DOCSLIB.ORG

The Inventory Ofthe Anne Revere Collection #794

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

The Inventory ofthe Anne Revere Collection #794 Howard Gotlieb Archival Research Center Revere, Anne Outline of Inventory September 1979 I. Manuscripts. II. Playscripts. III. Correspondence. IV. Printed Items. v. Photographs. VI. Scrapbooks. f/794 Revere, Anne September 1979 Explanatory notes by AR appear on many items. I. Manuscripts A. By AR. Box 1 1. Speech for Wisconsin University. March 1964. Typescript with halo. corr. , 15 p. (//1) B. By Jane and Harriette (Winn) Revere (AR's sisters). 1. "Toni Walks" by Jane. Sketches by Harriette. June 25, 1932. Holo­ graph poem about AR's dog with sketches and 24 4" x 5½" black and white photographs. In paper covers tied with shoelaces. C. Other 1. "Keyhole Portrait: Anne Revere", carbon typescript, 4 p. with , Lillian. ANS no date. ca. 1943. 2. Excerpt from Anne Fra~k's Diary with a page of introduction. Carbon typescript in poor condition, 5 p. with photocopy. (#2) II. Playscripts of stage plays ~:5'Jiich ~~: appeared, A. "I Knock at the Door", by Arnold·Perl from autobiography of Sean O'Casey (White Barn Theatre, Westport, CT. 1956). Carbon typescript with halo. notes. 88 p. (#2) B. "Mother Courage and Her Children" by Bertolt Brecht. (Purdue University, 1963; Olney, MD. 1964.) Photocopy of Paul Dessau's musical score with halo. notations 85 p., and one holograph page of notes laid in. C. "Toys in the Attic" by Lillian Hellman, (New York City, Hudson Theatre, 1960). Mimeograph and carbon typescript with holograph corrections 131 p. One page of holograph notes on verso of letter: Savan, Bruce, TLS, Jan. 18, 1960. (#1) Revere, Anne page 2 Box 1 D. "A True Story" by Mark Twain, .(Washington, D.C., Arena Stage, 1962- 1963). 1. Typescript with holo. corr., 9 p. (#2) 2. Fourteen photographs of AR performing, by George de Vincent. All black and white, varying in sizes. On verso, AR has numbered them and matched them to the dialogue. E. Material for AR's one-woman dramatic performances show in which she appeared in the 1950's. (Arranged alphabetically) 1. "The Ballad of the Hangman" by Jack r:ienoya. Printed 2 leaves. 2. "The Bubble Bursts" by Sholom Aleichem, typescript with holo. notes. 17 p. 3. "Captain Stormfield's Visit to Heaven", typescript 7 p. 4. "The Good Hope" by Herman Heijermans. a. Typescript synopsis of play with halo. notes, 1 p. b. Printed version of the play with extensive halo. notes. 5. "How ·I Edited an Agricultural Paper" by Mark .Twain. Typescript 8 p ,: 6. "I Knock at the Door" by Arnold Perl, adapted from a dramatization of the Autobiography of Sean O'Casey, typescript, 20 p. 7. "If I Were Rothschild" by Sholom Aleichem, typescript, 7 p. 8. "Inheritors" by Susan Glaspell, typescript with halo. notes, 34 p. 9. "Salt of the Earth" by Michael Wilson, typescript with holo. notes. 42 p. 10. "Some W~y to Do Business by Sholom Aleichem, typescript 5 p. 11. "Tevye Becomes a Dairyman" by Sholom Aleichem, typescript 10 p. Revere, Anne page 3 Box 2 III. Correspondenc~ A. Personal and -Business, 1963-1968. 24 TLS, 7 CTL, 1 ALS includes: (#1) Fletcher, Allen, TLS, Sept. 8, 1964. Irving, Jules, TLS, Feb. 21, 1966. Reich, John, TLS, Feb. 1, 1965. Vance, Nina, ALS, "Friday", TLS, Oct. 13, 1964. Weiler, Berenice, 2 TLS, Aug. 10, 1964 (signed by sec,), Sept. 9, 1964. B. Fan Mail, 1964-1972. 16 ALS, 8 TLS, 1 CTL, includes: Hellman, Lillian, TLS, Jan. 31, 1968. McClelland, Doug, TLS, July 7, 1972. IV. Printed Items A. By AR. 1. "Oasis in Indiana", Equity Dec, 1964, p. 9 + (f/2) 2. "The Wingless Eagle", Wellesley Aluli1nae!Magc1cz:i,ne, May·l966,.p. 12 '. B. About AR. Newsclippings and photocopies (including interviews with her), 1964- 1979. 15 items and 50th Reunion Book from Wellesley College, Class of 1926. C. Reviews of "Mother Courage", 1964. Newsclippings, 5 items. D. About AR's family. Newsclipping photo of C.T. Revere (AR's father) and "The Story of Hannah Duston" (AR's father's great-grandmother). 1940. (#3) E. Playbills, arranged chronologically, for plays in which AR appeared. 1. "As You Like It" by William Shakespeare. (NY: The Ritz Theatre, 1937). (113) Revere, Anne page 4 Box 2 2. "Liliom" by Ferenc Molnar (Maine: Surry Theatre, 1938). (f/3) 3. "Hedda Gabler" by Henrik Ibsen. (Maine: Surry Theatre, 1938). 4. "The Distaff Side" by John Van Druten. (Mai~e: Surry Theatre, 1938). 5. "The Good Hope" by Herman Heijermans. (Maine: Surry Theatre, 1938). 6. "Art and Mrs. Bottle" by Benn W. Levy. (Maine: Surry Theatre, 1939). 7. "Arms and the Man" by Geroge Bernard Shaw. (Maine, Surry Theatre, 1939). 8. "Three Si~ters" by Anton Chekov (Maine: Surry Theatre, 1939). 9, "Zero Hour" by George Sklar and Albert Maltz (Los Angeles: HTA Music Box Theatre, 1941). 10. "Mother Courage and Her Children" by Bertolt Brecht. English version by Eric Bentley. a. Purdue University: Loeb Playhouse, 1963, 4 copies. b. Olney, Md: Olney, Theatre, 1964, 3 copies. 11. "Romeo & Juliet" by William Shakespeare. (Purdue: Experimental Theatre, 1964). a. Playbill b. Advertisement \I . c. Two 1965 playbills for Stop the World - I Want to Get Off" anc "The Amorous Flea" which feature a photo of AR and Merle Louise in "Romeo and Juliet" on the cover. 12. "Long Day's Journey Into Night" by Eugene O'Neill (Purdue Univer­ sity, 196 7) . Revere, Anne page 5- Box 2 F. Hollywood, Duplicate newsclippings of reviews and columns from 1944 which are in scrapbooks, ca. 35 items. (#4) G. Announcements of Films 1. "Birch Interval", 1976, invitation to premiere screening. 2. "The Coming of the Stranger" advertisement. H. Reference, 1. "Mark Twain on the Income Tax", New York Times Magazine, April 9, 1961, Tearsheets. I. Lillian Hellman 1. Blackglama advertisement with AR' s note "The least gracious of my encounters." 2. Review of SCOUNDREL TIME in The New York Review, June 10, 1976. Tearsheet. V. Photog!aphs (All are black and white unless specifically mentioned otherwise.) A. Portraits of AR, 1902- ca, 1960's. ,,/ -~! 27 photos of varying sizes, arranged chronologically, c;a. 8 as small / child. (//5) B. Family photographs (includes AR's parents, brother and sisters). 7 photos of varying size. (#6) C. AR and Others. 1. Academy Awards. a. 1943, AR and husband Samuel Rosen, 8" x 10". b. 1945 i. AR, Van Heflin & James Dunn, 8" x 10". ii. AR, James Dunn, 8" x 10". iii. (1. tor.) James Dunn, Peggy Ann Garner, Jean Hersholt, Revere, Anne page 6 Box 2 Bob Hope, Dore Schary, Ray Milland and AR. (#6) c. 1946, Harold Russell and AR. 2. Florida, 1941. (Apparently AR & Spencer Tracy were to appear in "The Yearling" to be directed by Victor Fleming. The film was not made for five more years and featured Gregory Peck and Jane Wyman, directed by Clarence Brown). a. Victor Fleming, AR and Spencer Tracy, 4" x 5"; b. AR and Marjorie Kinnan Rawlings, author of the book "The Yearling", 4" x 5". c. Marjorie Kinnan Rawlings, 8" x 10". 3. Hospital Tour, 1945. a. AR and 4 unidentified people seated at dinner table, Memphis, TN', 5 11 x 7". b. AR and 10 veterans, U.S. Navy photograph, 8" x 10". 4. AR and child, Barbara Ann White, 1947, 2½" x 4½". 5. AR and Irene Worth, 6½" x 9½''. 6. AR and her director Bill , "The Glass Menagerie", Durham, NC, 1958, 8" x 10". D. Stage Appearances, all blick and white photographs unless indicated otherwise, (Chronologically arranged). 1. "Little Women",· (Cincinnati: Stuart Walker Stock Co., 1930). (117 a. Judith Lowry, AR and Katherine Hall, 8" x 10". b. Elizabeth Johnston, AR, Margaret Callahan and Katharine War­ ren, 8" x 10". c. Katharine Warren and Margaret Callahan, 8" x 10". Revere, Anne page 7 Box 2 2. "Dangerous Corner" (Suffern, NY: County Theatre, 1934), (1/7) a. (1. tor.) Kathleen Emery, Richard Kendrick, Robert Shayne, AR, Mary Morris, Isabel O'Madigan and Mitchell Harris. 7 11 X 9 3/8". b. (1. tor.) Kathleen Emery (seated), Mary Morris, Richard Kendrick, Robert Shayne, AR, Mitchell Harris. 711 x 9 3/1 3. "Candida" (Maine: Surry Theatre, 1937). · a. (1. to r.) Robert Adams, Alan Handley, Whit Bissell, Shep­ perd Strudwick, Katherine Emery and AR. 811 x 10". b. Whit Bissel and AR, 8" x 10". c, AR (in dressing room). 811 x 10". 4. "Arms and the Man" (Maine: Surry Theatre, 1938) and Robert Allen, 11 11 5 X 7 , 5. "Three Sisters" (Maine: Surry Theatre, 1939). 11 a. AR, Helen Winn, Katherine Emery. 4" x 6 • b. (1. tor.) Dorothy Matthews, Ann Garrett, AR, Shepperd Strud­ wick, two unidentified actors, Katherine Emery, unidenti· fied actor, Hume Cronyn. 311 x 7". c. AR and Shepperd Strudwick.. 5" x 6 3/4. 6. "Candida" (Los Angeles: Phoenix-Westwood Theatre, 1945), Sepia photographs. a, AR, Freddy Bartholomew and J. Warren Kerrigan. 8" x 10". 11 11 b. J, Warren Kerrigan and Freddy Bartholomew. 8 x 10 • 7. "Ladies in Retirement" (1940's), 6 of AR and other actors. 811 x 10". 8. "Four Twelves are 48" (NY: 48th St. Theatre, 1951). a. Ludwig Donath and AR, 8 11 x 10", Revere, Anne page 8 Box 2 b. AR and Hiram Sherman. 8" x 10". 9. "Captain Brassbound's Conversion" (Cambridge, MA: Brattle Theatre, 1952). 11 a. Jerome Kilty, AR, and Paul Sparer. 8" x 10 • b. AR and Paul Sparer. 8 11 x 10". c. AR, Earl Montgomery and Paul Sparer. 8" x 10". 10. "The World of Sholom Aleichem" (Chicago: 11th Street Theatre, 1954). a. Newsphoto of AR and 2 unidentified actors.
Recommended publications
  • Exhibits Registrations

    Exhibits Registrations

    July ‘09 EXHIBITS In the Main Gallery MONDAY TUESDAY SATURDAY ART ADVISORY COUNCIL MEMBERS’ 6 14 “STREET ANGEL” (1928-101 min.). In HYPERTENSION SCREENING: Free 18 SHOW, throughout the summer. AAC MANHASSET BAY BOAT TOURS: Have “laughter-loving, careless, sordid Naples,” screening by St. Francis Hospital. 11 a.m. a look at Manhasset Bay – from the water! In the Photography Gallery a fugitive named Angela (Oscar winner to 2 p.m. A free 90-minute boat tour will explore Janet Gaynor) joins a circus and falls in Legendary Long the history and ecology of our corner of love with a vagabond painter named Gino TOPICAL TUESDAY: Islanders. What do Billy Joel, Martha Stew- Long Island Sound. Tour dates are July (Charles Farrell). Philip Klein and Henry art, Kiri Te Kanawa and astronaut Dr. Mary 18; August 8 and 29. The tour is free, but Roberts Symonds scripted, from a novel Cleave have in common? They have all you must register at the Information Desk by Monckton Hoffe, for director Frank lived on Long Island and were interviewed for the 30 available seats. Registration for Borzage. Ernest Palmer and Paul Ivano by Helene Herzig when she was feature the July 18 tour begins July 2; Registration provided the glistening cinematography. editor of North Shore Magazine. Herzig has for the August tours begins July 21. Phone Silent with orchestral score. 7:30 p.m. collected more than 70 of her interviews, registration is acceptable. Tours at 1 and written over a 20-year period. The celebri- 3 p.m. Call 883-4400, Ext.
  • The Capitol Dome

    The Capitol Dome

    THE CAPITOL DOME The Capitol in the Movies John Quincy Adams and Speakers of the House Irish Artists in the Capitol Complex Westward the Course of Empire Takes Its Way A MAGAZINE OF HISTORY PUBLISHED BY THE UNITED STATES CAPITOL HISTORICAL SOCIETYVOLUME 55, NUMBER 22018 From the Editor’s Desk Like the lantern shining within the Tholos Dr. Paula Murphy, like Peart, studies atop the Dome whenever either or both America from the British Isles. Her research chambers of Congress are in session, this into Irish and Irish-American contributions issue of The Capitol Dome sheds light in all to the Capitol complex confirms an import- directions. Two of the four articles deal pri- ant artistic legacy while revealing some sur- marily with art, one focuses on politics, and prising contributions from important but one is a fascinating exposé of how the two unsung artists. Her research on this side of can overlap. “the Pond” was supported by a USCHS In the first article, Michael Canning Capitol Fellowship. reveals how the Capitol, far from being only Another Capitol Fellow alumnus, John a palette for other artist’s creations, has been Busch, makes an ingenious case-study of an artist (actor) in its own right. Whether as the historical impact of steam navigation. a walk-on in a cameo role (as in Quiz Show), Throughout the nineteenth century, steam- or a featured performer sharing the marquee boats shared top billing with locomotives as (as in Mr. Smith Goes to Washington), the the most celebrated and recognizable motif of Capitol, Library of Congress, and other sites technological progress.
  • Comes to Life in ELLA, a Highly-Acclaimed Musical Starring Tina Fabrique Limited Engagement

    Comes to Life in ELLA, a Highly-Acclaimed Musical Starring Tina Fabrique Limited Engagement

    February 23, 2011 Jazz’s “First Lady of Song” comes to life in ELLA, a highly-acclaimed musical starring Tina Fabrique Limited engagement – March 22 – 27, 2011 Show features two dozen of the famed songstresses’ greatest hits (Philadelphia, February 23, 2011) — Celebrate the “First Lady of Song” Ella Fitzgerald when ELLA, the highly-acclaimed musical about legendary singer Ella Fitzgerald, comes to Philadelphia for a limited engagement, March 22-27, 2011, at the Annenberg Center for the Performing Arts. Featuring more than two-dozen hit songs, ELLA combines myth, memory and music into a stylish and sophisticated journey through the life of one of the greatest jazz singers of the 20th century. Broadway veteran Tina Fabrique, under the direction of Rob Ruggiero (Broadway: Looped starring Valerie Harper, upcoming High starring Kathleen Turner), captures the spirit and exuberance of the famed singer, performing such memorable tunes as “A-Tisket, A-Tasket,” “That Old Black Magic,” “They Can’t Take That Away from Me” and “It Don’t Mean A Thing (If It Ain’t Got That Swing).” ELLA marks the first time the Annenberg Center has presented a musical as part of its theatre series. Said Annenberg Center Managing Director Michael J. Rose, “ELLA will speak to a wide variety of audiences including Fitzgerald loyalists, musical theatre enthusiasts and jazz novices. We are pleased to have the opportunity to present this truly unique production featuring the incredible vocals of Tina Fabrique to Philadelphia audiences.” Performances of ELLA take place on Tuesday, March 22 at 7:30 PM; Thursday, March 24 at 7:30 PM; Friday, March 25 at 8:00 PM; Saturday, March 26 at 2:00 PM & 8:00 PM; and Sunday, March 27 at 2:00 PM.
  • The Museum of Modern Art Announces Holiday Hours and Special Programming for the Holiday Season

    The Museum of Modern Art Announces Holiday Hours and Special Programming for the Holiday Season

    THE MUSEUM OF MODERN ART ANNOUNCES HOLIDAY HOURS AND SPECIAL PROGRAMMING FOR THE HOLIDAY SEASON MoMA Will Open One Hour Early December 26–December 31 Lantern Slide Shows on November 30 & December 1 Joan Blondell Film Retrospective, December 19–31 New York, November 27, 2007—The Museum of Modern Art announces special holiday hours and programming this holiday season, including longer hours during Christmas week and a new information desk specifically geared to families with younger visitors. The Museum presents a special showing of a Victorian-era entertainment with a lantern-slide shows for adults and children on November 30 and December 1, as well as daily screenings of classic Hollywood films featuring Joan Blondell from December 19 through 31. Special exhibitions featuring the rarely exhibited drawings of Georges Seurat and the contemporary sculpture of Martin Puryear are on view through the holiday season, and a major exhibition of the etchings of British artist Lucian Freud opens on December 16. MoMA is located in midtown Manhattan, just steps from Fifth Avenue, Rockefeller Center, and Radio City Music Hall. HOLIDAY HOURS AND ADMISSION To accommodate holiday visitors, The Museum of Modern Art will be open one hour earlier than usual—at 9:30 a.m.—from December 26 through January 1. In addition, the museum will be open on New Year’s Day, Tuesday, January 1. Holiday Hours: December 24, 10:30 a.m. - 3:00 p.m. Closed December 25. December 26 and 27: 9:30 a.m. - 5:30 p.m. December 28: 9:30 a.m. - 8:00 p.m.
  • January 2015

    January 2015

    January 2015 HDNet Movies delivers the ultimate movie watching experience – uncut - uninterrupted – all in high definition. HDNet Movies showcases a diverse slate of box-office hits, iconic classics and award winners spanning the 1950s to 2000s. HDNet Movies also features kidScene, a daily and Friday Night program block dedicated to both younger movie lovers and the young at heart. For complete movie schedule information, visit www.hdnetmovies.com. Each Month HDNet Movies rolls out the red carpet and shines the spotlight on Hollywood Blockbusters, Award Winners and Memorable Movies th rd Always (Premiere) January 8 at 6:30pm The Missing (Premiere) January 3 at 8:00pm Starring Richard Dreyfuss, Holly Hunter, John Starring Tommy Lee Jones, Cate Blanchett, Evan Goodman, Audrey Hepburn. Directed by Steven Rachel Wood. Directed by Ron Howard. Spielberg. The Quick and the Dead January 3rd at 6:00pm Antwone Fisher (Premiere) January 2nd at 4:35pm Starring Sharon Stone, Gene Hackman, Russell Starring Derek Luke, Denzel Washington, Joy Bryant. Crowe, Leonardo DiCaprio. Directed by Sam Raimi. Directed by Denzel Washington. Tears of the Sun (Premiere) January 10th at th A Few Good Men January 10 at 6:30pm 9:00pm Starring Tom Cruise, Jack Nicholson, Demi Moore, Starring Bruce Willis, Monica Bellucci, Cole Hauser, Kevin Bacon. Directed by Rob Reiner. Tom Skerritt. Directed by Antoine Fuqua. Make kidScene your destination every day from 6:00am to 4:30pm. Check program schedule or www.hdnetmovies.com for all scheduled broadcasts. An American Tale January 1st at 6:00am Lego: The Adventures of Clutch Powers (Premiere) January 4th at 7:30am Featuring voices of: Christopher Plummer, Madeline Kahn, Dom DeLuise.
  • Inmedia, 3 | 2013, « Cinema and Marketing » [Online], Online Since 22 April 2013, Connection on 22 September 2020

    Inmedia, 3 | 2013, « Cinema and Marketing » [Online], Online Since 22 April 2013, Connection on 22 September 2020

    InMedia The French Journal of Media Studies 3 | 2013 Cinema and Marketing Electronic version URL: http://journals.openedition.org/inmedia/524 DOI: 10.4000/inmedia.524 ISSN: 2259-4728 Publisher Center for Research on the English-Speaking World (CREW) Electronic reference InMedia, 3 | 2013, « Cinema and Marketing » [Online], Online since 22 April 2013, connection on 22 September 2020. URL : http://journals.openedition.org/inmedia/524 ; DOI : https://doi.org/10.4000/ inmedia.524 This text was automatically generated on 22 September 2020. © InMedia 1 TABLE OF CONTENTS Cinema and Marketing When Cultural Demands Meet Industrial Practices Cinema and Marketing: When Cultural Demands Meet Industrial Practices Nathalie Dupont and Joël Augros Jerry Pickman: “The Picture Worked.” Reminiscences of a Hollywood publicist Sheldon Hall “To prevent the present heat from dissipating”: Stanley Kubrick and the Marketing of Dr. Strangelove (1964) Peter Krämer Targeting American Women: Movie Marketing, Genre History, and the Hollywood Women- in-Danger Film Richard Nowell Marketing Films to the American Conservative Christians: The Case of The Chronicles of Narnia Nathalie Dupont “Paris . As You’ve Never Seen It Before!!!”: The Promotion of Hollywood Foreign Productions in the Postwar Era Daniel Steinhart The Multiple Facets of Enter the Dragon (Robert Clouse, 1973) Pierre-François Peirano Woody Allen’s French Marketing: Everyone Says Je l’aime, Or Do They? Frédérique Brisset Varia Images of the Protestants in Northern Ireland: A Cinematic Deficit or an Exclusive
  • Playwright DAVID HARE Receives the Guild's 2017 GIELGUD AWARD

    Playwright DAVID HARE Receives the Guild's 2017 GIELGUD AWARD

    But the culminating moments of a richly varied program Playwright DAVID HARE Receives were devoted to the GIELGUD AWARD FOR EXCELLENCE IN THE DRAMATIC ARTS and to the afternoon’s final presentation, for The Guild’s 2017 GIELGUD AWARD OUTSTANDING CONTRIBUTION TO BRITISH THEATRE.. That trophy went to LYN GARDNER, “a renowned theatre journalist, critic, n Sunday, October 15, at a memorable UK THEATRE author, and champion of the industry, whose invaluable O AWARDS luncheon in London’s historic GUILDHALL, one insights can most often be found in The Guardian and The of today’s most versatile dramatic artists received the 2017 Stage, of which she is an associate editor.” GIELGUD AWARD FOR EXCELLENCE IN THE DRAMATIC ARTS. Not only has DAVID HARE enriched our theatrical repertory resenting this year’s GIELGUD AWARD was FREDDIE FOX, with some of the most resonant and challenging stageplays of P an actor of impeccable pedigree who is admired for our era. He has also produced screenplays that have garnered films such as The Three Musketeers, Victor Frankenstein, The Riot Club, Pride, and Worried About the Boy, as well as for such stage roles as Bosie in The Judas Kiss, a David Hare drama about the tragic fall of Oscar Wilde. Mr. Fox talked about how much he’d enjoyed working not only with Sir David but with artistic director Jonathan Kent while co-starring in this Hampstead Theatre production. As he bestowed the 2017 GIELGUD trophy, he shared two messages from admirers of Sir David who were unable to attend the Guildhall luncheon.
  • Available on Dvd at Your Library

    Available on Dvd at Your Library

    WESTERNS AVAILABLE ON DVD AT YOUR LIBRARY FAMOUS ADAPTATIONS 3:10 to Yuma This tale of a rancher badly in need of money who volunteers to help guard an infamous outlaw en route to prison is based on an Elmore Leonard short story and has been adapted twice for the big screen. The 1950s film stars Van Heflin as the rancher and Glenn Ford as the outlaw while the 2007 version features Christian Bale as the rancher and Russell Crowe as his infamous nemesis. The Magnificent Seven The 1960 American remake of a Japanese film transferred the action to the Old West and featured some of the then-biggest names in Hollywood (including Yul Brynner, Steve McQueen, and Charles Bronson) as gunfighters hired to protect a small Mexican village from a psychotic outlaw (Eli Wallach) and his gang. The recent remake keeps the Old West setting and includes Denzel Washington, Vincent D’Onofrio, and Chris Pratt as some of the guns for hire. True Grit True Grit is a stellar novel about a determined young woman named Mattie who hires the irascible Rooster Cogburn to hunt down the outlaw who murdered her father. The original 1960s movie won John Wayne a Best Actor Oscar for his performance as Cogburn while the more modern version (starring Jeff Bridges) won the Coen Brothers much acclaim for its departure from their usual distinctive style. WESTERN TELEVISION SERIES Bonanza The Cartwrights are a wealthy family of ranchers in Nevada, circa the 1860s. The show focuses on the adventures of level-headed, wise Cartwright patriarch Ben (Lorne Green) and his 3 adult sons: intellectual Adam (Pernell Roberts), gentle Hoss (Dan Blocher), and fiery Little Joe (Michael Landon).
  • Monday 25 July 2016, London. Ahead of Kirk Douglas' 100Th Birthday This

    Monday 25 July 2016, London. Ahead of Kirk Douglas' 100Th Birthday This

    Monday 25 July 2016, London. Ahead of Kirk Douglas’ 100th birthday this December, BFI Southbank pay tribute to this major Hollywood star with a season of 20 of his greatest films, running from 1 September – 4 October 2016. Over the course of his sixty year career, Douglas became known for playing iconic action heroes, and worked with the some of the greatest Hollywood directors of the 1940s and 1950s including Billy Wilder, Howard Hawks, Vincente Minnelli and Stanley Kubrick. Films being screened during the season will include musical drama Young Man with a Horn (Michael Curtiz, 1949) alongside Lauren Bacall and Doris Day, Stanley Kubrick’s epic Spartacus (1960), Champion (Mark Robson, 1949) for which he received the first of three Oscar® nominations for Best Actor, and the sci- fi family favourite 20,000 Leagues Under the Sea (Richard Fleischer, 1954). The season will kick off with a special discussion event Kirk Douglas: The Movies, The Muscles, The Dimple; this event will see a panel of film scholars examine Douglas’ performances and star persona, and explore his particular brand of Hollywood masculinity. Also included in the season will be a screening of Seven Days in May (John Frankenheimer, 1964) which Douglas starred in opposite Ava Gardner; the screening will be introduced by English Heritage who will unveil a new blue plaque in honour of Ava Gardner at her former Knightsbridge home later this year. Born Issur Danielovich into a poor immigrant family in New York State, Kirk Douglas began his path to acting success on a special scholarship at the American Academy of Dramatic Arts in New York City, where he met Betty Joan Perske (later to become better known as Lauren Bacall), who would play an important role in helping to launch his film career.
  • Firpdfwuod! HOLLYWOOD

    Firpdfwuod! HOLLYWOOD

    **THE EVENING STAR, Washington, D. C. AMUSEMENTS. AMUSEMENTS. B-10 MONDAY. JULY 13. 1983 His Effect Frets 'High Noon' Song The Passing Show Spillane's Hero Served as Horse •y ths Associated Press By tha Associated Pras» HOLLYWOOD. HOLLYWOOD. Man James Stewart Biff Elliott, a onetime re- Dmitri Tiomkin, composer I mnum VftTHiYIiTR&Ji Quiet the ballad, “High Noon,” porter of the Bangor (Me.) of hit gives an ' insight on how to i mm *' Daily News, - mrmrnrm Prospers in Movies now admits that write successful songs. Still he has graduated into public « MEDINA By Jay Carmody sadist No. 1. “When I first saw the pic- quiet of. Hollywood Is a fellow play Hammer, ture before scoring it, I knew AIR CQNfttTMNtD JJiHlii The real man named James Biff will Mike || fV//J fj Stewart. He is so inconspicuous, despite his height, that it just the gory detective of the that music would have to take - *£.' place l' . '. now is occuring to everybody he is making more money than any- Mickey Spillane thrillers which the of horse’s hooves.’’ ’ ,ilU lQSi£Sf . ' The movie is the only one in Hollywood . Stewart’s deals for pictures are on the basis are devoured by millions of west- percentage profits, mystery ern ever made in which the of a generous of the as much as 50 per cent , .. book fans. never gets usually good, for reason because Stewart has currently hero astride a horse. «¦»* o.|ii The profits are one He is making “1, IBBiWffflißl i mm »w«i It Lost few days! 4 one of Hollywood’s sharpest eyes for not merely good roles for the the Jury,” the first of the The ballad corrected that slap QUEEN star, good stories for the pa- Spillane at Hollywood convention.
  • LSA Template

    LSA Template

    ARCHITECTURE Copyright Lighting &Sound America May 2017 http://www.lightingandsoundamerica.com/LSA.html 44 • May 2017 • Lighting &Sound America The Hud son Tak es a Bow Inside Broadway’s newest vintage theatre By: David Ba rbour B he Broadway community received a gleaming new/old gift this spring with the reopening of the Hudson Theatre. Since its 1903 debut, with Ethel Barrymore starring in a comedy titled Cousin Kate , the Hudson, Tlocated on West 44th Street, between Seventh and Sixth Avenues, has played host to premieres by Somerset Maugham, Howard Lindsay and Russel Crouse, and Lillian Hellman, starring, among others, Judith Anderson, Van Heflin, Maureen Stapleton, Laurence Olivier, Jason Robards Jr., Jane Fonda, and Geraldine Page. The theatre has had many lives since in the following decades; its return provides Broadway with a much-needed additional house for intimate drama and musicals. As a bonus, its new owner, the London-based Ambassador Theatre Group, appears determined to keep the Hudson busy. The theatre reopened in March, with a limited-engagement revival of the musical Sunday in the Park with George , starring Jake Gyllenhaal and Annaleigh Ashford. It will be followed by a stage adaptation of George Orwell’s 1984 , a transfer from London’s Almeida Theatre, starring Tom Sturridge, Olivia Wilde, and Reed Birney. Originally designed by William H. McElfatrick, a noted turn-of-the-last-centu - a k ry theatre architect, the Hudson was built by Henry B. Harris, a successful pro - a M g ducer, who also was responsible for the Fulton Theatre, later known as the e r G : Helen Hayes, on 46th Street.
  • GSC Films: S-Z

    GSC Films: S-Z

    GSC Films: S-Z Saboteur 1942 Alfred Hitchcock 3.0 Robert Cummings, Patricia Lane as not so charismatic love interest, Otto Kruger as rather dull villain (although something of prefigure of James Mason’s very suave villain in ‘NNW’), Norman Lloyd who makes impression as rather melancholy saboteur, especially when he is hanging by his sleeve in Statue of Liberty sequence. One of lesser Hitchcock products, done on loan out from Selznick for Universal. Suffers from lackluster cast (Cummings does not have acting weight to make us care for his character or to make us believe that he is going to all that trouble to find the real saboteur), and an often inconsistent story line that provides opportunity for interesting set pieces – the circus freaks, the high society fund-raising dance; and of course the final famous Statue of Liberty sequence (vertigo impression with the two characters perched high on the finger of the statue, the suspense generated by the slow tearing of the sleeve seam, and the scary fall when the sleeve tears off – Lloyd rotating slowly and screaming as he recedes from Cummings’ view). Many scenes are obviously done on the cheap – anything with the trucks, the home of Kruger, riding a taxi through New York. Some of the scenes are very flat – the kindly blind hermit (riff on the hermit in ‘Frankenstein?’), Kruger’s affection for his grandchild around the swimming pool in his Highway 395 ranch home, the meeting with the bad guys in the Soda City scene next to Hoover Dam. The encounter with the circus freaks (Siamese twins who don’t get along, the bearded lady whose beard is in curlers, the militaristic midget who wants to turn the couple in, etc.) is amusing and piquant (perhaps the scene was written by Dorothy Parker?), but it doesn’t seem to relate to anything.