) 1999 16 April 2020 HEAD OFFICE 27 Stuart Hwy, Alice Springs POST PO Box 3321 Alice Springs NT 0871 1 PHONE (08) 8951 6211 FAX (08) 8953 4343 WEB www.clc.org.au ABN 71979 619 0393 ALPARRA (08) 8956 9955 HARTS RANGE (08) 8956 9555 KALKARINGI (08) 8975 0885 MUTITJULU (08) 5956 2119 PAPUNYA (08) 8956 8658 TENNANT CREEK (08) 8962 2343 YUENDUMU (08) 8956 4118 TABLE OF CONTENTS 1. SUMMARY OF RECOMMENDATIONS ....................................................................... 3 2. ABBREVIATIONS AND ACRONYMS .......................................................................... 4 3. OVERVIEW ...................................................................................................................... 5 4. INTRODUCTION ............................................................................................................. 5 5. MODERNISING CONSULTATION AND INPUT ......................................................... 7 5.1. Consultation processes ................................................................................................... 8 5.2. Consultation timing ........................................................................................................ 9 5.3. Permits to take or impact listed threatened species or communities ........................... 10 6. CULTURAL HERITAGE AND SITE PROTECTION .................................................. 11 7. BILATERAL -
Country, Truth and Our Shared Story Country, Truth & Our Shared Story Lendlease Reconciliation Action Plan (RAP) 2020 to 2023 2 Acknowledgement of Country
Country, Truth & Our Shared Story Lendlease Reconciliation Action Plan (RAP) 2020 to 2023 1 Lendlease Elevate Reconciliation Action Plan (RAP) October 2020 to October 2023 Country, Truth and Our Shared Story Country, Truth & Our Shared Story Lendlease Reconciliation Action Plan (RAP) 2020 to 2023 2 Acknowledgement of Country We acknowledge the Traditional Custodians of the land and pay our respects to them and their Elders past and present. As a business that works across many locations, we have a responsibility to listen, learn and walk alongside First Nations peoples to ensure our activities support their ongoing connection to their lands, waters, cultures, languages and traditions. We value their custodianship of 65,000 years. ‘Spirit of Place’ This artwork was created in 2010 by Riki Salam at Gilimbaa, a Supply Nation certified creative agency and Lendlease supplier partner. It represents Lendlease and the people, communities and organisations we work with coming together on country to share knowledge, cultures and histories, to establish lasting, respectful relationships and to create opportunities that will strengthen and nurture the connection of people and places. Aboriginal and Torres Strait Islander peoples should be aware that this document may contain the images of people Harpley Discovery Trail, 1,000th visitor celebration who have passed away. Harpley, on Wadawurrung Country Country, Truth & Our Shared Story Lendlease Reconciliation Action Plan (RAP) 2020 to 2023 3 Our Partners, Mentors, Collaborators and Friends 4 Contents -
Introduction and Methodology
‘NOT ONE IOTA’: THE YORTA YORTA STRUGGLE FOR LAND JUSTICE Submitted by Wayne Roderick Atkinson BA (Hons) La Trobe University A thesis submitted in total fulfilment of the requirements for the degree of Doctor of Philosophy School of Law and Legal Studies Faculty of Law and Management La Trobe University Victoria 3086 Australia November 2000 1 Contents Summary of Thesis vi Statement of Authorship vii Acknowledgements vii Abbreviations x Table of Figures x Preface ix Thesis Context ix Thesis Aims x The Study Area x Terminology xii Structure of Thesis xiii Chapter 1: Introduction and Methodology 1 1.1 Indigenous Equality in Land 2 1.2 Measures to Enhance Equality in Land 2 1.3 Indigenous Epistemology 4 1.3.1 Inclusion of Indigenous People 5 1.4 Holistic Approach 7 1.5 Action Based Research 8 1.6 Evidentiary Materials 8 1.6.1 Ethnographic Material and Indigenous Knowledge as Evidence 9 1.6.2 Continuity of Laws and Customs 11 1.6.3 Anthropological Issues 1 2 1.7 Conclusion 13 Chapter 2: Yorta Yorta Occupation 14 2.1 Introduction 14 2.2 Clarifying Misconceptions of Aboriginality 14 2.3 Indigenous Occupation 15 2.4 Timeline of Occupation 16 2.5 Change and Adaption Revisited 18 2.5.1 Responding to Change 19 2.6 Nature and Diversity of Yorta Yorta Land 20 2.6.1 Water 20 2.6.2 Food Sources 21 2.6.3 Living Patterns 21 2.7 Traditional Land Management Practices 22 2.7.1 Use of Fire 23 2.8 Aboriginal Sites as Evidence of Occupation 23 2.9 Material Evidence 24 2 2.10 Anthropological Evidence 25 2.11 Linguistic Evidence 27 2.12 Social Organisation 28 -
NLC Strategic Plan 2016-2020
NORTHERN LAND COUNCIL STRATEGIC PLAN 2016 – 2020 Strategic Plan 2016 – 2020 1. NORTHERN LAND COUNCIL STRATEGIC PLAN 2016 – 2020 About this strategic plan This Strategic Plan reflects the Northern Land Council’s strategic direction for the period 2016 – 2020. It builds on our achievements and describes the way we intend to carry out our statutory responsibilities, the goals we set out to achieve and our vision for the future. The Plan provides the framework for the continuing strategic management of our work. It is dynamic – reflecting the complex and changing environment in which we operate. We will revisit our strategies and projects regularly and continue to develop new initiatives, to ensure that we are able to respond to challenges and take advantage of opportunities as they arise. Contents Who we are .............................................................................................................. 1 What we do .............................................................................................................. 2 Welcome from the Chairman ................................................................................. 3 Introduction to the NLC from the CEO .................................................................. 4 Map of the NLC Region........................................................................................... 5 Communities in the NLC Region ........................................................................... 6 Our Vision ............................................................................................................... -
Reconciliation News May 2020
Reconciliation News Stories about Australia’s journey to equality and unity National Reconciliation Week 2020 Doing it differently this year, but still in this together Linda Burney On the goodwill and legacy of the bridge walks THE BRIDGE WALKS A DEFINING MOMENT FOR RECONCILIATION 43 May 2020 Reconciliation News is published by Reconciliation Australia in May and October each year. Its aim is to inform and inspire readers with stories relevant to the ongoing reconciliation process between Aboriginal and Torres Strait Islander peoples and other Australians. CONTACT US JOIN THE CONVERSATION reconciliation.org.au facebook.com/ReconciliationAus [email protected] twitter.com/RecAustralia 02 6153 4400 @reconciliationaus Reconciliation Australia acknowledges the Traditional Reconciliation Australia is an independent, not-for- Owners of Country throughout Australia and profit organisation promoting reconciliation by building recognises their continuing connection to lands, relationships, respect and trust between the wider waters and communities. We pay our respects to Australian community and Aboriginal and Torres Strait Aboriginal and Torres Strait Islander cultures, and to Islander peoples. Visit reconciliation.org.au Elders past and present. to find out more. NOTABLE DATES 26 27 – 3 4 9 2 May May June August August September National National National Aboriginal International Day Indigenous Sorry Day Reconciliation and Torres Strait of the World’s Literacy Week Islander Children’s Indigenous Day Day Peoples Cover: A river of goodwill flows over the bridge. (Photo by Glenn Campbell/Newspix) Issue no. 43 / May 2020 3 CONTENTS FEATURES 7 In this together NRW this year will be different as we’re unable to gather in the usual way. -
The Life and Legacy of Pemulwuy
THE LIFE AND LEGACY OF PEMULWUY By Cindy Purvis SCEGGS DARLINGHURST YEAR 9 Junior Ron Rathbone Local History Prize 2016 The life and legacy of Pemulwuy Cindy Purvis Table of Contents Introduction …………………………………………………………………………………………………………………….1 The First Fleet, the Eora Nation and the Bidjigal People ………………………………………...........2 Early life and background ……………………………………………………………………………………………….3 Conflict between settlers and Pemulwuy ……………………………………………………………………….5 His death …………………………………………………………………………………………………………………………7 How he has changed the perspective around Indigenous Australians in a modern-day context?........................................................................................................................................................8 Modern-day representation …………………………………………………………………………………………….8 His legacy ………………………………………………………………………………………………………………………….9 Conclusion ………………………………………………………………………………………………………………………..10 Bibliography ……………………………………………………………………………………………………………………...11 Acknowledgements ………………………………………………………………………………………………………….12 Introduction One’s historical outlook upon Botany Bay and the Rockdale area should not overlook the trials and tribulations that the Indigenous people of Australia have gone through in order to defend their land, resist European invasion and receive recognition in the face of white adversity. In particular, the actions and experiences of an Aboriginal warrior by the name of Pemulwuy, a key figure in the conflict between the Aboriginal people and white settlers in Botany Bay. This report -
Central Land Council Corporate Plan
CENTRAL LAND COUNCIL CORPORATE PLAN 2020-2024 COVER ARTWORK Winner of the Vincent Lingiari Art Award 2019 Kuruyultu , Eunice Napanangka Jack Artist Statement: In this painting Eunice depicts her father's Tjukurrpa (Dreaming). It shows the country at Kuruyultu, near Tjukurrla in Western Australia. ‘This is my country. I can’t remember how it all happened, because it happened before I was born. I have a scar on my back from it. My grandfather speared a wallaby at Kuruyultu. That night he ate that wallaby. At the same time my mother could feel me moving inside her. She was heavily pregnant with me. That next morning, after my grandfather had speared the wallaby, killed it and eaten it, I was born. I was born at Kuruyultu, near the rockhole there. I can’t remember my grandfather or my grandmother. I was still a little baby. We left that place, Kuruyultu. My father, my mother, my big sister and my father’s brother, we all left together and went to Haasts Bluff. I grew up in Haasts Bluff. I have been back to Kuruyultu for visits but I never lived there again in my country. I think about it every day. Only my father knows all the stories for that country and he painted them too… all the men’s stories. I know the story of the wallaby mother and daughter which left me with a birthmark. That’s what I paint: the wallaby mother and daughter.’ ACCOUNTABLE AUTHORITY (CHAIR & CEO) MESSAGE Welcome. Our Corporate Plan for 2020-2024 sets out the medium and long-term aspirations and intentions. -
WISDOM MAN to the Future of My People the River Knows (Kuuyang
WISDOM MAN To the future of my people The River Knows (Kuuyang – Eel Song) Shane Howard, Neil Murray and Banjo Clarke Who’s going to save this country now? Who’ll protect its sacred power? Listen to the south-west wind Listen can you hear the spirits sing? See the wild birds fill the sky Hear the plover’s warning cry Feel the wind and feel the rain Falling on the river once again The river knows The river flows That old river knows Watch us come and go The south-west wind brings Autumn rain To fill the rivers once again The eels will make their journey now Longing for that salty water Down the Tuuram stones they slither In their thousands down the river Headed for the river mouth Fat and sleek and slowly moving south All the tribes will gather here Travel in from everywhere Food to share and things to trade Song and dance until it fades Hear the stories being told Handed down to young from old See the fires burning there Hear the voices echo through the air Listen can you hear their song? Singin’ as they move along? Movin’ through that country there All the stories gathered here The kuuyang* move into the ocean Restless motion Even though they go away The spirits all return to here again * Eels ACKNOWLEDGEMENTS Camilla Chance and Banjo Clarke’s family would like to thank the following people for their help and support in making this book possible: above all, Elizabeth (Libby) Clarke, the historian among Banjo’s children and a greatly honoured keeper of traditional ways; Camilla is much indebted to her for her input into her father’s book.