Masthead Logo The Western States Theatre Review Volume 17 2011 Article 1 2011 The esW tern States Theatre Review, Volume 17, 2011 Follow this and additional works at: https://cedar.wwu.edu/wstr Part of the Other Theatre and Performance Studies Commons Recommended Citation (2011) "The eW stern States Theatre Review, Volume 17, 2011," The Western States Theatre Review: Vol. 17 , Article 1. Available at: https://cedar.wwu.edu/wstr/vol17/iss1/1 This Complete Volume is brought to you for free and open access by the Peer-reviewed Journals at Western CEDAR. It has been accepted for inclusion in The eW stern States Theatre Review by an authorized editor of Western CEDAR. For more information, please contact
[email protected]. et al.: The Western States Theatre Review, Volume 17, 2011 Volume 17 • 2011 • 17 Volume Living Lense LOIS KAGAN MINGUS • 1 Politics and Performance: Repression and Resistance in Lee Blessing’s Billy the Kid and Rudolfo Anaya’s Billy the Kid CECILIA J. ARAGÓN • 3 Good Dramaturgy ROBERT CAISLEY • 22 “The Evolution of Chaos” BRYAN WILLIS • 24 Signs of Life: The Interdisciplinary Performance of the Un-Animated ANN C. WRIGHT • 29 A Journey for Rachel: Taking My Name Is Rachel Corrie from Corvallis, Oregon to Antioch, Turkey CHARLOTTE J. HEADRICK • 45 Published by Western CEDAR, 2017 1 The Western States Theatre Review, Vol. 17 [2017], Art. 1 THE WESTERN STATES THEATRE REVIEW Editor George Caldwell Theatre, School of Arts and Communication Oregon State University Corvallis, OR 97331 (541) 737-4627 E-mail:
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[email protected] Editorial Policy The Western States Theatre Review is a regional journal intended to publish works by or about regional theatre scholars and practitioners.