DOCSLIB.ORG

Eat / Drink / Shop / Art JULY

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Eat / Drink / Shop / Art JULY UIDE G – 40– STUDIO B {BUS 9, 17, 18 / RAIL Central} ARTCARDIFF LISTINGS FROM 24 Tudor Lane, Riverside, Cardiff, CF24 6AZ www.24studiob.moonfruit.com JULY – SEPTEMBER 2012 Open: By appointment only. INCLUSIVE 13– WARP {WaLES ARTIST RESOURCE PROgrammE} {BUS 35, 38, 39, 52, 52A, 58, 59 alight at City Rd} G39, Oxford Street, Cardiff CF24 3DT www.g39.org/warp +44 {0}29 2047 3633 STUDIOS / Open: Tues – Sat 11.00 – 17.00 XSC – CROSS STUDIO CRITORIALS [email protected] A supportive platform for discussion and interaction 2012 COllecTIVES/ between studio artists working in Cardiff. Email Tom Goddard for future meetings. R EMBE PT SE AGENCIes / WEB / JULY JULY – TEMPORARY / EAT / DRINK / PROjecTS SHOP / ART – ARK {BUS Bay Car Cathays Park} 41– CAFÉ BraVA {BUS 24, 25, 60, 62A} Various venues www.thinkark.co.uk 71 Pontcanna Street, Pontcanna, Cardiff, CF11 9HS ThinkArk Wednesday Club every Wednesday at Cardiff Art Institute, 19.00. www.bravacardiff.co.uk 32– ARTES MUNDI PRIZE {BUS All for City Centre / RAIL Queen St, Central} 08– CHAPTER ARTS CENTRE {BUS 12, 13, 17, 18, 96} St John’s Chambers, High Street Arcade, Cardiff, CF10 1BD Market Road, Cardiff, CF5 1QE www.chapter.org www.artesmundi.org +44 {0}2920 555300. By appointment only. Art in the Bar: Pete Williams. Until 01/07/12 Mermaid & Monster @ Artes Mundi: A rolling exhibition of work by represented artists. Ilana Halperin 05/07/12 – 19/08/12 Until 03/13 Ben Lloyd 24/08/12 – 16/09/12 Tony Albert {Part of the Future’s not what it used to be} 20/09/12 – 24/11/12 33– BEATEN BLACK, BLUE, RED, GREEN AND GOLD {BUS 11, 12, 13, 49, 50} 84 Clifton Street, Splott, Cardiff, CF24 1LT www.ohmygodtom.com 42– Gwdihŵ {BUS All for City Centre / RAIL Queen St.} +44 {0}7968 967157. Open: By appointment only. www.gwdihw.co.uk 6 Guildford Crescent, Cardiff, CF10 2HJ Exhibiting Artletes: Harold Offeh, Rory Macbeth, Aled Simons, Simeon Barclay, Steven Paige, Sean Edwards, Richard Higlett, Hayley Lock, Gordon Dalton, Paul Farmer, Townley 43– NOS Da HOTEL {BUS 12, 17, 18/ RAIL Central} and Bradbury, Alex Pearl, Sam Aldridge, Jessica Voorsanger, Craig Fisher, Matt Rowe, 53–59 Despenser Street, Cardiff, CF11 6AG Louise Bird, Colin Booth, Barrie J Davies, Emma Stark, Laura Reeves, Tiff Oben, Sovay www.nosda.co.uk +44 {0}29 2037 8866 Berriman, S Mark Gubb, Zanne Andrea, Steven King, Tom Goddard, Michael Cousin, Huw Andrews and Pat Flynn 27/07/12 – 12/08/12 44– MILGI LOUNGE {BUS 35, 38, 39, 52, 52A, 58, 59} 213 City Road, Roath, Cardiff, CF24 3JD www.milgilounge.com +44 {0}29 2047 3150 – BRITISH RACING GREEN Dorkbot CARDIFF: A bi-monthly meeting for ‘people doing strange things with electricity’. www.b-r-g.org Life Drawing in the Yurt every Monday 17.30 – 19.00. £5 Donation. 45 { – CERBYD – MORGAN ARCADE STUDIOS BUS All for City Centre / RAIL Central} www.cerbyd.org morganarcadestudios.blogspot.co.uk – CAAPO 46– WaTERLOO GARDENS TEAHOUSE {BUS 57, 58, 101, 102} www.creativeassault.org 5 Waterloo Gardens, Penylan, Cardiff, CF23 5AA www.waterlootea.com We Are Cardiff. Until 02/07/12 Gemma Williams 02/07/12 – 30/07/12 03 – BUTETOWN ARTISTS STUDIOS {BUS 1, 2, 9, 6 Bay Cars / RAIL Cardiff Bay} Sam Hunt 30/07/12 – 03/09/12 Richard Cox 03/09/12 – 01/10/12 54B/C Bute St, Cardiff CF10 5AF www.bayart.org.uk By appointment only. 34– ELBOW ROOM {BUS 28} Fox Studios, The Coach House, 83 Crwys Road, Cathays, Cardiff, CF24 4NF www.elbowroom.org.uk Contact for Details. 35– FIREWORKS STUDIOS {BUS 9, 17, 18 / RAIL Central} 24 Tudor Lane, Riverside, Cardiff, CF24 6AZ www.fireworksclaystudios.org.uk Open: By appointment only. 34– FOX STUDIOS {BUS 28} The Coach House, Rear of 83 Crwys Road, Cathays, Cardiff, CF24 4NF Open: By appointment only. 36– KINGS ROAD STUDIOS {BUS 24, 25, 60, 62A} 183A Kings Road, Cardiff, CF11 9DF E: [email protected] Open: By appointment only. 37– MERMAID AND MONSTER www.mermaidandmonster.com +44 {0}7990 906409 / +44 {0}29 2055 5300 Open: By appointment only. Mermaid and Monster @ Artes Mundi: A rotating selection of work by artists represented by Mermaid & Monster at the Artes Mundi Offices - including Ross Sinclair, Paul Emmanuel, Lloyd Durling, Tracey Eastham, Helen Sear, Wally French & Andreas Ruthi. Until 03/13 08– NADFAS @ CHAPTER CINEMA {BUS 12, 13, 17, 18, 96} Chapter Arts Centre, Market Road, Cardiff, CF5 1QE www.swdfas.org.uk – NEW BRITISH ART NothiNg Like SomethiNg newbritishart.org PHOTOGRAPHY · LENS-BASED MEDIA 34– OPEN EMPTY SpaCES {BUS 28} Fox Studios, The Coach House, Rear of 83 Crwys Road, Cathays, Cardiff, CF24 4N happeNS aNywhere www.openemptyspaces.co.uk – OUTCASTING EXHIBITIONS COURSES 6 July — 2 September 2012 www.outcasting.org EVENTS PUBLICATIONS – PITCH ON RADIO CARDIFF 98.7FM tue, wed & Sun 12-6pm; Every Tuesday 10.00 – 11.00 Turner House · Nhy Turner Chapter thur, Fri & Sat 12-8pm; closed monday Hosted by Richard Huw Morgan and John Rowley Plymouth Rd · Heol Plymouth Market Rd · Heol y Farchnad admission Free www.radiocardiff.org Penarth CF64 3DH Cardiff · Caerdydd CF5 1QE www.facebook.com/pages/Pitch/217695751597075 38– PRINTHAUS {BUS 33, 33A, 33B or alight at Chapter} +44 (0) 29 2070 8870 +44 (0) 29 2034 1667 70a, Llandaff Road, Cardiff, CF11 9NL [email protected] [email protected] www.theprinthaus.org Open: Tue, 13.30 – 17.00, 19.00 – 21.00; Wed 13.30 – 18.30, Thu – Sat 13.30 –17.00 market road, Canton, Cardiff CF5 1Qe Back to basics screenprinting workshops www.chapter.org 14/07/12 – 15/07/12, 18/08/12 – 19/08/12, 15/09/12 – 16/09/12 www.ffotogallery.org @ffotogallery ffotogallery Painting & drawing through screen 4-week workshop 01/09/12, 08/09/12, 15/09/12, 22/09/12 Handcut Exhibition 09/12 39– PRINT MARKET PROJECT {BUS 12, 13, 17, 18, 96} The Workshop, 41a Market Road, Cardiff, CF5 1QE www.printmarketproject.com +44 {0}7775 707875 Sessions: every Wed, Thu, Sat 10:00 – 16:00, Fri 18:00 – 21:00. Advance booking required. Image: Penny Dreadful – Michael Cousin www.michaelcousin.co.uk Design: heightstudio.com Art Cardiff Advert May 2012.indd 1 13/06/2012 15:10 12 { – THE GATE ART AND COMMUNITY CENTRE BUS 52, 52A, 58, 59 RHIWBINA alight at Albany Rd} Keppoch Street, Cardiff, CF24 3JW www.thegate.org.uk H EO L- T { } HORN +44 0 29 2048 3344. Open: Mon – Fri 9.00 – 17.00, Sat 9.30 - 15.00. Y 10 -D D. AH R ER BEUL I The Light is Brighter from the Inside: UWIC Art students. Until 13/07/12 A4 H 70 IL End of Year Exhibition: Glan Hafren College Photography students L RO TY-WERN RD A HEL 19/07/12 – 10/08/12 Brian R. Gardiner 16/08/12 – 07/09/12 M4 (WEST) D M4 (EAST) Cardiff Camera Club 13/09/12 – 07/10/12 13 – G39 {BUS 35, 38, 39, 52, 52A, 58, 59 alight at City Rd} Oxford Street, Roath, Cardiff CF24 3DT www.g39.org +44 {0}29 2047 3633. ST A Open: Wed – Sat 11.00 – 17.00. The Autobiography of a Super-Tramp: S Mark Gubb, TI LO ON LLANDAFF NORTH R Paul Emmanuel, matthews and allen, Peter Finnemore, Paul R Jones, Rebecca Gould, O CO AD LW WELCOME TO THE ARTCARDIFF ART MAP ISSUE FOUR. INS TO Owen Martell & Simon Proffitt, Bedwyr Williams and Cerith Wyn Evans. Until25/08/12 NE Unit 1 Programme: Rachel Calder, David Shepherd, Huw Andrews. Until ST. THIS QUARTERLY GUIDE IS PRODUCED WITH THE AIM 25/08/12 EAS TERN AVENUE Chekhov’s Gun 29/09/12 – 15/12/12 D OA OF LISTING EVERYTHING THAT’S GOING ON IN THE R E EG L OL 04 C VISUAL ARTS ACROSS OUR CAPITAL. 14 – GOAT MAJOR PROJECTS {BUS 33, 33A, 33B or alight at Chapter} 27 AB at Printhaus, 70A Llandaff Road, Cardiff, CF11 9NL www.goatmajorprojects.com ERPO Priceless Visual Arts that are FREE to see. From July to RT H RO { } GAB AD +44 0 7901 527083. Open: Thurs – Sun 10.00 –16.00. ALFA AB September Cardiff has many clusters of activity and we suggest a AVEN ER UE DORE R Space Invader: Curated by Emma M Price. Until 08/07/12 OAD weekend or afternoon exploring these areas over the next few months. N PA N AVENUE IN NT-Y EASTER D R- A4 S IA Open Season: Micro-Projects A WY 15/7/12 – 05/08/12 HI N 70 N RO The summer and the long warm evenings are a great opportunity to RL R DANESCOURT D. OAD R A EY Assembled at Home: Mike Murray 12/08/12 – 28/08/12 L A T L Y B -DR DE RO IL AW R discover venues and exhibitions across city, all FREE to visit. WEN AD RO BO Paul Emmanuel and Neal Rock: Curated by Sarah Gillett 02/09/12 – 07/10/12 LW AD LE CO YN PENYLAN W The ARTMAP now references postal addresses, bus routes and ALK COL B CHE RI STE A4 PEN R nearest train stations 1 DG AK -Y AVE O NU 15 {BUS 35, 38, 39, 45, 50, 52, 52A, 58, 59} 19 E -WA ME E – HOWARD GARDENS GALLERY T LRO IR IN RO NO A SE RI F EE VE R D AVEN WAT A R ET A . With a £3.40 ‘day to go’ ticket on Cardiff Bus, forget the car D RT ST O U Cardiff Metropolitan University {formerly UWIC}, Howard Gardens Campus, Cardiff, TA RE RD E FF R ERLO LLAN H ST H TRI RO T SANT IELD MI D.
Load more

Recommended publications
  • National Assembly for Wales Communities
    Communities, Equality and Local Government Committee CELG(4)-10-14 Paper 3 National Assembly for Wales Communities, Equality & Local Government Committee Written Evidence March 2014 1 Section 1 1 Introduction 2 Ofcom welcomes this opportunity to submit evidence to the National Assembly for Wales‟ Communities, Equality & Local Government Committee on our activities and regulatory duties. Ofcom is the independent regulator and competition authority for the UK communications industries, with responsibilities across broadcasting, telecommunications, postal services and the airwaves over which wireless devices operate. Ofcom operates under a number of Acts of Parliament and other legislation. These include the Communications Act 2003, the Wireless Telegraphy Act 2006, the Broadcasting Acts 1990 and 1996, the Digital Economy Act 2010 and the Postal Services Act 2011. The Communications Act states that Ofcom‟s general duties should be to further the interests of citizens and of consumers. Meeting these two duties is at the heart of everything we do. As a converged regulator, Ofcom publishes high quality data and evidence about the broadcasting and communications sectors in Wales, through, among others, its annual Communications Market Report, UK Infrastructure Report1 and Public Service Broadcasting Annual Report. The data in much of this submission is based on the latest iterations of these reports, published in 2013. Data for the 2014 reports is currently being collated. The Communications Sector In recent years, consumers in Wales have benefited from significant changes in the way communications services are delivered. As a result, consumer expectations have changed considerably. In the past decade since Ofcom was established, the UK‟s communications market has experienced rapid change: In 2004, most connections to the internet were through a dial up connection and broadband was in its infancy with a maximum speed of 1 or 2 megabits per second.
    [Show full text]
  • Exploring Welsh Speakers' Language Use in Their Daily Lives
    Exploring Welsh speakers’ language use in their daily lives Beaufort contacts: Fiona McAllister / Adam Blunt [email protected] [email protected] Bangor University contact: Dr Cynog Prys [email protected] Client contacts: Carys Evans [email protected], Eilir Jones [email protected] Iwan Evans [email protected] July 2013 BBQ01260 CONTENTS 1. Executive summary ...................................................................................... 4 2. The situation, research objectives and research method ......................... 7 2.1 The situation ................................................................................................ 7 2.2 Research aims ......................................................................................... 9 2.3 Research method ..................................................................................... 9 2.4 Comparisons with research undertaken in 2005 and verbatim comments used in the report ............................................ 10 3. Main findings .............................................................................................. 11 4. An overview of Welsh speakers’ current behaviour and attitudes ........ 21 4.1 Levels of fluency in Welsh ...................................................................... 21 4.2 Media consumption and participation in online and general activities in Welsh and English .................................................. 22 4.3 Usage of Welsh in different settings ......................................................
    [Show full text]
  • (Public Pack)Agenda Dogfen I/Ar Gyfer Pwyllgor Diwylliant, Y Gymraeg A
    ------------------------Pecyn dogfennau cyhoeddus ------------------------ Agenda - Pwyllgor Diwylliant, y Gymraeg a Chyfathrebu Lleoliad: I gael rhagor o wybodaeth cysylltwch a: Ystafell Bwyllgora 2 - y Senedd Steve George Dyddiad: Dydd Iau, 15 Chwefror 2018 Clerc y Pwyllgor Amser: 09.30 0300 200 6565 [email protected] ------ 1 Cyflwyniad, ymddiheuriadau, dirprwyon a datgan buddiannau 2 Amgueddfa Cymru: craffu cyffredinol (09:30 - 10:30) (Tudalennau 1 - 12) David Anderson, Cyfarwyddwr Cyffredinol Neil Wicks, Dirprwy Gyfarwyddwr a Chyfarwyddwr Cyllid ac Adnoddau Corfforaethol Nia Williams, Cyfarwyddwr Addysg ac Ymgysylltu 3 Radio yng Nghymru: Sesiwn dystiolaeth 1: Pwyllgor Cynghori Cymru Ofcom (10:30 - 11:15) (Tudalennau 13 - 32) Glyn Mathias, Cadeirydd y Pwyllgor Hywel Wiliam, Aelod o'r Pwyllgor. 4 Radio yng Nghymru: Sesiwn dystiolaeth 2: Ofcom (11:15 - 12:00) Rhodri Williams, Cyfarwyddwr Cymru Neil Stock, Cyfarwyddwr Trwyddedu Darlledu 5 Papurau i'w nodi 5.1 Ofcom: trafod y Memorandwm Cyd-ddealltwriaeth drafft (12:00 - 12:15) (Tudalennau 33 - 38) 5.2 Cyllid heblaw cyllid cyhoeddus ar gyfer y celfyddydau: Gohebiaeth gan Gyngor Celfyddydau Lloegr (Tudalennau 39 - 43) 6 Cynnig o dan Reol Sefydlog 17.42 i benderfynu gwahardd y cyhoedd o'r cyfarfod ar gyfer y busnes a ganlyn: 7 Trafod y dystiolaeth (12:15 - 12:30) Eitem 2 Mae cyfyngiadau ar y ddogfen hon Tudalen y pecyn 1 AMGUEDDFA CYMRU - Chwefror 2018: Gwybodaeth Gefndirol ar gyfer y Pwyllgor Diwylliant, y Gymraeg a Chyfathrebu Mae 2018 yn flwyddyn o gyfleon i Amgueddfa Cyrmu, wrth i ni ddechrau gweithredu argymhellion yr Adolygiad Thurley, ac ym mis Hydref, cwblhau ailddatblygiad Sain Ffagan: Amgueddfa Werin Cymru. Llwyddiannau yn 2017 Byddwn yn adeiladu ar lwyddiannau a gyflawnwyd yn 2017, a oedd yn cynnwys: Twf yn Niferoedd Ymwelwyr.
    [Show full text]
  • The City and County of Cardiff, County Borough Councils of Bridgend, Caerphilly, Merthyr Tydfil, Rhondda Cynon Taf and the Vale of Glamorgan
    THE CITY AND COUNTY OF CARDIFF, COUNTY BOROUGH COUNCILS OF BRIDGEND, CAERPHILLY, MERTHYR TYDFIL, RHONDDA CYNON TAF AND THE VALE OF GLAMORGAN AGENDA ITEM NO. 4 THE GLAMORGAN ARCHIVES JOINT COMMITTEE 14 December 2018 REPORT FOR THE PERIOD 1 September - REPORT OF: 30 November 2018 THE GLAMORGAN ARCHIVIST 1. PURPOSE OF REPORT This report describes the work of Glamorgan Archives for the period 1 September to 30 November 2018. 2. BACKGROUND As part of the agreed reporting process the Glamorgan Archivist updates the Joint Committee quarterly on the work and achievements of the service. Members are asked to note the content of this report. 3. ISSUES A. MANAGEMENT OF RESOURCES 1. Staff Maintain establishment Laura Cunningham has been appointed to the role of Archivist on a temporary basis to cover Hannah Price’s maternity leave. Laura has recently qualified and has been volunteering regularly at the Archives while completed the distance-learning course. She joined at the end of November. Adam Latchford and Freya Chambers, Cultural Ambition trainees, began their 6 month placements in September. They have completed an induction period and are assisting in a range of tasks across the service while working on their NVQ Level 2 in Culture and Heritage. Lowis Lovell has returned from maternity leave and is continuing the work of sorting coroner’s papers. The annual staff coffee morning raised £190 for Macmillan Cancer Support. Continue skill sharing volunteer programme During the quarter, 52 volunteers have contributed 1,930 hours to the work of the office. Of these, 30 came from Cardiff, 10 from the Vale of Glamorgan, 6 from Bridgend, 1 from Rhondda Cynon Taf, 1 from Caerphilly, and 4 from outside the area served.
    [Show full text]
  • A Short Report Into Community Radio in Wales
    National Assembly for Wales Culture, Welsh Language and Communications Committee A short report into community radio in Wales November 2019 Recommendations Recommendation 1. The Welsh Government should fund a community radio body for Wales. The body would offer practical support to stations, perform a representative role and co-ordinate cross station co-operation and knowledge sharing. Practical support might include performing common tasks for stations like HR, marketing or grant writing. The body should also help forge links between community stations and other interested bodies like commercial and BBC radio. Recommendation 2. The Welsh Government should place more government advertising, particularly public information campaigns, with Community Radio stations and provide guidance to other public sector bodies in Wales to draw their attention to the possibilities of using the sector more. Recommendation 3. The BBC should actively engage with community radio to give access to the output and promote the use of their Local Democracy Reporting Service. Recommendation 4. The BBC and commercial radio should work with community radio to develop a pathway for community radio volunteers to gain experience at their radio stations as a means of developing talent across Wales. www.assembly.wales A short report into community radio in Wales Recommendation 5. The BBC should offer community radio stations preferential rates and first refusal when selling off radio equipment they no longer use. Recommendation 6. Radio Joint Audience Research (RAJAR) should develop a less complex and cheaper audience survey that community radio could use. Stations that chose to use this new service should then be able to access the advertisers that place adverts using RAJAR ratings.
    [Show full text]
  • Cynulliad Cenedlaethol Cymru / National Assembly for Wales
    Cynulliad Cenedlaethol Cymru / National Assembly for Wales Pwyllgor Diwylliant, y Gymraeg a Chyfathrebu / The Culture, Welsh Language and Communications Committee Radio yng Nghymru / Radio in Wales CWLC(5) RADIO01 Ymateb gan Pwyllgor Cynghori Cymru, Ofcom / Evidence from Ofcom Advisory Committee for Wales The possible impact of the deregulation of commercial radio on audiences in Wales In May 2017, the Advisory Committee submitted a response to the consultation by the UK Government Department for Digital Culture Media and Sport (DDCMS) on proposals to deregulate commercial radio within the UK. We supported the broad thrust of the proposed relaxation of current regulatory provision, including the removal of existing music format requirements and Ofcom’s role in ensuring a range of choice in radio services. It is worth explaining why. It is an understandable reaction to suggest that relaxing these requirements will lead to the homogenisation of the radio provision for listeners in Wales. The music will all sound the same and it will be increasingly difficult to tell the stations apart. Surely local commercial stations were meant to be local and reflect the communities they serve instead of becoming (in some cases) just links in a chain of commercial stations across the UK? Commercial radio, however, faces a number of challenges in the coming decade. It already faces competition from the internet, where equivalent stations undergo no regulation of any kind. The potential switchover to digital, whenever it may come, also poses a similar problem. Existing legislation does not provide for any regulatory requirements on digital commercial stations in terms of programme formats or the provision of news.
    [Show full text]
  • CMR WAL Radio
    The Communications Market in Wales 3 3 Radio and audio content 79 3.1 Radio and audio content 3.1.1 Recent developments in Wales Community radio Community radio licences are awarded to small-scale operators working on a not-for-profit basis to serve local geographic areas or particular communities. The number of community stations has increased over the past three years, with a total of 228 licence awards since the start of community radio licensing in March 2005. In March 2010, Point FM, serving Rhyl in North Wales, became the latest community radio station to launch, bringing the total number of community stations on the air in Wales to nine, (Figure 3.1). In May, its neighbouring station, Tudno FM in Llandudno, opened a newly refurbished studio at its existing site in the town. In the same month, six community radio stations in Wales received grants totalling £100,000 from the Welsh Assembly Government’s Community Radio Fund. This year’s recipients were: BRFM, Tudno FM, Afan FM, Bro Radio, GTFM and Calon FM. BRFM at the National Eisteddfod, Ebbw Vale. BRFM is a community radio station licensed by Ofcom, based at Brynmawr, near Ebbw Vale at the head of the South Wales valleys. A key feature of the station is coverage of local music, and BRFM also produces video content which is available on YouTube. This year the National Eisteddfod of Wales was held in Ebbw Vale and BRFM obtained a restricted service licence (RSL) from Ofcom to run EVFm which was broadcast from the Eisteddfod field during the week of the festival (31 July to 8 August).
    [Show full text]
  • Media in Wales Serving Public Values
    Media in Wales Serving Public Values Geraint Talfan Davies & Nick Morris May 2008 ISBN 978 1 904773 34 4 The Institute of Welsh Affairs is an independent think-tank that promotes quality research and informed debate aimed at making Wales a better nation in which to work and live. We commission research, publish reports and policy papers, and organise events across Wales. We are a membership-based body and a wide range of individuals, businesses and other organisations directly support our activities. Our work embraces a range of topics but especially focuses on politics and the development of the National Assembly for Wales, economic development, education and culture, the environment and health. This research was produced with the support of a Welsh Assembly Government grant. Institute of Welsh Affairs 1 – 3 Museum Place Cardiff CF10 3BD T 029 2066 6606 www.iwa.org.uk Media in Wales – Serving Public Values CONTENTS CHAPTER 1 Introduction 1 CHAPTER 2 Broadcasting – Mixed Signals 5 CHAPTER 3 Broadcasting – Television 10 CHAPTER 4 Broadcasting – Radio 24 CHAPTER 5 Wales in Print 33 CHAPTER 6 Wales Online 47 CHAPTER 7 Journalism in Wales 51 CHAPTER 8 What the Audience Thinks 54 CHAPTER 9 Reflections 57 iii Media in Wales – Serving Public Values 1. Introduction extensive poverty both urban and rural, the prevalence of the small scale in broadcast and print media markets, external media ownership, and a In the past decade technological developments new democratic institution – more than justify a have wrought more change in our media closer look at how Wales is served by the media.
    [Show full text]
  • Máire Messenger Davies
    A1 The Children’s Media Foundation The Children’s Media Foundation P.O. Box 56614 London W13 0XS [email protected] First published 2013 ©Lynn Whitaker for editorial material and selection © Individual authors and contributors for their contributions. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of The Children’s Media Foundation, or as expressly permitted by law, or under terms agreed with the appropriate reprographics rights organisation. You must not circulate this book in any other binding or cover. ISBN 978-0-9575518-0-0 Paperback ISBN 978-0-9575518-1-7 E-Book Book design by Craig Taylor Cover illustration by Nick Mackie Opposite page illustration by Matthias Hoegg for Beakus The publisher wishes to acknowledge financial grant from The Writers’ Guild of Great Britain. CONTENTS INTRODUCTION 1 Editorial Lynn Whitaker 5 2 The Children’s Media Foundation Greg Childs 10 3 The Children’s Media Foundation: Year One Anna Home 14 INDUSTRY NEWS AND VIEWS 4 BBC Children’s Joe Godwin 19 5 Children’s Content on S4C Sioned Wyn Roberts 29 6 Turner Kids’ Entertainment Michael Carrington 35 7 Turner: A View from the Business End Peter Flamman 42 8 Kindle Entertainment Melanie Stokes 45 9 MA in Children’s Digital Media Production, University of Salford Beth Hewitt 52 10 Ukie: UK Interactive Entertainment Jo Twist 57 POLICY, REGULATION AND DEBATE 11 Representation and Rights: The Use of Children
    [Show full text]
  • A History of the Welsh English Dialect in Fiction
    _________________________________________________________________________Swansea University E-Theses A History of the Welsh English Dialect in Fiction Jones, Benjamin A. How to cite: _________________________________________________________________________ Jones, Benjamin A. (2018) A History of the Welsh English Dialect in Fiction. Doctoral thesis, Swansea University. http://cronfa.swan.ac.uk/Record/cronfa44723 Use policy: _________________________________________________________________________ This item is brought to you by Swansea University. Any person downloading material is agreeing to abide by the terms of the repository licence: copies of full text items may be used or reproduced in any format or medium, without prior permission for personal research or study, educational or non-commercial purposes only. The copyright for any work remains with the original author unless otherwise specified. The full-text must not be sold in any format or medium without the formal permission of the copyright holder. Permission for multiple reproductions should be obtained from the original author. Authors are personally responsible for adhering to copyright and publisher restrictions when uploading content to the repository. Please link to the metadata record in the Swansea University repository, Cronfa (link given in the citation reference above.) http://www.swansea.ac.uk/library/researchsupport/ris-support/ A history of the Welsh English dialect in fiction Benjamin Alexander Jones Submitted to Swansea University in fulfilment of the requirements
    [Show full text]
  • Finding and Funding Voices: the London Experience
    Information, Society and Justice, Volume 2.1, December 2008: pp 5-20 ISSN 1756-1078 (Online); DOI: 10.3734/isj.2008.2102 Finding and funding Voices: the London experience Peter Lewis* Abstract How are the voices of marginalised and disadvantaged communities to be heard in a large conurbation? This article argues the importance of community media, and particularly community radio, in providing such communities with opportunities to express their cultures and concerns. Its main focus is London, whose size and geography pose special problems for broadcast coverage, but comparisons are made with other European capital cities – Budapest, Cardiff and Stockholm - and the historical legacy of London’s problems, which has defeated other attempts in the past to use radio to meet the needs of London communities, is briefly summarised. The research which is reported is ongoing; at the time of writing a series of media policy workshops is being planned with the hoped-for involvement of the London Mayor’s office and of local authorities. Policy interventions are never final, so this is an account of work in progress. Introduction Community media is a term used to describe the use of media by communities, social groups and civil society organisations. Community media can provide opportunities for social groups excluded or misrepresented in the mainstream to come in from the margins and give voice to their cultures and concerns. Across Europe there are many examples of young people, migrants, minority ethnic communities (for example), using media which they own and control (European Parliament 2007). In other parts of the world, community radio, in particular, has an important role to play in development, especially in rural areas (Fraser & Restrepo Estrada 2001; Gumucio Dagron 2001).
    [Show full text]
  • Iliad National Theatre Wales in Association with Mewn Cydweithrediad  Ffwrnes 21.09—03.10.2015 01 #Ntwiliad 02 Nationaltheatrewales.Org
    ILIAD NATIONAL THEATRE WALES IN ASSOCIATION WITH MEWN CYDWEITHREDIAD Â FFWRNES 21.09—03.10.2015 01 #NTWILIAD 02 NAtIONALTHEATREWALES.ORG “IN THE BEGINNING FfwRNES DIRECTORS/CYFARWYDDWYR LLANELLI MIKE PEARSON & MIKE BROOKES THERE WAS NO BEGINNING, A THEATRICAL STAGING OF AND IN THE END, NO END…” CHRISTOPHER LOGUE’S WAR MUSIC LLWYFANIAD THEATRIG O WAR MUSIC GAN CHRISTOPHER LOGUE 03 #NTWILIAD 04 NATIONAtIONANALLTHETHEAATREWTREWAALES.ORGLES.ORG COMMENTARY/SYLWEBAETH _____ MAKING ILIAD/CREU ILIAD MIKE BROOKES & For us, it begins with an ambition: to stage Read takes up in his Introduction to War RICHARD JANKO THE ILIAD: A COmmEntARY VOL. IV (1994) (P.4) MIKE PEARSON the whole of Christopher Logue’s War Music Music (2001): ‘Cinematic terms – jump cuts, – his account of Homer’s Iliad – in a single reverse shots – are part of his narrative ‘BY LEAVING AN UNDEFINED AREA BEtwEEN durational performance; to highlight his vocabulary, allowing movie-literate extraordinary text; to make it available to (i.e. most) readers to register certain FREE WILL AND SUPERNATURAL FORCES, audiences in the most immediate and exciting scenes quickly and vividly. Cinema’s rapid HOMER ACHIEVES twO GOALS: HIS CHARACTERS manner. [We plan to do this.] alternation between the small, isolated Then come our desires: to make detail and the big, general effect has been ARE SEER, TO SUFFER FOR THEIR Own CHOICES, site-specific performance in a theatre another useful lesson. Kings itself opens auditorium; to employ a particular range of as if on some gigantic screen…’ And Alan WHICH IS CLEARLY TRAGIC, AND YET THE WHOLE scenic devices and theatrical components; Brien in New Statesman: ‘Logue seems to explore the use of contemporary everywhere at once, like a camera in OUTCOME SEEMS BEYOND THEIR INDIVIDUAL technologies, concentrating on audio.
    [Show full text]