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The Museum of Modern Art Announces Holiday Hours and Special Programming for the Holiday Season
THE MUSEUM OF MODERN ART ANNOUNCES HOLIDAY HOURS AND SPECIAL PROGRAMMING FOR THE HOLIDAY SEASON MoMA Will Open One Hour Early December 26–December 31 Lantern Slide Shows on November 30 & December 1 Joan Blondell Film Retrospective, December 19–31 New York, November 27, 2007—The Museum of Modern Art announces special holiday hours and programming this holiday season, including longer hours during Christmas week and a new information desk specifically geared to families with younger visitors. The Museum presents a special showing of a Victorian-era entertainment with a lantern-slide shows for adults and children on November 30 and December 1, as well as daily screenings of classic Hollywood films featuring Joan Blondell from December 19 through 31. Special exhibitions featuring the rarely exhibited drawings of Georges Seurat and the contemporary sculpture of Martin Puryear are on view through the holiday season, and a major exhibition of the etchings of British artist Lucian Freud opens on December 16. MoMA is located in midtown Manhattan, just steps from Fifth Avenue, Rockefeller Center, and Radio City Music Hall. HOLIDAY HOURS AND ADMISSION To accommodate holiday visitors, The Museum of Modern Art will be open one hour earlier than usual—at 9:30 a.m.—from December 26 through January 1. In addition, the museum will be open on New Year’s Day, Tuesday, January 1. Holiday Hours: December 24, 10:30 a.m. - 3:00 p.m. Closed December 25. December 26 and 27: 9:30 a.m. - 5:30 p.m. December 28: 9:30 a.m. - 8:00 p.m. -
Inmedia, 3 | 2013, « Cinema and Marketing » [Online], Online Since 22 April 2013, Connection on 22 September 2020
InMedia The French Journal of Media Studies 3 | 2013 Cinema and Marketing Electronic version URL: http://journals.openedition.org/inmedia/524 DOI: 10.4000/inmedia.524 ISSN: 2259-4728 Publisher Center for Research on the English-Speaking World (CREW) Electronic reference InMedia, 3 | 2013, « Cinema and Marketing » [Online], Online since 22 April 2013, connection on 22 September 2020. URL : http://journals.openedition.org/inmedia/524 ; DOI : https://doi.org/10.4000/ inmedia.524 This text was automatically generated on 22 September 2020. © InMedia 1 TABLE OF CONTENTS Cinema and Marketing When Cultural Demands Meet Industrial Practices Cinema and Marketing: When Cultural Demands Meet Industrial Practices Nathalie Dupont and Joël Augros Jerry Pickman: “The Picture Worked.” Reminiscences of a Hollywood publicist Sheldon Hall “To prevent the present heat from dissipating”: Stanley Kubrick and the Marketing of Dr. Strangelove (1964) Peter Krämer Targeting American Women: Movie Marketing, Genre History, and the Hollywood Women- in-Danger Film Richard Nowell Marketing Films to the American Conservative Christians: The Case of The Chronicles of Narnia Nathalie Dupont “Paris . As You’ve Never Seen It Before!!!”: The Promotion of Hollywood Foreign Productions in the Postwar Era Daniel Steinhart The Multiple Facets of Enter the Dragon (Robert Clouse, 1973) Pierre-François Peirano Woody Allen’s French Marketing: Everyone Says Je l’aime, Or Do They? Frédérique Brisset Varia Images of the Protestants in Northern Ireland: A Cinematic Deficit or an Exclusive -
May 2021 Newsletter
5/4/2021 May Newsletter Subscribe Past Issues Translate RSS View this email in your browser May 2021 Newsletter May Book Event Highlights All events are virtual Monday, May 10th at 7 pm: At Home with Literati: Marisa Silver and Meg Wolitzer, Literati Bookstore Monday, May 17th at 4 pm: Unearthing Tulsa: 100 Years Later, a Conversation with Brent Staples, Fred Conrad, and Scott Ellsworth, University of Michigan Museum of Art Tuesday, May 18th at 7 pm: Mary Kubica in Conversation with Kimberly McCreight, Nicola's Books Sunday, May 23rd at 1 pm: It's All Write Teen Writing Contest Awards on AADL.TV, Ann Arbor District Library Sunday, May 30 at 2 pm: Book of the Month Club: Ghostwriter, Vault of Midnight Click on the calendar below for more great book events taking place in May! https://us13.campaign-archive.com/?u=0982d54d5df1ee34b0ea7b0e7&id=56f05df93a 1/6 5/4/2021 May Newsletter Ann Arbor Book Trivia Subscribe Past Issues Translate RSS Which of these famous authors went to the University of Michigan? A. Betty Smith: A Tree Grows in Brooklyn B. Susan Orlean: The Library Book C. Elizabeth Kostova: The Historian D. Judith Guest: Ordinary People Find the answer at the bottom of the newsletter! Schaller’s Bookstore By Karen Alvarez Schaller’s Bookstore operated from 1894 to 1905 at three locations in downtown Ann Arbor. Like many bookstores then and now, it sold much more than books. Wallpaper, stationery, fountain pens by Waterman and Laughlin, and art prints were among the offerings. Customers could order subscriptions to popular magazines of the day like Munsey’s, Cosmopolitan, and McClure’s. -
Chapter II: “The Friendly Abyss”
Chapter II: “The Friendly Abyss” “To understand the cause of Humbert’s obsessive behaviour towards Lolita, we must consider his character […] as a cultural exile […] whose ignoble fate it is to wander aimlessly with Lolita along the margins and byways of American society, sans roots […] sans anything save his glorious memories of an older European world.” John Haegert, “Artist in Exile: The Americanization of Humbert Humbert”, 1985 “If I wanted to destroy a nation I would give it too much, and have it on its knees, miserable, greedy and weak.” John Steinbeck, in a letter to a friend, 1959. 1. Brief Cultural and Historical Contextualisation of Lolita – from 1945 to 1959. Lolita’s cultural backdrop is inseparable from the post-World War II. The novel’s core action begins in the spring of 1947, when Humbert meets Lolita in Ramsdale, and ends in 1952, whith Humbert’s death in jail, followed by Lolita’s some months later on Christmas day. The Second World War had come to an end only seven years before, on August 15, 1945. The Japanese surrender had been arduous and lengthy, culminating in President Truman’s controversial launch of two atomic bombs on Japanese territory. While America enjoyed a victory coupled with few causalities and a rising economy, Europeans dealt with the destruction caused by the Nazi invasions. Most of the losses suffered were not on American soil, but on European and Japanese (Vide Annexes 1 and 2). The lack of bombed buildings and invaded cities did not mean America was deprived of the effects of WWII. -
Hollywood Studio Magazine (October 1972)
Collectors - Hobbyists cHollyw6od see pg.40 Coke Freaks 60 CENTS TV Actor collects Magazine OCTOBER 1972 rare books Clark Gable and the $50,000 punch in the mouth Gloria Graham-the best of the bad girls Wynne Gibson & Jack Oakie today The little Tramp and the Kid The Rolex. Daytona Isn’t For Timing 3-Minute Eggs so hot you see 'em sizzle! The Rolex daytona BUY NOW . Chronograph is for PRIlF LIMITED QUANTITY % pinning down your time to ROLEX a fifth of a second. It has second, minute and hour stop recorders as well asa BLAST! small continuous second DIAGONAL EQ405W hand and tachometer engraving on the bezel. “IQ" Color And beside all this its a 10 Portable regulär wristwatch for telling the time of day with only the precision Rolex can. The Daytona Chronograph: 14 kt gold case, 17 jewel move¬ ment, black/gold or gold/black dial combination with strap, $495.00. With matching bracelet, $690.00 LOWE ST PRICE EVER JEWELRY APPRAISING and ESTATE PURCHASES ALSOPRE-OWNED Appraisals made at your home by appointment. RCA COLOR TV... $95 Sales & Service Bank of America Easy Financing 4257 LANKERSHIM BLVD., NO. HOLLYWOOD Berggren cJewelers 763-9431 877-4692 Famous Jeweiers in the Valley for thirty-nine years. No. 25 Fashion Square, Sherman Oaks 788-4014, LA-872-2406 DON RAY MEMBER AMERICAN GEM SOCIETY AND APPLIANCES CREATIVE CUSTOM DESIGNING in our owri shops • certified gernologists 22 years at same location INE NEED cTVlagaziqe HELP! OCTOBER 1972 VOLUME 7 NO. 6 Experienced Advertising ON THE COVER REMEMBER WHEN? A casual shot of Clark Gable and Carol Salesman Lombard, super-stars who will long be remembered. -
Jimmy Reed………….………………… 33 Ray Stevens…………………………… 33 Howard Tate……………………
Actors, Artists & Actuaries Insurance and American Pop Culture Kevin Foley & Wayne Cotter Table of Contents Page INTRODUCTION INSURANCE IN PRINT A Tree Grows in Brooklyn……………. 2 Rainmaker…………………………....... 7 INSURANCE IN FILM Rainmaker…………………………....... 9 A Tree Grows in Brooklyn……………. 11 Curse of the Jade Scorpion………….. 15 About Schmidt…………………………. 17 INSURANCE IN TELEVISION Introduction…………………………….. 19 The Jack Benny Show………………... 20 Father Knows Best……………………. 21 Banacek………………………………... 23 INSURANCE IN MUSIC Introduction…………………………….. 25 The Beatles & Tony Sheridan……….. 26 The Blasters…………………………… 29 J.J. Cale…………………………….….. 29 Bob Dylan……………………………… 30 (The Sensational) Alex Harvey Band.. 31 Charles Ives………………………….… 31 Barry Manilow…………………………. 32 The Ramones…………….……………. 32 Jimmy Reed………….………………… 33 Ray Stevens…………………………… 33 Howard Tate……………………........... 34 Introduction “My work in music helped my business and work in business helped my music.” —Charles Ives If you’re interested enough in insurance and the arts to be reading this book, chances are you’ve spent time in the insurance industry. Perhaps you’ve been bothered about how popular culture has portrayed the industry. Well, you’ll be pleasantly surprised to learn that although the industry has taken its share of abuse from artists over the years, it’s also received a few bouquets. For example, when writers from the hugely popular television show, Father Knows Best, were looking for a suitable profession for their lead character, they turned to insurance. Why? Because insurance symbolizes -
The Inventory of the Ernest Truex Collection #1852
The Inventory of the Ernest Truex Collection #1852 Howard Gotlieb Archival Research Center Truex, Ernest 1889-1973 June 1986 Inventory Except for correspondence much of the materials in this archive are print items or photographs related to ET=s long career as an actor, beginning when he was 5 in 1894 and continuing until the 1960's. The collection is most complete in relation to ET=s career as an actor on stage, including his three years, 1926-1928, in the London theater. ET was an active member of the Lambs Club which he joined in 1910 and with which he was long affiliated. Materials on the Club=s annual AGambols@ reflect his strong interest in these productions. Correspondence is in large part family letters and expressions of sympathy to ET=s widow at his death in 1973. Some materials on his film roles and work in radio and television are also included. 1 Truex, Ernest June, 1986 Outline of Inventory I. MATERIALS RELATED TO PLAYS, MUSICALS, OTHER DRAMATIC PERFORMANCES A. PLAYS, MUSICALS, 1895-1965 B. OTHER DRAMATIC PERFORMANCES, 1924- 1932 II. MATERIALS RELATED TO FILMS III. MATERIALS RELATED TO RADIO, TELEVISION IV. SCRAPBOOKS V. BY ET A. MANUSCRIPTS B. PRINT MATERIALS VI. ABOUT ET AND FAMILY A. MANUSCRIPTS B PRINT MATERIALS C. ET=S SONS PHILIP AND JAMES VII. MENTION ET, 1926-1951 VIII. CORRESPONDENCE A. FAMILY B. BUSINESS C. PERSONAL AND PROFESSIONAL D. CONDOLENCES AT ET=S DEATH 2 IX. PHOTOGRAPHS, SKETCHES, etc. A. FAMILY B. ET: c1899-c1903 C. ET: c1904-c1920 D. ET: c1926-1973 E. -
Ééîp Kraft ·
ment on wages, hours end other after the conference that another .he Cramer^Vollmerhausen Adam A. Waaehler * Im, Aaetioaeara. issues. Co. Is Awarded Co., $1, ! Process Used session will be held Friday. Hyman >94,300, and the Jeflrese-Dyer, Inc., Restaurant and Nit» Varifype Meet Again Friday. Club The formula was offered by Lau- Sousa School Contract >1,774,177. FURNISHINGS ond EQUIPMENT The formula provides, among received by Gen. Mac rence H. Victory, president of Local Arthur in Practically New Thonet Bentwood To Print New other things, that the union aban- A $1,688,000 contract for construc- Japan. CHAIRS—FORMICA TABLES York β, which has 2,500 members em- tion of the John Sousa WANTED don its traditional Philip Junior Decision to The directive bans man- closed-shop pol- Strip Japan Japanese ! Seal SETTEES-DEEP on the 14 EaUU Siltiaan ... FREEZE—FANS ployed newspapers. He High School at Thirty-seventh street ufacture of any kind of An uetllut icy and accept a union shop. The airplanes1 opportunity fer PUBLIC ADMESS SYSTEM indicated the union would and Includes other «na »r two awHut be will- and Ely place S.E. was awarded Df major measures talesmen Stainlees Steal Service Stand Trade Publications publishers told the union several by Heavy Arms Revealed te wark in Arltartan, T». » to keep which ing to negotiate beyond the March the District to the Japan disarmed, Gen. SAFE WITH INNER VAULT •y th· Aiiociatad Pr··· days ago that if it gave up the yesterday George A MacArthur has 31 contract policy decision for stripping already put into ef-1 Dwyer k Cuter Ce. -
Performing Arts Annual 1987. INSTITUTION Library of Congress, Washington, D.C
DOCUMENT RESUME ED 301 906 C3 506 492 AUTHOR Newsom, Iris, Ed. TITLE Performing Arts Annual 1987. INSTITUTION Library of Congress, Washington, D.C. REPORT NO ISBN-0-8444-0570-1; ISBN-0887-8234 PUB DATE 87 NOTE 189p. AVAILABLE FROMSuperintendent of Documents, U.S. Government Printing Office, Washington, DC 20402 (Ztock No. 030-001-00120-2, $21.00). PUB TYPE Collected Works - General (020) EDRS PRICE MF01/PC08 Plus Postage. DESCRIPTORS Cultural Activities; *Dance; *Film Industry; *Films; Music; *Television; *Theater Arts IDENTIFIERS *Library of Congress; *Screenwriters ABSTRACT Liberally illustrated with photographs and drawings, this book is comprised of articles on the history of the performing arts at the Library of Congress. The articles, listed with their authors, are (1) "Stranger in Paradise: The Writer in Hollywood" (Virginia M. Clark); (2) "Live Television Is Alive and Well at the Library of Congress" (Robert Saudek); (3) "Color and Music and Movement: The Federal Theatre Project Lives on in the Pages of Its Production Bulletins" (Ruth B. Kerns);(4) "A Gift of Love through Music: The Legacy of Elizabeth Sprague Coolidge" (Elise K. Kirk); (5) "Ballet for Martha: The Commissioning of 'Appalachian Spring" (Wayne D. Shirley); (6) "With Villa North of the Border--On Location" (Aurelio de los Reyes); and (7) "All the Presidents' Movies" (Karen Jaehne). Performances at the library during the 1986-87season, research facilities, and performing arts publications of the library are also covered. (MS) * Reproductions supplied by EDRS are the best that can be made * from the original document. 1 U $ DEPARTMENT OP EDUCATION Office of Educational Research and Improvement 411.111.... -
Autograph Albums - ITEM 936
Autograph Albums - ITEM 936 A Jess Barker Jocelyn Brando Lex Barker Marlon Brando Walter Abel Binnie Barnes Keefe Brasselle Ronald Adam Lita Baron Rossano Brazzi Julie Adams Gene Barry Teresa Brewer (2) Nick Adams John Barrymore, Jr. (2) Lloyd Bridges Dawn Addams James Barton Don Briggs Brian Aherne Count Basie Barbara Britton Eddie Albert Tony Bavaar Geraldine Brooks Frank Albertson Ann Baxter Joe E. Brown Lola Albright John Beal Johnny Mack Brown Ben Alexander Ed Begley, Sr. Les Brown John Alexander Barbara Bel Geddes Vanessa Brown Richard Allan Harry Belafonte Carol Bruce Louise Allbritton Ralph Bellamy Yul Brynner Bob “Tex” Allen Constance Bennett Billie Burke June Allyson Joan Bennett George Burns and Gracie Allen Kirk Alyn Gertrude Berg Richard Burton Don Ameche Polly Bergen Spring Byington Laurie Anders Jacques Bergerac Judith Anderson Yogi Berra C Mary Anderson Edna Best Susan Cabot Warner Anderson (2) Valerie Bettis Sid Caesar Keith Andes Vivian Blaine James Cagney Dana Andrews Betsy Blair Rory Calhoun (2) Glenn Andrews Janet Blair Corinne Calvet Pier Angeli Joan Blondell William Campbell Eve Arden Claire Bloom Judy Canova Desi Arnaz Ben Blue Macdonald Carey Edward Arnold Ann Blyth Kitty Carlisle Mary Astor Humphrey Bogart Richard Carlson Jean-Pierre Aumont Ray Bolger Hoagy Carmichael Lew Ayres Ward Bond Leslie Caron B Beulah Bondi John Carradine Richard Boone Madeleine Carroll Lauren Bacall Shirley Booth Nancy Carroll Buddy Baer Ernest Borgnine Jack Carson (2) Fay Bainter Lucia Bose Jeannie Carson Suzan Ball Long Lee Bowman -
Twentieth Century Fox: 1935-1965
The Museum of Modern Art For Immediate Release June 1990 Twentieth Century Fox: 1935-1965 July 1 - September 11, 1990 This summer, The Museum of Modern Art pays tribute to Twentieth Century Fox with a retrospective of over ninety films made between 1935 and 1965. Opening on July 1, 1990, TWENTIETH CENTURY FOX: 1935-1965 traces three key decades in the history of the studio, celebrating the talents of the artists on both sides of the cameras who shaped this period. The exhibition continues through September 11. Formed in 1915, the Fox Film Corporation merged in 1935 with the much younger Twentieth Century to launch a major new studio. Under the supervision of Darryl F. Zanuck, Twentieth Century Fox developed a new house style, emphasizing epic biographies such as John Ford's The Prisoner of Shark Island (1936) and Allan Dwan's Suez (1938) and snappy urban pictures such as Sidney Lanfield's Hake Up and Live (1937) and Roy Del Ruth's Thanks a Million (1935). The studio also featured such fresh screen personalities as Tyrone Power, Alice Faye, and Shirley Temple. From this time on, the studio masterfully anticipated and shaped the tastes of the movie-going public. During World War II, Twentieth Century Fox made its mark with a series of exuberant Technicolor musicals featuring such actresses as Betty Grable and Carmen Miranda. After the war, the studio shifted focus and began to highlight other genres including films noirs such as Edmund Goulding's Nightmare Alley (1947) and Otto Preminger's Where the Sidewalk Ends (1950), wry satirical films such as Joseph L. -
MGM: Hollywood's Greatest Backlot a Lavish Illustrated History of Ho
MGM: Hollywood's Greatest Backlot A Lavish Illustrated History of Ho... http://www.mgmbacklot.info/ AUTHORS BIBLIOGRAPHY EVENTS LETTERS PREVIEW QUIZ Once upon a time, long ago, there existed a vast and magical empire, ruled by money and power and fueled by imagination, talent and ambition. This magical place was not a work of fiction and its location was not a far away mountain top or a remote tropical island. It was found in Culver City, California and was known through out the world as Metro-Goldwyn Mayer Studios. 1 of 23 6/27/14, 5:12 PM MGM: Hollywood's Greatest Backlot A Lavish Illustrated History of Ho... http://www.mgmbacklot.info/ Through the M-G-M gates passed the greatest stars of filmdom from the Silent Era (Buster Keaton, Lon Chaney, Ramon Novarro, John Gilbert, Norma Shearer, Greta Garbo, and Marion Davies) to the Golden Era, (Jean Harlow, Joan Crawford, Clark Gable, Lana Turner, James Stewart, Judy Garland, Mickey Rooney, Hedy Lamarr, Fred Astaire, Ava Gardner and Elizabeth Taylor) and beyond (Debbie Reynolds, Glenn Ford, Rod Taylor, Elvis Presley, George Hamilton, and Doris Day). 2 of 23 6/27/14, 5:12 PM MGM: Hollywood's Greatest Backlot A Lavish Illustrated History of Ho... http://www.mgmbacklot.info/ The finest creative artists of show business, the world’s most beautiful women, kings and queens, presidents and princes, titans of industry, the great and the near-great from all nations and generations of movie lovers from around the world found their way to this Movieland institution. As the premiere movie factory, M-G-M Studios was a self-sufficient, self proclaimed “city within a city” built on six separate lots and spread across 185 fenced and gated acres.